#its not a race or anything :)

[chloesimaginationthings]

Hear me out, Michael would think Roxy is SICK AF

[theandrosaur]

Zane got all the brain cells except none of the ninjas escape the buffoonery. Not even him.

+Cole wears You-know-who's shirt.

[blu-ish]

I don't know why I didn't realize this until now but...

WHY ARE THEY THE ONLY TWO WITH BALLOONS???

[overtake]

Trying to do something resembling coping after Singapore. Have some Max/Daniel hurt/comfort (1.3k). Also on ao3 if you prefer.

The press of a button freezes Max’s watery blue eyes, the space between them bifurcated by the crease in his forehead.

“Is now really a moment to remember?” Max asks in a raspy voice. His throat isn’t clogged by tears, but there’s almost a decades worth of race starts together sitting uncomfortably in there and congesting each word.

His hand hasn’t strayed from Daniel since he found him after the race. It’s somewhere on some part of him every time he’s close enough to touch.

Normally he’s halfway home by this point, Air Max somewhere over the circuit skies and headed back toward home.

He’s stayed, this time, in case this is it. In case this is his last chance to neatly fold Daniel’s clothes into his bag, even though his own are always wrinkled under pairs of stained shoes and dirty briefs. In case this is the last time they both exit the paddock as drivers. In case this is the final chance Max has to trace the shape of Daniel’s jawline and tell him, “Good race.”

Daniel’s mum is giving them a last minute alone. She’s standing guarding outside the door and leaving them be for now. Daniel knows, though, that when they stand, she’ll hug Daniel close, wishing he was little enough to hide in the crook of her neck while she covers all his gaping wounds with plasters and a kiss on each one to ease the ache. 

Despite his complaints about the camera, Max still moves from where he’s crouched in front of Daniel to collapse into his side and observe the photo. He wraps one arm around Daniel’s back to tug him impossibly closer and rests his mouth on the top of Daniel’s shoulder in an exhausted kind of kiss.

“I look like shit,” he says, statement muffled by the fabric of Daniel’s shirt. He sounds like he wants to poke fun at himself until he makes Daniel laugh, but they’re both too hollowed out to muster up the energy. Instead, Max reaches out and turns off the display.

For a second, their fingers linger together on the camera’s body, until Daniel lets the camera drop back against his chest so he can entangle their hands instead.

“It’s not a nice memory,” Daniel agrees. Unlike Max, his voice right now can all be attributed to tears. “But in December, no matter what happens after today, I’ll get a retake on the farm. I’ll be happy, and we’ll be together, and life will go on from now.”

Daniel feels the dampness on his shoulder when a single tear breaks containment, then another, and a shuddering breath, until Max rights himself and pointedly looks away from the tiny patch soaked in cotton.

“It’s not fair,” he says tightly. For a second, he sounds every bit the bullish teenager with a black and white view on the way the world ought to work and bitter frustration that sometimes reality dapples in nuance. It’s the first thing to get Daniel anywhere within city limits of smiling since he set the lap record and gave himself a final moment in the car to reflect on everything this sport had given him, and that he had given this sport.

“Yeah,” he agrees hoarsely. “It’s not fucking fair.”

He’s done with excuses and niceties and dancing on the Red Bull puppet strings in hopes that playing their game might finally net him a seat he’d killed himself to earn. It’s not fair. It’s callous and cruel, the way they’ve strung him and everyone who loves him along for a race they aren’t even brave enough to tell him is his last.

They’re silent for another moment. Daniel closes his eyes and soaks it in: the tendrils of freshly washed hair still trailing water down his spine. The din of dog-tired employees breaking down the paddock, to be quickly vanished away as if it was never here. The ragged in-and-out of Max’s lungs as he tries to coax both of their breaths into something resembling normal.

“Thank you, by the way,” Max says softly. “And congratulations on your lap record.”

“You owe me a really nice Christmas present.”

Max presses a whisper of a kiss over Daniel’s drying curls. “You always deserve the nicest presents.”

Daniel’s mum slips in then, gently shutting the door behind her. Unlike Max, she’s made no secret of her tears. Her eyes are red-rimmed, but she musters up enough of a smile when Daniel heaves himself up into her arms.

“Come here, Max,” he hears his mum scold. A second later, Max is in an awkward three-person hug. Grace’s short arms struggle to embrace them both, but smelling her vanilla perfume and knowing she’s there is enough to surround him in all the ways that matter.

She whispers in turn to each of them, but they’re all so tightly wound, they can all hear every word.

“Thank you for being here every time I couldn’t be,” she tells Max. He murmurs something back, but he manages to keep it quiet enough that Daniel can’t make out all his words. It’s something about thanking her for trusting him with Daniel, but the rest is lost. All he knows is that his mum’s tears start flowing again.

When it’s his turn, she can barely choke out the words. “I’m so proud of you. For your career, of course, but for who you’ve grown into. I couldn’t have asked for a better son.”

“I love you,” is all Daniel manages. He buries the nose shaped like hers into the brown curls that his genes copy-pasted and soaks in gratitude that he has both her face and her endless capacity to love.

Daniel walks into humid night air with his head held high and a career most drivers would kill for, surrounded by people who love him for more than that list of achievements, and knows that he’ll survive whatever comes next.

“That’s a terrible photo,” Max complains three months later. His eyes are scrunched up all cute in it, framed by long lashes and sun-soaked freckles that are almost hidden by the streaks of dirt on his face. He’s smiling, both in the picture and right now, so Daniel knows he doesn’t actually mind.

Two weeks of busy Australian summer have left Max various shades of pink and tan. He'd somewhat learned how to use the grill that Daniel was too scared to touch and now had matching grill aprons with Daniel's dad. He christened the new baby cow the wholly uncreative name ‘Lilly’, because god forbid any animal in his vicinity not be named after Monaco nightlife. He’d also 100% taken to the dirt bikes as easily as everyone would assume and had absolutely, definitely not sworn Daniel to secrecy about where he got that giant bruise on his side after their first go.

When Daniel transfers the photos to his computer later, his finger pauses on the photo captured in a melancholic driver’s room. In it, Max’s eyes are dull and weary, but they’re looking at Daniel with the same unblinking love from today’s picture.

It’s proof, memorialized in expensive pixels, that Daniel’s life did not end on the streets of Singapore; that his worth to the world never depended on his points or podiums.

He closes the lid of his laptop and joins the gathering in the living room. Max is pouring fake tea for Isabella’s dolls. Isaac is politely sipping an empty teacup, one pinky in the air. Isabella is nowhere to be found, probably busy dragging Daniel’s poor parents to see Lilly the cow for the fifth time today.

“Daniel!” Max says, in the sweet, distinct way his mouth always forms the name. His face brightens when Daniel walks in. When Max smiles like that, it’s as if the sun has come through the roof and taken human form in broad shoulders and rumpled t-shirts.

“Max!” Daniel says back, matching his enthusiastic tone. He sits cross-legged in Isabella’s empty spot and slides his fingers between Max’s.

The tea party continues, and life moves forward.

[piosplayhouse]

pio im sorry but the six balls name joke bothers me. the fact that its that demons are considered to have stupid names if they're lower class or han style names (sha hualing) or titles if they are upper class/ want to appear that way, while being coded as not han chinese feels racist. i just thought you would want to know about this sort of thing.

I can see how you feel that way! It's an understandable thing to be uncomfortable with at first blush. Though honestly I don't really agree-- everyone has stupid names in sv, it's just that six balls is directly translated in English translations while the others remain in pinyin. So you don't immediately clock that shang qinghua's name is a pun that just means Went to Tsinghua University when you say it outloud or that binghe's name is (dropped in an) Icy River or that sha hualing literally translated is just gauze and bells (basically describing her outfit). It's pretty consistent throughout the whole book that every character is named lazily and over literally, less as an indication of their character traits and more as a commentary on how many artists (sqh) tend to suck at naming their OCs imo.

Take the romanized names: Luo Binghe, Shang Qinghua, Sha Hualing, Liu Geqiu

vs some overly literal translated names: dropped in an icy river, went to harvard, ribbons & bells, six balls

The reason why six balls is the only character that gets this treatment is I assume because the singular scene he's in is entirely dependent on the reader understanding what his name means for the joke to work, but pretty much every character could be swapped in to make a fun literal translated name if the situation needed it

[gutfaced]

when people stop using the excuse of “olive [skin] is a spectrum!” when referring to any character that hails from the seam, i can die peacefully.

for reference: the seam — dark hair (straight, with the exception of haymitch and his curly hair,) olive skin, gray eyes. (e.g, katniss, gale and the hawthornes, haymitch.)

merchants — blonde hair (curly,) pale skin, blue eyes. (peeta, delly cartwright, mrs. everdeen and primrose.)

yes, in the case of the seamfolk, it is definitely possible that they are simply tan white people. however, in the racial context of appalachia, there is a population of native americans (who often have olive skin and straight dark hair,) along with the melungeon population (which includes people of color.)

suzanne collins would've made the distinction, as she did for the merchants if they were white. this theory is unlikely though, considering that systematic oppression plays a role within their race. (the seam are worse off; they're the poorest part of the district with people casually dying of starvation in the streets, they're also workers in the mines and more likely to have lung problems/die from mine collapses if not explosions. they also run a black market for sake of trades and food. the merchants run shops and are better off than the seam.)

i'm not saying at all that white people can't be olive skinned, i do very much agree with that and it's something i acknowledge. but again, appalachia, where twelve is located, has a population of people of color in which fit the description (which could likely be native americans.) there's a stark difference in both sides of twelve's population and their races, and if suzanne had made the seamers with the intention of them being white in mind, katniss simply could've said it was a white-predominant population with the notion of seamfolk being darker.

with all of this in mind, no matter how you flip it, the seam-originating characters in the movies are whitewashed. and that takes away from the history of these people and takes from their oppression and representation of history in a book that already deals with racial issues and such things.

[rogloptimist]

LAKE MISSOULA x JONAS VINGEGAARD

credits under cut!

lake missoula - richy mitch and the coal miners // jonas vingegaard - team presentation, tour de france 2024 // jonas vingegaard, tadej pogacar, and remco evenepoel - podium ceremony, tour de france 2024 (belga images) // tadej pogacar and jonas vingegaard - tour de france 2024 // wayward son - rainbow rowell // jonas vingegaard - stage 21, tour de france 2024 // it's down to legs - caley fretz // jonas vingegaard - stage 20, tour de france 2024 // jonas vingegaard - tour de france 2024 // jonas vingegaard - stage 11, tour de france 2024 // a poem on hope - wendell berry // jonas vingegaard and remco evenepoel - stage 19, tour de france 2024 // quora user shulamit widawsky // jonas vingegaard - stage 21, tour de france 2024 (getty images) // jonas vingegaard - stage 21, tour de france 2024 post-race interview (flobikes) // 'now the fight is over': jonas vingegaard concedes tour de france battle for yellow, but still aims for second - adam becket // jonas vingegaard - stage 19, tour de france 2024 post-race interview (flobikes) // video: jonas vingegaard and matteo jorgenson consoled after heart-breaking end to stage 19 of 2024 tour de france for team visma | lease a bike - kieran wood // jonas vingegaard - tour de france 2024 // jonas vingegaard - tour de france 2024 // 'probably the hardest moment of my career'-- jonas vingegaard on his crash and fight to be ready for the tour de france - stephen farrand // jonas vingegaard's tour de france was a venn diagram - iain treloar // rise up and salute the sun: the writings of suzy kassem - suzy kassem // jonas vingegaard - tour de france 2023 // jonas vingegaard - stage 21, tour de france 2024 // jonas vingegaard - stage 11, tour de france 2024 // vingegaard exhausted after tour de france: may cut season short - sjoerd valkering // jonas vingegaard and tadej pogacar - stage 20, tour de france 2024 (belga images) // the thing is - ellen bass // "if you had told me four months ago that i would be second, i wouldn't have believed you" - jonas vingegaard disappointed but proud of his tour de france - ondrej zhasil // jonas vingegaard and tadej pogacar - stage 11, tour de france 2024 // jonas vingegaard - stage 11, tour de france 2024 post-race interview (nbc sports) // alfred lord tennyson // jonas vingegaard and tadej pogacar - stage 11, tour de france 2024 // remco evenepoel and jonas vingegaard - stage 21, tour de france 2024 // jonas vingegaard and tadej pogacar - tour de france 2024 // matteo jorgenson and jonas vingegaard - stage 19, tour de france 2024 // matteo jorgenson and jonas vingegaard - tour de france 2024 // jonas vingegaard and tadej pogacar - podium ceremony, tour de france 2024 // jonas vingegaard and wout van aert - tour de france 2024 (team visma | lease a bike)

[hauntingsunshine14]

summer olympics 2028 in a universe with no exy we have:

star gymnast neil josten

heavyweight champion andrew minyard

tennis pro kevin day

rugby goddess allison reynolds

d pole laxer matt boyd

marathon swimmer renee walker

volleyball libero aaron minyard

hockey forward dan wilds

synchronized diver nicky hemmick

[bunabi]

watching US representatives clap like seals for a war criminal as he says we're not doing enough to annihilate Gaza and beat our student protestors sure is something

[biblicalhorror]

Okayyyyy yeah also let's talk about Tammy. I didn't know how I felt about her for awhile because she did very much feel like the Disposable Black Girlfriend, but I'm seeing people saying she's an "abuser" or God forbid "just as bad as Kevin" and that's just. Not at all true.

Yes, Tammy is controlling. She doesn't seem to really like Patty for who she is, and kind of seems to want to change her into someone else instead. HOWEVER, I think we need to look at the whole character to understand WHY she's like that. I don't think she's controlling Patty for personal gain or for the sake of manipulating her. I think she's lonely and desperate for companionship, which leads to her ignoring/pushing past the obvious incompatibility in her relationship with Patty.

Here's what we know about Tammy:

1. She seems to be the only black person in the Worcester social circle. She also mentions frequently how she's surrounded entirely by white men at work.

2. She is also the only openly lgbt person in the area, other than Patty, who is still not exactly out and proud.

3. She describes her entire job as "making excuses for" and "cleaning up after" the men at her job, particularly her partner (whose name I am unfortunately forgetting, does anyone remember?), who even had her plant evidence for him on at least one occasion.

4. Despite being very competent and good at her job, the white men around her keep failing upwards (she mentions a few times that people beneath her keep getting promoted) while she remains stagnant in her career. There doesn't seem to be any explanation for this other than the fact that she is a black lesbian in an extremely white, conservative community.

Basically, Tammy seems like someone who has been taught (like many black women) that she will have to work much harder than everyone else to get ahead in any capacity. She is also likely very, very lonely. She doesn't seem to have any friends outside of work, which isn't surprising given the above. It seems like she doesn't exactly have a ton of prospects, dating-wise, other than Patty. In my opinion, it's really no wonder that she clung to Patty so desperately and immediately and tried to forcibly mold her into someone who could be compatible. She's tough, smart, organized, direct, manipulative, no-nonsense and controlling because, well, she had to be. And she ends up trying to "rein in" Patty because, in her mind, what's the other option? She ends up alone, surrounded by men who force her to cover for their antics and don't care if she lives or dies.

I'm not saying her behavior is healthy. But it comes from an entirely different place than Kevin's abuse, or Chuck's, or even Neil's. And it's also not uncommon. In real life, I know many queer women (specifically small-town lesbians) who end up in relationship dynamics just like that over and over again because they start dating someone who doesn't quite fit, and they compensate for it by trying to force a connection instead of accepting loneliness and isolation. I have a lot of sympathy for Tammy. And I wish the show had taken more care to establish the abuse she faced from her coworkers off-camera.

[lights-at-night]

i might be shot but tbh i think fiction podcasts have an issue with racial representation

[aroaceleovaldez]

i am definitely the only person who cares about this but I was re-reading parts of Sea of Monsters (irrelevent as to why) and. in the chariot race. well, a.) The Ares cabin has skeleton horses. where did they get skeleton horses? and then, actually more confusingly, b.) almost all the other chariots besides Hephaestus cabin (they have automatons) have normal horses. not pegasi. Percy actually specifically identifies the Apollo chariot’s horses by breed which is very funny to me because Of Course He Would but like. We never see CHB have normal horses at any other point in time? Where did they get the horses?

[shannonsketches]

I'm sure it's been discussed at length already but I think it's easy to assume saiyans are strong so their genes are dominant but I (like to) think it's the opposite. It's interesting to think that the ecological nature of a saiyan is stealthy and invasive, and according to Jaco a saiyan invasion was going to be extra dangerous to earth because they look like earthlings (and a lot of other human-like races in the db universe) and one baby saiyan will easily go completely undetected until it starts the extermination process.

so it actually makes a lot of sense to me that a saiyan hybrid would take more physical traits from a local species, while maintaining the potential to house a saiyan's strength and inborn power over ki (which I think due to the story following a group of people who use it is a thing we often forgotten is a super rare and dangerous ability in that universe, and inborn/instinctive to a select few very powerful races). Could also be a fun way to explain why their tails can detach and grow back, since that may be the only real Tell.

because like yeah gohan and goten look like goku but they also look like chichi ykwim? trunks and bulla look like bulma. pan looks like videl. thoughts i chew on.

I also just find parasitism a real good meaty horror concept to put in my little 'this is why everyone's afraid of saiyans' headcanon file along with 'can see in the dark, biologically strategic energy consumption, can go long periods without food or rest' and of course the canonical 'surprise monkey werewolf kaiju'

[lgbtlunaverse]

Marcille doing necromancy was very sexy of her I agree but it's an experience watching anime-onlys fully go with her "Magic has no inherent morality it's just about how you use it" argument. Because they'll do some genuinely really cool analysis on like... conflating disgust with morality, or the way power structures will dictate what's acceptable purely to maintain their own power, and with every form of magic being so capable of harm why is ONLY black magic forbidden, huh? And I just have to sit here biting my nails like–

But I can't say that because i'd ruin their fun.

[jawz]

i saw the tv glow is legitimately one of the stupidest, most tryhard movies i've ever seen in my entire life. absolute dogshit. and everyone is pretending it's the most lifechanging thing they've ever seen LOL give me a break! the gall to claim this is inspired by fucking DAVID LYNCH??? i can't

[christiangeistdorfer]

PATRICK TAMBAY giving a lift to "winner" ALAIN PROST at the 1985 SAN MARINO GRAND PRIX. Prost was later disqualified due to his car being 2kg underweight.