#its been a while since I posted fan art

[ashleys-doodle-corner]

ED 13A - Hired Puppet It's all that you have ever wanted! Pray that you will never come to regret this decision.

(based on @youneedthisjob's current portrayal of protag that you should totally go interact/ send asks/ follow/ give love to because holy shit i've been going insane by fortune's characterisation of him. and protag's in a newly started arc akin to ED 13 so go send asks and get blasted with lore and pain)

((also also under the cut is a monochrome version without the pixel-esque overlay because he's too colourful. i want my grey tones.))

[hellsite-detective]

Yooo! I drew you some fanart on class instead of doing workkkk

(ignore the feet idk how to draw shoes just pretend it's steel toes boots)

WOAH OMG IM SO COOOL

the feet genuinely look really good honestly!!! i personally wanna imagine that i’m just wearing socks

but i look so good omg this is amazing thank you!!!!

[floralovebot]

on flora's whitewashing: is it possible that flora has been whitewashed in the show/movies with her artwork (illustrations) being fairly consistent with her skin tone, even prior to the reboots/nick era? like in season 1 and the movies iirc

examples: s1e3, and the movies like secret of the lost kingdom? i remember thinking she looked lighter in several scenes of lost kingdom and in that episode of season 1

i wonder if this is something that happened with flora in s1, with it not being or less a problem in s2 and 3, with the movie having a similar skintone to the reboot pictures. i swear that this has happened but i dont really see any discussions on rainbow lighting her skin other than in newer media (where it is more prevalent and more obvious) so if you have any thoughts? maybe also slightly on the merchandise/doll side of things if youre interested?

Rainbow whitewashing characters like Flora and Aisha has absolutely been an issue for a very long time. Unfortunately, a lot of white fans don't notice unless it's more of an extreme example (like Flora being stark white or Aisha looking like Bloom).

In the first three seasons, it's really not seen as a big issue because it's genuinely innocent on their part. Those seasons were hand drawn so every now and then you get a scene where the skin is too light or too dark and doesn't actually make sense with the lighting. Usually, it's an innocent mistake due to multiple artists, not understanding lighting, and things just slipping past them because they're looking at these scenes for hours and they get used to it.

Here are some examples from the first four seasons where their skin is too light even with the lighting happening around them.

And for reference, this is what their normal skin tone is (and what they look like in most scenes).

Again, people don't usually talk about these because it (most likely) wasn't racist or malicious intent from Rainbow. They just didn't understand lighting ajdhglad This actually happens with all of the winx! Just go through some episodes and you'll notice that even the white characters get lightened in ways that don't make sense.

As for the movies, Flora was 100% whitewashed in the first movie.

Flora got the brunt of it in sotlk - she's whitewashed for the entire movie, while Aisha is only whitewashed in certain scenes. There are scenes where both of them look normal and aren't whitewashed so maybe some fans just didn't realize, but if you watch the movie, you'll notice that Flora is whitewashed completely and only looks right when they're in super dark places which,, yikes ahdgalhg

The dolls were also a problem! The whitewashing in the doll lines heavily depended on the manufacturer though so it's very hit or miss.

A lot of the early dolls are perfect or almost perfect but some of them are whitewashed like in these examples. It's the later dolls that have the most whitewashing though so they tend to get more criticism (plus the early dolls are no longer being made).

Most of the other early (s1-s3) merchandising (like the magazines, bags, stickers, etc) didn't whitewash either of them.

I'd say almost all of the promotional art for the first three seasons was consistent and didn't whitewash any of the characters. It's hard to believe now of course but Iginio was initially really excited to make winx diverse (like he intentionally changed Flora to latina instead of white to make it more diverse). Rainbow intentionally whitewashing them really started with the first movie and then snowballed into what we have now. Unfortunately, I think so many white fans are so used to the whitewashing, that they've started to no longer even notice it unless it's super extreme. Like with the recent s9 promo art, most people weren't noticing Flora at all (and not ignoring her, specifically not noticing), and in a lot of fanart, they do not notice unless they're literally white.

Whitewashing has been a big issue in winx for years but I think there are a lot of fans who look at the early seasons with so much love and nostalgia that they don't want to admit it, or they don't understand how lighting affects skin, or their favorite character isn't Flora or Aisha so they just never pay attention to them (blorbo hyperbeam is very real). I'd still say that a lot of the early whitewashing was due to innocent mistakes regarding lighting and manufacturing, but the first movie was extremely on purpose (and so is everything after that).

[bowtiestash]

i’m going to try to be more active on tumblr because of the way twitter’s going, just a heads up

[robsheridan]

Hard to believe Nine Inch Nails' classic The Downward Spiral is 30 years old today! Here is some detail photography I took of the original album cover painting by Russell Mills for the 10th anniversary deluxe edition release, which I had the unique honor of designing, and somehow that is now 20 year old.

Everyone has that one album that hit at just the right moment of adolescence to change their perspective on music and get them through their teenage angst. The Downward Spiral was that album for me, released as it was in 1994, when I was a freshman in high school (and an absolute banner year for music/films/games all around). I must have stared at the artwork for hours over those years, without even much detail to draw from on its tiny 5” CD slip case. So five years later, when I found myself inexplicably working for Nine Inch Nails, it was surreal to see the actual original painting in the flesh, hanging as it was at the time in Trent Reznor’s office at Nothing Studios, New Orleans.

I was struck by how much dimension and texture there was in the artwork that never translated on that tiny slipcase printing, how much detail was happening in the physical materials of the art: Flies, moths, wires, blood… I had been staring at this “painting” for so long, yet suddenly it was like I had never seen it before. I also noticed that it had aged - the wires had wilted over the years, drooping down from their original position as captured in the original album cover (interestingly, judging by the photo posted today by NIN, the piece has since been restored); a tooth was missing from the other main piece.

That experience stuck with me and it was the first thing I thought about when the task of re-imagining the album package fell upon me in 2004. I wanted to re-photograph the artwork, subtly updating the cover to show that ten years had changed it physically, much like our perceptions of art and music and memories change over time with perspective. I also wanted to dig into the previously unseen details of the work and explore it with my macro lens, so that fans like me, old and new, could have new layers of texture to pore over for hours while listening to a legendary album.

Happy birthday, old friend.

[kerink]

in light of people's confusion over cecil's longevity in @sexymanotd i wanted to document a bit of his history for those unfamiliar or nostalgic

welcome to night vale is a podcast written by joseph fink and jeffrey cranor. cecil gerschwin palmer is the main character and voiced by cecil baldwin.

it debuted on june 15, 2012 it reached its peak in popularity in 2013-2014

despite this, wtnv has been one of tumblr's top fandoms since staff started tracking fandom-related data in 2014

for the longest time the only thing we knew about cecil's appearance was: "He is wearing a tie. He is not tall or short. Not thin or fat." and that wasn't until episode 19 which aired march 15, 2013. for almost a full year we had no idea what cecil looked like. so tumblr's collective unconscious kicked into high gear and we did what we do best

we created a tumblr sexyman

from know your meme: "Defining traits of the archetype include skinny body type, trickster or villain role and dapper clothing."

know your meme identifies wheatley (portal 2, 2011) and the onceler (the lorax, 2012) as being likely tumblr's first sexymen. and the onceler fandom was at its peak in 2012-2013, the same time as wtnv. in addition to this, the hannibal fandom has been cited as one of the contributing factors to wtnv's success on tumblr.

so tumblr had created an archetype that worked and the wtnv fandom was made up of mostly hannibal fans - the foundation for putting cecil in a suit was there. and honestly? cecil's at work in the show, why wouldn't he be well dressed?

however, while this explains his attire it doesn't explain some of cecil's more unique sexyman features, namely the tentacles. for this we have to return to the 2014 fandom review analysis where you can see the most popular fandom at the time: homestuck

haven't you ever wondered why almost a quarter (189/923 at time of writing) of E rated wtnv fics on ao3 are tagged tentacles or tentacle sex? why cecil having tentacles for a dick is such a seemingly popular headcanon? well look no further then homestuck cultural hold over.

throughout all of this, the development of the sexyman archetype on tumblr and the rise of homestuck, one creator really stands out: kinomatika

kino was one of the most popular homestuck artists on tumblr at the time, popular for their eridan fanart. if you google image search "welcome to night vale" kino's art is still one of the first results you'll get

their design was so popular in fact it was featured in wtnv related articles from the time

and yes there were absolutely other artists giving cecil tentacles and moving tattoos at the time, but it can't be understated the reach kino had and the influence their homestuck roots had on their design choices

i recommend going through the archive of @nightvaleartclub to see how cecil used to be portrayed back in the early days. unfortunately the earliest fanart i've been able to find is july 2013 and i find it hard to believe it took tumblr a year to draw him. although, i started listening at episode 5 and didn't start drawing him until then myself so who knows...

cecil has had tumblr's heart in a vice grip since episode 1, with "20,000 posts, 183,000 blogs and 680,000 notes using the #Night Vale tag" during its first week. tumblr's love for wtnv has always been fairly genuine, from the impact the writing has had on tumblr humor and future story telling, to how wtnv paved the way for lgbt+ representation in indi media, to how it popularized podcasts as a medium for story telling, to the little comforts some of cecil's quotes still bring people today

cecil is not only a founding father of tumblr culture, but also a blorbo of the people. cecil the character in canon has a tumblr account where he posts his art and slash fanfiction.

although cecil's character has developed over time and we've come to see what a ditzy, eccentric, brat he really is, changing his status from sexyman to babygirl, cecil is absolutely a character you should embrace. and you know what... despite what i've said in the past

#cecilsweep

[ID: Images one and two are Google analytic graphs for the search terms "welcome to night vale" and "wtnv" between June 15, 2015 and January 27, 2023. They both depict very sharp spikes around 2013-2014 until the lines decrease greatly over time.

Image three is a drawing of Cecil from Welcome To Nightvale. He is white, with white hair, glasses, a third eye on his forehead, and he is wearing a suit. In the background is the silhouette of a neighborhood from the WTNV official art, a galaxy, and a moon. It is tinted purple. Image four is the always has been meme. Instead of the earth is the tumblr logo, and the text is: “a wtnv fansite?” “Always has been”. End ID] id thanks to @princess-of-purple-prose

[dughole]

radiohead’s complicity in israeli-occupied palestine

my feelings on radiohead are complicated these days, as i’m sure they are for many. i'm using this post as a method of sorting out my own thoughts & to provide sources.

for me, the bottom line is this: radiohead is both a brand & a musical group. the brand of radiohead has always had deep roots in the israeli colonial project - they have played many, many shows there throughout their career. their breakout single - creep, was intially only a hit in israel (x, x) & the personal choices of some of radiohead's members remain just as involved. jonny greenwood met his future wife - the israeli artist, antivaxxer & vehement zionist (x) sharona katan - at a show radiohead played in israel in 1993 (x). jonny consistently collaborated with zionist musician shye ben tzur & his projects continue to tour in tel aviv as recently as last september. as for jonny himself - his only statement in regards to the war on gaza has been in mourning for the israeli concert goers on october 10th - w no such empathy spared to the 100,000 palestinians dead, injured, or missing. as for thom, while he’s thrown a few bitchfits (x) through the years abt criticism of radiohead’s shows in israel, he has imo - only paid lipservice to the criticism, saying “playing in a country isn’t the same as endorsing its government” going against the pleas of his peers & coworkers in the music industry. as well as the pro-palestine activism undertaken by his long term friend micheal stipe (x & x). (note: stipe stood by radiohead’s performance in israel in 2017, but his current political choices suggest his understanding of the situation has evolved). even his own son - noah yorke, a fellow working musician, has voiced his opposition to the genocide in gaza via instagram stories. as for the other members, rhythm guitarist ed o'brien has called for a ceasefire, as well as making a few tweets about "solidarity with palestinians & israeli peacemakers". while bassist colin greenwood reportedly refused to accept letters of dialogue from the fan-run organization radiohead fans for palestine. drummer phillip selway's commentary is similarly brief but defensive, saying radiohead's 2017 tel aviv concert "felt right"

to me, this paints a picture of a band who's members stances on israel range from abhorrent to simply not enough. & as a brand, their particular combination of action & inaction amounts to a fundamentally zionist perspective. you cannot separate radiohead as artists from radiohead as a brand name.

i've loved radiohead since i was 14. i was brought into it by another longtime fan. i cried & danced when i saw them live back in 2017 - it was, & remains, a moment that allowed me to live through the hardest parts of my life. i felt for the longest time, that radiohead's music & political positions encouraged my empathy - my questioning of conservative political authority. & while all celebrities are failures in some sense - it is still heartbreaking to know how wrong i was.

i don't think it's possible to disconnect the decade of connection & love i have for their music - I won't ask that of myself or anyone else. & the idea of scrubbing one's taste of the "morally impure" is useless effort & an inappropriate simplification of both art & our conceptions of what makes someone "bad". but i can say with certainty - i will not be giving them any more of my money, whether that be streaming their music or buying their merch - & i encourage you to do the same. silence is complicity - this is beyond silence.

in the words of nina simone - "an artist's duty, as far as i'm concerned, is to reflect the times. how can you be an artist and not reflect the times? that to me is the definition of an artist."

[reallyromealone]

I think this is it.

Aight, thank you. Here's my request: So Pro-hero Bakugou has a husband (reader) and a son who didn't inherit his quirk. Instead, he got m readers' "weak" healing quirk. The kid hates/dislikes reader for getting his "useless" quirk instead. Meek reader doesn't want tell Bakugou that the son has a crappy teen ego, but Bakugou comes home early to see son berating reader. And Bakugo just scolds the son and explains why the the healing quirk is useful and how reader is amazing. Its a bit angsty, but can we have some fluff comfort at the end pls? Thank you again. :)

I got this

🪐🪐🪐🪐🪐🪐🪐🪐🪐🪐🪐🪐🪐🪐🪐🪐🪐🪐🪐

One thing no one in U.A expected was for Bakugo to get with Recovery girls grandson, the Omegas quirk being "healing aura" the ability to create a healing must up to 12 feet.

The two teens didn't get along initially, Bakugo crass and rude and (name) very much no nonsense and stubborn, the two constantly butted heads during their stay at U.A.

It was a surprise towards the end of their high school career for the two to move in together with an upcoming engagement "when did they even start dating?" Some would ask only to realize those arguments and comments were actually the two flirting.

(Name) ended up much like his grandmother and travelling agency to agency and helping out post villain attacks and doing what he could, gaining adoration and fans through how much he helped.

They almost forgot he was an Omega till he went on maternity leave.

(Sons name) was very much like Katsuki, a spitfire who had many little options and though Katsuki calmed down considerably there was no denying they were practically clones.

And because of this, it devastated (sons name) when he didn't get his sires "heroic" quirk but instead got (name)s quirk, the boy over time developing a resentment to his Dam.

Due to (name) only being called for emergencies, he ended up taking his late grandmother's place at U.As Medical wing.

And because of these hours, he was often left to care for his son alone while Katsuki did hero work, and because of this missed his son developing into a mythic asshole.

(Name) was exhausted after work, needing to use his quirk a lot today along with quirkless medical practice as many students didn't need his quirk but a simple bandage and such.

The house was a mess, whenever (sons name) came home he always made a mess, deeming it "Omega work" as the teen scrolled his phone "arent you supposed to be studying for the written exam?"

"Why should I? Dad got me in on recommendation, thank god since all you gave me was a shitty quirk" the teen snapped and (name) looked absolutely heartbroken at this as the teen continued "thank god dad's been teaching me martial arts since it's so useless-- seriously why did I have to get stuck with something as useless as your quirk, I'm amazed dad settled for someone as useless as you"

"The fuck you say?" The two turned to see Katsuki Bakugo walk in, out of uniform after finishing work at his agency "d-dad..." (sons name) looked sick and (name) on the verge of tears "your dad's "useless quirk" literally saved countless lives and your dad hauled ass saving countless People from villains" his voice cold as he dropped his duffle bag "why's the house a mess? You not fucking helping your Dam? I know he just got home so I know this ain't his mess" he laughed without any humor "disrespectful little shit, get up and clean this mess, after we train and get ready because it's gonna be hell" Katsuki promised coldly and the teen got up not wanting to piss off his dad more as the pro led (name) to their room.

"How long?" He said pulling the exhausted Omega into his lap, only soft for his mate "honestly since he found out his quirk, it's just been coming out the past few months..." Katsuki was shocked at this, how did he miss this?! "Why didn't you say anything?"

"... You were busy... You were working so hard on building your agency and I wanted to lift some weight off your shoulders" he wanted to cry as his husband held him close "stop being stupid" his voice loving despite the harsh words "I'll whip I'm straight, rely on me idiot"

(Name) was left to relax in the bedroom as Bakugo handled his son, calling a few hero friends to help especially the teens uncle Izuku and uncle Aizawa-- the teen spending his break at his uncle Aizawas and subsequently with uncle Shinsou who was visiting.

By the written exam he was kicked into shape and Bakugo made sure his mate was reminded over and over again how loved he was.

[kamehamehamlet]

The Tumblr reblog sensation is returning. But like the Sayians or Shakespeare’s folios, it has the potential to develop in many forms.

Visit kamehamehamlet.com to be notified when we have more details.

Follow this blog for a peak behind the curtain.

And read on to learn more about the show, how we got here, and where we’re going.

Thank you for waiting just a little bit longer.

Revival Project FAQ

Who are you?

Hi! I’m Daniel Cole Mauleón (@writepictures), the writer of Kamehamehamlet. In 2015 I co-founded the theatre company Play-Dot Productions with KHH’s director Shalee Mae Cole Mauleón.

What is Kamehamehamlet?

Kamehamehamlet: Good Night Saiyan Prince, was an hour-long one act play, performed during the 2015 Minnesota Fringe Festival. It’s a staged retelling of Vegeta and Freeza’s battle on the planet Namek. Marketed as a Dragon Ball Z and Hamlet mash-up, the parody quickly shuffled off its weighted gi, revealing it was actually a Waiting for Godot spoof. After five performances, Vegeta hung up his helmet of spiky hair. Seven years later, K (@amokslime) wrote this incredibly gracious post on Tumblr, which inspired two people to reach out to me via Reddit to ask if I had a script or a recording of the performance.

I want to pause the semi-marketing voice and say a heartfelt thanks to K. Kamehamehamlet was brought to life by an incredible team of artists during a summer I���ll never forget. We got laughs at jokes, gasps at fight choreography, and we broke even on the budget (a Fringe miracle TBH). K’s post gave me the chance to revisit that show through someone else’s eyes. The mix of pride and humility it stirs up is truly indescribable.

If there is art which has changed you, and especially if the artist is still alive I encourage you to non-intrusively share that with the artist.

Is there a copy of the script?

Yes, I’ll speak more about that at below.

Is there a recording of the performance?

There was, but I genuinely lost the files. And that’s for the best, honestly. It was a last-second attempt, filmed from two cheap cameras (with different qualities and resolutions!), both at bad angles and with truly awful audio. Trust me. It’s better this way.

That said, I do have other archival footage from rehearsal's, tech, etc. that I look forward to sharing for those curious.

What’s next?

This is the question I’ve been asking myself over the past year and the reason it took so long to post anything. Especially since one thing I want to do differently this time is make sure that any artists involved are meaningfully compensated for their time and skill. However, I can’t plan without a better estimate of what kind of support we would have, and I didn’t want to share our intentions without concrete details. Right now, the best way you can support this project is by signing up for the announcement on kamehamehamlet.com and following us on Tumblr and YouTube!

The second best thing you can do is to share with others about this project, if I’ve learned anything reading through the comments on K’s post, it is that there’s a much bigger audience for KHH than I could have ever imagined, and you likely know at least one more person who would be interested.

And while I don’t want to promise anything I can’t deliver on, I will share that I’m planning on making the script available this year and I’ll be writing a separate post about that in near future.

Update 5/21/24: We've announced a staged reading for later this year! (Click to learn more) Update 6/11/24: We're going live on YouTube every Saturday through June to rally fans and talk about the project. This link will always take you to the upcoming stream. And this link will take you past recordings.

If you’ve read this far thank you so much.

Photography by Ann B. Erickson. Vegeta is played by McKenzie Shappell. Freeza is played by Cayla Marie Wolpers. Costumes by Sarah Noel Simon.

[yuurei20]

I see you mention Magical Archives a lot. Is that like an official artbook? Can I get it in English somewhere?

Hello hello! Thank you so much for this question, I have been hoping to write about this for weeks 🥳

The Magical Archives Game Guide vol. 1 (full name: 『ディズニー ツイステッドワンダーランド』公式ガイド＋設定資料集 Magical Archives ) is maybe the single-most informative Twisted Wonderland resource available!

It includes a huge amount of extremely detailed information, from gameplay to the characters to early-stage development illustrations to a multi-page interview with Toboso Yana herself, only one of two that she has ever given on Twisted Wonderland.

While it may be described as an artbook it is also much, much more, and if you are only capable of purchasing one piece of Twst merchandise in your life, it is absolutely the #1 thing I would recommend.

First published in 2020 it is still available for purchase from outlets such as Square Enix's Online Store, Amazon, Rakuten, Animate and more.

It is not currently available in English, but for a brief while Aniplex USA was releasing "Player Guides" for free via social media:

These were multi-page PDFs that were, visually, quite similar to the first 1/3rd of the Magical Archives game guide, but with updated gameplay information.

These game-guide-inspired PDFs combined with how out of date the gameplay information in the original guide has since become makes me wonder if maybe there not are any plans for any official translation of the original Magical Archives :<

There has since been a second volume of the Magical Archives released (in September 2024), but it is not quite as detailed as its predecessor, including gameplay information and a huge library of game sprites but very few sketches from Yana and no interviews.

On the subject of translated art books, there actually is an official English-language book being released in December!

While its English-language title is "The Official Artbook," this is actually one of four books of a series called "Visual Books!"

Much like the magical archives the first volume is the most detailed, including pre-colored base art and the occasional messages from Yana to the colorist (re: a comment that there is no need to put any light in Rook's eyes for his labwear vignette groovy ww).

The Visual Book Series is not really comparable to the Magical Archives, consisting of pre- and post-groovy card art.

The "Design Note" might be the closest to the usual definition of "artbook," consisting of insight into event outfits worn by various characters and even including a few sketches of unused designs.

Unlike the Magical Archives, however, there are no behind-the-scenes notes such as "He has a black-hearted side, so he may laugh with a hint of that often" (about Trey) and "He has vertically-slit pupils that become round in dark places" (about Leona), which can only be found in the game guide.

There are also volumes 1 and 2 of the Art Gallery! These are collections of artwork by artists that are unaffiliated with Twisted Wonderland, depicting Twst's characters, much like Square-Enix-branded fan art (no contribution from Yana involved).

Lastly, there are the fanbooks! Contrary to their titles they do not consist of any fan-made content.

Volume 1 of the Fanbook mostly consists of character/story overview, but it also has some fascinating etymology information and exclusive interviews with several members of the voice cast!

The second fanbook focuses moreso on events, and also includes detailed recipes of Master Chef cuisine, a report on the since-concluded Twisted Wonderland Exhibition, a look into a Twst-themed hotel room in Tokyo Disneyland's Ambassador Hotel, and more.

And a third fanbook was just recently listed 🥳 (Amazon link), said to include event, card and story content from the 2nd to the 4th anniversaries.

I hope this helps! ^^

[kokushibitch]

my dmmd au where mink is actually a brown guy instead of being vaguely yellow and grey. left edit is just a skintone edit while the right contains more natural looking feathers. i also gave him a stronger face

i spent a while trying to pinpoint his nation. unfortunately his design contradicted itself a bit and the slapping of random feathers and dreamcatchers everywhere pisses me awf. i wish that the artists had chosen to stick with one specific nation, and the closer i looked it actually wasn't as bad as i initially thought, but there were still some pretty egregious errors made with his design that could be avoided with CURSORY research, and for a company like n+c, big as they are with the resources to do better research, is unacceptable. to be quite honest, i almost hesitate to even make this post because i really don't want people to run with the information ill be discussing. while i am a native dude that enjoys DMMD, i know so many others that dislike mink, his design, and story because he falls into quite a few racist tropes. also, just because i can kind of glean some information about mink's culture based on his character design/home design, does not mean that it's a 100% accurate portrayal of said culture.

TL;DR: i used to think he was supposed to be ojibwe, but upon further inspection i headcanon mink as navajo/dine and afronative, my reasoning below the cut. im gonna make a later post discussing the nuances of his route and the meta racism in DMMD cause its been a loooooooong time since ive played his route. while im not navajo myself (im tsalagi) i at least have the life experience to tell the goddamn difference between nations lol. i also love the inclusion of a rainbow in his design as a fellow indigenous rainbow enjoyer

note: dine and navajo are the same thing, but im gonna use navajo because thats what more people are familiar with.

the easiest way to start would be with his most obviously unique feature, his locced hair. loccing among NA nations wasn't super common, but it did happen due to the culture & rituals around hair (no cutting unless under specific circumstances, braids/plaits end up "locced" from saltwater, etc etc). to me, however, his locced hair didn't feel like a purposeful design choice. meaning, i dont think the artist chose the locced hair because they wanted to convey something traditional about mink's culture, i think they chose it just because it looks cool, or because mink kind of just falls into the "vaguely brown" category. i'd also be okay with interpreting him as black/native, which i think im gonna do because i know that there are (or was, dead fandom) plenty of black dmmd fans that identify with him

his second most unique cultural indicator is his dreamcatcher. unfortunately, dreamcatchers have kind fallen into that "vague native design" bullshit, but they do have a tribal origin: aanishinabe. again though, due to the sheer abundance of people slapping dreamcatchers onto vaguely native characters, i cant say that this is a strong enough point for me to say definitively that he's aanishinabe. also, you dont fuckin wear dreamcatchers. end of, they're not supposed to be on your body.

THEN there are even more important indicators to me that denote exactly which nation he's from.

just judging base on the patterns used on his traditional tapestries, blankets, and runners, would denote some sort of southwestern nation. now they're not accurate designs necessarily, but i can understand and see clearly where they took inspiration from.

the peace pipe on the wall in both his home and his hideout immediately indicate navajo, a southwestern nation. the fact that he has a strong religious orientation to smoking herbs (im assuming in place of tobacco) is also very navajo to me. the pottery in his home & hideout are also very strongly southwestern, as pottery was a very common art in the southwest. the fact that he has an altar at all is unique because altars are actually not common practice and are usually only found in the southwest, which is actually a good detail point whether it was intentional or not. ignore the dreamcatchers which were, again, thrown in randomly

and of course his homeland contains mountains and more importantly, cliffs and canyons which is another southwest feature. there's also his fuckass cowboy boots which are VERY southwestern

IGNORING the dreamcatcher in his hair AGAIN, he's also flexin beaded jewelry. to me, these are just like regular beads, but you could interpret them as turquoise if you wanted. traditional turquoise jewelry is usually inlayed onto silver bands or pieces as well as strung together like so. his white belt also contains a very southwestern design.

as much as some elements of his design annoy the fuck out of me, i love, love, love, love the inclusion of the rainbow in mink's character design. the rainbow is so important to so many different nations, and mink being a religious person, it actually makes a lot of sense for him to have this sort of draw to rainbows or rainbow colored items. specifically in navajo culture, rainbows are used as Bridges between The Navajo and The Holy People, basically communicating with a higher power. a rainbow is also a symbol of the 7 sacred rituals in navajo culture, one color per ritual. here's a youtube video about it, learn something

i do have some thoughts on mink de-loccing his hair in his good ending, but i think i will have to save that for another post further down the line

anways, ive made my case. mink is navajo

[genericpuff]

I've been seeing you say/speculate Rachel Smythe has been cut loose from webtoon, could you elaborate what you mean by that?

It's only a tinfoil hat theory that people should take with MOUNTAINS of salt (seriously, I'm more likely to believe that Rachel really is just done with LO), but there's a general suspicion that LO wasn't meant to end here and that Webtoons decided to cut the cord. I've made a post about it before but some new stuff has surfaced since then.

1.) The announcement the series was ending was made quietly at NYCC and not shared to either Webtoons' socials or Rachel's socials.

The only way fans initially knew about the series ending was through a screencap from the Discord where someone else who had been attending NYCC passed on the info from a Q&A that LO would be entering its final arc.

For a good while the only other way to know the series was ending was through the Discord, a Cosmopolitan article, and my own post.

Though it sounds odd for a series to get cancelled halfway through its third season, it's not uncommon for Webtoons to suddenly axe series while they're on their midseason hiatuses, it's happened before. So there's a general suspicion that Rachel may have found out during NYCC that LO would only be given one more arc.

2.) The actual finale announcement was made in a text post on Instagram that suddenly announced it would be ending on May 11th, despite the fact that there was still lots to wrap up in the story.

What this implies is that Rachel was given one more arc, with no concrete end date... until Webtoons told her to wrap it up in a limited number of episodes, hence why despite us knowing it was in its final arc, the end date still felt too soon. This is also supported by the fact that her initial announcement was vaguely "early/mid 2024" - she couldn't give a more accurate end date because she didn't plan for the actual ending.

3.) Things that Rachel has said implies that she was either hoping for the final arc to go on longer, or that she didn't think LO was going to be ending now.

(that "nothing is set in stone" quote further supports the theory that she may have been hoping to get renewed in spite of the lukewarm ending announcement - that the only reason the announcement was so quiet was because WT hadn't fully committed to it yet and wanted to see how the series would do upon its return; now that they see it falling behind to other series, it might mean WT became more sure in their decision to cut it and gave her an actual deadline to wrap it up by.)

4.) Webtoons has stopped promoting Lore Olympus despite it ending.

Any promotional spots that it has gotten have been stuffed into the dead zone of the banner reels (seriously, anything past the 3rd spot is practically useless because it takes actual committed scrolling to get there vs. the first 1-3 banner spots which can be seen as soon as you open the app/site) and the banner art itself does not in any way advertise the series being in its final arc. These banners also only seem to be appearing for a day at most, compared to the days upwards of weeks they used to get.

Webtoons also hasn't been doing any sort of promoting on their socials for it. Considering The Mafia Nanny has been consistently beating out LO in the top rankings for weeks now, and that LO's rating and view count is still dropping, it appears that Webtoons has finally given up on shoving it down people's throats and put their focus elsewhere.

Again, this is all tinfoil hat speculation, so take it with massive doses of salt. Considering this is Webtoons, I wouldn't be surprised if they finally decided to put LO out of its misery, but this is also Rachel and I wouldn't blame her in the slightest if she finally wanted to be done with it after the past two years of people clowning on it. And I say that knowing I, myself, am a clown LOL

Either way, I feel like either outcome is plausible in its own ways, but whatever is the true reason, it doesn't change the fact that LO is ending and has 3 episodes left to wrap itself up. And whatever comes after will likely involve the launch of Inklore which was estimated for the spring.

[my-plastic-life]

Inspiring Women: Rumiko Takahashi

New custom doll is here! I'm sure we all know about the Mattel Barbie Inspiring Women doll line, right? Well, I took it upon myself to create one of my own because I'm sure Mattel will never make one lol. Click here for behind the scenes on how I made this doll!

I opted to create an Inspiring Woman Barbie based off Rumiko Takahashi, the Japanese manga artist who created my all-time favorite manga and anime, Inuyasha. But that isn't the sole reason she's deserving of this title. Yes, that creation got me into all things Japan and introduced me to the entire anime genre, but this mangaka has excelled in her career for 45 years - a profession that has been primarily male-dominated since its inception.

I also created a box for her designed after the official Mattel Inspiring Women boxes. The outfit she's wearing is inspired by the one she wore during the 2023 knighthood honor she received. Accessories include her most recent book, Rumiko Takahashi: Colors 1978-2024, as well as her 35th anniversary book that comes with removable genuine sketches, plus the first volume of the Inuyasha manga (original Japanese version). The doll I used was the Asian sister of Ariel from the live action Little Mermaid, but I cut her hair and styled it differently, painted some age lines on her face, removed her pink eyeshadow, and gave her some glasses. I also gave her a curvy body with the same articulation that dolls in this series have - movement at the shoulder, elbow, wrist, hip, and knee. Because I'm that much of a perfectionist. :D

Doll in the Inspiring Women box. The scene behind her is an actual photo of Rumiko Takahashi's studio.

Back of the box, all made by me based on actual Inspiring Women boxes.

Fun facts: Takahashi has never been married, and she has stated in interviews that she doesn't plan to. In addition, she works with women exclusively as she writes and creates. She has specifically said that she wouldn't hire a male assistant because he would be "troublesome." She prefers the atmosphere of a studio of women working together without distraction. Her work stands out among other shonen pieces because of its creativity, complex characters, and nuanced romances. Her woman and girl characters are never accessories to the guy hero, which was often the case in early shonen stories, especially. Takahashi often likes to implement strong, independent, multi-facetted female characters in leading roles into her stories. Talk about girl power!

Now for more information as to why she's so deserving of having her own doll in my collection. :D Strap in, because this post is a doozy!

BIO: Rumiko Takahashi (born Oct. 10, 1957) is the best-selling female comic artist of all time, selling more than 170 million copies of her work in Japan alone, and one of the names by which to reckon the evolution of anime. She is one of the wealthiest women in Japan, all of her longer running manga have become TV series, and nearly everything she has written has been adapted into animation (OVA or TV). Perhaps more importantly, her influence and the nature of her series since 1980 have been cited as large contributors to the perception and acceptance of anime as a medium today.

Rumiko with her new Colors book. Outfit inspired by the one she wore when receiving her knighthood.

All of Takahashi’s work has become popular throughout the world, and with more than 20 years of publishing her manga art, she earned the title of The Princess of Manga.

Takahashi's professional career began in 1978 when she was a university student. That year, she worked on her first full-length series entitled Urusei Yatsura. It became one of the most loved manga and anime comedies in Japan. In 1980, when she began to publish regularly, she began her second major series, Maison Ikkoku. This series is now considered to be one of the all-time best manga romances.

As her stories appeared and attracted many fans, Takahashi grew in popularity as an artist while improving her writing and artistic abilities. In 1987, a huge year for her career success, three of her most well-known stories ended and she began work on Ranma ½. The series continued for nearly a decade until 1996, when it ended at 38 volumes. Ranma ½ and its anime adaptation are cited as some of the first of their mediums to have become popular in the United States. While publishing Ranma ½, Takahashi was hospitalized several times for peritonitis. But even during her second hospital stay, the series did not stop.

35th anniversary book has removable sketches - real photos actually drawn by the artist. The background is an actual photo of her basement (note all her figures!)

During the latter half of the 1990s, Takahashi began her fourth major work, Inuyasha. With this series, Takahashi is also often said to be the first woman to successfully set foot in the Shōnen genre and leave a lasting impact on it. To date, Inuyasha is her longest-running series, ending in 2008. In 2020, it received a sequel series titled Yashahime: Princess Half Demon.

In the basement library (actually in her home) with the first volume of the Inuyasha manga.

On July 30, 2008, Takahashi noted her 30th anniversary as a mangaka, and on July 8, 2009, during Shonen Sunday's 50th anniversary celebration, characters from three of her most popular series (Urusei Yatsura, Ranma ½, and Inuyasha) joined together in a short crossover to welcome everyone to the celebratory milestone. That same year, VIZ Media, one of the entertainment industry’s most innovative and comprehensive publishing, animation and licensing companies, announced the launch of a brand new imprint, Shonen Sunday, featuring the works of some of the top shonen manga creators in the world today. Takahashi's series RIN-NE was the first to be featured in the new imprint, and was the first manga novel ever to be published simultaneously in Japan and North America.

In her studio showing off genuine sketches. Featured here: Featured here: Lum from Urusei Yatsura, the Tendo house from Ranma 1/2, and Inuyasha character heights. This outfit is inspired by the one she wore at the Rumic World 30th anniversary ribbon-cutting.

Early in her career, Takahashi expressed that though she doesn't write love stories often, she loves a good love story. While none of her works are straightforward romances, many of her works early and later on have compelling romance subplots that are integral to the characters and world. Her works like Inuyasha and Ranma 1/2 are known for their romances. Takahashi's romances are varied, and they are trendsetting. They set the standard for popular romance tropes like slow-burn romances and love triangles. The love triangle between Kagome, Kikyo, and Inuyasha is one of the most iconic in all anime.

In her studio showing off genuine sketches. Featured here: Ranma from Ranma 1/2, Lum from Urusei Yatsura, and Mao and Kiba from Mao.

In her studio showing off genuine sketches. Featured here: Yashahime, Inuyasha 20th anniversary, and Inuyasha, Kagome, and Moroha.

Outfit inspired by the one worn during the Rumic World 30th anniversary ribbon cutting.

HONORS: * Takahashi won the New Comic Artist Award in 1978. * Winner of the 1994 Inkpot Award at The San Diego Comic Con in America. *In 2016, ComicsAlliance listed Takahashi as one of 12 women cartoonists deserving of lifetime achievement recognition, stating that "any one of her projects would be the career highlight of another talent." In 2017, Takahashi was inducted into the Science Fiction and Fantasy Hall of Fame as part of the 2016 class. *In July 2018, Takahashi was inducted into the Eisner Hall of Fame. She was previously nominated for entry in 2014, 2016 and 2017. *In January 2019, Takahashi won the grand prize at the prestigious Angouleme International Comics Festival in France, becoming the second woman and second Japanese manga artist to win the award at the festival. * In 2020, Takahashi was awarded Japan's Medal with Purple Ribbon. First awarded in 1955, this honor is awarded to individuals who have contributed to academic and artistic developments, improvements, and accomplishments. * Takahashi was inducted into the Harvey Awards Hall of Fame in October 2021. The Harvey Awards are one of the comic industry's oldest and most prestigious awards. Recognizing outstanding achievement in multiple categories, the Harvey's have been a fixture of the comic industry since 1988. * In April 2023, Takahashi was conferred the Chevalier de l'Ordre des Arts et des Lettres (Order of Arts and Letters) by the French government. She is the first female mangaka to receive this honor.

Books: 35th anniversary (with removable genuine sketches inside), Colors: 1978-2024, and volume 1 of the Inuyasha manga.

Genuine sketches, all fit inside the 35th anniversary book.

Source photos (first is from being bestowed a Knight of the Order of Arts and Letters, second is from the Rumic World 30th anniversary ribbon cutting in 2008):

[shubblelive]

— NOT MUCH LONGER

summary : wilbur has always been dedicated to his viewers, sometimes too much. his fans are aware of this, you are aware of this, and he is aware of this. so when you go multiple days without seeing your boyfriend because of how hard he's working you take matters into your own hands, not realising that thousands of people are there watching you do it.

genre : fluff

warnings : mentions of eating/food, a few swearwords, wilbur not taking care of himself, very small panicky moment

pairing : cc!wilbur soot x fem!reader

pronouns : she/her, reader is called wilbur's girlfriend/wife

featuring : cc!wilbur soot

requested : Could you do a fic where the reader isn’t a very public person (in regards to the internet) and one day, wilbur’s streaming and she goes in and brings him some food and kisses him, not knowing he was live, and when she notices, she just gets all red and embarrassed and wilbur goes out of frame with her and its just all fluffy, and the chat goes craaazy

word count : 1.3K

note : hi lmao. i know, i know it's been nearly 2 months since i 've posted anything. school really caught p to me, i was so stressed out i was crying like multiple times a day for a few weeks. i wanna thank you guys for your patience, i have one more week of classes before spring break and then exams are right after that so i am really unsure of how much free time i'm gonna have until like mid-november.

There was a lot of things that you loved about Wilbur. Of course there was, the two of you had been together since university, nearing on 5 years. Knowing for someone that long, though, and there were obviously aspects of your boyfriend that you were less than fond of. There weren’t a lot, but the main one was the fact that he was a major workaholic. 

You were completely understanding of how important his job was to him. He had been doing it longer than you’d even known each other and you’d never want to do anything to make it seem like you were anything less than supportive. 

But the last couple of weeks had been driving you crazy. 

He’d be out all day filming for twenty different videos or in the studio - that was fine, you had your own work and hobbies to keep you occupied. But then he’d get home and it was straight to editing, or writing, or meetings for merch, album art, new videos. It had gotten to the point where you hadn’t even seen him in two days. You knew he’d been home, you vaguely heard the shower running while you were asleep, so tired you couldn’t bring yourself to lift your head. Clothes had been added to the laundry hamper, and water glasses had been added to the sink. He’d messaged you, of course. You were high on his list of priorities, it being a no-brainer that whenever he got a free minute he was texting you to let you know where he was going, promising that he’d be home soon.

When you got home from work, you were pleasantly surprised to find his docs at the front door, neatly kicked to the side so they were out of the way along with the rest of your collective pile. You put your stuff down and practically floated around the house, searching for your boyfriend. Not in the kitchen, though the dishes had been done for you, left to dry. Not in the living room, though there was a coat draped over the back of the couch that you picked up and deposited in the bedroom (also empty, but his side of the bed was rumpled like he’d fallen straight on top of the blankets). 

You were walking down the hallway when you finally heard him. He was talking softly, not outside of the norm for him. His office wasn’t soundproof, and you often heard him through the walls as you went about your day, whether that was laughing loudly as he streamed, or the muffled sound of him strumming his guitar, trying to write a new song. He was being quiet, probably editing a video. You knew he had his own room in the group office, just for him to edit, but he liked to bring them home sometimes. 

You went back into the kitchen to dry the dishes for Wilbur and you noted that there weren’t any new plates added to the pile. You knew that Wilbur had eaten while he was gone, he’d texted you every time they ordered food, but you also knew that it had been a couple of days since his last home cooked meal. You, admittedly didn’t have much in the pantry, but it was made with love, which was the thought that counts. 

That was the thought on the tip of your tongue as you knocked gently on the door, a plate of mac and cheese and a glass of water in hand, smile breaking out at the sight of your boyfriend at his desk. 

Wilbur’s viewers had always been aware that he had a girlfriend. He mentioned you for the first time after you guys had been together for a year, and since then you were a sporadic presence in his online life, maybe a mention every couple of weeks or months. They didn’t know anything else though, not even your name. His viewers, over the past couple of years had developed their own nicknames for you. It started from one of the first streams you were mentioned in, someone in chat asked if you were Wilbur’s wife. He’d laughed, said no, and then tried to say you were not his wife, and instead pronounced it “wiff.” It got slightly out of hand over the years, with most people lovingly referring to you online as wiffleball. Wilbur had apologised profusely for the slip up, but you found it too funny to actually care. It was definitely weird for you to see, though, the phrase ‘Wiffleball’ randomly trending every couple of months. 

So, they didn’t know your name, and they definitely didn’t know your face. Wilbur was usually on high alert for even your footsteps outside the door, let alone you wanting to come inside. He’d yell that he was live, and you’d wait dutifully at the door for him to come outside. It was more for your sake than his, but he cared just as much about your right to privacy as you did. But today, he was so preoccupied with the fact that he hadn’t seen you in nearly three days that he completely forgot to. 

The monitor with his own face in it was tilted away from the door, and you were so entranced by the smile on his face that you didn’t notice until it was too late. He was standing to meet you, pressing a kiss to the corner of your mouth. “Hi, lovely, I’ve missed you.”

“Missed you too, Wil,” Your hands were on his arms the second you placed the food down, and you were right about to kiss him properly when you saw a fast movement out the corner of your eye. His chat was whizzing by so fast that you almost couldn’t read it. You backed out of frame immediately, almost out of instinct, wide eyes meeting Wilbur’s. “You’re streaming?”

“Fuck,” Wilbur made sure that you were definitely out of the frame before putting his stream back on the loading screen and going back to check on you.

Your breathing was much faster than usual and he could all but see your heart jumping out of your chest. “I am so sorry, darling, I was too busy being happy to see you that I completely forgot that I was even streaming. Are you okay?”

Your hands found Wilbur’s shirt, clenching it between your fists and burying your face in the fabric across his chest. His hands were securely on your back as he held you while you calmed your breathing. You weren’t crying no, he could tell you just needed to slow your breaths down and you’d be alright. He was whispering reassurances in your ear and within a few minutes your heart had calmed down. “I’m alright.”

“I’m so sorry,” Wilbur launched immediately into apologies again but your vice grip on his shirt stopped him.

“I’m alright, Wilbur.” You strangely were alright. What you could see on the chat were all nice things, they were all so excited to see you. “Never want to go back on your stream again, but I’m okay with them seeing me.”

“You don’t have to be okay, love, if you’re not. I’ll get the VOD taken down when I’m done and edit you out and say something about not circulating the video, I am so sorry-”

“I’m fine, Wilbur.” You pulled the fabric closer to your chest, the movement effectively silencing him. “Like I said. I am still good not showing up on your streams and stuff, but you can leave the video up. I’m alright with it, I promise.”

He softened at your determined face. “I love you,” he said in place of another apology. “I love you, and I am still sorry that I forgot to tell you. No more until you say so, I promise.”

“Thank you,” you said earnestly, loosening your grip on his shirt. “I’ll let you finish up now, do you think you’ll be a while?”

Wilbur kissed you softly before sitting back in his chair and looking up at you full of love. “Trust me, I definitely won’t be much longer.”

[problematicbyler]

an incomplete history of byler sexuality discourse

and how widespread fandom purity culture and homophobia created a flourishing nsfw sub-fandom

some may call me chronically online, but i call myself a fandom historian. i've been a member of some fandom or another since i was about thirteen, and i've always been interested in the rise and fall of fandom discourse. though it's annoying in the moment it's happening, i think it's very interesting and telling to look back at the overall arcs and trends.

so, let's talk about the many times the fandom has cancelled people over byler sexuality, and how each level of "hornygate" has contributed to the growth of the proship/byler smut community.

(i use the term proship in its intended definition, which is to say, not "problematic shipping," but rather being pro-fiction, anti-censorship, and anti-harassment; it is a position of believing the fiction one creates or consumes doesn't reflect a person's real life beliefs or morals.)

i have been a stranger things lover since season 1, a byler shipper since season 2, and an active part of the byler community on tumblr since season 4. i'll mostly be focusing on post-season 4 discourse because that's what i've really been most present for and that was the period that really marked a turning point in the fandom.

seasons 1-3

i wasn't as plugged into fandom discourse back in the day, but the broad strokes of early discourse was mostly thinly veiled homophobia. claiming that it was sexualization to assume will or mike could be queer despite blatant queer coding, implying that analysts were no better than will's bullies to assume his sexuality, etc etc. people were criticized for shipping byler at all because they were so young (but these people naturally had no issue with mileven, so, again, homophobia).

season 4 (may-july 2022)

now, season 4. this is where byler was brought to the attention of a lot more fans, and stranger things' viewership reached wider than ever. the byler fandom on tumblr booms from 4k to 100k over the course of season 4's release.

this brought a lot of new people who have never been in fandoms before, people who never learned don't like don't read or your kink is not my kink and that's okay or ship and let ship.

or, a lot of times, people who had only been in fandoms for celebrities and bands, which tend to have different rules when it comes to shipping and sex, because they're real people. hence a lot of young antis' conflation of character with their actors, but that's a different rant.

so with a rapidly growing fandom, a show ripe for analysis, and the art of media literacy bleeding out on the ground in front of us, the hellscape of the fandom post-season 4 in 2022 followed as such:

august 2022

jo/kendra gate where two extremely popular analysts were called out for "sexualizing" byler while being adults (early to mid 20s). they were dogpiled and harassed because one of them said that will was giving mike "bedroom eyes" (he was) and one of them said mike was checking will out (he was):

pyshiie and moogate. the proship side of byler twitter rose up and started to divide itself. i'll credit my own joining-the-dark-side to pyshiie and moo, formerly barbjeanisms, who were two popular artists called out respectively for sexualizing byler and generally being proship. similarly, people were called out and criticized for even following or interacting with those accounts after this discourse.

september 2022

hosegate is the most famous across the byler fandom, and it's when some users proposed that the scene in the pizzeria uses phallic imagery to imply mike turns will on (or vice versa) and a lot of people thought that was too sexualized, it caused a divide, and more fanpolicing, etc.

october 2022

the artist noodlesandtea was harassed for having liked arguably nsfw bakudeku art (they were shirtless, it wasn't explicit) on the same account where they draw characters who are minors. they also drew byler kissing, which was a problem for some? anyone who defended them was also called a pedo, naturally. noodles also got called out for having drawn fanart of the popular e-rated fanfiction....

the unmarked mixtape. a massively popular sequel to a massively popular fic, the red envelope. for a long time, those were the most widely recommended byler fics, but it very soon became taboo to even admit to reading them because the sequel has explicit sex and the first has them making out.

sonnet116 gate is another fic that was beloved and then rapidly turned on by byler twitter because it had implied, fade to black sex scenes. it was about them hooking up but had no smut. and even the non explicit idea of that was offensive and pedophilic of anyone who dared read it. around this time, another fic was called out for having will moaning into a kiss, because writing a teenager moaning was also offensive and pedophilic.

i'm told i (jana / troublebyler gate?) may have influenced a lot of people joining twitter for byler smut after writing illicit affairs and some other smutty oneshots in rapid succession, seeing a lot of byler shippers moving to the proship side of the fandom just to discuss and write byler smut. i also hosted a little fandom gossip column on my curiouscat where a lot of folks confessed to reading or writing smut while pretending to be "normal" in the "main" fandom. it basically revealed/implied that a large amount of popular authors, artists, and accounts were secretly pro byler smut, and that many proshippers were "undercover" in the "main" fandom.

the blocklist era. around this time the "main" fandom also created a "st twt safety" account on twitter which was basically targeted harassment and mass reporting of proshippers. the account does warn of some genuine bad actors sending gore images via dms, being racist, etc. but by far, the majority of it was simply calling out proshippers for sexualizing byler, sharing screenshots they thought were "gross," which only resulted in spreading nsfw content to unintended audiences of minors that likely never would have seen the nsfw accounts otherwise.

november 2022

practice kissing gate is where a handful of popular fic writers were criticized for writing practice kissing fics (such as undertow), and in fact, any amount of byler making out, because adults "fantasizing" about teenagers kissing was "gross."

the proship corner of st twitter continued to grow a lot thanks to so many lovely fan creators, all of whom i couldn't possibly list but who have done a lot for the community! but we continued to get bombarded with endless callout posts and block lists and witch hunting. people were unabashedly policing people's following lists and likes on twitter to call people out for engaging with any questionable users or content. (if you search byler twitter now you can still see the wreckage of so many witch hunts.)

onward through 2023

over time things have mostly calmed down, or at least enough of the folks on "opposing sides" of the fandom have mutually blocked each other to survive. this is likely also influenced by the hiatus leaving the fandom to quiet down, the collapse of twitter-turned-x having many users migrate their fandom content elsewhere, and the mass exodus of many people from the fandom for political reasons. if i had to guess, the ramp-up to season 5 will see all new conflict as more "casual" fans return to the fandom. but who's to say.

which brings us to now:

spicybylerpolls gate, wherein the byler tag on tumblr collectively had to reckon with the fact that people want byler to have sex and it doesn't make them creeps to vote in silly polls about it. people criticized the blog for being overly sexualized and pure fantasy versus more "acceptable" analysis, with many making sweeping moralizing statements about anyone who dared interact with the blog.

this has kicked off tumblr's own sort of horny revolution in encouraging folks to be more open on here, whereas previously we were confined to our corner of twitter.

so in summary:

people over and over again put fan creators on a pedestal just to turn on them when they're "betrayed" when a person's views did not one-to-one line up to theirs.

teens in the fandom especially were "betrayed" by adults in the fandom they thought were "safe" (and i would argue that self proclaimed "safe" adults in fandom are far more dangerous to real life minors than the proship fans who sexualize fictional characters but dont interact with real teens)

most everything has been fueled by widespread ageism at any fan over the age of 18, widespread homophobia and puritanism in regards to exploring queer sexuality or discussing sex at all

so much hate has been over what are essentially "thought crimes", with people watering down serious accusations like pedophilia into a petty insult over disagreements on fiction

and the cycle repeats itself endlessly until things devolve back into witch hunting and policing peoples following and likes etc

the best part to me is that every single cancellation just resulted in more people flooding to the horny side of the fandom to post more freely and without shame. every time a person on twitter posted screenshots of my account to say how "gross" it was (while simultaneously exposing my 18+ nsfw content to their audience of minors) i had a surge in followers. the more the fandom squeezes, the more people slip from its hold.

but that doesn't make the harassment campaigns okay, and it doesn't mean the fandom didn't do massive amounts of harm to real people in an attempt to protect fictional characters.

my hope going forward is that the fandom can coexist as a community where people don't have to like or agree with certain content to treat the people who create it with respect and dignity. and i hope that, while this side of the fandom might grow more on tumblr, we don't have to relive the same old discourses and go through the same cycles we went through on twitter.

and remember kids, the block button is both free and fun.

[rassicas]

hi guys! im back. i went tokyo for a few days. got back at 7 this morning after taking an overnight 7 hour bus ride.... that i did not sleep on bc i cant sleep in moving vehicles. this will be something closer to a proper blog post i guess. splatoon related convention? experience below

i've kept my mouth shut about my plans to go because its not as well known on the english side of the fanbase and i didnt wanna make people too jealous sorry LOL , but i went to splaket 22! it's an unofficial, splatoon-only doujinshi market/artists alley. this was my first convention-sort-of event ive been to since i was... in high school. i also dont really get to meet many other hardcore splatoon fans irl. i was nervous about it because i don't know a whole lot of people on the JP side nor do i have a lot of confidence in my japanese speaking/listening, but in the end it was SUPER fun. i wish i couldve talked a bit more to the artists i did encounter to comment on what i liked about their works but. Skill Issue very few non-japanese people at this event of course but one of the only english speakers i saw i called out to bc they were wearing a shirt with this exact image printed on it no video and no photos outside of designated areas were allowed so i got like. zero pics of my own. but there was a lot of cosplayers i saw! oh and here's the Loot Haul. a few doujin, a clear file, stickers, microfiber cloth and a keychain. im surprised at how little i got, i think i shouldve gone a bit crazier with it

the one with Tao Blu and oonie in the top left (by sachikazerick) I came across by chance and bought because it was cute, featured splatband characters, and also because it all in some familiar inkling language (the last point of which i told the artist as i was buying) when i finally got home and saw the back credits...

SMALL FUCKIN WORLD LOL (i tweeted at the artist afterwards to let him know i came by the table and to thank him for using me and my friend's inkling language fonts!) though truly, i think ardnin deserved the credit more rather than me since he made most of those fonts! ah well, still cool to see more and more fan works using deciphered inkling language. top middle book is a story with some salmonid characters that i havent read yet but im looking forward to it, the art is lovely. top right one was the first thing i bought. the artist is rk_splaworks, whose art i love, and we've been mutuals for a few years and have talked a bit here and there! i was so fucking nervous to meet them in person since my japanese sucks LMAO but they were happy to meet me too and we got a selfie together yippy <3 also havent read their doujin Yet since ill have to rub all my brain cells together and huddle over the dictionary, but i want their oc lore

ok that's all i'll say, next splaket is...june 22. very soon....im already thinking ill. go again. yknow. while im still in japan and all that. i guess ill have to study harder on my jp in the meantime teehee ...i doubt it, but in the off chance anyone following me is going to the next splaket in june lemme know!