#its on my list but like. im getting to it....

[metanarrates]

Hello. Sorry if this a stupid question u can ignore if u want.

How can someone get better at media analysis? Besides obviously reading a lot.

Im asking this bc im in a point where im aware of my own lack of tools to analyze stories, but i don't know where to get them or how to get better in general. How did you learn to analyze media? There's any specific book, essay, author, etc that you recommend? Somewhere to start?

I'm asking you because you are genuinely the person who has the best takes on this site. Thank you for you work!

it sounds like a cop-out answer but it's always felt like a skill I acquired mostly thru reading a ton, and by paying a lot of attention in high school literature classes. because of that I can't promise that I'm necessarily equipped to be a good teacher or that i know good resources. HOWEVER! let me run some potential advice to you based on the shit i get a lot of mileage out of

first off, a lot of literary analysis is about pattern recognition! not just pattern recognition in-text, but out-of-text as well. how does this work relate to its genre? real-world history? does it have parallels between real-life situations? that kind of thing.

which is a big concept to just describe off the bat, so let me break it down further!

in literature, there is the concept of something called literary devices - they are some of the basic building blocks in how a story is delivered mechanically and via subtext. have you ever heard of a motif? that is a literary device. it's a pattern established in the text in order to further the storytelling! and here is a list of a ton of common literary devices - I'd recommend reading the article. it breaks down a lot of commonly used ones in prose and poetry and explains their usage.

personally, I don't find all the literary devices I've learned about in school to be the most useful to my analytical hobbies online. motifs, themes, and metaphors are useful and dissecting them can bring a lot to the table, but a lot of other devices are mostly like fun bonus trivia for me to notice when reading. however, memorizing those terms and trying to notice them in the things you read does have a distinct benefit - it encourages you to start noticing patterns, and to start thinking of the mechanical way a story is built. sure, thinking about how the prose is constructed might not help you understand the story much more, but it does make you start thinking about how things like prose contribute to the greater feeling of a piece, or how the formatting of a piece contributes to its overall narrative. you'll start developing this habit of picking out little things about a text, which is useful.

other forms of in-text pattern recognition can be about things like characterization! how does a character react to a certain situation? is it consistent with how they usually behave? what might that tell you about how they think? do they have tells that show when they're not being trustworthy? does their viewpoint always match what is happening on screen? what ideas do they have about how the world works? how are they influenced by other people in their lives? by social contexts that might exist? by situations that have affected them? (on that note, how do situations affect other situations?)

another one is just straight-up noticing themes in a work. is there a certain idea that keeps getting brought up? what is the work trying to say about that idea? if it's being brought up often, it's probably worth paying attention to!

that goes for any pattern, actually. if you notice something, it's worth thinking about why it might be there. try considering things like potential subtext, or what a technique might be trying to convey to a reader. even if you can't explain why every element of a text is there, you'll often gain something by trying to think about why something exists in a story.

^ sometimes the answer to that question is not always "because it's intentional" or even "because it was a good choice for the storytelling." authors frequently make choices that suck shit (I am a known complainer about choices that suck shit.) that's also worth thinking about. english classes won't encourage this line of thinking, because they're trying to get you to approach texts with intentional thought instead of writing them off. I appreciate that goal, genuinely, but I do think it hampers people's enthusiasm for analysis if they're not also being encouraged to analyze why they think something doesn't work well in a story. sometimes something sucks and it makes new students mad if they're not allowed to talk about it sucking! I'll get into that later - knowing how and why something doesn't work is also a valuable skill. being an informed and analytical hater will get you far in life.

so that's in-work literary analysis. id also recommend annotating your pages/pdfs or keeping a notebook if you want to close-read a work. keeping track of your thoughts while reading even if they're not "clever" or whatever encourages you to pay attention to a text and to draw patterns. it's very useful!

now, for out-of-work literary analysis! it's worth synthesizing something within its context. what social settings did this work come from? was it commenting on something in real life? is it responding to some aspects of history or current events? how does it relate to its genre? does it deviate from genre trends, commentate on them, or overall conform to its genre? where did the literary techniques it's using come from - does it have any big stylistic influences? is it referencing any other texts?

and if you don't know the answer to a bunch of these questions and want to know, RESEARCH IS YOUR FRIEND! look up historical events and social movements if you're reading a work from a place or time you're not familiar with. if you don't know much about a genre, look into what are considered common genre elements! see if you can find anyone talking about artistic movements, or read the texts that a work might be referencing! all of these things will give you a far more holistic view of a work.

as for your own personal reaction to & understanding of a work... so I've given the advice before that it's good to think about your own personal reactions to a story, and what you enjoy or dislike about it. while this is true that a lot of this is a baseline jumping-off point on how I personally conduct analysis, it's incomplete advice. you should not just be thinking about what you enjoy or dislike - you should also be thinking about why it works or doesn't work for you. if you've gotten a better grasp on story mechanics by practicing the types of pattern recognition i recognized above, you can start digging into how those storytelling techniques have affected you. did you enjoy this part of a story? what made it work well? what techniques built tension, or delivered well on conflict? what about if you thought it sucked? what aspects of storytelling might have failed?

sometimes the answer to this is highly subjective and personal. I'm slightly romance-averse because I am aromantic, so a lot of romance plots will simply bore me or actively annoy me. I try not to let that personal taste factor too much into serious critiques, though of course I will talk about why I find something boring and lament it wasn't done better lol. we're only human. just be aware of those personal taste quirks and factor them into analysis because it will help you be a bit more objective lol

but if it's not fully influenced by personal taste, you should get in the habit of building little theses about why a story affected you in a certain way. for example, "I felt bored and tired at this point in a plot, which may be due to poor pacing & handling of conflict." or "I felt excited at this point in the plot, because established tensions continued to get more complex and captured my interest." or "I liked this plot point because it iterated on an established theme in a way that brought interesting angles to how the story handled the theme." again, it's just a good way to think about how and why storytelling functions.

uh let's see what else. analysis is a collaborative activity! you can learn a lot from seeing how other people analyze! if you enjoy something a lot, try looking into scholarly articles on it, or youtube videos, or essays online! develop opinions also about how THOSE articles and essays etc conduct analysis, and why you might think those analyses are correct or incorrect! sometimes analyses suck shit and developing a counterargument will help you think harder about the topic in question! think about audience reactions and how those are created by the text! talk to friends! send asks to meta blogs you really like maybe sometimes

find angles of analysis that interest and excite you! if you're interested in feminist lenses on a work, or racial lenses, or philosophical lenses, look into how people conduct those sort of analyses on other works. (eg. search feminist analysis of hamlet, or something similar so you can learn how that style of analysis generally functions) and then try applying those lenses to the story you're looking at. a lot of analysts have a toolkit of lenses they tend to cycle through when approaching a new text - it might not be a bad idea to acquire a few favored lenses of your own.

also, most of my advice is literary advice, since you can broadly apply many skills you learn in literary analysis to any other form of storytelling, but if you're looking at another medium, like a game or cartoon, maybe look up some stuff about things like ludonarrative storytelling or visual storytelling! familiarizing yourself with the specific techniques common to a certain medium will only help you get better at understanding what you're seeing.

above all else, approach everything with intellectual curiosity and sincerity. even if you're sincerely curious about why something sucks, letting yourself gain information and potentially learning something new or being humbled in the process will help you grow. it's okay to not have all the answers, or to just be flat-out wrong sometimes. continuing to practice is a valuable intellectual pursuit even if it can mean feeling a tad stupid sometimes. don't be scared to ask questions. get comfortable sometimes with the fact that the answer you'll arrive at after a lot of thought and effort will be "I don't fully know." sometimes you don't know and that can be valuable in its own right!

thank you for the ask, and I hope you find this helpful!

[moonlightdreamzz]

Moments of Praise — Jungwon, Jake, Sunghoon.

bangchan and felix

GENRE. pureeeeee smut. freaky hours. 18+

AUTHORS NOTE. i am ovulating, so either im sorry or you’re welcome :)

Good girls get whatever they want—and you’re the greatest.

jungwon

you love so many things. you love tequila, you love cool sheets, you love the spring—the list goes on and on. but recently, someone asked you what do you love most? in the moment, you couldn’t make a decision because how could you choose? but right now, as jungwon’s hands are gripped around your neck—not tight enough to hurt you, but strong enough to remind you he owns you, and he’s stroking in and out of you—refusing the break eye contact not even for a second, you realize this is what you love most in this world.

he’s always so damn cocky when he’s fucking you, because he knows how amazing he makes you feel, everytime. he knows what you want—but he cares more about what you need. and you earned the di*k you’re getting right now.

he’s so drunk off your p*ssy, but that’ll never wipe the sly smirk off his face. all this, because you were so patient all day, and the cherry on top was you helping an elderly woman carry her groceries to her car. because that’s the kind of boyfriend you have—one that got so turned on at you being good.

you can’t form a proper sentence. that’s how good it feels. and he’s loving every second of it. you’re trying so hard, and all he can do is mock you—mimicking every expression you make to verbally tell him thank you. and he’s going exactly how you love it,—love him. slow and steady.

“i know baby, i know.” he utters. “daddy is fucking you so good, isn’t he? mhm.” a whimper slips out of his pretty lips, which only adds onto your incoming orgasm.

“baby—“ you finally manage to get our “why do you—always—fuck me so goooood. oh my—“ you wanted so badly to finish, but he clearly likes you like this. slutted out and unable to focus. only able to feel him and everything he’s doing to you. his free hand places itself on your clit, rubbing gentle circles around it. as if the pleasure you were already feeling wasn’t good enough for jungwon.

“good girls, deserve good dick. and you, baby?” he chuckles before biting his lip and looking at you as if your hole is the best thing since sliced bread, “you’re such a good fucking good girl. so fucking patient. so kind. this pussy is everything I’ve ever wanted in life. you’re so fucking wet. so fucking good—ah.”

“its too good, daddy. i can’t take it. i can’t.” you’re practically hyperventilating. you didn’t know anything could feel this good. you’re seeing stars and he’s living for it.

“who can’t take it? hm? you baby? because my girl can do anything she puts her mind to. so take this fucking dick.”

are his last words before you both cum all over the each-other.

jake

his members lay asleep, their faces—as well as his and yours glowing from the tv that’s still playing the movie jungwon chose earlier. to the naked eye, you and jake look like two people utterly in love, making deep eye contact because you’re so infatuated with each other. this isn’t wrong, but it also isn’t the reason why the two of you are staring at eachother in the dark.

the real reason, is because jake’s hands are buried deep in your panties, and he’s determined to make you cum in your jeans, infront of everyone. you knew at some point tonight he’d sneak you away to be inside you, but like this? but at the same time, you’d be lying if you said this isn’t the sexiest thing you’ve ever done. and you weren’t rude. you were raised to always be grateful for gifts.

he’s so fucking focused. and he’s doing so good. your eyes can’t figure out if they want to be open or closed and you wish you could grind in his hand, but that would wake somebody up. there’s a part of you that wants to stop him because of the way your body reacts when you or**sm, but as always, your boyfriend is two steps ahead of you.

“i need you to.” he utters, nothing short of desperation resting on his eyes. “I won’t stop until you do.”

all you can do is nod, because you’re so close. that doesn’t stop his mouth from running.

“yeah.” he assures you—his aussie accent thick. “you’re so wet, baby. and that makes me so happy.” he places your hand on his length, that is rock solid. “you like the fact that they can see you if they wanted, don’t you? i know i do.” “can’t wait to make you lick it off my fingers.” “wake em up baby. wake em up baby.” he grunts, resting his forehead on yours but eyes refusing to disconnect. you practically burst all over his fingers, your body is shaking, and you can’t help but hit his arm over and over because fuck you, jake. now.

sunghoon

sunghoon is so full of himself. he does what he wants, when he wants, and if the world isn’t revolving around him? then the world must’ve vanished. and he’s no different right now—arms tucked cockily behind his head while you bounce up and down on his length. the only thing he’s wearing is a smug look on his face, as if to say—of course the second I called, you answered. and of course, the minute I told you to strip and cum all over me, you went straight to work. because I own you and everyone else.

“i fucking hate you.” you moan loudly. but you don’t. and he knows you don’t too. that’s why all he does he chuckle in a seductive tone before whispering, “i love you too, baby.”

when he confesses his love for you, whether it’s real love behind the words or not, it always puts you in a mode. like you have to show him that if he doesn’t, he’s about to. “you love me?” you whisper, your pleading eyes turning into something much more devious. your bouncing turns for his pleasure and his eyes widen in disbelief of how amazing you feel and look right now.

“mhm.” he nods aggressively. you increase your speed and the intensity of each movement.

“you fucking love me?” you question again—laughing at him now.

it was like he was losing consciousness the way his eyes couldn’t hold still but his body was frozen from the pleasure. “yesss—oh, baby. ugh.”

“tell me why you love me.” you demand.

“becau—because you’re so pretty. and you always make daddy feel so good! your pu**y—baby please. mmm always so wet and—tight. make me cum please please please. i love you so much. please I’ll do anything for it please don’t stop!” he squeals out, before shooting his seed inside you.

[possibilistfanfiction]

ive been in complete brainrot mode about your arcane prompts and the way you write the dynamics between cait vi and jinx. like ive just been thinking about potential scenes in this au so if its okay im just going to list down some suggestions for prompts if that’s okay?

- vi gets brought into the hospital because she spent too long in a burning building trying to rescue as many people as she could (because that’s just the kind of person she is). cait and her argue over how sometimes vi needs to put her own safety first while she treats her wounds.

(I’d actually love to read any prompts where cait just simply cares for vi emotionally/physically cause vi’s backstory too makes me froth…) i just want to put her in my pocket and keep her safe :(

- jinx/vander/vi go to the kiramman’s for that dinner party and jinx/cassandra get along super well cause they collaborate on their embarrassing childhood stories about vi and cait. a joint slay

- a cassandra pov chapter as she notices how serious cait is about vi and the little moments between them and what she thinks about vi.

- maybe a cait focused chapter about how much of an empath she is and how exhausting it is to feel so deeply and try so hard to make everything better for everyone.

Thank you so much for writing this au!

You understand these characters so well and i feel for them so much when i read your work. Your writing carries so much heart and bleeds love practically :’)

it’s been all I’ve been thinking about lately and it brightens up my day immensely when i get a notification that you’ve updated! :)

[is there anything so undoing as a daughter! anyway i tried to work most of these in in some way; cassandra pov for u :) ao3 if u want. (also cait is trans bc since this is my au there's no transphobia & i love her)]

//

caitlyn informs you that she's a girl three days before her tenth birthday. she cries, but she's calm, and tobias is first to take her into his arms and tell her that it's good, that it's lovely, that you'll both do everything you can to see her, to make sure she's seen the way she wants to be, the way she is. you hug her too, so tight, because it's one thing to have a son, to instruct, always, how to be thoughtful, and kind, and use all the privilege your last name carries to do good in the world.

your child is thoughtful, and kind, and determined — in spades — with the set of your brow and the blue of your eyes. you do love your child, without reservation.

caitlyn's lip trembles and you brush back her hair that you'll teach her how to take care of when it starts to grow long; she sniffles and you kiss her forehead. she will grow tall and elegant; you and tobias help her choose her great-grandmother's name and then change all of her records accordingly; you take her shopping for new clothes she picks excitedly, and a few years later she beams when she tries on a pretty, simple lace bra; you ask tobias to explain the medications she needs and help her, when she's small, to keep track of them, until she can do it herself; you hold her hand in recovery after each surgery, where she cries in relief and you wipe her tears with a gentle smile. each new stage of belonging brings with it an ease in her breath that you cherish. she grows to be fierce and funny and brave, and still always gentle.

you love her, and you see her — always, she has been yours; she had grown inside your body and you had held her first, the greatest pride and joy of your life.

but it's something you had never been able to prepare yourself for, in any circumstance: a daughter. she undoes you every day.

//

you first hear the name vi — a nickname, of all things, used formally — one sunny, cold afternoon during a late lunch after caitlyn had come over to shoot skeet, a rare day she'd finished work early.

she tells you about her weekend, how she'd climbed and it was sunny and brilliant and she felt strong.

'with jayce?' you ask.

she nods. 'we met some people we ended up climbing with, too,' she says, which is new. 'they were both really good, and very safe. vi,' she tells you, and her voice goes a little reverent, soft around the edges. 'and her sister,' she tacks on, almost an afterthought but not unkind, just not her focus. she clears her throat, a blush spreading across her cheeks, different from the flush that you're accustomed to when you shoot in the cold together. 'anyway,' she says, and you fight a smile behind a sip of tea, 'what did you and dad think of the opera?'

you laugh, but you're relieved too: no one will ever be good enough for her — not only because of the name she carries, one you had carried all your life too, but because she's a force no one can harm, as long as you have any say.

you don't ask more questions after this vi; you tell her about the opera, and then you shoot some more, one more round. she doesn't miss.

//

when caitlyn was born, you held her tight. all day long, people had been in and out to meet her, and she had been so calm. it's not what you or tobias had wanted, but she was the heir to the kiramman name and so her fortune was already set, far before you had cried in joy at the positive pregnancy test on the bathroom counter, tobias laughing delightedly, and far before she came into this world, with grey eyes that will turn electric blue and strong, tiny hands, clenched perpetually. she was so small and so new, and you handed her off to the nurse in the waning hours of the evening so you could sleep through the night.

not even two hours later, though, as the pain was really started to set in and tobias was dosing off in the chair next to you, the nurse had apologetically brought her back, bundled and screaming, her face splotched with red from crying.

'she won't stop,' the nurse said. 'we've tried everything, but she's keeping the other babies up. i'm sorry.'

you shook your head and took her back into your arms while she wailed as much as her little lungs would allow. you wondered about her, everything, because she was a person and there was so much to learn. you unbuttoned your gown and held her to your bare skin; she stopped crying, just like that. she latched onto your breast, easily, and ate a little, and then fell asleep, little sighs filling the room. tobias looks on in a very exhausted awe; you brought your lips to the crown of her head, the soft tuft of dark hair there that smelled so good, beyond anything you could have ever imaged: yours. she didn't fuss when he placed her in the bassinet a few minutes later; she slept all night, wanting just to be near you.

//

you're in your car, your driver regrettably apologizing as you get stuck in a typical rush hour traffic jam on the freeway, when caitlyn calls, a few weeks later.

'are you stuck in this traffic too?' you guess after she asks what you're doing, if you're free.

she groans. 'i was hoping to get home early, have time to decompress and shower before...'

she trails off, a pause you decide to let rest. she's always needed to tell you things in her own time.

'i have a date tonight,' she confesses, and you can hear the giddiness, the nervousness, through the phone.

you hum. 'oh?'

'yeah,' she says, and you stop yourself from chiding her about the informal word. 'i — she's amazing, mom. i just want it to go well.'

'well, you're a kiramman,' you remind her, the reminder thinly veiled under a tinge of encouragement in your tone. 'i'm sure you'll be quite impressive.'

she sighs; you know it's not the reassurance she wanted, but your family doesn't always have that luxury. she doesn't tell you anything else — instead you talk about the upcoming council vote on your latest bill, and how her meeting at work about funding cancer treatments went — and, of course, you don't ask.

//

tobias, always softer than you, especially with your daughter, asks after this vi on sunday. you meet caitlyn for brunch at your usual monthly spot, your mimosas already poured and cortados prepared as you sit down at your table.

'next month, just bring vi,' tobias says when he notices caitlyn's fire department sweatshirt underneath her peacoat. it's not too nice a restaurant for her jeans, boots, and a crew neck, but you are not normal patrons. he laughs when he says it, not disapproving in the slightest, a smirk on his face when you understand the implication: caitlyn had come from vi's home this morning, rather than her own apartment.

'it's serious, then?' you ask, and you try not to feel slighted that tobias seems to know far more about caitlyn's feelings, and vi's existence, than you: it's your own doing.

caitlyn fiddles with the corner of her napkin. 'yes,' she decides on, her smile small and tender, her shoulders soft. 'i'd like if you met her. i... well, i hope she'll be around for a long time.'

you suppose it was bound to happen: caitlyn is beautiful and smart and driven, talented and successful and, most importantly, good.

'we should meet her, then,' you decide.

//

caitlyn was in her first year of college the first time she brought home a girlfriend. you're sure she'd had girlfriends over before, a few of her friends throughout the years of secondary school giggling too much to just be interested in hanging out, as they say, but you hadn't prodded and she hadn't said. you'd always left that up to tobias, who still called her sprout and spent afternoons on long walks with her and the dogs, a daughter somehow easier to handle for him.

during winter holiday, even though university is just an hour away from your home, she brought home a girlfriend for winter holiday. this girl's family lived far away, and, for most, it's expensive to travel that distance, and so, ever generous, caitlyn invited her. you had agreed, if only because it was proper and you didn't want a fight before she even arrived.

the girl, for the most part, was uninteresting, if polite. caitlyn was enamored, but you trusted it would fade. she had been distinctly sad when she arrived home for summer break, informing you — tobias already knew, although he didn't have much of a clue about caitlyn's grades or extracurricular involvement — one day hunting that she and this girlfriend had broken things off. she'd not given you any real reason, just that it didn't work out, but you'd seen her frowning at the kiramman coat of arms engraved into a bullet. she'd loaded her gun, though, her favorite hunting rifle, when she spotted a hare, and shot perfectly without pause.

//

'and what is vi short for?' you ask, doing your best to not stare at the face tattoo caitlyn's very serious girlfriend has of her own nickname.

'oh, uh,' she responds, looks at cait and then rubs the back of her neck.

her hair is messy and asymmetrical, and the t-shirt she's wearing is quite nice, tucked into similarly nice slacks, and her belt matches the loafers you're absolutely sure are caitlyn's because you yourself had bought them for her for her last birthday — but there are more tattoos over the backs of her arms, disappearing under her shirt and emerging again on her neck. you do your best not to judge — and you don't judge people, especially your constituents — but vi is not just a person in your life. caitlyn, allegedly according to tobias, is in love with her, only a few months in.

'violet,' caitlyn says, squeezing her hand not-very-discreetly under the table, a degree of reverence in her voice that has tobias looking your way with his brows raised. 'but she prefers vi.'

you might think that vi is certainly not good enough in any way for your daughter, but you also won't force a name down someone's throat: you didn't do it with your own child, and you would never do it now. 'vi, then.'

she nods, thankful, and looks to caitlyn's hands to figure out which fork to use when your salads are delivered. unfortunately, for just a moment, it's endearing, and when caitlyn smiles, proudly, later on while vi talks about her work as a firefighter, detailing one of her latest calls where she was able to carry two children out of a burning apartment as it collapsed, nonchalant and humble about the whole thing, you see a sliver of what caitlyn does: someone brave, heroic, steadfast in her selflessness — a partner. vi eats four of the small desserts when they get placed on an elegant tray in the middle of the table; caitlyn just laughs.

//

when caitlyn turned twelve, she tried to run away. tobias, as you both frantically looked for her, hours before her party, had insisted it wasn't about her everyday life: her peers at school had been accepting and kind this year, even if she wasn't always good at making friends, and her teachers spoke highly of her performance and participation in classes; her puberty blockers had, so far, worked wonderfully, without any averse side effects.

it wasn't hard to find her, mostly because there are few places caitlyn loved more than the stables on your property; she was less interested in the horses than she was spending time with your hunting dogs. they had loved her for years, because she was always sneaking them bits of chicken from the kitchens, and also because she loved them: dogs can tell those sorts of things, you're sure.

you had found her, curled up in the hay loft, her eyes red rimmed from crying, snuggled up between the dogs, sniffling a little in her sleep. her party, an annual affair, was slated to begin in a few hours. but still, tobias had turned to you and led you out of the stables by the hand. caitlyn's presents, all kinds of gadgets she'd been interested in, and new books and toys, as well as a beautiful gown for the event, were abandoned in her room. 'just let her have a few more minutes,' he'd said, glancing back at her. you are in charge of so much, responsible for so many: caitlyn's childhood, while full of the pressures of her name and status, has been, in all the ways you deem most important, full — there are those who, certainly, have it much worse.

but still, you'd agreed, if only because she'd cried herself asleep.

//

vi is, among other things, a gifted rock climber and boxer, a very devoted older sister, a terrible shot — when caitlyn tries to teach her skeet, they end up laughing more than hitting any targets, which no amount of eye rolling on your part seems to dampen — and, you will admit, a loving girlfriend who seems, genuinely, to understand some part of your daughter that you never quite have.

it's caitlyn's birthday, and she will always have your last name, which means there is a party, all chandeliers and champagne, every year in the great room at your home in celebration of her birth. vi shows up on time, with jayce and viktor and mel, looking almost comfortable in a space like this, laughing at a joke mel says and elbowing jayce in the arm, holding viktor's drink while he situates his cane. she's handsome, in a suit you're sure caitlyn had helped her pick and get tailored: her broad shoulders fill out the jacket and her shirt underneath is unbuttoned just enough to look fashionable and not sloppy.

caitlyn is, every year, beautiful, and competent, and kisses vi quickly — still soft, still heavy with promises — before she says hello to her friends and then greets you and tobias with kisses to the cheek and then, less formally, hugs. the gown she wears this year is the same dark as her hair, hugs her hips, and is just on this side of elegant, and you know she'd worn it for one person, and one person only: vi's eyes never seem, truly, to stray from her, no matter how many rounds of boring conversation caitlyn has to wade through.

eventually, when the party is in full swing, you head back to the kitchens to check on the dessert course. you turn the corner and see caitlyn and vi sitting on the counter, in the corner of the kitchen, your head chef ignoring them fully other than a small smile directed in caitlyn's direction when she moans around a bite of grilled cheese, her favorite since she was small. vi takes a bite of her own sandwich, and then says, 'holy shit, cait, you weren't lying,' and caitlyn laughs, relaxed from the champagne she's had, sure, but also different from every other year you've celebrated her coming into the world.

caitlyn ducks her head when vi moves closer, so they're touching all along one side, hip to hip and shoulder to shoulder. the chef delivers a cupcake with a smile, one single candle in it, and then winks.

'happy birthday, baby,' vi says, takes out a lighter from her suit jacket, and lights the candle. caitlyn blows it out, looking younger than you remember in a long time.

//

vi's father immediately reminds you of her: his muscles fill out his dress shirt, and he's brash, laughing heartily with tobias, but a little shy at the same time, when he doesn't know whether or not it's appropriate to eat with his hands.

'it's a burger and fries,' vi's little sister says, rolling her eyes and digging into her own lunch — at a normal cafe near the water and their climbing gym, which caitlyn had insisted upon for this meeting — with no hesitation. she's... interesting, with a messy blue buzzcut and a denim jacket with neon spray paint all over it, shaky hands and big, bright eyes — she looks like vi but younger, softer, a different kind of weary: her own entity entirely. you've heard of her from caitlyn, sure, how she's fun and funny and requires a level of care that vi will always hold sacred, and also from jayce, from has spoken so highly of her studies, how creative and smart she is, how she has, in his words, the genuine potential to change the world. tobias asks after her arm; a few weeks ago she had needed some stitches, and she proudly pulls back the cuff of her jacket and shows him the neat scar. 'excellent work, dr. kiramman the original.'

it gets a laugh out of you, which both caitlyn and vi look a little surprised by, but jinx only grins.

'wanna hear about the time vi was trying to do a flip and her sweatpants ripped right off? she was ten.'

vi groans while vander lets out a hearty chuckle. 'do tell,' you encourage.

it's, perhaps, one of the easiest meals you've shared with caitlyn and vi, if only because they're so mutually mortified at the trading of embarrassing childhood stories between their families like the most precious currency.

'i have to say,' you decide as you're picking up the bill, and then point your last fry at jinx, 'i like her.'

she gives a triumphant ha! to both caitlyn and vi, and then shoots a finger gun in your direction, grinning.

//

caitlyn calls tobias, crying, in the middle of the night. he puts the phone on speaker, because you'd woken too, and because your heart had skipped a beat the moment he answered and you heard caitlyn's sniffle. she tells you that vi was in a building when it collapsed, that they were able to get her out but it took too long, and she's hurt, and unconscious, and just getting to the ER now. she tells you that she's picking up vi's younger sister on her way there, and she asks tobias to come in and she asks you to bring clothes and food tomorrow morning, once they know more of what's happening and how vi is doing.

you don't go back to sleep that night; you wait for any updates from tobias and schedule send emails for the morning, just to have something to do. vi might not be your favorite pick for your daughter, but she's been wholly devoted to caitlyn for two years now, and you know they're planning to put an offer in on a house soon — not subtle in her commitment, despite her best efforts.

eventually, tobias calls to tell you that vi has made it through surgery and, although they'd had to remove her spleen and stop some difficult bleeding in her liver, and despite some broken ribs and a sprained shoulder, she should be just fine. you won't admit it to anyone, but you cry a few tears of relief when you hang up; more than anything, vi makes caitlyn safe and happy, and caitlyn takes great joy in being able to offer the same in return, and you would never want that to be taken from either of them.

//

they have a fight, not soon after, only about a month. caitlyn calls you, furious, even though you're in the middle of preparing one of the most important referendums of the year; she's your daughter, so you answer.

'she's being ridiculous,' she grits into the phone. you give her a moment to gather herself, and then she continues, less aggravated, 'i know it's because she isn't good at letting people help her, and she's worked on it in therapy, i know because we've gone together too.'

you hum gently.

'she's still hurt; her ribs haven't fully healed and she just got her stitches out two weeks ago, and she still gets headaches all the time, and yet today i got home to her building shelves. with a drill and everything! and normally, like, that would be hot —' caitlyn pauses, seemingly carried away for a moment; you don't laugh, just to spare her, but you have to fight it. 'we don't need more shelves right now. i just need her to...'

when she doesn't say anything, seemingly stuck, you suggest, 'let you take care of her?'

she sighs, on the verge of tears. 'then we had an argument. but, yes, all i want to do is take care of her. she had — she had so many unkind, awful things done to her; i saw her films and scans, and — mom.'

'oh, sweetheart,' you say, accepting, understanding, for the first time, the depth of their love: the grief, the pain, the boredom and difficulty and miracle of it all. 'she's stubborn only because it can be scary, to let someone love you so completely. i know how it feels, with your father.'

she sniffles. 'i do, love her like that.'

'you'll show her. she'll let you. just talk to her.'

'do you promise?'

she sounds so young, so small; you've wrapped her up in your arms and promised things much more difficult than reconciliation between the two of them. 'yes, my dear. i promise.'

//

time moves: they have a housewarming and, although you think their brownstone is smaller than necessary, it is beautiful. jinx shows you her basement proudly, and introduces you to her boyfriend? best friend? partner? — you're not quite sure, and her rambling and his adoring laughter at it, hadn't provided any real clarification. you help set out the small finger foods they'd ordered from their favorite lebanese restaurant, and you meet so many of their collective friends. it's a happy day, with a lot of wine, and everyone is in socked feet, and caitlyn wraps her arm around vi's waist and kisses the side of her head during a quiet moment in the hall, just the two of them in their home.

they adopt a dog, a big black and white boy who they're both immediately in love with and who falls asleep with his blocky, soft head on your lap when you sit down one evening with them over the holidays to watch a movie. caitlyn adores him, sends you and tobias pictures of him on their trail runs often; they take him on climbing trips and he enjoys sleeping in the sun.

//

when caitlyn is fourteen, you sat down with her and pressed your grandfather's wedding band into her palm. 'this was, when you were small, supposed to be yours, one day.' it was thick and gold and decidedly more masculine than she'd ever want, but it was gorgeous all the same, with your family's coat of arms inscribed on the inside.

she looked a little troubled by it, sorting out her feelings: what things belong, and what things are just off. you and tobias had never asked for her to explain, only if she wanted to; she told you, years ago, who she was, and you had always believed her.

'i can hold onto it for you,' you told her, 'just in case there's ever anything you end up wanting to do with it. there's no pressure, sweetheart. just know that it's yours.'

she had let out a big breath, relaxed her shoulders from her ears. 'okay,' she told you. 'thanks, mom.'

//

vi and jinx are out of town, on some kind of trip with jinx's partner, and caitlyn hadn't been able to take enough time off of work to go with them. she's over at the house now, moping about, clearly missing the people who have now become her family too, but it's dramatic enough that it's funny.

you're not sure, it's a gamble, but you call her up to your closet. she slumps down on the bench, in running shorts and one of vi's fire department captain — a recent promotion that you think caitlyn had been more excited about than vi herself — sweatshirts; she props one knee up and rests her chin on it, then looks at you expectantly, confused but interested.

'i'm not sure if you remember,' you say, and find it easily in the back of one of your jewelry cases, 'but i thought now might be a good time to give this to you.'

her eyes get big, the same blue as yours, when you put the ring in her hand. you're certain they've both been thinking of it: marriage, everything at the heart of such a union. their love, certainly, is big enough.

'i'm not sure what size violet's ring finger is, but it should be easy to resize, if we need.'

'oh.'

'but —' you rush to say — 'if you had a ring already picked out for her, one she might like better, we can just put this away again.'

she looks away from the ring and up at you, and then she's standing, years of grace and strength, the surest, best shot you know, and hugging you. she's taller, and the crook of her sweatshirt smells very distinctly like vi's cologne and caitlyn's perfume, all at once. 'thank you,' she whispers, teary.

you have so much you could say to deflect, about the horrors of wedding planning or whether or not vi is going to take the kiramman name, but caitlyn is your daughter, and you hold her to you like she's still small, still yours.

//

you straightened the straps of the dress caitlyn had picked out, the first she's ever tried on. she took a deep breath and then raised her eyes to look in the mirror. her hair was still short, although it was growing fast, much to her relief, and her features were delicate already on their own.

caitlyn turned to hug you tight around your waist, bursting into tears. you fought them yourself, instead rubbing gentle circles along her back while she got it all out. eventually, you dried her tears and turned her around to look in the mirror again. 'you are so beautiful, my girl,' you told her, and shushed when she started crying again. 'stand with your back straight,' you instructed, 'and your chest proud. the kiramman women have always been a force, and you will be too.'

she nodded, seriously, and straightened her thin shoulders. even though her lip trembled, a smile made its way through.

//

it's an ordinary day, another lunch, sunny and bright, when they tell you.

'a girl?' you ask, just to make sure you've heard them correctly.

'well, for now, at least,' vi says, sending a wink caitlyn's way, who rolls her eyes and then laughs.

they tell you more details of the adoption that's happening sooner than you can fully wrap your head around; you and tobias the second in the family to know, just after jinx, who had only found out this morning. she was, apparently, immediately thrilled, and tobias echoes the sentiment.

'to the kiramman women who have come before,' you say, after you've hugged both of them tight and ordered a bottle of champagne, 'and to those who will lead us forward, even further.'

caitlyn rolls her eyes and the seriousness, but they're suspiciously wet, and vi wholeheartedly clinks her glass with yours.

later, vi goes to get the car and tobias is settling the bill while you and caitlyn wait outside in the sun. 'prepare for her to be your undoing,' you tell her, serious but with a mirth you can't contain.

caitlyn raises a brow. 'i haven't been that bad.'

you shrug.

'mom.'

you laugh, pat her cheek.

she smiles, so bright. you weren't sure, when she was young, if this would ever be in the cards for her, but her life is beautiful and big, a world any child would be lucky to be loved in.

you hug her again, because you can. 'you are going to be a wonderful mother.'

she's taller than you, much stronger, but she'll always be small; you hold her still. she'll always be yours.

[loving-family-poll]

2nd Ultimate Incest Tournament - Round 2

Propaganda under the cut

Jesus/Mary:

And then Jesus did fucketh his mother amen

Cmon man it’d be really fucking funny

It's never gonna happen BUT imagine if the last poll ended up being Jesus/Mary vs Lestat/Gabrielle. Heavenly Mom/Son VS Trashfire Creatures Of Darkness Mom/Son

Technically double incest due to the Holy Trinity: Jesus is God, which means he's both Mary's son and Mary's Father. Insert "calling your son Daddy" joke here

We wouldn't have Michelangelo's Pietà or Fabrizio De André's La buona novella concept album without them

Mary pretty much pushed Jesus into performing his own first (official/canonically recognized) public miracle at the Wedding at Caanan. If she hadn't spoken up? Not only would the wedding itself been a disaster and tanked the couple's reputation, but Jesus would have spent his life being like "uhm, but I should wait for a REALLY important occasion to use my divine power..." until like Lazarus

What if you were young and pure and unused to much besides life in a temple and your entire existence was shrouded in prophecy and mysticism to the point you were Chosen by God as the vessel for His own incarnation but then said incarnation turned out to be like. Just a child, besides the occasional weird Unearthly Wisdom Moment or early miracle. And what if you loved that child above anything else, despite having been forced to flee from your homeland due to his very conception putting you at risk of persecution and death, despite having had to give birth to him in rather miserable conditions, despite your husband almost leaving you over him. And then it turned out your child was never yours to begin with, but the whole world's sacrificial lamb, and you had to watch him suffer through one of the most excruciating forms of torture in history after the betrayal of his friends, and watch him be mocked and insulted and denied a chance of salvation right before that, to the point that even he, who had previously literally walked on water and raised the dead from their graves, eventually lost hope and despaired. And his last, anguished words were for his silent Father, asking why He'd abandoned him, but you were there the whole time, there near the cross you knew you'd watch him die on, and he'd tried giving you one of his own disciples, the one he loved the most, as another son to lessen your pain, to give you someone else to live for, but how could he ever expect you to be able to love again like that?

Gerard/Mikey:

brothers from new jersey. grew up spending a lot of their time together in the basement. we've all heard of flowers in the attic time for flowers in the basement. disgustingly in each other's space constantly. weird offputting freaks you met at a house party or basement show once. they share dawn of the dead in their list of favorite movies which i think is just kind of cute.

went to a smashing pumpkins concert together and decided being in a band is what they wanted out of life.

became the vocalist and the bassist for one of the most influential emo bands of the 2000s. as with any band that tours, especially in early days when you're not that popular, just a lot of room sharing and being noticeably in each other's space. people also consistently joking that they can read each other's minds.

gerard wrote "brother" about mikey and it's suspiciously close to another song he wrote ("summertime") which is straight up one of the most heartwrenching love songs mcr has ever come up with which is really really saying something. not to downplay brother either, because its pretty crazy. actually im just submitting summertime and brother as propaganda.

gerard has, on stage: licked mikey's nipple, pantomimed giving him a handjob, and generally groped him.

my personal favorite is the time gerard had to physically pick up and move mikey to keep him from getting set on fire from stage pyrotechnics.

they also look nothing like each other until they really really do which isn't exactly propaganda so much as porn material. you put glasses on gerard or take glasses off mikey and get them looking the same way and they look literally like the same person

in an interview gerard described teenage mikey as ‘wearing tight, black clothes’, ‘looking like a hooker’, and ‘looking like a piece of chicken’

gerard has gotten up close and personal with mikey during performances of destroya (a song in which 90% of the lyrical content is him moaning) to the point where during a performance one of their bandmates yelled ‘get away from your brother’ at him

gerard also ran a hand through mikey’s sweaty, sweaty hair and along his jaw, then licked it

gerard has written frequently about incest, and when asked which of his characters he related to the most said one who was in love with her brother

gerard is into lots of strange stuff (vomit, piss, inflation, potentially guro) it really would not be a stretch for him to be into incest

This Gif (https://www.tumblr.com/gerardcest/764335264300744704/why-does-he-touch-his-brother-like-that?source=share)

[two-of-tails]

Hey you know that in Sonic and the secret rings, your counterpart was named Ali, right?

WARNING THIS IS A LONG ASK// INCLUDES LYRICS

Ali? As is in...

Make way for Prince Ali

Say, hey, it's Prince Ali

Hey, clear the way in the old bazaar

Hey, you, let us through, it's a bright new star

Oh, come be the first on your block to meet his eye

Make way, here he comes, ring bells, bang the drums!

Oh, you're gonna love this guy!

Prince Ali, fabulous he, Ali Ababwa

Genuflect, show some respect

Down on one knee

Now, try your best to stay calm

Brush up your Sunday salaam

Then come and meet his spectacular coterie

Prince Ali, mighty is he, Ali Ababwa

Strong as ten regular men, definitely

He faced the galloping hordes!

A hundred bad guys with swords

Who sent those goons to their lords?

Why, Prince Ali!

He's got seventy-five golden camels

Don't they look lovely, June?

Purple peacocks, he's got fifty-three

Fabulous Harry, I love the feathers

When it comes to exotic-type mammals

Has he got a zoo? I'm telling you

It's a world-class menagerie

Prince Ali, handsome is he (there's no question, this Ali's alluring)

Ali Ababwa (never ordinary, never boring)

That physique! How can I speak?

Weak at the knee (everything about the man just plain impresses)

Well, get on out in that square (he's a winner, he's a wiz, a wonder)

Adjust your veil and prepare (he's about to pull my heart asunder)

To gawk and grovel and stare at Prince Ali (and I absolutely love the way he dresses)

He's got ninety-five white Persian monkeys

(He's got the monkeys, let's see the monkeys)

And to view them, he charges no fee

(He's generous, so generous)

He's got slaves, he's got servants and flunkies

(Proud to work for him!)

They bow to his whim, love serving him

They're just lousy with loyalty to Ali, Prince Ali

Prince Ali, amorous he, Ali Ababwa

Heard your princess was a sight lovely to see!

And that, good people, is why

He got dolled up and dropped by

With sixty elephants, llamas galore

With his bears and lions, a brass band and more

With his forty fakirs, his cooks, his bakers

His birds that warble on key

Make way for Prince Ali!

Theres no way im the only person who thought about this from the games. Theres no way that Tails was not a portrayal of Aladdin as Ali baba

I don't know about much of my counterpart Ali, but I find the comparison really amusing! Aladdin is a great movie, maybe I can watch it again with Sonic, hehe.

[heartorbit]

find another role, carry on the show

[choccy-milky]

the place me and my roommate were supposed to move into today was so disgusting and uninhabitable we just took our stuff and left and now we're gonna be staying at airbnbs and hotels until further notice/until we can find a new place hopefully quickly...........im in my homeless drifter era y'all!!!😍😍so if im not as active then thats why LMFAO

1 like = 1 prayer

[knockknockitsnickels]

I think this is one of my favorite lines from the Wraith route because of (imo) how much the meaning changes depending on if you got there via Spectre or Nightmare. For Spectre, it honestly strikes me as a genuine question. Why are you doing this to her? If you're on the Spectre route, you presumably already know the Narrator can't really be trusted, since you had to reject his reward to get here. What are you hoping to gain from continuing to hurt her? For Nightmare, it honestly just makes me sad. As the Shifting Mound describes her, "She desires only companionship, but the only thing she knows is how to hurt." This line feels like a plea from someone who genuinely doesn't understand why you keep rejecting her. She wants to be with you, but she just can't understand how to do that in a way which doesn't hurt you.

[deoidesign]

Return date for my webcomic, Time and Time Again!

It's been set for a while but sometimes they change the date without warning, so I'll keep you updated if anything changes!

I'm extremely proud of the work I've been doing on it, I can't wait to share everything!

See you then!

[trashcanwithsprinkles]

Baizhu design :V ? For funsies totally not going to draw him or anything

had way too much fun with this one hahah

[waspgrave]

Solas and Mythal’s relationship is that perfect blend of fucked up and tragic I have been wanting from them for a decade. The mother and her child, the two lovers, a queen and a general, the dog and its master, the servant and the lord. Love it. I knew I sensed fuckery with the way solas talked about her despite ‘burning her off his face’. Then to see him shrinking up in front of her, how he groaned ‘mythal’ in dread and even began to hold the dagger out towards her to take bc he knows he’ll do anything for her if she asks. man needs therapy for his absolutely disastrous and problematic situationship thank you for letting me watch your traumas unfold like that king

[kaeyachi]

Kaeyappreciation post!

Kaeya is wonderful in a sense that he:

Has a penmanship described as "Beautiful Handwriting". He for sure worked on that.

Willingly spends his time making sure his outfit looks perfect

Is well-loved by Mondstadt and the Dawn Winery staff

Is described to like a prince, both in looks and in actions

Is shown to be gentle and caring to children and elderly, most seen with Klee and the staff from Dawn Winery

Is a great listener and, therefore, also knows what gifts to buy based off of something someone said in passing

Is predominantly kind- unafraid to help out and defend someone in need. His first reaction is always kindness, and worry about covering up that kindness later on

But Kaeya also has his moments where he:

Says things out of pocket with enough alcohol in his system. Things that usually lead to shame and regret.

Would rather give others the credit for his hard work if he could help it

Intentionally makes himself look suspicious by withholding information and only throwing tidbits that are not of substance

Has sadist tendencies, which affects how he treats both his (cavalry) company and his enemies

Can and will use underhanded tactics to gain the upper hand

Rarely ever says what he truly wants to say

Has a fake smile. Usually lies or only deals with half truths.

He is such a complex character. I really do want people to appreciate him and his intricacies more. The fact that his entire personality and story is done so well and continues to actually grow and expand as the story progresses is something that genuinely makes me want to keep watch of him. I have never, in all my fandoms, stuck to a character as long as I did with Kaeya, and honestly? I know I'm not alone with this.

Look at how well they made our boy!

[hal-o-ween]

Sweet Dreams <3

[mamawasatesttube]

kon sweetie im so fucking sorry that someone would even say something stupid like that oh my god.

[xxplastic-cubexx]

Hi!! Your Cherik is so good and gorgeous 🤩🤩 If you don't mind wanna try to draw some Fall of X Cherik please?

thank you so much !!

i have a couple of ideas relating to the fall of x period specifically since theres. A Lot i wanna play with, so i hope this lil thing may be a satisfactory start :]]

and the obligatory bonus:

[apuff]

my chemical tober :D