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chibitabathasloves · 2 years

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i agree w the notes !! i hadnt noticed the scarf stuff but it makes a lot of sense. nice catch !

sorry the brain fog is taking a bit. i love that u have a notebook for that btw. if you ever end up watching manhunter, it's an ok adaptation of the book red dragon. im kind of insane about red dragon willnibal and manhunter willnibal : i think manhunter will is VERY different from red dragon will, in bad ways, but both are kind of insane to me. i have book fandesigns but idk if its worth posting the content bc everyone is so used to NBC ? but then again i literally draw manhunter designs which are from a movie literally Two people in the fandom have seen so

i like ur interpretation of hannibals feelings for will ! i do have a bit of trouble being as optimistic about it as other people in the fandom. i kind of don't really know where the control freakism starts and where it ends w his feelings for him. you're right that he didn't choose who he loves, which i'm sure made him ABSOLUTELY FURIOUS, BECAUSE HOW DARE, but also so he can play chess with will properly instead of just making him a pawn he does have to relinquish some control... and he can't just detach himself emotionally from the situation, he's in love... but then it means he has to give up control. i love willnibal so much, i love writing it so much, it's so fucking complicated.

also i love the italian nicknames they're so cute :) i love the idea of italian nicknames in general. hope u can kick ur friends ass !! i do love the idea of will trying to connect w hannibal thru languages. italian seems like a good middle ground, lithuanian is really pushing it too far imho. remembers lovingly that mspaint comic i made w will thinking it would be a VERY good idea to practice saying "i love you" in lithuanian and chiyoh begging him to stop because it was the worst idea alive

Hello again, sorry I was at a wedding last night trying to wrangle small children that aren't mine.

My notes have like insightful little quips and then bullshit like: "Fucking monster. Licked a newspaper." Like, ah yes. They're going to give the cannibal glue. No, no they won't. But he sure did lick that newspaper for his weird little scrapbook.

I'm not going to lie, the reason I've actually thought about watching Manhunter is cause of you. My one friend told me the movie isn't very good (I'm notoriously bad at watching bad films) but I wanted to be able to interact with your art for those things because I like your art so much. Also now that I am an unhinged Hannibal fan, he got me to watch Hannibal Rising (i think I told him I wanted my time and money back), SOTL and Red Dragon. My first thought when seeing Norton as Will was "Really? The fight club guy?" But i remember so little of the film other than 'wow, Freddie Lounds is a dick whether he has one or not' and 'hehehe exercise leash'. And then with SOTL I was like "wow, good thing all these characters appear to be the pinnacle of mental health." But they sure didn't seep into my brain. I might try watching them again. But I def want to watch Manhunter. Give me insane. I'm down for the sickness (brain rot).

Also, give me the fan designs. I'm still a partial Witcher fan, so I love seeing the book designs people come up with. I love that for people! I love that for me!

The weird thing about Hannibal's feelings is that he's so blasé about them. I think at first he saw Will, and was intrigued about the potential of being seen. But clearly it wasn't the superpower it was practically claimed to be. After all, Will looked him dead in the eyes and didn't see the creature behind the veil. But maybe Hannibal saw something else in those eyes that wouldn't settle. Like a feral animal curled into itself, eyes darting around, looking for the best and quickest exit. Unlike when he met Lass, who was hardworking and smart, he kept her because of that intelligence. Will had something, but he wasn't sure what. And I think that's why when he says he was curious about what Will would have done with Hobbs when he had placed that phone call, I believe him. Will was either going to be another of Jack's bloodhounds stolen from under his nose, or he was going to be something else. I think that Hannibal struggles with some form of depression, the surface level attachments to his creature comforts, so the boredom is stifling. Hannibal himself is so incredibly nuanced and shifts from "Will is my friend" to "Guess I have to eat him" in the same conversation. I don't think Will was ever safe from Hannibal's knife. At least not until like S3 finale. The issue with an emotion you're not used to is its volatile, and we can see that in how Hannibal talks of Will and to Will. I do think that he joined Jack in helping to groom Will to kill himself, because it would be a worthy challenge.

I know some of the Fandom elevate Will to a god-adjacent status in Hannibal's eyes. But again, I think that comes and goes. I think there are moments where Hannibal looks at Will and sees the God of Righteous Fury, and other times he sees the man who is ruining his life. Hannibal's body language and facial expressions are all very neutral (props to Mads Mikkelsen for that), so you have to watch his eyes and mouth for the smallest flickers. And they are small. Matthew Brown was a fool and a tool, but he was right about the eyes.

NBC Hannibal's past is very patchwork-y but from what I could scrape together he would have stopped speaking Lithuanian around the time he was mute, would have shifted into at least understanding or attempting to understand Russian (soviet occupied Lithuania) before he fled to France. In France he was still a mute. NBC specifically said his Uncle Robertus took him in at 16. Boarding school. So we can assume he learned French in boarding school. Japanese would have been next up, Lady Murasaki and Chiyoh would have used it to speak to each other, both so far from home, it would have helped ease the homesickness. So I do believe Hannibal would have learned Japanese. But Japanese would be tied to another heartbreak (like Lithuanian) when Murasaki sends Hannibal away after he refuses to stop stabbing people. He goes to his mother's homeland of Italy, and eventually settles in Florence, where he learns Italian and comes to grow into the man we know today. So that's why I advocated hard for Italian nicknames. And why I think that language for Hannibal is important, but also an insane field filled with landmines.

Welcome to my Hannibal TedTalk lmao

And I will kick his butt, because I want to write suburban murder husbands calling each other il mio mostro and il mio tutto, and I think we chose a German nickname for Abbie, but I don't remember it now. Had to look it up Jägerin, for huntress. Cause we're unhinged and can lmao

#sansnom #hannibal #chibi rants #its practically my dissertation now

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clueless-fan-critic · 2 years

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The Batman: The Crime Drama We Needed

The Batman was a surprisingly great change to the Batman formula in terms of focusing more on the mystery that makes Bruce Wayne “the World’s Greatest Detective.” It takes elements from crime thrillers and mix it into the the typical superhero film. You could say this is a “Flashpoint” film where the DCEU is rebooted with changes to some or many DC characters.

SPOILERS AHEAD

The Batman is straightforward with its themes and plot, revolving around a serial killer killing his victims to reveal the “truth” of Gotham and a narration of Robert Pattinson’s Bruce Wayne explaining how the Batman seemingly has no impact on the city at all except by fear. As we goes throughout the film, both Bruce Wayne and Batman are the roots of Gotham’s strife through the Wayne family’s promise of renewal known as the Renewal Foundation for the criminals and Batman’s philosophy of vengeance and anger for the Riddler. He now must learn to become something more than vengeance and grow into someone who could bring hope.

Robert Pattinson as the Batman

Robert Pattinson, in my opinion, does a fantastic job portraying everything that makes both Batman and Bruce Wayne compelling.

As the Batman, Pattinson brings out a much darker portrayal who’s seemingly capable of killing but visibly holds back. He’s also not truly invincible as he gets hurt from his fights and doesn’t move with the most graceful precision while in the Batsuit. It makes it clear he hasn’t truly adapted his more “flashy” into his fighting like we’ve seen in other films.

Bruce Wayne is a shut-in who chooses his life as Batman over his own. He becomes integral to the overall themes about change as it was revealed his father Thomas, known as a kind philanthropist, fell into the same corruption and even his legacy of the Renewal fund was used by criminals. Bruce now must learn to face the consequences of his family’s deeds and learn to become better as a symbol of Hope.

Zoe Kravitz as Catwoman

Catwoman is an excellent foil to the Batman as the mysterious girl with knack for fighting and thievery. Out of the other Batman films, this one brings it the closest to Selina’s comic book origins as a thief with a heart of gold instead of a crazy cat lady or a fashion designer brought back to life by cat magic (believe me, there is a movie to include that, I swear to God).

Zoe Kravitz portrays Catwoman more than just a fem fatale but also a broken soul seeking revenge against her father.

Paul Dano as The Riddler

The Riddler is less Jim Carrey whacky and more Hannibal Lector, making him an intellectual/social threat to the Batman rather than a physical being like Bane or Killer Croc. In the mask, Riddler is demented and disturbed with an almost untouchable influence on the citizens of Gotham. However, Dano comes across as a follower outside of the Riddler persona with an obsession for the Batman and the Waynes.

Paul Dano does an excellent job as a disturbed individual, but isn’t exactly intimidating enough to invoke any

Jim Gordon and GCPD

Jim Gordon plays the “straight man” to the Batman as the man who’s seen as not corrupt and a good man. While he plays a crucial role as the police detective to enforce the law, he seems to play second fiddle to

A Modern Crime Noir with a Superhero

This movie is a breath of fresh air for those getting a bit overwhelmed with nonstop superhero action, so now you have The Batman. It has essentially two storylines which I call the Gotham Underworld and the Riddler’s Manifesto.

Gotham Underground deals with the criminal empire entangled with blackmail, violence, political corruption, and murder.

Riddler’s Manifesto is the rise of Riddler that reveals the secrets of Gotham and the Wayne Family. This also creates a social movement within Gotham where the lower classes would follow the Riddler to destroy Gotham by flooding the city.

Overall...

If you like a mystery drama, this superhero film makes you introduce to the Batman mythos and more gritty superhero properties in the future. I mean the Boys and Invincible would suit people who love bloody violence with complex characters.

#the batman #batman #robert pattinson #bruce wayne #zoe kravitz #catwoman #paul dano #The Riddler #bane #killer croc #bruce x selina

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ultrahpfan5blog · 4 years

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Rewatching TDK Trilogy

Easily my favorite superhero trilogy and arguably one of my favorite trilogies of all time. I think in terms of superhero trilogies, Captain America is the one that comes closest because I love all three movies, but they aren’t a trilogy in the normal sense in that Civil War is essentially Avengers 2.5 and neither Civil War nor Winter Soldier can be understood without having watched Avengers and Age of Ultron. But even putting that aside, I adore TDK trilogy and it still ranks as my favorite superhero movies. The trilogy, obviously starting with Batman Begins, is what put introduced me to Nolan. I hadn’t seen Memento and Insomnia till then so Batman Begins was literally my first introduction to him.

I was always a big Batman fan as a huge follower of the DCAU cartoons with Kevin Conroy voicing a really badass Batman throughout the 90′s and into the early 2000′s. While I enjoyed the first 4 Batman movies as a kid, yes even B&R, I always wanted to see the more somber version from the cartoons. Batman Begins hit me at the perfect time where I started to have longer attention spans and wasn’t just looking for the next action scene. Rewatching the movie, it amazes me that Batman doesn’t show up for half the movie. I think that was a really brave call given pretty much all previous Batman movies introduced Batman almost immediately. I genuinely love all the prelude to Bruce becoming Batman. I liked that we got to see his training extensively and we are introduced to the city and see the dynamics of the rich and the poor, the police, the mob, the lawyers etc... It really gives Gotham a very grounded personality. I think Nolan really killed it at the casting level. By getting Caine as Alfred, Freeman as Fox, and Oldman as Gordon, he created a superbly acted support structure around Bruce/Batman, so we aren’t just always waiting for Bruce to show up. On top of that, they had Liam Neeson as Ra’s, who is effortlessly compelling, as well as other strong supporting actors like Cillian Murphy as a scene stealing Scarecrow, Tom Wilkinson as Falcone, Rutger Hauer as Earle etc... All giving personality to a difference facet of the city and Bruce’s life. But this truly is Bale’s movie. I didn’t know him at all prior to this film, but I have been a fan ever since. He carries the movie on his shoulders and he delivers the ferociousness of Batman and the humanity of Bruce Wayne effortlessly. If there is someone who doesn’t make a big impression, its Katie Holmes. I didn’t find her terrible, but rather the character isn’t exactly well written which bleeds into the next movie with Maggie Gyllenhall as well. My favorite Batman performance. Rewatching, what surprised me the most is the amount of humor in the movie. This is actually reflective of the entire trilogy. The movies deal with darkness and death, but there is actually plenty of humor sprinkled throughout these movies which prevent it from being dour. There have been a lot of superhero origin stories, but this still remains the gold standard of superhero origin stories. A 9/10 for me.

There is nothing I can say about The Dark Knight that hasn’t been said a 100 times over. It quite literally is the best comic book movie of all time. But it basically is at heart a drama about Gotham. Whereas BB acts as a character centric piece, this film is about all the characters living in Gotham. Arguable, the character that has the biggest arc in the film is Harvey Dent. Again, the casting department knocked it out of the park with the casting of Aaron Eckhart as Harvey Dent. Unfortunately, Eckhart never really capitalized on his performance here because he really was terrific in the film, both as Harvey and as Two-Face, to the point where you wished you had more of Two-Face. Gary Oldman gave his best work in the trilogy in this movie. The desperation as the situation spins out of control is fabulous. Freeman also has a very meaty role in the movie and continues to add a lot of weight to the scenes as well as plenty of humor, as does Michael Caine. Christian Bale continued to be terrific. There were some complaints about his voice, which I feel have been overexaggerated over the years. I definitely think his Begins voice is better, but barring one or two scenes, I never really had an issue with Bale’s voice in this film. He delivers a very nuanced performance. Maggie Gyllenhaal took over from Katie Holmes in TDK and while I think she is a far better actress than Katie Holmes, I think the character itself is not very well written. In both movies, Rachel comes off as very judgmental. Whereas in BB I can understand her reason in being so, given Bruce was ready to commit murder and later was out being a playboy in front of her for the sake of appearances, in this movie she is judgmental towards Bruce even though she knows what he has been doing to help the city. Also, she did come off a bit flaky in the whole Bruce/Rachel/Harvey triangle. And then there is Heath Ledger. There are very few performances that I consider perfect. This is one of them. I think every choice Ledger makes in this movie, be it intentional or unintentional, works amazingly well. Like him licking his lips to keep the make up on. It just adds a creepy quality to his character, even if it is completely unintentional. There are so many ticks and quirks in Ledger’s performance that make this a phenomenal performance. I don’t see any villain performance having matches that since 2008. I think the closest I have seen prior to that is Anthony Hopkins as Hannibal Lector in Silence of the Lambs. It really is a performance that adds such a big extra edge to the movie. I love that Nolan sticks to certain details such as Bruce never actually drinking alcohol and throwing it away at the part and then Joker showing up and taking a glass and him spilling almost all of it. It gives a lot of personality to the characters. If I have any complaint about the movie, it is that Bruce does at times feel like a stationary character as he does not have as big of an arc as a Harvey Dent. And if you want, you can pick apart the holes in the series of events that happen that cause the chaos. But the drama of the film is just so intense that you forget all of that behind. I give it a 9.5/10

The Dark Knight Rises to me is the film that gets often maligned just because it isn’t TDK. And that is a crazy yardstick to compare it to. But as a movie on its own, its pretty damn awesome. TDKR is where the film truly steps away from being a version of the comics to being an Elseworld story with Batman having been absent for 8 years and then Bruce retiring and leaving Gotham at the end of the movie. But I don’t think there was any way for Nolan to close out his trilogy without it becoming an Elseworld story and it really didn’t matter because I always figured that as long as Bruce is out there, if Gotham needed him, he would come back. Its not as if there aren’t existing comic book stories of Bruce having retired or left being Batman behind. Again, there is some superb new casting. JGL ends up being surprising integral and he is terrific. Tom Hardy is awesome as Bane. He manages to provide a terrifying presence. I actually loved his voice. I love that a terrifying brute of a man has a polite, gentlemanly sounding voice. It gave him a unique personality. Marion Cotillard is pretty good as Talia/Miranda. She has an awkwardly filmed death scene but she’s good throughout the rest of the film, particularly during the reveal scene. But the casting of the movie for me was Anne Hathaway as Selina Kyle. I knew Anne Hathaway mostly from the Princess Bride movies till then even though she had gotten an academy award nomination by then. But I really didn’t envisage her as Selina Kyle but she blew me out of the water with her performance. She was seductive, yet very likable. I love the clever costume design of her goggles looking like cat ears when she puts them up. I also love Nolan’s version of the Lazarus Pit. Certainly Bruce’s climb out of the pit is one of the most compelling scenes of the movie. You truly feel the emotion. The film also has one of the best acted scenes I have scene between Michael Caine and Christian Bale in the hallway. Its the scene I remember first whenever I think about TDKR. Oscar quality acting by both in that scene. The returning cast is all terrific but Michael Caine has a few gut wrenching scenes, including this one and the scene at the funeral at the end. Oldman and Freeman continue to be stalwarts throughout the movie, I really admire that Nolan did not waste these actors and given them very substantial roles in all the movies and all these actors really respected the material to not sleep walk through the roles. I think Bale’s performance here rivals his performance in Begins. Particularly in the scenes in the Pit. You get to see a full range of emotions, from pain, to despair, to anger, to hope. Its a superb performance. The film isn’t flawless. Its just a tad too long and there is some clunky editing at times. None of the three films can be said to contain very memorable action sequences because Nolan is not known to have great action sequences in his film until more recently, but the drama in the action negates that. Like, the Bane vs Batman fight where Bane breaks Batman, isn’t the greatest action scene in terms of fight choreography, but there is a lot weight to these characters which is what makes it incredibly compelling. Same is true to an extent for the climax at the end. When Batman beats Bane, I felt a sense of satisfaction after what I had witnessed in the previous fight. Overall, I genuinely feel that I love the last act of TDKR the most out of all three films. The Batplane, Batpod, and Tumbler chase scene was thrilling and it was cool to watch all three Bat vehicles in operation. The ending montage also ends the movie on a real uplifting note for all characters, which is very satisfying. I really love the movie. A 9/10.

It has to be said that Zimmer’s score across all three films contributes enormously to these movies. All in all, these set of movies are still my favorite superhero movies and my favorite Nolan movies till date.

#batman #batman begins #the dark knight #the dark knight rises #christopher nolan #christian bale #michael caine #heath ledger #morgan freeman #gary oldman #anne hathaway #tom hardy #joseph gordon levitt #liam neeson #cillian murphy #hans zimmer #katie holmes #maggie gyllenhaal #aaron eckhart

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aion-rsa · 4 years

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Cruella: Does Every Villain Need a Sympathetic Origin Story?

https://ift.tt/eA8V8J

Clearly this isn’t your parents’ Cruella De Vil. This isn’t even your Cruella De Vil. However, there is something fiendishly charming about seeing Emma Stone charge into a ballroom and light her black and white dress on fire, revealing a chic red number beneath that would do Scarlett O’Hara proud. If fashion is a statement, Cruella is here to say the villain has just arrived!

Yet one can’t help but shake the certainty that by the time we actually learn the plot of Disney’s Cruella reimagining, Cruella will be in anything but black and white, or fiery red. Rather Cruella is obviously posturing to take a sideways approach to an old classic. But then again, that increasingly feels like the only direction these Hollywood redos know: the sympathetic origin story for an iconic villain.

To be clear, we’ve only gotten a glimpse of Stone as the new Cruella, and she looks absolutely fabulous in a black leather coat and cane, purring, “I’m only getting started, darling.” There’s a wildness about this interpretation befitting our current era where Harley Quinn is the hero of her own story, and Wade Wilson now leads a Disney franchise. Nevertheless, when I watch Cruella on the edge of tears in the trailer, barking defiantly that she is CRUELLA—and seemingly embracing an unfair reputation that other characters may be placing on her—a nagging question persists in the back of my head: Do we really need a sympathetic Cruella De Vil?

The trend of supervillains getting intellectual property-expanding sob stories is nothing new, be it at Disney or anywhere else in Hollywood. Maybe 25 years ago when folks liked their villains big and outlandish—think Glenn Close in Disney’s previous live-action remake of 101 Dalmatians—it was novel to see the antagonist become a tragic protagonist. But like everything else with modern blockbusters, that all changed a long, long time ago with something called Star Wars.

Back in 1977 when the original Star Wars movie was released, many audience members left the theater giddy about the world George Lucas created. In a galaxy far, far away, every pop fantasy of the mid-20th century—Wizards! Knights! Princesses! Samurai! World War II ace pilots!—was thrown into a massive cauldron that seamlessly blended these elements.

Luke Skywalker’s galaxy felt like a real place of exotic, lived-in locales, all of which captured that dirt-under-the-fingertips, tactile quality so rarely seen in fantasy stories. Sure the characters might be archetypes, but they came with histories which gave their fantasy space battles human density. Old Ben Kenobi fought in the Clone Wars with Luke’s father Anakin, who was “a gifted pilot.” But what exactly was a clone war? And why was there more than one of them? Also, what did a Jedi’s “more civilized age” look like for Luke’s papa?

For more than 20 years, no one knew the answer to those questions, which made them all the more intriguing, and the “lore” of this fantasy evermore mythic. Then came Star Wars: Episode I – The Phantom Menace, the first modern blockbuster prequel devoted to filling in the gaps left by a beloved classic’s mysteries. That movie’s problems are numerous, but at its core the most persistent, lingering issue may still be the reveal that Darth Vader was once a blonde haired little boy with the emotional range of Beaver Cleaver. Of course everyone knew in the abstract sense Vader was once a child… but did they ever really want to see it?

Additionally, did anyone really want to learn Anakin Skywalker’s reason for turning to the Dark Side is because of a bratty streak that followed him into adulthood? Probably not.

Nonetheless, all three Star Wars prequels made massive amounts of money and rather than becoming cautionary tales of what happens when you attempt to explain away all the mysteries of a beloved character, they were the first steps toward a modern staple of media regurgitation where seemingly every mug, pug, and thug would get their own sympathetic redo.

Since then, we’ve learned on screen that Spider-Man’s arch-nemesis Venom, is really a well-intentioned bloke caught in a bad romance (with his alien space buddy), Batman’s arch-nemesis the Joker is really just a Travis Bickle clone with mommy issues, and Maleficent, the reigning empress of badassery in the Disney Villain canon, was really just a woman scorned by Sleeping Beauty’s toxic father. Even Hannibal Lecter became a victim in Hannibal Rising, and the Wicked Witch of the West starred in the most popular Broadway musical of all time… where it turns out she was the hero in a conspiracy with the Scarecrow to pull one over on Dorothy.

To be clear, some of these spinoffs and reimaginings work quite well. Even if I personally am a bit chagrined at Todd Phillips’ Joker being nominated for Best Picture, Joaquin Phoenix’s sad sack killer clown created the space for a riveting performance that reminded mainstream audiences that movies can still be for adults. In another comic book movie, Magneto’s heartbreaking backstory in the Holocaust was expanded in 2011’s X-Men: First Class, which made an already relatively complex supervillain just that much more compelling in Michael Fassbender’s hands.

Overall, however, this approach has left something to be desired. And to get back to Cruella, her remix as a misunderstood tragic heroine appears to owe most of all to Maleficent. In 2014, Disney made a killing when they cast movie star Angelina Jolie as their very best big bad, a character so evil in 1959’s Sleeping Beauty that she was willing to knockoff a princess simply because no one sent her a party invite. That’s cold. And it’s wickedly entertaining. Hence why Maleficent scared and captivated generations of children.

Some characters are just too good at being bad.

The marketing of Maleficent leaned into this with a melancholic cover of Sleeping Beauty’s Tchaikovsky-inspired theme song, “Once Upon a Dream.” Now in a minor key, the new version sung by Lana Del Rey promised a scarier, more menacing version of the story, which was then confirmed by Jolie’s wonderfully devilish laugh. The big bad was finally going to have her day at the ball.

But when the movie actually came out, we learned that Maleficent was an enchanted fairy who’d been wronged. In the end, she didn’t hate Elle Fanning’s Princess Aurora. In fact, she loved the little royal and tried to save her from the curse she herself cast in a fit of justified anger. Ultimately, the sorceress adopts Aurora as the daughter she never had after disposing of her now abusive father. That’s certainly an interpretation. I guess.

It also proved massively successful in the short term, opening at a staggering $175.5 million in its opening weekend worldwide, and grossing $758 million total. Those numbers also exclude merchandising and home video revenues. If you want to know why we’re getting the punk rock Cruella, look no further.

However, did a lot of folks really like Maleficent? It made all the money in the world based on that devious marketing campaign that promised a shocking tell-all about Disney’s closest approximation to Lucifer, but by the time a sequel limped into theater five years later, relatively few seemed to still care about the misunderstood, freedom fighting warrior fairy Jolie played. Maleficent: Mistress of Evil ostensibly continued the good fight but flopped at the box office with a cume of $491.7 million, barely more than half of what its predecessor made. (Don’t cry for Disney though, as Avengers: Endgame, Star Wars: The Rise of Skywalker, and remakes of Aladdin and The Lion King in the same year made Maleficent 2 look like a clerical error.)

What this whole sputtering franchise reminds us though is that some characters are better left bad, and the mystique of the unknown is an end unto itself. While I enjoyed Phoenix’s take on the Joker, there is little argument the character was even scarier with a PG-13 rating when he manifested out of thin air, like Beelzebub, in The Dark Knight. Or to take a step away from just villains, was Han Solo really any cooler when you learned how he got his name in Solo: A Star Wars Story? Or could you have gone your whole life without knowing thanks to The Hobbit movies that Gandalf and Galadriel were kind of, sort of, just maybe friends with benefits?

The allure of Cruella De Vil is right there in her name: She’s a cruel devil. How could she not be when her entire ambition in Disney’s classic 101 Dalmatians is to skin puppies for their fur coats? Finding out she used to fight the power before hoarding it may make a lot of money, but it doesn’t make her necessarily more compelling.

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#aion-rsa #Den of Geek

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writings-from-the-hart · 5 years

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Writebr Intro

Writeblr Intro Time!

Hiya! This is so overdue and I apologize for that lol. I’ve been meaning to write this but school seems to always be getting in the way of just that. Writing. But here I am finally writing this! And yes my username is a pun of my own last name but I just couldn’t resist.

So basically, I really want to surround myself with other writers and have stumbled across tons of writeblr’s (I think that’s what they’re called lol). Instantly I was in love and wanted more of what the community had to offer. I’ve been a self-proclaimed “author” or writer since my early years of grade school. I was that child in the back of the class with ADHD that couldn’t sit still (the cliche bouncing leg and always chewed down nails) and had what my mother called an “overactive imagination”. My notebooks in high school were often filled with wild stories about “galaxies far far away” or dystopias with cruel governments ruled by dictators. Now I’m in my second year of college swamped with classes about the Psychology of criminals (or I like to call the science of murder), and trying to find time to write a novel. So the struggle is real my dudes.

A little about Me:

Hana

She/Her

Pisces

Asexual

Forensic Psychology Major and English with a concentration in Writing Minor

Book hoarder

Dog Mom

Vintage AF

Low Key Emo Punk because I’m no average white girl!

History nerd (Love learning about the old wars and cultures)

Movie nerd (There’s an endless stack of DVDs in my house)

Fandoms:

The Mandolorian (or the ManDADolorian)

Star Trek

Star Wars

Hannibal

X-Files

King Falls Am

Welcome to Nightvale

Transformers (Obviously not the bad movies lol. Bumblebee is baby and must be protected always.)

Good Omens

Sherlock

Lord of the Rings

Marvel (There are so many shows and movies in this category we would be here all day if I tried to list them.)

Timeless (Not sure if the fandom is still alive after what the writers did to one of our ships lol)

DC (I’m a huge Batman geek and adore Wonderwoman, but I take the good with the bad when it comes to this fandom. Especially movie-wise anymore.)

And there’s probably more but my memory isn’t working currently.

Goals?. . . maybe:

Get my novel finished (This has literally been on my To-Do List for who knows how long.)

Meet more writers/new writers.

Improve my poetry (I suck at poetry so I bad I never let it see the light of day, so I need to work on it.)

Start my bullet journal.

Wips:

Okay by now you all know I have at least 1 Wip because I mentioned getting a freaking novel done, but just as a precaution as to what I mean by Wip or Wips. I get distracted quite easily, for some odd reason my brain absolutely loves to jump from one idea to another for no absolute reason. Like WTF dude we already have an idea we’re working on why do you keep bringing all these new ones to me like stray dogs. And like any good dog Mom or distracted writer, I want to keep all the ideas/stray dogs. So, when I say Wip I mean “Look at this cool idea I came up with” and I’ll make sure to specify which one is hogging most of my time.

Renegade: Dystopian, Thriller, Post-Apocalypse, and Science Fiction.

This is my baby. Most of my free time is dedicated to adjusting plotlines, character arc’s, fixing freaking plot holes, and other important stuff other than just plain writing. I’m hoping to finish this also monster of a story by 2020 and get it published. So big stuff!

“So tell me little wolf do you want to punish those who have wronged you?” An assassin known as the Crimson Ghost makes their way through the corrupt city-state of Ashton completing a job given to them by the Black Rose. What is a seemingly normal job though turns into something far more complicated when they stumble upon the fractions of an abandoned notebook from the past. A past the Republic is trying to desperately hide and bury no matter what. On the other side of the world in the Republic’s capital Eshar, plainly referred to as “The Prodigy” or “machine” by his superiors, Eric Coalwood has built a life upon the ashes of his family, striving to meet the high expectations set before him by his mentor General Wolfheart. However, his life falls out of its normal day to day routine when the unexpected is asked of him. Command a task force made up of the Republic’s most wanted or his life is over. Eric doesn’t need reasons for why he must do what he has to, all he needs are orders and the Republic is more than happy to give them. Either way the clock is ticking for both the Crimson Ghost and the Republic’s prodigy and with time running out they both have two options. Either get over their different beliefs concerning the Republic or allow the world to once again succumb to war but this time nobody is going to survive it. “Legends are slippery things. For the glory that coats them hides the pain, suffering and death that created them.”

The Trouville Files: Dystopian, Thriller, Post-Apocalypse, and Science Fiction.

Not my biggest priority but definitely one of them considering the plot of this story. I mainly use this wip as a reference for Renegade because it’s actually the prequel to it. Also, it’s great to use as writing practice when I’m plagued with writer’s block for Renegade or frustrated with a plot hole. So this is my double-edged sword that does a lot of good.

“Death in these black days is neither kind nor quick.” The year is 2153, the world we know is nothing more than a wasteland strewn with the dead and a sky being choked by their ashes, not glorious and thriving but desolate and starving. The Red Death, a pandemic with a steady progression and a gruesome countdown to the demise of those infected. No one outruns it or survives it. “United we stand, divided we fall.” The Allied Nations, a totalitarian superpower, promised a united people but all they gave this world was more death and destruction. The Red Death isn’t the only thing slowly killing humanity anymore, we are in the form of the War of Broken Pacts. The spark of revolution is lit, but if it will remain so is a question asked by everyone. Does it stand a chance against the iron-fisted government holding the people in shackles? “Rebel with a cause.” Genius Medical Officer for The People’s Republic, Cyprus Ramiro works day and night in search of a cure for the Red Death exterminating hundreds, at least before this war kills him first. But he is also a man on the run and the rebellion can only shelter him for so long. “Duty over pain.” Cunning Spy and Soldier, Orion Ultor is ordered by the Allied Nations to infiltrate and gather information on the ever-growing People’s Republic. In bold letters is Search and Destroy; make a ruin of the rebellion and ensure the Allied Nations remains as it should -- unquestionably in power. No matter the cost unless he wants to suffer the consequences again. “If we fall we shall rise from the ashes like a phoenix.” They should have never met, battlefields don't make good friends. It wasn't fate, it wasn't destiny, only war throwing people together. The Allied Nations is trying to stamp out something they fear, but can they before the Red Plague? Or will humanity find itself extinct.

Beyond his point is where I house my stray dogs/ideas

Hiraeth: Paranormal, Horror, Mystery, and Thriller.

Scooby-doo who?

Hiraeth means a homesickness for a home which you cannot return. That is how Arcane feels like she’ll never be home no matter how hard she tries to connect with her family. The closest she feels to being home is with her friends and in the worn leather seats of the van they all pitched in to buy. It all started out as a way to pass time and for all of them to escape their families because to be honest parents never understand, but it all turned sideways when a simple “ghost hunting trip” stirred something that was meant to remain buried. The truth never remains buried though, not really, somehow it will always creep back in ugly and twisted. Arcane has never felt “at home” but she’ll do whatever it takes to keep what she considers her family safe.

Sweet Dreams: Historical Fiction, Thriller, and Romance.

A literal dream turned into story plot and no I’m not kidding.

The Red String of Fate, The Lovers, and War. These are the three elements intertwined within the plot of Sweet Dreams but before anyone makes any assumptions this isn’t some chummy rom-com. There will be tears and heart strings may get yanked clean out because the angst is real. War and love never mix well, it leaves a sour taste in ones mouth and makes the mind question things it shouldn’t. Like is the woman in his dreams the same woman he sees in all his dreams? Constantly he somehow ends up spotting that same ruby red lipstick, honey golden eyes, and brunette hair laying in perfect curls. She’s everywhere except in his actual life. They say you and your soulmate share dreams, living proof of how intertwined souls are. She doesn’t believe in love or the idea of souls, not with the monsters roaming around the countryside and battlefield carrying assault rifles. Society tells her where her place is, but she disagrees and rather create her own destiny.

The Prophet: Paranormal, Thriller, Post-Apocalypse, and Science Fiction.

A short story I can’t seem to let go or it doesn’t want to let me go, but either way, this story has the makings for something great. It also at times seems strikingly similar to Good Omens, so don’t be surprised.

There’s no anti-christ in this story, he already has a book about himself so let’s not make another one besides there are other stories that need to be told. Such as, have you ever heard of modern day prophets and I’m not talking about those people with cardboard signs saying “the end is near!” or giant churches with people preaching about the end times. No, I’m talking about a kid with messy hair and dark circles under their eyes because sleep is no longer a choice due to migraines that plague them every night. Migraines that bring weird cryptic messages that make one question their own sanity. And what happens when strange people start asking about said migraines and messages?

Virago: Fantasy, Thriller, Historical Fiction, and Romance.

I’m not a huge fantasy reader, for some reason I can’t stay invested in them, but here I am with a fantasy story in my wips. It has mages, knights, assasination plots, and one super badass general who takes zero shit from her king. That’s right women empowerment, my dudes! I don’t really have much of a synopsis inline or a plot because this is only of those wips I let rattle around in my brain from time to time. But I will say it does give me that LOTR vibe but also Game of Thrones.

Don’t be surprised if you see my stray doggos from time to time because I will admit I love to play around with storyboards. Even if I don’t have a fully planned out plot put together for it.

And that concludes this what was supposed to be short Writeblr Intro. I hope I have peaked some of your guys’ interests because the community definitely got a hold of minee. Feel free to send me a message about anything I mentioned (even if it’s just fandom shit I don’t care) and don’t be shy. I’m a huge introvert but somehow love talking, so don’t worry it won’t be awkward and odds are I’m equally nervous about conversation lol. Also, feel free to add me to any taglist and reblog/like if you’re active and would like more Writeblr mutuals!

Happy Writing,

Writings-from-the-Hart

#writeblr #wips #writer intro #my ocs

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yourfanvivitran · 4 years

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It should come as no surprise that John Carpenter and Dan O’Bannon were students in the same film class, that they created Dark Star together, and that they both had a great affinity for 1951’s The Thing From Another World. If you put Ridley Scott’s Alien, which O’Bannon wrote, next to Carpenter’s The Thing, the parallels cannot be contended. A group of people, bound together almost exclusively by their careers, are isolated and trapped in their own environment with a murderous monster. One by one, they are picked off by this alien beast and are forced to pull out all the stops just to survive. The tension in both movies is suffocating. The suspense stays well after the credits roll.

So, why did Alien excel and why did The Thing fail?

Alien was heralded as a science fiction-horror masterpiece, raking in over $200 million at the box office. The Thing, although now recognized as one of Carpenter’s best films to rival even the likes of Halloween, barely exceeded its $15 million budget by $4 million. What’s more is that critics panned The Thing almost unanimously after its 1982 release. And to what point?

When you compare the 2 movies, it objectively doesn’t make much sense. When you sit down and watch The Thing, without even thinking of its much more popular predecessor, it still doesn’t quite add up. There is not much I can say about The Thing that hasn’t already been said before. It’s well-known, now - the writing, the acting, the practical effects, the cinematography? Masterfully done. No arguments. So what went wrong?

The most popularly accepted explanation was that it just wasn’t the right year for it. In 1982, The Thing had to contend with the Summer of Spielberg, being critiqued alongside horror giant Poltergeist and science fiction treasure E.T. How could a stark and grim story of distrust and gore stand alongside such beloved classics?

But in tandem with these films and also calling back to the success of Alien, Carpenter cites reception from various focus groups: they hated the ending.

It should be assumed at this point that if you have not yet seen The Thing, you are sorely missing out. All the same, however, be wary of spoilers.

The end of The Thing is bitter, to put it lightly. Childs (Keith David) trudges through Antarctic snow, lit by the burning wreckage of Outpost 31, towards R.J. MacReady (Kurt Russel) who sits alone, already half buried. They observe their inevitable deaths, and drink to the supposed demise of their shapeshifting predator.

A lot is left out to die in the snow.

According to Carpenter, this ending was seen by test audiences as too dismal. And rightfully so, when you take into consideration the other popular releases of 1982. Carol Anne is ultimately saved, along with the rest of her family, at the end of Poltergeist. Elliot embraces E.T. before he finally returns home. And going further back, even Ripley is able to escape the xenomorph by the skin of her teeth and secure herself the title as one of the greatest “Final Girls” ever put to the silver screen.

And what of MacReady and Childs?

Well, that’s up to your imagination, Carpenter told a test audience member who asked who the final host was at the end of the movie.

“Oh, god. I hate that,” they responded.

As a writer, this loose ends style of concluding a story is almost expected from a lot of modern works. It’s written this way in order to haunt the reader, to linger and adhere itself to the real world in the most sardonic of ways. Think Joyce Carol Oates’s “Where Are You Going, Where Have You Been?” or Flannery O’Connor’s “A Good Man Is Hard to Find.” This almost anticlimactic close of the curtain arrived in the literary world long before it found its place in film, but it’s a big point of contention in mainstream criticism.

Dark or incomplete conclusions have been met with the most scathing of responses. Beware the black cutaway of Sopranos fame. Or the near-universal outcry against the third Mass Effect game that grew so much, the developers created a morsel of DLC content that maybe kind of confirmed a more optimistic fate for our dear Shepard.

But even for the horror genre, The Thing seemed unprecedented. The only fate darker to fall upon a mainstream protagonist was Ben’s untimely death in Night of the Living Dead. The tragedy of both movies is palpable - all this trouble to survive against inhuman killers, all this trouble to outlive something gruesome and maybe even make the world a better place, and what was left to show for it?

In short, Carpenter’s science fiction terror was too much of a bummer.

I personally did not take much of a liking to horror until much later in life. My parents didn’t filter the media I consumed as much as they probably should have, and I was scarred early on by movies as cheesy and entertaining as The Lost Boys and Blade. It wasn’t until late adolescence and into college that I set out to catch up.

My roommate at the time of this resolution had been a fan of horror her whole life, her favorites being Halloween, Candyman, and The Thing. Having already known a good deal about the former two, I decided to strap in for The Thing for the first time ever.

These days, I always have several soap boxes on retainer, just waiting for the next unwitting recipient of my usually-beer-induced rants. Brian Jones was killed, Jaws single handedly endangered sharks, banning books is a stupid practice, representation in media is important, etc. Predictably, one of these soap boxes is the general lack of appreciation of The Thing, both at the time of its release and today (it does not even make the top 100 on Rotten Tomatoes’s highest rated horror movies).

And yet, at the same time, if The Thing had achieved the credit it deserved upon release, I may not like it as much as I do today.

I make a point to not read too much about movies I am feverishly anticipating, and revel in the feeling of going into a well-known movie knowing as little as possible. Most of the time, it makes for the best viewing experience, but I’m sure I don’t even have to point this out.

This was my experience seeing The Thing for the first time. I was on winter break, staying at my parents’ house for the holidays. Everyone else had gone to bed, and I stayed up late in the living room, curled up under layers of blankets, content in perfect darkness save for the television.

I had no idea what to expect, as I had not been spoiled by any TV show making any blatant references and had not done any prior reading into the film itself. And I was absolutely delighted from beginning to end.

What stays with me the most is the special effects. It’s true what they say - that practical effects hold up better than CGI alone. And the production team didn’t cut any corners in this department. Stan Winston and his team, who were later responsible for the dinosaurs in Jurassic Park, helped construct one of the best animatronics in the movie. Rob Bottin, who brought this constantly-morphing creature to life from conception to every last slimy detail, went on to be hailed as a genius in his special effects career. And there is definitely something to be said for the work of cinematographer Dean Cundey whose masterful control of lighting and framing is best seen in Who Framed Roger Rabbit?

The extent of my knowledge of the titular creature was that it was an alien. That it was an alien who could consume multiple life forms and take on their shapes was both exciting and terrifying. There’s creative genius in this premise that thrills the science fiction lover in me, and also fascinates the bookworm in me. I had been a fan of Agatha Christie novels as a teenager, and to see a new and outrageous take on the And Then There Were None structure was incredibly novel to me.

The appeal wasn’t just that there was something out there, lying in wait to torturously pick off it’s victims one-by-one. It was that it could have been anyone.

At its core, horror as we know it has deep roots in whodunnit style murder mystery. With the rise of the giallo and the sensation of the slasher, horror movies of this nature are far from uncommon and can be seen as late as 1996 with the Scream franchise. Carpenter himself spurned a new kind of fear with his breakout success with Halloween by refusing to give a bodily face to its main antagonist. Here, with The Thing, he takes the eponymous killer character to the next level by giving it the genetically inherent function of deceiving its prey. Not knowing the true face of your murderer has proven to be inherently bone-chilling.

Even now, hundreds of horror movies under my belt later and still constantly learning, I keep coming back to The Thing. I really cannot think of another movie in my wide array of favorites that I love more than The Thing, and I truly believe it has everything to do with me not knowing anything about it upon my first viewing. Every other movie I can name on my (similar to the subject) constantly changing top 10 list of most beloved horror flicks was, at some point, spoiled for me in some capacity.

Think of how often the twins in The Shining are referenced in cartoons, of all the head spinning jokes made in reference to The Exorcist. Anthony Hopkins’s portrayal of Hannibal Lector in Silence of the Lambs has become so infamous, that I knew his dialogue (and Buffalo Bill’s) long before I ever saw the movie in full.

I don’t blame these references for ruining these movies. As a super fan, I understand that compulsion to pay tribute. It’s no one’s fault and to their credit that these films take lives of their own. But the repercussions don’t age well in terms of initial viewing experiences.

All that being said, I truly cherish how much I was not exposed to this movie. The unpredictability of the creature and the quiet, looming despair that comes with it create a horror unlike any other.

Although it was a box office flop, The Thing is now a welcome and praised name in both science fiction and horror. Even Quentin Tarantino made it known that The Hateful Eight was primarily inspired on several fronts by Carpenter’s underrated work. However, it has not pervaded pop culture like so many other horror classics have left their indelible mark on film vernacular. And to that end, I hope it remains in that slight shadow of anonymity for all future enthusiasts.

#john carpenter #the thing #alien #horror #horror movie #horror film #horror genre

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wonderfulworldofmichaelford · 5 years

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2010s Art: Music, Games, and TV

So I love all forms of art. It may not seem like it since I tend to stick mainly to movies, with the odd cartoon or video game thrown in, but that’s really because movies are more my thing due to not being massive time investments. Like, don’t get me wrong, I gamed, I watched TV, I listened to music, but it was a lot more casual than my deep dive into becoming a major cinephile.

With games and TV, it was mostly issues of money and time respectively. I have a few consoles, mostly Nintendo and Sony ones, and my wife helped me experience Xbox games, but I just don’t have the money needed to experience every good game that comes out. With TV, the time investment is the biggest roadblock, especially when all the best shows have hour-long episodes these days. With movies, I just have to spend 90 minutes to two hours on average; for TV, it’s countless hours I could be watching movies. As for music… well, I listened to a lot, I just don’t feel totally qualified to properly rank and list songs and albums.

So instead of the big decade-spanning list for movies that I’m doing, I’m going to go over some things I enjoyed from the past decade and maybe a few things I didn’t in music, TV, and video games. Here’s a little guide so you know what stuff is something I consider one of my absolute favorites in any given medium - if it’s from this decade, it will be in bold, and if it’s from a previous decade but I experienced it this decade, it will be underlined.

Television

I figured I’d get this out of the way first since it’s the medium I have the least experience with. Let me put it this way: I have seen only one season of Game of Thrones, the first one (and by all accounts I dodged a bullet by dropping that show). I also had the misfortune of jumping in to The Walking Dead right as it was gearing up for its abysmal second season, which turned me off that and led to me only watching an episode here or there.

I had better luck watching live action shows on streaming. I managed to get through almost all of Pretty Little Liars on Netflix, which was a chore in and of itself; it’s a good show, but boy could it ever get arbitrary and frustrating. Speaking of Netflix, I think it goes without saying that Stranger Things is their best effort; from the likable cast of kids to the awesome soundtrack, even though it never really surpasses season one the show always has something cool going on in one of its plots. My other favorite from Netflix would probably be their take on A Series if Unfortunate Events, which is how you do adaptation expansion right; everything they add feels like it’s in service of fleshing out Lemony Snicket’s dismal world, as well as giving Patrick Warburton an incredible dramatic role as the Lemony narrator himself.

Amazon managed to score two hits in my book. The first is the unbelievably fun and charming Good Omens, a miniseries that somehow got me to love David Tennant and Michael Sheen more than I already did. The second was the gory joyride that is The Boys which while not the smartest or most original superhero satire is definitely the most fun.

While I didn’t watch the whole show and would not consider it one of my favorites, I do want to give props to Hannibal for introducing me to Mads Mikkelsen. As far as I’m concerned, he’s the only person aside from Hopkins worthy of playing everyone’s favorite cannibal. Another show I DO consider a favorite despite slacking on keeping up with it is Ash vs. Evil Dead; I only needed to see a single season of Bruce back with the boomstick to know this show was a masterpiece.

On the animated side I have much more to talk about. Not since the 90s have we been spoiled with so many genuinely great and varied cartoons. We got Adventure Time, Regular Show, Steven Universe… really, Cartoon Network raised the bar this decade and made up for an awful 2000s. They even finally gave Samurai Jack a conclusion, which despite the mixed results, was still a real exciting phenomenon to experience.

Of course, my favorite CN show came from Adult Swim. I am of course referring to Rick & Morty, a fun sci-fi adventure comedy that attracted the most obnoxious fanbase possible in record time. While certainly not a show you need a high IQ to understand and having an atrocious third season, it still manages to be funny and thought provoking in equal amounts. Seriously though. Fuck season 3.

My Little Pony: Friendship is Magic is another great show that I sadly fell off the wagon of around the fifth or sixth season. It never got bad of course but it never really engaged me like the older episodes, though what I’ve heard of the last season makes me wish I’d kept up with it. It was a great show with a lot of heart and character, and I’m not sure we’ll ever see a show like it again.

Netflix did not slack in the animation department; I didn’t catch their most famous show (it’s the one about a certain Horseman) but I did catch their fantastic take on Castlevania, which as a huge fan of the series was a real treat. Where the fuck is Grant though?

My two favorite shows of the decade, however, are what I see as the pinnacle of East and West: Jojo’s Bizarre Adventure and Gravity Falls.

JJBA is a series I had vague passing knowledge of, only knowing its existence due to seeing Stone Ocean referenced on the Wikipedia page for air rods when I was younger and, of course, the memes that spawned from Heritage for the Future, which were inescapable back in the day. As soon as I got into the series, it became one of my biggest inspirations, teaching me you can be deep, complex, and filled with great character interactions while also being so batshit insane that every new and absurd power is incredibly easy to buy (looking forward to the rainbows that turn people into snails, animators). They managed to get through the first four parts and start up the fifth over the decade; so far my favorite part is four, mainly due to the magnificent bastard that is Yoshikage Kira (played time perfection by D.C. Douglas) and in spite of serial creep Vic Mangina playing the otherwise lovable asshole Rohan Kishibe.

Gravity Falls on the other hand is just a fun and engaging mystery show that manages to excel at being episodic and story-driven all at once. There’s only one or two “bad” episodes across two seasons, and it lasted just as long as it needed to, wrapping things up with a satisfactory ending that still gave fans a few mysteries to chew on. It also gave us Grunkle Stan, perhaps the greatest character in all of animation, the pinnacle of “jerk with a heart of gold” characters who is hilarious, badass, and complex all at once. This is my favorite western animated show…

...but then the last year of the decade threw a curveball and, if I’m being honest, is on par with Gravity Falls: Green Eggs and Ham. Netflix really wanted us to know 2D animation is back in 2019; between this show and Klaus, the future is looking bright for the medium. It’s a fun, funny roadtrip comedy that knows when to be emotional and when to be funny, and it’s all filtered through the wubbulous world of Dr. Seuss. It’s just a wonderfully delightful show.

And on the subject of JoJo, I had a kind of love-hate relationship with anime this decade. The attitudes of anime fans turned me off from anime for a long while. Sure, I checked out stuff like Attack on Titan and Sword Art Online, but neither series really clicked with me. The main anime I loved this decade were ones that started in the 2000s and ended in the 2010s, like Dragon Ball Z Kai and Fullmetal Alchemist: Brotherhood. I suppose I did enjoy My Hero Academia, which is a really fun show with an awesome and varied cast and great voice acting. Love Froppy, best girl for sure.

One of the most unfortunate things about this decade was how many great shows got screwed over by their networks. Sym-Bionic Titan, Thundercats, and The Legend of Korra were all great shows in their own right but were treated like shit by their respective networks. It really makes me upset that stuff like that not only happened, but continues to happen to this day.

But let’s not end on a bad note; let’s talk about the astounding returns old shows got. Invader Zim got a movie as did Hey Arnold, with the latter in particular finally wrapping up the dangling plot threads, but those are actual TV movies so they don’t really fit here; what DOES fit is Static Cling, the triumphant return of Rocko’s Modern Life. A forty minute special, it follows Rocko and his friends as they navigate the modern age, trying to bring back Rocko’s favorite cartoon. Rachel Bighead’s arc in this in particular is pretty groundbreaking and awesome.

Also awesome was the first few episodes of Samurai Jack’s return, though it did end up petering out halfway through the season and ended on an anticlimactic note. Still, Tom Kenny’s Scaramouche, the sheer amount of continuity, and the awesome final curbstomp battle against Aku are worth giving this a watch. And if nothing else, stuff like this gives me hope for future revivals. What will we see next? Gargoyles comeback? Batman Beyond continuation? KENNY AND THE CHIMP REVIVAL?! Chimpers rise up!

Music

Much like everyone, I listened to a lot of music this decade. There was a lot of shit, and I definitely used to be one of those “wow no one makes good music anymore” morons, but I grew out of that and learned to look in the right places.

Let’s start with the albums I loved the most. Continuing her meteoric rise from the 2000s, Lady Gaga drooped her magnum opus, Born This Way, an album that successfully showcases her skills as she takes on numerous pop styles. No two songs sound the same, and with a couple of exceptions every song slaps. While we’re on the subject of pop stars, Gaga’s contemporary and lesser Katy Perry managed to hit a home run with the fun bit of pop fluff that was Teenage Dream.

Weird Al was sorely missed for most of the decade, but what albums he did drop featured some of his best work. While Alpocalypse doesn’t hold up quite so well, it’s still solid, but even then it is blown out of the water by Mandatory Fun, an album that just refuses to stop being funny from start to finish. And that’s not the only funny albums this decade; aside from artists I’ll get more into later, George Miller AKA Filthy Frank released Pink Season as one of his last great acts as his character of Pink Guy. The album is as raunchy and filthy as you’d expect. And then for unintentional comedy, Corey Feldman dropped Angelic 2 The Core, an album so musically inept that it ends up becoming endearing; it’s The Room of music.

As I gamed a lot this decade I got to experience a lot of great video game soundtracks, but the two I found to be the absolute best were Undertale and Metal Gear Rising’s. I couldn’t tell you which soundtrack is better, and I’ve actually made a playlist on my iPod containing my favorite tracks from both games. Pokemon had solid soundtracks all decade, but they definitely were better in single tracks such as Ultra Necrozma’s theme from USUM and Zinnia’s theme from ORAS.

And speaking of individual songs, there were a lot I really loved. The disco revival in the easel ide half of the decade lead to gems like “Get Lucky,” “Uptown Funk,” and… uh, “Blurred Lines.” The controversy to that one might be overblown, but it sure isn’t anything I really want to revisit.

Corey Feldman may be the king of unintentional comedy, but this decade was seriously ripe with so bad it’s good music. The crown jewel is without a doubt the giddy, goofy “Friday,” but I think the equally stupid but also endlessly more relatable Ark Music production “Chinese Food” is worth some ironic enjoyment as well.

Meme songs in general were pretty enjoyable, though it came at a price. Remember when everyone tried to be funny by ripping off “Gangnam Style?” Remember when people took that Ylvis song at face value? Irony and satire were lost on the masses. I think the best mene song of the decade, though, is “Crab Rave,” a bouncy instrumental dance track with a fun music video and an absurd yet hilarious meme tacked to it. And then we have “The Internet is for Music,” a gargantuan 30 minute mashup featuring every YTMND, 4chan, Newgrounds, and YouTube meme you could think of (at the time of its release anyway),

Then we get into artists. Comedy music was great this decade, with Steel Panther and The Lonely Island putting out great work all decade, but by far my favorite funny band is Ninja Sex Party. Dan “Danny Sexbang” Avidan and Brian “Ninja Brian” Wecht are pretty much my favorite entertainers at this point, with them easily being able to go from doing goofy yet epic songs where they fuck or party to doing serious and awesome cover albums where Dan flexes his impressive vocals. A big plus is how all of their albums are easily some of my favorites ever, with not a single bad CD, and that’s not even getting into their side project Starbomb. These guys are a treasure.

Then we have Ghost, a Swedish metal band who play up the Satanic panic for all it’s worth. These guys captured my interest when I heard the beautiful “Cirice” on the radio, and despite that song rocking the fuck out, Imagine my surprise when it ended up being only middle of the road awesome for this band! With killer original songs like “Rats,” “Mary in the Cross,” and “Square Hammer” to a awesome covers like “Missionary Man” and “I’m a Marionette,” it’s almost enough to get a guy to hail Satan. I think they appeal to me mainly because they have a style very in line with the 80s, most evident on tracks like “Rats.”

While I’d hesitate to call him one of my favorite musicians yet (he is really good so far though), one of my favorite people in entertainment is Lil Nas X. From his short but sweet songs that crush genre boundaries to his hilarious Twitter feed, this guy is going places and I can’t wait to see what those places are.

And finally, the guy I think may be one of the greatest creative geniuses alive and who has nearly singlehandedly shaped Internet culture with everything he does… Neil Cicierega. While it’s not like I only discovered him in the 2010s - the guy has been an omnipresent force in my life since Potter Pupper Pals debuted - he definitely became the guy I would unflinchingly call the greatest artist of our time over that period. Whether he’s releasing the songs under his own name or as Lemon Demon, you can always be sure that the songs are going to burrow into your brain. His Lemon Demon album Spirit Phone, which features songs about urban legends and the horrors of capitalism, is easily my pick for album of the decade. And then under his own name he released three mashup mixtapes: Mouth Sounds, Mouth Silence, and Mouth Moods. All three are stellar albums, but only Mouth Moods has “Wow Wow,” the bouncing track about homoerotic bee-loving Will Smith and outtakes so good they deserve to be on the next album.

Video Games

Having a PC this decade was great because it let me experience a lot of games I probably wouldn’t have otherwise, like Half-Life, BioShock, Earthnound, Mother 3, and Final Fantasy VI and VII. All of these and more are among my favorite games of all time now, but we’re here to talk about the stuff from this decade I consider great.

It’s hard to talk about this decade in gaming without mentioning Skyrim. Yes, it has flaws and the main storyline is a bit undercooked, but there’s so much fun to be had dicking about in the wilderness it’s hard to be too mad. And if you have mods, there are endless opportunities to expand the game. The same is true for the other game I have sunk countless hours into, The Binding of Isaac: Rebirth. Not only is there a thriving modding community, but it has been supported and encouraged by the creators and some mods have even made the leap into becoming fully canon! It’s always a blast to revisit and see how far I can break the game with item combos.

Surprisingly, Batman managed to get not one, not two, but THREE awesome licensed games this decade! Arkham Asylum, Arkham City, and the unfairly maligned Arkham Origins all kick as much ass as the Dark Knight himself. The former two reunite Mark Hamill and Kevin McConroy as Joker and Batman while the latter features numerous stellar boss battles. The combat in these games is so graceful and fluid, you WILL feel like Batman at some point, be it after flawlessly clobbering two dozen mooks or silently eliminating a room of thugs before they even realize you’re there.

Pokémon had a bit of a rocky decade; it started out strong with the fifth generation, the best games in the series with a great story, region, and sidequests and then just went downhill from there. Not incredibly so, of course - the games were always fun at least - but gens VI through VIII were not the most graceful steps into 3D. Still, every gen managed to produce some of my all-time favorite Pokémon. Gen V had Volcarona, Chandelure, and Meloetta; Gen VI gave us Hoopa, Klefki, the Fairy type in general, and a gorgeous mega evolution for my favorite Pokémon, Absol; Gen VII had the Ultra Beasts and Ultra Necrozma, some of the coolest concepts in the series, as well as Pyukumuku; and Gen VIII gave us Cinderace, Dracovish, Dracozolt, Polteageist, Hatterene, Snom, and Zacian. And those are just samplings mind you, these gens are full of hits.

Bringing back old franchises yielded amazing results. Look no further than the triumphant return of Doom in 2016, which had you ripping and tearing through the forces of Hell with guns, chainsaws, and your bear fucking hands. This game is HARDCORE. Less bloody and gory but no less awesome was the return of not just Crash Bandicoot, but Spyro as well in remakes that are easily the definitive ways to experience the games. And don’t even get me started on the remastered DuckTales!

Platinum games did not fuck around this decade, delivering Bayonetta 2 and Metal Gear Rising. The former is a balls-to-the-wall sequel to the amazing original Bayonetta that, while lacking in bosses quite as impressive as the first game’s, is more polished and has a fun story and a better haircut for Bayonetta; the latter is an action game so insane it makes the rest of the Metal Gear franchise look tame in comparison. The latter in particular is in my top ten games ever, with every boss battle feeling epic, all the music kicking ass, and Raiden truly coming into his own as a badass.

Speaking of Metal Gear, the divisive The Phantom Pain easily earns its place here. While much fuss has been made about the game being “unfinished,” it still has a complete and satisfying ending even if it doesn’t totally wrap up the dangling plot threads the young Liquid Snake leaves behind. The overarching themes as well as Venom and his relationship with characters like Kaz, Paz, and ESPECIALLY Quiet make this game, with his and Quiet’s being particularly beautiful and tragic. The Paz quest, Quiet’s exit, and the mission where Snake has to put down his men after they get infested with parasites are all some of the most heartbreaking moments in the franchise. But it’s not all tears; there’s plenty of fun to be had harassing Russians in Afghanistan while blaring 80s synth pop from your Walkman. Oh yeah, and fuck Huey.

The Ace Attorney series also thrived, with both Spirit of Justice and Dual Destinies transitioning the series into 3D a lot more graceful than some other franchises while still maintaining the with and charm the series is known for. And if that wasn’t enough for my point-and-cluck adventure needs, Telltale had me covered with The Wolf Among Us and the first season of The Walking Dead. The stories and characters of those games are so good, it’s enough to make you sad they never got a timely sequel or sequels that weren’t shit respectively.

This decade is when I really got into fighting game, though I’m not particularly good. I supported Skullgirls (and am even in the credits!), and got into Ultimate Marvel vs. Capcom 3 and JoJo’s Bizarre Adventure: All-Star Battle (and I also got into its spiritual predecessor, Heritage for the Future). But by and large my favorite fighting game of the decade and the one I’m actually pretty good at is Super Smash Bros. Ultimate, the most ridiculously ambitious crossover in video game history. The fact that the game is STILL getting more characters added is a testament of how insanely great the game is because instead of being mad that there’s so much DLC, people are going rabid waiting for news of more. It’s such an awesome, complete game out the door that the DLC feels earned rather than half a game being held hostage. Other devs, take note!

A lot of franchises put their best foot forward for sequels. God of War III was an awesomely bloody finale to the original journey of Kratos, with more epic bosses than ever; now he’s off fighting Norse gods, and I hear that game is even better! Portal 2 is just an absolute blast, and easily surpasses the first game on the merit of having Cave Johnson alone; the fact we get Wheatley and the malfunctioning personality cores honestly feels like overkill. Then we have BioShock… 2. While it’s certainly not as good as the first game, I think it was a lot of fun, and it got way too much flak.

I think it definitely aged better than Infinite which, while still a good game in its own right (it’s hard to hate a game with a character as endearing as Elizabeth), definitely was not warranting the levels of acclaim it got with such a muddled narrative. “Overrated” and “overhyped” are not words I keep in my vocabulary and I certainly would not describe Infinite as such, but I do feel like people got swept up in the gorgeous visuals and the story bits and characters that are effective and so weren’t nearly as critical of its flaws. It’s still a good, fun game with an interesting world, but it pales in comparison to the other two BioShocks. I feel like The Last of Us is in a similar boat. That being said, I couldn’t tell you why; it has a great story, good characters, plenty of replayability, and fascinating enemy design. But despite all that, I appreciate this game more than love it. It’s the Citizen Kane of video game sin that regard at least.

I’d be remiss to not mention the big indie successes of the decade. Shovel Knight is easily one is the greatest platform era ever made, taking everything great about the platformers on the NES and SNES, removing the bullshit, and delivering numerous bonus campaigns with unique playstyles. Then there was Abobo’s Big Adventure, a marvelous mashup of all sorts of games starring the beloved Double Dragon mook as he goes on a bloody quest to save his son. It’s a blast and there is tons of variety but some sections are definitely as hair-pullingly difficult as the games that inspired them. And then there is Doki Doki Literature Club, the free visual novel that brutally subverts your expectations. Sadly, I do feel the game loses some impact on subsequent playthroughs, but it’s still a great, effective story that skillfully utilizes meta elements.

Still, the greatest indie success of them all is Toby Fox’s masterpiece, Undertale. Charming, funny, emotional, and populated by a cast of some of the most fun and lovable characters ever conceived, this game was an instant smash and is still talked about to this day. Sure, things like Sans have been memed to death, but it’s hard to not just love and cherish the beautiful world Toby Fox managed to create. This game may not be the greatest game of all time, but for what it is I wouldn’t hesitate to name it the game of the decade.

There was a lot of great art in the 2010s, and while I couldn’t get around to all of it, I’m so happy with what I got to experience. Here’s hoping that the 2020s can be just as amazing!

#Music #video games #TV

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imagineclaricestarling · 5 years

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ok ok so i’m a huge fan of your blog, love it to death. i’m also a huge silence of the lambs/red dragon fan (hannibal & hannibal rising can eat my ass) but sometimes i get confused (?) (is that’s the right word) on your views of the book because everything seems to jump all over the place, no offense intended, but what’s your actual opinion on the novels? i’m super curious so could you like do a straight up list or something stating your opinions or something?

Some of that is going to be a matter of time, this blog and the mod running it is not static after all. I probably shouldn’t do this on a phone but I’d be totally open to write a comprehensive review, I’m hesitant because it has been a while and I have since been diagnosed wirh an eye problem that makes reading itself excruciating, and I haven’t made a dent in Cari Mora yet either

Technically speaking? Red dragon is the best book of the series, it has the strongest and most articulate emotional and narrative beats of any of the series

Silence of the lambs, often SOTL and RD are argued in terms of preference but red dragon wins out for me and the movie wins out over the book. While still very good and with some great moments of social reflection and emotional connection,

This part is going to sound weird but,

None of the ‘risks’ in SOTL really hit or pay off. Buffalo Bill gets worse wirh every passing year, nothing about precious makes sense, there’s a bunch of just weird scenes that are kind of slow and jarring but don’t add anything tonally or emotionally, the novel kind of situates in Clarice’s motivation in a way the movie doesn’t and is worse for it (specifying that Clarice will potentially have to take a semester off because of her dedication to the case but that she actually doesn’t really mind was a HUGE mistake) while Clarice is more likable and relatable than will graham her motivation just isn’t as strong and in this genre and in this writing style that’s a big blow

Hannibal is....messy. It’s home to the best and the worst. It has the strongest and most impactful moments and scenes in the series. Red dragon is emotional and shocking and dramatic but I struggle to pull many ‘memorable’ stand alone moments or scenes from it. Hannibal is almost ONLY memorably scenes, and that’s a weakness as well as a strength. For every “you’ll never be weirder than me” there’s a “do you feel you were pushed from your mothers lap too soon dr lecter?” Or whatever the FUCK Clarice said at the end

Speaking of which

Clarice is just god awful in this book. I have never seen such a sharp turn around in a character, and like buffalo bill with the changing American political landscape Clarice only gets worse and worse as time goes on, and I grow only angrier that Hannibal ‘broke the mold’ in its continuation of Clarice’s story, over the mythos of Hannibal as an almost unavoidable force of nature. You can’t hunt Hannibal down because he is only known to those he wishes to be known to, and that whimsy of him as an almost folktale anti hero who rolls in and out of the narratives of others at his willset is dampened by Clarice’s presence as not just a reaccuring character but as the POV. I mourn for the great American novel we were robbed of, of a young CSA lesbian survivor just trying to bunker down and plan and bide her time in her brother’s company when her disgraced childhood cannibal counselor miraculously works himself back into her life picture.

#hannibal

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cinnamaldeide · 6 years

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#Hannigraham Meet-Cute Challenge: Infos

After having successfully concluded our Accidental Hannigraham sex initiative, and survived Christmas holidays, @fhimechan and I decided to promote another monthly project to fill this 2019 with delight and amusement in the form of fanfiction. This may not become that kind of party, but there’s still some promising ideas we recently found out, and we can’t wait for you to see them as well!

As you can read, this challenge will focus on meet-cute scenarios, universes where Will and Hannibal meet for the first time in an entirely different way. No analytical ambush, rather a serendipitous meeting in a coffee shop, an awkward moment in the libraty, a casual encounter in the middle of a fresh crime scene. We know you are very creative, there would be no need for us to provide prompts for your imagination to work, but this is a challenge after all (˘⌣˘ ) there should be something challenging. We selected twenty prompts from @meetcuteprompts for you to choose. You select one, you write your wonderful story, we collect it and promote your work in a post with the other entries of that month (◕‿◕)☆

#22: A is having a quiet night at home – that is, until A’s apartment neighbour begins blasting music. Frustration levels rising, A goes to knock on the neighbour’s door to ask them to keep it down… at the same time B, the resident on the other side, is about to. Need more detail? Click on the post.

#32: A checks into a cozy inn while on a cross-country road trip, beyond tired and ready to collapse. When A gets to the assigned room, he or she is in for a surprise! Someone else, B, is already in the room. Uh-oh.

#117: A is a professional assassin hired to take out a client’s cheating husband. But the client also spoke to B, a close friend, who has made it his/her’s own mission to also kill the husband. Unfortunately, both A and B have chosen the same night to do so, and it just so happens that B is a bit clumsy… and keeps getting in A’s way.

#143: A’s blind date just left, mumbling some sort of excuse about leaving the stove on. Confused and feeling rejected, A sits orders another beer at the bar, wondering where s/he went wrong. B, who had witnessed the situation, goes over and says sympathetically, “I think I know what went wrong… there’s something in your teeth.”

#162: A is interviewing potential roommates and is having very little luck. When it comes to B, A says, “I’m so sorry, I don’t think this is going to work. I can’t live with someone that I’d like to ask out.”

#166: A is at a coffee shop and sits down at a table, only to find a book on the chair. Intrigued, A starts flipping through it, and realizes it’s actually someone’s journal that had been left behind! And it’s fascinating. Unfortunately, B, the journal’s author, rushes back to retrieve it… and is horrified to see A reading it. But A, having gotten a feel for this person through his/her writing, asks if they want to go out sometime.

#176: A works at a pet store and is utterly surprised when B bursts through the door in a hurry and walks up to the cash without looking around. Out of breath, A says, “Please don’t ask why, but what do capybaras eat?”

#180: There has been a series of recent break-ins in A’s neighbourhood. B, a cop, knocks on A’s door to recommend safety measures and to ask if A has noticed anything peculiar — A hasn’t really seen anything, but invites the cop and his/her charming smile inside for coffee and a bit of false information so s/he might stay a while.

#207: A meets B and falls immediately for them, but B clearly doesn’t feel the same. After being rejected, A calls on Anteros, the avenger of unrequited love, to exact vengeance on B.

#210: A is a writer struggling to find inspiration for their next book. The publishers are breathing down their neck and the pressure is almost more than A can take. When A comes across an old Greek book in a thrift store, A brings it home and flips through the pages.... only to come across an old chant that was supposed to bring inspiration to those who read it out loud. A gives it a shot and... oh dear. Oh, oh dear. Somehow that summoned B, one of the Muses, to A’s living room.

#215: A is brought in to the police station for questioning about a crime they know nothing about and is put in an interrogation room… with B, who is another suspect in this particular case.

#231: A is hanging out with a friend but ends up stopping to look at some lingerie in a shop window. A is still chatting away, thinking that their friend has stopped with them also, and turns to where they assume their friend is to jokingly ask: “Wouldn’t I look sexy in that?” But it turns out that the friend had kept walking and it was B, a total stranger, who A had spoken to.

#232: A is in a public place and temporarily leaves their things where they are seated so that they can use the bathroom. When A returns, A notices B, the person sitting at the next table, putting A’s phone back on the table. A demands to know what they were doing with their phone, and B tells them that the phone was ringing non-stop and it was bothering everyone. Also… “Your friend is drunk and I think they want to sleep with you.”

#234: A and B are both looking for a movie to rent and, coincidentally, they have the same movie in mind! They reach for it at the same time and, oh, there’s only one copy left! After a few minutes of ‘oh, go ahead, you can have it’ from both sides, they agree to rent it and watch it together.

#239: A is sitting in a cafe trying to casually read their book, but is distracted by B’s loud phone conversation at the table over. B tells a joke over the phone, which makes A crack up unexpectedly – B looks over at A, annoyed that they were eavesdropping, but also appreciative that at least someone liked their joke! B hangs up and offers to tell A another.

#240: A stops at the pub near their house to pick up some food on the way home (they make the best fries in the neighbourhood) when A receives a phone call – and some terrible news. A starts crying and B, the bartender, asks A what’s wrong. As A opens up to them, B gives A a drink on the house, and helps talk them through it.

#246: A was fatally wounded in an accident and suddenly finds themself looking down at their own lifeless body in confusion. B is a reaper and offers A guidance… but A doesn’t want to do the whole follow the light bullshit. A wants to flirt with the cute reaper.

#248: A is a barista and has come to recognize the regulars and their orders. One day, B walks in and A greets them, starting to prepare their order, when B stops A with a sigh: “I’m not who you think I am.” After receiving a blank stare from A who has no idea how to respond to that, B continues, “I have a twin. I’m the other one.”

#251: A is in their backyard enjoying the nice weather when an animal saunters into view. A looks for a collar and finds nothing, but it lets A have a few cuddles before going on its way. The same thing happens for the next few days until one day, B appears trailing behind! “Aha! So this is where you’ve been running off to.” Ah, one more thing. The animal is B’s familiar.

#252: A is in the public library and notices a strange book that looks like it doesn’t belong in this section. A moves along to another genre, but it seems that this book is in every section… almost like it’s following A. How peculiar! When A finally picks it up to see what exactly it is, B appears out of thin air, and simply says, “I’ve been waiting fifty years for you.”

These awesome ideas have been selected arbitrarily among many others, which are as great and intriguing. If you’d like to fill a prompt we haven’t included, you’re free to do so; let us know and we’ll welcome your work in our collection, if not in our monthly update post. But if you’re willing to fill one of our choosing, you can choose the next: we will in fact substitute the filled prompt with another (of your choosing of ours, if you don’t have a particular preference), gradually running as many of them as possible, always trying to propose something new for you to sink your teeth into :D Our mission will be to achieve as many stories as we can obtain during the whole year with your help, our beloved fanwriters and fanartists!

That’s right, you’re welcome to provide fanarts as well as fanfictions, my deers ♥

Everyone can write or draw as many fanfictions or fanarts as preferred, and as long as you like, but please remember this is still about the meet-cute trope, so every work shall involve the tag Different First Meeting. Any rating, any length, any warning, if adequately tagged, will be accepted. We only ask of you to not be disrespectful and to stick to the prompt you choose, and honour every part of it :9 please include a link to it in your work, so anyone can read it!

We won’t book prompts, but we’re confident you’ll find something inspiring among our selection ;) and if you don’t, we’ll appreciate your reblog and hope for the following month to be more fortunate! In respect of our past initiative and our own preference, we’re concentrating on Hannigraham works. We know this is not as exciting as the Accidental sex, but don’t forget there’s no reason you can’t evolve the situation into something more... compromising ;) you’ll decide if there’s inevitable sex in store for us this time around!

Since we all know how Tumblr works, I’m tagging everyone I tagged in my last Accidental Sex post and hope that some of you are interested in pursuing this project with us. So here we are @a-hannibal-mess, @allionne, @ambar-gris, @andiemerizein, @angelchild1302, @avegetariancannibal, @ayden5956, @blackrose34, @bloodyilaria, @blueeyednightwing, @bonfire-choir, @cinelitchick, @crisisoninfintefandoms, @cutaneousmarginalpouch, @diemetzgermeisterin, @doyouacheforhim, @electrarhodes, @erodingthebluff, @eonblueinmay, @evolvingmydesign, @ethicsbecomeaesthetics, @fleeingdawn-blog1, @fragile-teacup, @gampire-thoughts, @gaycannibalbuddies, @grahamsdogs, @h4nnibalism, @hanfangrahamk, @hannibalatemyheart, @hannibalsbattlebot, @hannibalsimago, @hannigramfam, @hannigramfanfic, @hannigram-a-b-o-library, @hannigramwich, @hanniwinsagrahamy, @hunter-and-star-chaser, @ishipthemsogoddamnhard, @jadegreenworks, @jackalope-in-glasses, @janespetticoat, @kiyofan, @kobayashihatori, @krey-9-jorce, @louistennbookmarks, @mazephoenix, @maxaminkle, @mefistox, @mcsci4518, @midnight-stag, @purplesocrates, @saralecter77, @shaeshae-style, @slashyrogue, @snakesnlace, @stagswag, @sweetthingwithfeathers, @thatredbean, @thesilverqueenlady, @the-winnowing-wind, @tiggymalvern, @tinyenthusiasttriumph, @thenecronon, @whimsy-by-joja, @wiith-my-hands, @wlectergraham, @xcheekbonesandblueeyesx, @yes-yeah-yesh, @zigzag-wanderer many thanks for having indulged us so far, please bear with us a little longer if you please ^^ In @fhimechan’s or my next post, those who reblogged this one will be tagged again, and so on, trying to keep involved those who show their interest and support to us, leaving alone those who’d prefer not to be involved any further. I hope this will prove an efficient strategy, everything considered. We’ll handle things differently on Pillowfort, where we created a special community for anyone interested (o´▽`o )

In the hope of having said everything I needed to say, let me with you all a promising New Year, rich of amazing experiences and the loveliest fanworks. Fannibals are not done yet!

#Hannibal (nbc)#HannigrahamMeetCute2019 #Hannibal Lecter #Will Graham #Hannigraham #Meet-cute #Different first meeting #Challenge #Info post #Feel free to join the table #Initiative by Cinnamaldeide #Original post #Sfw

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leafenclaw · 5 years

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Tag your 10 favorite characters of all time

They can be from every book/movie/TV show/Video game, then tag 10 people.

Tagged by @jamlocked, thank you! :D

But also, oh god. XD

Early on as I was making that list, I encountered three problems: 1 - Most of my favourite characters of all time are actually variations on a single character archetype, with a whole damn lot of them even wearing the same name (or similar enough lol). 2 - Most of the ones that don’t fall under this category are from the same 2-3 source material, unless... 3 - ... they’re from sources that I cannot in good conscience recommend anymore, like for example books from MZ Bradley or OS Card that were extremely significant and shaped who I am, but considering what their authors turned out to be, enough said lol.

So instead of a “my favourites of all time” list, I just picked characters that made a significant and lasting impact on me, even if they didn’t turn out to be my absolute favourite from their media source. I hope that’s okay!

Cut for length, because as usual I got chatty.

In no particular order, aside perhaps for the first two:

1 - Jamie Moriarty from Elementary. My everything. <3 She’s made of... honestly, pretty much all the archetypes I inevitably fall for, male or female, but somehow she rises above the sum of her parts and I cannot even start expressing how much she means to me. Other characters in the same general type would be of course all the Moriartys, Magneto, Gellert Grindelwald, Red John, Alice Morgan, etc. A lot of those characters are heavily defined by their sky-high intelligence and deviousness, but more importantly by the shapes they leave behind when they aren’t on screen/on the pages or when they’re hiding behind masks and facets that never encompass them as a whole, and by the way they always make a extremely lasting impact on the protagonist. When it’s a TV show or a movie, the use of camera language (lighting, colour schemes, camera plans, etc.) around them is always tightly defined and significant, and when it comes to literature, the same effect is applied through metaphors and symbolism. It makes the layers to those characters absolutely endless and when it comes to storytelling, it’s the one thing that’s guaranteed to hook me straight away. (Jamie is also obviously my favourite from her source material, even though Sherlock comes high in second place, and Watson a close third. And I also have a baffling soft spot for Joshua Vikner that probably deserves a mention lol.)

2 - Vegeta from Dragon Ball. Started a genocidal alien who regularly committed mass murder, ended a devoted, self-sacrificial husband and father of two (three if you count his son from the future). Still the best redemption arc I’ve ever seen (and probably will ever see) in any kind of media ever. (He is also -by far- my favourite from his source material.)

3 - Luna Lovegood from Harry Potter. My fae child <3 Literally the only female character I ever identified with in that whole series. People close to me still regularly tell me I channel her lol. (Favourite from her source material: it’s a toss between Gellert Grindelwald and Severus Snape.)

4 - Jareth from Labyrinth. My (other) fae asshole child found in a trash bin lol. Love of my life before I was 10, kept me sane and believing in magic when I most needed to. I learned contact juggling because of him. (He is my fave, although I love Sarah even when she’s being a dramatic whiny teen.)

5 - Rebecca Anderson from The Mentalist. I have a strong and everlasting love for pretty much all characters in TM, but this one extremely minor character made a chilling impact on me by the fact she’s exactly who I would have turned out to be had I not made one tiny little change at a crucial point in my life. So she makes the list if only for that. (My fave TM character is Lisbon, but the way she acts and reacts baffles me on a daily basis. I understand and identify with Jane much better. Fighting hard in third place would be Lorelei Martins and Madeleine Hightower, I think, but I truly love them all and by this point it’s just nuances.)

6 - Erik from Phantom of the Opera. This one stabbed me with a spoon and ate my heart out lol. I care a lot more for the original Leroux version than the Broadway/movie version, but the absolute top iteration of this character is written by Susan Kay in the pastiche Phantom and I bet every serious PotO fan will agree. (He is -by far- my fave, with the Daroga a distant second.)

7 - Eurus Holmes from BBC Sherlock. This one took me completely by surprise. One of the shittiest character arcs I’ve ever seen, and yet. She’s the one that pulled me out of the meta mindset I had been stuck into since season 2 and gutted me like a fish before I had time to realise what happened. (Jim and Irene share the top spot for their source material, but all three Holmes siblings are fighting for third place.)

8 - Hans from Frozen. The one character that made me realise the storytelling & camera language studies paid off lol (”wtf Disney doesn’t design its princes that way, there’s something off about him!”). I genuinely hated him right off the bat when I saw that movie because he made my gut twist with so many red flags, but the moment he revealed himself as a villain things clicked into place and now I love him lol (I’m so predictable xD). He shares the “hiding behind smoke & mirrors & facets of himself” with the Moriarty archetype, which makes him fascinating to watch and analyse, and for that alone I hope to see more of him in Frozen 2 because I never get enough of that kind of character. (Elsa used to be my favourite, but lately there’s been a disconnect. I’m not sure if I just out-grew her or if it’s a depression thing. As for Hans, it’s a strange kind of love/hate/fascination thing that I couldn’t define.)

9 - Clarice Starling from Silence of the Lambs. For the sole reason that her fascination for Hannibal and the pull that makes her come back even though she knows he’s terrible for her mental health made me feel seen, and also validated my own fascination and love for villains, which people around me always found strange. (Obviously, my fave is Hannibal. I wish the recent show about him wasn’t so gore. Can’t watch it because I’m too sensitive to on-screen violence and body horror.)

10 - Laure/Mickaël from Tomboy This one is a little harder to explain, and to be honest I’m not sure I really want to. That movie is... questionable lol but maybe you’ll have an idea why that character made such an impact on me if you saw it. (Or maybe not. It’s okay.)

Runner-ups: Link from A Link to the Past, Sheik/Zelda from Ocarina of Time, Jake from The Dark Tower, Scotty Valens from Cold Case, Scar from The Lion King, Billy Elliot from Billy Elliot, Arya Stark from ASOIAF, Garraty from The Long Walk, L from Death Note, and many many others.

I have exactly 10 followers, one of them tagged me, and I tagged 5 of you earlier on something else so I’m not going to harass you people further. XD Steal this if you want to!

#random #writing #I'm not exactly sure how to tag this #I didn't plan on having a 'personal' tag #and I forgot to create an 'answer to tags' tag #¯\_(ツ)_/¯#oh well lol

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xtattlecrimex-blog · 6 years

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Why Are The Fannibals So Obnoxiously Obsessive?

I’m actually getting more at the fact that they are mentally ill. Basically all of them. Once again, I am referencing the specific group of hardcore fans who throw thousands of dollars at their obsession, or still run multiple Hannigram blogs day in and day out despite the show being cancelled years ago. The 200 or so women who hang around on Tumblr and Twitter and devote their lives to worshiping Bryan Fuller and their precious pairing. Those women. People have asked me why they are so obsessive and why the vast majority of them seem to have considerable problems with mental illness. The answer is pretty simple and quite obvious. The show glamorizes mental illness.

Look at Hannibal Lecter, for example. He’s a murderer and a cannibal. Now, in the past (such as the books and then later the original movies) This was framed as a bad thing. Though Hannibal Lecter in both of those materials had some level of style and good manners, he was also portrayed as monster. Described as one too. From Red Dragon all the way through Hannibal (the third novel). I don’t include Hannibal Rising for reasons I’m not going to get into here. The point is, that in the original source material and the movies based off of the original source material, Hannibal was portrayed as creepy more so than stylized, sexualized, and handsome.

However, when you take a look at the show, how is Hannibal portrayed? Well, by a very handsome Danish man. Someone who actually won the award of “Sexist Man In Denmark” at least once that I know of but actually may have won it more than that. A very tall, chiseled, Nordic looking dude. I get that he’s not to everyone’s specific standards of handsome, or sexy, and some people find him downright ugly, but let’s all just admit he has far more appeal to the ladies than Anthony Hopkins. At least, far more appeal to Tumblr aged teenage girls. They were already in love with the likes of Matt Smith, Bill Skarsgard, and Benedict Cumberatch, so Mads really fit right in there along with that. Oh Alex Skarsgard too. The thing is that as much as he may have a very specific look that only appeals to a very specific number of people, well it doesn’t mean he’s not handsome or meant to be played as such. I personally think Mads is very attractive even if I can recognize that his very severe face may not be for everyone.

They take Mads and they turn him into Hannibal Lecter. They give him amazing suits and lots of money. He’s high society, he’s a chef, he’s smart, and he’s a psychiatrist. They show him well before his incarceration as well, and at first they shy away from making him seem too evil so you can empathize with him to some extent. They also really excuse and gloss over his behavior, justify it as him taking care of Will or getting rid of rude people. Cannibalism is bad, yes, and they do show that, but they do it in such a way that it seems fancy and delicious not in the horrific way that it actually is. It’s portrayed at nice dinner parties not in some captive and horrid situation. As much as he is a “bad guy” they put very little emphasis on this. They also have him “taking care” of others, so it seems like that makes it kind of “okay” for him to do the things he does because he’s somehow benefiting society by doing these things, not destroying it. That’s why you will see so many of these over zealous fannibal family fangirls repeating the phrase “eat the rude”.

Next, we have Will Graham. They shy away from ever actually saying he’s autistic in the show but it is heavily implied. He slowly goes insane (thanks to severe mental abuse from Hannibal) until he becomes a murderer as well. Since Hannibal is portrayed in such a “good” light, with minimal focus on the murdering and cannibalism, then this also isn’t seen as a bad thing…not really. It’s justified. Will is doing it because he’s either out of control or he’s so in love with Hannibal he wants to become Hannibal. Or some third thing. There’s ways to justify Will’s violent behavior as much as Hannibal’s. Not to mention Hugh Dancy is attractive and was known in certain circles as a heart throb well before this show aired. He already had a fanbase of fangirls who were in love with him. This allows these people to justify the horrid behavior as well as identify with it. Will is weird, socially awkward, mentally ill, but it’s also completely fine because he’s totally “in love” with Hannibal. I mean by their point of view, not what actually happened in the show.

Then you couple all of this with the fact that the show portrays death as beautiful and artsy. Edgy too. You never really see a gross corpse or the reality of death, what it does to a person, how they’d actually look, the fall out of losing someone in such a way. What you see is a beautiful sculpture of the corpses left over. Very few of them were legitimately gross dead bodies. Everything was stylized to look as pretty as possible while also being as dark as possible. In the actual world if you took someone and skinned their back open to make it look like wings, or used someone’s body to grow mushrooms on, the actual reality of the horror that would create is far worse than what the show did show on screen. Perhaps it was a style choice, and perhaps it had to do with censorship, maybe both, but the reality of death and destruction of all of these things was put through a filter. Rose colored glasses.

The fandom is so full of mentally ill people because it attracted them in this manner. It excused horrible behavior because of mental illness and made them pretty, beautiful even. It went out of its way to justify the behavior of a cannibal and the horrid abuse he put another man through in order to force a bond with him. That’s what it did. It attracted people with substantial problems because it dismissed all of these problems within the main characters and wrapped it up in a very pretty bow then threw it into high society like being mentally ill was some kind of status symbol. If you add that to the fact that the first season of the show was primarily advertised through Tumblr, and we all know what types of people are on tumblr, then one can’t really be surprised that what we have left of the most hardcore and devoted fans, is a mentally ill cesspool of special snowflakes.

One must wonder what the show might have been like had it gotten a normal PR campaign. Had it been advertised like a TV show should be or usually was. What kind of audience it may have attracted (and ratings) if a different creator had been at the helm and how well the should could have done if it hadn’t catered to mentally ill and overly obsessive Tumblr fangirls. There is a longing to know what could have been and a disappointment in knowing what never can be.

#Hannibal #Hannigram #Bryan Fuller #Mads Mikkelsen #Hugh Dancy #Fannibals #Fannibal Family

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the-fandom-newsletter · 6 years

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Fandom Newsletter #4

Today is Friday, the 26th of October, and Welcome back to another Fandom Newsletter!

Writers: Atlas, Blackpurrl, Fyne, YoursTruly Editors: Fyne and YoursTruly

“Oh my God, Karen! You can’t just ask people why they’re white.” ~Mean Girls

Let’s get started!

First to YoursTruly with the Horror, Hannibal, Tim Burton, Animation, and Gaming fandoms--

Horror: Horror fans love the new Halloween movie! The movie has been a massive success among fans young and old! The movie gives off a nostalgic vibe, even referencing the older movies several times throughout the film. However, if you’re going to see this movie, stay until after the credits, there’s a little surprise at the end.

Hannibal: The Fannibals have began trying to bargain with show runner and producer Bryan Fuller for another season. The show left off on a not so satisfying conclusion, and many fans want more. Bryan Fuller has even teased the idea himself quite a few times. Will we get another season one day? Guess we’ll have to wait and see.

Tim Burton: Disney is offering, throughout the month of October, Halloween themed cruises. They even offer an onboard show featuring Jack Skellington and Sally. And you can even meet these characters for pictures! Now that’s a cruise! Also- The Nightmare Before Christmas celebrates its 25th anniversary this year!

YouTube: YouTube recently crashed worldwide for two hours. YouTube hasn’t said much about the incident, but problems like this are becoming more and more common on YouTube. Many people are wondering what the causes of these issues are.

Animation: Goretober is in full swing! Many animators have been uploading their daily Goretober art.

Gaming: The season of scary game releases is upon us! October is the month where many creators on platforms like Steam and Gamejolt are releasing their horror games in anticipation for Halloween.

Now to Blackpurrl with the Harry Potter and Bands fandoms, along with World News--

Harry Potter: Countdown to Fantastic Beasts: 27 days!

Bands: Did you know, about twelve hours of songs are uploaded to SoundCloud every minute? Insane!

World News: Denmark Shooting for the Digital Stars

Next to Fyne with the Sherlock, Supernatural, and Spooptober fandoms, as well as the weekly positive news--

Sherlock - Ever wonder how our beloved show even came to be? Apparently, for years, writers Steven Moffat and Mark Gatiss took a train to and from Cardiff while working on Doctor Who, and discussed various projects they were interested in doing. One that kept coming up repeatedly was a modern-day adaptation of Sherlock Holmes. This reportedly went on for some time (with neither man making any particular effort to get it up and going) until Moffat’s wife, Sue, invited both men out for lunch. Her place of choice just so happened to be the Criterion, a watering hole and eatery in London’s Piccadilly Circus. It just so happens to be the same place where the fictional John Watson (Sherlock’s best friend) first hears of the famed detective. The two men got the hint and began working on the series, bringing us our show that we have today. I think we all owe Sue a little bit of a thank you, don’t you?

Supernatural - Did you notice that (according to Archangel Michael in the episode The Song Remains the Same) Dean and Sam come from the bloodline of Cain and Abel? So is this important? Or is this just another coincidence?

Spooptober - This year is the year that Halloween movie Hocus Pocus reaches its 25th anniversary. The premise of the movie is this: After moving to Salem, Massachusetts, teenager Max Dennison explores an abandoned house with his sister Dani and their new friend, Allison. After dismissing a story Allison says is superstitious, Max accidentally frees a coven of evil witches who used to live in the house. Now, with the help of a magical cat, the kids must steal the witches' book of spells to stop them from becoming immortal.A family favorite movie that almost everyone has seen and that is playing on at least one channel nearly every night of October. If you haven’t seen this iconic movie, you definitely should go channel surfing at some point this month.

Positive News - The words we use to talk about mental health can perpetuate stigmas. A new portrait project featuring people who have mental health issues aims to make us think again about the language we choose.

Lastly to Atlas with the Voltron, Musicals, and Movie fandoms--

Voltron: This fandom is a ticking time bomb set for December 14th. We are all going to die.

Musicals: George Salazar ships Boyf-riends!

Movies: Who else wants a live action Corpse Bride?

Now back to Blackpurrl with the weekly movie review--

Movie Review: Hannibal Rising

This movie relays the story of Hannibal Lecter’s childhood. Although most of the especially gory parts are not on camera, the viewer eventually knows exactly what became of the victim. It provides an interesting plot, and explains why the famous cannibal does what he does. I would not recommend this movie to anyone under thirteen or anyone who cannot handle tragic stories. Overall, I’d give it a 10/10.

And back to Fyne with the weekly trivia fact and quiz--

Trivia Fact - Did you know that the inventor of liquid soap became paralyzed after he slipped in the shower?

Are you an optimist, a pessimist, or a realist?

1. You fail a test. What is your reaction?

A. I'm stupid. I’m going to fail my exams.

B. This was just a blip. I’ll do better next time.

C. The questions were too hard. This is where my abilities stand.

2. You have quit smoking, but you accidentally have a cigarette. Which of the following is your reaction?

A. You have been set back, so you just go right back into the addiction.

B. You have been set back, but you believe you can quit again.

C. You have been set back, so you come up with ways to avoid similar circumstances that led you to the set back.

3. You are shown a picture of a man who isn’t smiling. What do you think this man is feeling/doing?

A. The man is plotting, rude, or experiencing something unpleasant.

B. The man is relaxing, thinking, or did not have enough time to smile.

C. The man is posing for the picture.

4. A close friend of yours sets you up on a blind date. How do you feel about this?

A. You have no clue what your date is like and you are afraid they’re going to set you up with a complete loser.

B. You have faith in their opinion and want to see for yourself what your date is going to be like.

C. You decide to see what your date is like and decide for yourself how well your friend did.

5. You’re a business owner who goes bankrupt. How do you proceed?

A. You see this failure as a sign that you are not meant to be in this business and pursue other options.

B. You see this failure as a lesson and use it to help you further your business in future reference.

C. You see this failure as a sign and choose to make plans to pull yourself out of bankruptcy.

6. You get a raise. How do you feel about it?

A. You don’t understand why you got the raise and you wonder if there is an ulterior motive.

B. You accept the raise happily, glad that your hard work has finally been recognized.

C. Yay! More money!

7. You’re an accountant and today you made a mistake with a number. What is your reaction?

A. You figure out where you went wrong, and then feel horrible about it for a long time afterward, questioning your abilities and worthiness as an accountant.

B. You figure out where you went wrong, fix it, and move forward.

C. You recognize the mistake and move on.

8. You have a bad day. Which of these is you after the day is over?

A. You believe that your life has been full of hardship and negative experiences.

B. You see the bad days as part of your life that help you grow or benefit you in some way.

C. Recognize that you had a bad day, and resolve to try again tomorrow.

9. You are struggling with groceries and someone comes to help you. How do you respond?

A. You become suspicious, tell them that you have nothing to give them, and maybe even yell at them to leave you alone.

B. You thank them and talk about their day or ask them about themselves.

C. You politely say thank you and either accept or decline their help.

10. You go on a vacation. Which of these is you?

A. Complain about everything you do and could potentially do, and eventually wind up not wanting to do anything at all but watch TV in the hotel room.

B. You want to experience as much as the location has to offer, even though you had no plans about what to do.

C. You enjoy the vacation and plan extensively about what you want to do and when.

Mostly A’s: You appear to be a pessimist. Always seeing the bad and negative in everything probably isn’t helping you be any happier or lead a happier life. Try and maybe appreciate things more often.

Mostly B’s: You appear to be an optimist. Always seeing the good and positive is probably helping you be fairly happy, and even leading to a happier life style. Though try not to be too optimistic all the time because it may end up hurting you in the long run.

Mostly C’s: You appear to be a realist. I guess you’re sort of a neutral character. Good for you.

(This isn’t physiologically proven, its literally just a test I made up in my free time so don’t take the results to heart and please do not be offended)

And finally, back to YoursTruly with the weekly book review--

Book Review- The Life Of P.T. Barnum is a fantastic book for anyone who loves a good biography. The book is a wildly entertaining autobiography by P.T. Barnum about his own life, starting from his childhood and following him through all his adventures. All in all, a fantastic book. 10/10

Wish our illustrator and writer Blackpurrl a happy birthday today! Comic is brought to you by our very talented artist, Blackpurrl. That’s all for this week, we’ll see you next week with another Fandom Newsletter!

Signing off,

Atlas, Blackpurrl, Fyne, and YoursTruly

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