#its so funny how she went from my least favourite character to my favourite within the span of one trial

[waiting-on-a-dream]

?? That was a quick change of mood

merry christmas from linagram!

merry christmas everyone.. merry christmas.. you get these guard plushies as a present. blessed miki plushie that says she forgives you and she will do anything to save you and cursed eiji and hinode plushies that drink your pepsi and say you're guilty and use the amnesia machine on you

this drawing in particular has t1 eiji and miki here but it's okay. it's okay

you can read the christmas special vd under the cut! also yes it's canon actually.

Hinode: So.. Christmas, huh? 

Miki: .. Hm? Is it Christmas already? 

Hinode: Well, if this calendar is to be believed.. 

Hinode: I've never imagined myself celebrating Christmas in a prison, haha. 

Miki: .. Right. 

Hinode: Is everything okay, Miki-san? You're not.. um, in a holiday mood? 

Miki: .. I guess. 

Hinode: Wait, what are these? So many boxes..

Miki: O-oh, I'm wrapping presents for the prisoners. 

Hinode: Really? Did they ask for something? 

Miki: I've asked them to write down what they want for Christmas and this morning I had everything prepared. I just need to make these things look.. well, like presents. 

Hinode: You still want them to have a nice Christmas even though they're in prison.. You are so kind, Miki-san. 

Miki: W-well, that's just a part of my job as this prison's goddess.. 

Hinode: "Goddess"?.. 

Miki: Never mind. 

Hinode: O-okay.. So, what did everyone ask for? 

Miki: Let's see.. 

Miki: Miyagawa-san asked for a diary. His head injury is slowly getting better, but his memory still isn't the best at the moment and he wants to write everything down so that he won't forget about it. He also just finds making notes useful. 

Miki: This diary here has a lock too. Miyagawa-san will have to come up with a password.. 

Hinode: W-what if he forgets the password too?.. 

Miki: .. Well, that won't be my problem. 

Miki: Aimi-chan asked for more cute hairclips. I have a lot of them here.. 

Miki: Though she actually asked for them not because she wants to use them for herself, but because she wants to do my hair. 

Miki: She said that my hair looks really messy these days. 

Hinode: To be honest, I can't help but agree with her. And what about your pigtails? 

Miki: .. I can't be bothered to take care of that. 

Miki: Ishizu-san asked for this anime figure. It looks pretty detailed. 

Miki: I find it interesting how he remembered the character's name, the title of the anime she's from, what this particular figure is called.. 

Miki: His memory really works well when it comes to things he likes. 

Miki: Chiba-san didn't know what to ask for at first, but then she wrote that her request might be a little bit too specific.. 

Miki: And she asked for a small glass figure of a cat.

Hinode: That's.. actually quite specific.

Miki: When I asked her about it, she said that she just misses her cat a lot. I offered to get her a plushie or something else that could remind her of her cat, but she said that she would like to have a glass figure specifically. 

Miki: She said that she used to.. collect them? But I don't remember her ever mentioning something like that..

Hinode: .. I think you should remember that detail just in case.

Hinode: Prisoners requesting something they wouldn't request in a different setting or situation should be considered suspicious. 

Hinode: I mean.. I've heard about what Riku did during the first trial.

Miki: .. Maybe you're right. I'll keep that in mind.

Miki: Now, Kei-san..

Miki: Kei-san asked for... spray paint?

Hinode: What is it with everyone suddenly getting new interests and hobbies..

Miki: When I asked him about it, he just went..

Miki: "Come on, Miki! I just want to make our prison more pretty! I want to make it more colorful! Everyone looks so sad these days.."

Miki: We can't ask Eiji-san about it right now, but I really doubt Kei-san really just.. "wants to make this prison more pretty".

Hinode: He's.. an interesting individual, that's for sure.

Miki: Now, Yoshioka-san..

Miki: Yoshioka-san asked for some new earrings and even described how she wants them to look like. She said that she just "kinda wants to try something new".

Miki: .. Even though it sounds like something she would ask for, I can't help but feel worried.

Hinode: Really? Why?

Miki: Yoshioka-san mentioned once that she got the earrings she wears now from her father. And if I'm not wrong, she has a very good relationship with her father.

Miki: So why would she.. suddenly want to get new earrings if these ones are so special to her?

Hinode: Huh..

Hinode: Well, Miki-san, I'm not sure what to say here, but..

Hinode: Usually something like that happens when a person gets disappointed in their family member and doesn't want to think about them.

Miki: ...

Miki: Also, Asahi-kun..

Miki: Asahi-kun's request was.. Here, let me read it.

Miki: "You know those stuffed animals that have stuff like candy or chocolate hidden inside and you can get it out when you unzip them? Yeah, I want one. Doesn't matter what it looks like, I care about the candy more anyway."

Hinode: His request is very in character for him, haha.

Hinode: But why would he ask for a plushie specifically? He can just ask for candy or whatever he wants to eat.

Miki: I don't know.

Miki: Maybe that's just him wanting to have something that he can play with. He's still a child after all.

Hinode: Oh, you're finally smiling. He really is important to you, isn't he?

Miki: .. Ahem.

Miki: So, Maruyama-san wrote..

Miki: "Whatever. Just give me whatever you want. Getting a gift from our savior is enough of an honor anyway."

Hinode: .. Yeah, the last part is definitely supposed to be sarcasm. 

Hinode: So, what did you decide to give her?

Miki: Well, here's the thing..

Miki: We never had to get whatever the prisoners asked for ourselves, we just.. had to ask everyone about their requests first and then write a list of the things we needed and everything appeared on the next day after that, we just had to bring everything to them.

Hinode: Actually.. How does this work?

Hinode: Does that mean someone else is.. buying these things for them? Or getting them from somewhere?

Hinode: Imagine if we had to go shopping for all these items. *laughs*

Miki: I don't know how this works.. And I'm not sure that I want to know.

Miki: But anyway, this morning, when I checked everyone's presents, I noticed that Maruyama-san's present was..

Miki: A letter.

Hinode: A letter?..

Miki: *nods*

Miki: I think it's also supposed to be from her.. manager?

Miki: It's signed too..

Miki: "Kanasawa Takame".

Hinode: Have you read the rest of the letter?

Miki: No, I didn't. To be honest, I just.. don't really care about their relationship.

Miki: I just want to know more about her crime and that's all.

Hinode: Hmm.. Well, we also can't be sure that this letter really was written by her manager.

Hinode: Maybe it's just someone who works here pretending to be her.

Hinode: *laughs* Imagine them writing this. That would be so funny.

Miki: If Maruyama-san realizes that this letter isn't actually from her manager..

Miki: .. I think she won't take it well.

Hinode: Well, that's what we have these things for, right?

Miki: .. Hinode-san, I will use these only when the prisoner is about to hurt someone or when it's okay to return their memories to them.

Hinode: Okay, okay. You're so strict.. You really are a perfect guard.

Hinode: .. I wonder what my brother has asked for.

Miki: His request actually wasn't that unique or out of the ordinary for him.

Miki: He just asked me for some hair dye again.

Hinode: Again?.. I thought he had already dyed his hair after the second trial. Wasn't it his first request after getting voted guilty?

Miki: He said that I got the wrong color for him.

Hinode: Oh..

Hinode: And what color did he actually want?

Miki: Black.

Hinode: Going back to his natural color, huh..

Miki: Finally, Himura-san..

Miki: .. She asked for a voice recorder.

Hinode: .. Are we even allowed to give her that?

Miki: Well, it's one of the presents, so.. I guess we are.

Miki: Listen, if I was allowed to give your brother a knife, I think voice recorder is more than okay.

Hinode: Well, I don't think whoever is in charge of this prison cares that much about the prisoners' safety, but if these prisoners find out something they weren't supposed to..

Miki: .. Whatever Himura-san does with this thing is none of my business.

Miki: A-anyway, I'm done with wrapping presents. Let's go, we shouldn't keep them waiting.

Miki: "I hope Eiji-san is doing okay.. I wish I could bring something to him as a present.."

***

???: Man, these prisoners are weird.

???: Spray paint? A cat glass figure?

???: I expected more from them.

???: To be honest, I have a bad feeling about this.

???: Really? Why?

???: I don't know, it's like..

???: Almost all of them are planning to use their presents in some way?

???: Why would someone request a voice recorder? Why would someone request spray paint? 

???: .. Are you telling me the third prisoner's gonna try to kill someone with an anime girl figure?

???: Do I look like I know what's going on inside his head?!

???: True.

???: Anyway, do you think you've done a good job with that letter?

???: I-I don't know. I've tried my best.

???: Well, now a poor lovestruck girl's mental health fully depends on how good you are at copying someone's handwriting, so..

???: If she snaps, that's gonna be on you~

???: Look, I'm already under too much pressure!..

???: Ehehe, it's okay. Come here, come here~

???: S-stop, this is embarrassing..

???: Also, do you think that girl.. you know.. has already watched the video I asked Jackalope to show her?

???: Well, judging by her suddenly asking for new earrings..

???: I think she's starting to understand something.

???: Do you think they will be mad at us?

???: Well, even if they will, who cares?

???: After all..

???: I am the real goddess of this place.

[bloodmaarked]

and so i roar // abi daré

first published: 2024 [to be released 08 august] read: 10 may 2024 – 26 may 2024 pages: 384 format: e-book [ARC]

genres: fiction; african (nigerian); feminism; literary fiction (light) favourite character(s): honestly, efe (no shakings!) least favourite character(s): so sorry but tia...

rating: 🌕🌕🌑🌑🌑 thoughts: from looking at the early reviews, i'm clearly the outlier in opinion when it comes to and so i roar, and i hate to give it a negative review. i reread the girl with the louding voice last month, having first read it in 2020, and i loved it even more the second time around (it's my top book of this year so far). so to have to give the follow-up a 2* review is upsetting. but it feels like in the four years between books one and two, abi daré forgot how to write her characters well.

first of all, i didn't realise that this was basically a direct sequel to TGWTLV (i don't know why it's not being marketed as such, but picks up pretty much exactly where TGWTLV ends). so that's worth bearing in mind if you go into this thinking it's a standalone book because it isn't. it gives (very) brief context around characters and events that already happened, so you won't be entirely lost, but you'll miss out on a lot of important background. maybe the reason why it's not being promoted as a sequel is because it's written as a dual perspective novel from adunni's and tia's POVs, where the first book focused solely on adunni. for the most part, i don't think it was a good idea to write this as a direct continuation of adunni's story, and that's both in the sense that i don't think adunni's story needed continuing and also that i don't think this book in its final form was the right direction to take.

i don't think this should have been written from tia's perspective. her voice, her POV, was very difficult for me to connect with, and i realised i liked her as a character when viewed through the lens of Adunni and not so much on her own merit. her voice was distant, highbrow, and frankly annoying at times. i don't know why her dialogue (spoken and internal) was so convoluted; she didn't think or speak like a normal person. she overused metaphors and used extravagant words where they really did not make sense. she also came off as out-of-touch and a little bit dense when she kept speaking to non-English speakers with complex language. for example, she asks someone a question like "why would she continue to procreate with him?" and it's just so bizarre? like, in what context would any regular person ever use the verb procreate in standard conversation, let alone with someone who you know does not understand English to a high level? she was so offputting. i found it hard to care about her storyline outside of adunni, and i had very little emotional attachment to her.

adunni... where to begin? her character felt so botched and like a caricature of who she was in TGWTLV. she was so lovable because she was an insightful, funny, quick-witted 14-year-old who was spirited despite her circumstances. it felt like abi daré dialled her character up to 11, to the point where suspension of belief was required. she's not had a day of formal education since the previous book, but suddenly she's a master of metaphor and can spout wise proverbs like the greats. a lot of what i loved about her the first time around was lost due to the pure unrealism of her character, and it's such a shame. again, i lost a lot of emotional attachment to her where the first book literally had me tearing up at the thought of what she went through.

the pacing of ASIR is really bizarre. a whole lot happens and it's over the course of about 24 hours? i found it hard to come to terms with the fact that everything had happened within just one day, again it felt a bit nonsensical. the middle section is incredibly bogged down when we switch between iya's storytelling and the girls in the forest. i'm not gonna lie, i did not care about what happened with adunni's mother and it all took entirely too long to relay. i actually loved the "talk show" hosted by the girls in the forest, but with it being interspersed with iya's story it felt like it took up way too much time. i found myself getting bored desperately waiting for something to happen.

my other problem is there was just wayyyy too much melodrama. i can't get into too much of it without spoiling the plot but again, it required some suspension of disbelief and it felt goofy so i lacked any emotional attachment to what was going on. adunni going viral was the cherry on the cake.

also, a less important but equally irksome point - i hate the cover? the cover for this edition and the alternative one i've seen are both horrid, truly bad.

so to return to the fact that i don't think and so i roar should have been the continuation (conclusion?) to adunni's story, i think there were better ways that we could've closed the book on her journey. to be honest, i think TGWTLV should have been left as was and really didn't need further exploration, but alternatively, i think this book should have focused on one of the other girls (efe, zenab, hauwa etc.) and had adunni cameo. i really don't think adunni needed to go through additional trauma and i'm not sure what the purpose of that was. there were a lot of incredibly compelling stories to explore that the new cast of girls brought to the table, and i think a new narrative should have been the way to go.

again, i'm so sad to have to rate and so i roar so low given how much i adored adunni and TGWTLV. but all in all, i just didn't feel the heart that i felt from the other book, and i really had to keep pushing myself to read it as i didn't want to DNF. i think i would still keep an eye out for other releases from abi daré as i do think she's a talented writer, but i do hope that there's no further exploration of adunni's or tia's stories. i'll probably just consider TGWTLV to be a standalone and not give much thought to ASIR again. massive thanks to Hodder & Stoughton, Sceptre and NetGalley for providing me with an advanced digital copy in exchange for an honest review!

[princeoftheroses]

Since you want asks, PLSSSE I want your Utena TH0ughts. WHAT is your favourite black rose episode? actually how do you feel about the black rose arc in GENERAL

black rose arc, black rose arc, oh black rose arc!!! by you adding how do i feel about the arc in general you are unleashed me to make a long post giving my very disorganized thoughts about this arc.

a couple of people call it a filler arc? i guess technically it is because it does not directly contribute to the main storyline and it wasn't in the manga and also the ending of the arc sort of makes it so the whole arc kind of didn't happen???

but also i think if a person labeled it as a filler arc they are kind of missing the point?? even if it doesn't contribute to the main plot (which it absolutely DOES but i'll get to that) it adds so much nuance to the characters of utena.

you get to see side characters and how they tick!! some of which like kozue and shiori become very important later as they become miki and ruka's rose brides in the akio arc! (side note : what was up with ruka he just kind of showed up and disappeared lmaooo)

also, it adds to akio! (tw warning for only the next paragraph, i'm talking about akio so you can except me talking about grooming and abuse)

not only is this where akio is introduced, but he is always so omnipresent. it was ... honestly really terrifying to see how chill he acts with utena here. of course the real grooming begins in the akio arc but you can see how he starts here. how he kind of builds himself as anthy's cool older brother that utena can trust and ask for advice for... but we the audience know that he CANNOT be trusted as even know we see him being shady af in the background. i really feel like if we skipped straight from the first arc to akio arc a lot of the creepiness of akio would not have been realized because of ... just how NORMAL he akio acts to utena. he's charming, he's smart, and he overall is somebody utena SHOULD be able to trust bc we should all be able to trust an immediate family member of a best friend , but of course the world doesn't really work that way. anyway akio tangent over because BOOOOOO akio (he honestly terrifies me so much because of how many predators like that exist and you can meet without realizing their intentions)

BACK TO BLACK ROSE ARC

one of the main reasons i feel like this isn't a filler arc, at least not in the traditional sense of the phrase, is because it builds a lot character relationships. something that i didn't like when i first watched revolutionary girl utena but now is one of my FAVORITE things is that for a while we don't really get a straight forward utena/anthy episode. because their relationship doesn't need to build in an episode, it just slowly builds over time. we just see these two causally existing and they just start to trust each other.

in the akio arc we get to see just how close utena/anthy have gotten over the series because of their late night conversations. like how if the black rose arc didn't exist akio wouldn't have been as impactful, if the black rose arc didn't exist it would feel more sudden how close utena/anthy have grown imo.

this arc adds a lot to the world as well. as long as the students stay inside of school they will not grow. dead people wander the halls thinking that they are still alive. these two facts contribute a lot to utena theorizing and analysis (mainly, the ideas that ohtori exists within a plain of frozen time literally because of anthy's magic and metaphorically because the cast is very cozy in their coffin) and i could not thank this arc for that enough. not only are these very cool ideas that may or may not have inspired elements in my own story (i can neither confirm or deny that one of my oc story is heavily inspired by utena) but they just add so many layers!

this arc also felt necessary because of the new duelists??? if we went straight from the first arc to the akio arc then it would've kinda gotten very tiring to see the student council constantly duel and lose to utena (with the exception of touga's sole victory to utena in the first arc before she duels him again and wins) but these new duelists possessed by the black rose are very interesting!

if i did have to make a compliant about this arc, though, i will say that at times the stories felt very disconnected to each other. while it was very funny for utena to not even know who keiko was when she dueled her, it would've been nice if sometimes the arc of the black rose duelist intertwined more with utena. as the arc goes on, the student council is on alert and is trying to figure out where the black rose is coming from, but they never really try to ask utena about it and utena never really tries to get involved? she just is chill until she gets the note to go to the duel arena to fight the black rose duelist. i don't really have a solution on how to fix this? maybe have the student council member that the black rose duelist takes the sword from be more involved? idk.

the villain of this arc mikage also really fascinates me??? i... really like him??? but not even as a villain ... i just really pity him. the realization he has in his duel with utena that everything he has been doing is for nothing because mamiya is already dead .. that always really hit me? the horror in his voice when he starts to recall the truth in his false memories.... for some reason, this is one of the most terrifying parts of the show for me. the realization that something you were doing, something you were doing that might've been awful but you were doing it because of somebody you care about deeply and love, it was all for nought. how much time he has wasted...

even before his duel with utena, there's this moment when after he got punched by utena he says something like "if she hadn't seen my duelist ring and challenged me to a duel, she could've killed me" or something like that, he's just so pathetic and i feel very bad for him but at the same time am too disconnected to him to truly feel empathy for him... that's some TOP TIER shit

overall, this part of the show is one of my favorites. the only part i like more is the last few episodes because it makes me very emotional.

NOW FOR THE SPECIFICS

favorite black rose duelist: honestly? wakaba. the girl deserves it this is stress relief for her. not only is this duel very emotional as i don't think we've ever seen utena refuse to duel somebody (at least not in the way that she does in this episode) but just the SHEER emotion.

i'm a real sucker for fighting the person you care about the most which is why the dark signer arc in yugioh 5ds is the best yugioh arc and this just really takes the cake in this arc. utena always shows concern for the black rose duelist because they are clearly people in pain who were not able to properly duel with their grief which let mikage manipulate them, but it's taken to a new level here.

the way that after the duel is completed, wakaba comes home to her empty dorm where saionji used to be but now isn't always gets me. she's just such a lonely girl and that's never really resolved for her. a lot of the other duelists have a optimist note to end on (kozue asking miki for a milkshake, shiori and juri saying hello to each other as they walk past, keiko being friends with nanami again, etc.) which is why the fact that wakaba is more alone now then she is ever... it is a feeling i can relate to an almost embarrassing amount.

favorite episode: COWBELL OF HAPPINESS, NANAMI TURNS INTO A COW-

ANTHY YOU GLORIOUS TROLL-

favorite episode that isn't cowbell of happiness: i'm very torn between the landscape scaped by kozue and thorns of death. shiori and kozue are both very interesting characters that i like a lot. but i'm going to go with thorns of death for now, as while i really like the landscape scaped by kozue, i think my preferred miki/kozue episode is their episode in the akio arc. meanwhile i like thorns of death way more than i liked whispers in the arc (mostly because i just do not really care that much for ruka, but azure paler than the sky was a banger and he was in that?) i just loved the feeling of seeing shiori the girl juri loves so much and juri's reaction to seeing her. the way my heart was wrenched when black rose shiori mocks juri... it really did hit different. but the hopeful ending did make me feel a lot better. i do like the way that juri out of all the student council members is the one closest to self actualization and this really sets that up even if there is still a bumpy road until then.

honorary mention: the boys of the black rose and kanae as a black rose duelist are both really great. i feel like if this wasn't the arc opener it would've had more room to stretch its legs and show how horrific it could've been. kanae is a girl i feel really bad about and similar to wakaba, i don't really think her episode was a very optimistic ending for her especially since akio probably killed her later in the show?

honestly the minute akip appeared on screen, engaged to a girl who HASN'T EVEN GRADUATED and is also emotionally manipulating her so much and having his little sister manipulate her too... throw the whole man away

tl;dr - the black rose arc is very good and i like it a lot, the ending of the arc really fucks me up, somebody give mikage & all the black rose duelists therapy, throw akio in the garbage, and this show probably exists in some sort of time loop / frozen time space as a metaphor for the whole coffin thing but you can probbaly find people smarter than me talking about that.

oh and go rewatch cowbell of happiness it's great

[elysian-entries]

One film, two visions; The Justice League

It’s 2017; the highly anticipated “Justice League” film, directed by Zack Snyder, is set to be released later in the year as a continuation of the DCEU.

A blockbuster movie showcasing the biggest DC characters uniting. Taking down the ultimate super villain; bound to fulfil millions of past and present children’s, as well as current adults and elderly dreams.

Then a fork in the road appears, Snyder and his wife, Deborah, step down from the colossal project due to the incredibly woeful loss of their daughter, Autumn. News hits the fans like a brick. Resulting in Joss Whedon and the Warner Bros. Studio stepping up to the mantle. Or at least attempting to.

Whedon's theatrical cut lost Warner Bros. Pictures approximately $60 million dollars. With overall painfully negative reviews and reception. Breaking the hearts of DC fans everywhere.

4 years, campaigns, hashtags, sky banners, petitions, and billboards later; I can’t say how many of us would have predicted receiving the holy gift that is the “Snyder Cut”, in its full 4 hour running time glory (in a 4:3 ratio, which somehow adds to the grandeur). 4 years of dedicated, passionate and determined people helping in any way they can for the cause. It was a journey to behold.

A large section in Snyder’s 4 hour venture is used to build dimension and depth in the characters. Making an absolute world of a difference. Something that was sorely lacking in Whedon's cut. The film had a completely different feel and atmosphere instantly.

There's no better example of increased depth in characters than Cyborg's (Ray Fisher's) narrative. I was engaged, and intrigued by his story. In Whedon’s cut, he isn't even given a second thought. His entire backstory was cut as well as his father's important role also being stripped. His scene where he sacrificed himself in order for them to find the mother box was gone. And it took away such an important, integral part in Cyborgs story, and in the film in general I believe and also realised having seen the two movies; the complicated but delicately developing relationship between father and son. And just the whole story in general made such a difference in Snyder's cut, it really is almost indescribable the difference it made. It just felt so much more genuine and heartfelt. Like a real developed and executed narrative.

In Snyder's cut we were shown detailed flashbacks that fully fleshed out his character, his morals and his relationships. Creating a much needed deeper connection with the audience. We experience his conflicting journey to accepting his responsibility, accepting the past, the "gift he has", and his purpose in the league. Leading into receiving closure. He was given great and meaningful importance and purpose in this cut.

Similarly, Ezra Miller's Flash was too given a largely more meaningful and impactful role that left quite the impression on me. His character was light-hearted and charming but still had those important, emotionally impactful scenes. Which were painfully lacking in Whedon's cut. I was left loving Barry Allen a lot more than I already did. Barry's scenes with his wrongly convicted father were hard hitting for me. They also play a large part in making later scenes more impactful. Like his detrimental importance during the final fight. In Whedon's cut his big hero moment was saving a Russian family. The overall the inclusion of the family was superfluous and extraneous, along with the robber at the start and many other things. Not only that but Whedon's cut gave the Flash a silly, attempted comical relief role. To be fair he attempted to give everybody a comical relief role. Which hardly worked because none of the attempts were actually funny and were at time agonizing. It ultimately lacked substance and came across as almost immature. The scene where Barry went on about brunch was painful. Leading me to ask, why? Why was this so important to film Whedon?

After re-watching Whedon’s version, I had gained a new found appreciation for Snyder's representation of Barry. '"Make your own future, make your own past"; he echoes his father’s words. "Your son really was one of them, the best of the best," as his theme "At the Speed of Force" plays in the background of this pivotal moment. A powerful scene reflecting Barry's ulterior motive, doing his father proud. Which invoked many tears. And still does whenever I re-watch the scene or listen to the song. As if it were the first time experiencing it. Thomas Holkenborg's soundtrack truly amplified emotion and made the scenes much more powerful, It makes for one of the absolute best scenes in the movie; I'd say one of, if not my absolute favourite.

His job in charging up Victor was completely removed and I have to wonder why. Instead Barry was left to participate in "bug duty" (bugs being one of his fears also). Barry's role in Snyder's cut, and that one incredible scene where he broke the rule was arguably better than Whedon's Justice League as a whole.

I think the only scene in Whedon's cut involving Barry that I thought was actually meaningful was where he was faced with his first real mission. And he was confronted with his fears of "obnoxiously tall" beings. He appeared anxious and frantic. Fearful. Communicating to us his inexperience. And Batman simply told him to just "save one". To which he then, without struggle, saved them all. And was also able to participate in the final battle. The "save one" scene made those achievements more meaningful.

The scene after they won the battle, showcases the victorious team standing proud; and Barry with a sweet, goofy, golden retriever-esque smile plastered on his face. What a loveable smile.

An interesting contrast is the scene in where Barry reveals to his father his new position at an “actual job”. In Snyder’s cut the father was absolutely over the moon, shouting at the top of his lungs, "his foot is in the door!" repeatedly in excitement. It tugged at my heart strings; his shameless pride in his son. Making me wonder how he would have shown his pride if he found out Barry saved the whole Earth and humanity. We can assume Barry had that unequivocally powerful underlying thought too. Contributing to his saccharine reaction. In Whedon’s cut the reaction was softer and more timid but nonetheless a sweet moment. Barry becoming bashful.

It was a sweet touch to have Cyborg and Flash finally fist bump during that victorious scene after Victor rejected Barry's initial advance in Whedon's cut. Ezra Miller improvising that “racially charged” line, acknowledging the possible racism attached to a fist bump I assume. The whole fist bumping being "racially charged" was not included in Snyder's cut. The grave digging scene was entirely different. Which I far more preferred. It was a group excursion. With a little positive interaction between the Atlantean and the Amazonian. And funnier, more light-hearted dialogue between Barry and Victor.

Aquaman’s contrast was interesting. In Whedon’s cut he actually sought out to obtain the trident to help the league (although he was always disagreeing with them). Compared to Snyder; where he was apprehensive and had to be hesitantly persuaded by Willem Dafoe’s character Vulko (who was completely absent from Whedon’s cut). This was also an importantly established relationship by Snyder. Arthur first makes his desire to help the the team known saving them from the water rushing from Gotham Harbour. He isn't acknowledged in the theatrical cut but in Snyder's cut Diana notices and takes a moment to take in his presence (I assume?). Then Barry asks who that guy is. And of course we all know, it's Aquaman.

I particularly liked how Snyder chose to include Barry asking for Arthur's opinion on military hats. It's an odd, minimalistic thing to include - the reasoning as to why I like it. I also thought it was quite charming.

A scene I think deserves a mention is when Aquaman is first introduced, and then rejects Bruce's offer, he then makes his way back into the ocean. A farewell song is performed. This was quite early in the film and I think the voices being hauntingly beautiful, yet slightly eerie/poignant set the perfect atmosphere. A well done scene.

His overall character was also contrasting. He became a genuine hero who was proved capable of more than water powers and silly moments. Including that god-awful lasso of truth scene. In the theatrical cut he was bitter, a bit of a joke, not caring too much about the events that were unfolding. He had more of a heroes’ sense of purpose within Snyder’s cut.

Gal Gadot did not gain too much from the extra scenes. Though different to the theatrical cut, Snyder had paired her with a repetitive character establishing theme. It could be referred to as ancient lamentation music. Hauntingly beautiful. Something I could only assume would be the battle cries of the Amazonian warriors and the Amazonian warrior inside Diana. In some ways possibly over used, though I thought it was brilliant. It has a special place in my heart because I love that type of soundtrack. The almost eerie, maybe poignant but overall emotion provoking type. Especially her introduction scene where she faces off against the terrorists )which was overall better in Snyder's cut) The haunting warrior moans fade into her classic theme to create an incredible atmosphere. And that atmosphere was definitely missing in Whedon's cut, in more than just that one scene. It was also sorely lacking the lamentation music. We also didn't get that sweet interaction between Diana and the little girl.

When Diana began detailing Steppenwolf and the mother boxes past to Bruce, the cuts were very strange and abrupt/awkward in some way. And it felt silly and rushed; and I think that perfectly describes the whole film.

Whedon's cut also included uncomfortable scenes. Almost forcing characters to be funny where it was just completely out of place and character. Or just downright inappropriate. To be fair, Whedon is known for the Marvel movies in which fourth wall dimension breaking and odd self ware/ironic jokes are heavily used. One of the main reasons I don't particularly enjoy them, but rather enjoy the darker, more meaningful DC movies. I say meaningful in the way in which we are completely transported into this universe; where it's taken seriously and has obvious effects and meaning to the characters. Compared to Whedon's Marvel films in which the threat is joked about and the characters make fun at their expense.

Another negative contrast is the colour grading and overall shots. A good example is the conversation between Lois Lane and Martha Kent. In Whedon's version the colour is poppy, reminiscent of Buffy the Vampire Slayer, or The Office. As if it were an empty shell of a TV show. Lacking any artistic or symbolic aspects. Whereas Snyder's conversation between Martha Kent (who was actually Martian Manhunter) and Lois Lane was beautiful. The lighting was dim, with steam from their hot coffee creating a brilliant shot and conveying the perfect mood. Almost a piece of art. A lot of Snyder's cut looked as if it were ripped straight out of an incredible graphic novel. His talent when it comes to filmmaking is grandiloquent. Compared to Whedon's over saturated and flat scenes as if it were from a cliché sitcom.

Whedon also made the Justice League a lot more dysfunctional than it needed to be.

The scene where the team unanimously come up with the plan to revive Superman seemed really silly and lackluster in Whedon's cut. In Snyder's cut it was a genuine moment. A "wow" moment where the penny dropped. It gave me goose-bumps. The way it was implied, the explanation/analogy with the house, and then Cyborg creating a Superman visual as the team, standing around the table, stared at it in awe. All thinking the same thing. Without even having to say it (as Barry pointed out) It was a uniting moment. Whedon's version was just, disappointing. Lacking any impact at all. And it made the team seem disconnected in a way. Whereas in Snyder's scene the league's thoughts were in unison.

There was also an agonizing amount of Wonder Woman praise. I think praise is a...well...nicer way of putting it. It was more so adolescent boy humour, immature if you will; with her being the butt of the joke. To the point where it was little uncomfortable and borderline unnecessary. And to another point where Gal Gadot refused to do a scene, (the one where Flash lands on her) and Whedon insisted so much on still including it - that they used a body double. A scene so stupid and pointless it actually hurts. Why, Whedon?

Superman's main feature in this film is his moustache. Or, lack thereof. At the beginning of the theatrical cut, we witness the infamous Superman film scene, where we are introduced to his CGI moustache…then “Everybody Knows” by Sigrid plays as we see the aftermath of his death. I really enjoyed this scene, the song and the atmosphere. I think it was a strong start, setting the poignant mood. But of course it all goes out the window and downhill from here.

The biggest difference between the two Superman’s was the elimination of the godforsaken CGI removed moustache and the introduction to the “Recovery Suit” in Snyder's cut, which was a brilliant touch. We actually see Clark stumble upon the suit. A scene where various voices from his past, echo in his mind. An equally important and impactful scene; where he flied up into the universe, overlooking the Earth he is to protect.

I also really liked the whole, "Lois Lane is key" setup, with the eerie premonitions and glimpses into the “Knightmare”. Adding yet another deeper layer to the narrative. Setting the scene for Snyder's envisioned sequel.

In Whedon's cut during the first confrontation where Clark is confused immediately after his resurrection - the previous BvS battle is implemented more. With the "Do you bleed?" question being revisited. Giving us an unwanted closer look at the strange looking $3 million dollar CGI.

I liked Snyder's first confrontation better. It included more action and participation of all parties. And it was just a longer scene, making it seem more plausible and less silly. Before Clark reached Bruce he went through every member. Resulting in a little appreciated interaction between Arthur and Barry. I also thought Whedon’s scene showing Superman throwing Batman away like a ragdoll added to the ridiculous nature.

During the final battle. (Not mentioning how uncomfortable the colour grading was causing an unlikable atmosphere. Especially when it became daylight, taking away the exciting and intense atmosphere.) Whedon's Superman's entry was a little plain. Maybe cliché. Banging on about "truth" and "justice". Which isn't necessarily bad. It's just, maybe, too Superman? We then see the relieved faces of all the members. Batman's giddy smile was by far the best. It was nice to see genuine happiness and I think that played an important role in communicating to us Bruce's character arc. From lowest of lows, and his conflicting attitude towards Superman in BvS, to Superman giving him incredible hope. Though it slightly made me uncomfortable.

Snyder's entry of Superman was brutal in the best way. Appearing just before Cyborg was chopped to bits. Giving us that epic moment of 'He came.” Superman mercilessly rips into Steppenwolf for the next minute or two. No breakaways. Which was a great choice. It perfectly showcased his abilities. Though in the theatrical cut he was shown to be the only capable one of saving the world and being the real “hero”, in Snyder’s cut, especially The Flash, they were all shown to be powerful with meaningful parts to play.

Bruce Wayne appeared more guilty and conflicted about what happened in BvS in Whedon's cut. Though he was overshadowed in terms of writing by Superman and Wonder Woman. He also was the one who brought in the "big guns" a.k.a Lois Lane as a contingency plan in case the Superman resurrection went awry. In which it did. In Snyder's cut it was coincidence, or the doing of Man Hunter in that mysterious scene. Bruce was also quite tense and wasn’t too much a bright beacon of hope as he was in the Snyder cut. Even despite Snyder's vision of him being reminiscent and heavily inspired by Frank Millers version; darker, older, broken and violent in a way (which is brilliant) he still had this character arc. The lover’s tiff he suffered with Diana was irritating and what I thought was superfluous. Creating an unnecessary disconnect with the group. It wasn't an interesting sub-plot/complication at all .

Bruce's character arc (from the dark BvS time, to the hopeful present) was more thoroughly shown in Snyder’s cut compared to Whedon's. I briefly mentioned Bruce's schoolgirl grin when Superman arrived right on time. Though Snyder more effectively showcased this positive rise through his obviously increased in optimistic attitude. When the team are off the defeat Steppenwolf once and for all Alfred asks Bruce how he can be so sure of the Man of Steel’s arrival. And Bruce replies full of vigour, “Faith, Alfred, faith!” And in another instance Barry questions their strength against Steppenwolf due to the amount of demons he has won against. Bruce declares that, “He’s never fought us. Not us united.” It was a powerful statement that heavily elevated excitement for the final fight.

During this final fight, Batman basically goes out on a suicide mission. Then the rest of the league join him for a family reunion. The Snyder cut better represented this with an astounding freeze-frame, slow motion shot of the team. It nicely established the power of unity in this case.

The way in which Steppenwolf was defeated was vastly altered. Changed completely. Mostly due to Darkseid’s absence in the theatrical cut. Darkseid added an important extra layer of looming fear, and even gave Steppenwolf more depth. It gave him an important reason as to why he was doing what he wasy doing. As we saw his utter dedication to Darkseid. It alerted us of the larger dangers that were present. Steppenwolf’s death in Whedon’s cut was ultimately debilitated after seeing Snyder’s version. Instead of being anti-climactically eaten alive by his bug minions as the sun rose; (maybe it’s a personal preference but I heavily dislike the daylight, especially for action scenes) his head was chopped off, first horn by horn, then from the neck. His decapitated head thrusted back through the portal into his own world, landing at the horrifying Darkseid's feet, along with the terrifying parademons. Engulfed by a fiery hellscape. The horror that Earth could have faced. But still could face. It reveals the deeper and darker enemy, beyong Steppenwolf looming just beneath the surface.

A sinister tune plays, as we see the victorious Justice League looking back at them. The portal then closes. Although a victory, we can’t help but wonder what the demonic and powerful entities, far more powerful than Steppenwolf, have in store for Earth’s future.

The Knightmare vision being apart of that future. It's set up from BvS to the very end of Justice League. It's a very intriguing part of Snyder’s vision. The moment where you can link up and see the connections between all the post-credit scenes and the “premonitions” is an epiphanic moment. It’s a whole other narrative on its own that you can analyse, hypothesize and discuss. It’s a very intriguing/exciting concept to think of what would have been Snyder’s future movie where Barry (as we saw previously reverse time) goes back to warn Bruce that “Lois Lane is the key”, to avoid the whole disastrous scenario. We can gather that he is referencing what we see at the end of Snyder's cut, Superman turned evil. The death of Lois Lane, whose skeleton we saw Superman cradle previously, we can assume had a hand in that, and possibly the Anti-Life equation too. It's an incredible narrative, and there are few things I would love more than seeing the Snyderverse come to life on this epic scale again.

We also finally get a glimpse of Snyder’s joker. A very exciting moment for me. Seeing any new iteration of the Joker is an exciting moment. Could Jared Leto somehow redeem himself?

Well, it sure was infinitely times better than the Suicide Squad rendition. This Joker was actually eerie and unsettling. I felt almost uneasy watching these scenes, and his odd laugh caused shivers to form down my spine. Jokers comments about “boy wonder”, whom we find out was indeed Bruce’s adoptive son, were heartbreaking (I believe he was actually referring to Dick instead of Jason surprisingly as his grave was once seen in a previous movie) Leaving me holding my breath, wondering what Bruce would say next, or what other wretched thing Joker could say. Of course the "reach around" comment was a bit off, but I’ll just brush over that.

We also learnt of Arthur Curry’s death, Harley Quinn’s death. Proving that Snyder had such a colossal plans for all the characters, dead and alive.

It’s a poignant feeling; to see this incredible, vast narrative, just beneath the surface, unfold. Knowing that we won’t be able to see it fully developed. As of now.

While watching these two completely different cuts of the same movie; it occurred to me and I am sure many other people, that attempting to produce such an in depth narrative intensive movie on the small scale that Whedon attempted, will commonly end in a painful, empty and superficial representation. Or maybe that really was just Whedon's vision.

As the epilogue ended, the credits rolled. Hallelujah began playing, sung by Allison Crowe. And as they rolled, in big letters the words; "For Autumn" took center focus. White against black. Clear as day. Like a bus, it hit hard. The reason I was sitting on that couch finally having the great honour to watch such a film. The courage it must have taken to continue and finish such a project is beyond admirable, it's heroic. Also non-profit. It only further proves what we already knew, that the intentions were pure, as no one ever doubted.

Also acknowledging the giant billboard on one of the buildings promoting the American Foundation for Suicide Prevention. A very important cause, especially to the Snyder’s. To date fans have raised over half a million dollars to the AFSP in honour of Autumn. A truly incredible feat.

When looking at the two movies side by side, it blows my mind to see the difference that I do. The emotion, meaning, the depth. It all just made sense in Snyder's cut. The emotion was palpable, absolutley unmistakable. Things mattered more. The people mattered more. There were reasons, and purpose. It was a genuine journey for every one of the characters, and I felt it. There were so many little scenes that made so much difference that added depth and meaning, emotion.

And I cannot say such words for Whedon, though I won’t put all the blame on him. Warner Bros. is about equally responsible. .

The true, original and intended Justice League; expatiated heroes, people, stories and journeys coming together on a grandiose scale, executed with passion and care. But also giving us a bittersweet taste of Snyder’s epic trilogy that could have been.

The end of the saga; and the rest of Snyder’s visions, are left unfulfilled; as of now. But regardless, remains as one of the things I hope to see come to life. Watching this movie, and the feeling I had during and afterward is indescribable. I want to say a massive congratulations to Zack Snyder. The film was beyond breathtaking. It really is so special and it will forever have an important place in my heart.

Though I think the most important thing to take away from the Snyder's incredible work is Autumn's story.

Thank you Zack Snyder.

For Autumn.

www.imdb.com/title/tt12361974/

[lilydalexf]

Old School X is a project interviewing X-Files fanfic authors who were posting fic during the original run of the show. New interviews are posted every Tuesday.

Interview with Circe Invidiosa

Circe Invidiosa has 11 stories at Gossamer, but there are even more X-Files stories at her website. Some of my favs I’ve recced here before, like Make It Worse and Slap a Goatee On Me and Call Me Evil. She also made a bunch of X-Files collage art, including some cover art for fics (hers and others), which you probably saw if you were reading fic back when authors posted fics on their own websites where art could be shared. Big thanks to Circe Invidiosa for doing this interview.

Does it surprise you that people are still interested in reading your X-Files fanfics and others that were posted during the original run of the show (1993-2002)?

Well, it would surprise me if people did read my fic. As it happens, I don't hear much feedback from my fic these days. Probably because the bulk of it is on Gossamer and my own site rather than AO3. Also, I was never a BNA. I worked a lot behind the scenes – hosting other authors' sites and making fanart and dustjackets. I think that's what I'd be remembered for, if anything.

What do you think of when you think about your X-Files fandom experience?

I miss the collective excitement and discussions we had as groups. When you got in with a group in the XF fandom, you felt like you knew everybody there. Now the fandom feels a little faceless except for the people I still follow from my old groups.

Social media didn't really exist during the show's original run. How were you most involved with the X-Files online (atxc, message board, email mailing list, etc.)?

Most of my experience was on Yahoo Groups. I joined Scullyfic while it was still there and then E-muse when it became an e-mail list, which I'm still a part of. I was part of several Yahoo Groups (can't remember all of them now), where I'd post my fic, RealPlayer slideshows (remember those?!), and collages. I never really took part in discourse because I'm shy and don't think anyone cares about my opinions (still don't!). The e-mail address I used for those groups was purged a couple of years ago, so I've lost all those messages.

What did you take away from your experience with X-Files fic or with the fandom in general?

My take away is that fanfic made me a better writer, thanks to having some great betas, and it made me a better professional writer for it (my real-life work is writing but not fun writing) because I learned to take criticism.

I also used to make a lot of fanart, collages and dustjackets for fic mostly. My big take away from that was that I really got into graphics and I got super proficient at Photoshop, which helped my own artistic endeavours and photography. I didn't realize how much skill I had developed until I've had to help someone with their graphics or photo editing.

What was it that got you hooked on the X-Files as a show?

My mother was watching X-Files before I was and she was raving about it. I don't have a great relationship with my mom, but one thing she was usually right about was TV shows. It's where I got my love of Sci-Fi.

I think the first episode I watched was Ice, which definitely hooked me. As for when the shipping started, I remember we were watching Lazarus, and when Mulder was yelling at Lula (I had to look that up) about hurting the hostage Scully, my mom said, "Oh, he's so in love with her." And I was all, "What?! Pfff." But then I could not stop thinking about it. And then I thought about it way, way too much.

What got you involved with X-Files fanfic?

I was in my late 20s, and it was around the end of S7 and I kept thinking about what if these two dumb idiots actually talked one day. And I kept thinking about dialogue in my head about what they'd actually say. The internet was still in its infancy back then, but I'd seen fan sites here and there. So I decided to search around to see if other people were talking about it and thinking about it like I was. I was such a noob I'd never even heard of fanfic. Imagine my delight when I discovered it. I found a few stories and thought, 'Well, I can do that.' And I wrote up my first story, found a place to post it (wasn't Ephemeral the best?), got some kind feedback, found a really nice person (not sure she wants to be named since she used her real name in the fandom back in the day) who encouraged me a lot and directed me to all the e-mail lists and Yahoo Groups that I needed to be on, and then, Bob's your uncle, I wrote more and more.

What is your relationship like now to X-Files fandom?

Periphery. Most of my experience in any fandom is now on Tumblr because that's where my attention span is. Show me pretty pictures and funny stuff. I am old now and don't want to think hard.

Were you involved with any fandoms after the X-Files? If so, what was it like compared to X-Files?

Veronica Mars was my next fandom experience. A number of my XF friends got me hooked on VM. The VM fandom was a LOT younger compared to the XF fandom. When I joined the XF fandom, I was the kid compared to most of the other fans who were all goddesses and royalty in my eyes. But in the VM fandom, I was in my 30s and the rest of the fandom were all in their early 20s if not younger. It often showed, so I stayed out of discussions and just posted my fic once I started writing it. I took a new handle (invida) when I started writing VM fic. Just in case these kids felt like my writing sucked, I didn't want it getting back to the XF fandom that I’d branched out and failed spectacularly.

By then fandom experiences had moved over to LiveJournal. I never really got involved in the discourse or the fandom fights. I knew what people were saying and where the schisms were, but I was all about the fanfic and the pretty pictures. Most of my LJ friends just discussed the episodes and posted their fic and that was good with me.

What got me writing fic for VM was Anjou's brilliant VM fic Into the Blue. Seriously, if you love VM S1, read her fic. Just so beautiful.

VM was also where started writing a WIP, which was a wild trip. I wrote a much-loved WIP called Damn, Damn the Circumstance which people still ask me about finishing to this day. Someday…*wistful sighs*

Who are some of your favorite fictional characters? Why?

Scully. She was everything! Lapsed Catholic, degrees in science, skeptic, always trying to work within the rules but still not taking crap. Yeah, she was the best.

Veronica Mars was great until she wasn't. I have a lot of issues with her beyond S2. And don't even talk to me about S4. For me, S1 was the best, I enjoyed the movie, the books were okay, but nothing else happened after that. NOTHING.

And the first character I ever loved was Princess Leia. She was also everything to me growing up. I wanted to be her. I still do.

Do you ever still watch The X-Files or think about Mulder and Scully?

Now and then. Not as much as I used to. I sometimes have it on in the background when I'm doing other things. Back before the pandemic, my BFF and I would have get togethers where we would play Scrabble, eat a lot of candy, and binge several XF episodes. I miss doing that. Hopefully, we will get back to that soon.

Do you ever still read X-Files fic? Fic in another fandom?

I am not an active XF fanfic reader right now. I will read any stories my friends put out. Otherwise, I only occasionally read some I come across on Tumblr in my feed, but I am not seeking them out. I will beta for any XF author who asks me as well.

I am reading fic in other fandoms though – Endeavour, Broadchurch, Sherlock…huh, I'm just realizing that's a lot of British stuff. I have been really into British detective series for the last few years.

Do you have any favorite X-Files fanfic stories or authors?

I used to run an XF fic recommendation site called How Will It End usually with at least one other person (I went through at least 4 partners on that project because I'm a control freak). We'd compile our recs and then I'd post them on my site. We'd also feature authors we really liked and interview them. Not unlike these interviews!

I'm terrible at giving feedback/comments. So I solved that problem by making a rec site. That way I could tell authors I loved their fics by recommending them. I didn't have to comment, I'd just say, 'I'd like to rec your fic'. And then they'd get promotion. Win-win. Back in those days, the fandom would absolutely roast you for promoting your own fic, so to get on a rec site was a big deal. Not that I had a popular rec site or anything. But I think authors really enjoyed being asked.

All that to say I've liked a lot of fics. I can pull up the archives of HWIE and show you all the faves I liked. :)

What is your favorite of your own fics, X-Files and/or otherwise?

Back in the day, E-muse would hold Improv Challenges, where other members would give you a prompt that you had to include in your fic. I was always really proud of the stories I created from those challenges (No Earthly Means and Elephant in the Room if you want to read them).

I enjoyed writing Dead to Rights which is an XF/Dead Like Me crossover because I loved the challenge of writing a crossover. It was the first crossover I ever tried writing even though I only recently published it.

Otherwise, I like re-reading In a Graveyard, Importuning Life for Life, and Some By Virtue Fall. Of my more recent fic, I like Slap a Goatee on Me and Call Me Evil because the premise was ridiculous and I think it's funny as all get out.

Probably my favourite of my VM fic was Stay Outta Riverdale. Because: 1. The title is a Simpsons reference who doesn't love a Simpsons reference? And 2. I think I was hilarious throughout it.

Do you think you'll ever write another X-Files story? Or dust off and post an oldie that for whatever reason never made it online?

I'm always open to writing more fic (and, of course, I don't mean my WIPs…don't look at me like that). Lately, my only motivation has been from writing prompts on Tumblr. I haven't had anyone give me a prompt in over a year, so here we are. I have snippets of dialogue in journals and word documents that have never found their way into stories. I'd be happy to dust off any of those and shoehorn them into a new story.

Do you still write fic now? Or other creative work?

The last fanfic I wrote was a mini-fic over a year ago (with a prompt from Lilydale!). I've written a bit of original fiction but I haven't been able to finish it. Otherwise, I do have a number of real life hobbies which are where my creative outlets lie now.

Where do you get ideas for stories?

Lately, challenges and prompts. It used to be from wanting to see more from a scene. I really had a thing for fill-in-the-blanks or scene continuations. And sometimes my motivation is just plain old spite. :)

What's the story behind your pen name?

Circe Invidiosa is the title of a painting by John William Waterhouse. Love the colours and the absolute malice on the face of the subject. It felt like a good pen name – the envious witch. That's me!

I chose it when I posted my first XF fic (which I cringe to read now, ugh so terrible) without knowing there was already a Circe in the fandom. Whoops. I tried to go by the full Circe Invidiosa or Invidiosa as much as possible after realizing that (invidiosa is my url and my username on a lot of sites, etc.). Now I think that I've been around long enough that it doesn't matter as much but I still like it.

As I said, I took the name Invida for the VM fandom which is just a shortening of Invidiosa.

Do your friends and family know about your fic and, if so, what have been their reactions?

My significant other knows and that was quite a reveal (oh how awkward). However, the SO has been very supportive and has read all my stories since the reveal and sometimes betas them. The SO also wants us to collaborate on writing some original fiction but we haven't found a project that works for both of us creatively or timewise.

My BFF knows because I dragged her into the online fandom. We've known each other since we were 14, but our love of XF really solidified our bond in our 20s. She wrote some short but sweet fics under the penname Helen Quilley which I bullied her into posting, and we wrote Of Ladies Most Deject and Wretched together. She is mostly embarrassed that she wrote fanfic now but we still fangirl together.

No one else really knows other than fandom folks I've met in real life. And some friends know I've written 'short stories' but I don't elaborate. I work in a stodgy, uptight industry where anything fun or actually having a life is frowned upon.

Is there a place online (tumblr, twitter, AO3, etc.) where people can find you and/or your stories now?

Over the first lockdown, I got my shit together and got my fic site, invidiosa.com, up and running again. My site houses fic by Rain (now @doctorhelena on Tumblr and AO3), Helen Quilley, ML (who I miss so much), Folieadeux, Shelba, TLynn, Oracle, Piper Sargasso, Diehard, and me. And I made all their dustjackets (except Folie's). The site got hacked a few years back and it was so much work to get running again that I put it off for years and years. I still feel terrible that I did not get the site back up before ML passed away, especially when ML had asked me about it a few months before she passed.

Anyway, all my XF fic is here: circe.invidiosa.com. I have 3 of my newer XF stories on AO3. And my fic-LJ also has some of my stories. Some of the newer stories are on Tumblr but the tagging is so erratic that I'd have to list several tags before you'd find them all. I don't know why I haven't moved everything over to AO3. Probably laziness.

I'm @invidiosa on Tumblr. I'm still on E-muse. I'm still on LJ. I'm always reachable by e-mail (invidiosa at gmail).

Is there anything else you'd like to share with fans of X-Files fic?

Thanks for reading, writing, and commenting. It is always appreciated.

(Posted by Lilydale on January 5, 2021)

[laufire]

Supernatural s3

It’s so unfair that the season that has Ruby AND Bela is so short :(((. I was done with it waaaay too quickly, and now I’m speed running through s4 xD (which, like the first time around, is Strong Mixed Feelings territory).

-My girl Ruby!!!! I was so happy to have her back, I kept grinning like a loon every time she was on screen. It’s quite interesting watching the 1.0 and 2.0 versions so close to each other, instead of as they air. I have... Thoughts, on whether Ruby as a double agent was something planned or that they decided as they went, but that’s for the s4 post. s3!Ruby really doesn’t come across as one (“I don’t believe in the devil” oh I wish sometimes xD, I love my nonbelievers), imo, but the beauty of such a device is that you can rationalize anything she does as devious if you want to xD

And it goes without saying that I love her interactions with Sam. THIS SHIP ISTG. I love how immediately ~attuned to her he is lol, his present and instinctive concern for her even if he tries to mask his interest as “practical”. And all the repeated times Sam’s conflicted between her and Dean -like when he deviates Dean shot (wasting one of the Colt’s bullets lmfao) or during the argument about the virgin sacrifice xD. And the “that’s my boy”/ “little fallen angel on your shoulder” quotes!!! Ruby 1.0 deserved to be railed by Sam too, smh.

My favourite episode of hers is “Jus in Bello” (which would be my fave of the season just by virtue of having both Bela and Ruby in the same episode lol. Not interacting, of course, the world as we know it wouldn’t have survived). I just love that she gets that final moment of I TOLD YOU SO to the brothers xD. I really like how she expands on the demonic lore of the show- I love, LOVE the detail about how all demons used to be humans, how they’re souls corrupted in hell. And that in her past life she was a witch (there was this really good fic in Spanish fandom about it... I need to hunt it down).

BTW, though I think her interactions with Dean in that episode are interesting, it really hammers home how much I hate him sometimes xD. Can you stop saying misogynistic slurs for TWO GODDAMN MINUTES, DEAN (and as we know from as early as this season, only HE can have demon/monster friends!! What a fucking hypocrite xD). I freaking love the moment in the finale when she viciously yells him about how she wishes she could see him in hell lmao (and how it foreshadows that when she shows sympathy later, it’s actually Lilith in disguise lmfao). I hate Dean gets the last word in their dynamic, tbqh. Until the s15 cameo, at least xDD

One thing that’s been bothering me xD: the French fries. Demons are vulnerable to salt, like other spirits, right? (and hey, look what a nice piece of foreshadowing that was). How does that translate to food lol. Because Ruby adores French fries, and they obviously contain salt. It’s like spicy food for humans? Or like pineapple? Inquiring minds etc. xD

-I still cannot believe Bela Talbot was only on the show for six episodes lmao. Her presence still lingers in the watchers’ heads so much?? Which is understandable because she’s Lead Girl Material if there was ever any lol. The care with which they styled her even?? You don’t do that for just any character lmao (I mean, just look at most of SPN’s female characters for comparison xD).

Her ship with Dean could’ve really been something, too -even if I hate Dean in it, I can’t deny it packs a punch, narrative-wise. I mean, the Batcat undertones alone!! The fake married undercover shenanigans!! And I think it’s really interesting that she’s such a blind spot for him; Dean’s unusually intuitive about people, but with Bela he takes everything at face value and she can fool him like no other (while, OTOH, is Sam who questions her facade and wants to see more). If he hadn’t been such an idiot (and such an asshole) he could’ve had a really powerful ship. Sucks to be him lol.

Anyway. Man, I love her. So much. I love how Gordon’s threats to kill her don’t work on her, and I love that the show basically said “Bela killing her abusive parents is good, actually” (I’m so tired of forgiveness narratives, you guys. This entire show is founded on revenge, so let me get my revenge fantasies in peace!!) xDD. And I love, LOVE that she withheld that truth from Dean, that she decided he wasn’t worth it. OTOH, you know, fuck the fans that got her written out, definitely; but on the other, I do love how her story ended (and that it was a clear "fuck you" to shitty fans). Doesn’t stop me for wanting to read and re-read (and maybe write!) even more “Bela escapes hell” fix-its, but still.

Also, very important question: what happened to her cat?? It’s the cat alright?? I’m going to headcanon that she left them with that cougar friend of hers lol.

-So. THE DEAL. Okay. Oof. I love this storyline, a lot. A loooot. I love the conflict it creates between the brothers (as long as there’s still conflict and Sam hasn’t yet started taking everything lying down I can enjoy that part of their narrative lol). I love Dean’s initial forced giddiness about “making the most out of his last year” and I love the moment Dean decides he does want to try to live because it makes the last few episodes all the most desperate and cruel (and hey, I’ve heard he only went to hell because the season was cut short due to a writers’ strike... if that’s true that’s so funny lmao).

My absolutely favourite part however? That you can FEEL Dean’s unvoiced resentment towards Sam. For Dean having to die for him, even if Sam never asked him to. He lashes out to Sam repeatedly through the season, but it really came to ahead in the dreamspace episode, where Dean confronts another version of himself that talks about how Sam was “dotted on” (the revisionism asldfkaf). This show is absolutely ruthless when it comes to showing you its characters’ ugly, unfair reactions to things and it’s my favourite thing evah.

Speaking of the dreamspace episode, OMFG. I loved both brothers there. Dean’s hallucination, seeing himself as a demon? And how he let out his anger about John?? Beautiful, truly (regarding John, I also loved their different reactions when it looked like his spirit had contacted them: Dean jumping on it and Sam detached skepticism). But my favourite part has to be when Sam uses the villain’s abusive father against him. Like. Damn. That was cold-blooded o.0

The second-to-last episode, when Sam tracked down that Frankenstein doctor to try and make Dean immortal was ABSOLUTELY HORRIFYING OMG. I loved that. I love that Sam wanted to use it for both them. It was some scary shit. I also love the scene where the crossroads demon questions whether Sam really wants to break the deal, I’m gathering it’s going to be nice foreshadowing later on in the show lol.

Anyway. I also found Dean’s death scene more impactful than Sam’s. Partially because of the horror of it, but mostly because I think at this type of scenes, Padalecki is better. Sam’s grief felt more real, Dean’s got me out of the scene (it’s the voice, I think. Sometimes Ackles’ voice takes me out of scenes, it sounds... forced).

I also really enjoyed how the time loop episode wrapped around this subplot. It managed to be both heartbreaking and mind-numbly hilarious lmfao. Like?? All the deaths?? Were so pathetic?? I tip my hat to Ackles because I don’t think most actors could carry plots like this half as well lmfao.

Sidenote, it’s always a trip to see The Trickster God knowing that fucker is Gabriel. Archangel “hey Mary do you accept God knocking you up” Gabriel. Which I guess isn’t exactly a thing in this show?? Since according to the wikia SPN Jesus was “just a man” (and let me tell you, I’m tickled pink by the fact that out of ALL mythological figures, specifically all CHRISTIAN mythological figures, the show decided to go “nah” on Jesus Christ. I mean, I guess he’d take away from Dean’s, Sam’s and Castiel’s resurrection narratives, but still. It’s so funny!!).

-Gordon Walker remains a superbly acted and fascinating character with extra racist nonsense alsdkfjasdf. But I can’t deny I loved seeing him as a vampire. He was terrifying. And I’m definitely shipping him with Kubrick, ouch xD

-The Ghostfacers episode is... something. As in, incredibly exploitative and homophobic and with an egregious case of BYG (and the first where I’d say it’s incontestable to claim the trope was used. s1 and s2 are muddy territory given the circumstances, IMO, but this one is 300% BYG), but so successfully manipulative my heart hurt for Corbett and Corbett x Ed still. Fuck them for that ngl. I do still enjoy how anti-Winchesters they all are though xD

-3x01 introduces the one nice marriage of hunters so far, between a black couple. The man dies in a gross, horrifying way within the episode ofc (because he was Mean to the the brothers duh). She makes it out alive, and since she doesn’t reappear in the show she gets to live. So for now black women have a sliiiiiightly better track record in SPN than track guys there: they get to appear in a few more episodes and be more fleshed out (Victor, Gordon), but as long as they’re only in one episode they get to live!! (Cassie, Tamara).

-Rufus and Bobby are exes, right? Right?? Probably still married in some state? You know that post about how when gay marriage was legalized across the USA there were a lot of issues because some couples had split and never bothered to divorce, since it was only legal in one place? That post was made for them. Pity Rufus is a black man, and as such has a limited number of allowed appearances before he’s killed off ¬¬

-I would’ve enjoyed Dean’s moments with Lisa and Ben more (it’s just so RIGHT that in this moment he’d want Ben to be his) if my knowledge of future spoilers didn’t perpetually have me in a state of “pls keep this guy away from kids” lol.

-They had Harmony’s actress (BTVS) and they made her a vampire!! The show’s hard on for the Buffyverse is a bit of a hit and miss but I can’t say I don’t relate xDD.

-I know Jensen Ackles can sing (in fact thanks to youtube I know a few of the actors can... is there a musical episode. Does this show have its own OMWF. I need to know). So why. WHY. Does he sound like that during “Dead or Alive”??? I actually like the scene but he sounds so off-key lmao.

-BTW, I found out that apparently Katie Cassidy and Lauren Cohan originally auditioned for each other’s roles añslkdfjasf. I can’t picture it. Ruby 1.0 is Ruby 1.0 and Bela is Bela xD. Although I’ve seen each playing roles that could meld with the other, just. Nope. Good choice on the casting there lol.

[miraculouscontent]

Askplosion #12 4/4:

(I would like to state for future reference that, while I do not mind long/multi-part asks, if you’d like to engage in actual discussion with me over a non-Miraculous topic, my DMs - Tumblr Messenger - should be open; I lost pieces of three multi-part asks this time just due to Tumblr not sending the remaining part(s) so yeah, I just wanted to make that clear)

(like, this askplosion ended up being super long because of this section and that’s not really what I want to have going on since I’m supposed to be a primarily Miraculous blog; I don’t want to have to stop answering non-Miraculous related asks but I might have to if this keeps up:)

.:New non-Miraculous Asks:.

Anonymous said:

What are your experiences with some really rude anons?

It’s partly my fault when it happens. Like I’ve said before, I’m an aspie, and part of what that means is I struggle to understand situations emotionally. I can come off as insensitive or read the mood wrong which often leads to people misunderstanding my intentions or where I’m coming from.

More often than not, what I’m saying will make 100% sense to me but not the person/people reading it. I also stick a lot more firmly to my opinions than I should because people tell me I fold too easily, and I come off as more egotistical than I actually am to cover up my low self-esteem lol.

So yeah, can’t think of any experience in particular but sometimes it might be my fault? At least I suspect that it is?

Anonymous said:

“Killed by kindness” makes me think of an assassin who kills people by giving hugs and compliments to people and the occasion gift that isn’t tampered until thre target does like Conrad Birdie making women swoon into fainting by singing.

omg

yes

Anonymous said:

You're watching Yashahime right now? rip

MARINETTE TAKE 2 MOROHA DESERVES BETTER

SETSUNA HAS SO LITTLE REASON TO HANG OUT WITH THE OTHER TWO GIRLS

IF I SEE ANOTHER DEUS EX TOWA I’M GONNA KICK SOMETHING

(so yes, I’m watching Yashahime)

Anonymous said:

Since someone recommended Remarried Empress, I would like to recommend my own webcomic: Princess Love-Pon! It's about a young girl named Lia Sagamore who becomes the titular magical girl and purifies people's hearts when they're tainted by the Dark Queen! It's really cool due to its diversity, the main character is black and her best friend is Afro-Latina, the villain and her prince son are also black, and there's a Japanese girl, a black guy, and an Indian girl. Plus, loads of pink and frills!

Thank you very much, though I actually don’t take recommendations, even from close friends. The Remarried Empress anon wasn’t a recommendation; they were more pointing something out to me and then I went to confirm.

Anonymous said:

Unrelated to MLB: Which Pokémon are your favourites?

I used a “Favorite Pokemon Picker” because I prefer going by generations to pick favorites and that was the easiest way of going about it. I struggle picking super favorites so here’s what I got form each generation! (my only rule was “one Pokemon per evolution line��� with an exception of the Eevee line since they’re different types, and also Alolan/Galarian forms)

(note: the blue-patterned Vivillon is my favorite and I honestly don’t like Charizard normally but the Y version actually slims him down and gives him the wings I feel he should have; it’s an improvement of the design so it gets my seal of approval, I don’t like the X version at all)

(lol I was looking through this after I was done and find it really funny how it’s like, 50% cute things and then the other 50% is just EDGY, there’s very little in-between with me I guess)

Anonymous said:

Bridgerton the Series: Yay or nay? Sorry if you haven’t seen it or it’s not your thing. I was just curious.

Never seen it, though when I brought up to someone, they didn’t recommend it to me at all ahaha.

Anonymous said:

I previously kept having this argument about The Bechdel Test with someone. She keeps insisting that the test is invalid because there's nothing wrong with talking about men and that it was created for lesbians only, and not for feminists, with the implication that being a lesbian somehow means that you dislike men or want them gone. And she also thinks the test is about NEVER talking about men, rather than merely occasionally talking about other things. I keep telling her otherwise, but...

jdfhkgdfhjgdfg “lesbians only”

now all I can imagine is “lesbians only” sections at restaurants and such

Anonymous said:

Have you ever played Akinator, with or without the Miraculous Ladybug characters? Because I played it with Ochaco from MHA and Marinette and he guessed them within a second(can your character control gravity? Is your character a protagonist?). I even played it with myself as the "character" and he guessed "your shadow" lol. How about you?

I’ve played Akinator before but I don’t specifically remember what I was searching for lol.

Anonymous said:

The cast for the newest Power Rangers series got revealed, and I hate that as soon as I saw the Pink Ranger's bio mentioned she was an internet journalist, I thought of Alya. I really hope she doesn't have the same problems as Alya in the series proper.

fhgdfkgd journalists have been ruined for us forever

Anonymous said:

Have you noticed that in many shows, especially shonen shows, people tend to hate the most "feminine" female character? Like, in Naruto it was Sakura, in Death Note it was Misa, in My Hero Academia it was Ochaco(although a lot of people like her so I'm not so sure about that last one?). The most hated character in one too many a shonen is almost always the "girliest" of the characters. They're always claimed to be useless or reliant on a man. And this is within the fandom who should know better!

It probably didn’t help with Sakura that she was decked out in pink hair; that’s an instant girl label for you (or lesbian label, depends on the person :P).

I don’t think I’ve been in enough fandoms to have such an experience but I definitely see where you’re coming from.

Anonymous said:

Rewatching Chat Blanc and Here To Help from Star vs. and hearing Adrien/Marco tell Marinette/Star that they always liked the girls from the beginning makes me so pissed. It's not that I don't ship Starco(I do! But I also like MarcoxJanna), although I don't ship the love square, but I'm so annoyed with writers finding the need to make the audience "know" that the main ship's characters "always" liked each other, as if that makes their love for each other more true, even if it's obvious they had other crushes? Like, what happened to Kagami Tsurugi? Jackie-Lynn Thomas?

News flash: Teenagers are allowed to have crushes on multiple other people before they find "the One". It doesn't mean their love for that "One" is any less valid. And if you still want to pull the "they always liked each other since they first met", at least make it actually TRUE!!! Don't have them have crushes on other people before moving on to the "official" crush and be all like "Oh, by the way, I liked you from the start," when it's dead obvious they didn't. You're doing a disservice to the romantic "false" leads.

I'm willing to forgive Star's crush on Oskar and Tom since she's not the one claiming she always liked Marco(even though she fell in love with him LONG before he fell in love with her, which is a nice turn of events), although her "love" for Oskar was merely an infatuation at most and I personally don't see why it was needed. Why don't they just say that their old crush didn't do it for them???

UGH, I remember watching that show and being so annoyed because I really liked Marco and Jackie and wanted them to be a thing but I knew that they’d pull Starco in the end because of course they would.

It also totally makes it seem as if love is the most powerful relationship there is (aros would like a word), which is so bizarre when there are so many “power of friendship” tropes. Like, a male and female lead have to get together because their relationship is the strongest.

The love square would hold so much more meaning to me without this love drama nonsense. It’s tiring.

Anonymous said:

Have you seen Yuki Yuna Is a Hero? If so, then what are your thoughts on it? I was thinking of watching it but it seems to be another "taking away the empowerment of the magical girl genre by making the girls suffer instead" type story. I read about it on TV Tropes and apparently it's a deconstruction that takes after Madoka Magica which already puts a bad taste in my mouth, but then I got to the examples and they're basically about how girls who get magical powers lose their body parts one by one and that the reason only girls can be heroes is because "young girls have always been sacrifices".

Not to mention it was written by a man and aimed towards a seinen(adult men ages 17-35) demographic, making it torture porn for adult men. Also, both the laconic page for Yuki Yuna and Madoka Magica say "Being a magical girl sucks."(though for Yuki Yuna it adds "Unless you have the power of friendship.") and to be honest that kills any desire in me to watch the show. Should I give it a chance?

Oof.

Yeah, after bringing it up to a friend of mine, it was instantly recommended of me not to watch it, so I’d say, “no.”

Anonymous said:

Let's make one thing perfectly clear. I, love, love, LOVE Sailor Moon. And I love the transformations, too. But if there's one thing I don't love, it's that their outfits all look pretty much the same but with different colors/different lengths of gloves and shoes and stuff like that, and that they all have the exact same body type save for the one fat girl who's made to look bad. I don't like Madoka Magica, but at least they all had unique/different costumes(but they still have similar bodies).

We’re not allowed diversity here. Take your different body types to a show that cares; we’re all about femininity here and how girls can be beautiful and powerful no matter wha--oh wait...

Yeah, I don’t care for the design in Sailor Moon, but that’s because skirts don’t interest me design-wise unless it’s really unique/interesting.

(note that there’s a lot of talk about tomboys, sexism, and TV tropes and such below, and then Madoka Magica after that; that’s basically the rest of this askplosion:)

Anonymous said:

I just saw the thumbnail for a video called "Why You Should Watch Princess Tutu(Yes, I Know The Name Is Stupid)". Umm, why is it stupid exactly? Because it's "girly"? What is with people thinking that in order for a girly show to be good they have to first separate the show from its girliness in order to enjoy it? It's like how men will say a show is good despite it being girly, or that since it's good it's no longer girly. Nobody does this for boy shows, because boy things are "never" stupid.

Princess = girly thing

Tutu = girly thing

girly things = bad

That’s the formula~ They should’ve called it something edgier and manly so that more people would be interested.

Anonymous said:

I'm wary of any woman or girl who says, "I'm a girl, but I'd rather read books about guys" or "I'm a female writer but I mostly write stories about male characters". I feel like those women are the "not like other girls/one of the guys" type who suffer from internalized misogyny and don't like female characters. I also feel like they're the type to not care about female representation, because in their minds, girls shouldn't care about female role models. We can enjoy males just as much! I do!

To be fair, they might also just be writing about shirtless men doing “handsome” things. ;P

But nah, I see your point. Me personally, I try to find a balance of writing both, but I do think there can be bias.

Anonymous said:

Do you think it's okay to like a ship but acknowledge that it wouldn't be safe or healthy or condonable in real life? Because I was just thinking of how a lot of people like some really "toxic" ships like Veronica/JD in Heathers, Yuno/Yukki in Future Diary, Madoka/Homura in Madoka Magica(although some people don't like it because of its toxicity/like it but don't realize it's toxic), almost any villain/hero ship, the list goes on. But they're aware of the fact that it's not a good standard for healthy relationships in real life.

An alternative I've seen is people having a crush on "dangerous" characters like JD and Yuno, or Karma from Assassination Classroom(there's not a single video on YouTube with him in it that DOESN'T have comments full of people saying they want Karma to father their children), but still being aware of the fact that the character is a) not real and b) wouldn't be a good partner if they were real(and that's assuming they even want to be with you. But sometimes there's a good reason for falling in love with a "toxic/dangerous" character.

Take Monika from Doki Doki Literature Club! She's obsessed with the player(not the player CHARACTER, the flesh and blood player themselves) to the point of killing off all the other girls and "trapping" you in a room with her where she talks endlessly about lots of things. But she's actually a lonely girl who's driven insane by the fact that nothing around her is real. She latches on to you because you're the only other person who's real and sapient and has got a mind of their own. You're literally her outlet to the outside world.

She's personally my favorite character in the game due to her actually being a more fleshed out, sympathetic(and not in the idealized "moemoe" way), and realistic take on the Yandere archetype(which, like many moe archetypes, is kinda misogynistic in nature in that it reinforces submissiveness; it's basically animes version of "woman scorned".). So it makes sense that people would sympathize with her and want her to become real, because all she's ever wanted was to be real and to talk to real people. Especially since she really did care about her friends and even returned them back to life because she saved their backup files, taking herself out of the picture.

I read a few "Monika becomes real and lives with you" fanfictions where she's really sweet and not at all crazy and cares for you a lot, and it's never felt the same as all those other "Yandere/psycho lives with you and is your girl/boyfriend" type stories precisely because those stories tend to just glorify possessive partners that kill your loved ones, drive your family members to commit suicide, and tear up your stuffed animals and dollies for the sake of it, rather than go into why they're so crazy for you, and often reinforce Stockholm Syndrome.

Plus, those "things" she talks about in the empty room? They're actually quite smart and make you think about the world for a bit. Not many "crazy" type characters actually get that. They're all about how "I'll slice your boyfriend open with an axe if you don't date me wa ha ha", and even if they're not, it's all the fandom will focus on, to the point of ignoring any and all other aspects to their character. Because that "crazy in love" aspect is the most appealing part of them. Maybe it's due to forbidden fruit/bad boy(or girl) appeal? Who knows? But I'm starting to wonder if it's still as bad if people recognize the problematic aspects of "crazy in love" characters or "dysfunctional" relationships.

Because if they recognize it's not real and don't really want it for themselves, then it's probably not much of a problem. But if they just go on wanting it to be real and never take a step back and go "wait a minute, this isn't real love; they're only together because he latches onto the first girl to show him any kindness and affection and she's a doormat who doesn't want something bad to happen if she leaves him", then that's bad.

Obviously it's not as bad as being in love with literal stalkers, killers, and rapists in real life(which is an actual thing, believe it or not, it's called hybristophilia), because fictional characters will never be real. Karma Akabane will never be real. Yuno Gasai will never be real. JD will never be real. But loving fictional characters who do those things and not realizing the problem with it may cause people to seek out real criminals, so it's best to separate fiction from reality.

I can’t help judging a little internally, but yeah, I think people can ship whatever as long as it has that “not in real life” scenario going for it. It’s ultimately fiction, so just because I don’t like it and/or think that it’s bad doesn’t mean other people can’t ship it.

Anonymous said:

I'm getting tired of all the racists on TV Tropes getting upset whenever a trope has a Japanese name. Whether it's Tsundere, Yandere, Meganekko, Genki Girl, Bokukko, or any Japanese anime name, people will complain that the trope exists beyond anime so it shouldn't have a "cute anime name", and that it should instead just be given a broader(read: English) name with the same meaning. Or that the site is too obsessed with anime. I'm just sick of people saying that anime names are bad.

The other thing is that we don’t actually have English words for certain things? I mean, the whole reason we say, “tsundere,” is because it says everything in one word. It’s easy.

(Also, people are aware the the English language isn’t some unique thing that takes no inspiration from other languages, right? It’s a mix of things, so accept that other languages exist because we literally wouldn’t have English without them.)

Anonymous said:

Have you seen the TV Tropes reviews for "My Little Pony: Friendship Is Magic"? Holy crap, they are all a perfect example of the "Real Women Don't Wear Dresses" phenomenon that I have mentioned earlier and is so fucking present on this site. While some reviews praise the show for showing that "it's okay to be strong AND girly"(such as Hadles' review, which was really splendid), and that girl shows are no less good, others either insult the show by calling it "girly, saccharine, and stupid" as if "girly" is synonymous with anything bad about a show, or feel the need to distance it from its girliness in order to praise it as if a show can't be good if it's also girly.

Some people were saying things like "the show might seem girly at first, but it's actually a good, brilliant show with intricate plot twists, well-developed characters, and even some scary moments" and "the characters aren't just shallow girly-girls, they have depth!" So what, girliness is mutually exclusive to anything of value? One person even said that the Girl-Show Ghetto was the reason they couldn't get into the show or respect it. Just...wow.

And one review even said "Rarity's pretty tough for a girly girl!" Excuse me? Tough FOR a girly girl? So being a girly girl somehow automatically disqualifies you from being tough? Like "yeah, she's tough despite being a girly girl! Because girly girls aren't supposed to be tough."

It reminds me of the phrase "you're pretty for a black girl", which, while it's never been said to ME, I have heard other people complain about. It's sick and it hurts, just like this. And the few people who didn't say things like that still said that they couldn't get into the show at first because it looked "girly and vapid", before changing their minds and thinking that the show either proved their biases about girly shows wrong, no longer think it's girly since girly shows "can't" be good, or like it "despite" it's girliness.

And there were 70 reviews in all. 70 reviews full of this misogynistic "girly is bad" shit. So in conclusion nearly all the reviews on TV Tropes for My Little Pony: Friendship is Magic were along the lines of one of three things. 1) "This show is girly so I looked past it because girly shows are dumb." 2) "This show is good despite being girly/the characters are good despite being girly." and 3) "This show is not girly to me at all because it is well-written and captivating and girly shows aren't capable of such things."

Granted, some people there were able and willing to call out those who judged the show badly for being girly(or gave it the "not like other girls" treatment, but in show form), as well as people warning other potential viewers to get rid of any potential bias they may have against it due to it being girly. But there were still more people insulting its girliness as a reason they think it sucks or denying its girliness to justify their liking of it than the other way around.

I would've accepted it in the form of "If you think this show is bad because of its inherent girliness, then you are wrong!" or "This show is proof that a show being girly or aimed at girls doesn't and shouldn't take away from its value, as people seem to believe." or "A girl can be girly and be a strong female character.", but no, instead I got shit like this. It's especially insulting when TV Tropes is a site that devotes itself in part to critiquing sexist tropes found in media, only to turn right around and reinforce them.

I don’t read TV Tropes that frequently, so I fortunately missed out on all of these complete idiots who associate girly products with being bad.

(that “pretty for a black girl” comment makes me hate all aspects of “expectations of beauty” and it’s like--plz let these die)

I could maybe see an argument for criticizing a girls show for being “saccharine” if it were like, “girls’ shows written by men who clearly don’t know how to write girls are usually bad,” because then it’s not a criticism of girls’ shows exactly but rather who keeps being put in charge of writing them.

Anonymous said:

I get so annoyed when people get upset when confronted with the matter of female representation with "what's so wrong with one show having a male protagonist or mostly men and one/a few women? Why do we have to include women in everything?" These people clearly do not understand that one show doing it is one thing, but when multiple shows do it, it's an obvious problem. It's even worse when they turn around and diss shows with largely female casts for "not having enough men".

And as for people getting upset that "every show has to include women/come with a checkbox nowadays", as if it's bad to include women in your story...look around. Women make up 50% of the population. They're literally everywhere. What reason do you have to not include a substantial amount of women?

These people act like male is the default and women are a last resort. They see no problem with men dominating a cast because it's justified(despite that not reflecting real life), and yet having female characters, or, hell, a female-dominated cast(I know they also don't reflect real life, but there are still female-dominated spaces; most colleges are 2/3 female) is "unrealistic" trying to fulfill a quota, or a straw feminist agenda, as if characters can't be female for their own sake. You shouldn't have to be forced include women because their presence should be a given.

How many stories nowadays take place in the war front in Viking times or whatever? A lot of men just don't want to include female characters or see them represented(well) in media because those who are overrepresented tend to want to stay that way. They likely also have insecurities about their masculinity and are worried about female characters flooding their shows with estrogen and ruining the shows they love, because they can't relate to female characters or enjoy shows about them without negating their girliness(ie. This show seems girly, but it's actually good), since they're ashamed to associate themselves with anything feminine due to looking down on women or seeing them as bad.

Plus they want to be the center of everything so the second a show is about mostly women they get upset and claim it's "sexist against men" because it's not about them. Hence why bronies(bless their souls) are made fun of for the grave sin of enjoying a female-centric show with a female protagonist and largely female characters. Granted, there are some freaky fans, but there's still some sexism at play here.

This reminds me of a post I saw about a boy who actually looked up to female characters because you can pick a role model who doesn’t fit your gender. Crazy concept, I know. ;P

And yeah, that’s how it goes with equality. People who are best/most represented don’t want equality because they think it means less for them and they don’t want that, like a child who doesn’t want to share their cookies with everyone else.

Anonymous said:

I love TV Tropes, but if there's one problem I have with it, it's how often it associates femininity with weakness. The "Masculine Girl, Feminine Boy" trope is a good example of this, but the worst offender in my opinion is the Girly Girl With a Tomboy Streak, as most of the examples there are simply of girls who are strong-willed or fierce or can fight. Because you know, those traits are male. It's bad because there are ALREADY tropes for girly girls who can fight, Girly Bruiser and Lady of War (which TV Tropes even goes out of its way to SAY shouldn't be counted as a "Tomboy Streak" and yet does stuff like this), but it's also bad because ANY girly girl with these qualities, no matter how feminine they are otherwise, will be seen by TV Tropes as having to be at least somewhat tomboyish(read: masculine) in order to have those traits. Because regular girly girls are just weak and fragile and only want to be housewives.

It's even worse when you realize that much of these characters are created with the exact purpose of subverting the stereotype that girliness equals weak, and instead present a new and more empowering form of femininity: that femininity is strong and DOES NOT equal being a passive sex tool for men's pleasure. They're MEANT to show that being a tomboy is not the only way to be strong, and TV Tropes acknowledges that! But then they also go and claim these characters have "Tomboy Streaks" thus undermining the positive message by insinuating that you have to be tomboyish to be strong and that even girly girls have to have some level of masculinity to be deemed respectable and equal human beings, plus manipulating many impressionable folks into thinking strength and bravery is automatically tomboyish.

Worse yet, they often put a character here because "she's a big eater" or "she burps/farts a lot". Gee, I didn't know women had bodily functions? I didn't know women had digestive systems? So basically any time a girl shows that she is a human being and not a pretty, passive doll to be idealized, she is acting like a man. Because only men are fully-fledged human beings. Even outside of that, look at basically any masculinity-femininity contrast trope(Tomboy and Girly Girl, Sensitive Guy and Manly Man, Masculine Girl Feminine Boy, etc.). The "masculine" character will often be described as dominant, assertive, or outspoken, and the "feminine" character will often be called weak-willed, passive, emotional, and timid. It's fucking sickening.

The Tomboy With A Girly Streak trope is similar to its inverse in that a tomboyish girl will often be placed under this trope with their proclaimed "girly" streak being that she's tender or cries a lot or is soft spoken/a doormat. Because being girly is about not taking up too much space, not having any ambition or aspiration, and overall being a weak and shallow waste of space. For a site that claims to dismantle such sexist misconceptions, it sure does reinforce them just as much.

I almost want to stop using TV Tropes based on that and many other reasons, but it's a genuinely informative site that at least tries to avoid these stereotypes(plus it's edited by more than one person), it just doesn't do enough. For example, they made an awkward claim once that women can't fight while on their periods, and even have an Improbably Female Cast trope, as if it's abnormal that a cast could consist of mostly women and demands an explanation. To them, femininity=inferior.

And then in comes the “anti-girl tomboy” characters who basically do everything “girls don’t do;” glares at things like make-up and such, rolls eyes at the subject of “girl talk” or “romance,” drinks anything carbonated and spreads their legs wide open, etcetera.

Guys really don’t get the same version, at least not that I’m aware of? Like, at best, they don’t participate in “guy things” but that’s about it.

Having characters acknowledge it just makes everything more blatant, like if a woman comes by and the guys have to assure “DON’T WORRY, SHE’S LIKE ONE OF THE GUYS.”

It’s like a woman can only hang out and engage in “guy talk/time” (the concept of which I hate but that’s besides the point) if they can crush a beer can against their forehead.

Anonymous said:

OMG TV Tropes called Cirno the Ice Fairy from Touhou a "tomboy"? Why? Because she's boisterous and outspoken and not a "shy girly-girl" like Daiyousei! TV Tropes clearly believes that any girl or woman who is more than just a pretty face(which ALL women are, by the way), who takes up space, who has a dynamic personality and isn't just a weeping wallflower(which I'm not saying Daiyousei is) is a tomboy. Because she's acting like a man that way. Ugh, so over TV Tropes and their sexism.

And all the girls in Touhou(including Cirno) wear big frilly dresses anyway so it doesn't really make sense to see ANY of them as tomboys. But no, apparently any girl who is rowdy or tough or is active and not passive is a tomboy. You gotta be a tomboy to have attitude. You can tell they think so because they often say things like "strong, but still feminine" as if those things are opposites. They even described femininity as "weak and susceptible, vain and superficial". Like, ugh, kill me now.

I legitimately want to see a bullet point list here of what qualifies as a “tomboy.” Like, what, anyone who does one thing that isn’t “girly”?

Can we just throw out all of these terms; not even replace them, just throw them out?

(the below ask is incomplete - the first part is missing - but the asker clarified after I asked them, so clarification is below:)

Anonymous said:

Tropes is because I'm working on a story and I hope when it becomes famous that TV Tropes will write about it, but as it stands, I'm beginning to wonder that TV Tropes undermines most stories or plots to do with women one way or another. I mean, they constantly create tropes with the intent of calling out inherent biases, yet reinforce those biases themselves.

For example, they have a trope called Men Are Generic, Women Are Special, which points out the bias of male being the default, and yet on almost every other page on the wiki describing a trope, the default character will be a "he"(especially if it's a character trope), and whenever they mention "The Hero" or "The Big Bad" it's always a he unless it needs to be female(like if the heroine is in a romance story, or if the villain is a seductress). Female characters at best, can hope to be "The Heart" or "The Chick" of the group(which is often used in a demeaning way).

They even have a trope called "Improbably Female Cast" in which they point out all the instances of a story's setting having an "over-abundance" of women or girls with no men in sight, and claim that such stories have majority female characters when it is "unusual" "unlikely" or "lacks justification". Someone even suggested that the trope should be called "Where Are All The Men?" as if there's something inherently weird or wrong when a story is dominated by female characters, and like the story is in dire need of men, as if only men can be protagonists.

Even if the story has a justifiable reason for having mostly women, the fact that the writer made that choice at all is somehow deserving of mention. The mere fact that there's no "Improbably Male Cast" trope shows where the site's biases lay. They don't see anything wrong with a show being dominated by men with little to no female representation(ex. Death Note), and yet a show dominated by women(ex. MLPFIM) is somehow an anomaly and demands an explanation(even if the story does provide a reason for it, TV Tropes will still list it and presume it "improbable", as if to say "I mean, yeah, but there's no reason why you couldn't just make them mEn instead", as if writers who have mostly female characters are going out of their way to steer away from the "default" males.

In fact, they even admit that "Men Are Generic, Women Are Special" is their reason for having such a trope, but not the inverse. They even say that it's not the trope if the show revolves around a group of girlfriends with no indication of the gender ratio in the wider setting. So any time the females outnumber the males a story it's instantly labeled "improbable" because there's NO WAY any setting AT ALL could have more females than males. That's improbable! You see, this is why when women are 1/3 of the people in a given space men perceive it as "majority female" because they're uncomfortable with women having more of a presence than men.

We'll never have true equality if shows with majority female casts continue to be scrutinized under a microscope and assumed to be of inferior, lesser quality, just because there's no male characters around and it's women who are driving the plot. My problem isn't that they have a trope for majority female casts, it COULD be a testament to gender equality(ie., "there used to not be a lot of shows revolving around women, but now they're becoming increasingly common and well-known), but it's that they single out such stories as "unlikely" and thus discredit them.

And worse yet, they refuse to change the name, because they don't see a problem with it. So now every single show that doesn't have an equal number of males and females or more males than females is going to be called "improbable" by TV Tropes, because there's something(bad) to be said about shows that choose to make most of their characters women. Death Note and Naruto can slide by the radar of having loads of men, but Madoka Magica and Touhou are "improbable"? Because they have loads of women?

the clarification:

Anonymous said:

I started out complaining about how TV Tropes says that boys will watch Star Vs. The Forces of Evil only because of Marco(who's great, but it comes off like boys can only relate to boy characters) and that the show only looks girly but has a deep complex plot with scary moments(as if a show can't be dark and complex and still be girly; girly=shallow, watered down fluff), hence my complaint about TV Tropes undermining girly shows or anything "girly".

Yup, exactly like I said.

Good stuff in “girly” things is the exception. Good stuff in “manly” things is expected.

Which is funny when you consider stuff like “edgy” reboots of things. Like, Disney remakes their original movies and that usually means making them worse (like in Beauty and the Beast - god I hate that remake - where the objects are going to become complete objects when the last petal falls even though the enchantress is explicitly a good person and it comes off as super cruel and unnecessary), but that seems to just be its own breed of bad I guess.

Then there are terms like “chick flicks” and “soap operas” which are usually women-oriented and tend to be considered dumb/over-dramatic.

You know, not like MEN shows with their sexualization of women, guns and MEN things.

Anonymous said:

Remember what I said about TV Tropes being sexist? Well, they also have a trope called "Girly Run". Like, that's literally the name. Girly. Run. Thankfully the first example(which is under advertising due to the forms of media being in alphabetical order) is an aversion from the blessed Like A Girl campaign, but...just reading the page lets the casual-yet-bold-faced sexism speak for itself.

why can’t things just be like the Sims where characters can wear whatever the hell they want and have any personality without any judgment or criticism from other Sims?

(more Madoka Magica talk - and ONLY Madoka Magica talk - below because I’ve unleashed a monster apparently:)

Anonymous said:

I know you don't like Frozen but I saw a theory somewhere that Elsa's powers came from making a contract with Kyubey and her wish was to impress her sister and anyway I can't stop rolling my eyes. This isn't(just) because of my distaste for Madoka Magica compared to my love for Frozen, but if Elsa's a Puella Magi then why didn't she become a witch long ago? How did she make it to adulthood? How did she become emotionally stable? And why do her powers have to come from a negative source?

I think it might just be people looking for excuses to do their crossover fanfiction which--yeah, I’m not crazy about that.

Anonymous said:

Did you know that Cristina Vee voiced Homura Akemi in the English Dub? It's very noticeable, especially during the Cake Song, where I could've sworn she sounds exactly like Marinette. By the way, I'm still not sure what the hell was going on in that song. Could you please explain it to me(if you know)?

Nooooo don’t make me think of Homura when I think of Marinette!! fjkdgjnfdg

lol but seriously, I think the Cake Song is just meant to be one of those “weird but meant to be dEeP” things that shows do sometimes to be cool (not a criticism technically; depends on how it’s used).

I think the cake is the labyrinth and Homura saying that she’s the pumpkin makes her the odd one out since pumpkins are associated with scares and halloween, so it’s “foreshadowing” her being the witch. The things that they say they are... they’re like--ingredients for a meal, but not a cake, so the the cake is the labyrinth and they’re the things that would go inside it.

Homura and Madoka are the only ones who really get descriptions to go with them. Homura says that she’s “full of seeds” (despair?) and Madoka implies that it’ll bring sweet dreams once she’s sliced (which is either referring to the godly freedom given to magical girls before they turn into witches, or foreshadowing Madoka being “split” after Homura stops Madoka from purifying her, leading to Homura’s “sweet dream” of what it’s like when everything is “normal” after her reality twisting).

Anonymous said:

May I ask what you don't like about Kyoko's character? Is it because she was the stereotypical "jerk with a heart of gold"? Or because the writer made her flip from hating Sayaka and wanting her dead to suddenly dying for Sayaka even though she barely knows her compared to Madoka(because the writer doesn't understand how girls' relationships work)? For me it was a mixture of both(though I still don't mind KyoSaya!), but I still liked her enough, she just felt a tad stereotypical. Your thoughts?

It’s both. I just don’t like characters like her at all and the runtime of Madoka Magica can’t maintain all of these characters, “developing” them, and then killing them off. I don’t even have any time to get attached to them because they’re dead within a matter of a few episodes.

And it’s always like, “okay here’s this character’s backstory to make you feel emotionally attached--HA NOW THEY’RE DEAD. SEE??? WE TOTALLY GOT YOU.”

Like, no, you didn’t. I didn’t even have time to care about THEM, much less their actual death.

Anonymous said:

What about the girls in Madoka Magica? Do you think they're strong female characters? Now, obviously the show is not feminist, since it misses the whole point of Magical Girl, which is to empower girls and show them that girls can be powerful and feminine and can find strength in solidarity with each other by instead making them suffer and fight each other and have their power come from their emotions, which are exploited and turned against them because women can't be powerful, but still...

It’s the same way I feel about Marinette; there are some who I want to say are strong characters, but the writing is ready to just kill them off at any time and bully them for essentially having emotions.

Basically, imagine a male writer hands you a character sheet and is like, “AW YEAH CHECK OUT THIS sTrOng FEMALE CHARACTER I WROTE.”

Like, even if they were right, their ego and obnoxiousness about the whole thing, along with what they actually do to said character, makes you not want to give them any credit for it.

Anonymous said:

How do you think Puella Magi Madoka Magica would be different if they had magical boys as well(which can mean either gender-bending canon magical girls or introducing original magical boys)? Do you think the show would be better? Worse? Or would it be just about the same?

Personally I feel like having magical boys would be good and bad; good because there would be no more of the “teenage girls are hysterical” crap and it wouldn’t just be girls suffering because they can’t handle power, and bad because it would still be problematic(for stereotyping all teens as over emotional and deserving to be taken advantage of by the Incubators, and it would still be about kids suffering in a genre meant to empower girls, having some of them be boys wouldn’t help that much).

I also feel like Gen Urobuchi would still make the girls suffer more and have them be more emotionally and mentally unstable. Holy crap it feels like he read up on Aristotle’s views on women while making this show.

It would at least be more balanced I guess? Like, teenage years are a fragile time, so it would make sense for both girls and boys to be taken advantage of. I still wouldn’t like it but it would be nice to point out, “there are emotional boys as well as emotional girls.”

Anonymous said:

Literally all the problems with Treatment of Marinette, Chat's Entitlement(TM), and the sheer sexism in general(ex. all the teenage girls and even women villains being catty and bitchy, while the male villains are cool, suave, and calculating; female villains being irredeemable scum while male villains are "not as bad as they seem", etc.) could all be solved if the show just got some more female writers! You know a show isn't feminist like people claim if none of the writers are women.

That's what I love about Friendship is Magic; the show is written and directed by a woman and actually has a variety of both male and female writers! Plus, Lauren Faust explicitly identifies as a feminist and claims her works are meant to empower women and show them that there's no wrong way to be a girl. And the show reflects that! There's no "token girl" who checks all the boxes; the females have realistic flaws, diverse personalities, and let's not forget ARE THE HEROES!!! Not to mention that the cast is actually PREDOMINANTLY FEMALE. Do people have any idea how refreshing that is?!

And that's why whenever people claim that shows like Madoka Magica are feminist when it's written by men for men while also dismissing actually feminist shows written by women for women as "sexist" or "demeaning", I cringe inside. It's not just what the show looks like, it's what the people behind it say.

And Gen Urobuchi is not a feminist. At all. Just listen to the things he says about the girls, that they're terrorists who are full of hubris and destined to be alone, and that actual magical girl shows weren't his inspiration beyond the show's cosmetics, he just based it off of porn games. He only watched those shows after making Madoka Magica and admitted they were weird to him. Well, maybe they wouldn't be weird if you actually used them as inspiration! Why are you even making magical girl? So basically he admitted that all the suffering the girls go through is because it's his fetish.

I knew I wasn't imagining things when I saw all those weird shots and angles(ex. zooming in on Sayaka's thighs and breasts when she collapses to the floor, Madoka gripping the bed sheets between her legs when agitated, zooming in on Kyoko's ass when she takes her phone out of her shorts' back pocket, it's all for cheap titillation). And yet people keep saying the show is devoid of male gaze and sexism and why? Because apparently men know how to represent women better than women themselves.

you said “Madoka gripping the bed sheets between her thighs” and it gave me an immediate flashback, I hate it

I find that it’s a similar thing with gay anime/manga; I’m more likely to trust a F/F story if it’s written by a woman since they’re less likely to sexualize everything.

Anonymous said:

Homura in Puella Magi Madoka Magica: But Madoka, what's going to happen to you? You'll end up all alone here forever! You'll never be able to see your friends and family! Homura in Rebellion: Haha, screw Madoka's friends and family! Only I am worthy of Madoka's love! That girl belongs to me! MWAHAHAHAHA!!!!!!!!(I'm sorry for the over exaggeration, but this is how it felt for me.)

Apparently, it was better for Madoka to just have all of her memories and powers yoinked away.

Sayaka is Madoka’s right hand girl so idk why Homura has this idea that she needs to sAvE Madoka. The fact that this whole thing comes out of a misunderstanding (because Madoka doesn’t have her memories) is so irritating.

Anonymous said:

I actually love Madoka Magica, but I completely agree with you on the hysterical women thing. Why couldn’t they just have... both magical girls and magical boys? Like, just mention that magical boys are a thing? They don’t even have to change anything but that, they don’t even really have to show it, just be like “yeah there’s magical boys too but that’s not really what this story is about, it’s about our characters we have here”. I don’t know, feels like that would have at least helped stuff.

Yeah, they don’t have to bother having the magical boys around. Just to know they exist would be enough. I mean, the fact that the focus is on them would still be bothersome (they’d probably do a thing where each girl represents a different emotion that is easily manipulated/easy to control), but it’d be something.

Anonymous said:

One thing that weirds me out when people are talking about Madoka Magica is when people refer to the characters as "little girls". Like, excuse me? They are not "little girls". They are teenagers! All of them are at least 14 years old! I hate when people call them "little", it's just so condescending and infantilizing, especially when the show does enough of that to them already. After all, no one makes that mistake with the heroines of Lucky Star and Hidamari Sketch(who are also drawn by Aoki)!

I feel like it’s the equivalent of when people call women “girls,” y’know? Sort of a “treating females as younger than they really are,” which is probably what gives guys the feeling that they have control.

For a gender that claims to be so dominant, certain ones sure have to delude themselves a lot to make themselves feel better.

Anonymous said:

I was thinking about what you said about Puella Magi Madoka Magica passing the Bechdel Test, and if it counts if there's barely any men to talk about. And while I do agree that it counts, I also feel that it doesn't really matter much in shows such as Madoka. This isn't even about feminism, this is about the fact that if a show has next to no men in it at all then it's pretty much a given that they won't talk about them since it would be impractical to talk about something that doesn't exist.

So because of that, I think there should either be an alternative test which only applies to shows that have a significant or equal number of male characters and yet the ladies still pass the test(making it feel more "real" since the option to talk about men is there), or the test should be rewritten entirely so that it only applies to shows in which the cast is either equally gender-split, or has a majority male cast/significant amount of males even if the females still outnumber them.

Reminds me of how, on TV Tropes, someone suggested that there should be a "Weak" and "Strong" Bechdel Test, where "Weak" refers to the women talking about something other than men because it is literally what's relevant at the moment(such as two female police officers discussing how to catch a female killer), thus applying the Bechdel Test there seems semi-void, while "Strong" is when they could talk about men but choose not to(ie. two female students talking about their grades during lunch).

And just to clarify about the "Strong" one, when I say they could talk about men but choose not to, this isn't to imply that female characters should talk about men, or that something's wrong with them for not talking about men, just that there's nothing stopping them from doing so, but they choose to talk about something unrelated to men. I think this strategy is much better than the test we have because it makes conversations between female characters seem more real since they're discussing things other than men of their own volition, rather than the non-male-centered talk being because they have to talk about it in-universe. I say that because The Bechdel Test serves to show that women's lives don't and shouldn't revolve around men, and they can talk about other things if they want to, but if the conversation is because they have to(like the example I gave), that gives sexists the opportunity to go "Yeah, well, they're only talking about it because it's their job!"

But if the female characters talk about things other than men of their own free will(as in, when the option is still there), then it shows that women really do have their own free will to talk about their own things and that there is NO REASON to not pass the Bechdel Test in today's day and age(I keep hearing people claim the test is stupid and doesn't matter, but then it should be easy to pass). "Oh, but if they had the choice, they would talk about men." No, because men don't sit around and talk about the women in their lives all day so why should women talk about the men in their lives all day? And to the people saying these types of tests are getting in the way of their "creativity", well, now that we know that you think female representation is stupid and something you have to be forced to do, we don't have to listen to a word you say. ;)

I like the idea of adjusting the Bechdel Test for other circumstances and expanding it as such!

You could also extend it to things like sexualization, because--I mean, having two female characters who talk to each other probably doesn’t mean much if they’re half-dressed or the writer wanted to make them bisexual for “The Fanservice.”

Anonymous said:

To be honest deconstructions of Magical Girl confuse me. There are some good ones out there(such as Princess Tutu and Revolutionary Girl Utena, so I know they're not all just torture porn, my only gripe with Utena is the implication that girls who take on the feminine "Princess" role are weak), but at its heart Magical Girl has always dealt with death, gore and pain just as much as female empowerment.

It makes me feel like the people who write these stories haven't seen magical girl and think it's all just sunshine and rainbows and that just because it's "girly" it's vapid and has no substance, and since the only way to have substance apparently is to be "dark", they go "screw it with all this princessy magical shit! Let's make our show dark instead!" When in reality if they had just sat down and watched a magical girl anime, they would understand that this is not the case.

Not to mention that many of them tend to have fanservice and the idea that magical girls have to suffer, so instead of empowering young girls, they end up misrepresenting the genre and turning it into fetish fuel torture porn for adult men(Madoka Magica and Yuki Yuna are very good examples of this; the writer of Madoka says that the girls are terrorists and full of hubris and that he was inspired by porn games). It's not that you can't deconstruct the genre at all, but it's almost never done tastefully and the magical girl themes are just a cover used to explain the suffering the girls go through. :(

Another thing about magical girl deconstructions is that they often reinforce patriarchal themes, like that girls shouldn't want things for themselves and that genuinely doing something for someone while also having ulterior motives that help yourself are a BAD BAD BAD thing, no matter how ultimately harmless they are, even if they help everybody involved. They also tend to reinforce Tall Poppy Syndrome and portray the powers as harmful or a bad thing, implying that girls shouldn't have power.

Honestly, I think there can totally be even more substance in magical girl anime that doesn’t have to resort to “make it eDgY” (which I feel like is a slippery slope that can easily come off as lazy); for example, I’d really enjoy seeing something deeper to magical girl powers than something like, “oh, this magical girl happens to have the power that fits their personality,” such as a magical girl who has a power she feels she doesn’t fit but it’s a matter of perspective/seeing herself differently, or a magical girl who does have the powers that “fit” her personality - like a “fiery” girl with fire powers - and the weaknesses in her powers correlate to the weaknesses in her personality, so she has to either iron out those issues or find workarounds, as true “perfection” isn’t possible nor practical, which is something all the girls have to accept despite whatever pressure they’re under.

.I dunno, I like lore and powers revolving around metaphors. It’s fun.

Anonymous said:

About what you said in regards to "no pueri magi because it doesn't hit the shock value threshold enough", I remember this interesting comment I saw on an article called "The Problem With The Dark Magical Girl Genre"(which I would totally recommend checking out, by the way!) which said that shojo magical girl and seinen magical girl both embrace a different philosophy regarding strong female fighters. In shojo, they tend to embrace femininity as a strength and show girls that they have the power to do whatever they want and undergo dangerous professions. But in seinen, which conveniently enough is more likely to "deconstruct" the genre(ugh), rather than admiring the girls and supporting them in their endeavors, the girls are meant to be pitied(often to the point of infantilization) when bad things happen to them, with the fact that they are girls serving to make everything worse. It operates under the idea that girls are fragile, in need of protection, and shouldn't be fighting at all.

That's why deconstructions like Madoka Magica and Yuki Yuna don't sit right with me, and also why I don't consider them feminist series. People can say whatever they want about Sailor Moon and Pretty Cure, but ultimately they also had dark and dangerous themes(to the point where some kids had nightmares), but ultimately allowed the girls to rise above the hell they went through and find the strength in them to save the day. We feel bad for them when they die, not because they're moe girls, but because we were actually given the time to form a connection with them and want to see them succeed, rather than just be expected to pity them because they're cute manipulated girls. That way, when they ultimately save the day, it's all the more satisfying. Princess Tutu was a deconstruction that actually went about it in the right way, because the girls eventually found the courage to defeat their enemies in a way that made sense. Why the hell is it a "good" thing to subvert that?

No clue, but I basically agree with everything there. I mean, Madoka Magica’s entire stick is basically that all the girls are like “uwu” in terms of the style (with Madoka being the “cutest” of them all) and then being put in this dark and edgy plot+setting; it’s for both the shock value and the “contrast” of having “moe” characters be thrust into these situations to essentially die.

And the conclusion doesn’t end up being satisfying (at least to me) because the villain doesn’t have emotions so he’s just like “owo” (seriously, I wouldn’t hate on Rebellion so much if Kyubey had been given emotions rather than going crazy; Homura can basically do whatever she wants and it was SUCH A MISSED OPPORTUNITY) so it ends up being more about the journey getting there like wow look at all the sUbvErSiOnS and dEaTh we had along the way!

Because at the end of the day, it’s still like, “the girls give into their ‘hysterical emotions’ in the end basically no matter what,” even if they get saved by Madoka in the end.

Anonymous said:

Do you remember, in Madoka Magica, when Kyubey said that humans would still be living in caves if not for the Incubators? First of all, keep in mind what Incubators do. Their entire purpose on this earth is to feed off the emotions of young teenage girls as they spiral into despair as a result of their delusions of power. Like wow, let that sink in. Apparently humanity's advancement relies on the exploitation of women. We are literally the punching bags of the universe. Isn't it lovely?

No! You see--we’re so important to the world! If we weren’t emotionally exploited, the world wouldn’t be the way it is now! :D

(kill me)

Anonymous said:

I once saw a tag on tumblr that read "The only good magical girl anime is Madoka Magica because it's gay, and even it has problems." Like, ugh. Really? Has this person not watched ANY other magical girl anime? Such ignorance. So many things wrong with that statement that I can't--and WON'T--even begin to unravel here.

MADOKA MAGICA IS NOT GAY AND I’M SO TIRED OF PEOPLE CLAIMING IT IS

s T O P

I DON’T EVEN CONSIDER YURI ON ICE TO BE GAY. MADOKA MAGICA? NAH MAN.

Anonymous said:

Do the girls in Madoka Magica even have transformation phrases? You know, like how Marinette says "Tikki, spots on!" or how Sailor Moon says "Moon Prism Power! Make-up!" or how Iris in LoliRock says "Iris! Princess of Ephedia!" etc. But in Madoka Magica, there doesn't seem to be any of that. At least in Yuki Yuna they pressed a button on their phones. But how do the Puellae Magi even transform? Just goes to show you how Gen Urobuchi knows next to nothing about the genre he claims to deconstruct.

Transformation phrases are magical and cool and you can’t take that away from me.

Anonymous said:

I had a shower thought about Madoka randomly in bed last night: If a Magical Girl's Soul Gem loses control over its user when 100 metres or further away from it, that meant that when Homura got Sayaka's Soul Gem back for her, Sayaka should've regained consciousness once Homura was less than 100 metres away, even if she didn't have her Soul Gem yet. I also love to ponder why on Earth Homura would even bother retrieving Sayaka's Soul Gem if she only cares about Madoka and Madoka's well-being.

I think it’s just a complicated process of Homura trying to make sure Madoka doesn’t fall into despair herself (in a non-witch way) and is convinced to make a wish.

Anonymous said:

The more I think about it, the more I realize that Sayaka really got the worst deal out of the whole thing. While her story may seem more "mundane" compared to the others(she just wanted the token Ill Boy osananajimi to like her back), she's the only one who somehow isn't brought back when Madoka recreates the universe, loses her Soul Gem on more than one account(and on the second, she starts decomposing and her crush sees her and calls her a monster because he thinks she's pretending to be the REAL Sayaka), is supposedly the weakest Magical Girl, getting swiftly taken out by both Kyoko AND Homura(the latter of which doesn't even make sense, if her body can heal why was she taken out so quickly?), takes a long while to show up in Magia Record, and Gen somehow finds it suiting to single her out as the one who is "destined to die" every time she makes a contract. Apparently the series director wanted Sayaka to live/be brought back, but Gen refused because it just had to be edgy.

Of course, MEN are allowed to have wish fulfillment power fantasies and dream like the sky's no limit and aspire to be all they want to be, but the second WOMEN try to be the strong ones, the powerful ones, or dream of something for themselves and others, they have to learn a lesson about how unrealistic their fantasies are and how they'll never live out their dreams. Hence why Sayaka puts the blame all on herself, saying that she's not a hero and was stupid and selfish the whole time.

"token Ill Boy osananajimi“ dfhbgjhfdgdfg

It was a real shame because I liked Sayaka somewhat (not saying much but still) and she was such a predictable one to go. Like, “oh wow, an angst-y anime all about shock value? so basically the best friend is dead then with no chance of survival.”

I think I do remember being told/reading somewhere (so don’t quote me) that Sayaka is the one that’s hardest to keep alive in the games, so you have to work hard for it. It just sucks.

Anonymous said:

Yet another thing that bothers me about Puella Magi is how the show frames the young ladies as if everything is their fault even though they have no idea what they're getting into because the person who makes the deal doesn't even bother explaining shit to them and all the show's attempts at deconstructing is just taking lighthearted elements meant to empower girls and show them that they can be brave and strong as well as feminine and make them dark and morbid.

Like, I get the whole "having young girls fight is a little unrealistic" aspect, but most magical girl shows actually do touch on that! Only difference is that over time, they become stronger and better at fighting(which is only to be expected, whether you're a teenage girl or not) and become more competent along the way because the whole genre is about FEMALE EMPOWERMENT.

Not to mention how the show seems to forget that the Incubators are villains and even seems to put them in the right and the girls in the wrong, what with the claim that they rationalize with the girls they make contracts with like sentient human beings(yeah, because emotionally manipulating young girls and literally taking their souls out of their bodies and making them liches without their consent is definitely treating them like sentient human beings), and that they always follow up on their end of the deal whereas it's the girls' faults their wishes go sour because they never wish for what they truly want(I'm sorry, but I simply DO NOT buy that. Homura and Mami outright wished for what they wanted. Their wishes went sour because the plot "decided" that they should have wished in a different way; plus, you're telling me that if Sayaka had outright said she wished "for Kyousuke to love her back" that the show wouldn't just "make" him mind-controlled or have Sayaka "outgrow" her feelings by the time he falls in love with her, all the while making it out to be "her" fault he's so heartbroken because she was some kind of tease or whatever, further demonizing girls' sexualities?).

Plus they explicitly claim that every woman in history was a magical girl and that without them, humanity would still be in caves(as in, humanity wouldn't be able to progress without the oppression and exploitation of women, and women can't gain power without going insane because female power is some unhealthy, inhuman, infernal thing.). Even if we take this all as a reflection of patriarchal society(which I highly doubt it was, if anything, it reinforces it), all it does is imply that the oppression of women is the natural order of things, required even.

As for the girls themselves, they routinely beat themselves up and the show makes no effort to tell them they're wrong(up until the massive cop-out of an ending), like how Sayaka's last words before becoming a witch are literally her "admitting" that she was "stupid, so stupid" for wanting a boy to love her and be healed of his infirmity. It just seems like we're supposed to think "you know, maybe the Incubators aren't that bad!" while ignoring that the girls are being treated like the disposable trash bags of the universe. This show already does the magical girl genre dirty but treating it like everything the Incubators did was necessary and like it's all the girls' faults these things happened to them in the first place is the icing on the stale, sour cake. Nothing like a giant heap of sexism to help get you through your day. :/

I’ve noticed this a lot in Miraculous, but Madoka Magica somehow does it worse; this “one (supposed) mistake leads to all of these consequences you never saw coming.”

Like Ladybug calling Lila out. We know that Lila’s pettiness in “Chameleon” shows that it wouldn’t matter whether Ladybug yelled at her or not; the simple fact that Marinette opposes a liar led to Marinette getting expelled, even if only for a while. Then there’s “Miracle Queen” and all that garbage that came with it.

These two shows put their teenage girls through hell for having emotions and there’s no way to undo it.

Anonymous said:

Honestly, the Madoka Magica fandom is basically the magical girl equivalent of "not like other girls" type women. I can't say I'd be surprised if they didn't watch a single magical girl show other than Madoka because they're all "stupid and girly but this one is edgy and dark" just because those shows are written by women to inspire other girls and show femininity as a strength while Madoka Magica is written by men for men who want to see young girls suffer without any actual feminism.

Like, let's go through their arguments one-by-one to prove that they don't hold up. They love to say that Madoka Magica is better than other Magical Girl shows because "it's dark and edgy and shows the downsides to being a Magical Girl unlike other shows where it's all sunshine and lollipops". First of all, other Magical girl shows also got very dark. Princess Tutu and Utena are also "darker" takes on the genre, but even more lighthearted shows like Sailor Moon and Precure had scary moments.

The only difference is, with them, they still managed to critique problematic aspects of the genre and actually provided ways to improve it, while STILL managing to keep their target audience(FEMALES) in mind, without condescending to them and infantilizing them. And they still showed the girls being empowered and overcoming the darkness.

In Madoka, there's none of that, there's no actual critique of the genre because Gen didn't have the respect for it to do his research, it's aimed at men so it doesn't keep female viewers in mind by definition(which is also another reason why it can't be a deconstruction; deconstructions should be done FOR its target audience), and the girls are constantly put down and treated like Moe crybabies by the narrative even when they're not(cause, you know, teenage girls are "emotional"!). And it doesn't offer ways the genre could improve, it just takes a female-empowering genre and twists it to be this system of oppression that the genre is meant to avoid.

Magical Girls tend to have a very strong focus on girls empowering girls and all that awesome stuff, and yet when Madoka and Mami form a special bond and Madoka encourages Mami by telling her she's not alone? It makes her big-headed and overconfident and she gets devoured by Charlotte. See what happens when girls rely on each other? Madoka is Sayaka's best friend, but gets pushed aside in favor of Kyoko, who later dies for Sayaka because girls who want to help each other had better be prepared to suffer and die for their beliefs. Sayaka loses everything, which happens to include her best friend, over a guy. And the whole witch process means that any female solidarity that could be found in the show is thrown out the window since the core concept of the show is girls being forced to brutalize and kill and exploit each other.

People act like Madoka is Yuri when it's not, Gen was asked if Homura really was in love with Madoka and if Kyoko really was in love with Sayaka, and what did he do? He beat around the bush. Naoko Takeuchi and Kunihiko Ikuhara(the latter of whom also worked on Sailor Moon R; woah, what a surprise) both admitted that there was gay love in their stories, yet people act like Madoka is super progressive regarding homosexuality when it's just implied and those shows were MUCH more open! Doesn't stop people from claiming the show is "honorary yuri" and saying that the meaning of "yuri" should be broadened to include any close bonds between two female characters, whether or not it's actually romantic, AND favoring the show(and HomuMado) above actual yuri shows that are made to appeal to women. If all this were actually valid, Sailor Moon would be yuri as hell.

I hate seeing people fap over this show and act like it's so revolutionary for recycling things that the genre was ALREADY DOING, because I know full well that the ONLY reason it gets this wide acclaim is because Magical Girl shows have traditionally been written for women and this show is aimed at men. That's literally it. Because nothing a woman writes is good enough, especially when it dares to go against patriarchal constructs of femininity as weak and docile by portraying it as cool and awesome. It doesn't matter how cool and dark and diverse and inclusive and complex Sailor Moon and Precure and Princess Tutu and Utena are, they're written by/for women with the intention of empowering them so they're automatically invalid, cheap, happy-go-lucky crap where nothing bad ever happens and anything those shows try to do ought to be discredited because they don't appeal to men like they should so what's the point?

But the second a MAN comes in and intrudes on a female-dominated space by doing all of those things but with a very shallow understanding of how they ought to be executed, people are all over it because a MAN did it and now it's interesting and respectable! I have seen so many people say that they don't like Magical Girl because it's girly and shallow and stupid, but then they praise Madoka for things that the girly and "shallow" shows have already done! Men are always taking away things meant for women and distorting it to fit their patriarchal views and yet when they do it it's somehow better and anyone who complains is simply a whiny straw feminist!

The fandom does it all the time, someone complains about the show and why they don't like it and find it sexist, and the response is always "you're just not smart enough to understand it; you have no idea what you just watched". Because obviously since it's made by a man it's sooo much smarter then the traditional sappy stuff made by women. That's why it's so annoying when others praise it at the expense of other works in the genre: they know their reasons for liking it are, more often than not, rooted in sexism against female-aimed and female-empowering works, so the only way they can praise it is at the expense of said works, hence them being just like girls who claim they're "not like other girls" when there's nothing wrong with girls being feminine and in fact many of those girls may like the same things you do!

So while I'm not saying there's anything inherently WRONG with liking Madoka, I DO have a problem with people who act like it's better or more serious than other shows in the genre and simply discard them on the grounds that they're "for girls", since they obviously didn't watch them.

me when I initially watched Madoka Magica: I don’t get why this exists.

me when I learned it was written by a man: ohhh, now I get it.

I also take issue with people comparing things that are made for different demographics. Like look, I don’t care if you enjoy your angst display over here, but also maybe don’t compare it to the stuff not even made for you unless you’re willing to get into a fight over it?

It comes off wrong, like they have to trash on stuff because it wasn’t made for them, y’know?

Anonymous said:

Honestly, I am so sick of people saying that Magical Girl shows are sexist or anti-feminist, when all they do is portray girls being awesome and powerful while also being feminine at the same time, because "Well in Japan it's actually gender conformity because it's telling girls they can only be strong if they're feminine! You're just projecting your Western values onto an Eastern work!".

First of all these shows are made by women for women and often have explicit feminine messages that you literally cannot miss unless you are simply blind or trying not to see them. And they also tend to have a very strong focus on women supporting or empowering other women. Just think of Sailor Moon, which constantly gets this "criticism", and yet there's an episode where the girls explicitly protest against a villain who claims women are all shallow and useless and can't do anything without men's help. Would Naoko Takeuchi put that in the show if she weren't a feminist?

And then there's the fact that she has said that one message she wanted the female leads to convey was to value their relationships between other girls because girls are strong and don't need to waste time depending on men. There's also the fact that most Magical Girl shows tend to treat the powers as something special and awesome that's unique to women and girls, paired with the coming-of-age themes present in the show, and you get a magical equivalent of female puberty, with magic mixed in.

But no, all of that gets thrown out the window because they dare to be "feminine" while doing all of that stuff and the Japanese are forcing their girls to be girly through Magical Girl propaganda. And I just HATE when people act like anything feminine must be societally forced onto girls, rather than girls just happening to like them. In addition, stating that they are simply reinforcing gender roles by being feminine is such bullshit because the whole purpose isn't about conforming to patriarchal femininity, it's about reclaiming femininity.

Too often, femininity is associated with being weak, powerless, helpless, submissive, docile, vapid, catty, bitchy, petty, vain, stupid, the list goes on. Magical Girl saves femininity from a bad reputation. It shows femininity in a new light, as something strong and powerful and, hell, even admirable! It's about telling girls "Hey, you can be strong and powerful and smart, but you don't have to be a tomboy or act like a man to do so". Girls are always told they have to act masculine to be taken seriously because the only way to be respected is to be like a man, which is an indirect way of saying that only men deserve respect.

Magical Girl does away with all that in favor of showing the feminine as something innately powerful, and yet naysayers MISS the point and say that it's just stereotyping girls instead. To see people claim that Magical Girl forces girls to fit a feminine ideal to be respected is just disappointing. It's supposed to be a female power fantasy for young girls that shows them as the ones being powerful and empowering each other.

Take how in Sailor Moon the heroine often says something along the lines of "I won't let you take advantage of girls", which Wedding Peach went on to imitate. The purpose of the genre is for girls. To empower girls. So why on earth would they show them fitting into a "male" mould of power? Do these people think that any time women are shown acting distinct from men that they are doing something wrong?

And the hypocritical part is that nobody pisses on male-oriented anime for reinforcing a harmful narrative to boys that they have to be masculine to be valued and respected. Of course they don't! Because being "masculine" is never seen as a bad thing to be. It's assumed that masculinity is always strong and good and awesome and there's nothing wrong with boys being forced to be masculine because you're supposed to want to be masculine. You're not supposed to want to be feminine.

So of course people will shit all over Magical Girl for embracing, empowering, and reclaiming femininity, because it's not supposed to be that way! You're not supposed to be feminine and also be strong. You're supposed to deny your identity as a woman and assimilate into the boys' club because only boy things are worthwhile! And they cover it up by saying that Magical Girl forces girls to be feminine, when in actuality the WORLD forces girls to be MASCULINE. Magical Girl doesn't force girls to be feminine, It ALLOWS them to. Do you see the difference there?

Another thing I'd like to bring to the table is that the claim is racist and here's why: The claim that "Magical Girl shows are seen as feminist in the US for portraying femininity as a source of strength but not in Japan because it's telling girls they have to be feminine"...what does that mean? Japanese people can't be feminist? All Japanese people are sexists and think girls have to fit in a certain role? Do Japanese feminists HAVE to be anti-femininity? Are there literally no Japanese people who think you can be feminine AND strong(who also obviously identify as feminists?) Because it seems hella sexist to insinuate that Magical Girl shows are sexist because they're made in Japan and they don't believe you can be feminine AND strong there.

While there is some credibility to it since Japan IS, by and large, much more strict with gender roles, hasn't it ever occurred to these people that these types of shows exist to counter that belief? Not only that, but it implies that people aren't allowed to have opinions on works that aren't made in their culture, and that anyone who sees those shows as feminist are just projecting their Western beliefs onto an Eastern work. And even worse, when people say that, they don't have the same opinion of Western Magical Girl works.

Just look at LoliRock, Miraculous Ladybug, Winx, W.I.T.C.H., Star vs the Forces of Evil, and countless other European/Western Magical Girl works. Where are the people saying "They get their power from femininity and that is sexist!"? Nowhere! They're silent! Even though those are very much like Magical Girl works from Japan(although I don't think the genre originated from there), while still being original.

It's because people think that any media exported from Japan is automatically sexist and demeaning and so anything they create, no matter how empowering their intentions, gets twisted into something that's somehow toxic or unsafe for girls to watch. But when Europeans do the exact same thing nobody complains. Because Japan is not allowed to do anything empowering whatsoever; something's always wrong with it, apparently.

So that's why I have a problem with people who say those things; it's so problematic because they think they're being all open-minded and aware/respectful of other people's cultures, but all they're doing is reinforcing negative stereotypes further. It's kinda like what I said earlier(in another ask) about how people love to praise Madoka Magica for being a unique, dark, and interesting take on the genre when all it did was rehash elements of the genre that already existed, strip away the female empowerment, and gear it towards grown men, which is why people like it more. How about instead of speaking for Japanese people you let them speak for themselves?!

I would also like to add that there’s even a limit to women acting masculine because that’s still “not enough” for those kinda of men who would promote those beliefs. Women need to act more masculine to “be taken seriously” but then you have men who’ll tell them to “dress less” or whatever.

I think what it comes down to is that they want women to not be “emotionally taxing” with all those dAmN eMoTioNs of theirs (unless it’s for the sake of their angsty magical girl anime where the girls suffer for having emotions), but they also need to look pretty and be sexualized.

We can’t win.

[palizinhas]

For the asks, I'll ask Phineas and Ferb! And if you've already done that, Phineas for the character asks! :)

You know what, I’ll do both!

This is enourmous though, so under the cut.

PnF:

Favorite character: Ferb!! I just think he’s so chill and fun to watch. So many of my favorite moments in the series come from him, because he may not say much, but he says everything he needs to say and more than makes up by his lack of lines by crushing every single one he does have. Also helps that whenever he sung the song was an absolute highlight for me.

Least Favorite character: God. Linda. It’s just. IDK. She’s so unable to take Candace seriously, and if she really thinks that “there’s something wrong with her”, she should do something about it. I know, I know, it’s just for the jokes, but that has always bothered me.

5 Favorite ships (canon or non-canon): My only real pnf ships are Phinabella and kinda Perryshmirtz (it’s just this thing where there’s so much cute art for them that I’ve just come to accept it as not being that weird, though I don’t blame people for being grossed out by it). I’m also lowkey fond of Candace/Vanessa and Buford/Baljeet, but I’m not sure I’d say that I really ship them. To round it up with number 5... I’ll cheat and say PnF SW Phinabella, just because PnF really got me to buy into the Skysolo expy huh.

Character I find most attractive: Growing up it was definitely Vanessa, but they’re all my children now.

Character I would marry: Lawrence seems like a chill husband.

Character I would be best friends with: Baljeet’s subplot in CATU being how much he likes Space Adventure was super hashtag relatable as someone who is super into SW. We could nerd out together, it would be fun.

a random thought: I wish they’d make a sequel to PnF SW. I’ve joked about it being named “Emperry Strikes Back” in the past, but it’s just... I love SW. I love PnF. PnF SW is a masterpiece. Let me have more of it.

An unpopular opinion: I’m not even sure what counts or not as unpopular, I’m not that involved with the PnF fandom like I was three years ago, but I think I enjoy CATU more than ATSD. Not because I think it has a stronger story - ATSD just has a lot of plotlines everyone always wanted to see, so no PnF movie will ever touch it in that sense - but I just think CATU is more fun. It definitely has a better soundtrack, but even outside of that I find myself thinking about CATU more than I ever did ATSD outside of writing fic where they remember everything.

My Canon OTP: Phinabella, of course. It will always be so weird to call them “canon”, but they are. AYA’s quality or lack thereof aside, I’ll always be glad for the episode for being the first PnF episode I watched in years and getting me back into the show, and I don’t think that would have happened were it not for my 13-year-old self struggling to read in English because there were no good PnF fanfics in Portuguese.

My Non-canon OTP: I already talked a bit about Perryshmirtz, so I’ll talk about Candace/Vanessa instead. I just think it’s so cool how their relationship evolved over the course of the show. A great thing about PnF is that despite having a very strict formula, there are some relationships that changed over the course of the summer, and these two legit had never even met before the show began and turned out to have such great chemistry.

Most Badass Character: You can’t not say Isabella. There’s Perry too, of course, but I think Isabella impresses me more because she’s not some badass secret agent, she’s just... a kid.

Most Epic Villain: Darth Ferb!!! I went into PnF SW mostly unspoiled and that was so cool.

Pairing I am not a fan of: Um. I have nothing against Canderemy, per se, but I always preferred Candace when she had plots with her brothers or Vanessa than her plots with Jeremy.

Character I feel the writers screwed up (in one way or another): Sometimes I think about the Mission Marvel episode and randomly get mad. It’s not even one specific character, I just don’t think that crossover worked. It’s probably the only episode of the show I only watched once, and I just... really don’t like how some of the characters were written in it.

Favourite Friendship: The kid crew is the best, man. All five of them are such fun characters, and I love all of their interactions. My favorite pair within it is probably Buford and Isabella, who I just think had some really fun scenes together, but you can’t go wrong with these five.

Character I most identify with: Growing up it was definitely Baljeet, as the nerd kid who got picked on and all that. Now, I’m not sure?

Character I wish I could be: Honestly, any of the fireside girls. They seem like they’ve got their life together. Wish I could relate.

Phineas:

How I feel about this character: Phineas is such a good kid. I always preferred Ferb, but that doesn’t mean I don’t think Phineas is awesome. He’s so nice, such a genuinely great person who just wants to help everyone so they can have as great a time as he is having.

Any/all the people I ship romantically with this character: Just Isabella, really. I think there’s probably some good fanfic that makes a case for Phineas and other people (Baljeet could be cute, I guess?) but I just can’t really see Phineas with anyone else.

My favorite non-romantic relationship for this character: Ferb!! They just get each other so freaking well, and for all that the actual story of PnF is less about the two of them and more how the other characters react to them, I don’t think the show would have worked if their relationship wasn’t as good.

My unpopular opinion about this character: Again, not sure what counts or not as unpopular. Maybe that I wasn’t into the “Phineas gets angry at Candace” scenes? Like, I remember before CATU came out people would always talk about wanting another, but I was so glad when the movie came out and we didn’t get one. Get on the trike was funny, but after that it got annoying.

One thing I wish would happen / had happened with this character in canon: I found the Phineas and Ferb Effect (the actual thing, not the episode) a weird choice, but if they were going to go there, I’d have enjoyed some actual aknowledgment on how weird it was. I know a lot of things got cut from the crossover for time, so I get it, but I do wish there was more of a reaction from Phineas and Ferb to finding out about it.

Favorite friendship for this character: I do really enjoy Phineas and Isabella’s friendship? Like, while I do ship them, I was never really one to wish they’d get together within the show because I didn’t want their dynamic to change, because it was just so good on its own. They’re such good friends regardless of anything else and I really appreciate that.

My crossover ship: I don’t do crossover shipping most of the time, tbh.

[a-collection-of-villainous-aus]

Pirate Au pt6

Omg I’m sorry I took so long, but I added sketches at least >>

What was he supposed to say?

 'Oh I've just been informed you were the pet of my ass of a brother!'

 This was ridiculous, it should not be so difficult to enter his own private chambers, it was his room and yet somehow he felt he was invading Acylius's personal space!

  Was Flug mad at him because he appeared or acted like his sibling, after all he knew him to not exactly be that of a decent nature...neither was he but at least he had standards.

 Pacing in front of his door, looking up only to glare at crew members who dared to even look funny at him, Mew Mew Loaf still in her water bubble was gently biting the end of her tail before letting go and doing it all over again.

  Thinking back to that night when Flug had been desperately pulling his mask back on, how it'd caught on one ear fin made of black spines and beautiful iridescent peacock coloured membrane.

 He'd even been so fortunate as to catch a glimpse on one corner of his lips, scarred, something had been done to them, though Black Hat had at least had the sense to realize that Acylius wanted to keep his face hidden, so instead of ripping the mask off he helped him to carefully pull it back down.

 That tender moment where Flug had leaned into his palm only to immediately move after catching Demencia's scent... It made sense, his merman...whom he hoped he could belong to one day...but would that happen or would he believed he was always being deceived thanks to Thaddeus's (White hat) behaviour.

Now understanding Acylius's situation he realised the full extent of why the merman recoiled from him, what reason did Flug have to believe they were different, apart from how they lived, one on the sea and one below.

 Then there was the given fact, he himself was the most feared being from this universe to the next...

 Acylius had learned remaining quiet and out of the way to certain beings, unless he was being pulled about and paraded like some show animal or trophy.

A small mew broke through his endless trail of thoughts, looking down at Mew Mew loaf, she stared back with big black dare he think it, adorable eyes, her gaze soon shifting to the door and then him again...oh she wanted to see her companion.

 Black Hat knew he should really go in, talk to him, let Acylius know he would not let Thaddeus take him, he was safe here...but what did safe even mean to a merman like him, it would all be honeyed words to someone who had spent who knows how long with White Hat...there were only two people that creature cared for, himself and Slug.

 He and Thaddeus might be brothers in species and of the Earth they crawled out from but gladly they would throw the other into a volcano if it would actually cause them to die.

"Having merman troubles?"

 A crew member drunkenly forgot their place and while it had not been meant maliciously, Hat as I have mentioned will only let so very few people talk to him so informally, eye turning black and red a snarl leaving his fanged maw, making the rest of the crew back away and carry on work harder than before lest they end up carrying the same fate of the man whose blood now painted the deck.

 Tongue snaking out its way out, licking his lips clean of any blood that had splashed over him, he eyed the corpse, considering if he should make a meal out of it until he was reminded that he was still holding Flug's pet...oh no...she'd seen that.

 He'd probably just given Acylius more reason to...wait was she staring at the body with the same hunger, crouching down he lifted the hand and pushed it into Mew Mew loafs  water bubble, rows of little sharp teeth were exposed and within moments there was no hand just a bloody stump.

 Well that was unexpected and interesting.

 "I presume he knows you are like this?"

 Hat inquired, peering into her bubble, she swirled in her water ball again and nodded before pointing with chubby paw fin at the body and then the door, mewing enthusiastically.

 Black Hat was staring, something was trying to click, match up and as she pointed to the door where Acylius was and the corpse once more he blinked, it dawned on him he'd never asked if the merman had wanted to eat and thus did not know what his favourite food was...until now.

 Well that might be a way to win his affections, beloved pet in one hand, and favourite meal in the other.

 While the thought of Acylius draped over him and turning him into putty certainly seemed delightful he would try to keep a clear mind, there were other things that needed to be done, to be talked about and he wanted to give proof somehow, that he saw the merman as more than just some doll to be played with.

Fingers curling around the deceased man's collar he watched his crew, door opening by itself a bloody trail followed as Black Hat easily took the body with him, top lip rippling in a growl

 "This mess had better be gone before I come back out!"

 With that he slammed the door, appearances where everything after all with these shallow humans, it was indeed a rare thing to find someone who had more depth than a piddling rock pool.

 He laughed quietly to himself as he

heard them scrabbling to clean up the red stain, heh heh that wasn't coming out but their fear and desperate attempts to scrub it out would be fun for a while.

 Looking over at the tank, his smile grew; face more fangs that flesh, oh my, so now Flug was paying him attention or more like the meal in his hand and pet in the other.

 "So you are finally acknowledging my existence?"

 He leered, chest puffed out and preening, if he'd been covered in feathers they'd have been fluffed up, though he was giving off an air of being smug Black Hat came to a stop as he heard Acylius giggling.

 "What has you so tickled?"

 His mood fell slightly and then looked to where Flug was pointing, it was at Mew Mew Loaf.

 "She likes you, clearly you did something right."

 The Pirate King stalled, repeating the words slowly

 "Done something... right?"

 Mew Mew was resting on what part of Black Hat's palm she could, purring away as her fish tail swayed in the water bubble, it was dawning on him...slowly mind you that Flug actually seemed to have relaxed a little...

 He realised now just how important this moment was, if he'd come in showing any aggression to this little creature, Acylius would have thrown up a defensive wall so thick he may never have gotten through to him.

 "Black Hat, you will not let any harm befall her will you?"

The demon was quiet as he turned his attention to Mew Mew Loaf who was nuzzling his palm and even gave it a small lick, she was clearly happy as you could even hear her purring through the water.

 Now imagine a chibi version of Hat, the way animes do when they make a serious character look adorable.

 He was staring at her...well shit and blast it all, he'd already intended no harm in the first place but now she was a tiny ball that if anything happened to her he would kill everyone in the world and then himself am I referencing that quote you're damn right I am, who said I had to be serious.

  "No, though after recent revelations, I understand if you do not trust me now or if ever."

 Black Hat answered softly, coming up as close to him as he could with glass parting them, levitating the bubble it then sank down into Flug's tank, watching as Mew Mew Loaf instantly swam up to Acylius and nuzzled him.

 The sheer joy in her little cries had him smiling a little; honestly he'd not even been aware he was doing so until he noticed Acylius now watched him in return.

 Mew Mew Loaf mrrped and went off swimming around the tank that was her new home.

Swallowing he, he found himself unable to move as the merman moved closer to the glass, to him…seeing finely scaled hands press against the surface the old Pirate King wondered what Flug was going to do, there was only the sound of water and the creaking ship as moments passed.

Hat finally breathed (despite not actually needing to) after Acylius broke the silence

“So…you know who once owned me?”

“Yes.”

 Their voices were quiet and when Hat had answered he could barely keep eye contact.

How could he when he’d given Thaddeus the world under water while he ruled the land…it was his fault this being had suffered at the hands of White Hat, there was no knowing what other fate might have befallen Acylius if he had not, would he even still be alive, would they have met there were so many what ifs the demon was more lost than anything…he knew it was selfish to be glad fate brought Acylius to him and yet a sting of guilt…because it was he who’d practically put the merman in Thaddeus’s hands.

Clearing his throat he then stripped the body of clothing with is powers as well as making sure it was stripped of filth or whatnot he was not about to feed the creature a dirty meal before also placing the body in the water.

Black Hat could sense the merman’s want to reach out to him, but he did not feel deserving of Acylius’s touch let alone attention, it took an iron will to move away and sit at his desk, despite it being pristine he kept adjusting objects on it, still avoiding eye contact, he knew it was shame he was feeling and he hated it, he’d never felt shame…he’d witnessed it and knew now why people looked like that when they experienced this emotion.

Mew Mew Loaf watched them both for a few moments before going to nibble on the other hand; she loved fingers, good for scratching, good for nibbling.

 Acylius let out a soft whine; it was pained as he curled in on himself and sank to the bottom of the tank…so now that the Pirate King knew he was the spoils of Thaddeus…he didn’t want him?

Heart aching and colours growing dull as if someone had drained his scales of life, gills flaring with each breath, a small mew was heard as his little pet came and nuzzled at him and another Mew, this one louder than the last making Amadeus (Black Hat) look up eye wide as he found Flugs tank was now was black, the water was darker than night itself, pieces of skeleton started pelting out, ricocheting around the room, embedding into the wood and one piece even hit the demon square between the eyes as the water bubbled and started spilling over the sides.

As soon as he made a move towards the tank something started rising up, the form was so large in height it had to bend over and all he could do was look up in awe as he realised it was Acylius towering over him a hand on the glass edge as his other wrapped around his currently in comparison tooth pick of a body.

A thick inky substance streaked the merman’s face, falling in thick strings, ear fins flaring as his eyes were such a pale blue they were near white, making his pupils appear no more than pin pricks, rows and rows of needle teeth exposed as Flugs scream was anything far from what Earthly beast could make, it was raging and full of pain.

Amadeus was not frightened of course, but there are many reasons to be scared…fear of never being forgiven, now that was something that frightened him, even if he felt it was undeserved.

Acylius’s grip was far from gentle, but it barely registered as pain, as he spoke though the Captain made sure not to turn away from him this time and listened as smoke left the merman’s maw

“So now that I am no more than waste to you, you who have pined and whined over me, who continued to show signs of envy when I showed my affections for Demencia now reject me…are you so out of touch with reality to recall merfolk customs or have you only ever cared for what you want!”

 Hat wanted to face palm into a black hole….of course their kind was commonly known to be in trios, Acylius hadn’t been favouring her over him, he was learning about them both, now though after this if Flug still liked him that would be one hell of a miracle and he dare not ask at this moment, looking down as glass cracked he saw as the front of the tank collapsed, water flooding the room, something that was easily fixable but that mattered little to Amadeus at this moment.

Heart racing and twisting inside he realised his mistake, by not allowing Flug to reach out after he himself had been clearly wanting to  all this time…rejecting the contact after finding out his history…had made the merman feel like he was disgusting, spoiled by Thaddeus…this wasn’t just anger it was masking the despair, the pain in him.

Freeing a hand with ease he reached out into the heart of the ink and muck and placed it on him, showing with this simple action he was not repelled by him, looking up at those white eyes the blue deepened, their colour never seemed to settle on one hue, always swaying in tone like the Ocean, water and glass drawing back to their place

���It is not because of something you have done Acylius…I turned from you because it is I who allowed Thaddeus to rule the waters simply because I did not want to, while  I consider myself deserving of most things, I see now  I am not deserving of you.”

Demencia was standing at the door, it was of course closed behind her cause she wasn’t about to let any prying eyes see this and if anyone had tried to look she’d have stabbed them out, the water had been up her shins and now as she watched it drawing back to where it came from, found everything to be dry as if it had never been.

Wow Black Hat never apologised for anything like…ever.

She stayed quiet as Acylius’s form shrank, melting away and letting go of Black Hat who landed on his ass on his desk just narrowly missing  sharp pointed object on its surface, even he noticed everything was dry and back in order.

“This is clearly not my magic…what are you?”

 Waters clearing and mask no longer in place, glaring at him with arms folded.

Black Hat was momentarily speechless...he’d perhaps expected a pretty face under that mask but this was breath taking, short ebony hair just long enough to sway in the water, face of white when caught in sunlight shimmered, lips scarred …no doubt the work of his brother and the way he was looking at him…any other circumstance and he’d be like take me I’m yours…well he was going to have to hold up his end of the bet later and confess he’d forgotten to feed him because he was too busy trying to impress him.

“What am I, I think the question you should be asking is who was I? I was next in line to be king, once deep sea merfolk were not despised, we as a race worked in unity, there was peace until Thaddeus , through years of manipulation  whittled down the numbers of my kind to the hundreds…we are not even that anymore…”

Mew Mew loaf could hear the cracking in her friends voice and softly mewed coming up to him and nuzzling against him, he cuddled her kissing her tiny forehead gently as he sat on the tanks bottom once more, continuing

“Now that we are rare, we are considered prizes and things to be used as status symbols, some are now stuck in their racial beliefs and some would seek to claim us for gain.”

 Black Hat wanted to curl in on himself and never look at him again, usually he didn’t care, he wouldn’t have cared…he never thought something he’d done would ever come back to bite him and so deeply

“I have never cared for the consequences for my actions…because they usually would not be any but-“

“Do not pretend to care now then, your false apologies would only insult me further, did you think just because I have dealt with your brother I would snivel before you?”

 Oh god…even as he was tearing him down to the bone with words he found himself loving him all the more, he deserved this  and knew it but to see him so forthright unafraid to tell him , call him out on his bullshit…he would bow to no one in his life but this king before him.

Mew Mew Loaf was loafing on Flugs ‘lap’ as best she could you know considering Flug didn’t exactly have a lap and she had a fish tail herself and rested listening to them quietly.

“No, I did not think you would snivel before me…you are far too stubborn for that…but you are afraid.”

It really was all coming together now, the more this went on, noticing how Acylius flinched, the slight recoiling at first before posturing, afraid yes, cowardly no, Black Hat realised Acylius had done the only thing he could have done and before Black Hat could say it, Demencia spoke up as she gently asked him

“Acylius, how long have you been running?”

End of pt six

[faunusrights]

OFFAL HUNT REMASTERED LIVEBLOG // CHAPTER 14

IN THIS EPISODE OF THE OFFAL HUNT LIVEBLOG:

On the other end of the line, Cinder let out a tight sigh. “Yeah. Okay, well—I’m in a difficult position right now. I’m balancing a lot. So, that wasn’t, you know, directed at you or whatever… I’m just trying to deliver you to Atlas. That’s all.”

“Yeah,” Glynda said. “This apology sucks.”

CINDER FALL TRIES TO HAVE MANNERS. AND FAILS. BUT SHE TRIES.

it’s been a WHILE but i’m STILL HERE!!!!!!!!! also i’m a little late to the draw and also unlike w/ prior chaps i did actually read this one when it came out so i’ve had my first run already. BUT that means i actually get 2 Focus so lets get this party started

so we’re now entering into the New Umbraroot Arc which Frightens me on a deep and intrinsic scale because now i have no padding to ready me for whatever the Hell is going to occur, but i do know it will be gay(er) than the current content was (is/shall be) and here’s the proof

It had only been a day, but the sound of Cinder’s voice was a relief to Glynda’s senses.

glynda that’s gay. hey. hey. glynda have u been told yr a lesbian. lesbeeb. besbion--

“Not at all.” Thank god. It was one thing to be traveling with Cinder Fall. It was entirely another to have her checking in on Glynda’s well-being.

cinder: my well-being is SHIT but thankfully there’s someone nearby doing WORSE than me, which makes me feel better at least,

“Oh.” Our sounded strange in her mouth.

my favourite thing abt any gay media and content is that it’s gay in ways that hettie(tm) nonsense can only dream of being. when a story is abt a guy and a gal all the romantic tension comes from like. looking at a tiddy or getting naked or w/e the shit. here? it’s literally found entirely in the use of the word our. such power. i love it.

I went from unknown to one of Atlas’ most wanted overnight, which is charming… And also annoying, because they refuse to stop pasting wanted posters on every street corner.

i feel like cinder is the type of bitch to send pics of them back to emerald like ‘is my face ACTUALLY that janky??? my hair is a state. you think they’ll use a selfie if i ask nicely???’

Cinder hummed, affirmative. “Which would be unnecessary, if you hadn’t reported me.”

Glynda returned, “I wouldn’t have reported you if you hadn’t been committing a crime.”

glynda you snitch. you narc. you bootlicker. does be gay do crime mean NOTHING to you,

We left a funny taste in her mouth, almost as strange as when Cinder had said our. She tried not to examine it too closely.

again. look at this shit. this is real slowburn hours. this is how u DO IT.

Her heart was beginning to feel like a pin cushion with all the needles pulled out, little holes left in their wake.

would i be showing my age if i glanced at this and wondered if it were a reference to the inciting og offal hunt inspiration fic or. it does doesnt it. okay moving on.

“Okay.” And then, in an effort to change the subject to something lighter: “I’ve never broken into a country before.”

glynda’s complete and continuous inability to actually like. do what she plans on doing is SO funny to me. she’s going to be stealthy, she says, throwing a man aside in obvious fashion. i’m going to be subtle, she says, being as conspicuous as possible. she’s a disaster and i live for it.

"The Faunus." Cinder's voice was cold. "Don't speak to her."

this part of this fic is subtitled ‘cinder’s rank opinions time’, apparently. not that u can tell. but it is. dsfhgjsdfghjghfjdk

In the silence that followed, Glynda thought of the stunted horns jutting above Cinder's hairline at the restaurant.

Glynda murmured, "That’s a horrible thing to say."

"Don’t start." There was no concession in her words. “I mean it.”

“...I just didn’t expect that from you.”

“What’s that supposed to mean?”

There was something in Cinder’s tone that told Glynda that nothing she said would be correct. She said nothing.

cinder’s! rank! opinions! time! honestly this section victimises me the MOST as i very famously cried over an earlier section in which cinder thought abt all the faunus she grew up with, so i know that kc and diesel were looking to hurt me directly. that said i DO find it funny that cinder, yet again, looks like a pile of shit.  she can’t do anything right. naturally inclined to be the villain completely unintentionally. what a moron.

A harsh laugh. “What do you think we are, friends?”

“Well, no—um. Not really, but—”

YOU SEE. CINDER. PLEASE. £10 FOR U TO BEHAVE FOR FIFTEEN SECONDS.

“Then, just—just listen to me. I’m going to get us there. I p-promise.” There was a soft sound, like disgust or the prelude to a gag. “Urgh, your soul—give me more space.”

cinder: i’m inclined to being an asshole glynda: every time yr mean 2 me i’ll make u feel worse cinder: ah no. ah shit. i have to be nice??? ah fuck. what the shit is this.

Glynda thought of Ozpin. It wasn’t a comforting thought—more like the memory of a near-accident, like sliding on ice and feeling the world shift beneath you. It was a flinch-thought, and it would have made her miserable instead of just homesick had she not shut it out so quickly.

god the writing in this fic is so especially pristine. everything feels so real and visceral and you just know Exactly how that feels. it’s brilliantly punchy and i adore the way u get have the exact sensation click into place. it’s SO good.

She wondered if it was the same moon Bacia and Vivienne had looked upon. If they had felt the same beneath its pale light. The Great War had seen two shatterings of the moon, so perhaps it had appeared different, but… Glynda couldn’t help but wish that it was something they shared, even lifetimes apart.

👈😎👈

actually im a little nervous abt doing fingerguns because WHAT IF SMTHNG HAS CHANGED... but i think this bit is. safe. maybe. diesel. kc. am i safe,

Glynda closed her eyes and tried to feel out that instinctual power within her. Tried to know herself better. It resonated around her like a water in a tank, nearly palpable.

again this is just GREAT storytelling. i just LOVE how well kc and diesel turn abstract ideas into such physical manifestations it’s completely unreal. r y’all seein this shit???

upon checking his number, she’d discovered it had been blocked.

i love that glynda is abt as knowledgeable abt little jumps like this as the reader is. are we surprised as a reader? yes. is glynda also surprised? HELL YEAH SHE IS. SHE AIN’T GOT A FUCKIN CLUE MY DUDE.

Remembering the notes to herself not to trust Winter, Glynda opened the log hesitantly.

glynda no yr sending read receipts to yr future gf and thats a bad move on everybodys part

The indicator showed this wasn’t the first time Glynda had accessed the message. She couldn’t remember doing so. 

OH NO BITCH U ALREADY DID

“Special Operative Schnee, things are…” Glynda paused, searching for something suitably vague to say. “Proceeding.

do you see what i mean abt glynda’s ineptitude. it’s slapstick levels of ridiculous and i’m living for it.

Do you suspect she’s attempting to cross the border?”

“Maybe.”

‘sure,’ glynda says. ‘you could word it like that if you wanted to.’

“Bold of her, if nothing else. She should know there will—” Glynda skimmed through the rest of the paragraph to reach the end, the corners of her mouth curling. “—can make arrangements. Let me know if there’s anything else you need.”

HGSDFGKHJSFDGHKJDF JESUS CHRIST

its like in fallout 4 when someone tells u important info and when u click past it the main character just goes ‘uh huh’ ‘yeah’ ‘okay’ ‘sure’ ‘mm-hm’ as the text boxes whizz by GLYNDA PLEASE

Bubbles appeared, showing that Cinder was typing. Glynda waited.

And waited.

And waited.

The bubbles appeared and disappeared four times.

She flipped back to Cinder’s conversation and found that, after all that time, Cinder had finally settled on a reply.

It said:

“Good.”

i just had to pair these up for a second if only to say: dis me lol

okay let’s double back for a second just to cover this Juicy Lore:

If you’d like, I can arrange a bouquet of flowers to be left at your mothers’ memorial site. My thoughts are with you.”

For a long moment, Glynda simply stared at the screen. [...] In quick succession, she realized that it had been sixteen days since she’d met with Cinder in the restaurant and that it was soon to be the anniversary of her mothers’ deaths.

WHAT IS THIS LORE MA’AM AND MX??? **MA’X**??? firstly idk what the HELL the Black March tragedy is but im fascinated but also: did u have to do that. can ONE person in this fic not have [spoilers redacted cant say that yet no sir] problems??? no??? die. dsfhjgghjkfsddf

Glynda picked herself up from the armchair, neat and tidy, and disassembled into bed, pulling the covers up to her throat. With her Semblance, she turned off the lights. She closed her eyes.

It was quiet. Cold. The only thing she felt was the weight of her soul.

Her Scroll buzzed. Glynda answered it.

“Glynda.” It was Cinder. “I can feel that.”

okay following on from cinder’s text message, i just. love that cinder’s having such direct repercussions to her shitty shitty actions. like this is all tying together in some 👈😎👈 instances but having cinder be her usual callous self and having to literally turn around and start fucking Being Nice For Once is VERY gratifying. fuck you you lil round-faced one-braincelled baby. time to learn to have some Manners. jgdsfghsdfghfjd

She’d simply resigned to the loneliness of having no one to trust but Cinder, and then, not even having her.

... thats gay. hey lads is that gay? its gay. it feels gay.

On the other end of the line, Cinder let out a tight sigh. “Yeah. Okay, well—I’m in a difficult position right now. I’m balancing a lot. So, that wasn’t, you know, directed at you or whatever… I’m just trying to deliver you to Atlas. That’s all.”

“Yeah,” Glynda said. “This apology sucks.”

this feels like a reference to 👈👈👈😎👈👈👈 (IS IT. AM I RIGHT. IT IS ISNT IT) but also: LOOK AT CINDER GO. TRYING. BADLY. BUT TRYING. i love her she sucks so much shes such a dumbass. feel the consequences. feel them.

Glynda chided herself; Cinder Fall wasn’t capable of remorse, but she was more than capable of simple math. It seemed the worse she treated Glynda, the worse she herself would feel.

glynda: she’s doing this because it makes her feel better, not me cinder in like idk 20 chapters down the line:

(i guess thats another 👈😎👈 moment but for GOOD REASON)

There was a shift, like Cinder was rolling over, or maybe propping herself up. Was she in bed also? It triggered the remembrance of Glynda’s own physicality, and she turned over as well, searching in the dark for the nightstand and the lamp upon it. The light clicked on. The room brightened. Glynda settled in, ready.

OOOOOH THE PARALLELS. glynda turning the lights off and sinking into darkness and the void versus perking up and sitting up and turning the lights on when talking to cinder!!!!!!! POETIC CINEMA. OOF. OOF. HOW DOES FIFTEEN POINTS OF LOVE TASTE.

“Great! Lovely. Glad to hear it.” Fangs rounded out the words like scissors. A pleasant sense of satisfaction unfurled in Glynda’s chest. “So, once upon a fucking time—”

there were two gays and they were enemies to lovers but didnt know it yet. but they will be.

THATS CHAPTER 14 BABEY!!!!!!!! i LOVED this chap and i can rly feel kc and diesel gearing up for umbraroot. its great being able to like. feel the shift of focus goin on here and im SO ready to see this arc play out. once again offal hunt is the best fic ever made. this is a fact.

[we-are-what-they-grow-beyond]

some seriously self indulgent TROS thoughts that no one asked for: spoilers ahead!

(i’m gonna try tag every spoiler tag I can think of just in case anyone out there does care, but tbh this is really just for me lol)

the following is going to be a very ‘off the cuff’ series of ramblings so I apologise if it’s all over the place 

Overall.. I think I liked it? I left the cinema feeling euphoric, which is honestly all I wanted from ix. While there were very few immediate things that I took offence to as I was watching it [unlike TLJ] I have a bad feeling that some doubts about certain scenes and character choices are gonna creep into my brain in the next few days. Like the longer I think about it, the worse it’s gonna get.

The beginning was a mess. I think every single person who has seen it can agree on that much. There was so much exposition and heavy handed course correction from TLJ that it felt laboured and disjointed. The pacing was at this crazy breakneck speed.. we must have visited at least six different planets in the first fifteen minutes. I think that Poe’s ‘hyperdrive jumping’ [?] sequence really set the tone for the first act - just a constant barrage of different locations and characters.

And I understand that they had to do this. The events of TLJ left them no choice, they needed to establish every main character’s position [both physically and mentally], portray the current state of the war as well as rebuild a believable rapport between our core trio all within the first fifteen minutes if they wanted to give the last act any chance of sticking the landing. And to some extent I think they achieved this. In all that running around on different planets, bickering amongst the trio and the funny asides from Threepio - it really felt like something straight out of the OT. For the first time since TFA I cared about these characters. 

However. In doing this, they continually broke the cardinal rule of screenwriting; show don’t tell. While watching the first act I felt weighed down with information, like every five seconds another character would pop in with a monologue that sent them on another wild goose chase in which they had to find another hundred things that I would inevitably struggle to remember. ‘So now they need to go here, to see where Luke went, because he wanted to find this guy, who has this object, that will bring them to this other place, so that they can see Palpatine?’ It was so heavily reliant on dialogue alone that it ultimately lead to this sense of utter messiness. 

Where the film thrived was in it’s action set pieces. I adored the way the force was portrayed in this film. The scene in the desert in which Ben [yes Ben, but more on that later] and Rey pulled that First Order Transport out of the sky sent shivers down my spine. We have never seen the force used like this before and the amount of power Rey held was absolutely staggering. I loved it.

The saber battle on top of the Death Star was a visual highlight. Even though I felt like I’d seen most of it in TV Spots the urgency never went away. The moodiness of the water and mist cut through by the blue and red light was beautiful. 

The one shot of Poe, Finn and Chewie running through the Destroyer hallway felt like an echo back to everything that lies at the heart and soul of this saga.

We’ve been begging for more space battles and boy did we get a good one. When Lando and Chewie sauntered in on the Falcon with their thousands of rebel support ships set to the theme I was sobbing. There were so many little references in that one shot, from Rebels to Resistance to even Wedge Antilles - My heart swelled. 

But where I really broke was on Ahch-To. One of my biggest gripes with TLJ was its treatment of Luke. Every time I watch it again that shot of his submerged X wing infuriates me beyond measure as Johnson never chose to do anything with it [despite there being an obvious answer]. We finally got that scene in this film, the scene I was so desperate for; a callback to perhaps my favourite moment in the whole skywalker saga entangled with an apology for TLJ’s treatment of our favourite jedi master. Set to Yoda’s Theme, I felt like for a split second like I was watching Empire, and that meant the world to me. Thank you J.J.

The characterisation is perhaps the most divisive part of the film for me. It took so many risks, it’s going to take quite some time for me to properly digest them all. 

I want to start with our beloved Leia. The CGI, although perhaps not quite as seamless as some reviewers are making it out to be, worked well enough. With the knowledge of Carrie’s passing, it’s easy to poke holes in the performance - I found the beginning of her screen time particularly jarring, with her mostly addressing Rey with one word answers. I knew that there was supposed to be an emotional weight to all her scenes, as there she was, our princess, somehow miraculously on our screens for one final time. But I didn’t cry. I didn’t feel as if she was truly there in body or soul, and the emotional power of her scenes suffered as a result. Maybe in time, as we forget about the circumstances under which this film had to be made, this obvious detachment might fade away. And I sincerely hope it does, because the backstory they gave her is what truly deserves to be remembered about Leia in this film. The flashback scene of her training with Luke was glorious, the cgi really worked well here, and for the first time we saw Leia as a fully fledged jedi. This is something I could never ever have even imagined and I’m so pleased they did it, it would have meant so much to me as a young girl. As for her death, I believe they did the best they could with it. She ultimately died saving her son, protecting both the light and her family - two themes that have been so central to this entire forty two year saga. I don’t think they could have done much more. 

I was shocked to see Harrison in this, surprised isn't even the right word. But this bewilderment that I felt thankfully didn’t overshadow his integral role in the so called ‘Bendemption’ arc, in fact I think it really tied the whole thing together nicely. I have hated the idea of Kylo’s possible redemption since the moment we found out his true heritage during TFA, I thought it was too simple, too obvious. But the way in which it was dealt with here was wonderful. It showed Kylo to be entirely complex and ambiguous, and at the end of it we saw Ben for what he was, a young and vulnerable young man who ultimately made some terrible choices, the conflict in him was brilliantly acted. It was ultimately his parents that pulled him back to the light, not just Rey, and that fact alone saved this story arc for me. 

[I refuse to talk about the kiss. I hated it. It didn’t need to happen.]

Rey is a difficult one. Was the Palpatine bloodline convenient? Yes. Terribly so. Did it make sense story wise? Only kind of. But, I think it drew a definitive line under the nine film conflict which was ultimately at its core just Skywalker vs Palpatine, so in that sense I’m happy it happened in the way it did. 

[Sheev on an aesthetic level looked dreadful I thought. Proper rubbery. And the logistics of how he survived/who all those chanting followers were/where he got all those Imperial star destroyers from is extremely questionable. I try not to dwell on it.]

My mixed feelings about Finn and Poe cannot be overstated. The film did a good job at giving them more to do, we really got to see John and Oscar bounce off each other and at the end of the day, that is my kryptonite. However, Finn had little to no character development throughout the whole trilogy. All he did was figure out that he didn’t want to be aligned with the First Order anymore, deciding he wanted to fight for what is right. But the thing is, we saw him make that decision about ten minutes into TFA. It didn’t need to be rehashed again and again in every film. We wanted more - we wanted him to be force sensitive, we wanted him to form meaningful connections with others. On some level they delivered on that, we saw a little force sensitivity, he got his own back with Hux, he found his tribe in Jannah and the other deserters.. but it felt like an afterthought. Nothing was ever dwelled upon- even his confession to Rey [whatever it was] was completely forgotten about in the end. Finn as a whole felt like an afterthought. 

[Don’t even get me started on Rose, Kelly deserved so much more. I was embarrassed by the amount of screen time she had.]

As for Poe.. Oscar did a brilliant job in this, he successfully harkened back to our favourite scoundrel Han Solo stereotype and I felt that gave the trio’s dynamic a clear anchor. His interactions with both Finn, Threepio and Chewie as he kept crashing the falcon really made me laugh, it was nice to have some actual humour littered throughout, unlike the goofy slapstick stuff in TLJ. But.. the Zorii love interest and backstory made zero sense canonically. Zero. Aside from the ‘can i kiss you’ stuff being extremely contrived, there is physically no actual way Poe could have ever been a spice runner on this new planet that I can’t remember the name of. He lived on Yavin his whole life until he came of age to join the New Republic Navy, and from there Leia recruited him into the Resistance. This much has been documented in countless books and comics. J.J really decided to throw that all away so that they could what.. get that universal key thing? Did they even use it? Was there any other point of Zorii’s character other than that key? Not really. Don’t try to tell me that Kes and Shara’s son ran away from home to become a criminal for no reason. Just don’t. [He was still wearing Shara’s ring throughout and they didn’t do anything with it.. I wonder will we get more of an answer to this in the novelisation?]

[While I’m on the subject of the comics and novels, the decision to kill off Snap was brave. I really loved him in the comics and I’m sad he’s now gone and Karé is now alone. Not that any of that was mentioned but-]

Lando was used just the correct amount. I’m happy he got the ‘I have a bad feeling about this’ line, and I think any more screen time and we could have seen some holes in Billy’s performance. [sorry Billy]

Chewie had some great moments in this surprisingly. He was essentially just an extra in TLJ so it was quite refreshing to have him be a key player again. [I had forgotten about the clips from the trailer that showed him aboard the Destroyer, so when he ‘died’ I really thought he was dead for a moment and I was so angry that that was how he went lol.] But his reaction to Leia’s death was so touching and although it was a tad fan-servicey, I loved the fact that he finally got the medal he missed out on in ANH. It made me chuckle.

The same can be said of Anthony Daniels as C3PO and all of the other droids. I felt as though they really clawed them back into the mix this time - Threepio’s worrisome queries were wonderfully nostalgic and not to mention hilarious, and D-0 was a great new addition. The droids always brought a levity to star wars, it was their job, and they did this to great effect in this film. There was some questionable switching around of R2 and BB8 which I didn’t appreciate - there is absolutely no way that BB8 wouldn’t be Poe’s astromech for the battle against the Final Order but I’m willing to let it slide.. [also why was he on Tatooine with Rey at the end?]

It really sounds like I had more problems with this film than highlights, and I promise that’s not the case. In the end, it made me feel happy, like I was watching something akin to the OT again, and yes some parts of it were clumsy, but the heart of it was there. It all really comes down to whether or not you believe a film must be ‘good’ in order to be.. good. With something as big and sentimental as star wars I think it’s a lot more complicated than that. Return of the Jedi was an utter mess- but yet we all still worship it and the characters it gave us. Why can’t the same thing be said for TROS? It was clunky, but it was surprising, and powerful and fun. It gave us the characters we loved and some interesting new ones, some top-tier lightsaber battles and a conclusive ending to the saga that has defined so many lives. At the end of the day I think that’s all it needed to be. 

[littlehollyleaf]

Name ten favourite characters from ten different things (books, tv, film, etc.) 

Then tag ten people

Tagged (ages ago, whoops!) by @castiel-saved-me-from-myself 

(I’m sorry, I got distracted!)

1.Supernatural. Castiel.

Obviously. I may be out of the fandom now, but I’ve never loved a character as much as Cas, and probably never will.

2. Good Omens. Aziraphale.

Thought I’d put both my darling angels at the top :) I suspect that without Zira there to pave the way Castiel may not even have existed, so I love him double - for himself and for Cas as well :p 

While really quite different when it comes to their personalities (just think how Zira would SHUDDER at Cas’ trenchcoat), they share a lot of character traits and tropes (mini-series!Zira anyway, maybe less so in the book, or less obviously anyway), so, no surprise that I should adore them both. I’ve also said before, and I stand by it, that Aziraphale is sort of a combination of my favourite aspects of both Cas and Dean in one, with Cas’ struggle with Heaven/god and trying to be a good angel and finding he loves humanity/earth more, plus Dean’s whole ‘performing Dean’ thing and repression of queer feelings he is scared to admit to (out loud) because he believes they are somehow ‘wrong.’ 

...just to give a little insight into my feelings about these two that was neither needed nor asked for...

4. Hellblazer. NBC Constantine. Legends of Tomorrow. John Constantine. 

Aaaand the other guy I love twice because Cas, and indeed spn in general, kinda owe their existence to him. Though in turn his fabulous live action portrayal by Matt Ryan probably owes its existence to spn and Castiel’s popularity. So... there’s a weird ouroboros situation happening with my favs here that makes my head spin whenever I think about it, but I love it - stories within stories built on stories feeding off stories, which connects to wider themes of story and storytelling being vital and intrinsic to life and stuff.

Anyway, despite his wardrobe, Johnny is NOTHING LIKE CAS. He is, in fact, a lot like Dean. But I like him more. Maybe because he’s British :p He has the whole ‘repressing his feelings’ things, a bit like Zira, but it’s not because he thinks they are wrong, it’s more of a coping mechanism to deal with the constant tragedy/trauma his life/lifestyle/fate causes him to suffer. But whatever the reason, I like my characters facing that struggle :) (actually the British element is probably way more significant to my enjoyment of him than I’ve been fully aware of... that’s probably why I loved Zira so fast as well... obviously they are both a completely different class of British, literally, but the fact they ARE British is INTRINSIC to both their characters, and I guess a little, vaguely patriotic part of me is excited by that... :p)

4. Gotham. Edward Nygma.

Since I’ve started giving explanations - I love Eddie because he’s also got the whole ‘emotionally repressed’ / out of touch with (his) emotions thing going on (as seen in Zira and Cas), but with the addition of various geeky / ‘tech guy’ character traits that I also love.

5. Doctor Who (Classic). Vislor Turlough.

I waxed poetic once about how I liked Gotham’s Edward Nygma because he reminded me a bit of Turlough. That was early on in my Gotham days though and given how Eddie developed I don’t see as many similarities now. Turlough shares some of Eddie’s ‘dark’ traits however - self-centered, often lacking in empathy for others and nonplussed (sometimes even happy) to see them get into trouble or hurt. But ultimately his attempts to be self-serving and cowardly end up thwarted by him developing feelings for specific individuals despite his best efforts, which is what I enjoy about him (and actually that’s a lot like Eddie still, huh... their endgame’s are opposing though ofc - while Eddie goes on to embrace being a villain, Turlough gives up on villainy and even becomes a bit of a hero, now and then). Plus, Turlough is the ONLY Companion (IIRC?) to have joined the Doctor specifically in order to MURDER him and... idk, I just think that’s cool :P

6. Doctor Who (New). Donna Noble.

(I’m trying not to double up on fandoms/shows so I can cover more, but New and Classic Who count as different things, kinda, right...?)

Donna doesn’t really fit any of the character traits I’ve talked about above, though I guess her low self-esteem is something that all my other favs share in various ways (though it’s not such an EXPLICIT aspect of their characters and story arcs as it was for Donna I’d say). What I first loved about her was that after YEARS of New companions (and other randoms) being literally in love with the Doctor, she had a strictly platonic relationship with him. Yeah, I think maybe the show was a bit heavy-handed about it, but even so it came as a huge breath of fresh air and frankly a RELIEF to me. Not that I’m opposed to the Doctor having romantic/sexual  relationships, it was just that... coming from a childhood love of the Classic series where that just... didn’t happen (save a fleeting kiss in the TV Movie - which I actually enjoyed fyi!), it just... idk, was starting to stretch my credulity that EVERYONE seemed to be falling for him maybe? Or at least for me it was growing tiresome. So the fact she didn’t have that element to her character/story was a plus. Then I just adore how loud and brash she is when calling anyone, including the Doctor, out on their shit (I envy her that maybe). Plus I like the way she isn’t... traditional TV pretty, you know? (ie. young and slim, like a lot of other companions).

...or maybe I just like redheads *shrug emoji* 

7. Spartacus. Naevia.

(she has two actresses okay? and they both deserve kudos!)

Truth is I love FUCKING EVERYTHING AND EVERYONE IN THIS SHOW. Spartacus is like... my PERFECT SHOW. There isn’t a single moment, a single plotline, a single character that I don’t enjoy. I have never even CONSIDERED looking up or writing fic because the finished product is completely satisfying exactly as it is. God. But I wanted it represented in this list so I had to pick someone!

Considering the time period there couldn’t really BE a ‘geeky, emotionally repressed with low self-esteem’ character :p BUT nearly ALL of the characters have the whole ‘struggle to understand/discover who they are’ thing and the ‘who I am and want to be is counter to who I’ve been told I am / should be’ arc, on account of the main cast being rebelling slaves (though the other characters are equally complex and compelling and I love them too - Lucy Lawless in particular is incredible!). Anyone who’s seen me blog about the show before might have thought I’d pick either Agron or Nasir as my favs, since I do like to squee over their romance. But whenever I think about the show it’s usually Naevia who I remember first, because her character arc/development just BLEW ME AWAY. She went from someone I’d kinda dismissed at first as a typical het love interest to a WARRIOR GODDESS and you SEE all the key moments of that growth, you FEEL it, it makes ALL THE SENSE. And her romance with Crixus, which again I was initially a bit dismissive of as a typical, sudden, weak het romance, grows into, imo, one of the deepest, most developed, most believable love stories in the show. So yeah. Naevia. Amazing.

8. Due South. Ray Vecchio. 

(he’s the guy not the dog - gifs were limited! ...also the dog is actually a wolf, it’s a whole thing... that doesn’t need exploring at this juncture)

Ray was my first TV crush :P He had a bit of a sidekick vibe to him I guess, which I like (lead characters tend not to interest me as much). He wasn’t ‘geeky’ exactly, but he def had the ‘trying to look/act cooler than I am’ thing going on... also an obsessive attachment to his vintage car... meanwhile his partner Benny was the stoic, ‘British, stiff upper lip, keep emotions in check’ one who was always trying to live up to the ideal persona dictated by his people/employers, in this case the Royal Canadian Mounted Police... HUH, so... it’s actually SUPER WEIRD that I ended up loving Cas and Zira over Dean and Crowley when it seems pretty clear suddenly that my first big fictional fav was CLEARLY the Dean-Crowley to Benny’s Cas-Zira......?? Ray was FUNNY in a way Dean and Crowley aren’t though, I think? He def filled a ‘comic relief’ slot on the regular and I liked that a lot (it also made his serious, angsty moments EXTRA serious and angsty, and extra angst is something I always love!)

9. The Librarians. Eve Baird.

Remember this little show? It was... is... sorta ridiculous. Not amazing. Based on some... very cheap, very OBVIOUS Indiana Jones rip-off films, that were also ridiculous and... not... great (the third one is the best, with an awesome performance by Stana Katic aka Kate Beckett as a vampire, but I digress). But... idek, I am EXTREMELY FOND of the series for some reason :p

There are a WHOLE BUNCH of characters that fit my ‘type’ more than Eve tbh... in fact... probably every.single.other.main.cast.member (save perhaps Jenkins?) shares the traits above that typically make a character my fav. But... EVE! I just... think she’s neat! ...maybe it’s BECAUSE all the others are main/lead characters that makes me gravitate towards her? In a cast where ‘geeky, socially awkward, struggles with emotions’ is the norm, Eve being the no-nonsense, socially competent, badass soldier type therefore becomes different and thus more interesting to me? Also, much like with Donna, I appreciate that she’s an older woman who gets to have a full character and plot of her own. There’s also something about her romance with Flynn that... makes me feel warm and fuzzy.

10. Buffy the Vampire Slayer. Jonathan Levinson.

(tumblr gif search failed me so I had to grab from elsewhere...)

Listen. Look. Okay. Buffy is pretty old school these days so, for anyone not in the know, as a character, originally, Jonathan... he wasn’t even a side character, he wasn’t even REOCCURRING, he was barely a background character. For several episodes he didn’t have a name and it wasn’t until several seasons after he became ‘Jonathan’ that he actually got a surname. Danny Strong was just an actor who happened to be occasionally on-hand when the script called for a random to have a line, until eventually that happened often enough for Joss to think ‘hey, you know what, let’s make this guy an actual part of the show...’ 

He got a couple of episodes focused on him in S03 and S04 respectively, but didn’t become a regular until S06 (and wasn’t in S05 AT ALL). Other than that he had a HANDFUL of ‘blink and you’ll miss it’ moments here and there, not even full scenes for the most part, usually lasting no longer than the above gif.

I tell you all this so that when I say childhood me (well... somewhere between 12 and 14 years anyway) was OBSESSED with this character in the show, and I mean O B S E S S E D (to the point of spending hours painstakingly making VHS recordings purely of the episodes he was in), you understand how UTTERLY BIZARRE that was. Because this obsession pre-dated S06. Was, in fact, in full swing during the airing of his S04 episode - which was, like, a fucking DREAM COME TRUE for freakily obsessed me fyi, because the whole episode was constructed with him as the LEAD CHARACTER, because he’d performed a spell to make him super awesome. They even changed the title sequence to read ‘Jonathan’ instead of Buffy! And while other fans were no doubt just lol-ing at the random I was bouncing about on my sofa all ‘MY TIME HAS COME!’ and fucking SWOONING over seeing MY CHARACTER suddenly in the spotlight and getting to do crazy fun OOC shit like this -

Then when S06 rolled around and HE WAS A LEGIT REGULAR, omg, I was in HEAVEN! First TV boxset I ever bought that - Buffy S06 :P

So... yeah. A bit of a fav. Geeky. Outcast. Slowly grows more morally grey, what with that spell I mentioned and also the fact he was teamed with the ANTAGONISTS in S06. I guess you could say he was the beginning of a lot of my fav fictional character traits/tropes (though looking back - I think his ‘villainous’ teammates in S06, Andrew and Warren, are more my ‘type’ these days, and I did end up loving Andrew especially a whole damn lot, but at the time I’d been a Jonathan fangirl for so.fucking.long. there was just no chance anyone else in the show was ever gonna come close to my heart!)

THE END.

Sorry not sorry for the tmi. I got a bit too into this one.

Actually sorry I have so few women on the list :( Internalised misogyny/sexism is a real thing and I spent a lot of my life being... somewhat unfairly dismissive of female characters or at least prioritising male ones over them. I’m working on it.

Ten people is SO.MANY. to tag. But I might as well do this right this time, since I’ve come so far. But if you’d rather not play, no worries! <3

@enchantersnight @momecat @bold-sartorial-statement @vampirebillionaire @edwardnashtons @miss-olivia-cellophane @knightinpinkunderwear @supes9 @leaper182 @hamburgergod

Honourable mentions (because I CAN):

Gotham. Lucius Fox.

Gotham. Fish Mooney.

Gotham. Tabitha Galavan.

Doctor Who. The Doctor.

Doctor Who. The Master/Missy.

Supernatural. Hannah.

Supernatural. Naomi.

Buffy the Vampire Slayer. Andrew Wells.

[inkandpaperadventures]

October Book Challenge

So I missed A LOT of days here thanks to bad internet and being away. But now I am back and I thought I’d catch by compiling the questions I missed into one post so here we go.

Day Three: Your favourite series?

My first reaction here was to say Harry Potter but truth be told, I have gone off that series a bit in recent years. Bet you can guess why. I think instead I’m going to say The Shadowhunter Chronicles by Cassandra Clare. The books are full of fascinating lore and lots of diversity and a focus on various kinds of relationships from romance to found family which is something I really enjoy. And, as the series is so large and still growing, there is a book, character or relationship for everyone.

Day Four: Favourite book of your favourite series?

Leading off of that I’m going to say The Red Scrolls of Magic by Cassandra Clare. It’s set in the middle of the original part of the series, The Mortal Instruments, but focuses solely on my two favourite characters, Magnus Bane and Alec Lightwood. Sweet, funny and full of adventure, I highly recommend it.

Day Five: A book that makes you happy?

A book that made me really happy when I read it would be Red, White and Royal Blue. Everyone who has read this book will understand immediately and if you haven’t read it, I highly recommend that you do. It’s a sweet enemies-to-lovers romance with a good dose of politics. It’s a book that left me smiling and feeling incredibly hopeful for the future.

Day Six: A book that makes you sad?

The first book to come to mind was The Book Thief. Again, pretty obvious why this one upset me but I will never forget the horror when you realise Liesel is all alone. This book broke my heart but was a brilliant read.

Day Seven: A book that makes you laugh?

I struggled to think of one here and the one I’ve chosen may not be everyone’s first pick. I chose The Princess Bride for this slot as I read it again earlier this year and found it to be far funnier than the first time I read it. Goldman has a very dry wit as he twists the story to confuse the reader by telling a story within a story. And I have to admit that the self-aware stories are some of my favourites.

Day Eight: Most overrated book?

It’s more of a series but The Cormoron Strike novels by Robert Galbraith (aka JK Rowling) isn’t as good as I think a lot of people made it out to be. I’ve read all four of them and to be honest, the only reason I pushed on was for the character of Robin and even then I don’t know if I can put myself through another one let alone the apparent nine still to come.

Day Nine: A book you thought you wouldn’t like but ended up loving?

The Hobbit by JRR Tolkien. I never watched the Lord of the Rings movies as a child ad I definitely didn’t read the books. I actually picked up the book because a friend so the first Hobbit movie and said it was good. I wasn’t preparing to hate it but I definitely didn’t think I would love it but the book has become one of my favourites.

Day Ten: A book that reminds you of home?

Inkheart by Cornelia Funke. I read this book when I was twelve and ever since it’s been one of my comforts during rough times. The story follows Meggie, a bookworm, as she learns that her father has been keeping a lot of secrets from Meggie. Secrets about himself, her mother’s disappearance and even about Meggie herself. It’s a fun read and if you love books, its incredibly heartwarming with a lot of nods to many childhood favourites.

Day Eleven: A book you hated?

Atonement. Hands down. Everyone seems to love this book (or at least the movie) but I couldn’t get into it and didn’t finish it. Briony was so irritating that I had to keep putting the book down and it was a struggle to pick it back up and eventually I just gave up. The framework of the novel is interesting but it’s unfortunately become a book I’ll probably never pick up again thanks to a bad first experience.

Day Twelve: A book you love but hate at the same time?

The Great Gatsby by F. Scott Fitzgerald. The characters are all cruel and cold and treat one another terribly, so much so that you don’t even know who you are truly rooting for. In fact, I found myself rooting for characters, not because I liked them but because they were challenging characters I really didn’t like. All that being said, it’s a fascinating character study set against the dazzling and corrupt backdrop that was New York in the 1920s. Which is incredibly fitting if you know much about the actual characters. Pretty but awful.

Day Thirteen: Your favourite author?

I don’t know if I have a single favourite author. There are several that have caught my attention whose writing I love. For the sake of answering I will pick one but I wouldn’t classify her as my absolute favourite. Rather she is one of my favourite authors and that is Rainbow Rowell. I’ve enjoyed everything of hers that I’ve read and her characters are some of the most relatable I’ve ever come across, especially Cath from Fangirl. Not only that but she gave back the wonder that was the Harry Potter series in the form of Carry On and Wayward Son with a diverse cast and a more sensitive approach to the creation of the magickal world the characters reside in.

Day Fourteen: Book turned movie and totally desecrated?

I could say the Harry Potter series as I have a lot to say on those movies but I’m actually going to say The Hunger Games. The book is a horrifying dystopian about inter-generation abuse in the extreme but the movie turned the narrative into exactly what the novel was critiquing. The movie is what The Capitol wants the Games to be seen as but rather than critiquing this the movie appeared to endorse it. A horrifying death match between children was turned into a romance which was a disgusting homage to the book.

Day Fifteen: Favourite male character?

This is incredibly difficult as so many characters come to mind but the one I’m leaning towards most is Magnus Bane from the Shadowhunter Chronicles. A biracial, bisexual immortal warlock who loves cats and glitter? Sign me up. Magnus has one of the biggest hearts as well, no matter what he says and is incredibly loyal to those that he cares about, staying behind to face down everything from demons in the pit of Hell to annoying family members. Characters who have stayed kind despite everything that has happened to them are, honestly, incredibly undervalued and Magnus definitely fits the bill.

Day Sixteen: Favourite female character?

Cath from Rainbow Rowell’s Fangirl. As I mentioned above, Cath is one of the most relatable characters I’ve ever come across in fiction. A shy nerd who loves her books and writes fanfictions about her otp is probably super relatable to a lot of people. What I loved most about Cath is how unapologetic she is for her nerdy love. She relationships are pretty turbulent during the novel and it is through reading and writing that she finds peace and, eventually, the strength to let the past go.

Day Seventeen: Favourite quote from your favourite book?

This question was incredibly difficult as I do not have a single favourite book but rather a shelf full of favourites. In the end I’ve settled on one of my favourite quotes from Inkheart by Cornelia Funke.

“Books loved anyone who opened them, they gave you security and friendship and didn't ask for anything in return; they never went away, never, not even when you treated them badly.”

Day Eighteen: A book that disappointed you?

Dracula by Bram Stoker really disappointed me. I had such high hopes for such a classic novel but I found that once Van Helsing entered the story it became dull and the horror of Dracula became so distant as to be almost nonexistent.

Day Nineteen: Favourite book turned into a movie?

It’s probably not my favourite but I think this may be one of the most faithful adaptations of a book I’ve come across. The Secret Life of Bees is one that I almost put under ‘a book that made you cry’ but I think its adaptations makes it more fitting here. The changes they did make to the movie don’t detract from the core story and the movie retains the importance of the bonds between all the main characters.

Day Twenty: Favourite romance book?

There are a lot, especially from this year alone but I’m going to pick It Sounded Better In My Head by Nina Kenwood. This book was incredibly realistic with its depiction of the confusion a first relationship can cause. The importance of the main character, Natalie’s, friendships isn’t lost in light of her new romance but rather they run parallel to the romance and are just as important. The book it short, sweet and hits home in a way that left me wanting to read more.

Day Twenty-One: The first novel you remember reading?

The Twits by Roald Dahl. I proceeded to then read most of his novels before turning to Emily Rodda but it was definitely the cruel married couple that started my journey as a reader.

Day Twenty-Two: A book that makes you cry?

The Absolutist by John Boyne. If you are looking for a happy ending this is not the book for you. This book was heartbreaking and left me crying for quite some time. Set in WWI and featuring a pair of young men who meet in a training camp of the Biritsh Army, it follow them as they arrive on the battlefield with very different stances on the war and a forbidden romance brewing between the two. If you do read this book, brace yourself for the ending.

Day Twenty-Three: A book you wanted to read for a long time but haven’t?

Valentine by Jodi McAlistor. It’s been on my to read list for well over a year now and it is currently sitting on my bookshelf in line to be read. A fantasy ya novel set in Australia that deals with fairies is right up my alley and Jodi McAlistor herself is a fascinating author whose studied so much ya fiction, in particular feminist and romance fiction that I feel that this novel is going to be amazing once I get around to it.

Day Twenty-Four: A book you wish more people would’ve read?

The Troutespond Series by Elizabeth Priest. This series is rather niche and only just got off the ground last year but its charming and features four teenage girls as the main characters. The girls find themselves caught up dealing with the world of fairies even as they struggle to study for final exams and getting ready for university.

[fire-emblem-drabbles]

matchup commission!

i hope this isn’t too much!! i’ve tried to break it up to make it more readable, but let me know if there’s anything i can do!! 

game: either Three Houses or Awakening, tbh! unless there’s, say, a character from Echoes that fits better? just pick who you think is best <3

pronouns: she/her gender preference: I don’t mind!!

personality

the good:

curious

i love to learn? is that a good thing?

open-minded

thoughtful

communicative

good conversationalist (or, at least I’d like to think so)

good listener (i’ll happily sit with someone as they talk about their day, or they want to complain about something, or if they just need someone to talk to in order to flesh out their ideas/beliefs!)

trustworthy (ish)

compassionate (or at least, I try to be!!)

patient

accepting (within reason aadjsdfkjhfds essentially i just try to not judge people)

understanding (I do my very best!!)

the bad:

prone to catastrophizing (that’s the anxiety poking through)

indecisive (I cannot make a decision to save my life)

shy (it’s not that I’m quiet or withdrawn, I’m just Deeply Afraid Of Rejection)

unforgiving (while I can be pretty patient, once I’m done with someone, I’m Done)

prone to melancholy (I do my best to fight it, but that melancholy be Strong)

overthinker (i literally write a whole dissertation in my head about a topic literally No One cares about… or i’ll decide to pick apart my relationships with others when it’s really not that deep. this one’s a mixed bag.)

the neutral:

opinionated (I’m putting it as a neutral trait bc I’ve been told that I’m “interesting to talk to” because of it, but my god… sometimes I wish I’d just calm down)

sensitive

talkative (for similar reasons as opinionated… I love to talk and I have So Much to say, but sometimes I wish I’d just learn to… shut my damn mouth)

my sense of humour (i’d describe myself as a “chaos goblin”, and one of my friends once said I’m a “mixed bag of human”, meaning that he can never predict what I’m going to say to him next; essentially i have a very “flexible” sense of humour, but the more absurd, the better)

perceptive (neutral just bc while it’s good when dealing with people I like, it’s fuel for anxiety)

interests:

reading (when I can actually commit to a book sjkdfhs)

if it’s of any consequence, my favourite books are probably the prophet by kahlil gibran and neverwhere by neil gaiman

writing (when I’m not LAZY!! Also, my genres tend to be more along fantasy or urban fantasy lines? A little sci-fi, when I’m not scared off by trying to do worldbuilding for that genre because O H B O Y science & technology is a LOT scarier than magic tbh)

trawling Wikipedia for an unreasonably long time

drawing

anthropology (it’s my uni major and I love it!! so much!!)

history (i’m a whole-ass nerd)

art history (I LOVE ART, my fave artist is probably alphonse mucha? If you’ve never seen his stuff definitely have a look! It’s A Lot but it’s stunning)

sociolinguistics (it’s so interesting!! And I guess languages too, but I’m so bad at learning them asjfdhddsklj)

fashion (in a way? I just love pretty clothes, and my style is… a lot of patterns, especially animals and flowers, and it’s retro-adjacent?)

D O G S

most animals tbh (I love foxes and owls! but i instinctively don’t trust horses)

for the pokemon matchup…

i tend to prefer pokemon that are based off real animals, more so than those like… objects? although I wouldn’t rule objects out, that’s just on the whole

i’d be looking for a companion more than a battling partner, if you know what I mean? So general temperament would be more important than battle prowess

neither this way or that on how powerful the pokemon would be, but I’d like it to be strong enough to defend us should the need arise?

i tend to prefer elegant pokemon to cuter ones, but this isn’t a deal breaker

basically I just want a Friend TM

i also like pokemon with mythological inspirations!! not necessarily legendaries or anything like that, but i think that’s fun

i usually pick water starters, and my favourite types would probably be… dragon, ice and probably dark or psychic? But All Pokemon Are Valid

______________________________________________________________

My goodness, you certainly gave me a lot to work with, but I know just who I want to pair you with because of it!

It didn’t take me long to realize you and Ashe would be a good fit for one another; many of your interests are the same or similar but the two of you are also different enough to keep things lively and interesting in a relationship!

The two of you probably met in the Monastery's Libary; it’s a little cliche, but the two of you were reaching for the same book at the same time and your hands touched. Ashe, of course, retracted his hand immediately and blushed before even seeing your face; seeing how cute you were only made it worse for him. However, you’re just as shy and probably hid your face so he couldn’t see your blush. It was all very cute and before you could apologize, Ashe was handing the book to you. “It’s one of my favorites,” he had laughed, placing it in your open hands “I’ve read it before, so you can have it.”

From then on, he was in deep; Ashe couldn’t help but recommend more of his favorite books to you and even went out of his way to read things that interested you so he could have more of an excuse to talk to you. It was obvious to anyone that saw the two of you together that you liked one another but since the two of you were both the wonderful combination of shy and awkward, it took far longer than it should have for the two of you to get together.

But the two of you get along so well together, people wonder how you ever functioned without one another. Ashe’s want to help others paired with your compassion makes you quite the duo and the two of you became known for helping others however you could. Behind closed doors, the two of you are a very sweet, affectionate couple, reading to one another, indulging in the others oversharing about their hobbies/interests (just the way Ashe’s eyes light up as he talks about true chivalry is enough to pick up your heart rate) or taking some time just to soak in the others company.

I truly think the two of you complement one another in a great way, where your strengths are similar enough to work in tandem but you also cover one another's weaknesses (Ashe is forgiving in situations where it might be better but other times you know when to draw the line). I really think you two would be so good for one another!

 As for partner pokemon, I can’t help but feel Absol would be a good fit! It’s got a basic animal shape while still being very much based in mythology, especially if you mega evolve it! While they’re said to be harbingers of misfortune, the truth is Absol actually forwarns of danger (kinda like Mothman in that sense?). And surely it will be strong enough to defend you but content enough just to spend ifs time with you protecting you only if the need arises.

Another thing, I like to think that Absol’s will only stay with trainers they find are caring and compassionate; so long that you show Absol you’re worthy of its service (so, just keep being a dear and being helpful and kind to those you meet) I’m sure the two of you will get along perfectly!

Can’t you just imagine it? Your Special Dark Puppy Creature curled up by your feet as you read or write, ready to help at a moments notice! Oh, and I just saw above how you love dogs so... isn’t it great that I choose Absol?

Funny thing about this gif I was actually considering Umberon before I remembered Absol hehe

[badnewtattoo]

the gang makes paddy’s great again- thoughts.

i wrote this whole thing and then tumblr refreshed and i lost it.. this is why i use mobile. these are basically my overall thoughts and feelings on the episode with as much intelligence as i am capable of. i’ve never been one of those people who writes long analysis of iasip or anything, this is as close as we’re getting. also if you can’t tell already, i absolutely love meellisday.

-i can’t believe they all had sex with the doll... especially my boy charlie kelly i mean i expected it from mac (duh) and frank is kinda gross but... my boy, pls

-i don’t remember what i already wrote here because this is my second time doing this becauseeeee it got deleted

-there was more positive content i swear

-i liked cindy and the fact that she radiates pure evil. she was really weird, man. she was strange, i am a fan. i hope she comes up in the future here and there suggesting that they do more freaky shit and acting like a groupie for success.

-ok my biggest problem was the dialogue of this episode. there were a lot of cases of things just being straight up repeated? there was a line that dee said out loud at the dinner table and then repeated under her voice as a kind of ad-libbed chatter type thing and that was rough for a show so strong historically with its talking over each other scenes, improv, and fast dialogue. the jokes about mac banging the sex doll were ok to be repeated, i guess, but they kept making the same jokes about him with the exact same words and tone. in fact i don’t really get why they made the “mac is having sex with the doll” joke so often. since they all ended up having an orgy with it i rlly think there was a missed opportunity, they should’ve made fun of him for having sex with it after it was confirmed they all did because there could’ve been a moment of “..... wait but yall arent any better.... the” does that make sense? it does to me? like i know they did make a comment about it when dennis got back but it was a missed opportunity to not point out the irony.

-the storyline was not good. or the whole liberal tears thing was just very strange. it felt like they abandoned the show’s usual character driven aspects for the sake of driving the plot. they went with a humorous plot i guess but no jokes were made about the liberal/conservative thing from the gang so therefore it wasn’t funny? the gas scheme and the garbage schemes, for example, wouldn’t have strictly been funny on their own or excecuted by different people but they were good episodes and were funny to me because of the gang. the door to door song, the misspelled sign, the entire ridiculousness of the limo. maybe the plan was meant to be very run of the mill and unimportant because cindy was running it, like schmitty, but it was weeeeiiird and i think could have been done differently in a way that would have more positively impacted the story and overall episode quality. the labels, for example, could’ve been much better. my favourite part was the strip club and their interactions there, i wish there had been more of that vibe. also i think there was more to be done with charlie fighting the sex doll.

-dee didn’t have sex with the doll so                ha, go 2 hell incest supporters

-dee was pretty great in this episode actually. the only thing i disliked was her reason for wanting cindy gone being that she felt that she wasn’t special anymore because there was another girl. that was kinda dumb and i would’ve easily accepted had she just decided to go back with the gang without any reasoning. it doesn’t seem like dee to hate on another woman like that without reasoning, sorry if i’m wrong i really don’t know shit. it just didn’t sit well.

-the waitress!!!!!!!!!! i love her!

-ok so i think mary elizabeth is a great person and is also a very good comedic actress. she’s on santa clarita diet (i literally went through the show just to watch her) and i’m not even being biased when i say she is really good on that show. she’s so talented and funny on that show and shines in a way over there that i never really felt she did on sunny. not by any fault of her own but i don’t think the writing for the waitress has ever been all that interesting or with potential to stand out. i like the waitress because although she thinks she’s better than the gang and then charlie she is so obviously just as garbage as them but also has that quality of being just about the most mundane person on the planet. what i’m getting at here is she deserves better writing and could be as iconic and funny as all the other side characters and i think finally bringing her down to living with charlie could be a really good change for her character. you still have the potential for delusions of superiority, similar to how mac thinks people like him and thought he was straight or how dennis thinks he’s a lady’s man, the waitress similarly thinks she’s better than these people while being a garbage person who uses charlie and is now literally living with him. she’s always been pretty similar to charlie (more so as it’s gone on) but tells herself that he’s worse and again.. now that they really are in the same living space and are more clearly placed beside each other in the eyes of the viewer, i hope she can have more coooool and exciting story lines. hope that wasn’t too repetitive. i just want everyone to know how funny and awesome she has the potential to be and she deserves shining moments that characters like cricket, maureen, and the mcpoyles get. etc.

-hearing charlie kelly call the waitress “honey” and “sweetie” is so, so weird and again, that’s a testament to how good they are at acting

-also i wish they’d addressed the pregnancy thing they were going for (she could’ve at least been annoyed at him that it didn’t work out or whatever) and it didn’t make sense to me that the season 12 finale saw charlie as being uncomfortable with the waitress expecting a relationship with him and this episode didn’t see him as really annoyed or uncomfortable, or at least it seemed to be at a different degree and from a different angle. how charlie treated her was a bit similar to how he treated dee in rules the world but i wish the waitress hadn’t been at all submissive? like she slept with the sex doll and was being funny/rude about it?? i wish she had been that way the whole time or at least more significantly? i get that the joke was that she now was desperate like charlie had been but i can’t say it was done all that well or consistently, from my perspective? i wish they had more fighting and banter and whatever. idk man. 

-they said it was their apartment so i kind of wonder if frank is still living with them?

-also i felt like there wasn’t enough frank!!!!!!!!!!!! he was hardly there. i also missed the charlie/frank dynamic. if you can tell by this point,,,, i am a big charlie fan. 

-but yeah the first thing i noticed was a lack of frank. my deal is that it felt as though the gang hardly really interacted within themselves? everything felt pretty impersonal. usually there’s scheming and yelling and really fast/smart dialogue but it felt more plot based and focused on getting across a specific set of events as opposed to thoroughly being true to the characters. the sex doll orgy felt out of place and these stranger elements of the episode reminded me of the ski episode and flowers for charlie in the way that they were detached from how i recognize the gang’s personalities. yes. 

-dude!! i missed dennis! i didn’t realize how much i would want dennis back until he showed up and started doing that thing where he makes black and white judgements based entirely on personal preference. like in charlie rules the world at the end, i love that stuff. 

-i actually think dennis was the most true to form in his character, my only things i’d change would: i’d add in a “move past it” in his explanation of his return, i’d make the bird thing more natural, and i’d have him be more protective of the 80s (that was the insult, right? she said he dresses like the 80s? anyways we know den loves that shit pls)

-mac was cool too! as i said earlier i wish they’d repeated that joke a wee bit less but aside from that i absolutely loved the mac content because he doesn’t always get the best stuff to work with. rob, as i’ve said before, is truly underrated for his performance as mac because the character is so easy to read. mac is very easy to understand as someone who craves validation and easily speaks his feelings while also have distorted versions of self, though that seems to be going away (with the coming out, the obvious truth of him being ripped, and him straight up asking if they like him) which is really funny because instead of him being wrong about who he is and being oblivious, everyone else is oblivious about him because he used to be?? yes, her. though he’s still a denial ridden dumbass in many ways, now the gang is in denial about his apperance. anyways rob killed this episode and i hope people come to see that is equally as distinctive as charlie and dennis.

-i really did like dee here, as i said earlier. she was also rather true to form. no complaints, and i like how she seemed more integrated into the gang. i love when they all work together, or at least work with dee, and everyone is equal and none of them continually put down dee. that’s way more fun. 

-alright i think this is all i have to say for this episode? it seemed pretty foreign to sunny’s usual formula and reminded me the most of “flowers for charlie” in how it definitely strays from how what i view as a normal episode for the gang. there were good enough moments but it isn’t going to be one of my favourite episodes of the season. i really hope they don’t fall into the same hole arrested development did where they once would reach a conclusion every episode and stick to a format which changed in the 4th season for sure. i am ok with change but i hope not much is sacrificed. anyways, i am still a fan and am anticipating the rest of the season still! yes i’m aware that this is overwhelmingly negative but every negative i have for any sunny episode is usually leaps and bounds better than episodes of pretty much any other show.

[pomegranate-salad]

Pom’s Summer reads (as she was stuck in the hospital)

Hey guys ! Sorry I haven’t been around in a while. The reason is… I was back in the psych ward. Mental health is no fun. But this time around, I was so bored out of my mind that I actually took a look at the scarcely furnished, yet surprisingly eclectic hospital library. Which consisted of two shelves of donated books in various states of decay. But since beggars can’t be choosers, I went and started reading randomly selected books from this motley collection. And I thought it would be fun to make a reading list out of it to share my findings. I have terrible ideas.

 So, here’s what I read over the last two weeks :

- Mythologies by Roland Barthes

Genre : Essay – Philosophy

Length : average

Available in English : partially

 I had only read excerpts of this staple of cultural criticism before, so I thought it was high time I read the whole thing. This takes a look to the making of modern myths from a Marxist perspective, finding meaning in items as deceptively trivial as laundry detergent and haircuts in movies. This book consists of a first part made of a series of small commentaries, and a second part that takes a deeper look into the mechanisms and power of myth making. Some of the essays of the first part are not included in the English version of this book, presumably because the references studied were too “French” to speak to foreign readers. The references as a whole have aged (I had to google quite a few things, even as a French reader) but it speaks to the quality of the commentary that the thoughts expressed in this book are still relevant to our modern culture. You can probably find one of its most famous bits online, an essay about wrestling and the theatrical culture it illustrates.

This is an important and interesting book, but one that’s maybe a bit arid to read cover to cover : I found picking it up at intervals to read one essay or two was the best way to enjoy this book. You can of course also check out Barthes’ highly influential essay on the Death of the Author, but I also enjoyed his lesser-known essay The pleasure of the Text and his collection of Critical essays.

 - The Sand Child by Tahar Ben Jelloun

Genre : Novel

Length : average

Available in English : Yes

Content warning : explicit sexual content

 This was a weird, weird but pretty amazing one. Assuredly the best surprise of the lot. This starts off as a straightforward tale of a girl raised as a boy by a traditionalist father in modern Morocco as told by a storyteller on a marketplace, but it quickly devolves into several levels of metatextuality and dreamlike elements until story, characters and storyteller are interweaved into a reflexion about the nature of stories itself.

Aptly enough, this reminded most of Sandman, but also of Akira Kurosawa’s Rashomon, both excellent things of which to remind someone. This is also the rare reflexion on gender roles and identity within the context of Islamic culture. But most of all, this is all written with a unique style, as if the author was drunk on language ; it’s a bit hard to get into, but it’s also captivating at the same time. Of all the books in this list, this is the one I would reread again and again just to try and understand all its levels. If you like this kind of surreal literature, definitely check this one out.

  - Oyster by John Biguenet

Genre : Novel

Length : average to long

Content warning : mild violence

 This was a frustrating one. It’s not a great book, yet it could have been one. This is yet another story of rivalry, secrets and revenge between two poor white families, this time living from oyster farming in Louisiana in the late fifties. The plot is fairly standard, and narrated in such a way that it constantly gets in the way of its dramatic potential. The writing is I think the problem here, especially around dialogue and plot progression, making the whole thing feel flat. Which is a shame because when the book lingers on details of the life of poor oyster farmers, it can be remarkably evocative.

This is the kind of book I want to put in a shaker and shake to put each element back where it belongs. I’m not difficult when it comes to Southern Gothic : I will basically read anything as long as it reminds me even a little bit of William Faulkner and Tennessee Williams. So it was frustrating to see this one being able to conjure its own atmosphere while not sticking the landing with its story. If you know of any good modern Southern Gothic novels, please send them my way, I’m hungry.

  - The ghost in the Noonday sun by Sid Fleischman

Genre : Novel

Length : short

 I have no idea how much of a staple of children’s literature this book is, so maybe all of you are already familiar with it. Personally, I hadn’t read it in quite a while since the version we have at home is now missing some key pages. But if by chance you haven’t read this, please go invest an hour of your life into reading this funny, witty and earnest pirate story about a teenager who gets kidnapped by a superstitious pirate who believes he’s able to see ghosts in order to locate the treasure of his old captain who was buried with it.

In a just world, there’d be a cult movie based on this book instead of one of dubious quality staring an erratic Peter Sellers. This is children’s literature of the best kind : one that takes its audience seriously, is able to create an atmosphere and is still a fun to reread as an adult. This was kind of super-nostalgic to me to pick this one, but I couldn’t resist.

  - The Awkward Squad by Sophie Hénaff (and its sequel Stick together)

Genre : Novel – Crime

Length : average

Available in English : Yes

 I had to have read at least one crime novel in this lot, but in the end I only read two, since the other options were Mary Higgins Clark books and since I have a grandmother, I had already read those. It’s a shame that French crime novels don’t have as much of an international reputation as Scandinavian or American ones, since we do have an interesting tradition of our own : books mainly based on ensemble casts of motley characters, with a poetic streak and a sensitivity to absurdism. The premise of this series is that in order to get better statistics, the new policer commissioner has decided to regroup all undesirable police officers they can’t fire in one single squad, and make sure this lame duck unit doesn’t attract any attention. But some people from this unit have of course decided otherwise.

These books held pretty well as far as crime novels go, they are a lot of fun at times and read easily. The character work and dialogue are definitely this series’ best asset, as it is the case with many French crime books. If you want the best the genre has to offer, check out my all-time favourite, the Adamsberg series from author Fred Vargas, in order : The Chalk Circle Man, Seeking whom he may devour, Have mercy on us all, and Wash this Blood clean from my Hand.

  - The Three-Arched Bridge by Ismail Kadaré

Genre : Novel

Length : short

Available in English : Yes

 This was hardly a surprise that I loved this one : I’ve been a fan of Kadaré for a while. This is yet another of his books that explores the frontiers of reality and legend, superstition and magic within a fascinating historical context. Here, his subject is the building of a bridge in Albania toward the end of the 14th century, as the Turkish invasion is looming. The narrator, a monk, relates both political and mundane events surrounding the isolated region, as increasingly troubling phenomenon surround the construction site, announcing the troubled future of the country.

I do love my historical/supernatural novels, and Kadaré is a master of the genre. This reads easily while making a lasting impression and leaving you hungry for more. If you do, I can’t recommend enough checking out more of Kadaré’s work, his classic The General of the Dead Army, and my personal favourites The Pyramid and The Ghost Rider.

 - The Pursuit of Happiness by Douglas Kennedy

Genre : Novel

Length : long

 I picked this one deep in my “I’m fucking sick of reading, but there’s still nothing else to do” phase, since I needed something that would be easy to read and at least somewhat good, and old Douglas did not disappoint : this book might be almost 800 pages long, it reads in a dedicated handful of hours. This is primarily the story of two women, one who just lost her mother and the other who appears in her life after the funeral, apparently knowing a lot about her family, to give her a manuscript retracing her story. The portrayal of the main characters is realistic, both are flawed individuals with distinct stories and personalities, so cheers to that.

This is the kind of familial saga-that’s-also-a-reflexion-on-destiny-and-the-American-dream you never get tired of until you do. Don’t let my snide deter you though : this is a very good book, maybe just not singular enough for its genre. If you’re looking for something more particular, you can of course check out Steinbeck’s East of Eden, the metric by which all American familial sagas are judged, and Roth’s American Pastoral, which contrary to what you may have heard, is a weird goddamn book.

 - Allah is not obliged by Ahmadou Kourouma

Genre : Novel

Length : average

Available in English : Yes

Content warning : extremely disturbing and graphic description of atrocities in wartime

 A first-person description of tribal wars in Liberia and Sierra Leone during the nineties from the point of view of a fictitious child soldier. It doesn’t pretend to stick by its premise though, and dives into detailed record of the political climate, all while taking us through the daily horrors of life in war-torn countries. The extremely down-to-earth and downright crude descriptions are interweaved with magic realism rooted in West African voodoo and culture.

This one was one of my favourites, despite the writing and narrative bordering on gimmicky at times ; especially at the end, where the story seems to have exhausted itself and seems more interested in recounting the political history of the region. The subject in and of itself is fascinating (and this is a great read if you’re not familiar with it) but sorts of impinges on the main storyline and the development of its characters.

Despite its flaws, I can only recommend this book, especially if you’re looking to delve into West African literature as this makes for a good introduction to the genre. Be aware however that this book is extremely hard to stomach and triggering in about every way possible. If you do like it, I recommend checking out my favourite book by this author, Waiting for the Wild Beasts to vote.

 - Hymns of Hate by Dorothy Parker

Genre : Poetry

Length : short

 I have a complicated relationship with poetry : as in, I am fond of it and some poetry books have come to mean a lot in my life, yet for some reason I never seem to be in the mood for picking one. So the reason this chapbook got picked is probably that your brain functions differently when the world around you is an ocean of noise and agitation due to a little event called the World Cup. Yes, even at the hospital, the French victory was dutifully celebrated, so this was the best time to isolate yourself with some earplugs and a poetry book.

Dorothy Parker is an acerbic poetess from the twenties who takes a comical and critical look at society, which leads to what I’d call comedy roast as poetry. It��s not the most moving kind of poetry, but it will make you laugh and reflect on yourself a bit, as I can guarantee you’ll recognize yourself in at least some of the vivid portraits this book draws. Of course, since I read it in French, it probably lost a lot of its musicality, which is the eternal dilemma when it comes to poetry : would I rather have something be lost in translation, or in reading in your non-native language ?

This kind of impertinent poetry, even if it doesn’t get as much press as big romantic oeuvres, is still a breath of fresh air that puts a smile on your face while still giving you an insight into the author’s personality. The only poet I can think of that produced the same effect on me is Jacques Prévert. I highly recommend checking out his two chapbooks Paroles and Stories.

- Six characters in search of an author by Luigi Pirandello

Genre : Play

Length : short

Available in English : Yes

 So before you say anything, I didn’t know he was a fascist before I picked this one. But you do now, so feel free not to read this one as a matter of principle. That being said, this is a very good play. This is the kind of hyper-conceptual play that interrogates the relationship between characters, writer and comedians. The story is exactly what it says in the title : six characters imagined by an author but who never got their play written tumble into a theatre as actors are repeating a play and ask them to write their play.

This play has stage directions for days and is a little bit hard to get a sense of when you read it instead of seeing it, yet once you get how the whole thing works, the ideas expressed are extremely interesting. This reminded me of Ionesco’s works, particularly The bald Soprano and the criminally underrated The Chairs. The theme of characters escaping the grasp of their authors can also be found in Paul Auster’s Man in the Dark which, while by no means one of the author’s best works, is still a fun and meditative read so don’t hesitate to check it out.

  - What money can’t buy, the moral limits of markets by Michael J. Sandel

Genre : Essay – Economy

Length : average

 I picked this one primarily because it was the only one in English, and also because I like to periodically remind myself why I left business school. I ended up having a good time reading it, because it’s more about thinking the market than explaining it. This book discusses the things that money can buy today – cutting in line, naming rights, stakes on someone’s life – and whether we should be alarmed of this growing market mentality. In the true tradition of English essays, this book makes its thesis clear at the beginning and then reiterates its point through examples. This is completely different from the French tradition of essays, which starts at the observable phenomenon and then takes us to its core thesis through organic reasoning. This means that past the introduction, you’ll know what this book is trying to prove, and the rest of the book is more about illustrating the demonstration. However, each set of examples come with their own ethical and practical problems, and you end up being more conflicted than you originally thought. A fiery onslaught against capitalism it is not, but this has the advantage of considering market mentality from the inside and then wondering how it looks from the outside. If nothing else, it should give you a good set of arguments to shut up libertarians and their ilk.

  So that’s all I have today. Do tell me if you want me to make more reading lists like this !