#it's not any funeral either

[titstatstummy]

worst thing is i have to get ready to go to a funeral and i just wanted to enjoy my favorite silly little show over breakfast to get me through the day but instead i'm crying angry tears

[gingermintpepper]

Why did Apollo favor the trojans in the Illiad?

So, dear Anon, I've been thinking about how to answer this question since I got it a couple days ago and I think I kind of want to make something clear before I get into it.

The Iliad by itself as a poem only covers some of the events that occur in the final year of a long protracted conflict that had been brewing for at least two decades and was an active war for ten. Within the space of the Iliad itself, the motivations and affairs of the major players are often referenced but there are many, many parts of the story that are not there because they belong to a different story cycle that has been since lost or was never recorded with words. In the space of the Iliad Apollo's motivations are questioned a lot - his pride is questioned by Poseidon who thinks Apollo should be just as angry at the Trojans as he considering Apollo was treated equally as poorly by Laomedon while they worked together. His honour is questioned by Hera who chastises him for taking the Trojans' side when he'd proclaimed that Achilles would live a long life and prosper at Thetis and Peleus' wedding. His own sister calls him a coward for refusing to fight when Zeus gives permission for the gods to go wild on the battlefield. For all that there's this image of Apollo in the Iliad as some staunch and unwavering protector of the Trojans, believe it or not, I largely think of Apollo as neutral in the war.

Which, I suppose, comes back to the question - why did Apollo favour the Trojans? The truthful answer is that I don't know. The Iliad and all its connected stories isn't something I've done enough research on to have an answer or a reference to an answer off the top of my head. The reasoning I'm aware of is that Apollo was a Patron God of Troy and really a god doesn't need any reason besides that to protect his people but it's not like Apollo abandoned the Greeks either. Calchas is the biggest example of that I can point to - descended directly from a priest of Apollo and one who attributed his mantic power to the god, Calchas was pivotal in ensuring the Greeks even got to Troy in the first place.

From a personal perspective however, I think Apollo was more dedicated to the house of Priam than he was the city of Troy itself. Apollo's affection for that house and all its members ran deep - from his admiration of Hecuba and Hector to his love and attempted courtship of Cassandra to his blessings given to Helenus, Deiphobos, Cassandra, Troilus and even his partnership with Paris - Apollo loved the house of Priam. When you think about the times Apollo lashes out against the Greeks, it's generally because they've done some nonsense to earn his ire. The plague was caused by Agamemnon disrespecting his priest, his aid in the slaughter of Patroclus was because he didn't respect him, his minor grudge against Diomedes too was because he tried to test Apollo's mettle and well, the less said about Achilles the better. Apart from his obvious favouring of Hector in the skirmishes, Apollo doesn't really oppose the Greeks. He has a ton of reasons to by the time the Iliad rolls around, including avenging the death of two of his sons, but he remains mostly satisfied with conducting his father's business and overseeing the war from a somewhat professional perspective. To me, it's always been less about Apollo caring about the fate of Troy as a city itself and more about him just really wanting to protect the people in the city that he's come to love and respect.

Of course, I encourage you to take my words with a big tablespoon of salt - like I said, I don't really know enough about the facts in particular to give a solid, confident answer but I can give you my interpretation of it. Maybe consult someone like @littlesparklight for a more comprehensive and grounded response 🤔

[scintillatingshortgirl19]

i am begging one single person in this entire show to consider, for perhaps one single second, THE POSSIBILITY THAT THERE IS A REASON HOUSE HATES HIS DAD THIS MUCH

[tesl8n]

So, what would a relationship between Kozakura & Sorawo look like? I think that's the fundamental question to figure out in order to understand what the SoraToriKoza ship looks like.

We know what it doesn't look like. It's not Accomplices - Kozakura cannot be the person going to the Otherside with Sorawo, she can't be attached for life even if they come to hate each other by their shared experiences. The fact that she can't be that is in fact the biggest detriment to that relationship.

It also can't be a Nue. I can't imagine Kozakura calmly going to the deep blue Otherside, experiencing it with Sorawo in complete and total trust, letting Sorawo change her and expose her deepest selves. Kozakura has already been changed by Sorawo's eye once, and she hated it, and she feared it, and she absolutely does not feel the same way about it that Toriko does from the getgo.

What else has the story proposed? Kozakura's self imposed role is the Adult of the group. She admonishes SoraTori for their youthful indiscretions and tries to push them to be more mature. She tries to teach them appropriate social skills and to be more future-oriented. She tries to give them opportunities to grow their relationship that they wouldn't otherwise have. This is definitely where Kozakura puts herself, though it's a weird dynamic for a romantic relationship, and one that Sorawo would definitely resent, given how much she hates seeming immature to others.

The other proposed answer is an Anchor. The person that SoraTori come home to, the thing that ties them to this side of the world. The thing they fight for, to make escaping the horrors and going home worthwhile, instead of the two losing themselves to the Otherside together. This is particularly interesting, because it's a role that is diametrically opposed to the other two kinds of relationships she can't take - Accomplices & Nue need the influence of the Otherside, because they're both about exploring and becoming a part of it. The Anchor, though, is about coming home, about maintaining relationships and attachments to humanity, about being the reason they don't become part of the Otherside

So, if Kozakura's proposed roles are Adult & Anchor... well, there is one character she is both of those things for. Kasumi. She's Kasumi's guardian, the Adult in her life making sure she's taken care of and growing & learning & gaining social skills and all that. But importantly, Kasumi is also someone who traverses the Otherside, much more often and with more ease than SoraTori do, and by taking her in, Kozakura is serving as her Anchor, as the person to return to at the end of the day. Kozakura has fulfilled both of the relationships the story has promised her by taking in Kasumi. She doesn't need them from SoraTori.

I think that statement is what actually kills this as a poly story - I don't think SoraToriKoza will happen because Kasumi resolves Kozakura's arc on her own. But, let's chase it anyway.

I would propose that the kind of relationship the three of them could have is Moms. Three Moms, living together to take care of their feral Otherside daughter. SoraTori can be Kasumi's connection to her Otherside heritage, and Kozakura her connection to humanity and this side. And they all three navigate that together, and fill Kozakura's lonely mansion with life together.

[emotionally-charged-arson]

Transitus Comic Studies

These were meant to be colored but alas. Faulty art supplies. Still like these sketches though! They’re lifted from the OG comic book. The idea was to only use direct poses and scenes from the source material and try to infuse some more productive character design into them.

Focus on status of a given character (and changes in it) and some stronger air of historical reference, kept as far away from my own personal head canons of the characters and their backstories as possible.

Really had fun with these. Great figure practice ✏️

[sleepy-crypt1d]

going a little insane thinking about that one echo in moxxi's heist that's jack calling his mom on mother's day- a call she very much does not answer- and how much the sadness in his voice when saying goodbye says about him

[thesummerstorms]

So based on the timeline I'm using, several of Dick's team have either living or deceased kids by the time Annabeth shows back up.

I don't fully follow all the retcons, so possibly some of those kids should have been written out, but-

The Titans (superheroes) finding out about CHB, the Titan (immortal) war, and the average age of combatants would be something is what I'm saying.

[skunkes]

As a fellow transmasc in Texas trying to become independent so I can transition and not have to too extended family I WISH YOU THE BEST OF LUCK SOLIDER 🫡

amen 🫡

[deus-ex-mona]

rage is a ✨way of life✨

[orcelito]

Thinking about using the journal I got for writing my dad's eulogy for trying to process my grief with it. The letter from me I found in his lockbox is still in that front sleeve, along with one of the memorial folders they had at the funeral.

I think I don't want to write it all on here. I think I've talked about my emotions too much as of late.

[forever-eternal]

Could you possibly write a story about Adam’s childhood? Kinda like what you did with Robin but for him

Of course, Lovely! It’s not very good, motivation is dead rn, sorry about that!

Prim and Proper

Adam Jones had appeared in his father’s living room when he was still just a small child. A child with a partner, his best friend, Robin.

Adam Jones had a simple first few weeks, learning how to appear human, growing relations with his parents and the Cities that were his siblings. They got him a dog he named Todd, because he was young and they couldn’t always be around. They were older personifications, and while they tried-- they couldn’t stay at home without a reason the humans would accept.

But it was upon their return from their most recent meeting that they discover the nature of young Governments.

Todd barking and pushing frantically against their legs, the frantic tugging of the Call from young Robin, demanding they hurry up and check before she shows up and checks herself.

The house is full of yelling when they open the door, from the cities they know had arrived mere hours before and themselves at the scene they had stumbled in on.

Adam, the child they took in as their own, on the floor- shaking and convulsing as he coughes and gags on his own blood and sick.

Their Government is new and young, full of flaws and not yet something solid or unyielding.

Their child, as it’s Personficiation, is new and young. He’s sick and frail and it shows in his feverish state that wanes, but never fully disappears.

It doesn’t stop Adam from sneaking out to cause mischief with Robin, merely gives his parents and uncles a good reason not to believe anything someone says about him being a menace.

Todd was a spectacular help for Adam’s situation, the foxhound always seeming to know when the boy would fall into another feverish fit and alerting the Personifications nearby.

It gets better as Adam gets older, though his body’s reaction towards any illness forcing him into a bedridden fever never changes. One parent always with him on his bad nights, keeping watch of the rackety rise and fall of their child’s chest as he breathes.

But even so, their son had always been prim and proper-- even if he had to learn how to eat and chew his food. Always knowing what to say, always with the childish smile on his face as he talks the overzealous law enforcement in circles, always gleefully showing off the hats he nabbed from the passing British Soldiers with Robin.

Adam Jones is always prim, always proper, no matter what happens.

[cicadaknight]

writing fics to hurt my own feelings!

[bitchdafuqyousay]

everyone wants a freaky goth bitch until the goth bitch in question is genuinely n truly freaky like. you wanted this, this is exactly what you asked for, what's the sudden problem???

[praetoring]

batfam crack au where, as jason is re-integrating himself back into the fam both in civ and vigilante life, instead of giving some made up cover story as to how jason is suddenly alive again, the kids decide to simply gaslight the world.

maybe it starts as an accident - tim accidentally mentions his brother jason (whom he's getting along better with) to bernard in passing, and when bernard starts to ask questions about jason ("cause isn't he dead? he's the brother you never met") tim panics and lies.

"what no of course not he's just been living away for his mental health and to go to school." bernard isn't convinced, but considering it's easier to lie than explain how jason died and came back to life, tim just full sends it.

fast forward to later that evening where tim awkwardly explains to the rest of the batfam (sans bruce) how he accidentally gaslit his boyfriend into thinking his brother has been alive the whole time. jason thinks it's hilarious for the record

but it spirals into "what if we just go with that?" never mind that bruce had been working on a statement to release in a weeks time announcing jason's return - with cover story about how they thought he was dead but no, he was kidnapped - the siblings decide to take matters into their own hands.

the wayne brood decide to gaslight the world into thinking jason has been alive with them the whole time.

[moneygoblin04]

This week kinda fucking sucks

[jvzebel-x]

🦋