#its just there to have clips from my fave scenes

[chakotayblendthree]

making a janewaychakotay neocities :3

[tgcg]

this is my element (+ album)

asking me to pick my fave album is like asking an orphan matron to pick her favorite baby boy

thats some weird and cruel circumstances to put upon me i feel like it changes every damn week like a rota

i mean what if my beats misbehave and i gotta put 'em in time out i cant play permanent on that theyre too cute

but yknow what i can show you one thing thats been on my mind lately

===

so when i was a kid we had this skateboard vid by "element skateboards" on DVD

they were this skateboard kit slash apparel company that was all about progressivism and shit and they did these much lauded comp tapes of dudes riding around on their boards and doing the dopest of macho tricks on the shit

flipping it turnways

putting the rock in the house like a big man

we had some of their merch actually

===

so anyways the one we had back then was This Is My Element

released 2007

mostly clips from cali i think and i mean the camerawork is fucking insane on some of those shots

this is gonna sound lame as fuck but i prob spent so many cumulative hours just peelin through the footage and ogling the shit outta it

that framing was tight

===

so you may be asking yourself or me

dave you genuine dicksucker i asked about your fav album not your favorite sordid ass display of smooth dudes hardcore riding and grinding them boards in public dude you have a problem

ok well that wasnt a question first of all so jot that down

but anyways to THAT i say

listen to the music

the whole thing has an original soundtrack of ambient beats

got some abstract hip hop jams, got some more indie stuff, lots of acoustic sampling

HELLA underground

and basically every track minus one is done by sampler beast david p. madson AKA "odd nosdam"

dude is my hero seriously

he is the master of the beat machine i shit you not hes always been kinda my idol on this stuff

aside from bro obviously

===

obviously.

===

anyways he had an E-mu SP-1200 which is a really oldschool sampler invented by dave rossum in the late 80s

revolutionary to the hip hop scene

nosdam had this mega distinct sound to his music that i always wanted to replicate on my own beats

still do

i dont know for sure if he used it on T.I.M.E. but he uses some of the same samples from "vol. 9" which was exclusively SP-1200 so im gonna get a lil j’accuzi on that

it couldve been a boss dr sampler SP-202 though idk

he had one of those

===

so aside from beating the shit out of the pause/resume button to flip my whole cranium at the cinematography or whatever i would also kinda play it on loop to listen to the soundtrack and space out at 2am

the lonely broner seemed to free his mind at night

ok shit broner is good but i didnt mean it like that

that was goofy lets just keep movin

it was the only way i had to listen to it back then but i mean the video is 50 mins long so its basically just an odd nosdam album with accompanying ambient skater sounds and random expletives and whatever

random car sequence

yknow what i dont think people respect enough?

the dude who catches all the "mad stunts yo" on camera

i swear to god at least half the time hes ALSO on a board and that shit is bananas to me

bros gotta be on some whole other level of zen to skate good AND catch all them glamor shots of his fellow skater

thats like an express ticket to the ER imo

the ambulance is already on the scene watching you like an eager crow watches a half dead dog

===

ok gonna go ahead and lay it out flat

not great on a board myself

kinda dogshit at it actually

so maybe im not exactly an arbitrator of skateboard heinousness

but i always kinda liked watching THEM do it i mean who doesnt?

whats an even crazier layer to stack on the "dave" cake is

and dirk told me this because unfortunately it kinda happened post-2009

he would do all these collabs with one of my childhood favorite underground rappers david cohn aka serengeti

surrounded by daves left and right dude even before all the time travel horseshit

thats like

serendipitous as fuck i think!

===

if sburb was just a revolving door of artists called dave that i could bump fists with

instead of other mes in various states of aliveness tending toward extremely dead

i wouldve probably given it something higher than 2 stars on my TGN review

===

so yeah you ask me my favorite album its T.I.M.E. by odd nosdam i guess

bump that shit on a walk your mind will go places unknown to man

[aurianavaloria]

👑 The King - An Analysis ✨

I've already stated my love for the Kingdom of Heaven soundtrack in a previous post, and in case it wasn't already obvious from my ambience edits, "The King" - essentially, King Baldwin's theme - is one of my favorite tracks on the OST album (if you're curious, "Burning the Past", "Crusaders", "To Jerusalem", and "Ibelin" are my other faves); it so effectively encapsulates his character with several simple variations on a single melody, on top of just being a lovely piece to listen to. What follows is my amateur analysis of this track (fully enabled by @atomnolly - please go check out their art, they're amazing). Please note, however, that I have absolutely zero experience with musical composition and theory. I'm just going by what the piece invokes in me, as a listener, in relation to Baldwin's character in the film.

I'll primarily be analyzing the OST's version of the track, which brings me to my main gripe about the way this piece is presented in the film and one reason why I'm doing this analysis to begin with: there's actually two variants floating out there - the basic OST album version and the Complete/"Full Expanded" album version, the latter of which is how it was implemented in the movie. Unfortunately, in the film, you never get to hear "The King" as its own full track like you do with "Burning the Past", for example. Instead, it's spliced up over the course of several scenes, one of which has nothing to do with Baldwin himself. 🙃

Go figure.

Because of this, I'm using the full "suite" version from the OST (called the "Album Edit" on the complete soundtrack) as, oddly enough, it is far more coherent to listen to than how it actually shows up in the film. More on that later.

The suite opens up with an intro that is called "Golgotha" on the complete soundtrack (unfortunately, Tumblr isn't letting me upload my audio clips no matter what I do, so we'll go by timestamps instead - I highly advise docking the video in your sidebar while you read for convenience). Between 0:00 and 1:20, we get this soft, meandering, mysterious melody on duduk, accompanied by equally mysterious female vocals that briefly drift into a brighter, almost angelic sound. This change in tone is backed by what sounds like a glass harp before the duduk repeats the initial melody.

I've noticed that the "tinkling" glass harp often shows up in the film to seemingly emphasize something ethereal or supernatural, and we mostly hear it in connection to Baldwin, although it does spring up in other places on occasion. Each time it's used, it invokes the slightest bit of tension, as if it's a cue to think more closely about whatever it is the viewer is looking at.

Even more intrinsically tied to his character, however, is the presence of the Armenian duduk, which, if I haven't missed anything anywhere (which I could have), doesn't appear in any track other than those clearly associated with the king. In this way, I think we can effectively say that, as far as the KoH soundtrack goes, the duduk is "his" instrument - fitting, considering his Armenian heritage.

As a side note, this is why it's strange and somewhat frustrating to me to have this intro segment tacked onto Balian's visit at Calvary in the film, because, after hearing it as part of "The King" suite on the album edit, it's obvious that the duduk signals Baldwin's presence. Yet at this point, the king hasn't even been introduced and won't be for a few more scenes. I do believe it replays in full after Balian's invitation to speak with Baldwin, but it is almost completely overshadowed by his conversation with Sibylla, leading the viewer to possibly attach it to her rather than her brother.

Back to the duduk. The Armenian duduk, a double-reed instrument traditionally made of apricot wood, has a very distinctive sound that's been described by listeners as everything from mournful, lonely, and haunting, to relaxing and soulful, to majestic and even romantic, depending on how it is played. This powerful versatility is certainly demonstrated in "The King", beginning with this introduction that I would say ventures into "haunting" territory. In fact, it almost feels like a lure - a siren's call for listeners.

After that call, we get the beginning of what is "The King" on the Extended soundtrack and the first appearance of the leitmotif that is attached to Baldwin from that point forth. Between 1:20 and 1:50 on the album edit, we have a very "gentle" (as @atomnolly put it 😁) melody played on a flute, first heard when Baldwin is beckoning Balian to come closer, again accompanied by the glass harp. While starting at a lilting higher pitch, it soon trails off into a lower one before a slight pause, and then a slide of strings precedes a repetition of that same melody at a lower pitch than the first. A solemn tension builds from then until 2:24, at which point, in the Complete soundtrack, it is very obviously and awkwardly chopped to silence. 🙃We'll get back to that in a bit.

This introduction of Baldwin's leitmotif is a very interesting point of the suite, because the almost light airiness of the flute doesn't last very long. It soon gives way to a much richer, even "darker" sound. For me, this represents what belies the almost angelic appearance of the king - there's far more depth there than his friendly introduction might suggest, and this is reflected in the music itself... brightness intertwined with mystery, and possibly a little danger (this is a king we're talking about, here, with all the power that position provides).

This mystery is further emphasized when the duduk comes back in, echoing the leitmotif between 2:25 and 2:50, and it is further strengthened by the dual presence of the glass harp and growing strings supporting it. Unfortunately, this part doesn't show up at all during Balian's first conversation with Baldwin; in fact, it is put off until the middle of "Terms" on the complete soundtrack: the discussion with Saladin at Kerak. IMO, it would have been far more fitting to have it in the background during the most serious part of Baldwin's lecture (a la my first atmosphere edit); this is really the second-strongest iteration of his leitmotif and should have accompanied his most powerful quote in the film.

What comes after is the closest thing we get to a battle theme for Baldwin. From 2:50 to 3:06 we get another repetition of the leitmotif by the duduk, but in its strongest form: at a higher pitch but with greater power than before, it is accompanied by drums and backed by strings that give a sense of urgency. This is the king on horseback, both right before the meeting with Saladin and immediately following. Utterly gone is the glass harp - mystery gives way to majesty.

The leitmotif then continues with even stronger strings alongside the duduk at a lower pitch from 3:07, almost overpowering it, before being repeated a final time by horns at 3:22. This, I believe, is essentially a royal fanfare of sorts; brass has been associated with military and nobility (as the ultimate leadership of said military) since ancient times, and it is here that the score emphasizes Baldwin's role as commander of his kingdom's army. Again, unfortunately, this part isn't kept singular to Baldwin and is replayed in the future scenes of Balian's battle at Jerusalem - it's possible this is intended to evoke the memory of Baldwin, but it further takes away from the composition's uniqueness.

At 3:37, then, we get a small "falling action" portion that actually doesn't appear where it was intended. According to Drake55116's analysis, this particular bit was actually supposed to play while Baldwin dismounted his horse and approached Raynald in Kerak's courtyard, but was ultimately cut. I'm not sure why - it has a definite sense of "impending doom" to it, not just for Raynald, but for Baldwin himself, as this becomes his last great "hurrah" as king. Both the string and horn buildups are wonderful and really emphasize it as the climax point before the disaster that follows.

After that, interestingly enough, the portion that appears at 4:17 on the album edit is actually put where the leitmotif chops off suddenly during Baldwin's earlier conversation with Balian on the Extended soundtrack. To be honest, I think it would have served just fine during or even after Baldwin's interaction with Raynald instead. The slide of the low strings and the slightly discordant horns continue that regal majesty, but also provide appropriate tension for the situation.

Briefly returning to the initial conversation between Baldwin and Balian - there is one portion of the theme that is reserved for the Complete soundtrack and doesn't appear on the OST album edit: at 56:28 there is a unique high string version of the king's leitmotif followed by a slower, half repetition by the duduk, which has had an echo added to it. It essentially serves to "close-out" their conversation after Baldwin gives his orders to go to Ibelin. This iteration is much, much softer in tone, and with the echo and the growing glass harp sound alongside it, it seems to purposefully emphasize the ethereal mystery of the king, but this time with a definite positive tone... perhaps reflective of Balian's hopeful outlook on him?

Back to the album edit. From 4:42, the leitmotif appears again as an even higher flute than it first appeared, almost delicate. A deliberate pause follows with emphasis on the glass harp between 5:06 and 5:15 before the duduk echoes the theme one last time... the softest and slowest it's played on the whole track as it extends to the end. Here, from 4:42 onward, is the dying king. A certain innocence is reflected in the high flute notes, weariness and vulnerability conveyed through the duduk. Despite being the gentlest segment of the suite, it is perhaps the most powerful way to close it out, the prior strength and mystery quite literally fading away into nothing.

In essence, I think "The King" would have been much more effective presented in the movie exactly as it appears as a suite on the OST, going precisely in that order and restricted to Baldwin's appearances alone. As a whole, it perfectly illustrates the king as a character - the flute and glass harp reflecting the angelic elegance, the horns the majesty, the duduk the mystery, power, and tragedy. Harry Gregson-Williams's composition is beautifully-deep despite its relative simplicity, and it adds so much to every scene in which Baldwin appears; thoughtfully-crafted to invoke the above feelings in the audience, it effectively enhances the Leper King's brief but powerful presence in the film.

[hatchetfieldtheories]

Workin' Boys: A New Theory

So, I’ve changed my mind.

A while back I wrote this theory, and while I do still think there is some truth to the theory that Hidgens began to have his apotheosis once he touched the blue goo, I think there is more to the story.

Note, the below contains one mild spoiler for NPMD.  Mild only in that I will briefly reference one character without any context added.  Feel free to skip this theory if you wish, or come back to it post 13th October to see how much I got wrong!!

Great Scott! It’s a Workin Boys theory!

The world will be blessed with Workin Boys next week, and I know not everyone will get to watch it, but it’s safe to say there will be things we learn from the show that will either answer some of our never ending questions, or give us more to puzzle over.  The latter being the one I’m expecting if I’m honest, afterall, this is Hatchetfield.  

And to be honest, we’ve not been given much to work on.  The trailer and synopsis are both pretty short, we’ve had a sprinkling of facts and figures over the last couple of years, and a few Hidgens cameos, so this isn’t really a theory of what I think will be the storyline, but rather an attempt to predict some of the themes and potential lore implications that might arise.

Also for reference, a good portion of the info used in this theory has come from these two wonderful compendiums of Hatchetfield knowledge:

@gone-to-oregone's wonderful Everything is Connected doc

@abiimaryy's amazing Hatchetfield Lore Doc

The Stage is Set

Professor Henry Hidgens and Doctor Emmett Brown have a lot in common.  They’re eccentric, they’re clever, and they both had a vision of something world changing due to an accident they had 30 years ago.

For Henry, this doesn’t result in any fun 50s hijinks, but rather he gets struck by lightning in 1988 and predicts the world ending by musical apotheosis. Super specific, honestly.  But what is important is that date.

Hidgens didn’t predict the events of TGWDLM after 2005, but rather before. If this had happened to him after 2005 we could easily put the lightning strike down to an event unique to the TGWDLM timeline only.  However, his accident happened way before 2005, way before the timelines split.  So just as Ted must be the Homeless Guy in every single Hatchetfield timeline, Hidgens must also be expecting a musical apocalypse in every timeline.

This must also include Working Boys, whatever timeline that ends up being in.  In Workin Boys, Hidgens would be under the impression that at some point soon, a musical apocalypse is about to happen.  So what does that have to do with said musical-within-a-musical?

Here come the LiB

It’s pretty safe to say Pokey is heavily influencing whatever happens in Workin Boys.  First of all, its a musical so it was going to be a safe bet.  But judging by the trailer, we’ve got multiple references to our fave goo gremlin. The blue light shining on Henry, multiple voices calling him in a Singular Voice, and Joey’s jumpscare where he looks like Pokey incarnate.

Who Joey is in that small clip is anyone’s guess.  I’ve seen a few theories floating about, including Chad, Mathias Waylon, and Pokey himself.  Honestly, I’m not sure, but what is important is how he looks.  Whoever this fella is, he’s got a blue hue, a cracked face, and ooze dripping down his chin.  If he’s not Pokey, he’s someone who has been Pokey-fied.

And this link was always going to make sense.  Workin Boys has had its biggest show stopping moment in Pokey’s timeline.  

But what if Workin Boys was created, because and for Pokey.

In TGWDLM, we get a whole scene of our cast of characters witnessing the meteor coming through the clouds.  Our cast of characters are busy going about their evening, finishing work, wondering what is coming through the clouds.  Notably, Paul is on his way home, from his work, in the business world.  Paul doesn’t strike me as someone who stays late at work, so it’s safe to say that the meteor hit the Earth’s atmosphere around.. 5 O’clock?

This is Pokey’s Workin Boys now

Let’s go back to that incident with the lightning strike.  Henry was hit by lightning and predicted the apocalypse.  I’ve referenced in a few theories (1 & 2) that I think lightning is more than just the LiB’s motif.  It’s the strike of inspiration, of interference, of the Lords in Black in the real world.  The Black Book contains references to lightning, we see a crack of lightning across each Hatchetfield show title, when the meteor crashes at the Starlight lightning is flashing through the sky.

Something to shock em, to bring them a crawling, a big time box office draw

When Henry was hit by lightning, he didn’t just see the potential musical end times. But he was also given Workin Boys - or at least, he was given his inspiration.  Workin Boys was always written for Pokey. It’s Hidgen’s story, yes, but the musical itself is for our blue boy.  It was a pre-destined self-destruction.

The musical Hidgens writes tells us the 5 O’Clock can’t come soon enough because in one timeline, that is when the meteor will strike.  This is why he is trying so hard to fund the show in every timeline, because in one timeline he needs to put it on stage for whatever Pokey has planned.  Whatever Pokey requires half of Hatchetfield to be in attendance for.

Prof. H and Miss H?

I’ll be honest, and apologies in advance.  I don’t think Miss Holloway is alive in the Workin Boys timeline.

We were told following NMT2’s release (via Jim Povolo’s watch series) that the Black Book we see in Killer Track was created for Workin Boys, which means providing things haven’t changed we should see the book.  If that’s the case, then Miss H doesn’t have it.  It’s possible that Hidgens somehow gets hold of the book, and when the show of his dreams doesn’t look to be going the way he expected - he does what Thrash told everyone he did - he sold his soul to the devil.  Or, well, to the Black and White.

As to when he gets the Black Book - who knows - but all I’ll say is it’s very interesting that Miss H is our 80s queen, and Hidgen’s divine inspiration also occurred in the 80s.

Encore

Well, that’s the main theory.  But we’ve got time for one last little theory that’s very loosely based on nothing.

Workin Boys: A New Musical, is based on Hidgens’ friends from college - old college chums in a beat up old house. Specifically - six of them - not including Henry.  I’ve seen a few theories regarding the six workin boys being a stand in for the LiB and Webby.  Is this a stretch? Maybe.  But it also kind of fits.  From odd instances in livestreams and tweets, it’s clear that Henry was not throwing that old pigskin around (specifically in one of Nick’s tweets that there are 7 workin boys, but 6 on the field).  Henry isn’t a part of that group.  Not fully.  So if we do get to meet any of the irl workin boys, I don’t think their dynamic is going to be quite how Hidgen’s pictures it.

Well, if you made it this far please help yourself to some interval ice cream and a show programme. And remember - there’s no exits from this broadway venue.

[ohkaranetsmkor-blog]

The Little Mermaid: First Thoughts

Just saw The Little Mermaid and oh my god I’m pretty impressed this is actually a lovely film! I had my doubts from those trailers and clips but now that I’ve seen the film it was better than I expected. Don’t get me wrong it’s not perfect but a couple of things (dw no spoilers, I’ll save that for later):

Halle Bailey as Ariel is absolutely perfect! Her voice, her acting, the way she moved underwater with her tail, she was absolutely majestic. There were a couple little moments were her acting was a bit stiff but honestly that’s just me being picky, SHE IS ARIEL AND F THE HATERS.

The scene stealer was definitely Melissa McCarthy as Ursula though. I had my doubts and at the beginning of the film she’s holding back a bit. But, after Poor Unfortunate Souls I was sold on her, she nailed that number and the whole Ursula package. Just an aside, the actress who plays Vanessa omg what a stunner and legit I’m now wondering what else she’s been on cause she was THAT good with a five seconds of screen time.

Prince Eric was given more to do in this film and is a way more interesting character than in the original. Personally I loved the extra back story they gave him and his song fits in with the original soundtrack pretty well. I thought Jonah was really cute and did some great acting. His lip syncing of Wild Uncharted Waters was a tad obvious but ehhh its minor and I’m a picky musical theatre nerd iykyk *low key you fanfiction writers out there I am patiently waiting for some Ariel x Eric fics ya’ll better get right on it*

On Ariel and Eric they are *chefs kiss*. The cutest chemistry ever so much so that I wish they had a couple more scenes together to really flesh it out. I loved how they made them have similar interests in the film (when you see it you’ll understand). The romance felt meant to be rather than forced, I’m lowkey wanting Jonah in Bridgerton or something the guy has pining heart eyes for days ugh my heart. 

The only negative-ish thing to mention is just the CGI for the creatures and the underwater hair. Whilst its impressive how life-like they are it will never not be unnerving for me so oh well, I accept. The hair though...? Idk you’d think after Aquaman did it perfectly Disney would be able to pull it off too but there are couple of moments it just looks weird. But, these things are minor and from what I understand, these VFX contractors work under pretty poor conditions so I’m not too fussed.

Overall I’m so impressed by this film and the more I think about it the more I like it. It’s definitely up there as my fave or at least top 2 (with Aladdin), for the live action remakes so go see it!!! I promise it won’t disappoint you!!!!

[rei-does-stuff]

SaH dub ep 5!!

-Owie I forgot this ep had flashing lights :(

-Still mad abt the brother thing lmao

-HOW DID THEY NOT CENSOR THE GUY BLOWING UP??

-“This is really boring” LMAO

-Commander darami’s voice is so bad

-JESUS HOW MANY NEW CHARACTERS DO THEY HAVE TO MAKE

-God jogjebis voice is so weird and he has bad mic quality too

-Once again changing the story around

-NEW MUSIC FINALLY

-I think things are finally getting less yellow too!

-Dan Green you don’t need to tell us whats happening on the screen

-This makes me want a proper SaH dub that sticks to the og now

-“He hates lying and living in fear of being discovered” LIAR GEUM LOVES LYING

-No Geum whistling :(

-IT JUST CUTS TO THE CREDITS AGAIN?? WHAT IS WITH THESE ABRUPT ENDINGS???

——

And Ep 6!!

-What was the point abt his ‘bad’ driving even for if they dont bring it up again???

-Geum and Jogjebi have no connection in this ver due to how much they make different characters so this moment has no weight

-Wait wait wait, he had TWO BODY DOUBLES?? WHY???

-THEY FUCKING ADDED A SECOND SCENE JUST DID THE SCENE OF HIM SAYING HE HAD A BODY DOUBLE TWICE WHAT THE FUCK?? THAT IS SO INSANE??? IM LOSING MY MIND THAT MAKES HIM LOOK SO FUCKING DUMB

-“I tricked you Geum! I have a body double on the plane!”

“Damn—Wait didn’t you tell me this at the base?“

“THAT WAS ALSO A BODY DOUBLE!! I TRICKED YOU TWICE!”

“…Why what was even the point of that—??

“Idk I just wanted to fuck with you lmao”

-instead of making things yellow they made everything a lot brighter instead

-I will admit some of the dub lines are really funny I can’t wait to show the clips I’ve taken once I’ve finished this

-Mulmangcho’s voice in this sucksss

-NO THEY REMOVE GEUM TELLING HIM TO DO THE PUSHUPS

-“Hello there!” *Kicks the shit out of him*

-It feels like they’re removing so much context from the og, which they ARE but ykyk

-The mixing in this is very bad, a lot of the music drowns out their voices

-Okay yk what I’m gonna say it, this mouse from the dub is amazing and 100% an improvement he is so fucking funny and I love him???

-He’s literally like “WOAH WOAH DONT KILL ME IM A LITTLE GUY IM JUST A LITTLE GUY ITS ALSO MY BIRTHDAY YOU WOULDNT SHOOT A LITTLE GUY” icon

-Sandoz I think is his name and I love himmmmm <33

-“Was this made in Japan?? China or something???” WHAT IS THAT LINE?? YOU WORK FOR THE JAPANESE DUDE!!

-“Long live malogoto” THIS IS A FESTIVAL FOR FLOWER HILL

-NOTHING MAKES SENSE LIKE AT ALL

-NOW THEY CALL THE MAGPIES BLACK BIRDS CANT EVEN BE CONSISTENT

-THEY REMOVE THE MORSE CODE SOUNDS

-*Shot of mice getting gunned down and killed* *HARD CUT TO THE HAPPY FESTIVAL AND FIREWORKS* LITERALLY INSANE

-Everything got darker for some reason???

-FEMALE COMMANDER GENDER EQUALITY? IG??

————

Those two eps were insane but they gave me my fave rat boy Sandoz and had some rlly funny scenes so I forgive some of it

[airenyah]

Hi, I came to report to you that your ql music research is rubbing off on me 😅 I was watching ep 2 of Ploy's Yearbook (for Joong and Namtan 😍), when suddenly I recognized a piece of music!! But I couldn't place it, so I tried to remember which series have I watched so many times that I'm familiar with the music. I reached the tentative conclusion that it must be from SIMM or possibly from Hidden Agenda (but I definitely connected it to JoongDunk). Maybe I need to do a complete rewatch of both series to confirm, what a hardship 😂 I just wanted to tell you that maybe aside from being a JD vampire bl truther, this will be your other legacy

oh my god, that's amazing!!!!!! i LOVE to hear that!!!!! i'm actually planning on making a side blog focused on shared royalty free music in thdramas, but that's something that is earliest going to happen in the summer if not in the winter. i wanna work my way through some of my fave shows first, because those are the soundtracks i'm more likely to recognize and i just wanna have them on my google doc before i go put everything in tumblr posts (which is also gonna take forever bc my google doc is currently at 100 pages worth of entries sjkfkjsfdj)

aaaaanyway, re: music in ploy's yearbook

was it by any chance desert caravan by ludvig moulin? i haven't watched ep2 yet (i was actually about to go watch it when your message came in and i couldn't help answering it first kjdkfdg), but i did see a clip of it earlier in jimmy's insta story and the scene had this music in the background. it has come up in episode 1 already as well. if it was this, then good job on connecting it to a joongdunk show because it actually has come up on hidden agenda a couple of times! i'm still missing the last 3 episodes on my music collection, but these are the time stamps so far:

ep1 pt1 - 0:13

ep3 pt2 - 0:20

ep4 pt1 - 4:32

ep8 pt4 - 8:08

And here are the time stamps for ep1 of ploy's yearbook:

ep1 pt1 - 11:10 / 17:41

ep1 pt2 - 1:50

ep2 pt1 - 9:38

ep2 pt2 - 0:27

ep2 pt3 - 3:09

ep2 pt4 - 3:07

you might also have recognized get up on that horse by spring gang as the music that plays in bad buddy at the beginning of ep7 when pat is in the car (ep7 pt1 - 1:20) or also in ep12 when patpran claim they broke up (ep12 pt3 - 3:45). oh but wait, it's definitely connected to joongdunk, you said? well, as it turns out this one has actually come up in star in my mind a lot. like. A LOT:

ep1 pt2 - 5:55

ep2 pt1 - 4:00

ep2 pt4 - 1:02

ep3 pt2 - 1:15

ep3 pt3 - 1:55

ep3 pt4 - 1:17

ep6 pt2 - 1:23

ep7 pt2 - 1:48

ep7 pt4 - 0:48

ep8 pt1 - 4:33 / 5:41

ep8 pt3 - 5:07

and here are the time stamps for ep1 of ploy's yearbook again for reference:

ep1 pt1 - 13:00

ep1 pt2 - 2:26

ep2 pt1 - 8:37

and here, have a bonus because why the fuck not: moonshiner's turn by martin landström. this one has shown up in ep1 pt4 of both bad buddy as well as 23.5 degrees. also found in ep1 of ploy's yearbook at:

ep1 pt1 - 18:53

ep1 pt3 - 6:16

ep2 pt1 - 0:35 / 17:30

well, i'm gonna go watch the new episode now! feel free to check back on this post in a couple of hours, i might edit it or add a reblog with all my findings about the music in ep2 😂

edit:

i've added the ep2 time stamps to the aforementioned ones! and i found new music as well!!

maybe the one you recognized as a joongdunk series music in ep2 was winning hand by ealot. it came up in star in my mind a couple of times:

ep1 pt4 - 3:00

ep2 pt2 - 2:20

ep4 pt2 - 9:16

ep8 pt3 - 4:17

it featured in ep2 of ploy's yearbook at following timestamps:

ep2 pt1 - 16:58

ep2 pt3 - 3:45

and there was some more bad buddy music as well (diggin' the drama by the new fools) and it amazes me that my brain immediately went "we know this!!" considering it showed up in bad buddy exactly one single time (ep7 pt2 - 13:45). bad buddy really has wormed its way into my brain in every single aspect in the last two years huh djkfkjdfg. anyway you can find it in ep2 of ploy's yearbook at:

ep2 pt1 - 11:10

apart from these, there were also two pieces of music that sounded increeeedibly familiar to me but neither shazam nor google could come up with any results! i'm gonna have to click through my "not found" list at some point, maybe they're already there. here are the time stamps if you're curious:

first one i can't find (ep2 pt3 - 2:06)

second one i can't find (ep2 pt3 - 7:09)

this is gonna bug me for a while....

[randomnessofthehighestorder]

Netflix geeks listen up!

I have never before been so hyped for so many new things on Netflix, but Geeked Week blew me away! Here are some of the announcements that I will definitely be watching:

Castlevania Nocturne Season 2! After that cliffhanger, I’m excited to see Alucard join the fight with Ricter Belmont by his side!

The Witcher: Sirens of the Deep! The OG voice of the White Wolf is back! And did they say merpeople are gonna be involved? I’m down with it!

Arcane Season 2! Again another cliffhanger that I am excited to see the aftermath of, and that clip of Vi’s emo fighter era! She looks great at the cost of emotional turmoil… November can’t come soon enough because all the Arcane fans are about to paint the town blue! Sound off in the reposts and comments, Team Vi or Team Jinx?

The Tomb Raider show! From the trailer, it looks action packed true to the spirit of the games. Haley Atwell is gonna be a great Lara Croft…

The Devil May Cry show! I love the games and the trailer looks so SSStylish! And is that Johnny Yong Bosch as the voice of Dante?! First he voiced Nero in the games, and now the main man himself! We just hit the jackpot! This show is gonna rock!

Avatar the Last Airbender Season 2! It’s started production and we have our Toph Beifong! I can’t wait to see the Gaang in the Earth Kingdom!

The Splinter Cell show! I may know nothing of the original games, but from the responses from the fans, I can tell this show’s gonna be great! I might check the games out to prepare from the awesomeness that is Sam Fisher… Also he’s being voiced by X-Men Origins’ Sabertooth? LFG!

One Piece Season 2! We have our Nico Robin, Crocodile and a look at what Chopper’s gonna look like! Hopefully Brina Palencia will reprise her role as the adorable Straw Hat medic… and I have to say, Joe Manganiello as Mr 0? It’s bound to be a hell of a ride for the Straw Hats, because I think we have all our Baroque Works members casted! The Nakama are ready, are you?

The new season of Black Mirror! The show at its roots is British, as the creator said, so as a Brit myself, I’m excited to see the worlds presented from the darkness of a Black Mirror… and the cast is packed!

The Sandman Season 2! We have the entire family casted and they showed us a peek behind the scenes and everything looks so cool! It’s a dream come true for the comic geek in me!

Cobra Kai’s final season! The Sekai Taikai is about get intense and so much butt is gonna be kicked! Strike hard, strike first, no mercy!

Sakamoto Days! I’ve heard a lot of good things about the manga on social media, so I hope that the anime does it justice…

Cyberpunk?! After Edgerunners, I can’t wait to return to Night City with my chooms!

Wednesday Season 2! That cliffhanger! I can’t wait to return to Nevermore and see the fan fave Addams kid in action!

Squid Game Season 2! The games are about get even more dangerous, and Gi-Hun is back in the game! I guess it’s true, the game never stops…

I might be posting more about these amazing projects as their release dates get closer, but for now, I am onboard the hypetrain and I’m on it until the end!

[saltwatersweets]

How did you get into dsmp, when did it start, who are your favs, who do you dislike, any hot takes, what did you think of the finale, what species do you hc the characters

1. i started watching dreams content early april 2020, at a little before 3 mil subscribers! i started watching dteam clips not too long after and so knew about the dream smp’s existence early early on, before there was lore. however i only used youtube at the time and didn’t even know there was lore at all until i saw sad-ist’s first dsmp animation (i have been a fan of hers since i was around twelve or thirteen; its funny that the dsmp introduced a lot of people to sad-ist but for me sad-ist introduced me to the dsmp!) a couple months later when lore started really picking up i started posting more about it on social media.

2. i think youre asking for fave characters, in which case im pretty basic. top five are likely gonna have to be 1) c!dream, 2) c!quackity, 3) c!sam, 4) c!tommy, and then i’d say c!techno, c!niki, and c!tubbo are all tied for fifth!

3. i wouldnt say i outright dislike any characters. i personally never really cared for c!schlatt and i especially havent really cared much for c!wilbur since like, the election arc. nothing against them personally, or fans of those characters, they just dont really interest me personally. that might change soon though!!

(this ended up being so long so more under the cut 💀)

4. i suppose my only real hot take is that again, the justification for what c!dream went through during prison arc can easily be used to justify what c!tommy went through during exile arc; i believe there are certain things that no one can deserve to go through and torture/manipulation like that are two of those things. i’ve already said that before but its really my only lore hot take i’d say i can word well (i have a lot of thoughts in my head and never have ANY idea how to word them 😭)

as for any hot takes regarding ccs, i wouldnt say i have any big ones either but they might put me in hot water with some people anyway LOL. i believe that everyone should be given chances to change for the better and that a person having bigoted views in the past because of how they were raised and no longer having them in the present is a Good Thing!! no one should be expected to be perfect for their entire lives. positive change is always good i think and it should be encouraged, for any cc and person in general. finally regarding any friendships in the dsmp that are broken now, i dont want to blame one single person in any friendship. we don’t know what fully happened behind the scenes and nor should we ever - its private.

5. this question ended up being perfect timing because i JUST caught up on the finale like two hours ago 😭 havent watched all the full streams but have seen the major clips so i could understand what happened. i was actually just about to post about it, but i loved it!! i’m a big c!discduo apologist and enjoy how it handled both their characters. c!tommy did do bad things (though that doesnt mean he deserved the bad things done to him)!! c!dream did a Lot of bad things (though that doesn’t mean HE deserved the bad things done to him)!!

i thought the way it handled their characters was pretty good for a minecraft roleplay and i find the fact that it caused so much discourse (especially about someone who from what i know wasnt even a main writer for it?) pretty stupid lmao. especially when i see tommy fans saying the finale sucked when from what i know tommy was one of the people who had a huge part in writing it?? lmao 😭 (not hating on tommy or his fans i just think its funny). i think that expecting a perfect and neat story of abuse on a MINECRAFT ROLEPLAY full of a bunch of minecraft streamers in their teens/early twenties was asking for disappointment.

i think the finale ended up being really profound especially with the irl stuff going on at the time (and what was to come in the future). how broken friendships played such a huge role on the server and just a year or so later many of the irl friendships would be broken. one thing that especially got to me was how much of a point was made that immortality wasnt right and it was important to live your life and enjoy it with the people you love while you can; that the best things are temporary because you can appreciate them. it was a natural evolution of c!dreams character of course (a necromancer who wanted his world to go back to how it used to be) but the fact that the finale streams happened only a few months after techno’s actual passing was not lost on me.

as for the final couple minutes themselves, i am a little conflicted. i would have loved the story to end with everyone keeping their memories and the idea that they’ll have to figure out how to live after doing everything theyve done; how to make peace with everyone WITH their memories. i’m not sure how season 2 would have gone but the fact is that we’ll never get a season 2 and that this is the ending we’re left with. especially how in a way c!dreams plan to “reset” the server seemed to come to fruition; i think it would have been a better ending for his and the other characters if again they had to live with their memories of what theyd done and try to move on like that. it wasnt really the type of ending that i was hoping the dsmp would have, but i think it served its purpose well. love the c!discduo being friends though!! and i also love seeing fics that take place during “season 2” and after the nuke went off, those always end up being super interesting to me.

6. any of my species headcanons are EXTREMELY basic lmao. duck hybrid c!quackity, creeper hybrid c!sam, goat hybrid c!tubbo, etc etc. i have no big headcanons i’d say - i totally see c!tommy and c!dream as both being 100% human though. i’d say thats my only real headcanon regarding hybrids and species. ive got a lot of headcanons but not too much about that specifically.

[sothischickshe]

Truly… what season 3 could have been. Speaking of, what would’ve been your ideal ending for it? 💭

👋👋👋👋👋👋👋😘😘😘😘😘😘😘

I feel like I'm def overly romanticising the potential of/s3 bc my immediate thought is that my ideal s3 would've wrapped up the storylines I found annoying ASAP so I didn't have to suffer through them all the way into s4 😂

I primarily mean the Annie's terrible therapist stuff (literally makes me violent though I quite like how the conclusion underlines how rubbish he is, couldve maybe stomached it better were it not sandwiched btwn annie/Noah & annie/Kevin 🤮🤮🤮🤮) & the hills + the donor family stuff (painfully annoying).

I would include the hitman plot too, at a distant third place, cos it felt very lazy -- as a device for why the girls made no money that season, for provision of 😲twists, and in terms of the characters' motivations (particularly re Ruby & annie, but also Fitz at times) around it.

BUT some of the brio stuff was so angsty & delicious!!! It's deffo a strong contender for fave season generally and brio content specifically for me (in part cos of the 🥺Potential, but also bc s1 2 & 4 are all strong contenders for worst season for me sfgfff).

With the context of s4, I do also think my ~ideal s3 would ~end with setting up some of the s4 stuff -- particularly the existence of nick (who seemed to arrive from planet zorbo suddenly) & the Beth-stan conflict (espec cos otherwise stan's response to Ruby being shot comes across as belated). I also would've liked some more annie-nancy content, s4 made the terrible therapist storyline feel ~relevant to annie & nancy repairing their relationship, so it would have been nice to see that seeded in more 😊

& I think I couldve def enjoyed a true to form season finale of Beth + rio + some man + gun! I did enjoy the resolution of the hitman plot overall (and that brio bar scene was fantastic!) but the execution (of the execution lol) was kinda lacklustre, and didn't really feel particularly in conversation with the s2 (& indeed s1) finale, which I think is a waste.

But mostly my ideal ending to s3 would have been after the number of eps we were supposed to see 😭😭😭😭 and then with a long break before s4 started 😭😭😭😭

espec cos as it is beth & Rio's relationship just seems reset, but like in an unearned way! I appreciate what they were trying to do with the next time empty the clip line in the scavenged s3 finale, but I don't like it much :/ and the bit (in the s4 approximation of the s3 finale) abt rio maybe semi realising the hitman was a hitman seemed to just peter out...? I can totally forgive s4 a bunch of clunkiness cos it had to pick up after AND reset from the aborted prev season but I wish we'd had a dramatic brio semi accidental pair up against a common enemy season finale which got a realllll chance to breathe before eg the (genuinely too silly, and that's ME saying it🤯) brio pool playing scene in s4.

...like ugh can you imagine if they actually got to finally yell @ each other after a season of low energy glaring?! 😭😭😭😭 uNfAiR

Similarly I def appreciate that they chose to leave Ruby & stan in a good place for the cobbled together s3 finale, but it does make the ~retreading in s4 feel pretty 2 steps forwards 1 step back♻️♻️♻️♻️♻️🙃😭

...I feel like this is a v boring answer in essence 😂 but yea I think my ideal s3 ending would have been getting to see the full s3 as it was intended 😭 & even if it sucked, at least I'd be able to judge it on its merits!!!

[butterscotch-brigade]

tell me your fave and least fave invader zim episodes. also tell me a fave moment you got me rewatching it again and i forgot how fun this show was

ASKDJLASKJLSAJND FIRST OF ALL ty for giving me the opportunity to infodump abt invader zim i have been rattling it around inside my brain for like a month now so i was very excited when i saw this ask KASJLKJSLKJ

i have a couple fav episodes!!! in no particular order, i rly like:

invasion of the idiot dog brain!! gir is rly cute and funny in this ep, its what got me to rly start liking him

game slave 2!! gaz is one of my favs and shes great in this ep. plus i rly like all the Gamer Humor, u can tell it was written by someone who actually understands what video game fans r like ASDKJLDSK

bloaty's pizza hog!! another gaz-centric ep, shes so funny and badass in this. autism icon (i think abt "im trying to draw a LITTLE PIGGY" on a regular basis btw)

tak the hideous new girl!!! tak is one of my FAV characters i miss her SO MUUUCHHH this ep was such a great introduction to her shes so fucking cool

zim eats waffles!!! ik nothing much rly happens in this one but thats part of the charm imo KDASJLKDJ also this ep makes me hungry

the wettening!! i just love how petty zim is in this one KSJLKJF he could have annihilated earth in the end but instead he chose to get vengeance on this 12 year old boy for throwing a water balloon at him which i think is a shining example of who zim is as a character LOLLLL

dib's wonderful life of doom!! this one is actually rly fucked up but thats why i like it so much. u just KNOW dib walked out of that room in the end w like 10 new mental illnesses

gir goes crazy and stuff!! can u tell i rly like gir episodes SKLJDSLKJ i think its rly interesting to see what hes capable of when hes NOT all glitchy and malfunctioning. if u think abt it the tallests saved zims life by giving him a faulty sir unit

least fav eps r probably dark harvest and rise of the zitboy just bc they gross me out LOLLL im not particularly sensitive to drawn/animated gore but dark harvest made me squeamish SKFLJLKFJ i still think they have funny moments in them but i cant watch them all the way thru

as for favorite moments.....hoooo boy theres a lot!! ive been watching various clip compilations over the past few days JHDJLSAHJ i rly like most gir scenes bc hes my fav and i think hes rly funny and cute. enter the florpus had a TON of moments that made me laugh rly hard like the ham scene w gaz and zim, gir's peace song, prof. membrane's line abt how he used to think sharks were his friends, etc etc that movie is just so fucking funny. oh ALSO i rly like the "ZIM!!" "WHAT???" scene from mortos der soulstealer (which they call back to in the movie LOL). theres probably WAAYYY more that i love but this post is already getting super long so ill cut it short SAKJDLASJDKD

once again ty for letting me talk abt this anon i love invader zim. I Have Autism

[petrichoraline]

wait stay by my side is good??? and no one told me??? or maybe i keep confusing stay by side and stay with me lol

as someone who is all caught up on both shows - they're both fun 😄

this ask is from three days ago when I talked about how stay by my side (taiwanese show about a boy who can hear ghosts and the guy who gives him a break through touch) had a very fun sixth episode. i wasn't into the show that much but ep.6 gave me some heart-fluttering moments and cute angst that I neither took seriously nor disliked - it was fun for me because of the execution, the fact I don't take anything happening in the show to heart and because the show is short enough so I sensed a resolution was coming very soon 😁

now ive seen episode 7 as well and I can say 6 is definitely my fave. the conflicts are predictable, theres nothing really new but thats what goves you the safe feeling - you dont risk breaking your heart watching it haha. i'd recommend this in case you want a quick sweet watch with "cute silly boy denying his feelings" and "cold rude guy turned passionate suitor". it's the lightest watch i've seen in a while and it's my palette cleanser these days (everything I watch is angsty apparently and the angst supreme™️ trio of loa, of and dr hasn't even reared its ugly head yet lol)

stay with me (the og title of which I find real cute: "gege, don't run") is as far as I know a remake of addicted - a chinese bl that was Very direct in regards to what it's about and therefore got canceled AND banned and the main actors - banned from interacting with each other on tv or at public events for years; I thought swm would be a story set in the same universe or smth but as I watched the first episode I kept getting deja vu until I realised it's the same plot lol

it's about two teens whose dad and mom, respectively, got together - the boys claim to hate each other before they even meet, then fate brings them together without them recognizing each other and shenanigans ensue. it's about found family, finding common ground with parents you can't communicate with, about forgiveness and acceptance. the characters are very lovable <3 the crew is doing their best fighting censorship so it's very clear that the couple are not just bros. they can't, however, do what addicted did so many might prefer the 2016 show. I, personally, was not a fan of the mains in that - wu bi is too possessive for me in this version but his predecessor was Something Else

it's a very standard modern mainland china show. the reason im mentioning this is because of clips on tt and having not seen a cdrama in a while, i had the impression itd be more like a taiwanese or korean bl. the editing, dubbing, bizarrely cut scenes - nothing new in cdrama land. i was wondering if I would recommend it but I think I would, yes. some coincidences and plot points are just so beyond belief that you'd roll your eyes but it's not smth unheard of when it comes to asian dramas haha and I think you'd get so caught up in the angst, domesticity and hunting down hints spread around like easter eggs that you just won't mind the convenient plots (if you would care bout such a thing in the first place)

I'm doing a bad job at promoting this show but I do want more people to see it. the cast is perfect imo (..except for duo duo, I'm sorry but that bby cannot act..her face and aura suit the character though), the sets are all amazing (I like the school, I like su yu's home, I like the shared space later on etc.etc., all decor is very well picked and pleasant to the eye) and the moral of the story is heartwarming, its execution too.

you get passionate hot-headed athletic rich boy who's crazy for his equally smitten furrow-browed genius humble guy - they both value family and each other very much and are willing to do everything for those close to them. it's very endearing and their dynamic is swoonworthy, they're a complete power couple.

(also, spoiler, you get enemies to friends to lovers which is pretty neat)(the spark is there from day 1 tho)

EDIT: i wrote this before the final two episodes were released so disclaimer - POST FINALE SPOILER: if you don't like open endings, esp distressing ones, i don't advise you watch it now - better wait for a secure second season

[nayalovesbyler2]

my random thoughts on the Vol.2 trailer

disclaimer: long post ahead :’)

El: is she leaving the lab? im kinda confused about this, she said her friends need her..does she somehow know about the vecna crisis in hawkins? or is she talking about the cali gang?

Nancy: i personally think that in that specific scene she’s still vecna’d. she has seen henry turn back the clock and stuff and now she might be transported into the lab to witness the events of the 001-011 battle? either way, i don’t think she’s actually there, as we can see the bodies on the floor (+ we see vecna approaching her)

Will: bby will byers just can’t catch a break :( he’s literally bawling his eyes out and hugging jonathan. this could either be a coming out scene, or something else that upset him. however, i do think that its jonathan that hugs him in both povs. i’ll insert the pics if i find them, but i saw a bright pic of the scene that showed the pattern in jonathan’s shirt in both clips, so i don’t think it’s different people hugging him. it could also be vecna messing with “reality”, since it also happened with Max when she thought she was hugging her mum

the fruity four three: it looks like they finally found equipment to fight vecna, they’re still in the UD and nancy is with them, so for all we know she is safe (for now, at least

soldiers?: i think this might be in russia? or the UD? i have no thoughts on this honestly im pretty confused, but it would make sense if it was in russia when they tried to escape

Dustin and Eddie: im going to be honest here, it doesn’t look very good for them. it seems like they’re full-on ready for a major fight, they seem to be in the UD and it’s only the 2 of them (in that clip, at least)

the russia gang: it looks like they’re still in the prison, but somehow..free? we see hopper, joyce and murray looking at something that totally reminds me of the s2 mindflayer (especially when it was possessing will). this could potentially be their way of finding out that they’re (still) in danger. after that we also see them 1) fighting guards or 2) literally burning the prison down

the explosion: damn this is going to be one of my fave scenes tbh. i don’t think this is what it is, but i’d love it if el destroyed that door she went in with owens that leads to the underground lab

Lucas and Jason: we see a fast clip of lucas and jason fighting, i cant help but notice how the rooms blue light also appears in 1) the lumax talk scene from the stills we got and 2) in the scene where lucas screams as he sees something. loooots of questions here

Max: is max seriously getting vecna’d again? we see vecna’s hand reaching for her face as she can’t move, and to me it doesn’t look like the one in vol.1 that we already saw (it might be, though, who knows)

Dustin: im honestly so scared for this one. dustin is running and screaming, and i hope it’s not what i think it is. 1) he could be running towards danger, or 2) he could be running towards someone that has been hurt

Vecna and El: so we see vecna and el both raising their hands to fight, vecna appears to be in the UD and el..in the creel house. i have no idea if el is actually there or not, but it seems like the 2 scenes might be connected.

i hope this makes some sense, im super excited for vol.2 !!

[nonsensegnomes]

bestie what are your top nine favorite movies atm

oooh good question <3 well like i said i'm discovering i've covered way more ground in tv over the last few years (which i'm gonna rectify soooooonnnnnn i think, got a lot of exciting recs from that recent tag game!!) so this is pitifully basic, but like in terms of what i'm thinking about Right This Moment:

the hitcher – slightly deranged about this ever since i saw it last week, a movie perfectly tuned to my preferences <3 love love LOVE the main performances & the dreamy atmosphere & the cinematography; just! the americana of it all!! plus there is soooo much to dig into, like the folkloric resonances (i mean the vanishing hitchhiker story HELLO), the gay panic (as in the actual original homophobic meaning) every shot of the first half hour is just LACED with, that scene where he puts the coins over his eyes in the diner.... obsessssssssssed.

the black phone – okay so i watched this last night & it might fade from the faves over the next few days but rn i can't stop Picking at it. genuinely Disturbed me a couple times so 🙈👍 ethan hawke ATE, the little girl playing the sister KILLED it, and my friend pj should've had more screentime so the sets of siblings could parallel each other or something but wcyd ¯\_(ツ)_/¯ i am a little I Can Fix It about some of its clunkier plot points, but the main conceit of the phone fucked soooooo hard i can forgive it 💖

it 2017 – listen. i have been feeling this rewatch approaching all summer & as soon as i get my grubby hands on a projector (as god intended this movie to be watched <3), august is going to be thee month for it!!! idk it just has a very dear place in my heart 💕 like everyone else i did have a 2019 breakdown despite its many Many flaws, but the first one remains That Bitch w/ the perfect pacing & ending... coming of age film that just happens to have a clown in it babey!! also always going to care about eddie kaspbrak unfortunately 😔

nausicaä of the valley of the wind – my fave ghibli movie!! What Is There To Say. it was the first one i saw before i was aware everyone went insane about like hmc & princess monoke (which i also adore!!), so at first i was just Captivated by the animation genius & the Weirdness & the design of those bugs... it just plucks at something in me, like this is PRECISELY the kind of post-apocalyptic story i can enjoy, like what a coherent & hopeful environmental message that's, well, not subtle but certainly managed with a very deft touch!!!

fight club – sorry for being a film bro :/ anyway go look at this important piece of LGBT history

the death of stalin – love a comedy where everything falls apart around & also due to a bunch flailing back-stabbing incompetent idiots, so of course an armando iannucci joint always hits the spot <3 just SUCH alarming pettiness & cruelty that you have to laugh in the face of it ohhhh my godddddd

southern comfort – okay so kinda cheating with this docu, but it just impacted me sooooooo deeply the first time i saw it & i still go back and rewatch every once in a while. despite how sad it gets at the end, it actually is one of those things that gives me Real hope bc the whole thing is just about love & community & the radical Comfort transness allows you to find in yourself 💕💕💞💖 i would definitely rec it to absolutely everyone, it's only 90 mins & absolutely Life-Changing; i think there was a clip going round here a while ago about how affirming t4t love can be, and imo that just sums up the whole vibe. rest in power robert eads ✊😔

fire walk with me – well this is my favourite movie of all time despite the fact that i can NEVER ever watch it again ✌️ like i am well aware that it is technically kinda all over the place, what with david seeing fit to make the first half hour just "fbi procedural david bowie cameo now THIS character says something ominous & incomprehensible" but also. i Do Not Care bc the next hour + a half made me cry so hard it took me like 5 hrs to watch it; jesus CHRIST she was just a kid who needed someone to reach out and help her!!! laura i would have done so much cocaine with you & kept you alive forever!!!!!! also lynch's weird cryptic storytelling just appeals to me personally bc the way the meaning comes more from the audience's emotional response makes it kinda work on the same level as a folk tale for me, which i loveeeeeeeeeee unpicking; saw a post once about fwwm being structured like the saint's life of a martyr and !!! that is exactly It!

stardust – an all-time favourite, i mean the costumes! the pacing! the fun twists on fantasy tropes! the sheer CAMPINESS of it all!!! the way the plotlines converge in the end WOWED me as a child and to this day every time i watch another fantasy movie i'm like. Well You're Not Stardust Are You :/

& honourable mention to those films always occupying some part of my brain, that i can mouth along with from memory just because they are so comforting to me: tsn, the princess bride, 10 things i hate about you, pride 2014, bend it like beckham, saw (this nearly made the main list but like. too obvious.), the parent trap (1998 version), the karate kid

[lochtayboatsong]

The Jesus Christ Superstar essay absolutely no one asked for.

Last weekend, I watched the pro-shot of the 2012 arena tour of Jesus Christ Superstar starring Ben Forster, Tim Minchin, and Melanie C, because it was Easter and it was up on YT for the weekend.  I never managed to do my annual listen-through of Leonard Bernstein’s Mass this year, as is my usual Easter tradition, so I figured “Why not watch/listen to this instead?”  It was my first time seeing and hearing JCS in full, and Y’ALL, it has been living rent-free in my brain ever since.  I have a mighty need to get my thoughts out, so here they are, in chronological order by song.  

1) Prologue: I love the way JCS 2012 makes use of the arena video screen.  The production design and concept clearly took a lot of inspiration from the “Occupy ______” movement, which makes it feel a bit dated now.  But every single production of JCS is a product of its time period, so this is a feature and not a bug.  

2) Heaven On Their Minds: This is a straight-up rock song.  It wouldn’t be out of place on any rock and roll album released between 1970 and 2021, and it boggles my mind that Webber and Rice were both in their early twenties when they wrote it.  Also, the lyric “You’ve begun to matter more than the things you say” hits hard no matter the year.

3) What’s the Buzz: A+ use of the arena screens again, this time bringing in social media to set the tone.  Also, this song establishes right from the outset that Jesus is burnt out and T I R E D by this point in the story.  Seriously, can we just let this man have a nap?

4) Strange Thing Mystifying: Judas publicly calls out Mary and Jesus claps back.  Folx, get you a partner who will defend your honor the way Jesus defends MM in this scene.  Also Jesus loses his shoes and is mostly barefoot for the remainder of the show.

5) Everything’s Alright: Okay, this is one of the songs I have A LOT to say about.  First, it’s important to know that I was a church musician throughout all of my adolescence and into my early adulthood.  The pianist at the services I usually played at was a top-notch jazz pianist, and also my piano teacher for about six years while I as in high school and undergrad.  (Incidentally, I had a HUGE crush on his son, who was/is a jazz saxophonist and clarinetist and also played in the church band, but that’s a story for another day.)  One of the hymns we played a few times a year was called “Sing of the Lord’s Goodness,” which is notable for being in 5/4 time.  Whenever this hymn was on the schedule, it was usually the recessional, or the last song played as the clergy processed out and the congregation got ready to leave, so we were able to have some fun with it.  After a couple verses the piano player and his son would usually morph it into “Take Five,” a famous jazz standard by Dave Brubeck which is also in 5/4 time.  Anyway, the first time I listened to this song in full, it got to Judas’s line “People who are hungry, people who are starving,” and I sat bolt upright and went “HOLY SHIT THIS IS ‘SING OF THE LORD’S GOODNESS/TAKE FIVE.’”  And I was ricocheted back in time to being fourteen and trying to keep up with this father/son duo in a cavernous Catholic church while simultaneously making heart-eyes at the son.  Final note: This is the only song in the musical to feature all three leads (Jesus, Judas, and Mary Magdalene) and is mostly Jesus and MM being soft with each other in between bouts of Jesus and Judas snarling at one another.

6) This Jesus Must Die: I LOVE that all the villains in this production are in tailored suits.  LOVE IT.  Also, Caiaphas and Annas are a comedy duo akin to “the thin guy and the fat guy,” except in this case it’s “the low basso profundo and the high tenor.”  Excellent use of the arena video screen again, this time as CCTV.

7) Hosanna: My background as a church musician strikes back again.  It honestly took me two or three listens to catch it, but then I had another moment of sitting bolt upright and going “HOLY SHIT THIS IS A PSALM.”  Psalms sung in church usually take the form of call-and-response, with a cantor singing the verses and the congregation joining in for the chorus.  If I close my eyes during this song, I have no trouble imagining Jesus as a church cantor singing the verses and then bringing the congregation in for the “Ho-sanna, Hey-sanna” chorus. 

8) Simon Zealotes: This is part “Gloria In Excelsis” and part over-the-top Gospel song.  Honestly it’s not my favorite, but it marks an important mood change in the show.  The end of “Hosanna” is probably Jesus at his happiest in the entire show, and then Simon comes in and sours the mood by trying to tip the triumphant moment into a violent one.  Jesus is not truly happy again from this moment on.

9) Poor Jerusalem: Also not my fave.  It kinda reads like Webber and Rice realized that Jesus didn’t have a solo aria in Act I, so they came up with this.  But it has the distinction of containing the lyric, “To conquer death you only have to die,” which is the biggest overarching theme of the story.

10) Pilate’s Dream: Pontius Pilate might be the most underrated role in this entire show, and I love that this production has him singing this song while being dressed in judge’s robes.  

11) The Temple: The first half of this is one of the campiest numbers in Act I, at least in this production, and it’s awesome.  The second half is one of the saddest, as Jesus tries to heal the sick but finds there are too many of them.  Also the whole scene is almost entirely in 7/8 time, which I think is just cool.

12) I Don’t Know How To Love Him: Mary Magdalene’s big aria, and one of the songs I knew prior to seeing the full-length show.  This production has MM taking off her heavy lipstick and eye makeup onstage, mid-song, which is kind of cool.  Melanie C says in a BTS interview that MM’s makeup is her armor, so this is a Big Symbolic Moment.

13) Damned For All Time: The scene transition into this song is played entirely in pantomime, and I love it.  The solo guitarist gets to be onstage for a bit, A+ use of the video screen again to show Judas on CCTV, etc.  Love it.  And then this song is Judas frantically rationalizing what he’s doing, and what he’s about to do, with Caiphas and Annas just reacting with raised eyebrows and knowing looks.

14) Blood Money: This is where the tone of the show really takes a turn for the dark.  I think this might be one of Tim Minchin’s finest moments as Judas, because his facial expressions and microexpressions throughout this scene speak absolute volumes.  And the offstage chorus quietly singing “Well done Judas” as he picks up the money is a positively chilling way to end Act I.

15) The Last Supper: Act II begins with major “Drink With Me” vibes.  (Except JCS came WAY before Les Miz, so it’s probably more accurate to say that “Drink With Me” has major “The Last Supper” vibes.)  Jesus and Judas have their knock-down, drag-out fight, and it’s honestly heartbreaking, thanks again to Tim Minchin’s facial expressions.  A well-done production of JCS will really convey that Jesus and Judas were once closer than brothers, even though their relationship is at breaking point when Act I begins.

16) Gethsemane: This is Jesus’s major showpiece and one of my faves.  Jesus knows he has less than 24 hours to live, he knows he’s going to suffer, and worst of all, he doesn’t know whether it’s going to be worth it.  It’s an emotional rollercoaster to watch and to perform, and it goes on for ages: something like 6 or 7 minutes.  Fun fact: the famous G5 is not written in the score.  Ian Gillan, who played Jesus on the original concept album, just sang it that way, so most subsequent Jesuses have also done it that way.  Lindsay Ellis has a great supercut of this on YT.  John Legend notably sang the line as written during the 2018 concert.  

17) The Arrest: Judas’s Betrayer’s Kiss is played differently across different productions.  The 2012 version is pretty tame - I’ve seen clips and gifs of other productions, including the 2000 direct-to-video version, where they kiss fully on the mouth and have to be dragged apart by the guards and it is THE MOST TENDER THING.  Then the 7/8 riff from “The Temple” comes back and the 2012 version lets the video screen do its thing again as Jesus is swarmed by reporters.

18) Peter’s Denial: Not much to say about this one, as it’s basically a scene transition.  But it’s a significant moment in the Passion story, so I’m glad they included it.

19) Pilate and Christ: The 2012 production continues with the theme of Caiaphas, Annas, and Pilate all being bougie af, since Pilate intentionally looks like he just came from tennis practice during this scene.  Also he does pilates...hehehe.

20) King Herod’s Song: Tim Minchin says in a BTS interview that JCS works best when Jesus and Judas are played seriously and the rest of the production is allowed to be completely camp and wild and bizarre all around them, and he is bloody well CORRECT about that.  Case in point: King Herod.  There is not a single production of JCS that I know of where Herod is played “straight.”  He’s been played by everyone from Alice Cooper to Jack Black, and everyone puts a different zany spin on him.  In JCS 2012 he’s a chat show host in a red crushed velvet suit, who is clearly having the time of his LIFE. 

21) Could We Start Again Please: This is another of my faves.  Just a quiet moment where MM, Peter, and the disciples try to grapple with the fact that Jesus is arrested and things are going very, very badly.  This is also my favorite Melanie C moment of the 2012 show.  Her grief is very real, and the little moment she has with Peter at the end is very real.

22) Death of Judas: This is basically Tim Minchin screaming for about five minutes, and incredibly harrowing to watch on first viewing.  

23) Trial Before Pilate: Possibly my single favorite scene in the entire 2012 production.  This is another harrowing watch, but there’s so much to take in.  The “set” that the entire show takes place on is essentially just a massive staircase, and the people with power are almost always positioned above the people without power.  In this scene, the crowd shouting “Crucify Him!” is positioned above Pilate, which is a very telling clue to Pilate’s psychology during this scene.  Jesus is at the very bottom of the stairs, of course.  Excellent use of the video screen once again during the 39 Lashes, to show the lash marks building and building until the entire screen is a wash of red.  Pilate’s counting also gets more and more frantic, especially starting around “20.”  And all the while the guitar riff from “Heaven On Their Minds” is playing.  Jesus’s line “Everything is fixed and you can’t change it” is played quite differently in different productions - here it’s defiant, but elsewhere (in JCS 2000 for example) it’s almost tender, like Jesus is absolving Pilate for his part in the trial.  But it always ends the same - with Pilate almost screaming as he passes the sentence and “washes his hands” of the whole sorry business. 

24) Superstar: The most over-the-top number in the show.  Judas, who died two scenes ago, comes back to sing this.  There are soul singers.  There are girls in skimpy angel costumes.  The parkour guys from the prologue are back.  Judas pulls a tambourine out of hammerspace midway through the song.  And Jesus is silently screaming and crying as he gets hoisted onto a lighting beam while all this is going on.

25) The Crucifixion: More of a spoken-word piece than a song, it’s Jesus’s final words on the cross over eerie piano music, and another harrowing watch.

26) John 19:41: An instrumental piece in which Jesus is taken from the cross and carried, at last, to the top of the stairs, before being lowered out of sight as the video screen turns into a memorial wall and everything fades to black.

So.  I know I’m anywhere from three to fifty-one years late to this particular party, but I am on the JCS bandwagon now and I’m thoroughly enjoying myself.  :)

[thequibblah]

directors cut for WTRF? 🥺👉👈 not biased at all obviously just objective third party asking for a directors cut hmmm hmmmmm

literally how could u do this every other word in that fic is an easter egg i can't shut up about..... bestie u are about to have regrets

one thing u should know is that 90% of things in this fic have real-world equivalents and its not even like....... hidden equivalents. serie primo = serie a, for instance. this trend is going to continue and i won't apologise <3

fun fact i named the bar the Bar and the drinks after shapes because i was too lazy to come up with something actually clever

this bit

I’m grinning to myself by the time she approaches my table.

was a very intentional fakeout and if you read this and thought "she" would be lily, feel free to sue me for emotional damages

the biggest conundrum of this AU was, how are jily not going to have met in school when magic exists? the solution was, of course, having multiple magic schools. but i couldn't let one of them have hogwarts, that didn't seem fair. i know i did sort of let lily have it..... but i felt more comfortable making hogwarts a university so there was a legit reason why james wasn't there and in gryffindor (if he'd gone he absolutely would have been)

once solved, i did the fun thing of naming them! ottaline gambol's was easy, i just scrolled through the list of ministers for magic and picked a progressive one. peverell hall was a whim, made all the funnier when lily's reaction is:

Much was made at Otty’s — one of the more progressive magical schools, named for one of the more progressive Ministers of Magic — of schools like Peverell Hall and St. George’s. The latter, I know, is chock-full of pureblooded elite. Peverell Hall is supposed to be slightly better, but still.

dang, it's gonna be funny if she ever finds out james is a descendant of the guy it's named after

fun fact, i included this because peter's question was a real thought i had when reading bond and free, your inspiring writing knows no limits:

The first thing you conjure in Walking Wombat is a yellow quill... “Why yellow?” Peter asked. Eddie gave him a strange look. “Why not?”

i realised i'd put jily in the same conundrum they had in tis the fucking season here:

It’s only then that I remember she’s just bought us drinks. I turn back to my triangle. “Oh, shit.” I suppose I can pawn it off on one of the others.

...but of course the resolution is rather different, and i do so enjoy a james with no filter (aka default james)

I briefly lose control of my brain and my tongue. “Is it too soon to say I’m in love with you?”

by the way, no-filter james will be a theme. wild things sure do run fast but not as fast as this boy runs his mouth!

also, another interesting challenge here was making sure james has a reason to be the way he is in AU. i love playing around with james's childhood/background and seeing how that affects his character while (hopefully!) staying true to who he is. i did that in ttfs by having him move around a lot and not meet the marauders until after the flashback timeline, which is why he's less of a git — he doesn't have the level of comfort in a social setting that canon james has with hogwarts, which is basically his playground from day 2 of first year lol

here, james was probably a fkn nightmare all through school, but of course he gets a big ego check when his quidditch career is derailed. i imagine his years in italy as a continuation of that humility lesson.

I will fully admit I used to be a cocky prick. This is what comes of being a kid who grew up with everything. But one useful thing that the whole fiasco four years ago taught me is humility. I’ve learned how to ask nicely for another chance.

and so much of writing him in wtrf is juggling that typical confidence with the insecurity/fear of losing something he's invested so much in (and has seen slip away before). it's really new to me, because typically i give lily uncertain life circumstances, but i suppose it's both of them in this AU.

the car thing was... i swear didn't start out as smutty, it was purely because i wanted a way to establish lily as muggleborn in a world where the connotations of not having magical parents is very different. more to come on that!

also, come to think of it, by this metric...

I’m now in dangerous territory, since that adds another impressive action to her running tally.

...i think james is already in love with her LOL

this bit:

The street is considered indecent and the downstairs hallway would have our landlady come running at once, so if it pleases Your Honour, we would recommend the sitting room sofa.

...was actually because in draft one lily was a lawyer, but then it was funny enough that i didn't want to take it out, but NOW i realise it makes it sound a little like she's addressing james as your honour, which.... hm. but anyway, we move on

Marc Bolan begs us to get it on through the stereo, vocalising my thoughts exactly.

the song here was initially "you shook me" (h/t @keepingupwithpotters) but i chickened out because zeppelin is SO horny dfjkhgkjs

also, it gave me so much joy to read everyone reacting to lily thinking about her ex (the general vibe was "who the fuck is this guy!!! ew!!!!") — rest assured (or, unassured??) that he has a part to play in all this. anyway, this is one of my fave lines:

He’s just a person, and there’s such a relief in sleeping with James and not the myth of a guy.

because as any come together reader knows....

Just James. Just James. It was never just James.

wtrf lily will learn!

literally the whole world knows i'm obsessed with needle drops that have no subtlety at all, but this one...

We just laugh, tangled together in a sweaty heap, as “Heaven Is in the Back Seat of My Cadillac” plays through the car’s speakers. “On the nose, isn’t it?” James says, sitting up.

...was pure luck, because i was looking up the top hits on the uk singles chart for the week(ish) this scene takes place in so that i could find a song that would realistically play on the radio, saw this, and was like omg the stars really do align

i feel like the thing i enjoy most about writing romance is the importance i get to place in noticing/looking/observing (and sometimes, not noticing!). it's just such a powerful but simple writerly tool, and god knows i am obsessed with pithy descriptions anyway, so this bit i am especially happy with:

James is already waiting, leaning against the car with his hands in his pockets. I feel as though I’m seeing him for the first time, the faint light of the flickering streetlamp catching him in profile: the strong slope of his nose, the hard line of his jaw, the curve of his smile. He studies the facade of our building with open curiosity, and I wonder what he’s looking for.

(one can only imagine james's train of thought in this moment. perhaps "ah. here lives the future love of my life"?)

“Thanks,” she tacks on at the end. I tip my head to one side in confusion. “For what?” “For, I don’t know. Being nice.” She laughs awkwardly. “I don’t do this very much.”

it wouldn't be a quibblah original tee em without some discourse to come about the nature of romantic/sexual relationships, would it? one thing i enjoy about this AU ("one thing" i say as if this isn't the billionth thing in a list) is that i get to write a romantic lily who's squaring that romanticism with what she perceives as the culture of the times. (this is a bit of a staple in all my characterisations of lily, but it is not often paired with casual sex, the complication of all complications!)

oh this bit literally wrote itself like i didn't even pause to think just vomited it out:

In the morning — and it must be early still — the sun streams through Lily’s sorry excuses for curtains with aggression that cannot be ignored. I crack open an eye to find myself sprawled out across her bed, quite literally spread-eagled. She’s attached to my side like a barnacle. Or a very pretty barnacle, anyway.

i'm especially proud of james's voice in this story. i don't often write first-person fic and i was worried how it'd turn out, but i think james as a character/narrator typically colours his own 3rd-person narration so strongly that it ended up a smoother transition than i'd feared!

also i just. i can't resist throwing in comic relief and i hope that this whole segment was a gentle enough preparation for the awkwardness that followed LOL

All of a sudden, the balcony door bursts open. I nearly drop the mug. “What the—” Mary pokes her head around the corner, sporting a righteous smile. “Morning, handsome.” Over her shoulder she shouts, “He’s on the balcony!” I blink. There’s a sound from inside the flat, as if something very large has just been dropped. Then a swear. “Oh, shit,” I say, realisation dawning, “you weren’t looking for me, were you? It’s so loud out here—” Mary cups a hand around her mouth and stage-whispers, “Lily was frantic.” She’s quite violently yanked back, and Lily herself appears in the doorway, slightly out of breath. “Should’ve checked the balcony first,” she says, and closes the door before Mary can insert herself into the space again. “Hi,” I say, which is agreed-upon best practice for greeting a woman you’ve just had fantastic sex with and ideally would like to have sex with again.

to this day i don't know what lily dropped. let's hope it wasn't expensive!

Captained the under-17 English squad at the World Cup some years back, Serie Primo’s lead goal-scorer of last year… Only an injury in what should’ve been his first season at Puddlemere mars his record. I wince reading about it and comparing it to a heap of press clippings. James Potter was hurt, and Puddlemere didn’t fancy paying for him not to play, so they shipped him off to Milan.

(you cannot imagine how much pointed interrogation of my brother it took to gather this intel.) i constantly worry that i've got dates or timelines wrong somehow — you might notice i tweaked under-17, which used to be under-19 until i realised that made no sense (even though in terms of its career importance i would much preferred it to have been u-19.... anyway). i also found out that u-17 football squads don't actually have captains but i said fuck it on that count.

but obviously i started writing this AU for the sports possibilities, only to discover i'm going to have to interfere a great deal with the Timeline (you shall see in future instalments).

god i really went through the whole fic. like i reread the whole thing to do this. here u go clare jfbghjfd