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#it's tragic and complicated obviously
sofieartz · 1 month
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[ Fnaf fanart ]
// Blood, very slight gore
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I love when people made Mike and the MCI close, in a My father have killed you all and now it is my duty to take care of you until I could end this sorta way.
They both mess w each other, but also took care of one another yk.
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And also plot on how to kill your immortal father w them
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given that seems to be the new popular take in the fandom at large since totk got out: let the record show that I'll gladly let myself get repeatedly manipulated by the wind waker speech and be foolishly moved by its implications over rejecting space for humanity and vulnerability in the monstrous and the dispossessed, and then feeling weirdly smug about severing that fleeting attempt at connection and deem it obviously insincere
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chirpsythismorning · 1 year
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"See, I was thinking, once all this is over and Will’s back and you’re not a secret anymore, my parents can get you an actual bed for the basement. Or you can take my room if you want, since I’m down there all the time anyways. My point is, they’ll take care of you. They’ll be like your new parents, and Nancy, she’ll be like your new sister."
"I mean what did you think, really? That we were never gonna get girlfriends? That we were just gonna sit in my basement and play games for the rest of our lives?"
"And then I was thinking maybe you could come up here for Christmas. And Will, too. You can come before or after Christmas, or whatever Mrs. Byers wants, but I was thinking Christmas Day could be super fun, because we'd all have cool new presents to play with and... Uh. Sorry, that made me sound like a seven-year-old."
Something something Mike thinking about being in his basement with Will for the rest of his life and thinking it's childish, even going as far as to call it stupid...
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scorndotexe · 6 months
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"the world is already bad enough" is an insane thing to say about fictional tragedies and works of horror and other things that can't be used as escapism. especially if they're used to express something tragic in a creator's life.
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regallibellbright · 11 months
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How can I connect to you? Share your love even if it isn't true
Deep inside your desire's calling me, dive in and then set it free!
I want to connect, but...
Sometimes you get stuck in a surreal otherworld where you're forced to bare your soul to other people in a deep psychic connection because you're dead, and sometimes, it's because you've been turned into a kappa.
Sometimes there's singing involved.
(I love Sarazanmai so much.)
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every day i [conlang]
Zero Point shook out their sleeves and reconfigured from the palm up. Oil-slicked flesh flipped up to metal and smooth curves turned over into brick-square panels. Hmph. This would be one for the memoirs. The kkyribi at home would be begging him to explain how it even happened. For all Zero Point knew, though, it was just that they were like that. Cybertronians. What an odd set of creatures. But no odder than the va-kkyreittyr, really. And certainly no odder than Zero Point.
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throwaway-yandere · 1 year
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FLAWLESS (Yandere!Various Genshin/Reader)
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A/n: This is a complete interactive fic w/ CGs! There’s an HP system and 4 possible endings (yandere!Scaramouche, Alhaitham, Kaveh, and Kazuha). This is my final fanfic and I really put my best effort into drawing and writing this. Have fun!!! Your choices matter so read the evidences properly and try not to get a bad ending hahaha. (Pls answer this poll after and feel free to send me memes about who you got hAHHAHA)
Unreliable Synopsis: (Danganronpa!Genshin AU) If this is your last dance as an idol, then you do not want it. No. You’ll make the real criminal sing instead.
CW: yandere themes, blood, murders (well duh ansy–), and brief mentions of suicide.
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Kazuha frowned. "For (L/n) (Y/n), this whole ordeal must seem like a flawless crime."
"They don't know the murder weapon, the suspects— no nothing." Kaveh sighed.
Alhaitham interjected. "Indeed, but the real questions will begin in a moment."
Words punctured the air in nameless accusations. Each time people enter this room, only distrust looms acting both as a safety blanket and suffocating plastic. You stared at the people left. One, two, three, four, five... You clenched your fist, and all those fingers pointed back at you. 
The sixth. 
There are only six survivors left.
"Say, (L/n) (Y/n)." Your Akademiyan companions stared at you as Kunikuzushi’s smirk could practically be heard in his voice. "Where were you at the time of the murder?"
You gulped.
The Teyvat Akademiya. Home only to the most renowned student of their craft. The faculty carefully picks out select groups of students to be their new freshmen- and it can only be counted by hand how many had declined such a generous offer. It was a government state university, but it was also a golden ticket to knowing people from high places.  
Each student was known for contributing something in their fields of interest. In fact, both your adoptive siblings were alumni of this prestigious school. Your brother Aether was a famous "adventurer" (as he loved to call himself instead of an artifact-obsessed archeologist) whereas your sister Lumine was a remarkable swordswoman with a straight-edged track record. Even your older friends, Dainsleif, and a certain glasses-wearing individual you had forgotten the name of were graduates and now boast incredible resumes befitting of an Akademiyan. Each alumnus you've met wasn't someone any person with a head on their shoulders would dare disrespect. 
But that was not the reason for your schoolmates’ evident intimidation.
“Allow them a moment to process,” Alhaitham scoffed. “The Body Discovery Announcement was approximately 2 hours ago. It’s challenging for individuals from the entertainment industry such as them to comprehend complicated matters in a few seconds.”
“I would’ve fainted at your rare attempt at empathy if it wasn't obviously pointed,” Kaveh scoffed before turning to you with a soft stare. “(Y/n), don’t listen to these two, I’m sure we can find out if you’re innocent or not later.”
You gave a short nod of assent.
Tragically, murders had become the norm for college students like yourself. No one has flinched at Kaveh’s grim mention of a suspect lurking by and none had the insanity to deny what had occurred.
It began when you first woke up in one of the Akademiya's classrooms. You stirred awake on a desk near Shikanoin Heizou, the "Detective Prince". He was a famous figure, so you instantly believed him when he said you were both hauled into this location against your will. You were enthused by his infectious desire to uncover whatever was behind the “kidnapping” you found yourselves in. He told you not to worry, that despite the barred windows and inaccessible exits, you'd both "probably" find a way out.  As you both wandered around the area, you found fourteen other students (some familiar faces, some not as much). For a brief moment of hope, everyone thought escape was possible. 
That was until a certain cold-eyed puppet entered the scene.
A heartless puppet you’re sure was waiting for everyone just under that elevator.
“Is… Is this everyone?” You asked like a mouse, frightened as your eyes darted for any hints of twinned cyan hair. Nothing about your recent behavior had gone unnoticed.
Senior Faruzan is missing…
Yoimiya frowned, grabbing your hand for comfort. “(Y/n)…”
Kunikuzushi scoffed. “Enough of this dumb ohhh boohoo exhibit. Let’s go.”
The most mysterious of the bunch left for the stairs immediately, punching the button on the elevator to its ground floor. Yoimiya huffed, muttering complaints about Kuni’s behavior while the three other men followed her silently. No one took the stairs two at a time and walked at a snail’s pace. A clear indication that no one wanted this to occur. 
And just like in the previous cases, Kazuha’s eyes were on you the entire time but spoke nothing of this behavior.
The elevator door opened. You looked at the camera above it. If the Shogun's words are to be trusted, then the outside world is watching your every move like reality TV.
If that's the case, might as well give them a show.
Kunikuzushi stepped aside, royally ushering everyone— and specifically YOU— in.
“Idols first.”
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Everyone entered the trial room. If the mood from earlier was tense, it is worse now that you’re inside. Stepping into the cold room makes the situation all the more real.
There is an execution waiting to happen, but without a hint if it’ll be “us” or “them”. Every bright person inside the room here had previously partaken in 4 of these court sessions by force. Since no one can exit the premises nor contact the outside world, the only key out was to kill and avoid getting caught. 5 people had attempted to commit murder, and considering how you’re still breathing, none of the “blackened” had succeeded in getting their way.
How… How did it come to this? 
You enrolled in the Akademiya in hopes that you'd also find the subtle clues as to why Aether went missing, this wasn't in your plan.
Getting roped into this killing “game” was on no one’s to-do list. You received an invitation to enroll in the Akademiya because of your stark idol career, although your siblings being famous alumni may have greatly increased your chances of receiving that privilege. You would’ve thrown that paper into the fire if you knew you’d get dizzy upon arriving in the Akademiya and will wake up in such a heartbreaking dilemma. Hearing from a grapevine, you discovered that Kaveh was invited for his architectural drafts, Kazuha for his poems and a bit of swordsmanship in his repertoire, Yoimiya for her firework shows, and Kunikuzushi?… You don’t know. But you are wholly aware as to why Alhaitham is here as your senior— you were there when he opened his letter after all.
The “mascot” is yet to make her entrance. So, as “obedient” students, you’ve uncomfortably shuffled to the places you were meant to stand. Bile rose inside your throat as you looked at the last five students excluding yourself circling the room— with Faruzan’s crossed-out portrait to your right while Kamisato Ayaka’s on your left. It would appear that most of the dead students were on your side and the closest breathing person next to you was Kunikuzushi, who was two photographs away.
Alhaitham, Amber, Tighnari, Ajax, Albedo, Kamisato Ayaka, You, Faruzan, Xiao, "Kunikuzushi", Kaveh, Cyno, Yoimiya, Layla, Yunjin, Kaedehara Kazuha, and Shikanoin Heizou.
The deceased faces had been crossed out in bright violet paint, a nauseatingly unsubtle reminder that only six remained. Yet, the one that was meant to sit towering above was missing.
“… Where’s The Shogun?” Kazuha asked.
“Ah, so you do have a voice. And here I was about to call you a cricket. I thought our poet lost his words, considering how the previous trial ended,” Kunikuzushi mocked, rolling his eyes. “Just wait and see.”
You sighed, hoping it was quiet enough for Kuni not to have heard it. 
The last trial broke everyone’s spirits and sense of camaraderie the most. Before trials, the puppet gives everyone an incentive to kill. In the Ayaka-Heizou murder case, each student was given a videotape that raised more questions than answers. Yours was a clip of Lumine, your fellow theater actors, and idol mates congratulating you for your enrollment before it cuts off to a scene of your home burned to cinders. As for Ayaka, hers was a short-lived message of her older brother asking her to come visit the clan for Thoma’s upcoming birthday— before it cuts to a gruesome scene of her brother fatally wounded on their living room floor. 
“Find out what happens once you graduate!”... and then the tape ends.
Whoever was the mastermind behind this killing, you had to admit, they were an expert in psychological torture. And unfortunately for everyone, Ayaka was a smart individual— killing the most trustworthy student, Heizou, to cover her tracks better. She put up quite the fight in manipulating everyone to think that you and Kaveh were possible culprits.
You even got into an argument with the calmest person around. Kazuha was “convinced” that Ayaka was right, which led to you two entering an incredibly heated argument that left him depressed with his rejected apology. You were on "good terms" with him before, that being he would always offer to cook food and accompany you often. 
… Perhaps that was a good thing. Discreetly, you thought he strangely knew you to a degree that makes you far from comfortable. It still bugs you how he knew you all too well and yet you know nothing about him other than his aspirations: traditional Inazuman poetry writing with a bit of karuta on the side.
Maybe he used to be a big fan of yours? Even so, the foundation of your music, choreography, and persona was weaved through a tapestry of feel-good lies. And yet, he was wise enough to speak your true thoughts before you even hesitated to voice them in your cheery idol tone. 
But that’s not the issue right now. 
The issue on your plate was that you had no evidence to prove your innocence except for the list of school rules on your E-Handbook because you were convinced someone will kill you during the investigation.
You laughed to yourself bitterly. Might as well review those rules now.
You opened the E-Handbook.
As per “school rules”, there are regulations to be had in a murder game, but none stick to you as these three. Rule #10 and #7: A class trial will commence after three or more students have discovered a corpse, and a Body Discovery Announcement will play as soon as it occurs. However, a trial will be held if and only if every survivor is present; failure to do so will result in class “expulsion.” 
And the last rule that never left your mind was Rule #8: If the guilty party is exposed during the class trial, they alone will be executed.
By the end of Trial #4, she did not receive a proper execution. Ayaka was compelled to restore her honor and raised her sword to…
… You couldn’t hate her for it. Even though you were close friends with Heizou, you couldn’t hate any of your fellow students. They all had family, hopes, and visions for the future. Each one here was "a fledgling barely out of the nest." You couldn’t deny that you would’ve done the same.
"Since the Shogun isn't here yet, let's get a headstart," Kaveh gripped the court fence, eyeing everyone with a nervous stare and stiff posture. "What's your alibis?"
Nobody raised their voice initially. You cast a pitying glance toward Kaveh. When it comes to your closest friendships, he comes in second only to Heizou. As someone who had seen the horrors of the media which is essentially a mirror of the world's social issues, Kaveh's one of the few decent individuals left on the planet, in your opinion. In moments of quiet, you, Kaveh, and Faruzan used to chat together, with Heizou periodically interrupting to share his findings regarding everyone's entrapment.
Considering how Kaveh is your last true friend left, you volunteered yourself.
"I never left my room," you spoke audibly depressed, no longer caring that you appeared un-idol-like. "And I refused entry as well. I heard a couple of angry knocks at 9:37 p.m., but I didn't open my door for anyone."
You looked at Kazuha, hurt and accusingly.
You'd never forget how Kazuha called you a murderer. That intense argument made up 30% of Heizou's class trial. He lost his composure and called you a "dishonorable monster". The whole back-and-forth was very much unlike him. After the trial, neither of you talked– and you never left your room unless it was to get something to eat without anyone in sight.
If he was the one who killed Faruzan because he can’t get to you, then you’ll…
"9:37 eh? You got a watch now?" Kunikuzushi pointed at your wrist.
You snapped out of your aggression and nodded, which made him break out in a fit of laughter. 
"HAHAHA!!!" Kunikuzushi grinned, wide. "Learned your lesson, huh?!"
You scoffed, but your ego was humbled and your heart sank at his harsh words. 
Everyone in the room nearly lost their lives because of your time-blindness. It's precisely what made Kazuha suspicious of your motives. You were always unsure of the time, hence, you didn't have the most watertight alibi compared to Ayaka. Before you entered your room to lock yourself, Alhaitham blocked the door with his shoe and handed you his spare wristwatch. He was the last person you saw before your self-isolation.
"Good," Alhaitham said. "And you, Kunikuzushi?"
"Are we going to ignore that angry knocking thing?" Kaveh rightfully asked.
"Let's complete the first task first," Alhaitham answered. "Let's follow the circle; it's (Y/n), then Kunikuzushi, Kaveh, Yoimiya, Kazuha, then I."
"Conveniently putting yourself last," Kunikuzushi snarled. "But whatever. I was napping in my dorm. Woke up when I heard footsteps outside and decided to investigate. The discovery alarm rang off when I entered the nurse's office the second time."
Kaveh fell silent, his face pale.
"I… never went to m dorm that night"
"Oh?" You and Yoimiya curiously said in unison.
"I-I was with Alhaitham, patrolling!!!" Kaveh defended; his arms in the air. "I swear on my life, I was with him! We're probably the footsteps Kuni heard."
He spoke as if it was a good thing with his mouth, but he was whispering that it wasn’t with his eyes.
"Can't be certain," Kunikuzushi threw in a quick grumble and snapped his fingers. “But I think that's probably the case.”
"That makes sense. I mean, if Kuni was telling the truth then that just means there's more chance it's just those two hopping around. Oh, and I was actually on the second floor at the time. I was in the recreational room cause I wanted to get tokens for the cute little Shogun Stall.'' If Kuni’s side comment lasted a month, then Yoimiya's would be a year– but her good cheer is just what everyone needed to alleviate the tension.
"I wasn't in my dorm room either," Kazuha said. "I was in the cafeteria. I couldn't sleep so I decided to fry fish."
"True, I think. When I checked the cafeteria a knife was missing from the shelf."
"We’ll keep your fact-checking in mind, Miss Naganohara." 
No soul was sure if Alhaitham was being genuine about it except for you. And the answer was yes, he was being warily appreciative. Admittedly, you don’t know any of these people before this killing game started, except for one person…
Alhaitham looked away, conscious of how you looked at him.
In all fairness, Alhaitham was closer to Lumine than you and Aether, and he wasn’t your favorite neighbor either. As a kid, he was the type who would leave in the middle of hide-and-seek simply because the ordeal wasn’t “stimulating” to his developing intellect. He had a habit of causing uncomfortable situations just to “observe” your reactions with an emotionless stare. Alhaitham had once given you a sumeru rose with a startling grasshopper to see how you would behave, and the worst part is that everyone knows he did these without malice. His grandmother had to force a sorry out of him for your tears to dry. “He probably has a crush on you, you know how boys are,” was the excuse the old lady tried, but your twin siblings were quick to shut that thought down. You and he were simply oil and water, nothing more, nothing less.
But there were times you two got along. When you aired out loud sentiments regarding how stuffy his room must be, you snatched the book he was reading and dashed up the nearest tree. Despite his grumbling reservations, he was thankful that you taught him how to climb that afternoon. That was the first you saw him smile wider than usual and offered to narrate the book you stole: The Little Prince. 
However, that version of Alhaitham you’ve come to love remains awol amidst this killing game.
"As for my whereabouts: Kaveh is correct. He and I were patrolling just the first floor and exchanging conversation. Neither of us could sleep. We started at 9:15 and ended abruptly at 11:05, when we, along with Kunikuzushi, found–"
"The body." Kunikuzushi finished.
"Yes," Alhaitham said.
Kunikuzushi smirked. From your perspective, the worst part about this was not Kunikuzushi’s inappropriate smugness, but the look in his eyes that mirrored what Heizou used to have— what your good friend used to be. The light in his eyes, his more forward demeanor, the way he crossed his arms and snapped his fingers– it was as if he was copying him. 
Mocking him.
You hate Kunikuzushi. You detest just how much you don’t know why he’s in the Akademiya or anything else about him other than his first name. You loathe how he had made it his job to be the antagonist of every damn class trial. You hate how he looks at you as though you’re beneath him. You despise how much he is willing to withhold vital information till the very end.
Kunikuzushi is like a commedia dell’arte stock character. A Scaramouche. An unreliable servant. You can’t trust a man who said he was moved by your acting in all your filmography only to act like he wants nothing more than to crush your spirits once lives were at stake.
After listening to everyone’s alibis, your intuition screamed from something deep within a place you had begun to trust after experiencing these trials:
Out of six survivors, FOUR of them are hiding something.
“Is everyone present?”
Before you could speak up, a low and refined woman’s voice stole everyone’s attention. All turned to gaze at the long synthetic-haired lady with a katana by her side. She returned the stares with an unfathomable coldness as she strutted to her throne, the silk of her grand kimono touching the floor. 
There she is. The lone audience and judge. The puppet: the Almighty Raiden Shogun. Undoubtedly made of metal and not flesh. Xiao had learned that firsthand when he sacrificed his life in an honorable duel against the captor— but seeking freedom by force was of no use when she herself is capable of the murders she wished to witness.
“Very well. We shall begin.”
“W-Wait, hold up, ma'am!”
The last vaguely extroverted cheerleader raised her hand; her bravery to interrupt the Shogun was acknowledged.
“... Can I share my E-Handbook data with (Y/n)?” She asked, high-pitched.
The medical and criminological technology of this era eluded everyone. Trapped inside the Akademiya with no phones or any signal to the outside world, each student only has their E-Handbook to rely on. It contains information the owner investigated regarding murders and records testimonies made by their peers. A handbook is only “handy” for both people who were hoping to survive and those who were hoping to twist the facts. 
And that offer is exactly what you need.
“You see– they didn’t leave their room during the investigation period– probably worried that the killer might be after them next and they kinda turned into a hikikomori for the past few days. I’m kinda worried they wouldn’t be able to defend themselves on this trial so… So, uh… Pretty please?” The blonde girl smiled nervously.
The Raiden Shogun stared, calculating.
“I shall allow it.”
“Thank you so much!” Yoimiya tapped her E-Handbook as fast as she could, more eager than you were in watching the loading screen fill up.
(SYSTEM: RECEIVING NAGANOHARA YOIMIYA’S E-HANDBOOK DATA…)
(SYSTEM: TRANSFER COMPLETE.)
You smiled at Yoimiya but it came out crooked and jaded. She didn’t complain that you weren’t at your top form today, but she did send you a loud “Do your best!” in her native tongue.
The Shogun walked to the throne and took her seat.
“Now then, let the class trial begin.”
Out like a bolt of lightning, the doors behind you were completely shut with metal bars in her flick of a wrist. In her twisted form of justice, she hammered the circular surface with her gavel.
“Court is now in session.”
(SYSTEM: TAP HERE TO CONTINUE)
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cricket-of-the-hill · 13 days
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So what's the deal with Fiddleford McGucket? Why's he like that?
Fiddleford as a character is so FUN because he's so complicated and tragic and honestly a little pathetic. On one hand you have this absolutely brilliant scientist with the potential to have been the in universe Steve Jobs who figured out that the universe is a hologram and built an honest to betsy transdimensional portal (with Ford's help, yes, but let's be honest: as mathematically brilliant as Ford was, I think his intelligence laid more in the theoretical side of things, really doubt he could have actually built the portal himself).
On the other hand, we have this man who up and leves his FAMILY to chase after a college friend who calls him one day saying "hey, I'm out in Oregon building a portal to another dimension. Little help?" and he doesn't even think twice before being like "bet" and getting his ass to Oregon. And even if you take in the context clues that things weren't going well with his marriage before he left (as pieced together by the brilliant @divorcedfiddleford in this post), he still had his son and McGucket Computermajigs and he just sets all that aside for this guy, which... 😶
I am gonna write this whole post on the assumption that Fiddleford was in love with Ford, but look, even if that's the case it doesn't make any of his actions less unhinged. Break here, because the post gets kinda long 😶‍🌫️
So here's the thing: in the fandom, it's fun to think that Fidds knew about Bill and they had some sort of taunting rivalry/love triangle thing going on and that's really fun to mess with, but FIDDLEFORD HAD NO IDEA ABOUT BILL. Ford never told him! So even if Fidds leaves California thinking he's gonna have his hot girl summer/queer arthouse romcom where he reconnects with the love of his youth and they spend the summer working in this secluded house in the woods where they can finally live out their romance, what he actually gets is a fucking psychological horror thriller where the guy he loves and is kinda trapped with is either slowly going insane or straight up getting possessed.
Now, all that is 😵‍💫 enough, but it gets worse because instead of doing the normal person thing and getting the hell out of Dodge, Fiddleford stays. He continues to help Ford to build the portal despite how weird the other man is getting, he continues to go cryptid hunting even after the nightmare goblin almost eats him, even if Ford clearly doesn't appreciate the work he does (research assistant? Not even partner? Come on), and never reciprocates the kind of gestures Fidds has towards him (like the infamous double Christmas gift bonanza).
Here's where the duality of Fiddleford Hadron McGucket kicks in: the thing is that he is incredibly brave in some ways and obviously really smart but also kind of a coward and an idiot when it comes to his relationships with others. He'll hit Thee Krampus upside the head with his banjo one day to save his friend and run away to Oregon instead of discussing divorce with this wife the next. He will leave everything he knows to pursue this one guy, but he will never ever ever confess to feeling anything other than friendship towards him. He'll put up with Stanford's creepy as all hell behavior but will never confront him about it even as Ford loses more and more of himself into his project (so no little intervention not even to help this man he's giving so much up for). Like, what was he expecting to get out of all this? If he was never planning to confess to Ford or leave his wife, what was he going to do once the portal was completed? Just keep on bouncing between wherever Ford went next and his family? Did he really think his wife and son wouldn't mind him leaving them behind without so much as a thought?
Operating under the assumption that Fiddleford is a closeted queer guy from rural Deep Down South Hillbilly County Tennessee (said with love, I'm also from the south, but we all know what homophobia looks like here) during the '80s (height of the aids pandemic which would have made everything worse) one can maybe understand why Fiddleford is like that. Why he is so so so afraid and why he ultimately chooses to erase his memories rather than just go back to his family.
So picture this: you are in love with your best friend but you can't tell him 'cause best case scenario he leaves you out to dry and worst case scenario maybe someone finds your boots down by the river and lets your parents know (and we know Ford is sweet and fruity himself and with a thing for outcasts and would never. Fiddleford probably knows that himself, but let me tell you that when you grow up with that fear it goes deep. Because you've most likely seen people who are kind get absolutely bent out of shape when confronted with the mere idea of someone like you existing in their near vicinity). Eventually, you get married and have a son because that is what you were supposed to do all along and even though you love your son and maybe even love your wife everything feels wrong. They expect you to be something you are not, you can never let your guard down, never be yourself, not even in your own home. So then that call comes and it's like a golden thicket: you can leave, give it a rest for a little while, go see your friend, stretch out those inventing muscles.
As much as the fandom clowns him for it, I honestly don't even think he went out there with the intention of cheating (emotionally or otherwise). BUT I do think he was hoping something would happen. It's just that it all depended on Ford taking that first step because Fidds sure as hell wouldn't. And then Ford didn't because he was too busy doing the sin cos tan with his trigonometry homework, but if he had, we could have had a brokenback mountain situation on our hands, lads. Then Fiddleford could have just gone along with it, and done all sorts of mind parkour to convince himself that that's somehow less bad than "outright" cheating on his wife.
So he gets to the cabin, right? And maybe things are good for a little while, like when they were in college. Fiddleford lets loose a little, Ford is happy with the company, they're friends! And I get the sense that they're the kind of friends that mesh really well, like their energies really match. As much as the fandom paints Fiddleford like a sweet cinnamon roll, that man is also a freak. He's out here building psychotic post divorce revenge pterodactyl robots and drinking abducted cow milk just to see what it's like. He's a bit unhinged! He and Ford are the two people in the world that can be like "I think the universe is a hologram." "Cool! Let's prove it mathematically, bro" and "I want to build a portal to another dimension. Just cause." "Catching a ride to your place with my toolbox as we speak, buddy." (My own personal head cannon is that Fiddleford didn't really become such a shaky jelly until the nightmare goblin got him. Like, he was never as adventurous as Ford, but I think before that particular traumatizing event he was all right for it).
Anyways, things are good for a bit, but the real world is still out there. Fiddleford has to make trips home every now and then, and every time he comes back it seems like something is different. A little off. At first it's nothing big, just a smile a little sharper than usual, a coldness in a look, Ford calling him "Specs" where before he was always a variation of his name. Then it's pointed comments that Fidds chalks up to a lack of sleep (is Ford even sleeping at all? Because he could have sworn for the past three nights he he has appeared in the same place Fidds left him when he went to sleep). Then it's a flash of yellow eyes, a maniacal laugh that Ford never used to make before, spells where he seemingly forgets how to use his body (bumps into things, tries to drink soda with his eyes?). As time goes on it starts to become more and more obvious that something is seriously wrong with this friend. And things back home are just getting worse and worse, Emma May isn't happy about Fiddleford skipping town so often, Tate wont stop asking for him, and look, was Fiddleford even making money while he was with Ford? He gettin' paid? Is Emma May back home trying to bring home the bacon while virtually single parenting? (How was Ford even supporting himself while studying anomalies? I can't imagine there's a lot of grants for that.)
But Fiddleford can't leave his friend and he can't really own up to how much messier things are at home because of this whole thing. So he keeps coming back to Gravity Falls, where he also can't really face up to Ford and either demand a clear answer as to what is going on or try to get him some help (an exorcist, maybe). Because if he does say something and Ford decides that he doesn't want Fiddleford around asking questions he's gonna have to go back home where after the Christmas thing he's honestly not sure he's really wanted anymore, not really sure he deserves it if he still was. So he keeps on doing his thing, telling himself "this is fine 🙂," while he sits in a room on fire with a bill-possessed Ford hanging from the ceiling like a spider and an disapproving Emma May looking in through a window.
I think the portal incident was what finally opened his eyes to the reality of his situation, in an ironic way. He destroyed his relationship with his wife and left his son for nothing. Left his own dreams and aspirations aside just to find out that when push comes to shove his opinion and well-being matter so little to this man he was ready to break the laws of physics for. He can't stay with Ford, and he sure as hell can't go back home, because that would mean having to face that he's done burned down all his bridges. So where do you go from there? Let me tell you, if I had the chance to forget the lowest, most selfish, stupid thing I did for a person who didn't even notice it, I'd do it in a second.
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asthedeathoflight · 3 months
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Idk why everyone is always so convinced Armand has a master plan behind the scenes. Like at this moment obviously his story doesn't line up and there's certainly a lot of things he's not saying. But i simply dont understand the appeal of a version of this story in which Armand was secretly in control the whole time. I think what makes him interesting is that he's weak. Hes a coward. Obviously him saying 'i could not prevent it' is a bald faced lie. But that doesn't mean the truth is that he CAUSED IT. I just think its way more interesting if he had nothing to do with the trial and he just kind of. Stood there and did nothing. Hes telling himself he could not have prevented it the same way Louis told himself Lestat didn't warn him about Claudia. Its not a calculated lie meant to deceive Daniel and Louis. It's a lie he's been telling himself for decades. The truth isnt complicated or clever its just very banal and therefore even more tragic. The truth is very simply that he could have prevented it, and he didn't.
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divorceblogger · 7 months
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hey love of my life, you've read dune right? can u explain the kwistaz haderach scheme like im 10 years old
I willll <3 people aren’t wrong when they say that the ‘kwisatz haderach’ is just a very, very special boy that a white guy was writing about in his silly sci-fi book before he decided to write more seriously about the dangers of imperialism and colonialism in the subsequent sequels. but really, the kwisatz haderach’s most narratively important role in the story is as the messiah-ruler figure of a despotic, genocidal empire; and he’s still a victim of the story he creates, a helpless product of his bloodline’s imperial ambitions and generations of political scheming.
where the definition of kwisatz haderach gets more complicated is when you start to pay more attention to the worldbuilding side of things apart from just looking at the role he plays in the larger story.
in the books, the bene gesserit essentially begin a breeding program to develop a biological product who’s supposed to have superhuman capabilities - capable of training in the bene gesserit way & developing the ability to peer into ‘male avenues’ which are beyond a bene gesserit’s ability - as well as ‘female avenues’ (which the bene gesserit are restricted to). the ‘female avenues’ referred to here are probably mostly in reference to the inherited biological memory of the past, and the reverend mothers (who inherit the memories of previous reverend mothers) probably possess the most heightened state of a bene gesserit’s powers. I suspect the male avenues refer to the ability to peer into the future although it’s never clarified - but to summarise, a kwisatz haderach is supposed to have mental powers that enable him to explore time, access the past and sort through different possible futures which can enable him to shape/choose what form it takes (dune messiah deals with the tragic consequences of losing your free will and expands more on the concept). spice and its various forms are the drugs which enable bene gesserit to train and develop these powers. the significance of the kwisatz haderach to the fremen is more complicated, although you probably already understood what was happening there - the bene gesserit plant ‘prophecies’ and superstitions through its branch of the missionaria protectiva to develop a mythology and faith that a trained bene gesserit - ideally the mother of the kwisatz haderach - can exploit to her advantage to protect the product of several centuries of breeding in case the necessity arises. and jessica and paul do actually exploit the fremen to their advantage in the books and the movies, if more explicitly in the latter.
the movie obviously simplifies this concept more to its benefit. the bene gesserit, with their own political agendas, vaguely describe the kwisatz haderach as someone capable of leading the universe into a better future, which sounds too good to be true for a reason. jessica tells paul that the bene gesserit tried to develop a mind capable of bridging space and time and those are words also used in the book - the movie just does away with most of the weird, inane gender stuff.
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fkevin073 · 1 year
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I think what I like so much about the ballad of songbirds and snakes is that it shows the true extent of corruption and how it pollutes the soul. Snow wasn't born evil. He was undoubtedly prejudiced against the districts. He was certainly ambitious and snobby. But I think what I find most satisfying about his arc is that - to me at least - there are moments of genuine goodness on his part, or at least the potential to be good.
I think on some level, he did genuinely care about Lucy Gray. He did care Sejanus too, I think, though he didn't want to. Obviously all of this is complicated by his own toxicity and prejudices, but I think Suzanne Collins wanted to highlight the power of choices.
Snow could have chosen love and friendship. He an ample opportunity to. Those seeds of potential to do better and be better could have blossomed. but it didn't because of his own choices. because of what he valued.
I don't think Snow was born as the monster he eventually became, and I certainly don't think these moments of genuine care and affection on his part when he was younger excuses the irredeemable things he did when he was in power. But I think the great tragedy for everyone around him that were most affected by his actions (that knew him personally)- Lucy Gray, Sejanus, Tigris - is that those glimmers of goodness they saw in him that inspired them to attach themselves to Snow in the first place were, to some extent, real.
He just decided not to care anymore. He decided to complete/encourage the system instead of trying to dismantle it. Instead of seeing Lucy Gray as proof that his prejudices against the districts were wrong, he sees her as the exception. Instead of acknowledging Tigris and appreciating the sacrifices she made for him, he chose to honour his reputation and "pride" more. I could go on, really.
But part of the reason why I loved this book so much and that I'm still thinking about it months later is because it shows that Snow actively chose to become what he did. He didn't do it out of vengeance or some tragic revenge plot against the districts. He did it because ultimately he loved power more.
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sofieartz · 1 month
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[ Fnaf fanart ]
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I was highly unsure if I wanted to finished this or not, because I am already planning on making a ref for the Aftons and Emilys.
But I ended up really liking it!
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olddustorange · 8 months
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IMO there is a distinction between Dick and Jason in that Dick, were he in an URTH-style died-and-came-back situation, would Not feel as though he had the right, the claim to affection or importance to Bruce's soul, to expect anything so radical from Bruce as killing. He would not feel as if he had the right to expect anything at all. Jason's relationship with Bruce was so much more clearly articulated and way less under-the-skin, and Jason did know exactly the extent of Bruce's love obviously, which is why his expectations were what they were.
along those lines Dick in an UTRH situation would be less explosive. And if he had a revenge plan at all (which is a big if), i think it would keep away from Bruce altogether. He would want to stay distant. The element of shame at not being good enough to get away alive, of failing Bruce. But also some of the expectation--the betrayal, the resentment--would probably be there the way it was with Jason, which would make Dick's feelings even more complicated, and I think he just Would Not deal with them. The stay-far-far-away MO. He wouldn't want to see Bruce at all, whereas Jason wanted something from Bruce. And the Be My Own Man desire would be very powerful, so i think the outcome would be no one ever knowing Dick came back, with Dick just constructing his own Life and Identity Unknown And Faraway But Tragically Alone And Silent. until [case happens] and bruce looks into this new vigilante and bang realization
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Have you noted that no one from Azula's family was shown to express love and affection towards her?
That is mostly true. Ozai's affection is clearly conditional (and full on manipulation at worse, like we see in the finale), Ursa canonically favors Zuko to the point that we never see her spending any alone time with Azula like she did with Zuko, and while Iroh gave her a toy like he did to Zuko the toy in question was so OBVIOUSLY wrong for a kid like Azula that it's comical AND show's he did not really know his niece at all.
But there is a constant exception.
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Zuko's relationship with Azula is complicated. He clearly admires her strength and power, but he hates how she uses it. She lied to him many times, was seen apparently cheering Ozai on during the Agni Kai, tried to have him imprisoned and even said she'd celebrate being an only child - and then allows him to come home as a hero after Ba Sing Se, even though SHE had the control of the Dai Li and was not yet aware Aang could have survived, meaning she had nothing to gain from it.
And when she lets him know that if he's caught talking to Iroh people might think he is a traitor too, and explicitly says "Believe it or not, I'm actually looking out for you" Zuko drops his innitial suspicion that she wanted something and that's why she was helping him.
On The Beach, he just follows her when she say their old family home is depressing and they shouldn't waste their time there. When she's asking him who she is angry at, she mentions herself and Zuko explicitly says that is not the case.
He doesn't trust her and know she has a tendency to mock or full on lie to him... yet when he wants to know about Fire Lord Sozin he asks her about it, and lets it slide when she mocks him by saying he should make sure the royal painter got his good side - for a character as quick to anger as Zuko, that is a big deal. In Nightmares and Daydreams he also goes to her to find out if he'll be allowed at the war meeting.
More importantly:
1 - Iroh's infamous "She's crazy and needs to go down" line was only said because ZUKO, without anyone putting that idea in his head before, suddenly went "I know what you're going to say. She's my sister and I should be trying to get along with her"
2 - Zuko only jumped into the fight in Ba Sing Se when Azula was being cornered by Aang and Katara.
3 - Zuko looked genuinely shocked and even distressed when she was falling off that cliff. He just sounded so shaken saying "She's... not gonna make it..."
4 - In the writer's own words, Zuko felt no hate but only pity when seeing her breakdown. Katara tried to comfort him because, canonically, even though Zuko and Azula are enemies, this was never what he wanted because he still sees her as family. That's why the Last Agni Kai's music is not the epic you'd expect from a battle, but a tragic one.
5 - Aaron Ehasz, the lead writter for the show, probably the person with the most influence after Bryke, has REPEATEDLY said that he always felt Azula should have gotten a redemption arc, Zuko being an Iroh figure to give her advice and be the only one still by her side when all else was seemingly lost to her forever.
Even the comics (most of which I HATE, mainly because Azula's storyline checks nearly every box for "the mentally ill are inherently evil/less human, so it's fine if literally every other person on the planet mistreats them") didn't fully abandon their complex dynamic.
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Zuko is not a perfect sibling, and for a long chunk of the story he seemed too focused on his own issues for Azula to ever be a factor in his mind (aside from the moments in which she was a potential/explict threat), but he DOES still feel a sense of obligation towards her, to the point that it made him do something no one else in their family had done before or since - actually look at Azula. Not the prodigious daughter/perfect weapon, or the problem child that is difficult to handle, or the pontentially deadly enemy that was in the way, but Azula.
His 14-year-old sister that got on his nerves a lot, was far from the kindest person alive, and that he had a ton of issues with, but that he could never fully hate or even be indifferent to. Because she's family. Because he remembers a happier time in which the gap between them didn't seem so big. Because if things had been slightly different he could have been her. Because he went from wanting to be her to seeing just how miserable her life ended up being - especially compared to the one he now had - and feeling deeply sorry for her.
Now if you guys excuse me, I'm gonna go cry in the corner. Have some wholesome/bittersweet fanart if you wanna cry too.
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sophiethewitch1 · 9 months
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In Death's Embrace Pt. 2
Jason Todd x Death!Reader
Part one!
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Jason shoots up in bed, his hand stretched out. He’s sweating, drenched in his own panic in fear. His hand falls into his lap, still twitching. He doesn’t remember what he was dreaming about, doesn’t remember what he was trying to grasp.
He knows he failed. He knows it slipped through his fingers like sand. He doesn’t think there’s anything more tragic in the world. He doesn't know why.
“Once again, you amaze me. Breaking the rules of the universe, not once, but twice.”
His hand is wrapped around his gun before you even finish the sentence. It’s pointed between your eyes once you do. To your credit, whoever just broke into his apartment without triggering any of his alarms, you don’t even flinch. No, you just fold your hands behind your back and give him an odd look.
You tilt your head, eyes moving over the scars on his face and catching on the lock of white hair he sports. Then, your face breaks into a smile, and something in Jason’s heart jumps. There’s a knowing in your eyes that he doesn’t like. An understanding.
You see through him, somehow. He doesn’t like it. He’ll shoot you for the offence.
“Who are you? How did you get in here?” Jason demands, assessing you like you assess him. You don’t look like a combatant, in long dark flowing fabrics. Still, he knows not to underestimate someone based on their appearance.
That damned clown never looked like a threat. And now he was standing here, with someone who seemed just as crazy in his bedroom. Only someone that crazy would break into his home.
“Are you going to shoot me?” your words are teasing, eyes fond. Maybe you’re crazier, then. You don’t believe he’ll do it. He will.
He should have already. It’s base curiosity that holds his trigger finger. That’s what he thinks it is, at least.
“I might,” he finally says, “Again, who the fuck are you?”
“It’s interesting talking to you like this. You knew who I was straight away last time, but this time you turn your weapon to me,” you continue, ignoring his threat. A muscle jumps in his cheek, annoyed at your presence, at your blatant disregard for him.
“Last time?”
Your smile turns into a bright grin. He’s momentarily stunned by it.
“So, you really haven’t won just yet. That gives me a small measure of pride,” you say, walking over to the window with your hands still behind your back, “Maybe enough to spare you from my anger.”
You look over at him again. Purse your lips.
“Maybe not.”
“I think you forget who is holding the gun,” Jason reminds you, clicking his teeth at the way you just shrug.
You go quiet. No more teasing words or ominous warnings. Jason should shoot, shoot now. He’d hate the cleanup, hate the mess, hate all the effort, but it was necessary. You were dangerous. That much was obvious.
Instead, he opens his big dumb mouth and asks, “What do you want?”
You sigh, shaking your head. “Is it terrible I don’t know? Rules are rules after all, but this situation is… complicated. You’re not another Sisyphus, you don’t even want to be here.”
“You broke into my home and started threatening me. That doesn’t sound complicated,” Jason insists. This is such a fucking weird conversation. And Sisyphus? Jason had done his homework, he knew about the mythical man who cheated death. He thinks he’s actually quite a lot like Sisyphus.
He still doesn’t appreciate the comparison.
“Yes well, I don’t want to be here either, de-” your voice cuts off, eyes widen in surprise, and then narrow on him like he caused some great offence. Inside him, he feels his dead little heart wither even further at the sight. Like you being upset with him was one of the worst mistakes of his life.
Once again, you broke into his house. All he’d done was tell you to get lost. Oh, and maybe threaten to shoot you, but who cares about that. He soothes the momentary panic, insisting you obviously hadn’t.
Which is dumb. He’s being an idiot. Jason Todd is being an absolute moron right now, and he just needs to shoot you.
Instead of paying attention to the gun trained on you, you stare out his window, at the streets of Gotham’s Hill district below. The sun is rising, rays bursting through the fog. The people are just getting up with it. It’s one of the few times the city is anything close to quiet. Most are still sleeping, and so is crime.
Warm sunlight catches on your cheek, and again, something inside Jason cries out at the sight. It’s worrying.
“I think I want you dead, again,” you confess.
Jason’s breath whooshes out of his lips, and his gun arm twitches for a second. Well, fuck him, that’s certainly a statement. And again, why hadn’t he shot you?
He still doesn’t do it. He must be crazy, too.
“I’m being greedy. I always have been, of course. It’s what I am… But especially this time, I think I’m being too greedy,” you sound sad, your fingers trailing across the wooden window frame, “I think I shouldn’t be here, but it’s the ones like you who make it hard.”
You rub dust against your fingers, and Jason feels embarrassed for the state of his home. He realises a second later what a stupid thought that is, you broke in. He wonders how many times he’ll have to repeat it to remember it. He feels uncomfortable and off-kilter, and he knows it’s because of you.
He needs to get you out.
“I’ve always hated the special ones, you know. The smart ones. You’re too good at pulling me, manipulating me, tugging on my strings like a puppet. You make me human,” you turn back to him, crossing your arms and resting against the sill. You’re comfortable in his home, more so than he usually is. Calm, relaxed, like the world is at peace, and worries are something of the past.
He wonders what that must be like. Fucking delightful, he bets.
“Are you not human?”
You raise an eyebrow in response.
Shit. Ah, fuck it. His finger tightens, and the recoil jerks his arm. The silencer keeps the early apartment quiet. Quiet, if not for the sound of the bullet clattering to the ground.
You both glance down at the crumpled piece of metal sitting pathetically on the floor. You lean over, pick the piece up, and then lift it to your eye, watching that same sunlight reflecting the early morning in the steel. A small rainbow flitters across your skin. You close your fist, and you stroll over to Jason.
It takes him a moment to remember to be wary of you, and by that time, you already have his hand cradled between yours.
You place the remnants of the bullet in his scarred palm.
“I expect an apology for that later,” your voice is soft, sweet. Loving, even after he shot you in the chest. Not like it did anything. Your fingers curl around his, tracing every crack and crevice. You do it with concentration, with precision, like you were made just to touch him, to comfort him.
A memory, gone in a flash. He feels it’s loss like a toothache.
He swallows, “I’m sorry.”
You laugh, and the sun’s not outside, it’s in his bedroom and it’s smiling and it’s everything and it’s here in his grasp and he knows it’ll be okay again. It has to be okay again. You said it’d be okay, didn’t you? He can’t remember. His head’s swirling, spinning, falling right into you. Right back into you.
“Or now, that’s fine too,” you sound delighted. He’s glad.
You let go of him, and move back to the window, drawn by the view outside. Jason's hand clasp and unclasp. The street obviously fascinates you, your eyes flicking back and forth and tracking the movement of every soul outside. He wants your gaze back on him.
Jason clears his throat. You glance back at him, then pointedly, his right hand.
He can feel his face flush, embarrassingly. He’s still holding the gun. He turns the safety off and tucks it back under his pillow.
He clears his throat again. He wants something from you, expects it, really. But he can’t tell what it is. He thinks you know, though. That you’re withholding it, for some reason. He’s irrationally irritated at that. You said you were greedy, but nothing could compare to his greed.
Even if you wanted him dead. He was starting to put together the pieces, but he couldn’t seem to feel alarmed. No, it simply wasn’t necessary, with you here.
Still, it’s not quite enough. He wants more. He wants to know more. So he waits for you to speak again.
“I’ve thought about doing this so many times over the years. It would’ve been selfish, and more than that, outside of my duty. You’re not one of mine anymore. For a little while, at least.”
He wants to be. He wants to be yours. He wants it more than he can breathe. If he’s yours, maybe you can be his.
You glance to the side, thinking out loud, “But then you went and started remembering. I’ve worked very hard to make sure that’s impossible, you know. That the memories from my realm stay there.”
You turn a disapproving glance his way.
“Of course, far be it for me to get in the way of a Wayne and his decision to break the world. You lot do that far too much, give me too much work,” you mutter that last part, hand moving to your brow. Like you’re massaging away a headache. He should be doing that for you.
“But you did it. And you’re here. And now I am, too. And I have to go soon.”
You drift closer to him, and Jason’s breath catches. He’s still. He doesn’t make a single movement, scared he’ll scare you away. He realises that’s stupid. That you caught a bullet to the chest. That you’re stronger than anything he could imagine.
He still thinks he could startle you if he’s not careful. That you’re like the mist outside, incorporeal. But Jason can do anything if he puts his mind to it. He knows how to catch the wind, how to gather steam on the underside of glass, how to cup sand and water and feathers and everything that would ever want to be outside of his reach.
You’re out of his reach. He has to let you step into it.
You stop a foot away from him. He grinds his teeth, and again, you raise a brow at him. He doesn’t move, despite his muscles screaming at him too. You give him a nod and take another step closer. He still doesn’t move, and you give him a satisfied look.
“So, what should we do, Jason?”
“How do you know my name?”
“What? Did dying strip you of any brains?”
The banter is familiar. He doesn’t mean to ruin it.
“Do you have to leave?” again, a voice in his mind whispers. You look sad, again. Again, again, again. All of this is an again.
“Eventually. Sooner rather than later,” you sigh, “You can keep a secret, can’t you, Jason?”
“Not if you leave.”
It’s a bold move. You take a step back, and he winces. Back and forth, back and forth… Still, he doesn’t take the words back. He can’t, because it’s the truth, and now that you’re here, there’s no going back. He’ll do anything to keep you with him, and if you go too far for him to reach, he’ll follow you.
“I think that’s an unfair request,” you say, and he shakes his head.
“It’s fair. You don’t have to stay forever, just a while.” Now that, that is a lie. You seem to know it, too.
You look out the window again. Jason, after a moment's hesitation, moves over beside you. You don’t flee, your attention is on the people below. He opens the window for you, and you give him another smile. He collects them like the rare treasures they are. You lean out into the air, and he freaks, then realises you’d shrugged off a bullet. He stays close, vigilant, anyway.
“I’m curious, I have to admit. What’s this place like?” you ask, resting elbows on the wood. The streets are foggy, as they usually are in the morning. The Hill isn’t the nicest place, not the cleanest either, but you look at it like it’s heaven incarnate. He can see his neighbour down at the local grocer, the old woman who hoards cats seeing her grandson off to school, and one of his guys hanging out on the street, keeping the space safe.
Under his orders. The Hill wasn’t the nicest place, but he liked to keep it as nice as possible.
...Peaceful, he wanted the people here to have their peace. He was obsessed with it, really.
“It sucks.”
You laugh again, music to his ears, “Not the best advertising.”
“I take it back, it’s the best place on earth,” he replies, barely paying attention to his words. He’s seeing how close he can get to you. How many inches he can claim. His face is almost in your neck by the time you lean back, and he curses under his breath.
“It doesn’t need to be,” you say, pushing away from the sill and turning to wander around his room. You take in everything about the space. From the general mess, to the Jane Austen books crammed into his bookshelf, to the mask he’s left half-hazard on his bedstand.
You watch it all, just as fascinated with the world outside as the one inside. He wants to believe that means he’s special to you. And if it doesn’t, that just means he needs to work a little harder.
Finally, you turn to him. You take in every facet of him, once again. Your all-knowing gaze finds his hair again. You seem especially fascinated by that. You lift your hands, and he’s in them before he realises he’s moved.
You map his features with your hands, and he makes a little sound in the back of his throat. Ignoring that, you wipe the bags under his eyes. He feels his sanity slip away under your touch. You trace the scar on his chin, the one above his left brow. The stubble along his jaw. The bump in his nose. The edge of his lips. He wonders at the smirk you give when he groans. And finally, you come to that strand of hair.
You tug on it. A memory fizzles again, and to his frustration, he can’t quite grab it. Can’t quite take it, claim it. It’s not his, not yet.
You haven’t given him permission to remember. He wants it, he wants it, he needs it.
“I think I can stay, maybe. Just for a little, just a little. You want that, right?” your hands cup his face, and he knows, somehow, that you’ve done this a thousand times. And if this is the thousand-and-first time you’ve held him like this, he’s glad. To be back in your embrace is the sweetest pleasure. The greatest relief.
“Yes. Yes, yes… yes, I do,” he’s nodding, he’s begging, he’s pleading with you. Just for a moment more, just a second more. Just a little bit more, before you let him go again. He leans down and presses his forehead to you, sighing in your scent, the wheat reeds in the wind, the warm sun on skin.
He wonders what he has to do to make sure you never let go again. He wonders if you’ll let him do it.
You shake your head, giving him a rueful smile, “You really are too cute, darling.”
That nickname. The key to his heart, his mind. Every single barrier keeping him from you is gone, crumbled by your will. He is thankful you’ve given them back. He is thankful for every moment you ever had with him. And he’ll make a thousand more.
He presses his lips to yours, arms holding you close. When you melt into him, sigh into the kiss, he feels a euphoria he didn’t know could be true. He feels a relief he didn’t know even in his days under, even when you only held him.
He feels alive with it.
“Thank you for coming back,” he whispers against you, and he can feel that familiar, that damning smile spread.
“You left me. I had to hunt you down myself, Jason dear.”
Maybe he couldn’t have his peaceful death. But he had a loving one, and that was all he needed.
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the-simple-creature · 1 month
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Nuzi, Envy, and Vizzy. The big three of MD ships.
A big post about comparing these great ships and the reasons why people love them.
Reason #1: colors
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N and Uzi are on nigh polar opposite ends of the color wheel, very obviously fitting their nigh polar opposite personalities.
V and Lizzy, while still very different from each other, aren’t quite as opposite as N and Uzi. Their colors more… accentuate each other rather than fully contrast. Again, very fitting.
N x V is very different from the prior two. Their colors don’t show how different they are but instead how similar they are… at least at first. At first it showed that they were cut from the same cloth, it felt like they were meant to be together. Now, in yellow, it feels like a reminder of how far they’ve grown apart.
Reason #2: dynamics
This one is probably a lot less complicated to explain.
Nuzi is two very common but very loved tropes combined: The “Two loveable dumbasses get up to shenanigans” trope and the all too familiar “opposites attract” trope. Somehow resulting in the queerest straight couple known to man, and we love it.
The Vizzy Dynamic is both really hard and really easy to explain because it has multiple different parts and interpretations and is not cannon (yet). The interpretation that most people in the Vizzy Nation have is Lizzy simply not fearing V and V being very confused but not necessarily disliking it. Also, two “tsundere” -type characters put together really can’t go wrong.
Envy, oh Envy. I’m so sorry, Envy and Envy enjoyers, but I honestly much prefer it in the past tense than the present tense. The “dynamic” of Envy to me is that it was so simple and so perfect, but it was just never meant to be. It is a very tragic and realistic story. I like Envy, not as a ship per se, but as a story.
I was wrong.
Reason #3: IDK bonus canonicity/legacy round
This is almost like a bonus reason because any sane shipper (oxymoron) doesn’t really care if their ship is canon, but it is a nice cherry on top!
Envy is, in a way, the ship of the past. Not in any negative way but rather a sort off… nostalgic way. A nice thing to look back on. Envy was canon, and it’s a good thing that it was.
Nuzi is the ship of “now”, as in episodes 2-8. The age where glitch is consistently supporting the show and the fandom is always awaiting the next episode. Nuzi is canon and always will be.
Vizzy, I predict, will be the ship of the future. When the only thing supporting the fandom is a bit of merch every once in a while, a few glitch inn shorts, and the fandom itself. Vizzy could be canon and nobody would complain but it will be more popular in the future.
It’s 1:30 as I’m writing this and oh god I need to go to bed.
(Feel free to add whatever you want to this!)
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