#ive wanted to read it for so long

[wish-i-were-heather]

ok i finished better than the movies, (after two weeks oml) it was cute and i think liz is less annoying but honestly i still dont like her that much :( i probably wont read the sequel but it was still good

IM GONNA READ SIX OF CROWS NOW FINALLY YAYYAYAYYA

[daisybell-on-a-carousel]

Being someone who read Under The Red Hood and came out with the firm belief that, for Jason, it's not about killing Joker, it's about Jason wanting proof Batman would choose him over the Joker (bc shelia chose the joker). Makes seeing any other media where it's all about just wanting the Joker dead is a teeny bit frustrating. to be honest

Jason could've killed the Joker himself, really, really easily. Jason kidnaps the Joker before the confrontation. I can't open my comic for a reference right now, but it felt like he had the Joker for quite a bit before the confrontation. He had him. He beat him up with a crowbar. He had every single opportunity to kill the Joker himself, but he didn't because that wasn't his goal. Make no mistake, he did plan for the Joker to be dead by the end of it, but do you see what im trying to say here

Edit: If I knew this post was gonna get 1000+ notes I would've tried to word it better or something, this was a rant I made on the way to the grocery store 😭

It's not about making Batman kill either. When Batman says he won't kill, Jason adjusts and goes, 'Let ME kill the Joker or kill me to stop me' instead. The test is all about Batman choosing him. The whole final confrontation is Jason's first death again. The parent, The Joker, and the explosives. It even ends with Jason unable to move as a bomb goes off right next to him again because the parent didn't choose Jason. And instead tried finding an option that'd benefit them and (consequencely) letting the Joker walk, again, lol, lmao <-in agony

[vintrage]

fire cannot kill a dragon BITCH

[puppppppppy]

act 4 :(

@chipper-smol and i came to a realization

[petricorah]

scenes i loved from Real Enough to Get Me Through by @marriedzukka <333 [ids in alt]

[lucabyte]

Different standards

[wasyago]

the brainrot won

[rexwrendraws]

Saw a gifset of Morpheus and had the random thought that he'd make a fantastic children's picture book mouse character— and now I really, really want a fic where he appears in a kid's dream as a Kevin Henkes/Helen Craig/Beatrix Potter -esque mouse as to not scare them or something. I think it's something about Morpheus' usual mousey moue and big wet eyes that make it work in my head lolll Mousepheus!!

[cookiedough77]

hey did you guys know i love drawing peoples redesigns/aus?

soo... @flyzzle ... got some cool art over there...

marinette and adrien! (links to their refrences)

[katabay]

THE JETSET LIFE IS GONNA KILL YOU, ERIC CARTER!

my laptop charger uhhhhhh. met its end in a very permanent, very fire hazardy kind of way last week. while waiting for a replacement I decided to try and get some work done at the library and was asking around for some urban fantasy (extra points for a mystery plot of some kind) recommendations to check out while I was there

the eric carter series was mentioned a couple of times, AND had the added bonus of having a necromancer for a main character. I love necromancers. someday I'm gonna play one in a game instead of immediately defaulting to vampires.

Fire Season, Stephen Blackmoore

[ghastigiggles]

(p.2) unlearning takes time

[part 1] [...] [part 3 (not done yet)]

[xxplastic-cubexx]

if i said i picked up this issue for anything but drunk erik i fear i'd be lying

(Wolverine (2020) #3)

[choccy-milky]

NSFW comic ive been wanting to do for a while of seb getting…influenced…by the dark relic👀👀no idea how long its gonna be or how long itll take, so have a wip for now 🙃

[puppppppppy]

i like him

[maid-of-the-golden-deer]

im sorry but "kill the villainess" (story by your april and art by haegi, included those because there wre Many similarly named stories lmao) is what ALL those other bitches THINK they are

the repeating pattern of all the men around her becoming obsessed with her not because of their Real relationship, but what they projected onto her- mirroring the common "heroine picks up 5 dudes nobly obsessed with her" trope in a much more realistic, gross way. the one guy who is Genuinely in love with her is a bit Obsessive with it but it still is genuine a result of her Actions, not whatever he made up in his own head

the way all the named characters, important or not, got a short and sweet (or. very Not sweet. the dressmakers story hit me with such powerful melancholy i had to put my phone down) backstory that explains who they are and why they act a certain way. down even to the "super supportive maid" all these stories have, who usually only get paired off with a spare man if theyre lucky, being revealed to being one of the most integral characters to the narrative

the Hints of lore but All of that lore doubling back to serve a purpose beyond a single relevant arc- maybe its just me but a lot of these generic female oriented fantasy novels love to drop a lot of keysmash-named lore dumps that arent rlly thought out that well. but here, for one example, jareds dragon killing story that helped the eris figure out the rules of causality coming back to be his karmic punishment? gold

and related to that, how they really went into the functionality of the fantasy world, how its real and not- milennia of history and legends and stories and people (awful as 90% of them seem to be lol) doomed to die, with medea dedicating her life to finding way to avert that? finding a new "author" within the story, a side character who before anyone else decided to change their own narrative by giving themselves a new name, changing fate before "eris" ever arrived?

helenas arc not being the now kinda overdone twists of "the perfect heroine from the story is actually a huge BITCH" or "the perfect heroine also transmigrated", but instead a woman who acted ignorant to survive learning that they may help you in the moment, but not forever, and finally Properly standing up for herself at the end

and to tie it all together, the premise itself. "eris" not wanting to just Accept her new life, not having a dramatically terrible life that one would want to escape, just a normal ho hum one with normal trauma and baggage anyone might have. addressing the "realities", as it were, of escapist fantasy- some people probably truly do want a whole new life, but 90% of people would end up desperately, achingly missing what they used to have

tldr kill the villianess feels like it stepped back, saw all the overused tropes of the genre good and bad, and decided it wanted to tackle them and tackle them well

[umblrspectrum]

still thinking about it so heres a bunch of stuff