#it's terribly simple

[tenderjock]

BUFFY @/SPIKE: what a weirdo loser freak. i can't believe i'm gonna sleep with him.

[canisalbus]

✦ Pebble ✦

[nouverx]

*proceeds to drink the whole bottle*

Yeah Alastor you're gonna be loved and appreciated wether you want it or not :)

[fattylime]

Lythe and Dorian for @/cupidsjuice on twt <3

[shorthaltsjester]

having thoughts and feelings about perc’ahlia and their could-be-but-would-never-allow-the-other-to-destroy-themselves-enough-to-actually-become-the-briarwoods parallel/foilism. particularly with vex and delilah and potential places this season might go but also just vex’s “it’s like i’m a bad omen” and the fact that like. vex has full awareness of her feelings for percy and alludes to them to him. but then after she has sex with him it is so so compelling to me that vex is like. this is all i can have with him and i’ll take just this even if maybe it’s flying too close to the sun. and something something the shot of delilah embracing sylas after she’s brought him back, looking over his shoulder into a mirror where it looks like she isn’t holding anything at all and just . god. the like oppositional threads of delilah refusing to lose sylas and holding on tight at any cost and vex holding herself so far from percy to deny the pain that would come with losing/hurting him and the like. venn diagram cross over of something is lost anyway.

[juniper-clan]

MOON FOUR (June 1701) (1/3)

PREVIOUS l NEXT

[turtledork02]

Optimus Prime

I’m working on a TF AU and I’m trying to get back into the habit of drawing transformers again why is it so hard

Comments and asks are really appreciated!!

[gilberttheboy]

There's a lotta reasons why lestat and claudia resented and hated each other but I was thinking about how lestat and gabrielle's relationship likely played into that as well. He turned Gabrielle and then fell madly (and weirdly) in love with her, and developed a fucked up framework to understand vampire family dynamics, so when Claudia came along, he could probably see himself in her. Just took his own Oedipus complex and said 'actually, YOU have an Electra complex, and it's nothing to do with me! No siree, i have a NORMAL understanding of parent-child relationships. '

He said 'I hate you because you're trying to steal my husband (your father), the way I once stole my mother from her husband (MY father)' and he did not pause to consider that maybe he shouldn't have been making out with his mum in the first place

Gabrielle de lioncourt, I hope you're somewhere in the rainforest doing the work to better yourself. Lestat...should maybe just spend some time in the rainforest.

[tj-crochets]

Throwback to the first quilt I made for myself! Now, years later and having made a lot more quilts, there are some things I’d change but I still love it

[thingsilikeincaseofamnesia]

Sweet dreams only

[tenderjock]

SPIKE: being the most emotionally unstable guy in the room is a tough job but somebody has got to do it

[omegalomania]

had to draw a really quick something to commemorate the end of tourdust/2ourdust...what a very special tour this was. thanks, fall out boy.

[romance-rambles]

concept: in an alternate universe where the three princes arrive in rhodolite after emma leaves, five years after chevalier's coronation, silvio ricci—"mr. secretly a caring brother"—decides to take a stroll around the capital to clear his mind.

he's been trying to find valerio for ages, and he'd briefly thought that maybe his brother is still in rhodolite, but for whatever reason, he can't seem to get any leads. after making the questionable decision to drink, he ends up wandering into the bustling markets of the city.

a pair of brothers catches his gaze. the older one is buying the younger one a treat—and really, they can't be too old. silvio has had little interaction with kids, but he'd guess them to be around the early teens. and it makes him think of how he was never able to do anything like that for valerio.

naturally, in the middle of cursing his brother out, he happens to hear a vaguely familiar voice professing his love for some woman named emma. he has to rub his eyes to make sure he's seeing things right and—

yup, blonde hair, blue eyes. an earring. the face of a man he loathes, though not as much as his mother.

and in front of his kneeling self—

a clearly pregnant woman who looks on, with amusement glittering in her brown eyes as she gracefully accepts the offered rose. silvio thinks he might be going insane.

"emma" then proceeds to pull him up and the lady selling flowers giggles about how wonderful it is that they're so in love. the guy from the stall next door hollers about how, since it's rio, it's to be expected.

they leave and silvio does not follow them.

what silvio does do is go back to his room in the castle and punch the wall, unable to figure out how he should feel about the fact that valerio is married with a kid on the way. one thing's for sure though:

emidio must not know.

so, silvio packs up and leaves for benitoite, and in about two years, even those in rhodolite whisper about how the second prince attempted to commit treason—and admitted, in a fit of rage, that he was the one who sent valerio to die.

(for this, the king begrudgingly thanks silvio and offers to make him king. but silvio pretends he hasn't already found valerio and vows to find him.)

then, silvio returns to rhodolite.

and finds out that the child valerio's wife was carrying was their second child, after a brat who happens to be the splitting image of valerio overhears asking about "rio" and "emma".

this kid is nothing less than a blabbermouth. within thirty minutes, silvio's aware of his history and "rio"'s too. he knows that valerio's second born is a girl, that he's disappointed that neither of his two children look like his wife, and that they'll probably not stop at two kids. he knows that the kid's name is elliott, that he's named to match the first letter of his mom's name—it's the same for his sister, who is named rhys, after his dad.

and yet, despite the fact that being armed with this seemingly useless knowledge comorts him, he's too much of a coward to try and approach valerio. after all, emidio's dead. valerio seems happier than he ever was in the benitoite's court. isn't it selfish to drag valerio back solely for silvio's pride?

(a part of him is also jealous of elliot's long list of uncles, who he suspects to be rhodolite's princes—most frequent are nokto, yves, leon, clavis, and luke. sometimes, jin and licht. chevalier, surprisingly, does ask after him and rhys, but never visits. sariel keeps tabs on them, just in case)

so he runs before his sister-in-law arrives to take elliot home.

and rinse and repeat. days bleed into weeks and he's not keen about letting them bleed into months, even if he views elliott as a "second chance."

but he doesn't have to.

valerio comes to him.

apparently, he's seen silvio hanging around his son. his wife is delighted that elliott's made a friend, even if he is older than she'd hoped for, and also a bit concerned about silvio's identity, so she wanted to invite him to dinner.

unfortunately, elliott told rio about how silvio once told him to cherish and protect his sister. he said that he couldn't protect his brother from getting hurt, and that he hopes valerio is happy.

the names are what tipped rio off.

there was other identifying information too, but rio already had his memories. the names were all he needed.

you see, he'd started having an inkling of his identity when emma was belle. he'd been pouring over some texts about benitoite and he thought some of it felt strangely familiar. but he kept those thoughts hidden because he was afraid of letting emma know. it was when emidio was arrested that his memoried fully started coming back.

[we now take a brief intermission to talk about how rio married the love of his life:

emma, whilst fretting over her uncontrollable feelings, is looking at the "engagement ring". rio comes in, and for a moment, they simply stare at each other.

then rio correctly guesses that this is something he had on him before. emma confides in him that she thinks it's an engagement ring, which causes rio to realize why she would push him away.

he tells her that he has no interest in returning home. he wanted to die, after all. it's likely nothing was waiting for him. and, if it is an engagement ring, he probably bought it because he knew he'd be meeting the love of his life soon (this makes her hit him on the shoulder). rio thinks he likely wasn't engaged at all.

this causes emma to decide that she wants to be selfish, even if it means living with that kind of guilt.

the rest is history.]

rio: "i really don't want you to meet emma...what if you fall in love with her? she's so pretty, i can see it happening."

silvio: "huh? why would—"

rio: "...but i need someone to testify that i wasn't engaged before i lost my memories. i didn't have a lover either. my wife's been holding onto this misconception, so i want to clear it up immediately."

silvio takes it for the olive branch it is. everyone and their grandmothers know that he's been searching for valerio. it's really no surprise that rio would realize his intentions.

the next night, he joins rio and his family for dinner. silvio brings flowers for emma and gifts for each of the munchkins, and for rio, he shoves a bottle of wine at him. his reddened ears don't have the luxury of returning to normal because elliott starts pointing out how his ears are super red. they have an enjoyable dinner, after which emma reintroduces herself as his sister-in-law and they confirm that they'll hold off on telling elliott, like silvio wants them to.

silvio is a coward though, so he tells elliott on literally the last day of his stay in rhodolite. elliott makes him promise to come back soon, and rio and emma, who are there to pick elliott up, reveal that they might go visit silvio instead.

[this is because someone manages to spill silvio's secret to the king. which means rio would need to establish himself to better protect his family.]

[horsemeatluvr23]

the juppet !! i just realised he is jerma posing i swear that was unintentional...... i spent so long digging thru muppet concept art and looking at old puppet designs just to end up doing a rly simple drawing but. i love joehills!! i have only been watching them for like 4 years but their videos r so special to me :3

[idiotdriftinginspace]

is this even funny

someone please laugh

Any way, I saw this meme and my immediate thought was to draw Riptide, 'cuz and I hope I'm not going crazy here - HE FITS HERE PERFECTLY (any other bot with aquatic alt mode just doesn't fit here XD)

Like, I have a feeling he would try to do that XD

[anithemonsterlover]

hmm call me an Erik apologist all you want, but after thinking it well, i think the complaints people have about "sexy phantoms" and how "adaptations never adapt POTO well, they romanticize the story too much, it's a horror story not a romance" are kinda...unfounded?

Yeah you can make a potential argument about adaptations missing the mark, removing the deformity from Erik (which shapes Erik's whole character), and that...But also...how much is this true, and how much this has been exaggerated by really one or modern interpretations?

And i wonder...is it really? Phantom has had such a number of different adaptations all over the years, from different creative minds, and each of them presented a different view on Erik. Do most of them not adapt the book? Yes (as in no birth deformity, no Daroga, no scorpion or grasshopper, etc etc). Do they really change the main themes and mood presented in the novel, turning it more erotic? Are really all adaptations with a "sexy Erik and cucked Raoul!", as critics state? Heem, let's take a look.

We'll mostly analyze the big film adaptations, since Phantom has been told over and over again in different books, comics, videogames, tv shows, and it would take us A LOT to go through every one (also let's be realistic...we have to analyze the most "well known" Phantom adaptations so to see if the critics' words hold some water. I don't think it would make much sense to point out a Phantom adaptation that has these elements but like...only four people know of it lol)

Lon Chaney...Nope. Erik was still deformed, and the few sympathetic traits he has were erased to give him a boring clichéd "kill the monster" ending, going against what the book stated, where Erik dies of a broken heart and not lynched (curiously, how the same people that go "we must portray the book accurately, not show him sympathetically" don't mind this change, huh)

Claude Rains...Nope. Still ugly, dies by the end. No sexuality. Even the "love triangle" element is changed so that it focuses on Christine and her being annoyed by the two Raouls.

Herbert Lom...Still ugly and dies. This adaptation even cuts his attraction to Christine yet keeps his obsession with music, even cuts down his biggest crimes to lay it on the hands of his sidekick (imo this is probably the most "sympathetic" Phantom, imo, since he's interpreted as an artist who had his art stolen, only wanting to "get back" at the thieves; but nobody talks of him when discussing sympathetic Phantoms)

Phantom of the Paradise...Still ugly, loses, but like Herbert Lom, redeems himself through death.

Maximillian Schell...Ugly, dies by the end.

Cartoon - Ugly, dies, Christine doesn't go with him. This is the most book accurate novel but in another angle, haha (Daroga is here, death's head, abusive mother...not exactly what the smart ass critics want ;)).

Robert Englund...Ugly, loses, doesn't get Christine...In fact I'd claim this is probably the most villainous version of Erik, turning him into more of a Freddy Krueger clone than the complicated character Erik truly is. Really amps up the horror for all those "IT'S A HORROR STORY" smart-ass critics if they're so desperate for an "accurate" version (Erik didn't flay people in the novel, iirc, so, so much for "being accurate to the novel"!)

ALW-verse / the musical / Gerard Butler film / Love Never Dies / Phantom of Manhattan (i'm placing all of this in the same venue because basically, it's really the same universe / canon, ergo we're really talking about the same intrepretation / the same creator). Ugliness is there, but sorta downplayed...This verse often ends with Erik and Christine getting together...yup, this is the one version where the criticism is legit.

Charles Dance / Yeston Kopit musical / Takarazuka (again, same universe, same creator, same interpretation). Possibly the nicest Erik yet, but he's still deformed, and he still doesn't get Christine. He's sympathetic, a little romantic, but I don't think it's on the same league as the sexuality present in Point of no Return's lyrics or Gerard Butler's open puffy shirts.

Susan Kay's novel - This one is interesting because it takes a lot from the musical (i'd argue even more from that than the novel), and then influenced the musical and future iterations of it (this novel amps up the sexy angle A LOT), so I'm not sure to categorize it as its own thing or added to the musical verse. But, still...it follows the plot points from ALW (and elements we see in future installments of ALW's POTO, like the secret child, first appeared in Kay, i think, based on publication dates), yet Erik is still hideous, but his sexuality is present in the novel...as well as his murderous tendencies. This is the one version that combines elements of both horror and sex, imo.

Dario Argento - for fuck's sakes, nobody likes this version, lol, and even the normies don't know of it. BUT ANYWAY, IF WE'RE GONNA MAKE THE COMPARISON....Not deformed, "gets Christine", in a way, but woof this version also amps up the horror and has the most unlikable Erik of them all imo.

And everything else...Do people really care or know about those versions? Wishbone's or the other musicals, or the ass long number of books? Not really...

So really...the number of Phantom adaptations that have a "sexy, romantic" Erik can be chalked up to 2-3...against all the other adaptations that keep the horror elements or have Erik still looking horrible. And the great majority of them keep it in canon with the original ending- ea Erik dies and Christine goes with Raoul (it's really only Kay's novel and LND that have the "sexy Erik cucks Raoul" interpretation...and LND has always always always been mocked and rejected by the fans)

So it's people really throwing a tantrum over the ALW version being popular, really. (And i'm really curious how they don't mind when Erik is turned more villainous, like in Lon Chaney or Robert Englund's version, even though those are also inaccurate to the novel. (Erik wasn't a sexy doomed hero, no, but he also wasn't this Freddy Krueger bastard.) Funny that).