#its BENT

[thriftdyke]

it really does bother me how no one can seem to answer the question “what even is romantic attraction, really.” like some people are like “it’s who you wanna kiss and cuddle <3” and I’m like ok well kisses and cuddles can be either sexual or platonic depending on context. “It’s who you feel passion/desire/arousal for” well that just sounds like sexual attraction which you can have without even knowing somebody so I fail to see how that’s romantic. “It’s who you want to go on dates with” I go on dates with friends all the time plus “date” is a social construct anyway there’s really no innate difference between a date and hanging out. “it’s who you have deep feelings for” great news for you that can be literally any type of relationship. my friend told me she defined it as “who you wanna give roses to” and I’m like do u hear urself??? like the more I talk to people the more I’m convinced romance and romantic attraction is an elaborate socially fabricated illusion that has no real defining characteristics. and like there’s nothing Wrong with it being a constuct but why people are so attached to defending the supremacy of it is something I cannot for the life of me figure out

[thekingofspin]

[anne-is-confused]

Captain Francis Crozier, at Furthest North.

[skunkes]

september minis

[cybervom1t]

i could be the girlcow of your dreams

[sociallyrepressed]

I’m seeing something

[medouse]

there are many. many things. i could say about heracles kindness. but its also the kind of thing that would get him to kill me so maybe i shall keep that to myself for now. but yeah you certainly are zeus' son alright.

[aletterinthenameofsanity]

Me, to my new date: doctor who thinks it's a sci-fi story because the Doctor thinks it's a sci-fi story and because the companions think it's a sci-fi story, but it's really just a story about ghosts. a story about an ancient creature carrying the ghosts of everyone they have ever loved, meeting new people, and seeing them only as future ghosts. they are haunted by the future and the past and the present because they are the only constant in a world constantly in flux, and they are running as fast as they can to things before they burn and fade to dust but everything will always end, you understand, because this is the only thing the Doctor understands and yet they keep going. they love too much to stop. doctor who is not science-fiction, it's horror and optimism and spiritual more than anything else, it's religious unto itself, the TARDIS is a haunted house and a church and a graveyard and a hospital and the Doctor is the most haunted being in the universe but more than anything, this is a love story, because how can you love something without being haunted by it- hey, what are you doing?

My date, shoving breadsticks in their purse: I have to go-

[hey-cringelord]

hello my beautiful boygirl-girlboyfriends

from Gege Akutami new color spread

[stvrmaker]

No because you cant stop me from dwelling on Heaven Sent. Incredible episode, amazing performance.

[nerdy-hyperfixations]

Breaking news: local artist procrastinates once again and colors in one of their drawings instead of doing their urgent English homework. More at 7

[epitaaph]

“Is that what those things are?” she asked. “Around your wrists and neck? Marks?” “These?” He leaned forward, and the change in him was instant, the glowing eyes, the curling horns, the broadening of the shoulders. Without meaning to, Alex found herself scooting back in her chair. He was man and then monster in the space of a breath. The golden bands glowed at his wrists and throat.

“Yeah,” she said, trying not to show her fear. “Those.” “These marks mean I am bound in service. Forever.” “To hell? To Golgarot?” He laughed then, the sound deep and cold, the thing at the bottom of the lake.

Hell Bent by Leigh Bardugo, page 412.

[a-mythologynerd]

The thing about Darlington is at first glance he seems so much more tame and straight laced in comparison to Alex, and, like he is to an extent, but its all about the packaging. (And isn't that the thing between these two anyways from the very start?) I just always get reminded how many of his character traits aren't some dignified or morally superior dichotomy to Alex and her ruthlessness. The thing is, Darlington is just as ruthless and ambitious, he just didn't have to confront it until Hell. The desperate, starving, consumption motif is so clear from Alex's very first chapter but it's not til later that you realize Darlington is the exact same way, just about things other than the extreme level of survival Alex had to endure. Instead, Darlington was able to scrap by and keep the legacy going, serving something and keep the roof over his head. It makes it less obvious then that he is also a survivor and has that same drive.

You can especially see it in the way he tries to prep himself (the exercises, the learning, the training) for the long awaited "grand adventure," the way he treats his study of the arcane (I mean seriously, you cannot paint that boy as the lawful good archetype if he decided to devote himself into brewing a mythic possibly fake archaic drink that might MIGHT let him see the great beyond just because he had to believe there was more to this life, he had nothing left to lose, and he just had to find out and couldn't be satisfied with only some instead of all), and even more clearly, the dream vision he is granted in Hell. Dawes gets a dream of academic success, Turner professional success, Darlington has a dream where his house is never empty and there is always more people, knowledge, and he finally knows the secrets of every mystery in the world. He just hides all this better. He has the polish, the East Coast rich vs LA rich, and the austere Puritanical upbringing that makes him seem as Alex puts it, "expensive." But the reason these two work (and the reason I am insane about it) is because of this shared character trait of never being satisfied and always wanting more (what's really interesting is Alex seems to want more comfort and security and Darlington wants more risk and adventure and that's what drives the conflict). I'm drawn to the parallel someone on here once said about how Darlington is a sword and Alex is a cannonball. Same effect just different methods. Different packaging. Add in the questions of who is the rabid dog, who is the soldier, the servant, the monarch, Dante, Virigil, Beatrice, Orpheus, and Eurydice? I just love how these two characters seem SO diametrically opposed at first glance but are actually so alike in childhood, character, and ambition.

[phoenixcatch7]

In the possessed doll au, Bruce is definitely a creepy kid.

This is, after all, a haunted au.

He looks like a 'murdered victorian child' kid. Even before he watched his parents die.

Like, very big pale blue eyes. Significantly more striking /pos as a smiling adult than a perpetually blank faced unblinking child. He looks like he knows how you die. Pale skin, ink black hair traditionally styled, big dark lashes to frame those uncanny eyes. Just the hint of eye bags.

Alfred in any timeline has a spine of steel, but there must have been at least once when he was woken up in the night to a tiny shape staring unblinkingly deep into his eyes and thought 'I am going to die'. Normal kids are absolutely terrifying to wake up to, as any parent will attest, but imagine being an ex military spy now butler living alone on the most cursed land you've ever imagined, taking care of the only kid after your employers, his parents were brutally murdered, and suddenly you jolt awake in the middle of the night to see two enormous eyes less than a foot from your face, two engorged dots for pupils, staring, still as stone into your very soul.

Bruce, hushed because it's bedtime: Mr Alfred I threw up :(.

Alfred, trying to calm his thundering heart and not reflexively shoot his ward, dizzy from the sudden adrenaline from deep sleep rush, not letting himself freak out in front of the boy:.............................. Oh dear. That's not good.

Bruce, still not blinking or looking away: :(((

Wayne manor is a setting from a murder mystery at night, and it's not Bruce but Alfred that's the main character.

Perhaps, he thinks, it was always going to end this way. Not because of fate, but because the characters of the play would not know themselves to act otherwise.

@puppetmaster13u may I present?

[thornycanary]

contented warnings

[meimeikyu]

@scribble-brain-aced well i can in fact get this man some man*!! (*bigender)

they are eepying :3 <3

@pigeonpixelz psst festival horror,,,,