#its so loud but i kinda like it

[ang3l-d1nn3r]

I can hear the rain patting loudly against my windows it's like someone's there just like hiiii

[shrublee]

guys I think he promised something but im just guessing....

[xxplastic-cubexx]

ohhh i just know magneto is so pathetic in bed constantly asking charles if he’s making him feel good and charles just praising him like 😌😌😌😌😌😌😌😌😌😌😌😌😌😌😌😌😌😌😌😌😌

THIS IS WHAT I LOG ON TO THIS WEBSITE FOR 🗣️🗣️🗣️🗣️🗣️

[triglycercule]

happy birthday dust sans :3 ‼️🎊

"well, that's that. a grand execution, the perfect punishment for a sinner with lifetimes worth of crimes, and yet, nobody showed up, and dust didn't even try to fight back."

"heh. sounds pretty pathetic to me... but hey, maybe this was what he wanted."

"to die alone only accompanied by the ones he hated with nobody who he'd actually want to witness this?"

"maybe dying only with yourself would be less embarrassing than a public show. privacy is something you never realize you want until you lose it."

"... you were right, that does sound pathetic."

[sneeb-canons]

mind can rarely crack his joints bc his bones are metal and whatever and usually run pretty smoothly. but on the rare occasion that he can crack them. it sounds like the entire house is being torn apart by fireworks and violent explosions. his back snaps like a godsamn whip and his neck cracks so hard it's a surprise he didn't break his own spine. every single joint in his body will pop louder than anyone in the house has ever yelled, without fail.

he'll always make sure to do this in direct vicinity of both heart and soul because as he rearranges his internal structures they will stare on in sheer, absolute horror, especially considering that once he's done, he just continues on with his task as if it never happened and as if every atom in his body hasn't been split in two

Headcanon #632

[druidonity2]

King

[starlene]

Wicked, as reviewed by Finland's leading newspaper

The musical, Finnish production, 2010: the music is bland, the politics are confusing and dumb, the moral of the story is muddled

The movie, part 1, 2024: the best thing about this movie is that they don't burst into song all the time

The movie, part 2, 2025 (my prediction): it's confusing how Glinda did bad things and Elphaba did good things, and also, all songs should have been replaced with wordless silence

[avenin7]

some silly rito Link scribbles involving some headcanons of mine.

first that he is very much trans and because his natural coloring lacks his “masculine” marks, instead he paints them on. The first time Revali sees him without his marks painted on startles him so badly he accidentally makes Link think he’s transphobic for like a week. (it doesn’t help that Link would rather bury himself in the gerudo desert than allow Revali to explain himself)

secondly is the fact that Revali is very much an annoying teenage boy bird about his crush; Link wants nothing to do with it

{I’m reading a wonderful fic right now that is emphasizing Revali’s teen angst and man did it influence these drawings! give me cringe fail boy revali any day!!}

[lefaystrent]

Can I have your attention please? Yes? Thank you, it's mine now.

[tempestaurora]

just because the meaning is different in the show doesn’t mean there’s no meaning. the writers aren’t bad at their jobs, they’re not going to shove in scenes from the books with zero reason to be there other than pandering. they just changed the meaning. i know the i will have you without your armour or i will not have you at all didn’t have the same lead up, but they didn’t leave it floundering. they gave inej a fantasy, they gave her a hope, and then they had her fight with it, had kaz fight with it, for the entire season. 

inej hallucinated a life where kaz removes her knives and his gloves, their protection, their armour, to allow themselves vulnerability with each other, to allow love and intimacy. her asking for the removal of his armour has never and will never be about touch alone - it’s a metaphor for vulnerability. and she, in that final scene, wears no knives. she speaks her heart. she allows herself to be damaged by him because she is showing a vulnerability that he, in return, can’t manage, because he is still wearing his literal and emotional gloves. 

it’s not going to have the same meaning because it literally can’t. this is a new story about the same characters, a new chronology. so instead they laid out a simpler path to give the words a new, visual meaning. she is without armour, he is not. until he is able to lower his defences for her, they cannot be together. 

[koqen]

⠀⠀remember me for who i was ⠀⠀☂️

[dexter-erotoph]

i havent mentioned how unreasonably happy i am about this….. id say im like one of eyes’ biggest fans i love them so much

[xxplastic-cubexx]

thinkin bout magneto's lil list of aliases from that One Shot of his government file or w/e in 97 and how it lists the three main men who've played him (David Hemblen, Ian McKellen, Michael Fassbender) and kinda cackling at the idea 1.) if they included All his names 2.) having 'michael' on that list twice

[crescentfool]

i love ryomina

no but seriously. even when i’m thinking about other things that captivate my interest, i find myself coming back to them and feeling like i fell down three whole flights of staircases every time i do. they are one of my favorite pairs in media and are very special to me.

it’s the way that ryoji and minato’s lives are inevitably intertwined with each other due to the circumstances 10 years ago on the moonlight bridge. without no minato, there is no ryoji. minato as he is today is because of ryoji. they have irreparably affected each other’s lives that you cannot discuss one without bringing up the other one.

ryoji mochizuki, who is death, pharos, thanatos, nyx avatar, the man of many names and identities, is the perfect summation of p3′s messages and themes.

minato arisato, the wildcard and protagonist, who has boundless kindness in his actions despite the unfortunate cards handed to him.

the two of them complement each other and tell a beautiful story from start to finish.

minato’s personas capture this perfectly. he awakens to orpheus, who’s flames burns bright, is snuffed out by thanatos during the encounter against the arcana magician. a visual precursor of the idea that ryoji stole from the life that minato could have had.

it’s the way that over the course of the game as minato interacts with pharos, talking throughout the dark hour, forging a bond that cannot be broken, that allows ryoji to exist. minato humanizes death.

november. the bells toll, calling the appriser. and yet, it’s peaceful... quiet, and full of life. ryoji, who breaks free from death’s chains, refusing his role, is given the chance to live for a month. to make the most of the humanity that minato has given him over those ten years. and what a life he lived. ryoji’s life is a reflection of what minato’s life could have been like in another universe.

it is the way the two of them are reflections of each other. ryoji with his hair down is just like minato. they are both stubbornly committed to choosing to be kind, to love life, yet are chained down by the cards the narrative dealt them with. they finish each other’s sentences, knowing each other intimately in a way no one else does.

how is that, a boy who lived for only one month, profoundly changes the course of the narrative? he is simultaneously relevant and irrelevant. blink, and you miss it, the beautiful life that he led.

ryoji is horrified at the revelations of being the appriser. he who so desperately wished to forget that his existence was meant to bring the end to all life, was unable to escape the inevitability of death. in a non-human way, of course. he becomes remorseful. a shadow of his brief time as a human who was enamored by the small beautiful things that life had to offer.

he is swallowed by grief. grief knowing that his very existence will take away not only minato’s life, but everyone else’s. the very thing that ryoji loved- life, fundamentally went against the role he was born for- to be the harbinger of death. and unable to grapple with this sadness he believes that the best thing for minato to do is to kill him, so that SEES can live in bliss not knowing about their inevitable end.

SEES is left rattled, calling into question what the meaning of life is and what they do when faced against the inevitability of death.

and!!! minato chooses!! for ryoji to live!! even in spite of what ryoji is MEANT to embody, minato still stubbornly chooses to defy death itself! and if that’s not cool i don’t know what is!! minato wants everyone to have the chance to live!!

so he climbs. he ascends tartarus, to meet ryoji, again, who is now the nyx avatar. and i just think there’s something so so beautiful about being able to use messiah, minato’s ultimate persona, against nyx avatar.

messiah, being the fusion of orpheus and thanatos is peak ryomina to me. because ryoji and minato have established an unbreakable bond from having been entwined for 10 years, minato still has a piece of death with him, and by proxy!! ryoji is able to defy and rebel against nyx trying to bring the fall! and i think that’s fucking cool shit if you ask me!

even when all of the arcanas have been gone through, it’s still not enough to stop the fall. and yet. minato knows. in the way that ryoji was sealed in minato 10 years ago by aigis... minato becomes the great seal so that everyone can live. it comes full circle.

march rolls around. he fulfills his promise to SEES on graduation day. minato dies from exhaustion. but goddamn does his sacrifice make me weep- he’s had such, such a tiring journey. he’s been through so many things because he was at the wrong place at the wrong time. but at the end of it all, he’s reunited with ryoji in death.

and i think this is why ryomina continues to evoke so much emotions for me, to this day. the relationship that they have embodies so much of persona 3′s messages and themes that it makes me feel like a microwave with nothing running in it.

p3′s message is very hopeful, for me. my favorite takeaway from it is that even if death is inevitable, appreciating the life that we were given and choosing to live as best as we can with kindness (even if we can’t feasibly do everything), is just? really nice? and you see this manifest in both ryoji and minato’s personalities and what they do for the other characters.

ryomina just feels so distinct to me, the flavor that their relationship ties back to my favorite takeaways from this game and im just!!  god!! i love you minato arisato! i love you ryoji mochizuki! im so glad that i could meet them! i’m happy that they changed my life! they made me want to appreciate the connections in life even if they were fleeting! they made me!! want to pay attention to the good moments in life and cherish them!

i love ryomina so much!!! i’m so glad that these two could bring so much joy into my life! and i hope that others can have this joy too! 💛💙

[alex-just-vibing]

bro what do people do at parties im too autistic for this shit

[bmpmp3]

and another thing about vocal synth fans: we will always find some adult male voicebank to turn into a funny little clown for our amusement. some guy to communally bully in our talkloids, the miserable straightman to the shenanigans, the sad little freak punchline to our jokes. it happened to kaito. it happened to gakupo. it happened genbu. it even happened a bit to kevin (although he seems to have looped around somehow). and it will happen to you too, frimomen. it will happen to you too.