#its not like anything i say fucking matters anyways ive learned that too many times over at this point

[shot-messenger]

sigh

[thecarnivorousmuffinmeta]

HI i just wanted to say that i really enjoy your twilight metas (as those are the only ones ive read so far) and you're a genius. it's awesome to me how realistically you think about characters and the plot, which i have never been able to do because i always get confused. thank you especially for your post about jacob and how the fandom treats him bc ive always had mixed feelings! i love him (the fanon/new moon him ofc) but i also felt rly weird about the whole SA thing, especially as a brown boy thats been villainized (i didnt SA anyone i just realized how that sounds) i understood that it had racist roots but it still...happened, yk? anyways u put it beautifully and its alot easier to understand how i feel about him now. also like everything else u post about!! i despise the cullens w my every being but its so entertaining to see their dynamic and actions laid out. mostly bc it solidifies my hatred but anyways. they also kind of change my views on other characters, like i always kinda liked bella (i dont like alot of things she does but alot of the fan content i see on her made her feel rly relatable) and its rly interesting to see that she would be a kind of absent parent, bc id never considered it like that and it makes so much sense and woah. u have so much evidence to back up ur theories and opinions too--i tend to get lost in fanon but i dont rly do that w ur posts! even ones where ur spitballing its just muah chefs kiss i love. i write alot of self fulfilling fanfiction and tbh it does not feel the same when the characters r too ooc and ur posts have helped a fuck ton! ur super cool and i love ur stuff keep going :)

i do have some questions tho u dont have to acknowledge it at all and ik you tend to focus more on the cullens, but what do you think the wolf pack is like now that jacob, leah, and seth have left, and now that they have so many new members? do you think any other girls would have shifted and how would they be treated? ik leah was kind of alienated in canon not only bc shes a girl but also bc of her feelings, and i cant tell if the pack would be wary of her/treat her the same as leah, or if they would have learned their lesson.

have a good day!

Well first, thank you, I'm very flattered. I'm going to go ahead and acknowledge @therealvinelle here as well as she's I believe the one who originally posted the post about the very complicated topic of Jacob Black and his terrible choices throughout the series.

As for your questions there are a few pack questions in my inbox but it's mostly a matter that people keep asking questions about Bella and she keeps getting eaten.

Also, I'm not sure you want me answering these questions. Like all of Twilight, it's a bleak pit of despair.

But here we go

What About the Pack/Tribe After Breaking Dawn

There's a lot of shit going on in the tribe right now. Jacob leaving is just part of it.

They have an unprecedented number of shifters in the community and that's going to spell... a lot of issues in the years to come.

Namely, per Sam and Emily, domestic violence will be through the roof and kept very hushed up for the understandable reason of these people look like they were mauled by bears. This will also likely increase the number of deaths in the tribe, especially among those who are young. Accidents happen, it's not good, this is going to have a devastating impact on the people.

You also have a lot of angry, disaffected, young men who can no longer really be a part of society. They can't really attend school, can't even really leave the reservation for fear of turning into a wolf, they can't hold a job, at the age of nineteen or younger they each had their futures ripped away from them.

Some, Seth, handle this very well (possibly because he hasn't clued into what this means yet), others like Jake... do not. These people have had their lives turned upside down and in some cases utterly ruined: that's not good in any society.

Then you have the imprinting, lord, the imprinting.

To date, there's the Sam, Emily, and Leah disaster. The three of them handled it very well, but it still utterly destroyed Leah's life and emotional stability. Not helping, of course, is that Leah has had her very identity taken from her, has no privacy, and her only option of escape is to follow Jacob around which... we'll get to in a few paragraphs.

Added to that, you have the Claire/Quil disaster, in which the tribe is desperately trying to handle it by a) keeping it very quiet b) trying to make Quil just be the babysitter. That's unlikely to work out for them and is just angstfest all around and no one's fault.

And then, of course, Jacob/Renesmee. Jacob, having now imprinted, will follow Renesmee to the ends of the earth. He has no other purpose now. Which means that Leah and Seth, who are in his pack, get to follow along and uproot their lives. For the tribe this means they'll never be rid of the Cullens, not truly, and Billy has lost his son entirely. Not to mention it's guaranteed to go awful places.

Then you have the paternity questions this whole thing drudges up, the trauma of these children having to be sacred warriors and having slaughtered demons with human faces, many of whom were also once children and more.

The tribe and the pack are a goddamn mess.

Jacob imprinting on the Cullen hybrid daughter and leaving the tribe? Yeah, it's weird and no one likes it, but that isn't even the peak of the nonsense these people have to deal with.

Would the Other Girls Shift?

No.

Leah seems to have won the genetic shitty lottery. In 600 years of shifting, there has never been another woman, and Leah has all shifting bloodlines in her veins.

It seems Leah was just very unlucky.

Were other girls to shift I imagine they'd face much the same situation. Suddenly teenage boys are witnessing them naked, all the time, they have no choice to become sacred warriors (a role not typically meant for women and which will very much feel like 'the boy's club') and I don't get the idea that anyone learned anything from Leah.

Jake certainly didn't, he just thought she was Uber Bitch until she begged him to let her in his new pack and reminded him she was a human being with feelings.

The concept genuinely had not occurred to him.

TL;DR Remember kids, Twilight is despair

[literaphobe]

Two questions:

1. What do you feel about CorpsexSykunno ship?

I feel like it's MarkiplierxJacksepticeye all over again, starts out innocent and turns uncomfortable.

(Also I think real people shipping is gross in general)

2. Dream smp makes me so nervous, not necessarily because of any of the members but due to (1) the history of online teams dominated (and lead) by male influencers, (2) minecraft youtube's general history of exploiting fans. I feel like it's going to end badly. You seem to be enjoying it tho, and it's definitely up my alley, should I get into it?

1. Corpse and Sykkuno are not comfortable being shipped! Neither of them are okay with being shipped with ANY of their friends in general, so like, don’t do it, or if u do like. i guess just don’t say anything about it? it’s really not hard to just enjoy their friendship. like it’s an endearing friendship n there’s nothing wrong w liking it. but. nothing more u know. plus both of them have made it clear on several occasions that they’re both straight and my gaydar agrees JFKDKDK like they’re just. Friends. Who care about each other :)

I definitely think it’s not like the markiplier x jacksepticeye situation, because for one u have jack himself telling people not to ship etc etc and also BECAUSE of that u have people actively policing any form of shipping. it’s honestly gotten to the point where it’s annoying but i genuinely don’t think it’s that big a problem, plus the rising popularity of the amigops puts less pressure on one-on-one corpse + sykkuno interactions, since people now wanna see all four of them play games together n not just corpse n sykkuno!

2. I get why Dream SMP would make u nervous. An interesting thing I realized when I started finding out more about people on that server is that there’s marginally more poc on it than I previously thought and also A LOTTTTT more lgbt+ people than i previously thought. Like genuinely why are so many of u so gay. And like that affects the stories being told obviously. Like. I don’t think it’s perfect n I don’t follow EVERY person on the SMP, just like i obviously don’t know everything about every minecraft YouTuber like fkdkdkdk i would say the only people i watch are dream, george, quackity (and even then i haven’t seen most of quackity’s YouTube videos) and like I’ve seen a couple of tommyinnit’s videos Fjdjdjdj and sapnap obviously but he has like 10 videos and i watch Karl’s streams if certain people are on it. yeah i think that’s about it like i do like the feral boys (dream george karl quackity sapnap) and i have seen maybe one or two skeppy videos

Anyway I get ur concerns about online circles dominated by male influencers too. but quite frankly compared to past circles ive seen its genuinely not that bad and also. In terms of holding them accountable, I think mcyttwt makes VERY sure of that (which honestly has devolved into a problem. because privileged haters will dig up stuff on creators that either a. has been addressed properly or b. is just. several years old and i don’t like how minorities are being weaponized. also i cannot stress how little i care that some minecraft YouTuber said the r slur 10 years ago when they literally never do it now. like. i worry so much because so many of these stans who think they’re ‘educating’ are just wearing themselves out n burning themselves out. so many of them are minors too)

but like. the people i am kept up w definitely do take responsibility and accountability. like dream especially gets accused of stuff that’s either fake/not him or something that’s just like out of this world (e.g. accused of queerbaiting. w george. interestingly no one ever accuses george directly of doing this) and no matter what he like addresses it properly and accordingly. like looking at his journey as a creator over the past year he’s grown a LOT and changed so much and matured a lot and i think like. looking at how much he’s blowing up and how much more of a following he’ll gain. I feel much better that it’s him who has this following as compared to. Certain people. And like. It’s upsetting to see how a lot of people have this impression of him that’s objectively false? Due to all the fake stuff that gets spread by haters (most often white for some reason???)? Because genuinely he’s not the creator we need to be so worried about?

Anyway in terms of getting into mcyts in the dream smp. I knew who Dream was because he’s played among us w the amigops a lot n they all like him because he’s just a good natured amicable person. I vaguely knew who george was because of dnf n also people putting his stupid face on my tl all the time. I thought he was pretty n hated that I thought that. I don’t care anymore tho. Like what’s wrong w looking at pretty people. I deserve it. Anyway! I got into their videos through GEORGE first, funnily. I think Minecraft, But I’m Not Colorblind Anymore was the first one I watched and it’s very very good. It’s endearing because it’s George trying out colorblind glasses for the first time n he’s nervous but Dream is there with him to make him feel more comfortable. And also Dream is so happy n emotional (he talks about tearing up at the thought of George being able to see colors properly) and their friendship is just very endearing. The video starts w george taking a colorblind test and we find out he has protan colorblindness (severity: STRONG which makes them crack jokes about how George is SO strong 😤)

anyway these losers. Decide to test the colorblind glasses on colors in MINECRAFT because of course that’s the whole video and it’s really heartwarming to see George learn how colors look like again n Dream just being excited about it the whole time n then George taking the colorblind test again at the end but with the glasses on... n then u go on to watch more george videos but it’s the ANIMAL CHALLENGES. like George Speedruns Minecraft But His Friend Is (Insert Animal, This Animal Is Always Dream) and like...... yeah so I watched a bunch of George’s videos n I went onto dream’s channel out of curiosity

And i was like. What the fuck. These videos are so WEIRDLY named. What the fuck is Finale, Finale Rematch, Grand Finale???? But dream has adhd too and in hindsight I absolutely would’ve titled the videos in a similarly confusing way. Anyway dreams manhunt videos are...... a work of art. I swear to god like even if u don’t know jackshit about minecraft they are very entertaining and weirdly impressive.

Basically in Minecraft Manhunt: Dream has to beat the game, but his friends are there trying to kill him. If they kill him even ONCE, they win n the video ends. He’s allowed to kill them repeatedly though. Manhunt started with one hunter (George, to one’s surprise), then two hunters (Sapnap and George), three (Sapnap, George, BadBoyHalo), and now four (Sapnap, George, BadBoyHalo, Antfrost). The next stage is possibly 5 hunters but idk who is the fifth yet. Anyway the thing that’s so entertaining about minecraft manhunt is:

1) Dream’s Parkour & PVP skills, which he developed and trained over such a short period of time n got REALLY good, it’s satisfying to watch him do risky maneuvers n succeed, the ways he’ll jump from a high place but clutch w either water, blocks, horses, boats, scaffolding, etc, to escape from the hunters

2) Dream’s TRAPS, like he actually does research for possible plans n traps he could do to counter the hunters, since there’s so many of them and only one of him, and he can’t just fight them in combat exclusively, since he’ll lose eventually if he gets ganged up on. I won’t spoil any of his traps, but they’re very good and also very dramatic. It’s amazing

3) The banter and taunting!! The lies and tricks!! They’re all really close so it’s easy for them to crack jokes during a lull where neither party is engaged in a fight, they’re all on the same VC so they can potentially say stuff to trick each other, or they can hear the other team say stuff that gives them an edge

4) The editing. Like the pacing is incredible, and all the bgm used is SO good at setting the atmosphere n making things more tense n exciting etc. like “dream’s manhunt music” is honestly a meme at this point but he actually unironically uses it and it unironically makes the videos better. Also dream edits all the manhunt videos by himself!! he doesn’t hire editors to do it for him or anything

idk what else to say but yeah I watch most of dream n george’s YouTube videos and they’re in most of each other’s videos and I like their dynamic a lot!! Especially since they still have not met in real life but already know they want to like live together (forever, according to George), and it like reminds me of the friendships I have because most of my close friendships have been made online. And like. They remind me that online friendships aren’t actually inferior. That’s it :) sorry this is so long

[dyketubbo]

when you get a chance, thoughts on seer of space tubbo?

(i am also open to maid of space tubbo, and many others, but i am currently seer leaning)

*wakes up* oh boy time to classpect! under the readmore because seers are interesting enough that i ended up going on a tangent

of course no argument about the aspect because hes 100% a space player, ive discussed heir before i believe, so seer analysis it is, because i havent thought about it before (seers slip my mind sometimes, i love them, my brain is just the equivalent of a ground with a bunch of banana peels and cant handle having more than 4 coherent thoughts at a time).

like said with knights, he doesnt exactly try to tell anyone what he wants to come off as, sure he wants to be intimidating enough that people leave him alone, but, well. he does fit the intimidating thing, its less a facade and more a warning, he doesnt want to hurt anyone, but he will should he deem it necessary (thankfully, tubbos kind enough that he deems it unecessary in most cases). hes a bit too likely to follow through, and its bred from feeling unsafe, rather than feeling insecure. c!tubbo knows he can do things, the cc is more likely to downplay what he does than the character is (not that c!tubbo doesnt, but he does still believe in his abilities, he just doesnt think hes important enough to emphasize his impact. difference between going "oh no it was all __" and going "oh no it wasnt just me" when theres something hes done most of the work on)

so, he almost fits knight, at least in abilities, after all knights are capable and they know theyre capable, and hes very good at the exploitation aspect, pushing limitations and using them for their benefits. i could see him as maybe a knight thats actually gotten past the insecurity and facades already, if we're to consider his spy history as him being pre-actualization. being a space player doesnt really change how solid knight arcs are, so the combination of knight and space doesnt make knight much more fitting for tubbo

similarly, he does fit a few aspects of being a seer (having similar struggles, talking a shitton sometimes, sitting back and observing the world around him when he finds it beneficial to do so, generally very smart especially within their group), but not so much others (seers are often overbearingly smug in a way tubbos a bit too humble for, learning through education rather than experience, having a habit of getting too focused on their goal, and theyre overall passive, being too active is actually how they get themselves into shit, while tubbo gets hurt when hes too passive). seers of space focus more on the present than the future or past, which almost fits tubbo.. if it werent for the fact that he doesnt focus on the future or past out of repression cknsks. not that he would much anyways, but the intentional focus on the present is out of stubborness and trauma rather an actual trait of staying in the present. notably, theres quite a few times where tubbo does think about the past and future, especially when he was younger, and he does try to work towards his ideal future, he just doesnt talk about it much.

funnily enough, because of where seer falls through, he ends up being closer to the mage struggle of, well, getting their asses kicked when theyre too passive because things work out best when theyre involving themselves. mages also have that posturing thing as well, though its connected to intelligence (desperately trying to come off as smarter because they believe theyre still too dumb and naïve, even though theyre actually doing fine), so again, not exactly tubbos kind of posturing. plus, hes pissy, but not pissy enough for a mage, as theyre more likely to get caught up in how fed up they are with everything, while tubbo gets caught up in how much he still cares no matter how much he seems like he doesnt. the space aspect adds that theres.. a shitton of shit happening to and around him, which does fit, at least, and mages of space usually suffer because of their passions, knowledge, and experience, as well as they're rather hands on. again, fits, but, well.

seers and mages are a bit too focused on knowledge for the kind of person tubbo is. hes smart for sure, has a lot of knowledge, and even when hes not a spy he does want to know things and looks for that knowledge, but while he fits the goals and positives of seers (and mages), he doesnt exactly fit their flaws or what happens when theyre unhealthy. not that he needs to show signs of being unhealthy, but even healthy players still show an ability to be the unhealthy versions of their classes. he doesnt get his ass kicked for being too active and tunnel visioned like seers do (and it can sometimes come from ego trips, which tubbos very unlikely to have, even if he fits the "my solution is the most correct here, so we have to follow it" part of it all) like seers, he doesnt have any moments of just refusing to learn and complaining about how everything sucks rather than doing anything about it (nor is he likely too) like mages. he does vaguely fit where the unhealthiness of a knight can come in, propping up a shield to a ridiculous extent and lashing out when their insecurites are picked at, but that feels a bit too reckless to be tubbo (though it does fit tommy).

overall, i can kind of see seer for a slightly different version of tubbo, but it feels too passive for tubbo, if that makes sense. he is passive at least, in terms of classes anyways (note- despite how some classpectors define it, passive doesnt really mean you serve others, its not an insult, it just means you weave your aspect through others, rather than yourself. its the difference between a prince destroying x/destroying through x and a bard allowing destruction of x/inviting destruction through x. still listen to passive classes, thats what seers fall into after all, and seers are very important). its just that tubbo usually gets hurt by being too passive rather than getting hurt by being too active (not that it couldnt happen, which is why i say it could still fit under other circumstances).

speaking of passive v active, if i had to pick a passive class i feel fits tubbo the most, probably heir. active wise, id say maid does actually fit rather well. i feel like ive talked about maid tubbo before but i might be remembering a different analysis so just in case ill generally say i feel he fits the arc of going from a "doormat" to taking their life for themselves. theyre stubborn, stressed out from listening to others, like banter, occassionally silly and can start arguing in circles due to the stubborness (think that one patrick id scene, but smarter). maids are also heavy repressers, they fear being seen as weak, and are unwilling to ask for help. they rely on their environment and hate it.

and, painfully enough, some classpectors state that when pushed into being unhealthy, maids explode. maids are already intimidating on their own, being powerful and smart enough to know what to do with that power, and when they get stressed out enough, they, well, explode. they hurt everyone in one big event (think aradias actions in make her pay). its not necessarily a reckless lashing out at everyone like knights, but a giant burnout that happens to effect everyone. tubbos not at a point where it seems likely for this to happen, but i wouldnt be too surprised if something like it did happen were things to get too be too much. he is the mf with nukes after all. healthy maids are independent, with maids of space specifically, well, making space for themselves and others (sound like a certain snow commune anyone), attempting to start new lives. an independent maid, allowed to be their own person without anyone stepping on them, is a healthy maid. unfortunate for tubbo that his life fucking sucks too hard for him to really get to this point KEKW

heirs fit a similar "followed others then became more independent" arc, mostly unaware that theyre being lead around but, if whats happening aligns with their own ideals, dont really care much that theyre being a follower when they are aware of such. heirs have an instinct to stick to comfort, rather than an instinct to be independent like maids. heirs still need to find their independence and autonomy, but need to do so because they can change things, theyre also very powerful when they play correctly. however, going against what they may feel is best and is more comfortable for them can be actively painful, early heirs often would rather be comfortable and happy even if things arent going well than take the difficult route, know that theyll suffer, and temporarily risk comfort and happiness in an attempt to reach an end they dont know will be there for sure. they can deal with suffering, but choosing to stay constantly aware of this suffering hurts and they struggle with dealing with the fact that they need to be aware to stop the suffering.

heirs change by picking up on subtle details naturally, subconsciously effecting those around them, making either themself or others interact with their aspect differently (or actively not think with their own aspect, in a positive way). heirs, when self aware, want to help. thats an important detail, and its why heirs are often protagonists, they dont have the ambition to do things that only benefit themselves when they realize theyre in a position of power. at their core, heirs usually want to make things better, but learning to move on and better themselves can hurt, and it takes a lot for heirs to to let it be apart of the process.

unhealthy heirs fade. they get so stressed out by getting hurt that they shrink back into themselves, they stick with what makes them comfortable and refuse to acknowledge that they and others are hurting, wrapped up in their more selfish instincts and becoming hard and stressful to deal with. "i want everything to be okay" becomes "i dont want to deal with the idea that nothings okay right now", soon getting to "im okay and you cant tell me otherwise, fuck you if you want to take this away from me, you cant stop me but i will stop you". of course, that last one can be useful if a heir were to use it to change things for the better, but the tunnel vision on "i want to be comfortable even if im making others uncomfortable" is, well. shitty. unhealthy heirs wont actively try to hurt anyone unless pushed, but they can they can still manage to through a lack of acknowledging that they have to help. and well, that sounds somewhat like tubbo, the hurting through a lack of helping, at the very least its present in things like him not visiting tommy during exile (partially because it was safer to just not challenge dream, partially out of guilt and belief that tommy hated him)

heirs of space specifically are about flitting from project to project, learning about what interests them, impatient when others dont share their excitement, and learning when to adapt and move on from things. generally, if i had to put a scale on it, id say tubbos most likely to be a heir, then a maid, then a seer. it all depends on what aspects of him you wanna focus on, really. seer tubbo is really interesting though! i think seers are more smug than he is though, not that he doesnt have his moments, but his tendency to believe hes right isnt all too prominent compared to other traits of his, and its less from a smug "i know whats right" and more just a firm "this isnt right, i have a better idea". he wants to do whats right, but if he feels like he doesnt know whats right, hes willing to rely on others, it just.. takes him a bit of pushing to admit such

[poptod]

hello! i'd like to make an ahkmenrah x reader request! maybe present-day reader gets teleported back in time to when ahkmenrah was alive and they eventually get to the palace and stuff happens? maybe they tell him about modern life? and maybe reader is unnaturally beautiful to the ancient egyptians because humans evolve to be more attractive as time goes on so a person from our time would be hot shit 4,000 years ago? this is long lmao. thanks!

Notes: god ive always wanted to do this kind of storyline but i was worried about like,, logic and stuff getting in the way of the storyline. anyway! i was so fucking elated to receive this request. i got a bit carried away so apologies! WC: 3.2k

+

Okay. It isn't that bad.

Would you ever see your family again? Probably not, but you weren't ruling the possibility out.

Would you ever get to have sour patch kids again? Probably not. But even during the time you lived in 2020, you had eaten more concentrated sour patch kids flavor than all of the people around you combined.

This little village on the outskirts of ancient Thebes is hardly L.A.––though that's probably a good thing––and is small enough for you to know every inhabitant. Your shop there is small to suit the town, and well known ever since your arrival in this time.

They found you beside the river, thought you to be a gift from the Gods. You were hazy, though––whatever had so forcefully pushed you back in time had made your head spin, making you sick and unbalanced. So, when they asked if you did in fact come from the Gods, you had no way of defending yourself either way. Generally you've been denying it––they think you are a god, and the only way you've convinced them you're not a god is by saying you're a gift from them. It explains the way you look, unnaturally beautiful and alien amongst the more pure genetics of earlier humans.

Your shop is pretty simple. You make portraits from paint, more realistic than anything else that exists, and it only affirms their belief in your god-like status. Fortunately word seems to not have gotten out––the village has remained small, and no one from Thebes has run into you. Every now and then you get unreasonably anxious that a noble will find you and turn you into a slave. It's a worry most people around you have, so you find comfort in the fact that you're not the only one. Still, you're not quite accustomed to such an atmosphere––the thought of nobles and Kings noticing you still sends terrified aches into your stomach.

It's about two weeks in that it gets bad. People start to pass by the village, more than you would've thought, and they're all looking to trade goods, food, and information. The people of the village talk about you––you're something interesting, you can't deny that, but they don't know just how worried you are. Whenever you see someone you don't recognize outside your home, you refuse to come out.

Five days later and there's soldiers in your home, looking over your paintings on their way back to Memphis from conquering the realm of Kush. You hold a deep contempt for them––you don't know all that much about history, but you know how Egyptian soldiers and Pharaohs reigned power over the people of Kush.

The soldiers aren't all that worrying. What really gets your heart pounding is the final man to enter your hut; a man bearing a crown and a long sword, with golden braces around his wrists and a chest plated in green scales. Your fingers dig into the wood of your counter when he notices you. The crown on his head––it's the crown of both upper and lower Egypt.

This is a Royal.

"Where did you learn this skill?" He asks you, eyes trained on one of your bigger drawings. It's just on papyrus––not for sale––and hung on the wall as a display of your talent.

"I spent a little while travelling the world," you answer. Technically, growing up in the modern world was a bit like travelling the world; you got to see the cultures and practices of many, many people. "The rest of it's practice."

"The peasants here, they... they claim you came from the Nile. Is that true?"

"Well... that is where I was found," you say carefully, but you can already tell you've fucked up. The look on his face is indescribable beyond the fact that he's pleased.

"How would you feel coming back to the capital with me?" He offers to you, setting his hands on the counter and leaning forward. "I think my father would much like to meet you."

"I – I don't think I'm really cut out for -"

"Nonsense," he dismisses with a smile, taking your hand from its' spot on the wood. "We shall teach you proper writing skills, give you a beautiful home, and the salary isn't horrid either."

You can't just say no. If you do, he's going to ask questions––he's going to get confused, and he's going to get suspicious. No one would turn down an opportunity like this; free schooling, free housing, and much more money for something you already do.

"Well... alright," you say quietly, looking to the home around you that you built with the help of the other villagers.

"Wonderful. My name is Kamun."

He's not a very nice person, you come to find. Or perhaps he's just not your tastes––the soldiers seem to like him well enough, at least the ones who aren't completely subordinate to him, but his attitude towards women and poor people is scathing to say the least. Otherwise he's very amusing, with a good sense of humor and quite generous with his food and wine as long as he gets his fill of it first.

The boat back to Memphis, where the royal family currently stays, is a long ride filled with various entertainments. It's clear these are not soldiers accustomed to rough conditions––the dancing women and flowing beer is enough to tell you that. Instead, you surmise these are faux war-heroes; people adored in their hometown for doing nothing but intimidating others in a foreign country. They try to get cushy with you, soften you up to their words and touches. It doesn't work.

He keeps you close to him. You let him do it, sort of––it's better than telling him no. Better than starting a ruckus. Then again, avoiding a ruckus is what got you here in the first place, standing before the doors of the courtroom where a false God on earth rules the Nile.

"Father, I bring you a gift from Thebes," says Kamun, pushing you forward by the small of your back. You can't bring yourself to meet the Pharoah's eye, so you fall to your knees and bow.

Everyone is staring at you. You don't look normal, and they all know it, and you know it. You could cry from the heat of their eyes on your back.

One of Kamun's soldiers steps forwards, handing the Pharaoh and his wife several of the drawings they'd taken from you. Silence passes as the two scan your work.

"How did you achieve such a mirror of the human face?" The Pharaoh asks in a slow, deep voice that sounds as he looks––old, weathered, wise.

"They came from the Nile," Kamun answers for you, and murmurs take the crowd by storm. You, on the other hand, feel your heartbeat increase in massive increments, speeding your already uneven breath. "A gift from the Gods, the locals said."

"I can't – I am not magic," you rush out, hoping your clarification clears you of any responsibility to the Pharaoh. You know he rules everything––if he says you are to stay here, you have no choice, and you don't like it here. Too many people. "I cannot give you anything, my King."

"I think you're lying," says a voice, its' tone soft and a velvet low. It catches you off guard, brings you to raise your head and meet the eyes of someone you don't know; a young man dressed in gold beside the Pharaoh's throne.

You almost lose your breakfast as your eyes bulge, your mind instantly recognizing him and connecting the dots. You were, by far, not a historian, but you knew a fair amount of Egyptian history––namely a family in the Old Kingdom who was headed by the Pharaoh Merenkahre. The remaining statues and busts of the King and his son are astonishingly accurate, and there can be no doubt in your head.

That being said, there also can't be any reaction on your face. You try your best to reign your expression in.

"I..."

Actually, you do have something to offer now. You know the names––memorized the history, committed each event to memory, and now you can pull their lifestory off from the top of your head. Wouldn't that be valuable to a King; a seer of the future, to predict the rise and fall of the economy and the coming armies. Besides, you can't just say he's wrong. That'd be treasonous to them. So you have to agree you're hiding something, come up with an excuse as to why you hid it, and it proves harder than you thought. You're quickwitted, though––it got you away from the villager's wrath, and it will promote you to noble living now.

You hide a smirk beneath a calm expression as you address the younger prince.

"They gifted me foresight," you say quietly, pretending as though it hurts you to tell the truth, "but told me to never inform others."

"You are in the presence of Ra once more," the Pharaoh reminds you.

"And others," you point out. "I would... it would be better to discuss such matters.. in private."

Detailed information about already-past events is enough to sway him to believe you. The Pharaoh is surprisingly easy to convince, and with a few, meaningless predictions of the future, he gives you housing in his own palace. Kamun looks proud of himself––puffs his chest out in front of his father and earns no compliment. Ire laces his glare as it falls upon his brother, Ahkmen, praised for his ability to see through your obvious lie.

The Pharaoh asks his younger son to guide you to your room. Apparently it's closer to his room than it is to Kamun's, and evening is approaching fast. The walk there, while short, is marked by a conversation composed mainly of Ahkmen's questions and your answers. When the two of you reach your room, he doesn't leave––actually, he follows you in and locks the door.

There's nothing more terrifying than a man with unchecked power, and there is no one watching you.

No fail safe.

You gulp.

"I know you're still not telling the truth," he says, and though it dismisses several of your worries it still begs the question; how did he notice? "Just thought I'd spare you the embarrassment in front of my father, but my generosity ends there. Now I won't hurt you, and I won't tell anyone––I'm just curious."

Oh thank fuck. He's not going to rape you.

"I'm not Egyptian," you blurt out.

"Obviously," he interrupts, but you glare him into raising his hands defensively.

"I'm from the future."

He stares at you. For a minute. You know this because you count it––he just pauses right in his stance, doesn't move, and stares at you for a whole minute like you just told him you're made of gold.

"I'm sorry, what?" He says, laughter suddenly wracking his body.

"It's how I know what's going to happen to your family," you say, hoping he'll believe you. Otherwise this handsome, seemingly-nice man is going to think you're insane for the rest of time. "I studied your family for years as a side-hobby, I don't know how to predict the future for anything but you and your father."

His laughing pauses, or lightens at least; enough for him to say, "actually?"

"Yes," you say, completely serious. This seems to gain his interest once more. "You have to help me. I know at some point people are going to ask me questions about other things and I'm not going to have an answer."

"Just do what all our priests do," he says with a chuckle.

"What do they do?"

"Lie," he says. You can't stop the grin that spreads across your face from the stupid joke, and when he sees that a shit-eating grin spreads across his own face, delighted he could make you laugh.

"Yes, well... I guess I could do that," you mumble in a laugh.

"There's no need for you to worry. Now that I know the truth, I can help you," he says, offering you something that takes nearly all the anxiety out of your brain. After two days travel with a prince, it feels like it took 50 pounds off your shoulders.

"Thank you, so much," you chuckle in relief.

"Of course. I do have questions though, and I want you to answer them."

"Anything."

These questions of his, they come at all times––almost at a constant rate when he takes you on long walks, which he does often. He passes it off to his father as an interest in your beauty, and it apparently works. This little lie also helps you enormously in avoiding the romantic advances of many of the people you come into contact with. You're still not quite sure how it works, since Egyptians supposedly had a strong sense of patriotism, but you look rare and they idolize it. Every eye that falls upon you sees something beautiful, and you can't understand it.

At least Ahkmen is normal. He doesn't talk about you being beautiful. Ever.

And it kind of makes you sad.

"Would you say people on the whole are happier in the future or in the past?" He asks you, his words surrounded by the warmth of a summer day in Egypt.

Birds chatter loudly in the trees around you, singing in the humid air that marks the mating season for many of them. The flowers that surround you are already familiar––you thought it would take longer for you to commit the shapes and colors to memory, but here you are. Dressed in gold-laced silk and turquoise necklaces.

"I think the happiness of a population is dependent entirely on the circumstances surrounding it," you say. Sometimes your answers relate more to the human condition than the progress of time on the human race; he likes these answers, too, so you tell him exactly what you think. "Six thousand years from now, there are times of great misery. One is even called the Great Depression, but five years before that were some of the most prosperous times my country had ever seen. The same cycle is evident here."

"So.. great misery and great happiness come in waves?" He asks, pace slowing as he tries to understand what you're saying. You pause along the pathway, allowing him space to think.

"It's a pattern, actually. When the economy goes up, it will always come down. Recessions happen right after economical booms. And yes," you say before he can ask, "a time of unease will follow the prosperity of the current years. But it won't be for a time yet."

"Will it happen in my lifetime?"

He's murdered about three years from now. You think you might be able to stop it, but if you do, it'll alter history quite a lot. Either way, he wouldn't live long enough to see the recession the building of the great pyramids caused.

"No," you say. "But I'd prepare for it anyway, if only to keep your citizens safe."

"Of course. You... you are a great scholar," he tells you, resuming the slow walk down the shore of the Nile.

"Oh. Uh, thank you," you mumble as a blush fills your cheeks.

"What did you do in your time?"

"I was an artist, but I spent a lot of time giving lectures on the role of autistic people in ancient Egypt. Autistic people are often timekeepers," you say, and you know he'll figure out what you mean. Autistic isn't a term here, but many timekeepers of these ancient times were autistic, and considered highly by their societies.

"You might be able to give lectures again, if you'd like," he suggests. "People would come from far and wide to hear you speak. And you've got things to say that I know many scholars will find interesting."

"Mmm," you wince, "I kind of want to stay away from altering history too much."

"Oh, yes. My apologies," he says in a softer voice.

"It's alright," you say. "I'm glad you think I would be a good choice for that kind of thing, though."

He chuckles bashfully as he turns to the ground, scuffing his sandals as he walks.

Ahkmen is sweet––much sweeter than any of his family members, and you find yourself appreciating that every time you pass by his room. You pass his door often, always stopping a second to contemplate the tall, wooden doors. He's on the pathway between your room and the library.

Most of the time he's not in his room. Actually, you can usually find him in the library––there or outside in the markets or near the stalls. Today is different; he's been missing all day, and only when you walk the path back to your room do you hear his voice, talking to himself in his bedroom.

"They're bombarded with just such compliments, though. I can't – I can't stand out!"

"Or maybe you should, because you still haven't said a single thing yet and they probably think you're completely uninterested and that's why they aren't noticing you?"

"You and your... logic," Ahkmen spits.

"Come complaining when you kiss them under my advice."

As you attempt to peek through the crack in the door you stumble, knocking your hand against the wood. You barely hesitate before knocking again––cool and collected, smooth to slip into another lie.

"Oh! Hello, um – hi," he says awkwardly, slipping out of the room when he sees you. He quickly closes the door behind him, careful to keep you from seeing the other person in his room, but you can't bring yourself to care about the stranger.

Think of an excuse, why am I here?

"Oh, that's... I like your flower," he comments softly, eyes flickering between your eyes and the flower tucked into your hair. You'd forgotten about it, but raised your hand to touch the petals as you smiled. The perfect excuse

"Thank you. I thought you might like it, so I," you take it out of your hair and grab his hand, holding his palm upwards, "wanted to show you.. um, here."

Setting the flower in his hand, you curl his fingers around its' stem and push his hands back into his chest. He stares at you for a moment, confused by your strange behavior, but accepting of your gift anyway. You know him well enough now––he'd never decline a gift from you.

"A white iris," he tells you in a lofty tone. "A symbol of the dead. Funny it looks so lively on you."

You need to get out of here before your chest combusts.

"I need to go now, but I'll see you this evening, yes?" You ask, stepping instinctively closer. He doesn't back away.

"Of course. And, um," he takes your hands, keeps you where you stand as he slips the flower back behind your ear, "keep it. I want to see it on you at dinner."

He's close to you––close enough that it gets hard to distinguish his breath from your own, when you started holding his hand. When his other came up to your face. When he leans in and kisses your forehead. It's barely there, just barely, but there's no mistaking the soft plush, the affection clear behind gentle, precise movements.

You rush away the second he lets your hands go.

[macklives]

session 92 end (bye 413...)

this session was so long but so fucking hectic what the fuck

im going to try and slim it down to its bare essentials rather than go on a full rant because im pretty sure i want to make a post later on about vriska’s characterisation (not anything about me liking her/disliking her, just an analyse on her life really, so it wont be too bias because thats not the point of an analysis. i also want to do one on aradia, been meaning to for a while... hmm... damn i havent done much analogies lately, and i THINK the last long post on a character i made was about davesprite??? so its been a fucking while. that being said, ill leave a lot of details out for this end of session notes so i dont just repeat myself later on. rather will keep to plot points here and then make character points in another)

alright

first we had a page or two where aradia confided in nepeta about her being dead which means nepeta is the only one to know this revelation. im pretty sure aradia confided because there was no other way around it, since nepeta was her server player, so it was inevitable. either way, aradia still put her trust in nep, which means, if you think about it, nobody else knows and nobody else ever will. and considering aradia asked nep to keep it a secret, it probably wont get explored by others until MAYBE later on, whenever its plot relevant, so everyone will be in the dark about it for a while which ill have to remember for future dialogue and scenes with aradia in them

then we met vriska

which, yes, is a meme. i may not have been on a lot of fandom platforms, but you cant escape some of the stuff that goes around the internet. even if you dont know undertale, im pretty sure you know of sans. or komaeda if you have/havent seen danganronpa. its just.. the memes, ya know? ive heard from many sources of the “vriska did nothing wrong” quote (even through mbmbam which??? WHAT) but since i didnt even know what it meant, i never explored it so then i never knew it was a homestuck thing. imagine my surprise...... i think even at the time, i wouldnt have known what homestuck was either honestly so it wouldnt even matter. i only recently learned about the fandom.... uhh, maybe half a year ago??? yeah, august, so my knowledge was slim but vriska is a thing ive heard before, which still shocks me

goddammit

anyways back to her

so her intro was something, we pretty much found out she likes DnD (a FANATIC in fact) and feeds her lusus the flesh of living trolls. which is fucked up. but i wont get too much into detail about that until i make a post about her life on alternia and the consequences of such. or maybe just alternia in general...?? or *both* heheheh but i feel i need more information before i go off on a tangent about that

then we met??? white text dude?? who is a major asshole but an asshole with insults that hURted, to think i felt bad for VRISKA when that happened. woah.

i said before, but... karkat, he cant really hit deep because his insults are just HIM and his way to express himself. like some people find it natural to just go “FUCK YOU” to show emphasis on a point, and thats just karkats way. he may do it so aggressively that it takes you a second to realize what he said, but usually i dont take anything to heart whenever he spurts out some insults. ive progressed to the point where whatever he says, is just “karkat” and not him trying to be actively mean. rather, its now funny whenever he does say anything SOMEWHAT creative, dude has an imagination that goes on for miles

but vriska?? she IS trying to be a bully, you can tell. but i feel theres something much more to that. like shes trying to prove herself and her “blueblooded” demeanours or whatever the hierarchy is. she doesnt want to show emotions so she makes herself a barrier by being mean is what i can gather from her conversation with kanaya. im pretty sure youre not supposed to understand her until its pointed out and rather see her as an “antagonist” at first, but yeah, her insults are more pitiful than anything and i also cant take her too seriously. i may not like her as a person but her character is interesting because you cant always have the goodie two shoes as the protags. it doesnt diversify the characterisation so i like vriska as someone who makes the plot work and it becomes more interesting since you have someone that makes it harder for the main crew to progress. a happy-go-lucky adventure with no trouble and no turnabouts would be boring in a way. so having a character like vriska, or like this new white text guy, it makes you stop for a second and realize oh shit okay, here’s where shit CAN go wrong and WHY. and i do especially like it when these bastards of characters somehow have more depth than being the “bastard characters”. kinda humanizes them in a way. doesnt mean you have to LIKE them continuously, but theyre humans (trolls whatever) in the end and every person has their own story whether its for better or for worse

for example, i like her being placed into the story, along with white text, by how its all leading to this “accident” and is slowly showing us hints on what happened, but in the end, it wont be until later that we know the full story. even if it was in the past, it apparently is very vital to the plot and shapes how the characters act in the future, so important aspects like that are to look out for. and usually they only occur when theres been some trouble within friend dynamics. so without these bastard of characters, plot wouldnt grow AS strong and i often keep that in mind when i explore a story.

anyways, I HAD A POINT TO THIS: so vriska and karkat are characters who are yes, mean, but it seems to be their personality, and the way they either show emotions and convey feelings (karkat) or make a barrier so they DONT show emotions to produce vulnerability (vriska), white text guy seems to mostly be out to be an asshole. he told vriska she was useless to sum it up but im not too sure if this is one of those “first dialogue” to mould out a bias opinion before we even get to the character themselves, but judging by how vriska and karkat played out, he surely means something bad and i dont know how to explain it. but i cannot base anything off from one piece of dialogue. i dont even know what else to call him other than white text guy so...... ill just leave that out for now, until we finally get his introduction

though, i do wish to mention, and will expand on, im not wrong when i say karkat and vriska are similar but in different context. sorry if youre favourite is karkat and you dont like vriska, or vice versa, but uhhhh their introductions are so similar its uncanny and the way they’re portrayed is the same except one is more on crack about the meddling, while the other is angry about the meddling. similar to how it was with karkat, we were introduced to vriska talking with someone we knew (tavros) whom she obviously didnt like, so obviously, from her point of view, she wanted to be menacing. like how karkat was menacing to jade because she wouldnt listen to his point... he got angry, so he lashed out. but us, the readers, didnt know that. we thought “oh god its this asshole” until we made it further in the story and started to warm up to karkat. it may not be the same with vriska, she may be a bully regardless, but you cannot tell me we moulded a bias towards her character as we did when we first read karkat. theyre both truly mean to other people, maybe both for different reasons, but i do want to point out the similarities and not leave that out. im pretty sure andrew basically gave us a conversation that formed our opinion of a character right off the bat rather than go into depth of WHY they did it, and how they are naturally without the conditions of the game. which, you can also see with vriska when she conversed with kanaya. andrew started off with a character who only appears to speak once, and makes you judge them from first appearance alone, without any explanation as to why they said what they said and how they are with other characters, let says. so you assume they were simply a rude character. now look how karkat turned out. so im guessing in homestuck, the first impression should never be the opinion you stick with until MAYBE 5 more conversations with that character (each one different)

OKAY done with the vriska introduction, now to slutquius

yes, hes kinda weird, i have stated that many times. i have no idea what to say about him other than he likes porn, he likes centaur dick which just so happens to be his lusus as well and if that isnt a red flag idk what is

he also likes his lusus milk, right from the udders of his guardian

fun times, fun times

my opinion of equius kinda.. differs. which i should really put in place the “dont judge by first impression” rule, because at first i thought he was rude with, then i thought he was hhh okay, because i understood why he was being so protective over nepeta and her team placement, since the people she was going to play with WERE dangerous. but if you think about it, both sides will probably put you in danger. it just depends on which ones you confide in more to protect your back rather than those which would cause trouble on purpose, in my HONEST opinion. so equius was a little overdramatic on that part, but i got what he meant. he was on the blue team and he didnt want to leave nepeta alone without him on the red. but then this session happened. and he went back to being weird again because of the whole porn thing, especially being so open about it like dude chill youre 13. but the thing is, then i felt bad for him because hes basically touch starved. to say that he could break anything he touches, i doubt people would go up to him for hugs. in fear they would be crushed to death by a simple hug. so im guessing hes rather lonely and doesnt really know how to interact because of this. so i felt sad that he had to live a life where he needs to be careful of everything he touches so it doesnt break randomly. see? poor dude. but then things got weird. and im pretty sure hes a masochist. so my opinion on equius is a fucking cosine graph

which brings us to the final point:

gamzee and equius’ conversation

i dont even know.....like.........gamzee was unaware that equius was using him for his own power play roleplay, right? gamzee knew it was a roleplay but it had had some.. idk.... obvious sexual implications? and i bet gamzee didnt really know that? he thought they were only venting out through a simple roleplay and trying to get closer because he originally thought equius hated him, considering equius flat out said “i hate you” and gamzee went “you tell me everyday and im okay with that” so.. gamzee probably wanted only to get closer to equius so he helped out his little problem which.. thats so sweet but i feel bad he was coerced into something he didnt get, especially since he was innocent enough to go along without knowing equius’ true gain

anyways, equius was getting off with the hierarchy thing. considering he’s “lower” than gamzee, and gamzee is surprisingly ...high on the spectrum??? so equius wanted gamzee to boss him around, because it felt only natural to him since he’s the “inferior one” and gamzee is The Big Man. like i get that, but it was written in a way that was so uncomfortable, that i wish i didnt. equius is just a weird character... hes not BAD per say, but hes... hes something alright

but im really liking gamzee. the two things which struck me in that one conversation, was the “i dont get why we should dictate people by the colour of their blood, i just see people as people” piece of dialogue and “i cant go around pleasing just everything so its alright if you hate me”

thats... so good, idk. i really liked that. i also really liked when kanaya said “youre dangerous but dangerous people are needed and are important because it shapes you” like <33 my fucking heart

god homestuck may be a tad on the weird side with some of its characters but it surely knows how to create great lines of dialogue

and that concludes the long 4 hour session i did, hope you all enjoyed it

with that, i rest

[clumsyclifford]

mayhaps,,,backseat serenade for a prompt?? (don’t ask me to pick a specific part bc i am Indecisive) also for any pairing but i am partial to malum

OKAY hear me out. i know you said malum and i will happily write this with malum if you want but this song is a muke song to me. and since ive never written muke (!! it is a night for debuts eh) i figured. may as well give it a go. in this low stakes tumblr prompt fic environment. SO here we have it. the closest ill probably ever get to writing smut without writing smut <3

-

Luke’s on his third drink when he sees Michael across the room, and Michael catches his eye. Luke lifts a hand, gesturing for him to come over, which is a bad idea, because he’s drunk, and Michael’s definitely drunk — he’s been drinking whiskey all night; weird choice but there’s no explaining Michael — and Luke and Michael are notoriously lacking in self-control when drunk, but now Michael’s already coming over and it’s too late to take it back.

“Hey hey hey,” Michael slurs as he leans against the bar, crowding already into Luke’s space. His breath smells of whiskey, and Luke wishes that were enough to turn him off it, but it’s very much not. 

“Hey back,” Luke says. “Having fun?”

Michael barks a laugh. “Fuck no. Are you?”

Of course Luke’s not having fun — it’s why he’s sitting at the bar. “No,” he says, trying and failing to refrain from saying what he wants to say next. “But I could be, now.”

Michael smiles. “Worst chat-up line I’ve ever heard in my life,” he says, coming around Luke and using his shoulders to spin him around on the barstool. “Try again.”

“Who said anything about chat-up lines?” Luke blinks up at Michael, wide-eyed and innocent. It’s gotten him before and it’ll work again. Luke wishes he didn’t know that so well, but Michael licks his lips and they’re here again like they’ve been too many times before. 

“Got me there,” Michael breathes, leaning in. Luke leans away instinctively and his back presses into the bar.

“Maybe I just needed a friend,” he says weakly.

“I bet you did,” Michael says, watching him carefully.

It’s no use. They’re caught in the web already. Struggling against it will be in vain, so all that’s left to do is sink deeper and hope that it’ll dissolve by morning.

Luke pushes himself off the seat so swiftly that Michael stumbles backwards. Good, Luke thinks with relish, because Michael loves to push him around and sometimes it’s Luke’s turn. “Your place or mine?”

Michael chews on his lower lip. Luke suddenly finds it hard to breathe. “Yours.”

Luke orders an Uber and they leave the bar to wait for it. The summery nighttime air is warm with just a hint of a breeze, and Michael hangs off him the whole time they wait, pressing butterfly kisses to his jaw with deceptive gentleness.

(Michael’s never gentle with him. It’s why Luke keeps coming back — or at least one of the reasons. Maybe he needs to be reminded that he can take it. If Michael can’t break him, nobody can. And Michael’s awfully good at pushing his limits.)

Luke feels badly for the Uber driver; Michael kisses Luke the moment they slide into the backseat of the car. The radio is on, something loud and angry playing through the speakers. Distantly Luke thinks he’ll definitely leave a generous tip, although presently all he can think about is Michael’s mouth on his, and wishing Michael’s mouth were doing other things, although those things should definitely wait until they’re no longer in the backseat of a car.

“Michael,” he manages, trying for scolding though he’s sure it comes out desperate. Michael pulls back, at least for a moment, hooded eyes gazing into Luke’s own. “Slow down.”

“Slow down?” Michael repeats, sounding deeply unimpressed. “That doesn’t sound like you.”

“We’re in an Uber,” Luke hisses. “We’ll be back at mine in five minutes.”

“Mm,” Michael says. “That’s five too many, if you ask me.”

He presses back into Luke, pushes him into a messy kiss, and Luke tries, really tries to stop the way he melts into it, but it’s fucking impossible. Kissing Michael is his main source of relief, the antidote to all of his pain, and every time they kiss Luke hurts a little less all over. The world is bitter and frequently out to get him, but Michael is a welcome reprieve, someone hungry and immediate to deal with, enough to take Luke’s mind off all the shit he’s trying to ignore about his life and focus just on this.

Five minutes does turn out to feel like an eternity, and Luke doesn’t even wish the driver a goodnight because he’s almost too embarrassed to even acknowledge the ride happened. That concern quickly flies from his mind when Michael essentially manhandles him to the door, and Luke fumbles with the lock just enough to remember that he is, in fact, rather drunk, and so is Michael.

(But what is life for if not making stupid decisions about sleeping with your bandmates slash best friends when you’re wasted?)

Michael all but pushes Luke through the door once it’s open, at which point Luke decides he’s had enough of that, and spins on his heel to pin Michael to the back of the door. Breathing hard, trying not to become completely incoherent from Michael’s disheveled state, he says, “Be fucking patient.”

Michael juts his chin out, so casually defiant that Luke’s heart stutters in his chest. 

(Which is wrong. This isn’t supposed to be a matter of the heart — Luke’s heart should have checked out by now, but it’s still here, watching and waiting for Michael, hungry in a different way. This should be a physical affair, the way it’s been every time before, but Luke can’t help the leaps and bounds in his ribcage, only do his level best to ignore them.)

“Make me,” Michael says, around a delicious smirk.

They’re in Luke’s house, though, and the time for patience is past, and anyway, Luke is probably stronger than Michael but he’d much rather be on the other side of this hold, and they both know it.

The song from the radio still on repeat in Luke’s head, he leans in, and Michael meets him halfway, a battle they fight over and over with no clear victor.

-

Luke wakes up in bed, Michael snoring lightly across his bare chest, sunlight streaming in through the windows, a furious headache behind his eyes. This, at least, is familiar. The unfamiliar piece is the dull thud of Luke’s heartbeat picking up speed as he registers Michael in bed with him.

It’s not as if they haven’t woken up like this before. It’s not like they’ve never shared a fucking bed, notwithstanding whether or not they’d just fucked. Luke feels vulnerable, laid bare; even though it’s impossible for Michael to know what he’s thinking, Luke is nervous that Michael will know.

As if summoned by Luke’s thoughts (an idea that doesn’t put Luke’s nerves at ease), Michael’s eyes flutter open, and he yawns.

“Hi,” he says, looking up through tired eyes at Luke. 

(Luke has learned to reconcile the Michael from last night with the Michael from this morning. They’re not the same person, but then again, neither is Luke.)

“Hi,” Luke says. He closes his eyes. The light is doing absolutely nothing for his hangover. “We should try and remember to close the blinds.”

“Fucking amen,” Michael grumbles. “I’m blaming you. It’s your house.”

Luke would have remembered if he hadn’t been so distracted by a certain someone, but he’s pretty sure they have an agreement not to really talk about it, so he doesn’t say that. Instead, he says, “I’ll make breakfast if you ask really nicely.”

“Make breakfast or I’ll TP your house,” Michael says, burying his face in Luke’s side. “I know where you live.”

Luke smiles and huffs a laugh. “Try again.”

“Don’t make breakfast,” Michael says. He tilts his head and looks at Luke. “Don’t get up yet. Come on. Go back to sleep. We don’t need to get up.”

Luke stares. This is uncharted territory. Michael’s not supposed to ask him to stay. Michael’s not supposed to ask to stay.

“I have to, um,” Luke starts, still staring at Michael as Michael stares back. There’s a challenge in his expression but also something pleading about it, something vulnerable and on the whole very unlike any version of Michael that Luke knows.

“Close the blinds?” Michael finishes for him, offering him a soft smile.

Luke catches his breath. “Yeah. And then we can go back to sleep.”

Michael flops onto his back, releasing his hold on Luke. Luke feels cold, and quickly slides out of bed and crosses to the windows. Shutting the blinds throws the room into a much dimmer light, and he takes a second to adjust his eyes before ambling back over to his bed and crawling under the sheet.

Michael immediately tucks himself against Luke’s side, fitting so comfortably that Luke can’t believe he’s been sleeping all this time alone. It makes sense, and it feels right, and Luke’s chest feels full to bursting with the fact that Michael hasn’t left. Michael is still here, breaking every rule they’ve written for themselves.

So Luke ducks his head and presses a kiss to Michael’s hair. (Because what’s one more?)

“Mm,” Michael hums contentedly, looking up at Luke. “I’d kiss you if I cared enough to reach you, honest.”

“Could just ask,” Luke says lightly. “I’m very accommodating.”

“Oh, I know.” Michael grins. The rulebook is in tatters; Luke thinks, fuck it, and shuffles down in bed to kiss Michael. Somehow this one, more than all of the other ones they’ve ever had, makes Luke’s stomach churn. Michael tastes of stale whiskey and salt and morning breath, a mixture that should be atrocious but for some reason isn’t.

Michael smiles again when he pulls away, sleepy through half-lidded eyes. “I’m sleeping ‘til this hangover goes away on its own. Hope you didn’t have plans.”

Luke can’t find it in him to come up with any kind of witty retort. “Okay,” he says softly. “Goodnight.”

“‘Night,” Michael answers with a yawn, and within moments he’s back to sleep. 

Luke falls asleep soon after. It’s much easier to fall asleep, he finds, with someone else curled up in bed with him, especially when that someone is Michael. Luke thinks about potential energy and drifts off with a smile.  

[muwur]

idk if this counts as an emergency or comfort request but ive been havin a REAL bad body image week nsnnnsnnnsnn could i maybe request headcanons for either oikawa or kuroo (u can pick if u wanna) with an s/o who is rlly self conscious about being chubby/has a really hard time with food and mayb feels like worthless because theyre not the ideal body type? idk sorry if thats dumb aaaah thank u sm if u choose to do this

self-love

♡ scenarios ♡ for oikawa and kuroo

❧ gn reader

✎ 3.7k words

a/n: hey hun, im sorry to hear you’ve been having a rough time lately. this kind of request actually rlly hits close to home, and if u ever need anything, ur mor than welcome to reach out to me :) i can also help look for resources for help, anything really. this goes for all y’all! i dont want none y’all to feel alone with anything ur going thru cuz we’re in this together! and no need to thank me, the pleasure is mine luv 🥰💕 nothing about this is dumb, ur feelings are valid. i hope this will bring you n many others some comfort. also,, FUCK BODY STANDARDS MAKIN US BELIEVE THERE’S AN IDEAL TYPE BC THERE IS NONE N Y’ALL R BEAUTIFUL N IF U DUN THINK SO I WILL COME OVER DER,,, ok im done 🥰🥰 (more notes at the bottom of this, i talk a lot n think its important, didnt wanna add it up here bc it was too long lolol) tw: mentions of bad body and implies disordered eating behaviors

 oikawa

♡ Oikawa was pretty keen, so when he observed a gradual shift in your behavior, he definitely took notice

♡ One day when you showed up to lunchtime empty-handed and sat with your two friends, casually chatting, Oikawa and Iwaizumi gave you a questioning look

♡ “Where’s your lunch, y/n?” Oikawa asked

♡ “Oh, I, uh, ate it already, actually.”

♡ Iwaizumi raised an eyebrow and offered you some of his, but you declined, thanking him and stating you were already full

♡ Later that day in class, however, Oikawa couldn’t help but notice the absence of your boxed lunch container in your unzipped backpack

♡ The next day, you came empty-handed again, blaming it on your forgetfulness during your rush to get to school

♡ However, it became a normal occurrence over time, and while you seemed fine, uneasiness began to prick inside Oikawa’s stomach

♡ Those smiles you wore appeared fragile, and the laughter that rumbled from your throat felt restrained

♡ You seemed more tired and unfocused than usual

♡ Preoccupied, withdrawn, and distant

♡ He could sense something was bothering you, no matter how much you may (or may not) have tried to hide it

♡ On his way to school one morning, he made sure to stop by a convenience store to pick one of your favorite snacks, thinking it was a simple gesture to brighten up the somber aura he’s been detecting from you

♡ “I have a surprise for you, y/n~” Oikawa announced with excitement, rummaging through his bag to pull out the snack and show it to you. “Look, it’s your favorite!”

♡ You could only offer him an uneasy smile, “Oh, you shouldn’t have...” You really shouldn’t have...

♡ When he noticed the tension in your body and expression, a frown appeared on his lips

♡ “Y/n? Is something wrong?” He reached out to place a comforting hand on your shoulder but you swiftly flinched away

♡ ”I’m fine..!”

♡ Surprised at your sudden movement and outburst, you both felt a split second of apprehension crackle in the air before you started to gather your items in a rush

♡ Sighing, you repeated, “I’m fine.”

♡ He wasn’t sure whether you were speaking to him or yourself

♡ “Thanks for the snack, but I’ll pass. Have it for me. You need it more, anyways; you have volleyball practice. I’ll see you tomorrow, Oikawa,” you offered him a solemn smile and left before he could even reply

♡ Some time had passed before he could finally get you to open up to him

♡ And when you did, it crushed his heart to see how much your insecurities broke you

♡ It hurt to hear how low you thought about yourself; how you couldn’t see the beauty in your being; how you deemed food, your body, and yourself as your worst enemies

♡ Thus bringing you to the conclusion that maybe you’d be happy and like yourself if you could just give up that midday snack or your school lunch

♡ Even raincheck a cafe date you were supposed to have together

♡ Maybe also skip dinner, sometimes breakfast the next morning as well

♡ You could manage on just water

♡ Little sacrifices to shed some weight, feel better, and get closer to your ideal body goals

♡ You admitted, however, to questioning whether any of it was worth it

♡ The constant states of hunger, pain, and defeat you lived in

♡ Only to feel as though you were getting nowhere

♡ Oikawa was well aware of today’s beauty standards. I mean, he himself was often praised for his natural charm and beauty

♡ And you felt you could never reach that ideal

♡ “Oikawa, you’re too good for me.”

♡ His eyebrows knitted in concern as he lifted his right hand to caress your cheek softly. “And why do you say that?”

♡ Tears threatened to prick at your eyes. All you could was stare at the ground in silent shame

♡ When you still said nothing, he leaned in closer, his brown gaze softly pleading

♡ “Y/n, look at me.”

♡ When your eyes flickered up to meet his own, Oikawa asked, “You know I love you, right?”

♡ His question was met with a meek, “Yes.”

♡ From your clouded glaze, he could tell that you had a hard time believing in your own response

♡  “Do you know why?”

♡ But before you could respond, he was already answering his own question

♡ “Well...” he began, glancing up in thought and wearing a small smile

♡ “Something about you makes me want to be by your side. I love to see your smiles and hear your laughter, but I always want to be there to hold you when you’re crying and in pain.”

♡ “You���re supportive. You understand what I need, and I don’t always have to explain myself to you. You take your time with me and make me feel like I can be myself. Not many people have stuck around to actually get to know me. Because of that, you’ve never failed to make my day a little better with just your presence.”

♡ “You’re strong and caring. I can rely on you to have my back, and I hope I provide that same comfort to you as well.”

♡ “I love being able to lazy around with you or go on adventures and discover something new. It’s comfortable and exciting at the same time.”

♡ “Your hands feel like they were made to hold mine.”

♡ He reached down to squeeze your hand gently

♡ “Kissing you makes me forget about everything else on my mind. I can just live in the present with you.”

♡ He moved close and gave you a peck above your eyebrow

♡ “You make me want to work hard and be a better person. You help motivate me to try my best, and you never give up on me. Why would I ever give up on you?”

♡  “I learn something new with you everyday. Like right now, I realize that I’ve never met someone who could so easily make my heart race as they could make my heart break.”

♡ “When I look at you, all I can think about is how beautiful you are and how lucky I am to have you in my life as a partner and one of my best friends. Nobody else could fill the gaps within me the same way you do.”

♡ Leaning over to brush his lips against your forehead, he muttered, “I’m going to love every part of you, inside and out. You’re already my ideal. I couldn’t ask for anything more. I could go on about every detail on why I feel so strongly for you, but I’m here to show you everything there is to appreciate about yourself because you’re worth every ounce of care and effort. And if you can’t see it in yourself right now, I’ll love you more than enough for the both of us until you learn to love yourself. I’m here to help.”

♡ And after crying out your tears into his shoulder as he held you close and rubbed your back, you both went to his house to relax and have some dinner

♡ He was patient with you, taking into account how having a meal may have made you feel anxious

♡ It was something small and simple that you two agreed to prepare and share, after some tender coaxing from Oikawa

♡ He later made a list in his journal about tips to keep in mind:

♡ ‘Check up on y/n often to see how they’re feeling’

♡ ‘Encourage them to eat meals/snacks. Don’t be too pushy, but be patient. Try to have eat with them when you can!’

♡ ‘Remind them they don’t have to earn the right to eat, and that their body doesn’t define their worth‘

♡ ‘Look into some mindfulness techniques!’

♡ ‘Don’t overvalue physical appearance. Also focus on all the other redeeming qualities y/n has! But of course I’m always gonna tell them they look cutee--’

♡ True to his word, he remained understanding

♡ He’s there to listen to you, or to sit with you in comforting silence

♡ During lunch he would share his food with you, reassuring you that it wasn’t something you had to avoid

♡ Some days he succeeds in encouraging you to share a milk bun or your favorite snack with him

♡ And on days you really didn’t feel like it, he never forces anything onto you and instead made sure you at least hydrated

♡ Oikawa spends some time doing research and gathering tips on how to help you

♡ Always reminds you of your worth and how you bring out the best in him

♡ He’ll never hold it against you if you ever become hostile, irritated, or in denial. He knows you’re hurting and doesn’t take it personally

♡ Sends you cute memes with all those emoji hearts

♡ Also some food puns (Oikawa: “I’m soy into you. Please brie mine. We are mint to be. I ap-peach-iate you. You got a pizza my heart. Olive you--” ; You: *puts a hand over his mouth* ; Oikawa: 🥺 ; You: “...olive you, too”)

♡ Always ready to give up what he’s doing to make sure you’re okay

♡ Will stay up with you late at night to talk on the phone

♡ Reminds you you’re beautiful at least 8 times a day

♡ If y’all ever go shopping and you try things on in the fitting room,, Oikawa would be your #1 hype man

♡ One time you tried something on, and you were almost too ashamed to step out and show him

♡ But when you did, you were met with his surprise and excitement

♡ “dfghjklkuyfuh” was all you could process from his incoherent speech before he insisted on treating you by purchasing it for you (Oikawa: “Can you wear this for me, like, everyday?” ; You: *weird look* “Why are you like this??” you love it tho--)

♡ Gushes internally over how cute you are during your movie + cuddle sessions, mostly pays attention to you rather than the movie

♡ Mid-movie be like:

♡ Oikawa: “So, uh, what’s happening again?

♡ You: -.- “You might as well google the whole synopsis instead of watching it”

♡ Oikawa: “...it’s not my fault you’re distracting, babe”

♡ Always politely excuses himself from his fangirls to get to you. Also reassures you he much prefers to be with you than anyone else and that you’re the best catch ;)) (You: “Oikawa, no” ; Oikawa: “y/n, yes”)

♡ Suggested doing some meditation together once

♡ You listened to a recording and you sat side by side on a mat, but Oikawa thought the person’s voice sounded funny so he had a hard time focusing

♡ But it ended with y’all laughing and making jokes as he lay his lead on your lap and you played with his hair

♡ Y’all get better at it tho

♡ Cooking dates! To try to show you that food isn’t an enemy and can bring people together :)

♡ Puts music on so y’all can jam together (Oikawa: “Oh my gosh, y/n, this is my favorite song, you’re not even rEADY to see me perform-- ; You: “Oikawa, t-the food! It’s burning!!”)

♡ Cooking dates also show that you should never leave the stove unattended

♡ Every once in a while he suggests seeking professional help. He wishes he could take away your pain and help you all his own, but he knows this is more complicated and required outside help, too

♡ Has help resources READY

♡ As well as small snacks like granola bars for you if you ever feel faint

♡ He doesn’t hesitate to confront you when he feels it’s necessary and he’s worried about your habits

♡ He handles things well, though, and often convinces you to take care of yourself more, even though he’s there to look after you

♡ Has made it his mission to help you win against your battle with insecurities

♡ Overall, he’s very caring and empathetic, hoping one day you’ll see yourself the way he sees you 💖 : strong, amazing, breathtaking, & perfectly imperfect

kuroo

♡ Occasionally, you would think about the day you broke down in front of him

♡ Your body racked with repressed whimpers as you tried to wipe the tears from your eyes and describe the recent state of your mind through choked sobs

♡ Lately, your thoughts were being especially relentless in making you feel miserable

♡ Oftentimes you’d be able to shove the negative thoughts to the back of your mind and carry on your day as usual, expertly acting as though everything in your life was going smoothly

♡ However, you found yourself fighting a losing battle against your own conscious, heavily preoccupied with thoughts of your own worthlessness

♡ And so you tried to cope

♡ But you were painfully aware of everything you felt was wrong with you

♡ You felt uncomfortable in your skin

♡ Every time you passed by your own reflection, you couldn’t help but mentally recoil at the image looking back at you

♡ Your clothes didn’t fit right

♡ Even when you opted for baggy clothes, you felt like you were taking up all the space in them

♡ Maybe it was the weight gain. You could see and feel it in your face, your arms, your stomach, your legs... everywhere

♡ You just wanted to hide away your shame

♡ Perhaps it was the dessert you allowed yourself to eat the other day. Foolish of you to think then that you wouldn’t regret it as much as you did afterwards

♡ As a consequence of those foolish actions, you made mental notes about anything and everything you ate. What it was, how much of it you had, etc

♡ Trying to restrict so that maybe you would lose some weight and come to like how you look

♡ Your obsessive thoughts of food and weight overtook your mind like a dark cloud

♡ Your favorite foods, which before would never fail to brighten your mood, taunted you with shame and guilt

♡ Exercise? Sometimes it was an activity you genuinely enjoyed. Other times, a chore that made you feel shitty or numb and reinforced your unhealthy desire to lose

♡ And you sometimes found yourself crying over your last meal, one you know you didn’t need. One you didn’t deserve

♡ And each time you released the reins on your self-control, you felt pathetic going against the vow you made to yourself  

♡ At this rate, you’d never be beautiful or be happy with yourself

-You’d remain unworthy, fat, disgusting--

-But before you could continue, your story was cut off by the impact of Kuroo’s embrace

-Your surprise silenced your sobs, and you could only stare wide-eyed at the space in front of you as you felt his arms squeeze tightly around your frame

-You both sat there for a few moments on your knees, with your back lightly leaning against a wall

- “I’m sorry for the pain you’re experiencing,” he begins softly. “Thank you for sharing with me. It must’ve taken a lot for you to do that.”

-He was right. It was your first time reaching out to another person about this. It was the last thing you thought you would’ve done today

- “I want to let you know that you shouldn’t be ashamed for feeling this way. Reaching out is important and brings you the help you need to get better. I know you might not want help right now or think that these thoughts and behaviors are a problem. However, telling me about all this shows that some part of you is recognizing there’s something wrong and you can’t always handle it on your own.”

-There were many reasons you kept this to yourself. You didn’t want to bother anyone else. Your problems seemed so trivial.  You worried saying them aloud would confirm your beliefs. You were scared people would see you differently. You--

-The intrusive thoughts never failed to make you feel ashamed

-However, it was oddly comforting to release the pent up emotions. To know you didn’t have to bottle up this burden anymore, and that you weren’t alone

-You were about to murmur in response when,

- “Also, you’re an idiot, y/n.”

- “Wow, thanks, as if I don’t already think that about myself,” you bit back in response

-You were about to shove him away just when he released his grip around your body and placed his hands on your shoulders

-His eyes shone with determination and a faint, inviting smile spread on his lips

- “You are the one of the single most important things in my life. I just mean you’re an idiot in the sense that you’re overevaluating one aspect to define your whole self. You’ve forgotten about all your other redeeming qualities that contribute to who you are.”

♡ “Your size, weight, shape; none of that matters. What matters is your health and happiness. Neglecting yourself in order to reach an ‘ideal’ that you’ve concluded is the answer to your self-worth is only bringing you farther away from what you truly want.”

♡ “I don’t mean to downplay any of your emotions or how significant this is to you. Your first step was to put your trust into someone else about this. That’s done. Now, I’m here to help you undergo self-evaluation and serve as encouragement on your journey to self-love and acceptance.”

♡ “I also want to remind you progress is not linear. There will be times when things are harder, and that’s okay; it’s part of the process. If you’re open to getting better in the future, I’m sure as hell going to be there every step of the way.”

♡ And with a soft peck to the forehead and another hug, he nuzzled into your neck and muttered, “I love you. And I want you to love yourself. So, please, allow me to help you through this and I guarantee that by the end of it all, it’ll have been so worth it.”

♡ Unsure what to say, you gripped his jacket tighter, buried your head in his shoulder, and muttered, “Thank you.”

♡ While the negative feelings about yourself remained afterward, you were relieved that your boyfriend was supportive and calm

♡ He treated you the same as always, teasing you over dumb things while making you feel like you stood among the highest peaks on Earth

♡ The day after, he had shown up to your house, weary-eyed and carrying his backpack

♡ “Kuroo? Why are you here? Also, why do you look so tired??”

♡ He stepped into your house with a yawn. He stretched his arms, then reached for his bag and whipped out his laptop

♡ “I stayed up a bit last night to do some research, babe! I also learned a lot about nutrition and molecular gastronomy, so I could help you come up with a meal plan that you’re okay with!”

♡ You were touched he was educating himself on how to help you

♡ But you drew the line at the science jokes-- (Kuroo: “You know you love them.” ; You: “‘Na’ I don’t.” ; Kuroo: :ooo “Did you just-- Marry me.”) (Na = sodium lol)

♡ His nutritional research helped you to learn the contents of food beyond calories; mans explains the vitamins, nutrients, amino acids, etc in them that you need and their benefits

♡ “Trout, avocados, and almonds have vitamin E, which is good for your skin! Oh, and don’t get me started on bananas. Yes, they have carbs (which your body needs anyway as a source of energy!), but POTASSIUM?? Shit’s gonna regulate your fluid balance, maintain heart health, stimulate normal muscle function, AND help your brain to communicate with the rest of your body!”

♡ ALSO cooking dates; just as chaotic (“Aw mannn, the egg exploded all over the microwave!” dont ask y it was being microwaved)

♡ Over time, he’s taken mental notes about your thoughts, feelings, triggers, etc

♡ He’s quick to pick up on your mood and will always ask you how you’re doing

♡ Tries to do something special for you on days you’re especially not feeling well, like taking you on a spontaneous date! (You: “Do you know how to ice skate?” ; Kuroo: “Uhh,,, after today, I will hopefully”)

♡ But will also opt for staying in with you and cuddling when you don’t want to go out (Kuroo: “I heard this movie is soooo bad! ...wanna watch it?”)

♡ Invited you to the beach with his team during the first week of summer

♡ You were unsure about this, since that meant going out in public, potentially with minimal clothing

♡ You initially sat on a beach towel under an umbrella, wearing the security of a T-shirt. He’d been aware of how you felt ever since he asked you to come, so he would sit with you and link an arm around your shoulder

♡ “I’m lucky I get to spend this day with you,” he’d say. “You look gorgeous. You always do. Now, I wanna see you smile and have fun. Let’s go take a dip, yeah?” He offered his hand, which you shyly took, and pulled you up

♡ Then immediately picked you up and started running to the water to get you soaking wet, and you were forced to ditch the heavy, waterlogged shirt

♡ However, you silently thanked him for his sweet words, making you feel secure enough to just forget your worries and enjoy the warm sun and cool water

♡ He also tries his best to lessen your anxieties over food and often shares/eats meals with you

♡ Reminds you everyday how much you’re worth to him and that there’s nothing about you that needs to change

♡ This sweet, protective, n smart boi will treat you how you deserve. It’s a guarantee he’ll be there through thick and thin, and he’s excited for the day you realize you’re just as amazing as he knows you are 💕

a/n: oop this was rlly long lol mb, i just may or may not personally know a bit about this so i went oFF

also neded to some som silly n fluff bc we all need dat

also, these r like kinda hc’s ?? but also a deconstructed oneshot/scenario?? bc they provide some rly brief bg story? one from more  of the character perspective while the other more on y/n before we get  to the hc’s about how he treats y/n. how everyone struggles w body image is different n i wanted to portray a bit of what it felt like and how it could manifest in ppl’s behaviors/thoughts. however, this is not to say that everyone feels exactly like this. what i wrote only represents a fraction of it all.

by providing some sort of bg i hope im not making u feel like this isnt u  or that u cant relate, pls lmk if i need to change anything to make it  right for u <3 ok now im actually done sry long author’s note  rfguhofe this is just rlly important to me y’all  , stay safe n take care, much luv for u <3

[lizparkcr]

ok so im trying to avoid having emotions about the shitshow that is the local elections so i dont yknow breakdown and ive been meaning to make a post for ages abt muriel’s route i have so many thoughts. obvious spoilers ahead not that i have more than like 2 followers who play arcana game

firstly....i was kinda underwhelmed with the second half/ending of his route. disclaimer i haven’t replayed it and haven’t got the reversed ending, only upright, and my memory sucks and i played it a while ago. SO, things that I....don’t understand:

1. SUCH a massive deal is made out of muriel (and MC) having to learn to fight, the plot literally hinges on it, only for it to swing off the plot all together into oblivion and for the final showdown to be....a series of literal games.* And I wouldn’t disagree with this as an ending tbh!!!! I think it’s fucking great actually -- a non-violent resolution to further signify Muriel’s journey from violence and isolation to peace and fun and family, and tbh sort of a massive fuck you to lucio; LITERALLY RETURNING to the coliseum only to BEAT Lucio WITHOUT returning to the violence that lucio forced on him, turning it into a place of actual joy. Like fuck!!  BUT with the whole first part it just doesn’t fucking fit lmao? Muriel could have faced his demons in the beginning without learning to fight at all, he still could have had that journey. Morga could have just traveled with them right? Or even better he could have refused to fight and then the ending would have been even better. We could have had a moment of Morga acknowledging their strength??? Acknowledging their non-violent victory WITH PRIDE??? Bringing her to reflect on her choices as a mother and a leader??? Devs why couldn’t we have had that :(  I may be remembering wrong but the apparent necessity of Morga teaching them to fight is the biggest source of tension for at least a book. It’s the reason for his first kiss with the MC!  Also yeah speaking of tension with Morga 

2. SUCH a big deal is made out of morga becoming/reflecting as (?) a mother figure to muriel (which in itself is a very bold way to go story-wise)....only for her to be killed off. Again, I don’t disagree with this decision, I like her but story-wise it could fit. But I can’t help feel like it was really premature. This is something I feel all routes suffer from, and perhaps I am expecting too much from a game that can be played for free very easily, but every single route has pacing problems, none more than Muriel’s imo. Considering the maternal aspect of Morga (for both her and Muriel!) is sooooo fucking loaded and intense like, you cannot drop that and then kill her and not really mention her for the rest of the story. Her “ghost” made an appearance sometime later and a few sentences were said and that was it. Her and Muriel’s past was so brushed over  and idk clearly they didn’t have the time or money or whatever to develop it which is a real shame. Their journeys could have run parallel or gone in opposite directions literally anything but Morga dying in a moment of weakness from a cheap trick by lucio :/ bc YEAH like that was not actually weakness but certainly what morga considers weakness!!! that mistake could have split her away from muriel+MC entirely OR brought them closer together. she could have been disgusted with herself and decided once and for all to let go of lucio as a son and go her own way to destroy him, or she could have woken up to what she can do differently now and work with Muriel and co and let go of lucio that way. idk man it was just a waste

Right then....onto the romance. or. lack of :( this is completely subjective, I know some people were v happy with it but like, this could not have been a drier route and im so fucking sad about it. There were definitely some sweet moments, but that was sort of it for me. I get what they were going for, but it’s personally sad to me that Muriel’s contentedness seems to have come at the expense of sensual intimacy/tension. like there was just absolutely no spice whatsoever. I saw someone describe the MC relationship as basically platonic and...yeah. Very little intimacy that wasn’t like, cuddling or holding hands, which since there wasn’t much to build on anyway just came across as nice but unexciting. It felt like it became too easy and too normal too quickly?  Naturally touch was such a precious and important thing in the beginning as Muriel was learning to trust, but that just did not get explored imo. The first kiss wasn’t...the worst, but it was sort of OOC to me. They could have got so deep with that first kiss -- the opportunity, the trust, the choice. “Happy accident” scenarios can be great and definitely could have worked for his story, but for the first kiss i was like oh ok we’re here now?? and..muriel’s ok with that considering we were just uhh sobbing about his forced servitude and violence?? idk how i haven’t mentioned it yet but the way the tone was all over the fucking shop in that book gave me serious whiplash. Anyway  it’s so disappointing bc c’monnnnn this whole relationship is brand new to BOTH mc and muriel.  At the start every touch is a small turning point and i think they did that so well, you feel excited at the development and where it will go, but then it’s like “ok well we’re together now so everything is easy and breezy”. you can create emotional tension (the good kind) through touch EVEN if they’re both ace. which the MC is not bc its the self insert character so. yeah. i feel like im probably being a bit harsh in retrospect but this is what has stuck with me. 

This leads me to Muriel himself, and what to me was the biggest opportunity to do blow everyone’s minds bc he was SUCH a mystery before his route. Dark and brooding but shy and caring, anti-social through anxiety and fear but lonely, his reluctant but consistent support of Asra and his friends. And that was all teased in the beginning! ....and then completely fell flat. Similar to my first point: they had some deep emotional development going, Muriel literally coming face to face with the past he never knew, and the past he wishes he could forget, learning to actually be around people, learning to trust people (and ngl i fucking loved the beginning stages with MC so much), and overcoming his anxiety and pessimism. He and MC literally travel together alone for weeks. WEEKS! And much of that is skipped by. We have big emotional scenes but not much in between. And then...and yknow im not sure where it changes...after khamgalai dies? (and dont get me started on that what the fuck was the point of THAT?) after MC goes to the arcane realms? I can’t remember but at some point it’s like...all tension is gone lmao. Including tension between MC and Muriel, and he becomes quite two dimensional. It was just rushed.  Vesuvia is in ruins, Nadia and co chased out of the palace, Lucio taking control etc but like...it doesn’t feel like it matters? Im really not saying that his route has to be all doom and gloom at all but don’t MAKE it doom and gloom and then do a 180 yknow? I remember Julian’s route in particular being so fucking tense, even though I knew I got the upright ending, that dinner scene was...phew. (and i do get that naturally the first 3 routes are bound to be a more exciting experience bc i was less familiar w the game etc but still, there was just 0 tension). 

im not even gonna talk about the MC’s past reveal bc i have issues with it in every route so whatever 

so yeah i love muriel and i still like the arcana but it’s writing and pacing is just so inconsistent and it makes me sad. I will continue to fanon Muriel’s route to death. 

*It’s occurred to me that the reversed ending may be more violent and actually fit with where the story seemed to be going in the start, but I stand by the opinion that it doesn’t matter because it still doesn’t make sense. I shouldn’t have to play the reverse ending to be like “oh ok that was the point of that” bc it should make sense and serve purpose in both endings, which i dont think it does.

[azenta]

I think the reason your 3 fix typing doesnt make sense bc u said you feel unique already and don't have to prove anything is because 3 fixes don't think this way about themselves. 3 fixes feel they're not worthy unless they're achieving something. they have trouble understanding they're unique because they're worthy human beings and should stop trying to prove something. you may be a very healthy person who has learned self love but it takes years for 3 fixes to accept they're unique and worthy

u said you feel unique already and don't have to prove anything

I try to prove myself constantly to a point it's really dumb of me. I don't remember if I said I never felt like proving anything, but I can tell you if I did it's because I am conscious it's useless and more harmful to want to prove myself, but can't acknowledge I do so because I need to be "irreprochable". So, what I do doesnt match what I should be, thus a beautiful almighty Denial mechanism from me there.

Tho, I said I dont need to prove that I am unique, and this is true, I dont try to prove that i am unique. However, i don't claim i am unique in the sense that i am SO SPWECIAL compared to others, because I am aware that not only me but everyone else is unique. Claiming you are unique is not a 4 statement in itself anyway, like wtf. Needing to feel unique is a basic human need. We all need to feel we have something separating us from others, and all the need to also feel we are not alone and not TOO different either. However, 4s/fix developed a fear around that need, and fight the feeling(/belief) of being so normal that they are obsolete and totally unworthy of almost living. Or they have felt so different that they understood from it that it was problematic about them, and decided to embrace it as a counterphobic measure (thus their self deprecating annoying discourse). "Fuck yeah i am different, while all of you losers are just some sheeple without personality" or "i know i suck but at least i have a personality" is some 4 catchphrase i have heard unironically many times when they were on a reactive strike.  

3 fixes feel they're not worthy unless they're achieving something.

True. They seek being competent and capable, and do so by achieving things they deem are valuable (Je and IVs dependent).

They have trouble understanding they're unique

This is 4s, not 3s. 3s dont care about unicity on its own unless their unicity is an asset to make them do better and achieve excellence (3w4). Their unicity is a tool to stand out and be noticed for their greatness.

3s are cp like 4s, so they go and act against their inner belief of worthlessness. Both 3s (<< 3w4) and 4s ( << 4w3) pretend to be either better(3) or more unique(4) than they are. Both fear being bland and ordinary, of being a nobody. But 4s want to be acknowledged for how "unique they are" as a person, how them as an individual stands out and matter, while 3s want to be acknowledged for their "achievements and successes", for their excellence and Competency TM. 4s want recognition for their traits, for their personality itself, with their flaws and qualities (4w5 > 4w3), while 3s want recognition for their doing, they want to create an image of success, of something greater than they feel they are, that would make up for their flaws (3w2 > 3w4). 4s embrace their identities, 3s reject it ; until of course they become healthier and 4s learn that their flaws can be worked upon without losing authenticity (improvement -> 1) and 3s that their flaws are alright, that they don't need to prove others, the world even, that they do good despite their flaws, and that others are here to help, not to deter them from it because they are too worthless ( -> 6). 

You'd be righter to say 3w4 can feel more threatened on their uncity and have some cp reaction more so than their 3w2 counterparts, but 3w4 are less likely to feel attacked on unicity itself (vs 4w3) as they know they are ready to bend part of their identities to achieve whatever they want to and therefore know the limit of their unicity, and authenticity especially. 4s do not bend their identities, 4w3s will show off the part that makes them feel the most unique, but they won't by any mean hide any part of it. They want all their whole self to be acknowledged. 3s doesnt want you to know their shitty part, 3w4s are aware of those shitty flaws and will only present them if it makes them look better, ironically.

But still, 3w4s are likely to brush away anyone telling them they are a fake bitch because *cp voice* "I am better than you, and your opinion has no value, inSigINficAnt fOoL". In other words, attacking their unicity is more a low threat to their "excellence" and that's why they'll react, so not because of being fake, but more because fake = you suck, and 3s "do NOT suck", they are "the best". 

And well, if I retyped as a 3w4 fix I'll let you guess which fear and beliefs I noticed the most in me.

you may be a very healthy person who has learned self love but it takes years for 3 fixes to accept they're unique and worthy

It's been years. But of course, i still have a lot to do or else i wouldn't be on a burnout. Self-work is never completed, it's a work you have to do all your life. Still, it's my last fix, and with the amount of therapist apointment + my job that still also offers me apointments to take care of myself (not just offered to me tho), i can tell you it's not my last fix that is causing me the most problems in my life until now. Even i'd say, it's the one the least problematic and that caused me trouble only when i reach my limits and meet unhealthier levels. It's in part because of that burnout that i had to notice the image i tried to protect really wasn't about unicity, it was also about competency, about how much i was reliable and the best at what i master (x 1 x 5 influence here). "Look how much i fucking stand out because of how good i am" is the image i wanted to reflect.

I dont mind if you arent convinced that I am a 3 fix, and you are more than welcome to object yourself and argue furthermore if you want. I kinda like to explain stuff a bit too much, and the frustration to be doubted fuels me of motivation and energy, ironically.

[wolferals]

🌹HIGHSCHOOL SWEETHEARTS🌹

arón piper preference

*

*

-it was your first day of senior year at the new school

-your mom and dad made you move to spain by the beginning of august and its was september when you first set a foot into your new hell

-of course your alarm didnt go off and you were almost late

-you were wearing black jeans with a red tight shirt and a flannel on top

-your hair was up in a messy bun that still looked kinda stylish

-when you walked through the strange looking hallway you got more and more nervous

-what if they would be mean?

-what if they dont speak english?

-what if they hate me because im new?

-you worried a lot

-but you had no choice but to enter the classroom with the number 121

-since it wasnt 9 yet there werent many people and no one even noticed you walking in

-you sat down on a free chair in the back and put your backpack on the floor

-then you started observing

-the girls looked alright, they didn’t look like people that would treat you like shit

-there were two boys laughing and talking in spanish pretty loudly

-and there was this one guy sitting in the opposite corner, hood over his head and his phone in his hands

-from the way he was sitting he seemed bored, maybe tired?

-you could only see a bit of his face though he looked kind of sad

-but maybe he was just tired because it was the first day after summer and all

-after everyone had sat down a very tall woman came in and put her name onto the board

-she looked strict

-then she started talking in spanish and you knew you were fucked

-this was supposed to be english class but they were still speaking spanish

-so you leaned back and looked around and kind of ignored the teacher

-you didn’t understand anyway

-until you heard your name

-„y/n trabaja con arón, no?“

-you raised your hand and spoke:“sorry i don’t understand, what about me?“

-the teacher smiled and answered:“oh right you‘re the new girl. I just said that you will be working with Arón.“

-„work on what?“ you asked confused

-she came up to you and then explained:“We do this every year that the students team up and do a project together. This years topic is „drama“, you could either talk about a dramatic book or movie in general or become creative.“

-you nodded at her and eventually looked around to figure out who this arón is

-„when‘s the project due?“

-she walked back to the front and said:“You got a month“ in a harsh tone suddenly

-after the first 4 classes you were sitting outside looking through the english text book when someone stepped into your view

-you looked up

-„hola.“ the guy with the hood from before stood there

-„hey.“ you answered and he looked around while putting both his hands in his pockets

-„im arón.“ he then said

-you looked at him and replied:“Okay?“

-„yes.“ arón said back

-„ohhh right! Project partner!“

-he nodded and then asked:“Do you want to start today?“

-you nodded as well and answered:“sure, at your place?“

-aron agreed and then gave you his number so you could text about it again

-its been 3 weeks of you two working on the project when you finally had the courage to ask him

-„why do i never see you talking to anyone in our class?“

-he seemed alone all the time

-and you were a little concerned because from what you‘ve seen he‘s a really nice guy with a huge heart

-he was a little shy but could be hilarious and charming occasionally

-you guys were sitting on his desk just finishing some posters

-„i think its because the other boys are better?“

-he looked sad again

-„what why?“ you asked seriously not understanding his statement

-he leaned back, scratched the back of his head and replied:“i dont know, they just dont like me. Im not really attractive i think.“

-you were seriously mad at him now

-why would he think that?

-i mean you werent ready to date him after knowing him for only 3 weeks but you could imagine it after some time

-„you dont think you‘re attractive?“ you asked looking deep into his chocolate eyes, trying to understand what he was thinking

-„no.“ he simply spoke and put on a fake smile

-„oh no, arón.“

-without waiting for a response you hugged him as tight as you could

-it took him a bit to hug back but then he grabbed onto your waist

-„dont say that, ever! You‘re a great guy!“

-he laughed quietly and let go of you again

-„i swear, you‘re cute! And you‘re the only person who was nice enough to talk to me. Well.. you kind of had to because of the project but its been 3 weeks and no one except you showed any interest in me.“

-arón smiled at you and pulled up his sleeves. „you‘re really nice. i like you.“

-„i like you too cabrón.“

-he laughed, showing the gap inbetween his front teeth

-„you learned a spanish word!“ he clapped a little

-„thank you.“ you laughed too and then said „gracias guapo.“

-he grinned and then asked:“do you know what you just said?“

-„no.“ you smiled and leaned back

-aron leaned forward and whispered:“you just called me hot“

-you shrugged your shoulders and just answered:“well.“

-another couple of weeks later you and aron got really close and you spent almost every minute together

-in your breaks he taught you spanish, which you slightly failed but it made him laugh hearing you mispronounce words

-and it made you happy seeing this cute boy laugh

-after class you guys hung out

-either watched a movie, spent some more time with spanish, walking through Luarca or playing video games

-you felt like now you guys were on a level where arón was fully comfortable around you

-he told you about the problems with his parents and then he told you the story why no one talked to him in class

-„it was 2 years ago.“ he spoke taking deep breaths every now and then

-you were sitting in front of him looking at his face while he was telling you the story

-„i was with this girl, her name‘s Ana (sorry if thats your name). I did everything to make her happy but it was never enough. She cheated on me with this soccer player and told everyone that i cheated on her. No one believed her because someone saw her kiss this boy.

But then one day she came to school with scars and black spots and when the teacher asked what happened she said i hit her, which is not true! She cried in front of everyone so they believed her. I was suspended and now everyone in school now thinks im aggressive.“

-he had started crying a little while telling you the story

-„arón no!“ you took him in your arms and gave him a kiss on his soft curls

-„i believe you! You wouldnt hit anyone.“

-aron hugged you tightly and rubbed your back softly

-„te quiero“ he then told you but since your spanish was still bad you didnt know what it meant and just kind of ignored his statement

-the next day in class you told aron to talk to one of his ex best friends and first he didnt want to but you kind of forced him

-when he walked up to him and sat down you could hear this guy getting loud right away

-aron talked to him for a while, more like discussing

-he this guy hit him in the jaw and aron stumbled backwards

-„hijo de puta!“ you heard aron yell at the guy but unfortunately the teacher was right behind him

-„Arón Piper. Oficina del director. Ahora.“

-he gave you a quick glance, grabbed his back and then left the classroom looking hella mad

-„he didnt do anything! He hit him.“ you then basically yelled at the teacher

-„y/n please sit down.“ she spoke and pointed at your seat

-„no its fucking unfair how aron is being treated here. Dont you see how painful it must be to be hated because of a misunderstanding?“

-the teacher had lightly grabbed your arm to calm you down

-„y/n, please.“

-a girl then stood up and said:“arón is an asshole and a loser. Also why do you hang out with him? Like, you could have better.“ she looked at a certain guy in the front row

-you couldnt believe it

-„god you guys suck so bad! Ive known aron for only a month now and i already know that he‘s a better person than you all together! You know why? Because he‘s a real human fucking being. He is nice, caring and sweet and doesnt judge anyone by their looks, whats wrong with you people?“

-„y/n enough! Principals office!“ your teacher yelled back at you making you stomp out full of anger

-at the principals office you found out that aron only got told to be nicer to them

-„what happened to you?“ he asked coming your way in the hallway

-but you were too mad to talk so you walked a little faster

-and grabbed his head

-you kissed him rather roughly in the middle of the hallway

-he was surprised but kissed you back and put his hands on your waist

-your kiss was rough yet passionate and sweet

-you felt like he let it all out

-all thats ever made him upset

-and you just wanted his kisses

-he was the perfect guy for you

-no matter how he saw himself

-he was good looking, smart, talented, sweet and the best spanish teacher you‘d ever imagined

-„arón piper! Y/n y/l/n, you can come back here right away.“

-you pulled away

-the principal was standing in the door staring at both of you

-„puta.“ you whispered, then smiled at him and grabbed his hand to pull him to the principals office

-„here we go again.“

[lesbeet]

not to be a nerd but i accidentally just wrote a whole impromptu essay about editing ndjsdksksk im throwing it under a cut bc it's fucking inane and really long but honestly... i just want other people to become as passionate about editing as i am lmaooooo

i also recommend 2 books in the post so if anything at least check those out!

quality books about editing... *chef's kiss* a lot of the basic ones (including blog posts online n such) are geared towards beginners and end up repeating the same info/advice, much of it either oversimplified or misrepresented tbh. but i read one yesterday and i'm reading another one right now that really convey this passion for editing + consideration for it as its own sort of art and i just!!

it's such a weird thing to be passionate about lmao but i AM and i've spent a lot of time the past year or so consciously honing my craft (ik i mention this like 4 times a week i'm just really proud of how much i've learned and improved) and kind of like. solidifying my instincts into conscious choices i guess?

and these GOOD editing books have both a) taught me new information and/or presented familiar information through a new perspective that helped me understand something differently or in more depth, and b) validated or even just put into words certain preferences or techniques that i've developed on my own, that i don't normally see on those more basic lists i mentioned

btw the book i finished yesterday is self-editing for fiction writers: how to edit yourself into print by renni brown and dave king, and the one i'm reading currently is the artful edit: on the practice of editing yourself by susan bell.

the former was pretty sharp and straightforward. the authors demonstrated some of their points directly in the text, which was usually funny enough that i would show certain quotes to my sister without context

("Just think about how much power a single obscenity can have if it’s the only one in the whole fucking book." <- (it was)

"Frequent italics have come to signal weak writing. So you should never resort to them unless they are the only practical choice, as with the kind of self-conscious internal dialogue shown above or an occasional emphasis."

or, my favorite: "There are a few stylistic devices that are so “tacky” they should be used very sparingly, if at all. First on the list is emphasis quotes, as in the quotes around the word “tacky” in the preceding sentence. The only time you need to use them is to show you are referring to the word itself, as in the quotes around the word “tacky” in the preceding sentence. Read it again; it all makes sense.")

and like i said, i also learned some new ideas or techniques (or they articulated vague ideas i already had but struggled to put into practice), AND they mentioned some suggestions that ive literally never seen anyone else bring up (not to say no one has! just that ive never seen it, and ive seen a lot in terms of writing tips, advice, best practices, etc) that ive already sort of established in my own writing

for example they went into pretty fine detail about dialogue mechanics, more than i usually see, and in talking about the pacing and proportion of "beats" and dialogue in a given scene, they explicitly suggested that, if a character speaks more than a sentence or two and you plan on giving them some sort of dialogue tag or an action to perform as a beat, the tag or action should be placed at one of the earliest (if not the first) natural pauses in the dialogue, so as not to distance the character too far from the dialogue -- bc otherwise the reader ends up getting all of the dialogue information first, and then has to go back and retroactively insert the character, or what they're doing, or the way they look/sound while they're giving their little speech

and like this was something ive figured out on my own, mostly bc it jarred me out of something i was reading enough times (probably in fic tbh) that i started noticing it, and realized that it's something i do naturally, kind of to anchor the character to the dialogue mechanic to make sure it makes sense with the actual dialogue

so like. ok here's an example i just randomly pulled from the song of achilles (it was available on scribd so i just looked for a spot that worked to illustrate my point djsmsks)

the actual quote is written effectively, but here's a less effective version first:

“Perhaps I would, but I see no reason to kill him. He’s done nothing to me," Achilles answered coolly.

see and even with such a short snippet it's so much smoother and more vivid just by moving the dialogue tag, not adding or cutting a word:

“Perhaps I would, but I see no reason to kill him.” Achilles answered coolly. “He’s done nothing to me.”

the rhythm of it is better, and the beat that the dialogue tag creates functions as a natural dramatic pause before achilles delivers an incredibly poignant line, both within the immediate context of the scene and because we as the readers can recognize it as foreshadowing. plus, it flows smoothly because that beat was inserted where the dialogue already contained a natural pause, just bc that's how people speak. if you read both versions aloud, they both make sense, but the second version (the original used in the novel) accounts for the rhythm of dialogue, the way people tend to process information as they read, AND the greater context of the story, and as a result packs significantly more purpose, information, and effect into the same exact set of words

and THAT, folks, is the kind of editing minutia i can literally sit and hyperfocus on for hours without noticing. anyway it's a good book lmao

the one i'm reading now is a lot more about the cognitive process/es of editing, so there's less concrete and specific advice (so far, anyway) and more discussion about different mental approaches to editing, as well as tips and tools for making a firm distinction between your writer brain and your editor brain, which is something i struggle with

but there have been so many good quotes that ive highlighted! a lot of just like. reminders and things to think about, and also just lovely articulations of things id thought of or come to understand in much more vague ways.

scribd won't let me copy/paste this one bc it's a document copy and not an actual ebook, but this passage is talking about how the simple act of showing a piece of writing to someone else for the very first time can spark a sudden shift in perspective on the work, bc you'll (or at least i) frantically try to re-read it through their eyes and end up noticing a bunch of new errors -

or she talked about the perils of constant re-reading in the middle of writing a draft, which is something i struggle with a LOT, both bc i'm a perfectionist and bc i prefer editing to writing so i sit and edit when i'm procrastinating doing the actual hard work of writing lmao

it's just this side of fake deep tbh but i so rarely see editing discussed like this--as a mixture of art and science, a collaboration between instinct and technique, that really requires "both sides of the brain" to be done well.

and because of the way my own brain works, activities that require such a balanced concentration of creativity and logic really appeal to me. even though ive seen a lot of people (even professional writers) who frame it as the creative art of writing vs the logical discipline of editing. but i think that's such a misleading way of thinking about it, because writing and editing both require creativity and logic -- just different kinds! (not to mention that the line between writing and editing, while mostly clear, can get a little blurry from up close)

but like...all stories have an inner logic to them, even if the writer hasn't explicitly or consciously planned it, and even if the logic is faulty in places in the first couple of drafts. when you're sitting and daydreaming about your story, especially if you're trying to figure out how to bridge the gap between two points or scenes (or, how to write a sequence of events that presents as a logical, inevitable progression of cause and effect), the voice in your head that evaluates an idea and decides to 1) go with it, 2) scrap it, 3) tweak it until it works, or 4) hold onto it in case you want it later? that's your logic! if an idea feels wrong, or like it just doesn't work, it's probably because some part of you is detecting a conflict between some part of the idea and the overall logic of your story. every decision you make as you write is formed by and checked against your own experiential logic, and also by the internal logic of your story, which is far less developed (or at least, one would hope), and therefore more prone to the occasional laspe

but while ive seen a number of articles that discuss the logic of writing, i don't see people gushing as much about the art of editing and it's such a shame

the inner editor is so often characterized as the responsible parent to the writer's carefree child, or a relentless critic of the writer's unselfconscious, unpolished drivel

and it's like... maybe you just hate thinking critically about your work! maybe you view it that way because you're imposing external standards too fiercely onto your writing, and it's sucked the joy out of shaping and sculpting your words until they sing. maybe you prefer to conceive of your writing as divine communication, the process of which must remain unencumbered by lessons learned through experience or the vulnerability of self-reflection, until the buzzkill inner editor shows up with all those "rules" and "conventions" that only matter if you're trying to get published

and like obviously the market doesn't dictate which conventions are worth following, but the majority of widely-agreed-upon writing standards, especially those aimed at beginners, (and most especially those regarding style, as opposed to story structure) have to do with the effectiveness and efficiency of prose, and, in addition to often serving as a shorthand for distinguishing an amateur from a pro, overall help to increase poignancy and clarity, which is crucial no matter the genre or type of writing. and even if you personally believe otherwise, it's better to understand the conventions so you can break them with real purpose.

so editing shouldn't be about trying to shove your pristine artistic masterpiece into a conventional mold, it should be about using the creative instincts of your ear and your logic and experience-based understanding of writing as a craft to hone your words until you've told your story as effectively as possible

thank u for coming to my ted talk ✌️

[sup4l3e]

I’m Crazy...

I’m insane...

I've lost the plot..

I'm hopeless..

I'm worthless..

I'm unloveable..

I'm pathetic..

I'm weird..

I'm strange..

I'm not okay...

I'm a psycho... (ok this one for me might be true... question it, go on try it! i dare you! ;0 lol)

BUT...

I AM!!!

Those are just some of the things my own mind tells me on a daily basis ... yes here it comes a blog about anxiety and depression... omg!! i know right the cliche of it all. like who hasnt written a blog about depression before ...

oh woe is me! am i right?

well... thats where you're wrong!

(before i start i want no sympathy im not writing this for the "aww's" and the "bless her" comments, i dont want sympathy or empathy ... this is simply because ive experienced and lived with depression for about 14 years and if i can help one person feel better about themselves by reading this or help someone realise that they are not alone then, well, i can rest easy tonight. If anything i want to empower people)

I lived for so many years in the dark, keeping all of this too myself and you know what it did? absolutely sweet FA apart from making me so much worse, it gave ammunition to those little voices, telling me all of the above, making them win!

i didnt realise until about 2-3 years ago that talking about my experiences and how im feeling would help.

i didnt realise until about 2-3 years ago how many other people around me were going through the EXACT same thing.

Two and a half years ago i was a completely different person, i was sheltered, i was in a very toxic relationship ... with myself. Most people would disagree, they'd say i was actually in a toxic relationship with my ex partner; but i cant blame him. Dont get me wrong he was toxic and looking back i was lucky to get out when i did, however i am also grateful too him, because he showed me exactly what i dont want in my life. and being fair to him i'd lived with my own toxicity in my mind for a good 10 years before him, so god forbid i'd give him the satisfaction of all that praise coz by god did i do a damned good number on myself without any of his help. ;)

In all honestly though, i do blame myself and my own mind, because 2 and a half years ago those little voices in my own head were the only thing i was listening to, they were winning. I wasnt listening to my family who were worried sick about me, who were practically begging me to tell them what was going on in my head, who i shut out, ignored and pushed away because i couldnt cope and you know what? they didnt deserve that at all. i live everyday regretting that i put them through that, So i now live everyday hoping to make them proud of me and live each and everyday with a promise. I do however live every day regretting that i didnt let them in earlier because if i had of i wouldnt have gone through the hell i did and i wouldnt have genuinely believed "this is what i deserve" "no-one else will love you" "no-one else wants you" "no-one cares"... i wouldnt have had too live a LIE.

The lie was people did love me, i just couldnt see it, people did care about me, i just wouldnt hear it, i needed their help, i just wouldnt speak it; because at that point in time my own mind was telling me that i didnt deserve any of that, and that nobody would ever want to do that for me. So i found sactuary in a toxic person who in the long run made me the strong person i am today because if it werent for him i'd never have the confidence in myself knowing what i overcame, and if it werent for him i wouldnt have seen my family and loved ones take charge and say "Leanne enough is enough" .. they gave me the metaphorical slap across the face i damned well needed and brought me back to reality, they categorically wouldnt allow that behaviour to carry on anymore and for that i will forever be grateful!

i made a promise to them that day that i would always tell them when i was getting low again and i made a promise to myself that day that i would keep them in the forefront of my mind in all of my decisions and i would also promise to try and help anyone else who was ever in the same position i was in.

depression is a funny old thing, everyone will experience some form of depression throughout their life, some people are genetically wired to experience it, some people will experience it from a young age, some dont experience it until very late on in life, some experience it from sad/happy/overwhelming life events, some unlucky souls just never find happiness. but no matter what EVERYONE will, at somepoint experience depression. in this blog im going to try and explain how i've learned to manage and cope with mine.

A bit of a backstory of my depression, it started around the age of 14-15, my depression. I dont know where it came from but it was right around the time of my GCSE's, college, boys, hormones, and being diagnosed with PCOS (for those of you who dont know what that is its Polycystic Ovarian Syndrome) i was told at a young age of 14 that i had some sort of syndrome which "would only matter when i got older", and that i had some of the prettiest ovaries the sonographer and gyneacologist had ever seen... in hindsight that wasnt going to be the compliment i first thought it was or the dismissive statement they portrayed it and brushed it off as, at all! THAT diagnosis changed alot of my life, however i will get back to that.

As most teens do around here I started studying for my GCSE's at just 15 years old. i was so stressed out i started actually hearing a screaming voice in my head. i suffered panic attacks daily, sometimes a few attacks a day, and that is where my anxiety started and then, good old depression smashed me in the face. i found the more stressed i became, the more id hear that screaming inside my head which then lead me to thinking " holy fucking shitballs im hearing voices im actually insane" therefore leading to more anxiety and panic attacks. so much so i would come home exhausted at 4pm everyday crawl into my pyjamas and climb into bed ready to do it all again the following day. (dont get me wrong i sat most nights on msn using the latest flashing emojis for EACH and EVERY letter of the alphabet, to the point it looked more like hyroglyphics and obviously getting the colours just right with the codes to make your name and status show in a rainbow. but that was all done in pj's curled up in bed because i couldnt manage much else ... however, if my mam asks i was revising and doing my homework THE. WHOLE. TIME, not talking to my friends about how hot a certain crush's bum looked that day ha! am i right! :P xoxo)

This was all a massive thing for me to go through aswell, due to the fact my dad has mental health issues and lives with schizophrenia, so, naturally at this point, you can imagine i was picturing myself in padlocked straight jackets and padded cells, talking away to the screaming voice in my head. the funniest thing was this screaming voice wasnt saying anything nasty or bad it was just my thoughts screaming at me like everything was angry, so genuinely just everyday life thoughts but those screaming at me, like, imagine thinking "leanne dont forget to pack your PE kit" but in the voice of Gunnery Sergeant Hartman from Full Metal Jacket... it. was. TERRIFYING!

Anyways, so yes high school was a massive contributor, then i made the choice to leave college at 17 because i, like many others, didnt have the faintest clue what i wanted to be when i grew up (little did i know id live the life of peter pan and neverland would be my sesh house OIOI!!!) In leaving college i went into full time work, as a 'temp job' until i decided what i was going to do... unfortunately, 8 and a half years later i was still their prisoner! haha, Nah, dont get me wrong i met some absolutely amazing people in that job and i did love it but i knew at the end, if i didnt get out it was going to kill me off. I'd gotten to the point in that job that i cried myself to sleep knowing i had to go back in the next day. that place contributed alot to my depression not because it was a bad job but because id made a wrong decision and was stuck there. i had to leave.

my next massive contributor, and this is where i divulge some of my REAL heartbreaks. PCOS - Poly Cystic Ovarian Syndrome or what i like to call Poly fucking Cystic fucking Ovary fucking Syndrome or "lets just fuck shit up!" (no im not bitter about it at all lol) because of this shit, from the very young age of 14 (like puberty isnt hard enough - spots, hair in places you never wanted boobs growing overnight, bleeding once a month being the biggest inconvenience) i have also had to deal with weight issues, hersuitism, depression, anxiety, hormones that sent me bat shit crazy, pain, headaches, fatigue, you name it i had it. but the biggest heartbreak, being told that id always have difficulty concieving and carrying a child. Anyone who knows me, and knows me well, knows i have always wanted to be a mam. (and not the sesh mam who looks after all my drunken idiotic friends on a night out ... coz i swear thats all they ever think i do lol) I mean a real mam, to a real baby. and being told at a young age that i had the prettiest ovaries the gyneacologist had ever seen wasnt the compliment i thought it was because it turned out my ovaries were absolutely covered in cysts. And for years i have tried to have a baby but alas nothing ever happens. i've had a few close calls and ive miscarried, or at least i think i did, the test came back positive but then about 3 days after that pretty pink second line, i had the heaviest period i had ever had for around 4 hours and then my body went back to normal as if nothing happened. it broke my heart.

They say the human body is delicate and intricate and should be treated with respect... i say its a machine and its a absolute twat at times, and why should i respect what in essence has caused me heartbreak from a young age FOR NO FUCKING REASON. but hey ho... life. goes. on.

so... thats my life story or just a snippet of it. and some of the reasons why i have depression.

heres how i cope...

Well, for a long time.. and i mean a VERY LONG time i didnt. i hid it, i hid away from the world. i drank alot. i avoided family, i avoided my best friends, i avoided anything that would have brought me back to reality.

For a long time though, thats what i needed. now im not saying running away from your issues is easy and thats what you should do because its definitely not. im saying i NEEDED to do it at the time because i had no other way of coping and i NEEDED too to learn what not to do in the future. So masking, for me, was better than facing things 'alone'. In that time though, i made my issues alot worse and in fact caused more issues. it hurt my family, my friends and well hurt myself too, because in the long run i still had to sober up and i still had to deal with the same issues that got me down in the first place, i ended up in debt which contributed further too my issues. I did some very silly things which when i look back on them now i could have hurt so many people. i took an overdose of painkillers at one point around 2 and a half years ago. I felt so weak i saw no other outcome but instantly regretted doing it and made myself sick so that they came back up. i've told my mother and close friends about this previously but i think to really show how much i've learned and to reach out to anyone who is feeling the same way i did, to tell them IT REALLY DOES GET BETTER AND EASIER. i think saying that, shows my honesty throughout this post and allows for my experience and honesty really show that i want to help anyone going through the same thing.

Masking just makes the pain go away for a short period of time. learning from your pain and making it your strength is how you really overcome your own mind and depression.

It wasnt until i realised i was never alone, just how selfish and stupid id been all that time, because in masking, hiding and running away, id stupidly stopped myself from a faster recovery, less heartache, less pain and mental and physical torture. and really i stopped myself from helping others in the same position as me.

it wasnt until i learned to make my pain my strength that i truly found peace in who i am.

i still have days where those voices wont shut up, and they win and thats ok.

i still have days where i cannot climb out of bed and thats ok.

i still have days where i cry and the pain is too much and thats ok.

because i learned all of it really is ok! everyone has those same thoughts the same feelings the same illnesses. and i know that tomorrow WILL be a better day.

you just need to learn how to make it and own it as your own!

nothing has changed for me, all of those things are still true they're still real, my body hasnt miraculously healed itself, i still made poor life choices, it hasnt changed my hormonal imbalances but it has changed my mindset. it has changed my life. i made a choice to change my mindset and not let it beat me i decided to let people in. my family are my guardian angels because they never gave up on me, they dragged it out of me and frogmarched me to the doctors for the help i needed but some people dont have that support in their lives.

i'm lucky enough now, to have lived with this for long enough to know my signs, and when i know what i call, "going dark" is coming. basically when i start slipping and losing control of it again, i identify it and know how to manage it head on. unfortunately my body because of the stupid "intricate machine" i have and how broken it is (believe me the day i can swap out into an AI robot body imma sign straight up for that shit imma have me a body like Jennifer Anniston) my body however tends to go into a meltdown, i end up with more migraines, pain and infections. i also get extremely tired to the point i can sleep for a good 15-20 hours a day and thats not me being lazy (although if sleeping were an olympic sport i'd be the universal champion of it BED=LIFE) thats really me needing to reset. at that point in time when i know this is coming, thats when i reach out; i tell my friends and my family "I'm not okay" because i know now i can do that, i can talk to them.

i, personally, take medication daily, and for some reason we live in a society where people are actually shamed for doing so. i know if i dont take those 2 little tablets every day i will lose control and become a shell of who i really am. my seratonin levels drop and i practically become a robot barely functioning. so why should i be ashamed of those 2 little 'happy pills' which make me the person i want to be and know i truly am! no chemical imbalance is going to get the better of me! if i can have the help, im damned sure going to take it. along with the happy pills, aswell as alot of sleep, sunbeds, spending time with family and friends whenever i possibly can, i now have a job that i love, i also retrained as a beautician, and i love going to the gym and swimming whenever i can, ive found i can manage mine alot better. one thing that massively changed my life was limitting when i drink. i rarely go out drinking anymore and the reason is because i know deep down i will end up in a very low state afterwards. alcohol is a depressant and i wont allow that kind of thing to get me down. so now instead i choose to drink once a month if not less. i havent cut out the drink completely i just know if i want to get blinding drunk i need to be in a very happy place to do so. so i am careful where i drink, who i drink with and what i do whilst im drinking and unfortunately much to my neighbours disgust that tends to be in the house whilst singing along to whitney houston or disney songs at the top of my lungs, but thats how i know i'll not plummet the day after, and lets face it anyone whose heard me singing knows whitney had nothing on me ;)

In all seriousness though, the best advice i can give anyone living with depression is talk to someone, talk to your family, talk to your neighbour, talk to your friends, talk to your doctor, talk to your dog, your cat, the postman, the man on the bus who sits oddly close too you... just talk to anyone. tell them how you are feeling tell them your experiences. tell them what is getting to you. Find someone who you can trust, find a stranger. write it all down in a blog. video it. GET IT ALL OFF YOUR CHEST! SAY IT OUT LOUD! Just. Bloody. Talk! please!

everyones experiences with depression are different some people mask it, some people show it, some people (like me now) shout it from the fucking rooftops because im not afraid of my emotions anymore.

everyones ways of coping are different too, some people find the gym helps, some rely on medication, some rely on talking therapies... there are so many different ways of coping out there now... the only way that doesnt work is not admitting something is wrong and fighting your own mind without help, knowing something isnt right but still doing nothing about it. The only way of not coping is living a lie, you dont have to do this alone!

Basically do those things just for you, the ones you've always wanted to do! get that tattoo you wanted, quit your job, retrain, change your hair colour, buy that car, buy that dog, book that holiday.

do what makes YOU happy!

live for you and open up, people would rather know how you are feeling than see you struggle or ultimately not be here.

open up you never know someone might be feeling the exact same way you are and it could bring you closer.

but remember most importantly:

You ARE NOT Alone..

You ARE NOT Crazy..

You ARE NOT insane..

You HAVE NOT lost the plot..

You ARE NOT hopeless..

You ARE NOT worthless..

You ARE NOT unloveable..

You ARE NOT pathetic..

You ARE NOT weird..

You ARE NOT a psycho..

You ARE NOT strange..

And..

You ARE okay...

You ARE Beautiful..

You ARE Worth it..

YOU ARE Loved

i hope this helps...

thank you ☺

[loveylangdon]

Satisfied pt. 4

a/n: I am sooo sorry for such a late post ive learned when I give myself a deadline it rarely goes my way. I hope you guys enjoy. somewhat undedited please bear with me ive been sick for a couple of days and sick brain doesn't agree with me This doesn’t feel like my best work but feedback is always welcome thank yall soo much XX

masterlist in bio

Word count: 2.5k

*not my gif credit to owner*

“Connor fucking Brashier open this god damn door” you yelled leaning against it pounding your fist on the white wood.

This was bullshit, utter bullshit.

You talked to Brian 2 days ago about everything.

How it happened and how it didn’t change the way anyone felt about anything. You were drunk and Brian was probably a little more emotionally involved than you were, you were hurt to find out he wasn’t as gone as you were. He seemed to remember everything.

It sent you into a frenzy how could he consciously have taken advantage of your inhibited state, it felt like a betrayal. In actuality, both of you had foggy brains you just a bit more than him. Still, he knew how you felt about Shawn, why would he go and mess up a good thing.

That's where you both fucked up, you going to the first person connected to Shawn wanting to feel closer to him when the real reason Shawn didn’t fly home was that he flew to Amsterdam to meet up and sleep with some girl who lives there.

Brian thought he liked you, he liked the idea of what Shawn had with you. Someone who would wait around and answer every beck and call. You felt used and taken advantage of when Brian apologized profusely and started crying in front of you. You knew you guys should just blame it on the alcohol. Involving emotions was too real and too much.  Involving a one-sided emotion would only end up with someone getting hurt and a worse situation.

Coming to a consensus you were both drunk, drunk beyond relief and he was tipsy enough to not think clearly put two of those people in a room, both of them needy and horny and you wake up the next morning having slept with one of your best friends.

While you and Brian talked about it you still felt gross, he knew you missed Shawn, he knew you were drunk and Brian took his chance thinking maybe you would want him instead. A school crush gone wrong he said. He also talked to Shawn or stopped honestly once he found out Shawn wasn’t talking to you ‘it takes two and it wasn’t just you, I did more of the work if anything’ he spoke out making you cringe. But like the adults, you both are you talked it through and got over it.

Here you were locked in Connor Brashier’s bedroom with the one and only Shawn Mendes after tweedle dee and tweedle dumb thought this was the only way to get you and Shawn talking again. Connor stuck by his “Talk to Brian first and then Shawn” bullshit and here you were trapped.

“Connor fucking Brashier open this god damn door I swear to god blue eyes you won’t look so cute when I get my hands on you” you yelled leaning against it pounding your fist on the white wood harder in hopes he would actually listen and unlock you and Shawn from the confinements of his room.

Shawn started chuckling looking over your shoulder at him he laid down on Connors bed arm draping over his eyes as he let out a sigh.

“He’s not coming back to open the door, They left” He spoke out towards you

Your eyes getting big “What?!” You asked surprised, your voice getting higher

“Yah Connor told me him and Brian had plans later tonight I assumed it was all of us just us two tagging along. Guess they really did have plans that didn’t involve us.” He turns onto his side and looks at you still leaning against the door.

Huffing you put your back to it and cross your arms over your chest “Okay Mendes this is where the gym comes in handy use your big ass arms and break the door” you speak seriously at him as his eyes get wide and he goes into a belly laugh “What? What's funny” you ask

“I am not breaking Tiny’s door” he chuckles looking at you

Raising your eyebrow up at him “What your muscles aren’t strong enough or you aren’t paying him enough to replace a piece of wood” you fire at him annoyed and wanting to get out of this tense atmosphere

Hurt flashed across his face “Why do you do that always taking a dig at me no matter what we’re talking about” he rolls back onto his back looking up at Connors ceiling going quiet. Leaving you both to your thoughts and confused mindset.

“Maybe if you kept your dick in your pants we wouldn’t even be in this situation” you mumbled under your breath rolling your eyes looking at the floor.

“Excuse me?” Shawn asked offended, hurt evident in his voice as he stood from the bed clearly having heard your comment.

“What,” you asked innocence in your voice “Did I lie?” You shoot at him hoping the more upset the more he would want out. While he actually had the strength to get you guys out he seemed unfazed by being confined within the 4 walls.

“How- What the actual fuck y/n are you serious right now?” He asks looking at you arms crossed over his own chest

“I mean obviously Connor and Brian locked us in here to talk so lets do it” you shrug and look up at him challenging him. You can see the defeat and mix of emotions in his eyes

“We’re not talking about where my dick has been” he huffs at you jaw clenched

“What why not too many girls to remember” you start “or do you only remember the pretty ones?” Raising your hand to hold your chin between your thumb and index finger you continue ”oh or the ones who take your phone and follow themselves on Instagram while you go down on them in a stall” You fire at him snapping your thumb 3 times for emphases. getting heated “You know what you probably only remember the ones that blew you in public huh, those real keepers a girl who will get on her knees for you at your convince”

You can see his jaw clench “This isn’t about me and you know it” he shoots at you while his neck is starting to turn a shade of pink and you can see his veins becoming prominent as it pulses in his neck

“Oh yeah right sorry, its about me being drunk and sleeping with one person who knew I was in love with you right” you shoot at him standing up straight his eyes going soft as you say the L word but you continue anyway “he knew but decided to sleep with me anyways while I couldn’t even fucking stand straight but its my fault right, because I couldn’t keep my legs closed when all I thought about was you” you yell at him fire coming out of your ears “yah I forgot you misogynistic asshole who doesn’t even have the decency to tell me when he’s slept with another girl but expects me to be the virgin fucking Mary when he leaves without a phone call” you scream at him and feel the tears in your eyes you turn quickly and push at the doorknob again with your entire body, back facing Shawn.

“y/n” Shawn starts

“Save it I don’t care” you whimper out pushing against the door again hoping with the rush of adrenaline was enough to give you super strength “I just want out” you growl in a low tone

You feel Shawn behind you and you move out of the way and wipe your eyes with your hand. moving around Shawn and through Connors room looking for the trophy he talks about but hates so much. Grabbing it from the top shelf of his you move back to the door and bump shoulders with Shawn who looks down at you confused.

Using the platform of the trophy you hit it against the doorknob where it's connected to the wood hoping the force and your rush of adrenaline would be enough to damage its hold and break you free from the confinements of your love confession and Shawns lack of.

“Woah Woah what are you doing you’re gonna break the trophy” Shawn comes over and pries the gold statue from your hands as you try to hold onto it surprise and shock clear in his voice as he tries to soothe you out of whatever brain fog seems to have its hold on you

“Fuck off Shawn I want out” you try to push him away with your shoulder still holding onto the trophy but he’s stronger and gently pries your fingers off holding the gold thing above your head.

“Breaking Connors shit isn’t going to help anything” he looks you in the eyes holding your gaze so you know he’s serious and you feel a wave of emotions wash over you. “They wanted us to talk things out not break shit” he huffs placing the trophy out of your reach you can tell he’s no longer angry at your attacks against him and he looks at you with soft eyes.

Emotions are surfacing and you can feel it. The room is thick with emotion and tension. You’re not so sure if Connor and Brian wanted you to talk things out or shut up and fuck each other. Seeing how this could have gone both ways you chuckle and curse Connor because knowing him he wanted the ladder so he can stop hearing you both complain.

You turn back to the door and start lightly kicking it gauging shawns reaction and turn your head to see his head in his hands chuckling lightly

“you’re going to be the death of me” he speaks out lowly and groans

“Maybe if you kicked this door down you could have a higher life expectancy,” you say knocking on the door lightly with your hand. You don't hear a response from him and you turn around slowly.

He's looking at you with the softest expression ever and suddenly you feel like crying again.

He takes a deep breath and he’s about to speak before he can you cut him off

“don’t” you look at him with pleading eyes and you see him furrow his eyebrows

“I-” you see him shake his head confusion Clear on his features

You sigh “Don’t get serious on me Mendes I don’t want to start crying and it's not going to change anything I get it.” You give him a soft smile “I slept with your best friend I would hate me too don’t need to apologize for something you’re going to hold against me forever.” You shrug your shoulders and look away from him picking at your nails “Don’t act like we can get past this because at first I thought we could and then you reacted the way you did and I knew we wouldn’t be able too.” You look at him and tilt your head so it's resting on your shoulder softly “We won’t get past this you can apologize and I can apologize and we can both accept that we’re sorry for doing what we did or how we reacted but in reality, you aren’t. You’re not sorry and I'm not gonna sit here and hear you say those words and not mean them. And quite frankly I don’t want this new image you have of me to overtake the good one, you’re going to resent me or Brian and I already know it's going to be me so don’t make it any harder for both of us. Just don’t apologize for it okay I get it” you shrug again biting your lip. you feel tears welling up in your eyes and you sigh looking at the ceiling

He can apologize all he wants but he’s never truly going to forgive you and you know if anything or any type of relationship was to ensue after this he was going to use Brian against you any chance he got because he was guilty of the same thing. Is guilty of doing the exact same thing sleeping with another person. That's what hurt the most, not that he was mad at you for sleeping with Brian that he was mad at himself for doing it more than you have and you never calling him out for it. The guilt was eating at him and you saw it.  

You heard him take a deep breath

“I can never resent you” you hear him get up and walk over to you cautiously

You look at him but not up at him and see that he’s right in front of you, you feel him wrap his arms around you cautiously and pull you into his chest you don’t know you’re crying until you feel the wet blotches on his shirt and he’s repeatedly telling you how sorry he is in your ear. You feel his heartbeat and his arms tightly around you his head on top of yours and know that this is home.

---- 

a/n: sorry again for the late upload I've been dealing with a lot and this story isn’t feeling like its flowing idk. Thank you all for the kind words feedback is greatly appreciated masterlist can be found in bio xx 

some of the tags weren't working im sorry 

Tag list: @anyasthoughts @haileyofthefandoms @winterin127 @ucanttakemyyouth @turtoix @learning-howto-be-myselfx3 @shawn-youth @unsolvedhearts @shawn-youth @mariamuses @crowdedimagines @lovablefangirl @sixwyrxstuff @ivegotparticulartaste @shawnandconnor @dreamersseeincolor

[tacittherapist]

((HS2 Spoilers under the cut!))

((For all the shit I give the epilogues, it does have its moments. Specifically highlighting this bit of dialogue here: ROXY: you think you choice mattered so much that no one elses could measure up? ROXY: n then what ROXY: did u get what u wanted? ROXY: did your life end and the points got tallied and you came out on top or like what? ROXY: still p much seems like were movin to me ROXY: and you sure dont seem like ur winnin so wheres all this good shit you got that you gotta go around handin out apologies for? ROXY: also damn dude while were at it!! ROXY: u forgot to actually say sorry in that apology! JOHN: no, i didn’t — i just meant... JOHN: i’m sorry for fucking up your life, or making it not— ROXY: i like my life!!! ROXY: i mean it aint perf and i got my share of fuckups n mistakes in there but you dont get to tell me its fucked up ROXY: or that it isnt real or somethin ROXY: its mine!

First: criticism. The writers wield this little section like a crude cudgel. They use it to underscore the weight of ‘canon’. This is the ‘candy’ timeline, so it supposedly ‘weighs less’ than the ‘meat’ timeline, but its characters still have meaningful thoughts and emotions. Here, John supposedly makes a choice that supposedly invalidates a bunch of supposedly important events, and Roxy here blows it all out of the water by claiming she made these choices too and that part of the blame rests with her in the direction her life has taken... which is total dogshit used to justify a bunch of really overt swings in character thematic. Continued here: ROXY: you wished i was one way the whole time we were married ROXY: but i wasnt ROXY: but now that youre all convinced ur the only real boy in a crowd o puppets ROXY: here i am bein me just like you ordered only i did it without your help ROXY: widen ur zoom my man!! ROXY: im not actin like this now because you want me to or bc you dont want me to ROXY: i was bad at standin up for myself then and im learnin to be good at it now ROXY: ive got my own self actualization train ROXY: ur just pullin in to one of my many roxy figures some shit out stations right as i built it JOHN: but... JOHN: you were never like that before i... ROXY: dude ROXY: where tf do u get off trying to decide what is or isnt me being “like me” enuff ROXY: do u think ppl stay the same their whole damn lives or what JOHN: you’ve really never felt like anything about our lives here was... off? ROXY: off from what exactly?? JOHN: the way things should be? ROXY: what does that mean???

Roxy here argues that there is no ‘one right way to be’ as a half-baked wink to the audience that all this gross mischaracterization is intentional and that it diverges so grossly from the established character arcs in order to demonstrate that nothing is set in stone. While technically true, this also makes for some pretty terrible writing.

Roxy was a caring, almost too involved individual before the epilogues. Her ditching Calliope for John and this messy marriage business and just letting Jane warp into a full-blown dictator makes no sense, even couched within the idea that ‘characters change.’ Yes, characters change, but there’s generally a reason for it! And not a shitty deus ex machina reason such as ‘John makes a choice!’ What even fucking happened to Candy Calliope anyway? She just fucked off somewhere? How do you sincerely throw a character away like that and then have the gall to wink at the audience as if what you’ve done makes sense? Changes in character are generally brought on by catalysts in their life! Trauma, joy, death, new settings, new ideas, events! Not... John deciding to eat a plate full of candy. If we had insight into Roxy’s thought process behind ditching Calliope and marrying John and having a kid on a whim, this might be saved. But we don’t even get a glimpse. Instead we’re pawned this shitty excuse for a very glaring departure from what we knew about Roxy. Character development is just that -- development! As in to become more complex or advanced! Roxy has made wrong choices in the past, yes, but her reasoning was laid bare in such a way that those wrong choices made sense for her to make. She then makes different decisions later because she learned from her wrong decisions. This is development! Her character is learning and changing behavior because of the things they’ve been through! Her reasoning for this awful series of bad choices is just... not explained, despite going against a ton of shit Roxy has learned. It’s slipshod. It’s careless. It’s sacrificing the tree to showcase the topper. The audience isn’t vested in this Roxy because she’s seemingly robbed of her agency, and then they’re trying to foist this idea that she somehow still has agency on us as if they didn’t preface the entire timeline with ‘well, all this shit is going to happen because we decided it and no other reason!’

Now: the praise. This bit of dialogue has huge implications for ‘non-canon’ dynamic. No, not ‘non-canon’ in the cheeky way the epilogues and HS2 claim to be ‘non-canon.’ I mean ‘non-canon’ as in this blog that I run and all the blogs that you, the reader, are writing and reading as well. Roxy’s insistence that characters change can swing the other way, too. Characters can develop in bad ways as well! Not bad as in bad writing, but bad as in flawed character reasoning! Suppose what Roxy learned from her time in HS1 was that most things can be solved by unvoiding fix-all solutions into existence? Then we might be able to see her trying to fix the human-troll-population issue by just... making more planets! Or unvoiding some sort of device trolls could wear that inhibits hivemind tendencies! That would be interesting and perhaps morbid to write about!! It would at least track with her past experiences!!! Or better yet: perhaps she actually takes a side against Jane (as she has done in the past) but instead of using their friendship as the moral plating, she went right into sarcastic arguments FOR eugenics to demonstrate how bigoted Jane was being? That’s a very Roxy thing to do!! She could have made the argument that if trolls need eugenics to suppress their violent tendencies, then so should humans! Having read about the Condesce’s eugenic practices during her formative years, this should have been fairly obvious to Roxy that what Jane was suggesting was from the same playbook, at least.

But I digress. What this bit of dialogue really does is give credence to us, the audience, in exploring these stories we’re currently writing for these pre-established characters. YES, canon Rose likely didn’t dabble so thoroughly in game magics, and she likely didn’t have as much anxiety as my Rose. BUT I prefaced my Rose’s current state with a bunch of events that make sense! She missed her rendezvous with the others! She had to float adrift, alone in a broadcast satellite, for nigh on a decade! She’s had a long fucking time to develop all these anxieties and mental illness because that’s what happens when you’re isolated for years! It is a tool I use to express my own anxieties and explore how someone might somehow overcome them! And most importantly: she’s still Rose. She has unprocessed mother issues. She cherishes her friends. She’s more than a bit gay. And she knows when the meta is using her and when it’s not, because she’s had a traumatic experience being used by Doc Scratch as a plot device. And that trauma isn’t going away (well, unless she gets therapy, but given the setting we’re writing... not likely), so she’s going to be overly cautious when it comes to big decisions involving her friends. What she’s not going to do is suddenly abandon everyone she’s departed from because uhhh Jade ate some bread the wrong way or whatever.

tl;dr: What this section of the epilogues/HS2 (well, really just this bit with Harry Andersen, Tavros, and Vrissy that is somehow more interesting than virtually EVERY OTHER PART of HS2) is telling us, the audience, is that it is good to diverge from canon. Non-canon characters will still have very real feelings and face very real consequences for their actions. Just... don’t do it like they did it. All these characters we’re writing for and all these events we’re writing around them... they’re valid! They matter! Just because they’re not canon doesn’t mean others are willing and wanting to read them, and that makes them important! Unfortunately, this also means the epilogues/HS2 are important, but let’s ignore that for now. What I’m trying to say is: be indulgent! Write the things you want to write! As long as they’re well-reasoned, they’re good writing! Characters can be overpowered! They can be cliche! They can have teenage problems as an adult! Just... give them a good reason.))

[tossertozier]

you mentioned possibly doing a ben or mike writing guide.. would you.. be willing to post a mike one. i'm plotting a fic and im struggling to get my mans down?? also i think abt ur fics weekly bare minimum.

hi there!!! i did my best. i tried to not sound preachy or like a know it all bc y’all know i can barely write. i hope this is helpful in some way!! disclaimer of of course this is all just my opinion & there’s no wrong way to write, you’re the only person who can tell your story!!

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i think the first really important decision you have to make as Person Writing Mike is his

family & background

-are both of his parents alive?

-if yes, what’s their relationship like?

-if no, who’s his primary caretaker? what’s their relationship like?

-if no, when did they die? did he cope well with it? what’s his relationship with their memory like?

these are really really where you gotta start to write mike imo. or any character! i think one thing stephen king is to be admired for is he doesn’t neglect the parent-child relationship as so many people who write youth do. your parents are the most important people in your life for a long time. i don’t think there’s a wrong or ooc way to answer the above questions tbh. canon has really left a wide open field for you to run amuck in.

(example: i’ve mentioned in the past that my & tfat mike being a small adult is no mistake and intentional. it’s a bit of a throwaway scene, but i mention in on pointe that mike’s parents are coming. it’s intentionally done there too. mike is goofier, more outgoing, more immature in general in that fic in the small bits he’s in & that’s all a response to his familial life. )

culture + friendships

after you answer those questions, important follow up questions are:

-are the losers his first set of friends?

-how much social exposure has he had?

-has he dated? who is he attracted to?

-who influences him? (celebrities, family, culturally)

-what are his cultural interests? what does he do in his free time? how would that impact how he interacts with the rest of the world?

again, no wrong way to answer these. i’ve seen a super broad spectrum of indirect answers to these questions. even thinking about where he might pick up patterns of speech can make him feel much more like a realized character. i’ve noticed some people dip fully into aave to an extent that doesn’t even seem logical in their character’s current situation & it can really seem like a caricature, but i think to write mike without any sense of aave at all is a little ?? too. just be cognizant of it is my only real advice here. it doesn’t so much matter as long as you don’t forget who mike is which next point

humor & personality

-what do you think he would find (shows, comedians, youtube videos) really funny?

-does he have something he quotes often? something he started saying ironically but never stopped?

man i know i’m all there’s no wrong way to write mike !! in this post but i will say real quick that i think mike is funny and i don’t really respect depictions of him where he’s not. i think this is where the movies really just fucked up. book mike drops some of the funniest lines of the book. and honest to god tip is to write out a scene as you feel the urge too, look away for five minutes, look back and give half of richie’s lines away. (or... dialogue.) this sounds like a joke but it was what i did when i first started writing & tfat

i’d always be like “n the funny part goes... to richie.” and thats a fandom inclination too. nooooo. avoid this trap. it doesn’t even make sense. have u ever been in a friend group where only one person... makes jokes? that’d be genuinely so weird. especially bc if you give the joke away to someone else, you can also build on it. amazing things start happening when u start thinking of the characters in flexible patterns. like for example, i almost always give absurdist humor to stan now. wholesome to ben.

mike’s humor is largely situational to me. solid comedic timing & he’s an observant person. sometimes i read back my own writing & have to change the pov bc richies making jokes about things he would never ever notice to make fun of. mike would. mike genuinely sees all. i think he’s just got one of the most analytical brain of the losers. & i think intelligence is subjective and people are smart in different ways but i think it’s foolish to write him as anything other than incredibly intelligent both academically and emotionally. he’s just a natural observer and pattern notice-er. which brings me to my next mike thing:

love & selflessness

i think the biggest part of mike being harder to flesh into a fully realized person is the fandom tendency to make him kind and nothing else. here’s mike. he’s nice. next. bc the book kind of points out his selflessness in his decisions and it makes itself one of his strongest character traits.

especially bc nice seems to trump him having any other emotions. ...no?

i believe in general, but ESPECIALLY in the case of mike, that kindness is a choice. it’s one i genuinely believe he’d make, over & over again. but a choice he makes. he gets annoyed with his friends being annoying like anyone else would. he gets hurt when he feels left out. he feels tired & anxious & hungry and all those other human things. sometimes he might not let it show outwardly, but there’s a difference between that and not giving him feelings at all.

people are selfish. it’s a defense mechanism. it’s to protect us. it’s not a bad thing. we think of how the world impacts ourselves first. we don’t always act upon those thoughts or voice them, but don’t forget to let mike have them. he doesn’t need to be happy for his friends all the time, or rooting for them or supportive. he should have his own things going on.

also. mike’s not a doormat. yes, he stays in derry. but those were life-death consequences for generations of children. it’s really not comparable to almost any decision mike would make in a pennywise free universe. yes, he made a sacrifice in the book but i don’t think he’d just lay himself down in any given universe to whatever fate wants to hand him. but this is where i end this topic bc i’m actually only barely beginning to get to this topic in my own fic!

it’s hard writing the losers young sometimes bc i do feel relationships are naturally a little unbalanced based on basic maturity levels as young people. sometimes friendships just are unbalanced bc of who people are at that time. everyone involved can still be good people in these relationships. it’s about growing together and learning how to be good friends to each other.

for example, in &tfat: certain losers are always checking in with others. others are really wrapped up in their own shit and don’t really notice what bothers the others. it would probably take a chart the size of a textbook to explain how i think this dynamic wholly pans out in full. and yeah, i think it grates on mike a little bit that he is always the checker and never the checkee.

but even when mike snaps, even when he gets upset, i always write it coming out of him with a lot of love. i genuinely think mike, regardless of experience in that fic, has the deepest understanding of love as its own concept and an understand of how exactly it rules his life and and his relationships. mike knows to feel strongly about something he has to care about it. there are lots of things he just doesn’t care about. in the book it’s stated he’s difficult to connect with as an adult. he’s distant. he’s focused on what he wants to focus on. i think mike is actually the most interesting when he becomes a little bit of a disaster man with very little time for what doesn’t interest him.

which last thing, dislikes & disinterests

-what annoys him?

-what makes him genuinely angry?

-what bores him to tears?

i always make jokes that i bring up the nastier parts of the losers bc i love nasty boys but thinking of things people don’t like is as much a part of them as the things they do.

for example, in &tfat, i write richie as making fun of “nerdy” things like anything you could find at comic con. i write bev as not giving a fuck about sports. bill doesn’t care about richie’s music tastes. eddie hates getting condescended to.

bc of the ... kind thing, mike’s one of the harder losers to do this with. i genuinely think mike would listen to any of his friends tell him about anything. & he knows, in return, they can’t say shit when he wants to ramble about history. but dislikes can also be super situational.

again, for example in & tfat: mike doesn’t like when his friends talk about college right now. no one is really being sensitive to him at all. he hates getting blamed for stuff that isn’t his fault, mostly bc it keeps happening.

anyway. i based a lot of my mike (mostly sense of humor and personality) off of a mix of real life friends of mine. it’s a luxury. i know. i’ve been blessed to have friends from literally all walks of life & for me borrowing little habits & quirks & sayings & jokes to slip into my fics and characters is my way of writing one massive love letter to those ive known. i hope i’ve helped you in some way anon. n if not.... don’t be sad i’m hardly one to take writing advice from anyway jandjxjx

overall, as i used to do often, i’d genuinely stop myself and say: is this a person, or a convenience for the plot? and if it was the latter, sigh, and get my backspace key ready.