#it's true! so bad! it's not romantic!

[fatum679]

Alicent & Helaena

𝐒𝐨 𝐛𝐚𝐝

I can't blame Alicent for what she did to Helaena, because she didn't know any other life.

Like mother, like daughter 💔

I know a lot of people think Otto is smiling because Helaena made a toast in public, but f*cking seriously? She literally screams for help, and he smiles and says "good"

Helaena has a scared face and panic in her eyes when asked about Aegon.

Alicent forcibly smiles through pain.

[inkskinned]

he says i hate everyone except you and that is addictive and that is kind of romantic and beautiful because you're young and you're kind of a sarcastic asshole too and you don't like bad boys, per say, but you don't really like good ones either. and you like that you were the exception, it felt like winning.

except life is not a romance book, and he was kind of being honest. he doesn't learn to be nice to your friends. he only tolerates your family. you have to beg him to come with you to birthday parties, he complains the whole time. you want to go on a date but - people are often there, wherever you're going. he's just so angry. about everything, is the thing. in the romance book, doesn't he eventually soften? can't you teach him, through your own sense of whimsy and comfort?

at first - you know introverts often need smaller friend groups, and honestly, you're fine staying at home too. you like the small, tidy life you occupy. you're not going to punish him for his personality type.

except: he really does hate everyone but you. which means he doesn't get along with his therapist. which means he has no one to talk to except for you. which means you take care of him constantly, since he otherwise has no one. which means you sometimes have to apologize for him. which means he keeps you home from seeing your friends because he hates them. you're the single exception.

about a decade from this experience, you'll type into google: how to know if a relationship is codependent.

he wraps an arm around you. i hate everyone except you. these days, you're learning what he's actually confessing is i have very little practice being kind.

[faerabbit]

listen i love snufmin as much as the next fella but most people i've encountered who ship it are like "ooh! aah! snufkin is so cool and mysterious, he must be dangerous (but in like a sexy way) and knows all the ways to woo someone-"

listen. listen. if snorkmaiden is anything to go by, then moomin would canonically be the more experienced with relationships. i bet snufkin doesn't even know how to hold hands /hj

[yuwuta]

okk but what do u think about poly bakudeku i feel like this has to be f2l all three of u childhood friends but idk im handing the mic to u yuwuta

i’ve tried to be sane looking at this ask but the same three scenarios keep rotating in my head so allow me to explain them all but you’re so right on the childhood friends pipeline. it truly is the strongest trope of them all <3

version one: those idiots get together first and they’re kind of mad that you’re so happy for and supportive of them. shouldn’t you feel some kind of resentment that they left you out? shouldn’t you be pinching izuku’s cheek and punching katsuki’s arm for them getting together without you? you’ve beat them up for much less so why are you so complacent about this? it makes them angry, it makes them confused; they didn’t start seeing each other just to spite you but they expected something stronger than this. you’re supposed to want them as much as they want each other, it’s supposed to be the three of you. what’s it going to take for you to grab them and demand that they carve out space for you too, when are you going to make them yours again

alternatively: the two of them being your guard dogs in a sense. they fight amongst themselves just as much as they’re willing to fight off others for your attention. contrary to popular belief, izuku is worse than katsuki. he’s the one that leaves dead rodents in the lockers of boys who send you valentines, leaves cryptic anonymous messages in their game chats and inboxes of coworkers who stare at you a little too long, sends bouquets of knives with just the right smear of blood to the bartender who can’t seem to get a hint. katsuki is much more in the shadows, an intimidating presence that fends off hopeful suitors—but really he’s more concerned with keeping you in, than keeping others out. katsuki’s role is to remind you how good you have it with him and izuku, to show you how nice it is to have two people who care about you this much, to get you to see that they’ve already ruined you for anybody else bc he can guarantee not a single other person could do for you what they’re willing to. or whatever 😚

more alternatives: it takes you going abroad for both katsuki and izuku to realize that the reason their last three dates have been awkward is because they’re missing you. that the reason kissing and confessing felt wrong despite having such strong feelings is because you’re not there and falling into each other is great but they wish they could catch you too. knowing those idiots they’d show up to wherever it is you are, izuku huffing and knocking on your door incessantly and when you ask him what the fuck he’s doing there his breaths are still labored when he smiles and says, “i raced kacchan here… told him i would win… ha—we, we have something to tell you—” and then loud, angry footsteps can be heard from the stairway and a very red in the face katsuki emerging to say that izuku better not be confessing without him. and the whole time you’re just blinking and figure you guys should probably not do this in the hallway

[non-operator]

Death Mark II thoughts

I'm like 8 months late, but I finally finished it-- and by finish, I mean I watched a playthrough.

It's been a year, but just in case: Spoilers Below

I think it's pretty significant that in order to get the true ending, Yashiki has to make it extremely clear to Sakamoto that his relationship with Michiho and Himeko is completely platonic. In fact, it seems that this is the only difference between the Good and True Ending.

In the Good Ending, he doesn't get that message through and that leads to Sakamoto pushing The Departed even harder to distance themselves from Yashiki, ultimately leading to her demise. I think this outcome happens because Sakamoto's insistence that the two girls keep their distance still expresses to The Departed that there is still a real possibility that they can get together with Yashiki. And as much as they want love and marriage, I don't think that was their ultimate desire-- and I don't think Departed!Douryou was lying when she said she disapproved of student-teacher relationships.

So then, Yashiki making Sakamoto understand that his rapport with the girls comes from concern for their safety and taking their worries seriously rather than anything else is what turns the tide. That Sakamoto allows Michiho to continue to investigate with Yashiki implicitly tells The Departed that Yashiki isn't interested-- and as such, he won't take advantage of their love (for him).

When The Departed died, their excitement for marriage and (most likely undeveloped) love for their chosen grooms were exploited by the adults they trusted. At that age, even if they later turned to feel indifferent or even hate their husbands in time, it was a time they should've been allowed to cherish those emotions. Kind of like that one reading of Romeo and Juliet, where the tragedy lies in the fact that children were not allowed to experiment with love due to the adults and the situation around them. I think this is also shown with how Departed!Douryou just wanted Yashiki to acknowledge Departed!Michiho loves him even if he can't accept it. Just because he knows that it is a love that will fade or immature, it is a real emotion to the girls experiencing it and it would be cruel to disregard it; unlike the priests who took advantage of these feelings to arrange the marriage only to ignore them once they started the ritual, if that makes sense.

(It might also be why Sakamoto later apologizing and allowing Departed!Michiho to continue investigating with Yashiki plays into her survival and the True Ending achievement: before while she was worried about keeping the girls safe from a potential predator, Yashiki has already made it clear to her before this point that he's not interested in them, but her main issue laid in how the situation could be misconstrued from an outside perspective regardless of intentions; even if she did accept that Yashiki wasn't going to go after the girls, she was largely worried about the girls' reputation and future-- as well as the school's. It's only when Yashiki makes it clear to her that his concern involves the general student population with all the "disappearances" as well as actually listening to his (temporary) students that Sakamoto relents. The priests had been preoccupied with tradition and the appearance of the brides, even the standards of choosing the grooms and brides were based on social reputation, somewhat reminiscent of Sakamoto (even if she genuinely cared for the students, it was in a way that overlooked their actual thoughts and feelings [i.e. the rising fear of The Departed or in the girls' case, wanting to be listened to]). So Yashiki's stubborn compassion and perseverance created change in the girls' environment that gave audience to their voice in a way.)

Which is all to say: The Departed truly let go of their grudge and "changed" for the better/"chose their humanity" because Yashiki had been a safe person to love-- not because he would love them back, but because he never would. The "marriage" in the True Ending then is a way for The Departed to safely live out a romantic daydream without the fear that they'll be hurt by it, as they had been when they were sacrificed. And I think it's Yashiki's adamancy on maintaining that boundary as well as making it clear to the adults around him and pushing for them to change their focus to treasure the girls' opinions that pushed The Departed to hold hopes and dreams once again, which they entrusted to the real Michiho and Himeko.

[hiemaldesirae]

The Hazbin Graduate’s Guide to Homicide (3)

HAZBIN'S MIDSEMESTER STUDENT REPORT Student: Vox Vanhal Supervising Staff: Professor Enoch Leviathan Sponsor: Not Applicable To the Board: Vox Vanhal may be one of the most brilliant students this school has seen in decades. In all my years of teaching at Hazbin, I have never met a student more insanely ready to learn and apply their skills- due in part, of course, to said student's own possible insanity. I mean this in a jovial way, of course, but I will admit that when young Vanhal's true identity was revealed to me that my first thought was along the lines of 'is this student insane?' Whether or not my student's reason should be called into question is something myself and my fellow professor Asmodeus have discussed in length, but there is one thing that we can definitively agree on: If there is any one student in this school who I would choose to place my bets on, it would be Vox Vanhal. There is nothing more to say at this time of report evaluation. Sincerely, Professor Leviathan.

May God's blessings be with you now and at the hour of our deaths, Amen.

[ 1 ] / [ 2 ] (<- read these first for context and more murder academy radiostatic content!)

Though Alastor may have thought that Vox was much more knowledgable in how Hazbin's Institution for Homicide worked, the truth was, Vox was still fully flying on the seat of his own coattails.

He had no damn clue what he was doing still, and although it'd been two weeks since he'd arrived, part of him still felt like how he did when he'd first arrived: hesitant, scared, not knowing where to go or what to do besides the want to make his boss suffer as he killed him.

That level of animosity might sound strange to anyone not a Hazbin student or alumnus, but it was perfectly normal for any student enrolled in the academy to have such feelings. After all, there was quite a rigorous process involved in the application, and for Vox, this application process (and what led to it) was perhaps more intense than most.

There had once been a time where Vox had dreamed of becoming a Hollywood starlet, one who lit up the silver screen and was blessed by hundreds of thousands of cheering, dedicated fans who would fawn over his every move and action. He'd wanted to follow in his mother's footsteps, at one point. But after taking on his first roles in Carmine Studios, the glamour of Hollywood had shattered like fine glass.

"Miss Vesper! Would you please look over here for a second?"

"Miss Vesper, when is your next movie coming out?!"

"Miss Vesper, is it true that you and your co-star on Anna Karenina, Valentino Vega had an affair-?"

"Fuck! Fuck, fuck, fuck! That- fucking bastard!" Vox rushed into the privacy of his and Val's shared apartment, slamming the door behind him as he collapsed into the couch, head cradled in his hands. He couldn't even begin to start detailing the number of ways he'd wanted to fucking butcher and rip apart his boss.

Andrealphus Goetia was no stranger to the spotlight, naturally. One of Hollywood's top directors, the man had been an influential cornerstone in the history of movie-making, a real legend to light the days. But behind that picturesque platinum reputation laid a monstrous piece of shit.

It had been a complete accident that Andrealphus had found out about Vox's identity.

Vox himself hadn't even really planned out what to do about himself at that point, only that he'd known that the dresses he wore on screen were far more suited to his best friend than they were for him. Knew that the copious amounts of makeup flattened on him everyday made him feel more like a clown than a princess, that it was the most uncomfortable feeling to have to sit and play the pretty face for the audience's sake.

But he persisted, telling himself, one more year, one more year til my savings account has enough to supply Val and I with a comfortable life and we can leave.

But of course- of course Andrealphus had to ruin it for him.

The man had found out and immediately proceeded to blackmailing Vox with the information, holding things such as promotions, media gossip and rumors over his head. And now... now... Vox stared down at the script he held clutched in his hand, his knuckles turning white as he grasped it with an iron grip.

"Dieser verdammte bastard," Vox muttered under his breath.

Though he'd never loved the spotlight that came with his first taste of fame, he had loved acting. Had loved being adored for his skill, applauded for the emotions that he could evoke in crowds of people and the way he could twist people's hearts. He had wanted to be one of the best, a household name.

And now, he stared down at the script for a movie that Andrealphus knew would tank his reputation. It was absolute bullshit. The plot was held together by thin strings and a bit of glue, despite being an adaptation of one of the past decade's best selling books. Not only that, but the moment he left the safety of the apartment once more, he would also have to contend with the rumors that were steadily piling against him and dragging his loved ones and friends into it too.

All this, because Vox had refused to sleep with his shitty boss.

He could still hear the fucker's voice- come on, don't you wanna say that you got a piece of me? I'll even leave out the part about you being a transvestite, darling, just the fact that I got a piece of you is enough.

God. If only.... if only he could see that bastard's face when he crushed his fucking skull in between his hands. He wanted to see Andrealphus' stupid face contort in revulsion and terror when Vox finally did the deed, wanted to bathe in the the fotze's inbred blood. He'd do anything for the chance to just kill that piece of shit-

"Amorcito?"

Val's voice makes Vox jump on the spot, quickly shifting to hide the script from view. His friend comes around the corner, eyebrows furrowed with concern, and it's this that makes Vox break his composure, a single tear falling down his face as Val frowns, taking a seat next to him on the couch. "Voxxy, amor... tell me what's wrong."

And because he can never keep his mouth shut when it comes to his best friend, Vox tells him everything. Val nods along, pauses at the right moments, all of that stuff that friends do when they're trying to let you know that they'd rip apart your shitty boss if not for the law.

But- and perhaps this is something that Vox knew deep down to be true anyway- Val was a bit different in that aspect. He'd met the man under... less than legal circumstances, after all, and he knew that Val was the heir to quite the illustrous cartel career.

So when Valentino stops him with a firm hand on the shoulder and hands him an application paper for Hazbin, telling him to think it through, Vox barely takes even a second glance at it before filling it out.

Now, two months later and sitting in the auditorium of Hazbin's famed Music Hall, Vox doesn't find himself regretting the decision. Sure, it's a bit lonely without Val's supporting presence by his side, but the students he's met so far have proved to be some of the friendliest people he's had the pleasure of knowing: ironic, considering the kind of school they're studying at. And he's even managed to make a friend! Not that bad a start, altogether.

Vox absentmindedly doodles on the edge of his notes as Professor Leviathan's soothing voice lectures them on the importance of a proper alibi. "If it walks like a duck, quacks like a duck, looks like a duck, but it has an airtight alibi, it is...?"

"Not a duck," the auditorium echoes back to the professor, who nods, looking satisfied with the class's response. "So, then! The first step to alibi making is...? Miss Velvette, perhaps you'd like to answer this one for us?"

The girl sitting beside Vox shoots up in her seat, looking as if she'd just fallen asleep and was awoken by the professor's question. "Uh... the..."

After a moment of silence and stuttering, Vox takes pity on the girl, sliding Velvette over a slide of paper that she squints at before reading. "Make sure you're in a different place from the crime?"

"And how would I do that?"

"I... uh. Use an accomplice...?" Velvette stutters.

Professor Leviathan shakes his head, looking disappointed. "Not quite. One thing you will have to learn at Hazbin's is that you should never rely on any other person to carry your deed out for you. No hiring accomplices- after all, paid personnel's loyalty is shaky and they have no honor code preventing them from taking you to the police- and absolutely no committing crimes as lovers, unless you can guarantee that neither of you will be snitching. Would anyone else like to take a try?"

Vox raises his hand hesitantly. "Move the crime scene or otherwise obscure the culprit?"

Professor Leviathan snaps his fingers, "Yes! Absolutely. One of the best ways to make yourself an iron clad alibi is, if the pope is shot in the church at midnight, make sure that you are seen halfway across town in the bar at midnight; so drunk that you cannot even leave until your wife comes to pick you up at two- and no one will suspect you, even if he was actually killed right outside the pub and moved to the church instead. By moving the crime scene, you can make yourself an ironclad alibi. Obscuring the identity of the perpetrator and making it someone who couldn't possibly be you also works splendidly. After all, if the police believe the murderer to be a six foot tall adult man, then the actual perpetrator, a four foot tall young woman, would be able to pass by completely unnoticed. Thank you for that input, Vox. Now, onto the actual creation of such an alibi..."

When class ends, Vox is the first to leave his seat and head for the door, intending on leaving and getting to Track with Professor Satan as quick as possible when someone stops him in his tracks with a firm grip on his shoulder.

"Hey. Vox Vanhal, right?"

"That would be me, yes," Vox turns to face the person he's talking to, only to be met with the young woman that Professor Leviathan had called out in class earlier. "You were... Velvette?"

"Yep, that's me," the chipper young woman responds. "Listen, I know you don't know me at all, but I really need to get through this school year. Like- look, okay, I'm in a little bit over my head right now. I still want to go here and do what everyone here does, of course, I'd love to just go and plunge a damn butcher's knife into my cunt of an ex-friend's neck, but... well, you saw how I did back in class- look, what I'm trying to get at is I need someone to help me. And you're like, Leviathan's star student. So- I don't care what I have to do, I'll-"

Vox holds up a hand to stop her.

"I don't need you to do anything for me, unless you've got any tips on how to kill my boss and make him suffer during it. But I'll help you with whatever you need to study during your courses. Just..." He pauses, taking a moment to think out what he's about to ask. "Could you teach me how you did your makeup on your own?"

Velvette blinks, clearly not expecting that response. She laughs, a shrill, sharp bark and grabs his hand to shake it firmly. "Yeah, 'course I can. So, do we have a deal?"

"We do," Vox smiles. "Pleased to make your acquaintance."

[possamble]

I'm not allowed to be on social media for more than two seconds today but I just wanted to say that Laios will absolutely have his own reaction to all this as someone who would die for Falin but has also imprinted on Marcille as his Emotional Support Comphet White Girl Not-Girlfriend along the way

[epickiya722]

There is just something confusing me a lot but like. Why the narrative just suddenly pretended everything was abt them??? Like??? I know Ochako was important, obv, but. Doesn't it kinda feel like all that needed a little more build up???? Not just the very end?????

I'm with you on that! That's why I'll wait to see the whole chapter when all the pages are shown and the translation is there.

Something is just telling me, I don't know how to explain it but something just feels off.

I'll wait for the full course, I'm not accepting the crumbs.

[moiraimyths]

Before we call anon rude because let’s see it from their perspective, imagine getting an entire feast to eat. That can be pretty hard to start with so much that’s going on, but if they start with one thing they know they’ll like (aka one character they like) that can be the start for them leaping to other characters to finish the story and the bigger story. I struggle the same way to start book series if I don’t have at least one character that drives me to read it, it’s all about what can be the hook to push them through. Sounds like the anon is neurodivergent (just a guess) so they might genuinely not see it as rude and see it as a solution to even play the game to start with.

Btw absolutely adore the game, the complex and rich characters making them all so unique is amazing. The art is so pleasing to the eyes I love it!! I’m waiting for it all to get out at once so I don’t get too impatient. Shae however interests me the most, which routes will have the most lore for them? Will there be routes that give more lore in general based on decisions you make or do they all share the same amount? (I mean general lore not just Shae lore)

Apologies; we are not trying to accuse any asker of being rude! We are simply explaining our perspective as the developers / are trying to broadly encourage folks to dip their toes into other areas of the story outside of the main route(s) they're interested in, especially considering some routes will be made available sooner than others, and these other routes will likely contain additional scenes/lore of everyone's fave(s) regardless! We want to give each main cast member an equal amount of love (and lore) regardless of their overall popularity, so our goal is not to tut-tut anyone for having strong preferences for one character over the others, but rather to explain that you may be surprised by how much *more* you learn about your preferred characters in the other routes. That's all!

For Shae... Well, they were a foot soldier for one of the worst periods of the War. Lore wise, any other story that touches on the War will likely have content relevant to them and their experiences. ^^

[nordfjording]

Theres been ~talk in town~ for at least a couple of years that me and my best friend are actually yknow wink wink and for the most part it stays a rumour about us being yknow wink wink

But every now and then someone says the quiet part out loud and its immensely funny to me - she's looking at renting a house rn and the owner asked unprompted whether I'd be moving in too

[transmascutena]

thinking about how akio sees his younger self in utena and wondering if there's any fondness there. doesn't change the horror of what he does to her obviously but i do wonder

[daylighteclipsed]

I’m enjoying FF7 Rebirth more than Remake so far (I was so sick of being in that uglyass city), but as someone who is not familiar with the og FF7 the sudden party member affection system absolutely blindsided me

[kansasjustgotgayer]

I had a dream about my childhood friend last night. You ever just have a hole in your life thats a cold heavy question. Like, are we too different now to ever be that close again? Could we understand each other? Will we meet again? It’s like having a rope tied on a bollard with other end stretching too far to see. And you could pull at it and see if its taught or it if it comes back, frayed and severed.

Anyway you ever wonder where your kid friends are these days?

[theprinceandthewitch]

Ppl are genuinely so weird lmao

Ah yes, I'm sure a man who calls himself Orpheus and commits crimes with the intention of improving Alice's condition has nothing but platonic feelings for his childhood bestie and is motivated JUST by guilt teehee

[I'm being sarcastic btw],

[dunetevenn]

Me: I wonder what my f/os would like about me... ...wait what is there even to LIKE about me in the first place?

F/os: *burst into the room* Alright that's it we're doing an intervention *brings out a PowerPoint about why I'm not that big of a piece of shit*

[frostluvrs]

people were talking about how perth and chimon really sell being high school students despite being in their 20s and it’s so true and i’ve come to realize it’s because they really act like high schoolers 😭😭 script wise and acting choices like these are just two very dramatic teenage boys not knowing how to go about the fact they like each other. every thing they do and the way they react to situations (especially kang) feels very high school i love it.