#it's late and i should be sleeping but oh well

[poguehearted77]

Imagine y’all just had the fight of your lives (maybe over his dumb gun or something equally Rafe), but later when you’re lying on opposite sides of the bed, he reaches out and pulls you close and says somthing cute or annoying idk And then, oh my GOD—it’s slow, emotional, and HOT because making up with Rafe would be next-level intense. please i NEEED😫😩

OH MY GOD YES. SOME SWEET RAFE AND EVEN SWEETER MAKE UP SEX AFTER A HUGE FIGHT. NEED IT.

#2 from my drabble game

smut: penetrative sex, some praise, I love you's, unprotected sex

Rafe is in deep shit.

You know that, he knows that-- hell, even your pet beagle, Poppy knew it. For once, she bolted away the moment the front door opened, and your oh-so-handsome, conniving and deceitful boyfriend walked in instead of running towards him.

Rafe is a dead man walking. How ironic would it be if he were to die at your hands with the very same gun he'd promised you he'd gotten rid of.

His body goes rigid when he sees the weapon in your palm. A nervous gulp falls down his throat as he does his best to stand tall. "Where did you get that?" That's what he asks you, he should've never opened his mouth.

You scoff immediately, carelessly angling it around as your upset mannerisms control your arms. "Get it? You mean where did I find it." He doesn't respond which is a wise choice.

"Mr. Montogommery called me earlier, he was looking for you--said you weren't answering your phone. He asked me to leave you a message," You're pacing now, and it made Rafe nervous. You're a little crazy, but so was he. It's why you went so well together.

"Like the good girlfriend I am, I opened your office drawer for a sticky note to leave on your desk, but what did I find? The same gun you told me would never be back in the house, Rafe are you serious?!" Your arms are flailing and he's half-certain he'll catch a stray by the end of the conversation.

He steps towards you with his hands up cautiously, "Baby, give me the gun, and we can talk about this." You snap, "No! Why should I? You don't trust me with it? Why because it's dangerous? Because it could kill you! You're right, Rafe. Why didn't I think of that sooner--oh wait, I did! And you fucking lied to me, Rafe."

Your voice is enraged and bouncing off the ivory-panelled walls of the house but it dies down to a shaky one as tears threaten to spill over the brims of your eyes. "Y/n-" He holds his hand out for you, but you give him the gun instead.

You execute a sharp pivot on the tips of your toes, ready to walk away from him but he finally speaks up and you stop--not turning around, standing still, anticipating. "I'm not getting rid of the gun." It's all he says.

Had you been in the mood, you would've turned around, lounged at him and strangled him, but no, you just kept walking.

Your bedroom is freezing that night, despite it being the middle of summer, and it only gets colder everytime you glance towards Rafe as he gets ready for the bed you begrudgingly shared.

Your expression remains sour, even in your sleep, no matter how far away from your boyfriend you are. There's enough room to fit a full-grown adult between you. The isolation was holding the production of your melatonin hostage, forcing you both to lay awake, backs facing each other but hearts reaching out.

Rafe flips onto his side, staring longingly at the back of your frame. He missed you and you were right in front of him. "Baby," His voice is soft, and the pet name lands on you gently, a testament that your anger has subsided a bit.

You turn over, choosing to lie on your back and face the ceiling. You deem that he's undeserving to see your face at the moment. "I've got another gun in my nightstand." You blamed your miscomprehension on the late hours of the night because surely he did not just say what you think he said.

Rafe can see the way your chest began to rise and fall at a much more shallow pace, he had about five seconds to start explaining before you turned on him. "I told you about my past. I've done some bad things. 'Burying the hatchet' doesn't exist for everyone, and I want to be prepared for anything. When I look at a gun now, it's not a weapon anymore, it's a tool. It's protection."

Your breathing slowed, a little. He takes it as a good sign. "I can't lose you. If something happened to you when I could've prevented it, I'd never forgive myself, and I know you know that." He's right. You did know that. He dedicated his life to you, making sure that you knew that. "I shouldn't have lied about getting rid of it, and I'm sorry."

Your breathing returns to its normal pace. You lay on your side, now facing him. "Fine." Rafe scoots closer to you, a small grin working its way on his lips. "Fine?" You nod, "Yeah, fine. I forgive you, this time, but don't you ever pull some shit like this again or so help me god I will-" He quiets you with a sweet kiss.

Well, it started sweet at least.

Now you're both watching him slide in. Your warm cunt wrapped around his length delightfully. "You're fuckin' perfect, too good f'me." He groans into your ear. His muscular arms cage you in, and you've decided you'd be more than happy to die between them.

Your soft moans bounced off his brawny chest and right back in your face, "Feels so good, Rafe-" Yougaspedp as he picked up the pace, hips rolling into yours for a much deeper angle. Your back arches off the bed slightly as sweat rolls down your back and sticks to the sheets.

It wasn't long before you were both chasing your highs. Rafe always sounded so fucking hot when he was close, his deep groans pitching up to breathless whines when you purposefully clenched around him, threatening him to fill you up unrestrained. Once you came, he pulled out and finished on your heaving stomach, catching your breath.

He doesn't get off of you just yet. He balances himself on one forearm as the other hand comes up to gently move the strands of hair from your face, "I love you," he means it, his eyes say it when his mouth does. "I love you".

[mischievousmoony]

𝚠𝚛𝚊𝚙𝚙𝚒𝚗𝚐 𝚙𝚊𝚙𝚎𝚛

⟢ james potter x reader (who is skilled at gift wrapping) ⟢ you and james wrap christmas gifts for your kids last minute ⊹ 1.1k ⟢ warnings/tags: no warnings? lmk if i missed anything

── ⋆⋅☆⋅⋆ ──

The crisp rustle of wrapping paper tears through the air as you unravel a sheet long enough for a rather larger box. 

You and your husband, decked in matching holiday pajamas, are sitting on the dark hardwood floor of your bedroom. Surrounding you are various presents that you’re working tirelessly to wrap late this Christmas Eve. 

“Why do we do this every year? Scratch that— why do I let you convince me to do this every year?” you suddenly ask when you get a glimpse of the clock on your nightstand. 

“What’s that supposed to mean?” James asks on an exhale of airy laughter. 

“Oh, nothing,” you hum as you measure out how much paper you’ll need. “Just trying to figure out how I let myself marry a chronic procrastinator. And how I let him be such a bad influence on me.”

James falters, dropping the flaps of snowflake-decorated paper he was about to tape down. 

“A chronic procrastinator? A bad influence!?”

You press your lips together to hold back a smile. “Keep wrapping. It’s almost three in the morning,” you say as your scissors satisfyingly glide through the wrapping paper. 

“No,” James protests, pushing the gift away from him and crossing his arms petulantly. “Not until we address your little comment.”

“See, you’re procrastinating right now by trying to start a debate about whether or not you have a problem,” you tease, your lips involuntarily turning up at the corners.

“It sounds like you want to finish the wrapping by yourself,” he jokes, but you both know he’d never leave you hanging. 

“Oh, come on,” you laugh. “If we had it my way the presents would have been wrapped ages ago. They would’ve been wrapped the moment we brought them home.”

“Why would we wrap one present at a time when we could wait and wrap them all at once?” 

“Only a chronic procrastinator would ask why we should get ahead on our tasks.”

James knows you’ve got him there, so all he can do is huff. “Stop saying procrastinate it doesn’t sound like a word anymore.”

“Alright, slacker,” you say through a grin.

James rolls his eyes dramatically as he repositions himself from sitting up to lying on his side. “I’m not a slacker,” he says, propping his head up on his elbow, “I just want to be efficient.”

Your eyebrows shoot up as James denies his tendency for putting off his tasks as he gets comfortable in front of a half-wrapped present. 

“Yeah, real efficient,” you say as you carefully fold the paper at the corners, creating perfect trapezoids on the sides of the box, which you tape down with a small square of sellotape. 

He takes notice of the look you gave him, and provides an excuse. “I’m just taking a break.” 

“This is the definition of slacking, by the way. C’mon we’re going to be dead tired tomorrow.”

“We’ll be fine, it’s only 3 a.m.,” James says as if it’s barely midnight. Regardless, he pushes himself back into a seated position and finishes taping down the paper over the box that holds a new toy truck for you son.

“Last Christmas the kids were jumping in our beds by seven,” you say, very matter-of-factly. 

“If they’re awake that early I’ll corral them to the kitchen and make a big breakfast with them to give you an extra hour,” he promises as he reaches for a new roll of wrapping paper— a dark green one with cartoon reindeers printed all over.

“You need sleep too.”

James shrugs. “Well, it was my fault we procrastinated wrapping these anyway.”

“Oh? So you admit it now?”

“What can I say? Is it so bad that after we put the kids down and I was all alone with my beautiful wife I’d rather cuddle or catch up on our shows or… other things.” A smirk tugs at the corner of his mouth. 

“Other things?” you snort. 

“Yeah. Wanna do them right now?” he asks, wiggling his eyebrows at you. 

“James!” you scold him as a blush heats your face. 

“Sorry, sorry. I’ll focus.” He reaches for the slowly dwindling pile of presents and picks one that looks easy to wrap. You both prefer to leave the more complicated ones to you, as you always seem to have some unique way to wrap the strangest shapes. 

“Not that one!” you stop him. “That one’s from Santa, you have to use the shiny red paper and the golden bows.” 

“What? I picked this one,” he says, turning over the box of a new doll for your daughter. “I don’t want to give Santa all the credit!” James pouts. 

“And you’ll get it. In about ten years, give or take, when we tell them it was all a lie in the name of Christmas spirit.” 

James laughs and takes a look at the clock that reads 3:16 a.m. Santa can have this one, James decides. Even if he did continue to protest, you would probably convince him in the end. 

For the next twenty minutes, you two get lost in the rhythm of wrapping. With James handling the simple boxes, and you expertly finishing the oddly shaped ones, folding the paper in ways that obscure the gift’s silhouette while adding an elegant touch. 

You know your kids won’t give the wrapping a second thought, and it will all end up torn into bits on the floor, but you just love the way they all look under the tree. So perfectly arranged and beautifully wrapped, it makes Christmas feel all the more special.

As you straighten out a bow made from hand curled ribbons on the top of a dollhouse, pre-assembled for play tomorrow morning, James hisses and drops the paper he’s working with. You look up at him as he brings his finger up to his lips.

“Ow, ow!” 

“Y’alright?” you ask. 

“I’ve been injured! Wounded! No one told me how hazardous gift wrapping would be!” he wails dramatically, cradling his right hand with his left. 

You laugh at the sight of him, gathering that he has probably gotten a paper cut. Shuffling over to him on your knees, you outstretch your hand. “Let me see.”

He puts his hand in yours and you turn it over to inspect his pointer finger. It takes you half a minute to find the small slice in the top layer of skin. It’s nearly impossible to see, and you’re sure the pain has subsided now. Still, you bring his hand to your lips and press a soft kiss over the small cut. 

“Better?” you mumble against his skin. 

“Almost. I think I have another injury right here.”

You look up at him through your eyelashes to find him tapping his lips, puckered and awaiting a kiss. 

You shake your head at his antics but oblige him anyway and connect your lips in a gentle kiss. James’ right hand snakes out of your grip so he can wrap it around your waist to hold you into the kiss for a little longer. 

“Come on,” you say as you begin to pull away, “we only have a few more presents between us and those fresh homemade cookies laying out for Santa.”

── ⋆⋅☆⋅⋆ ──

[puffin-smoke]

Things have been really goddamn negative lately. why are we all arguing. the block button exists. here are some headcanons because i say so and i need to clear out my drafts

Misc Redacted Headcanons!

Hush 👁👁

Doesn't really get kissing, so will normally just nose boop Doc. Like a cat. Does this at random intervals.

Wanted to practice baking one time, so grabbed a cook book and decided to make everything in it. And I mean everything. Doc came home to an apartment with cake on every surface.

Cannot take movies seriously but really likes reading. Will sometimes read to Doc before they go to bed.

Does not sleep UNLESS he's in the sun. Then he'll just stretch out like a cat. He takes up the entirety of Doc's sofa.

Most of my ideas for him is just. He acts like one of my cats.

Really good at puzzles. And lego. Can do a thousand piece puzzle in about twenty minutes

The only man ever actually.

Damien 🔥🖋

Ive said that I think Huxley reads to Damien before bed, but have I said that Huxley reads alot of romance novels??? Well now I have.

Damien will copy some of the stuff that happens in the novels, if he thinks Huxley might like it. He doesn't really get it, but seeing Hux light up when he brings him flowers is worth it. Is trying to branch out on how he shows affection. Very different love languages, these two.

Just thinks "oh, this is what people do in relationships. Should I be doing that?" He's just me.

Also really likes puzzles. Jigsaws to be specific

plays stardew valley HEAR ME OUT

He and Dear have very different playstyles; he tries to optimise efficiency, Dear has the most cottage core farm known to man. So ever since he learnt that they play aswell, they habitually get into arguments over what the best way to play is

"Why are you laying out your trees like that it looks ugly-" "Its to keep away the debris." "But it looks bad." "... you look bad."

Geordi 🧠🕹 (look there was no tetris emoji-)

Cutie patootie.

Listens to asmr rp ALOT because 1- its meta, 2- it helps calm him down.

Gets really freaked out about going to the cinema, so when he watches movies at home it'll be a WHOLE ASS PRODUCTION

He dims the lights, he gets about a dozen blankets, a whole ass speaker system, the nice goddamn popcorn

Cutie has lost him under all the blankets before it was scary

heterochromia :3

One brown eye, one green.

I love him. Cutie get yo ass out of the way

[healingfairy000000001]

Trafalgar law x witch! straw hat (part 6) ---------------------------------------

"Another day, another spell! Or maybe not, because today is my break!" she thought excitedly as she walked around the dock. It seemed Law hadn't woken up yet, but neither had the crew! Except for Sanji and Brook, who always woke up at that time.

Sanji was cooking breakfast skillfully while Brook enjoyed a good cup of coffee. "MORNING!" Y/N greeted, stepping in to join them.

"Y/N-chwaaannn~ How grateful I am that you blessed me today!" swooned Sanji, while Brook returned the salute casually.

"Need help?" she asked Sanji, coming closer to the cutting board.

"No need! You must be tired from night guard duty," he replied, declining the offer but returning to his cooking as he casually asked about last night.

"Nah! I don't feel tired at all!" she answered cheerfully, sitting close to Brook.

"Yohohoho~ You never seem to be sleepy!" chimed Brook.

"And you'll never catch me slipping!" she said with a small, shared laugh, and the atmosphere returned to its usual comfort. Sanji continued to cook, Brook drank his coffee while thinking of his next tune, and Y/N read a book without a title.

It was peaceful, and soon, everyone started coming in, waking up from their slumber.

"Hey! Where’s Tragu?" asked Luffy, after munching on some breakfast. Nami and Robin turned to Y/N, prompting everyone to do the same.

"He's probably still asleep," she stated calmly.

Zoro looked at her from the side before going back to his food.

"That's not fair! Why does he get to sleep?" protested Luffy.

"That's true! He needs to at least wake up on time!" added Usopp

"What's with the commotion so early in the morning?" Law said as he entered, and all eyes turned to him. Some smiled, while others quickly returned to what they were doing. Luffy and Usopp, however, decided to tell him what the commotion was about.

"How dare you not wake up on time!" "Yeah! How dare you!"

The man in question didn't change his expression as he sat down for a cup of black coffee, ignoring the two idiots.

With an angry look, Usopp demanded one more answer, "And where were you yesterday? You didn’t sleep in the men’s quarters nor on the ship's deck!"

Now that caught everyone’s attention. "Where was he?" Everyone focused on Law, waiting for an answer. His response was simple: "Asleep."

Everyone’s faces fell to the floor. Was it the answer they wanted? No. Did it help? Maybe. But thanks to Nami bringing good news to change the subject, the situation was saved.

"We’re getting closer to an island!" she showed her compass, causing Luffy and Usopp to quickly leave Law alone.

------------------------------------------------------------------------------

As the Thousand Sunny docked, the summer island appeared abandoned, with overgrown trees and missing a port or road. It looked completely deserted. The crew decided to spend the day exploring or swimming.

"Not leaving?" asked the witch.

"Don’t feel like it," Law answered, leaning against the mast with his katana close by, his hat covering his face.

Hearing this, she sighed and rolled her eyes before walking away. "Oh! That should be obvious, but don’t touch anything in my lab."

He ignored her, giving her a side-eye. She jumped off the ship and caught up to Nami and Robin.

"Nami! Robin, wait up!" she shouted, catching up to them. "I believe we haven’t spent much time together lately."

The two women looked at each other and smiled. "Well, I am going to draw the island’s map," said Nami. "And I am accompanying Chopper to find some medical herbs," added Robin.

Nami's option wasn’t as tempting as collecting ingredients with the adorable doctor and the archaeologist, so the decision was clear. "Let's get to collecting! Nami, I'll join you in the afternoon!" Y/N exclaimed excitedly, throwing her fist in the air.

Nami shook her head and waved them off, preparing her tools to draw the map. Chopper got his bag, and Robin chuckled as she walked alongside the two into the heavy forest.

------------------------------------------------------------------------------

The forest was thick with branches and hanging vines, heavy with humidity, which excited the doctor and the sorcerer for the amount of plants around them—wildflowers, mushrooms, weeds, various berries, and animals.

The two had a blast finding and comparing the uses of certain herbs in their fields.

"This is useful for painkillers!" exclaimed Chopper, showing her a leaf. "It can be used to create ink for scrolls!" she answered. "It was a plant used in human sacrifices," added Robin.

Which understandably creeped Chopper out, but the conversation didn’t end there. "For real? To harvest their souls for dark magic?" "Usually it’s to please a god or bring fortune and get rid of illnesses." "Huh."

"Can we change the subject?" pleaded Chopper, looking at the two women like the subject at hand was a normal thing.

Deciding to continue, the conversation died down as the three continued the herb hunt, until...

The forest grew colder and less crowded with trees. Even the animals became scarce. That’s when they reached an abandoned town. Doors were torn down, windows were broken, and everything reeked of death.

Chopper hid behind Robin while Robin and Y/N got on guard, ready to fight at any moment. "We should head back," said Chopper, but it seemed only Robin heard. "Y/N?" But she didn’t respond, walking to the side of a house and inspecting its wall, which was covered in grayish, wall-climbing plants. Tearing them down revealed... a strange symbol.

"This is bad news," she muttered.

Cawww!

"We have to leave! The crow is warning us!" yelled Chopper, but it was too late. Blackened arrows were shot at them from the sky. Robin grabbed Chopper, shielding him with her body.

"Not a second time," whispered Y/N. "ARIELA!" she shouted as a purple shield engulfed the three of them, protecting them.

"A witch! Our lucky day!" The culprits, a group of people with ragged clothes and bone-like physiques, emerged from their hiding spots. "We can satisfy our goddess!"

"Nerocta evera aarota!" she casted another spell, this time conjuring a strong wind that blew the attackers back. The leader quickly formed a shield of his own, filled with horrified faces. "Shit!"

"Robin, Chopper, RUN!" she shouted, dissolving the shield.

The two nodded, though hesitant, understanding that returning to the others was in their best interest. Chopper shifted into his running form to save time.

"Catch them!" three of the attackers jumped forward at their leader's command, but were stopped by a rock wall slamming into them, taking them out.

"Come on, then," Y/N muttered, her fingers crackling with mana. "Show me what you’ve got."

------------------------------------------------------------------------------

On the other side, things were more peaceful. Sanji returned with some fruits and vegetables, Zoro had hunted down some animals, and the rest were either resting on the beach or waiting for Franky's infamous 'SUPER BURGER!'

Nothing could disturb their peace—until Robin and Chopper showed up, barely catching their breath. The crew immediately got guarded, and Nami and Luffy rushed toward them.

"What's wrong?" asked Luffy, worried. "Where’s Y/N?" added Nami.

That's when Robin spoke up. "Magicians! A lot of them!"

With this new information, the crew exchanged looks. Zoro, Sanji, Luffy, a reluctant Usopp, and Nami decided to go help their friend. "Where?" Robin pointed in the direction they came from, and before she could give more details, Luffy and Zoro ran straight ahead.

------------------------------------------------------------------------------

As the commotion rose, the two sides continued their battle—two types of magic: those who used mana and knowledge, and those who relied on others’ souls.

"HAH! You think you can take US down?" the leader mocked, as ghostly hands emerged from the ground beneath him, attacking Y/N. "You’ll make a perfect sacrifice!"

Ignoring him, Y/N jumped high, creating a boulder to stand on. As she looked down at them, the witch felt... anger? Betrayal? Or just pity? She’d never know, because she had to finish this quickly.

"Ignia mi cora jejuteti sma tih berimah min thulg wanar ISMARI NEDAI YASAMA!" she threw her hand up with the palm facing the sky, the other straight by her side, palm facing the ground. "Waayuha ard kudibeamry wahibry tarwidatenla tasmahleaduwy LILHARAB!"

With the two spells cast, the sky filled with dark gray clouds, and the ground glowed with strange letters surrounding the whole village.

"RUN!" one of the dark magicians warned, running toward the edge of the village, but instead bumped into an invisible wall.

"What—THAT BITCH! Kill her!"

With one of them soaring high to stab her, an ice crystal pierced him, slamming him to the ground. And that was when the hell she unleashed began—ice-like spears and fireballs rained down, crushing the ceramic bodies of the dark magic users and burning them to ash.

Y/N descended, the sky clearing as the glowing runes on the ground faded. She bent down to pick up a ceramic shard that hadn't burned. "So, you also lose your humanity by 27, huh?" she chuckled dryly before letting the shard crumble into ash...............

[overnightheartbeats]

His smirk was distracting her in all the best ways, even more so when he bit on his bottom lip. He had to know the effect it has on her. "Hm, that is tempting.Do I get a hint of what the sneak peek is?" Just playing along, because she knew he had mentioned being tired. Chances were, they'd both be passed out within minutes. "You're right, she'll have time to adjust to having another baby in the house. Otherwise, she might not want to share her dad with another sibling. Juju and I were just saying that! I was sure she was going to have a boy, but baby girl surprised us. She's going to be the first girl in the family, and first grandchild for them too. They can't wait to meet her, it's a really exciting time for the Contreras family. I'm just really happy for Juju, to be surrounded by all that love." Laurel made a show out of listening to him, her head tilted to the side and nodding encouragingly as he spoke. As if she's never heard these things before. It amused her that he thought her introductions at work were sexy. "Borrowing, yes exactly. You gotta admit babe, I do rock your sweatshirts. They all live cozily in my closet, safe and sound."

"It'd be much appreciated, it would give me a chance to block the door. Though, then you'd be late for work, so maybe not." she added to his joke before planting a kiss to his cheek. "Hm, the most serious federal crime. Absolutely no touching."

At the mention of Juju's latest show, Laurel could only laugh before nodding in agreement. "Oh my goodness, you're right. I was thinking more baby number one and baby number two, like the characters from The Cat in the Hat. But, ten nameless babies does sound more like the Umbrella Academy. Let's not get ideas from there." But, now she was picturing mini red sweaters from the cat in the hat. Thing one and Thing two, adorable. "I think so too, next time we'll break our record for naming our baby. Even sleep deprived, you are insanely smart babe. Coming up with Rosebud was a genius moment."

Her hand rested on her stomach, his proud smile making her emotional beyond understanding. "Our tiniest cheerleader. Time is moving so fast, I'm ready...and yet, I'm not," she admitted. The thought of all the Phillips under one roof was intriguing to her. She had spent limited time with all of them in one place, but she hadn't had the chance to see Eli enjoy his family. That was enough to convince her that this was the right idea. "Is this how you're convincing me, with them taking the night shift? Because I'm in. I'll work extra hard to convince them to join us here," she teased with a wide smile. Her smile growing when he brought up the cabin in Chicago. "Wait, yes. Well, not this year for sure, but soon, we'll take her. Spending the holidays there with our girl sounds like a dream. Is the festival back already? But, yes, I'd love that. Maybe we get a headstart on our Christmas shopping." Not really, but there were always plenty of trinkets that she couldn't resist. She squeezed his hand, cozily leaning against his shoulder as they walked through the crowd. "True, but if your sisters can't get him to smile, then nothing will."

Isaac spotted his brother and Laurel walking towards them, and he just waved in their direction. Inez and Emma couldn't help their smiles upon seeing them, remnants of the fun they had earlier. "We're ready, yes! It was so much fun. You should've seen Isa's face, he looked like a deer in headlights." Isaac only rolled his eyes, "I was not, but yes we should go." Shortly after, Laurel mentioned the dinner plans they made earlier, which Emma clapped her hands at. More plans, more fun. For now, at least, it was time to head home and freshen up.

Eli smirked and chewed his bottom lip. "Tell you what, once we get home and after we say goodnight, we'll sneak peek one thing off our list," the list in question was the things they hadn't done in months. Sure, this time they'd have to get creative with her protruding belly but a challenge he knew they'd excel at. "I am too not gonna lie. At least it'll give us some time and her some time to see what it's like to have a sibling like best friend. I honestly can't believe we're all having girls first. I thought since Aaron had brothers that that track record would continue." His laughter rang out as he knew that would catch her attention. "First off, when you're out of the shower and you let your hair air dry but it starts getting curly," that sight always had him staring. There was something so sexy about her hair like that. "Then, it's when you introduce yourself at work. The sexiest one of all is truly when you steal, er...borrow my sweatshirts that you never give back."

He smiled as his lips were still close to her fingertips. "So you're saying you want me to walk slower like a snail? Would that be better?" Eli couldn't help but joke since if she asked he'd do anything she asked. "I'm not sure but wouldn't that be a federal crime if they touched?"

He cringed knowing how right she was. "Poor ten babies being nameless. They'd just be baby numbers at that point. Like what's that show juju was obsessed with, oh right, Umbrella Academy. Wasn't there a kid named Seven?" Just because he wasn't really watching didn't mean he hadn't paid attention when the girls took over the TV. "I don't know. We shall see after we get our first out. But I do think there's less pressure after the first since you're a little more confident. And that was on my sleep deprived self when I came up with Rosebud. Soon as we knew it was a girl that nickname just clicked."

"She's already on our side." The proud smile spread over his features as the thought of their girl became more of a reality. "I can't believe she'll come meet us in a little under 4 weeks. That's insane to me." The Phillips under one roof was insanity but in the same place that was a dream. "It will get chaotic but it'll be so much fun. We'd put them to work the night shift with Rosebud." Laurel brought up a good point. "You know what, that's a good point. We need to take her to the cabin in Chicago. I feel like you can't go anymore but maybe we can go to that indoor Christmas festival. Something to get us out of the house." He watched her get up and was ready to render aid as he got up after her. Taking her hand was the normal and interlocked it. "Hmm I don't know. I may say debatable if he's still thinking I hate him."

They moved through the crowds easily until they found his siblings. "You guys ready to go?"

[justanerd1234]

Me: Questioning if I’m actually AroAce or if I’m just being attention seeking and it’s all been a lie this whole time.

Allo person: *says or does pretty much anything related to a non-platonic relationship*

me: Why did I ever doubt myself? (I will repeat this process approx. once a week)

[mishy-mashy]

Shh.. Do not disturb.. they are sleeping....

[chocmoon-latte]

Not sure what late night entity compelled me to make this, but it did...

[violetscanfly]

Doodled him some time ago

[missluthorwillseeyounow]

“Your sister found me because she was ready.”

Kara frowns. “Ready for what?”

“For the truth.” Lena replies simply. “To wake up and leave the lie behind.”

“The lie?” Lena’s words bring back echoes of Alex’s message. The Matrix still has you… You’ll find me, if you’re ready to wake up. “You mean… the Matrix?”

“Yes.”

Kara leans forward, her attention caught. “What is the Matrix?”

Lena sighs, her eyes clouding over. “I’m afraid no one can be told what the Matrix is. You have to see it for yourself. Right now, all I can tell you is that the Matrix is everywhere. It’s all around us. It’s in the air we breathe, in everything we touch…”

Lena ventures a hand between them to touch Kara’s, their hands connecting in the slightest. And even though she knows that she’s not really touching Kara’s hand, her mind feeds her the sensations of it — the softness of Kara’s skin, the gentle press of her flesh under Lena’s fingers.

Lena draws her hand away, and Kara follows it avidly with her eyes. “For you to know what the Matrix is, I have to go back to the beginning. Or at least, to where it begins for us.”

Or, the Supercorp Matrix AU

[So I found an old Matrix AU from a different fandom while I was rooting through my drive, and I thought it could be retooled into a Supercorp AU. Little did I know what I was inviting into my brain, but here we are suffering the consequences. (And now I have 2 different supercorp Matrix AUs. Great.) Spoilers ahead for the OG trilogy.]

In the movies, Neo is the One, but there are other Potentials. Each Potential displays extraordinary abilities beyond the standards of normal. Kara and Lena are both Potentials. Either one of them could be the One.

It begins in the Matrix, when Lena gets adopted by the Luthors as a little girl.

The Luthors are a picture-perfect family. Powerful, affluent, and respected. The father, the mother and the golden son. And Lena - smart, angelic and pretty, the perfect daughter - is the ideal addition to make their picturesque family complete.

Except when she's about 4 or so, it becomes apparent that Lena is not like other children.

It's immediately clear that her intellect far surpasses people four, five times her age. Lena is sharp and brilliant, able to grasp complex concepts most adults cannot. She seems to see the world around her in a different way.

The Luthors are no strangers to gifted children, their son Lex was deemed a prodigy at around the same age. At first, Lionel and Lillian take this as yet another proof of how exceptional Luthors are, and Lena is proudly displayed as their indigo child.

But Lena's talent develops as fast as she does.

Soon, she begins to exhibit strange, unexplained abilities. An expensive Waterford crystal goblet in Lionel's hand explodes when Lena has a tantrum. Once, Lillian walks into her playroom to find Lena having tea with her dolls, and when Lillian enters, all heads turn to her. Lena's and all four of her Madame Alexander dolls.

Her intellect begins to surpass what defines “normal” intelligence. She predicts and successfully foils an assassination attempt against Lionel. She prevents Lex from getting hit by a driver in a car chase five blocks away.

The last straw comes when Lena finds out that the cleaning lady's five year old son has cancer.

Lena convinces Alma to take her to see him. Five hours later, a tearful Alma brings the little girl back with something akin to wonder in her eyes. "Your little girl is an angel, Mr. Luthor. Bendecida por la Virgen. She cured my Carlos! She took away his sickness! Ella es un milagro de Dios!”

However, far from seeing it as a miracle, the Luthors circle the wagons. The next day, Lena finds out Alma has been dismissed, and a shift occurs in the Luthor household.

When Lena's abilities were within the parameters of "normal", they were good, something to be proud of. But now that her gifts have proven to be beyond that, they become alien, freakish. Something to be hidden. People would be asking too many questions, and Luthors do not permit those.

Suddenly, instead of being lauded for what she is able to do, Lena is now scrutinized and examined to find out what's "wrong" with her. It begins to strain the family that is obsessed with order and perfection.

They take Lena to various doctors and put her through all sorts of tests, but none of them seem able to find an explanation for Lena’s strange abilities.

Until they meet Rhea, an educator who runs an exclusive facility for “gifted” children.

An elegant and well-spoken woman, Rhea seems fascinated by Lena. Her teaching “methods” seem vague, but out of all the specialists Lena has seen so far, she is the only one who seems to understand and make a connection with her. At the very least, they seem to speak the same language. Rhea knows about this Matrix Lena has been talking about.

Rhea asks Lena if she wants to find out what the Matrix truly is. And when Lena agrees, Rhea takes the little girl to the Oracle to confirm her suspicions that she is a Potential.

Lena is taken to a tall building, riding all the way to the top floor with her little hand in Rhea’s. On the 64th floor, they enter a glass office in which an imperious looking blond woman sits, watching her with a piercing eye.

“Leave us.”

The woman orders sharply, slanting a glare at Rhea. She is at least 6 inches shorter than Rhea, even in heels, but her tone and her face brook no argument. Rhea retreats with a seething sneer, but she complies.

“Now, you,” the woman turns to Lena with a dark look and a raised brow. It fails to intimidate Lena, who has lived with Lillian Luthor’s pointed glares for the past three years of her life. “Do you know why you’re here?”

Lena merely blinks at her. “Because I know things.”

The woman scoffs. “So do I. Doesn’t make you special.” She gestures around her at her office with a spectacular view. “I know things too.”

Lena’s eyebrows rise as well. “Not everything.”

The woman’s glare intensifies, but Lena stares her down. After a moment, a corner of the woman’s mouth lifts, and she barks out a laugh. “You’re a smart one, aren’t you?”

Lena clasps her hands behind her back. “So I’ve been told.”

“Do you know who I am?”

Lena nods. “You’re the Oracle.”

The woman snorts delicately. “Did Rhea tell you that?”

Lena regards her solemnly. “She didn’t have to.”

The woman’s eyes narrow at her, but Lena says nothing more. She is scrutinized for another moment before the woman smirks. “Alright. Since you’re so smart, why don’t you tell me what you already know.”

Lena blinks at her, responding to the woman’s scrutinizing gaze in kind. “I know that you’re not human.”

Another laugh, this time louder. Piercing blue eyes gain a twinkle of mirth. “Very good. What else?”

“I know that you’re not real.”

The woman scoffs disdainfully. “Real is an abstract concept.”

“I know that I’m dreaming, and none of this is real.”

The mirth suddenly vanishes from the woman’s gaze, and her blue eyes stare at Lena intently. “What do you mean?”

Lena sweeps her little arms across the room. “This. All of this. Everything. It’s not real. It’s just a dream.”

The woman is leaning forward now. It looks to Lena as if she is holding her breath. “And what makes you think that?”

Lena chews thoughtfully on her lower lip. “Have you ever read Plato’s allegory of the cave?”

The woman’s eyebrows rise and an amused smile dances over her lips. “Of course.”

“It feels like that. Like the people chained to the walls of the cave, watching just shadows and reflections. Other people — even my parents, even Lex — they look around them and think that this is the real thing. But all we’re seeing are just shadows. Sometimes it makes me feel confused and blurry, like I’m dreaming, but I can’t wake up.”

The woman hums and her hands form a steeple under her chin as she continues to observe Lena.

"In the story, the prisoner who is freed into the sunlight was angry and in great pain after being in the dark for so long. Why would they go through that? Why not stay in the comfort of the darkness that they’ve known all their lives?”

Lena’s gaze doesn’t waver. “Because they would finally know the truth. They wouldn’t be living in a lie anymore. They would be free.”

A smile spreads across the woman’s face, and the nod she gives is almost approving. “Is that what you want?”

“Only if you tell me the truth.” Lena nods solemnly. “Will you tell me the truth, Oracle?”

“I’ll tell you everything you need to know.” The woman chuckles. “And one more thing. Call me Cat.”

Despite their animosity toward each other, both Cat and Rhea decide that Lena is more than ready for extraction.

The only problem is that Lena, at 6 years old, is one of the youngest children to be extracted so far. Because she’s so young, it’s decided that her family should be brought with her too. Lex, by then a teenager, is given a choice: to stay in the Matrix, or go down the rabbit hole, as it were.

Lex chooses to follow his family, and the Luthors are extracted by Rhea. They are brought on-board her ship, the Daxam. All four Luthors are taken to Zion, and told the truth about everything — the lie of the Matrix, the human harvest fields, and the fact that there is no going back.

That’s when it all goes to hell.

Lionel barely lasts three months.

Unable to accept the truth that his life of power and control was all a lie, and unwilling to believe that he now exists in a world where his name holds no weight, he somehow escapes Zion and finds his way to a human pod to try to inject himself back into the Matrix.

They search for him for weeks, and eventually they find him in the pod, impaled on the metal breathing hose stuffed into his mouth with the end sticking out the back of his head.

Lillian lasts longer, but this is no comfort.

Torn from her privileged life, her resentment begins to build and build, as she’s forced to accept her new reality.

Her perfect life was stolen from her. The high-paying job, the distinguished career, the unlimited influence, the beautiful house, the comfortable lifestyle — all gone. All apparently just a dream.

And now, Lillian has woken up to the dirt and drab and heat and toil of Zion’s underground, with nothing to show for her former life but the daughter she didn’t even ask for. The same daughter who is the very reason she’s trapped here now with no chance of going back.

She refuses to reconcile with her new reality, but she is no weakling like her husband. Instead, she lets the ugly, bitter ire fester inside her over the years, until it finally comes out.

One night, Lillian enters the rough, tiny cave that has become her unwilling home, creeps into the alcove carved into rock where her teenaged daughter sleeps and pours acid over her.

Lena’s screams wake others in the neighboring dwelling, and healers are immediately dispatched to tend to her wounds. Thankfully, Lena was turned away in her sleep, and the burns were limited to her back.

By the time her condition is pronounced stable, Lillian is gone.

Without her parents, Lena is taken in by Rhea to live with her, her husband Lar Gand and their infant son, Mon-El.

Rhea keeps Lena very close, almost jealously so. She prizes the young girl above all else in their household. Most of her time is devoted to teaching Lena, training her using the fight simulations and programs on the Daxam, instructing her on how to pilot the ship.

For Lena — who had grown up under Lillian’s growing resentment and bitterness, who had just survived a horrific attack on her by her own mother — Rhea is a godsend. Under Rhea’s maternal affection, Lena thrives. She pushes her own limits during her training, masters techniques with unparalleled speed and unerring accuracy, devours knowledge programs downloaded into her mind every time she’s plugged in. She blooms under Rhea’s freely-given praise, and works harder, starved as she was for acknowledgment and affection over the years.

As Rhea’s son, young Mon-El, grows up without displaying any unique abilities, he is often shunted to the side. Despite their age-difference, Lena makes a conscious effort to spend time with him, to give him the same nurturing Rhea is giving her.

She teaches Mon-El how to make repairs to the ship, explains how the thrusters work, how the pads keep the ship in balance. He’s most fascinated by the robotic armed exoskeletons that are kept at the dock for the city’s defense. He often asks Lena to take him to the bridge to watch them, and the two of them watch the exoskeletons being loaded, Lena leaning on the top rail, and Mon-El perched on the middle one, his skinny legs swinging in the air. As Lena smiles, the young boy boldly tells her that one day, he’ll pilot one of those.

It feels… nice. Almost like having a brother again. It feels like a second chance

After all, her own brother — well, that bridge was burned a long time ago, and Lena tries not to think about it.

But it’s hard to forget when she sees him all time, a nightmare come to life, whenever she’s plugged into the Matrix.

Lena will never forget the first time she saw her brother there.

Lex had abandoned them, had left his mother and sister in Zion years ago, as soon as he was of age. She’d tried to find him, had spent weeks, months, looking for him, to no avail.

Finally, Lena had been forced to accept that Lex had met their father’s fate. He could’ve been attacked by sentinels, gotten lost in the mechanical sewers, or worse, attempted the same thing Lionel had.

Either way, the result was the same, and the guilt and pain of it had been agony, but Lena had accepted it.

Until the day she met the Agent.

Most agents were already nigh indestructible, with their speed and brute strength, not to mention the internal communication they kept with each other through the program.

But this one… this one stayed on Lena’s tail with a dogged, malicious ferocity that she couldn’t shake off. It had been dangerously close several times already as he chased her throughout the dark, rain-soaked city streets. She couldn’t get a good lock on him, and it was all she could do to follow Jack’s instructions to the nearest extraction point.

Lena’s almost there, sliding into the booth, hand outstretched to grab the phone — when she sees it.

The Agent wearing her brother’s face, a feral smile stretching his lips as his fingertips brush the corner of her dark coat. The grin turns into a snarl as Lena lifts the phone to her ear, and he misses her by a millimeter.

It had been only a second, but… it was Lex.

Lena was sure of it. So sure that she had spent months hacking into the system with Brainy’s help, trying to find out what the hell was going on.

It takes six months of hacking into the mainframe to discover the truth. Lex had succeeded where their father had not. The son had surpassed the father.

Not only had Lex somehow managed to get himself reinserted into the Matrix, the anomaly of his presence in the code had also caused a glitch in the system itself.

It takes another encounter with Lex — in his new regalia of a generic black suit, bland tie and FBI-issued sunglasses — sneering at her as he points a gun at her head, to realize yet another knife-wound truth.

Her brother has become a virus in the Matrix.

________

Kara’s experience in the Matrix could not have been more different from Lena’s.

More than a decade before Lena was born, Kara Zorel was like any normal thirteen year old girl. She went to school, hung out with her friends, had a crush on the boy living next door. She got straight A’s, and volunteered at the local senior home.

Her quicksilver mind that could spot things others couldn’t was easily considered as part of her intelligence. She was a very smart girl, after all. Her obsession with puzzles and codes was easily filed away as a quirk or a phase she was going through until she found a new hobby.

Everything about her life seemed to be on track to become ordinary, until the day of the accident.

At least, they told her it was an accident. Kara doesn’t remember any of it. All she really remembers is waiting for a train at a subway station. She remembers her father mentioning a Trainmaster who would take them away, somewhere new. To a new home, her mother had said. [This is from the 3rd movie]

And then nothing.

Kara thinks she must have been dreaming, because she can remember being left alone in that subway station — the walls were blank and a sterile white, with nothing to indicate the presence of life except Kara herself sitting on the otherwise empty bench. She can remember the feeling of waiting, waiting endlessly for the nothing that would come — no trains, no other passengers, no one else at the station with her. She can remember running along the platform tirelessly, only to end up in the same place she’d started from. She remembers the feeling of being left behind and trapped and scared. Mostly scared.

And then the next thing she knows, she’s awake on a hospital bed with Eliza Danvers sleeping on the chair next to her.

The Danvers had found her on the train platform, curled up, unconscious, on the same bench she’d dreamed of. They’d thought she was a runaway, or a missing child, but the FBI agents who had come to Kara’s hospital room had told her that her parents were dead.

An accident, they’d said. A subway malfunction that had taken out a whole car. Under investigation, the man in sunglasses and a dark suit had reassured Jeremiah and Eliza in a monotonous voice.

With no one to claim her, no other family to speak of, Kara is taken in by the Danvers. They’re good people, kind and understanding when Kara wakes up in the middle of the night with nightmares of being trapped in a white sea of nothingness.

When Kara wakes up crying and sweating, Eliza is there to soothe her and rock her in her arms until she fell asleep again. When she tells Jeremiah that everything is too loud and bright, he sits her down and teaches her to calm her thoughts and meditate.

Alex, who had gone from being an only child to having an anxious, high-maintenance little intruder in her room, is less than happy about the situation. She keeps her distance, and gives Kara cold glares from across the bedroom or ignores her completely.

Until one night when Alex sneaks back into their room from the concert she’d snuck out to earlier, and finds Kara sitting on one corner of her bed with her knees curled up. With Alex gone for most of the night, Kara had been alone and had refused to fall asleep, terrified of having nightmares again.

With only a little bit of grumbling, Alex tosses all their pillows and blankets onto the floor, and drapes one of her sheets over both their beds to make their first blanket fort. The first of many.

Curled up on the floor next to Alex, Kara sleeps soundly through the night for the first time since waking up without her parents.

Still, despite slowly settling in with the Danvers, Kara can’t shake the feeling that something is off.

It feels as if everything around her is just a little bit off-kilter. As if the world had somehow changed in the time she’d been unconscious. Or maybe she had. Either way, it feels as if both Kara and the world around her know on some level that she’s not supposed to be here. Perhaps it’s because she was meant to die along with her parents. But by some unknown anomaly, here she is, half of her present, half of her straining to join her mother and father wherever they are.

It’s not a reflection on the Danvers. Kara couldn’t have asked for a better family to care for her. And she cares for them too. Over time, Kara gains a sister she would die for in a heartbeat, instead of a roommate who barely tolerated her presence when she first arrived. Her definition of ‘mother’ slowly expands and makes room for Eliza in her heart. She finds a man to respect and admire in Jeremiah.

Still, the feeling of being out of place persists throughout the years, always in the back of Kara’s mind.

Tragedy strikes when Jeremiah disappears.

It happens quickly, too quickly. One day her foster father is there, the next he’s gone. The only clue the police get is the last voicemail on Jeremiah’s phone.

The message starts with Jeremiah’s voice, reminding Alex that he’ll be picking her up from softball practice later, then it cuts off abruptly without warning.

Ten seconds later, another voice is heard through the other end, this time a smooth monotone. It sounds nothing at all like Jeremiah, and it sends a chill down Kara’s spine.

“The Luthor girl escaped again. She has eluded us one too many times for a human. She cannot avoid the inevitable…. Send the Brother. Next time, she dies.”

Nothing is found at the scene but Jeremiah’s phone. No evidence, no ransom note, no explanation for the strange message, nothing to trace, nothing to at all to suggest that Jeremiah Danvers was there. The blank-faced FBI agents offer no sympathy when they inform Eliza of the news in a smooth, apathetic monotone.

[[In case it’s not clear, Jeremiah got turned into an agent by the other agents who were chasing Lena during one of the times she was plugged into the Matrix]]

Their little family is shocked and reeling, but they cling to one another in their grief. Kara remembers something her mother always used to say. Stronger together, Kara. Life is hard, and we cannot face it alone. We must be each other’s strengths. We are always stronger together.

Still, life goes on. Keeps moving on, even after tragedy and loss. Sometimes, Kara feels as if the world is in constant motion, its inertia having no time to waste on a young girl who feels as if she has been left behind.

The sense of alienation increases, and Kara is diagnosed with depression. Which only serves to increase her family’s concern, and puts a near-permanent look of worry in Eliza’s eyes.

So Kara puts on her brightest smile and hugs her foster mother. She talks more, smiles wider, laughs louder, and makes more friends to go out with so she’s not at home alone in her room which no longer has Alex in it.

Alex goes to college, then med school, the chip on her shoulder large enough to be seen from space. She’s determined to find out what really happened to her father, and Kara knows how stubborn she is.

But she only really finds out how serious Alex is when her older sister declares that she’s joining the FBI, and no amount of talking from either Kara or Eliza can dissuade her.

And it’s not as if Kara has a leg to stand on. At least Alex has a purpose, a direction. Meanwhile, Kara has no idea what she wants to do with her life. She meanders around after college, a little bit lost and floundering. She’s intelligent, her professors said, but she lacks focus.

Eventually, she gets hired at Catco as an assistant to the big boss herself, Cat Grant.

All of 5’4” in heels, the woman herself strikes fear into the heart of every intern roaming the halls. It’s impossible not to snap to attention when her private elevator dings and she steps out. Each click of her heels is a reminder of the power she wields, and honestly, Kara is a little terrified of her.

But she straightens her spine and her glasses, tucks her hair behind her ear, and refuses to be cowed.

And it’s as if Miss Grant takes it as a challenge to break her, because her demands become more and more unrealistic, more and more impossible. But something inside Kara tells her not to back down, to stare her right back, and wait her out. Cat Grant is a puzzle, and Kara has always been good at puzzles.

The key comes in the form of Carter Grant.

Cat tasks Kara to pick her son up from school one afternoon, and Kara finds the young boy waiting for her right outside the school gates. He’s a very sweet boy, a little shy, but he eventually tells Kara about this comic he’s been reading about a young superhero named Supergirl.

As he begins to brighten up talking about his new favorite character, Carter doesn’t notice the car coming from the other side of the street. Neither does Kara at first. But something inside her tells her to turn around.

Maybe it was a sound, an instinct, and unconscious observation too quick for her mind to consciously process. Whatever it was, it had her turning just in time to see the car heading straight for Carter.

She barely has time to pull the boy back to the sidewalk, and the car almost clips him. Almost.

“Are you okay??” Kara hurriedly checks Carter for any injuries or signs that he’s shaken up. Other than the boy’s wide eyes, he seems to be fine.

“That- that was amazing! You were so fast, Kara! You were like Supergirl! How did you do that?”

As they walk back home, Cart gushes about how awesome Kara’s save was, how she was as fast and strong as Supergirl. Kara laughs it off, but the relief that the boy is okay lingers.

The second the front door closes behind Kara, Carter pulls out a phone and scrolls through the contact list until he finds ‘Mom’.

When Cat answers, he whispers excitedly into the phone. “She did it! She was even faster than Lena by 0.02 seconds!”

“Good. Did she say anything else?”

“She mentioned her sister. Are you going to tell the Manhunter? Is J’onn going to pull them out? Or maybe Lena can come? I like it when she comes to visit.”

A rustle of paper in the background, and Cat drawls in an almost bored voice. “Not yet. She’s not ready.”

[[In this AU, Carter is a computer program designed to assist the Oracle. Kinda like Seraph in the movies. He and Cat have a very unusual relationship. He was just supposed to be a simple program to help ward her, but he was designed to be charming in an innocent and disarming way to help distract from his real purpose. Cat developed a fondness for him, so when he tries to protect her when she’s in danger, she ends up shoving him behind her and protecting him.]]

On the anniversary of Jeremiah’s disappearance, another tragedy rocks the Danvers family.

Alex Danvers disappears.

Eliza is inconsolable, but Kara… Kara is numb, at first. Denial is always the first instinct of the human mind when a shock is delivered to its system. There’s talk of a search, trying to find out where she might have gone, her usual routine, any places Alex frequents — it all rolls over Kara’s head. They’re looking for a body, but that’s not how Alex is gonna be found.

Unlike Jeremiah’s disappearance, Alex’s is not without a trail. She is an FBI agent after all. There will always be a trail, and like in most FBI cases, it can be found in the absence of one.

In this case, it’s Alex’s computer. It’s missing.

The more Kara thinks about it, the more it galvanizes her. Kara knows Alex, knows her quirks and her habits. She didn’t have many friends outside of work, mostly people from med school she’s since lost touch with. No, anything that happened to Alex would be connected to her work, and Alex kept all her work files in that computer.

She throws herself into finding it. Find it, and she finds Alex.

For months, Kara follows every lead, every loose thread she can find, all in the hope of finding the computer. Every time she comes across a dead end, she doggedly retraces her steps until she can find another lead. The chalkboard in the kitchen that used to house her grocery list desk becomes a list of all possible locations. Her desk at Catco is a disaster of papers and post-it notes — a receipt from Cat’s dry cleaners here, the number for Annie Leibovitz’s assistant there, and Alex’s bank statements piled on top.

All the while, Cat watches her. Observes her tenacity, her ability to find patterns that no one else would’ve noticed, her keen attention that allows her to find details that other people would’ve ignored.

Finally, after nearly a year of looking, Kara finds Alex’s computer in a security deposit box under the alias Alice Liddell.

It takes her all night, but Kara manages to gain access to Alex’s documents. She finds file after file on Alex’s investigation into Jeremiah’s disappearance. Articles on similar disappearances all over the world. Some incidents are identical to Jeremiah’s, some with more of a trail. The victimology is all over the place, but in certain cases, there is a disturbing pattern.

A number of the disappearances occur in National City, and nearly all of them have one thing in common. They’ve all been patients or relatives of patients at the Luthor Family Hospital — a stroke patient and his fiancee, a woman in a car accident, a man with a gunshot wound, an old lady with Alzheimer's and her widow, even three children from the cancer ward and one of their mothers. Most of these people were deceased, but there must have been some reason Alex thought otherwise. And if she was right, then there is something very disturbing going on in the Luthor Family Hospital.

Kara keeps searching the files, and finds a certain devolution in Alex’s notes. Towards the end, she seemed more and more disorganized, her thoughts more and more disjointed. And Kara feels a terrible sense of guilt at not noticing what her sister was going through.

Throughout the files, she finds multiple references Alex made to something called the Matrix. She stumbles upon a mess of a pdf that she’d originally thought was gibberish, but upon closer inspection actually more closely resembles computer code. And in the middle of the unintelligible tangle of letters and symbols, she finds a question.

What is the Matrix?

Just as Kara is trying to make sense of the question, a new message alert appears in Alex’s inbox. Kara stares at the screen. It originated from Alex’s own email. Frowning, she clicks on the message, and her eyes widen as she reads.

I’m alive.

Kara springs forward so fast, she almost dislodges the laptop from her kitchen counter. She tries multiple times to reply to the message, but nothing happens. Kara growls, and almost as if the computer can sense her frustration, another message appears.

I’m alive and I’m out.

Kara’s brows furrow. What? What the hell?

The Matrix still has you, Kara.

Kara’s frown deepens and she looks around her, checks the computer. Is this some kind of prank?

I’m sorry I had to leave, but you can’t follow. Not until you’re ready.

Ready for what, Kara thinks.

Ready to give it all up. Ready to wake up. You told me once that you felt like everything since you woke up in the subway station has felt strange, like a dream. You were right, it is. And you’ll find me, if you’re ready to wake up.

Kara’s jaw drops in shock.

Follow the white rabbit.

The message flashes across the screen for a moment, then the monitor goes black. Kara snaps it shut and pushes it as far away from her as she can.

That — what was that? A-a trick? A hallucination brought on by the lack of sleep and her hyperfixation?

She could check it again, turn the laptop back on and click on the messages again — but suddenly Kara is gripped by fear, and denial feels more like a comfort.

She packs away the computer, stowing it under the desk where she can’t see it, and goes to bed. She doesn’t sleep until 3 AM.

But of course, Kara is no coward. She’s never been one to back down to her fears. In the morning, armed with a cup of Noonan’s coffee and a clearer mind, she opens the laptop again.

She doesn’t quite have the courage to check the messages yet, but she finds another article. This time, about the [head] of the Luthor Family Hospital, a woman named Lena Luthor.

It takes no time at all for her quick mind to make a connection, but it takes a while for the rest of her conscious brain to catch up.

Luthor. She’d heard that name before. In a voicemail, the only thing left of Jeremiah Danvers. “The Luthor girl got away again.”

Lena Luthor.

That can’t be a coincidence. Alex had been looking into their dad’s disappearance, and the Luthor name has already come up more than once, and now a female Luthor.

All the research she does on Lena Luthor comes up with next to nothing. Other than business articles and some papers in several scientific journals, there’s very little mention of the woman. So far, all Kara knows is that Lena Luthor is the CEO of one of the leading tech companies in the world, dedicated to providing accessible technology and communication devices to billions of people all over the globe — their new L-Phones are popping up everywhere. She’s also apparently a brilliant scientist and researcher, invested in scientific research to help prevent and cure diseases. She also owns and is directly involved in the running of the Luthor Family Hospital, a facility known for innovative and experimental medicine.

And for all of her work and accolades, there has never been a single photograph of this woman past the age of 6. Nothing. This woman’s image has never been recorded in any way, in any kind of media, in any event, in all the years that she has been running L-Corp. How is that even possible?

Now, Kara’s definitely suspicious.

Three days after the computer is found — plenty of time for thinking, but not too much time to do something stupid, she thinks — Cat makes her move.

She summons Kara to her office and delivers her ultimatum, in the form of an offer.

“Y- You think I have what it takes to be a reporter?”

“You’re an intelligent woman, Keira. But more than that, you can see things others can’t. You observe far more than people give you credit for. You could have a bright future here at Catco.”

Cat surveys her intently over her glasses. “It’s your choice. You can take the job, or you can keep wasting your life going down this rabbit hole.”

Cat gestures toward Kara’s messy desk, but again Kara’s quick mind gives her a nudge. That’s the third reference she’s heard in as many days. Rabbit hole. Alice. White rabbit.

Kara asks Cat for time to think about it, but really, she’s already made her decision. She uses her connect as Cat’s assistant to set up an appointment, introducing herself as Kara Danvers from Catco, writing an article about the Luthor Family Hospital.

The assistant confirms that Miss Luthor would be delighted to give Catco a glimpse into the facility to bring awareness of the work they do, and confirms the time.

When Kara arrives, she is directed to the children’s cancer center. When she sees the whimsical mural of a white rabbit hopping along a trail on the walls, she knows she’s at the right place.

Kara follows the mural until she reaches a room at the end of the hall. A soft feminine voice floats down the hallway and reaches Kara’s ears.

“To begin with, tell me, do you think that these men would have seen anything of themselves or of one another except the shadows cast from the fire on the wall of the cave that fronted them?

How could they, he said, if they were compelled to hold their heads unmoved through life?”

Kara walks closer, drawn to the sound. She stops just outside the door to what is clearly a child’s hospital room. A little girl in white pajamas and a colorful bonnet sits cross-legged in the middle of the bed, listening to the dark-haired woman sitting on the chair by her side. The woman’s back is turned to Kara, but she can see the book she’s reading from. Plato.

“By Zeus, I do not, said he.

Then in every way such prisoners would deem reality to be nothing else than the shadows of the artificial objects.”

“Quite inevitably.” The little girl on the bed quotes with a smile. Kara hears a soft, amused hum from the woman.

“Consider, then, what would be the manner of the release and healing from these bonds… When one was freed from his fetters and compelled to stand up suddenly and turn his head around… and lift up his eyes to the light, and in doing all this, felt pain…”

Kara sees the moment the reader realizes that she’s there. The woman’s head turns just the slightest, and Kara can see her sharp, elegant profile silhouetted in the light. She keeps reading, but at this point, they both know she’s aware of Kara’s presence. Kara continues to listen silently.

“What do you suppose would be his answer if someone told him that what he had seen before was all a cheat and an illusion… But that now, being nearer to reality and turned toward more real things, he saw more truly?”

Just then, the little girl’s eyes snap up to meet Kara’s, and big black eyes blink owlishly at her. “Miss Lena, we have a visitor.”

The woman finally turns, and Kara gets her first glimpse of Lena Luthor. Cut-glass green eyes are perceptive as they take Kara in, and a small smile plays on the corner of red lips.

“So we do, Zuri.”

She sets the book down on the bed beside the child and rises from her seat, a pale hand extended. "Kara Danvers, I presume?"

It takes Kara a second to reply, unable to take her eyes off the woman. There’s something arresting about her, something that could probably stop anyone in their tracks. Even the way she tips her head to survey Kara is fluid and mesmerizing.

Clearing her throat, Kara takes Lena Luthor’s proffered hand. “Yeah – uh, yes.”

The woman's smile grows. "I've been expecting you."

For a moment, the words make Kara's stomach flutter, then the 'duh' moment hits her. Of course she'd been expecting her, they had an appointment. Kara's face flushes red. "I've been looking forward to meeting you, Miss Luthor."

Green eyes gain a look of amusement and crinkle at the corners. Lena Luthor looks as if she has a secret, or like she’s in on a joke Kara doesn't know. "Not as much as I have, I'm sure."

Kara's brows furrow in confusion, but before she can ask the woman what she means, the Luthor bends down and kisses the top of the child's head, before heading out the door and gesturing for Kara to follow.

[[I just love the idea of Lena reading the Allegory of the Cave to the children like she did when she was a kid, as her way of preparing them, a way of telling them that yes, extraction will hurt, it won't be easy to accept the truth, but they will be free].

[Also in this AU, the extraction points used to be the pay phones like in the movie, except those got phased out once the machines figured out that’s what the resistance was using. So Lena developed the L-phones, and made it so one would always be easily accessible. That’s the work she does at L-Corp]]

After their tour of the hospital concludes, Lena watches Kara walk out through the double doors, throwing a friendly wave behind her. As soon as she's out of sight, she pulls out an L-phone.

"Well, she’s persistent, I'll give you that."

"Told you. Who do you think she got it from?”

“I see stubbornness runs in the family.” Lena hums in amusement.

A chuckle from the other end of the line. “You have no idea.”

"How close is she?"

Alex’s voice turns business-like. "Well, she’s made the connection to you, and Kelly’s seeing some sizeable fluctuations in the code, so I'd say she’s getting there. J’onn thinks she might be ready soon. He says she’s responding quickly for someone who hasn’t had as long to adjust. Sooner if you prepare her, probably.”

“That won’t be a problem.”

“Rhea,” Lena can hear the seething disdain Alex’s voice, and thinks her mentor is probably standing over Alex’s shoulder as they speak. “Would like me to remind you that the sooner we pull out my sister —“ Lena can almost see her glare at Rhea. “The sooner you can get back to the Daxam, and this can ‘all be over with’.”

Lena shakes her head. “I’m not pulling her out before she’s ready. The consequences could be disastrous.”

“Yeah? Try telling that to your Captain.”

They’re interrupted by an excited young voice. “Hi, Lena!”

“Mon-El?”

Alex snorts over the line. “Yeah, can you believe her? She brought the kid over just to get you to ‘speed things up’.”

“When are you coming back, Lena? I miss you! I snuck into the dock last week, but M’gann caught me. She said she’d teach me how to make shells if I promised not to go past the bridge again. And Imra asked if she could come with us the next time we go to the bridge to see the loaders, I told her yeah. That’s okay, right?”

Despite the seriousness of their situation, Lena can’t help but smile a bit at the young boy’s enthusiasm. “Of course she can. I’ll be back soon, Mon-El. Stay out of trouble, and do what your ranking officer says.”

“Okay, kid, you heard the lady. Go bother Brainy and Kelly at operations. It's about time you learn to read code anyway."

Lena can hear the boy grumbling in the background, but he obeys. As soon as he's out of earshot, Lena goes back to business.

“Start a trace for Kara's pod location, and standby. Be ready to plug in when I tell you to.”

"Copy. J’onn’s gonna try to get us as close as he can, but it's the fields. We can never be too careful. And Lena…? Try to make it easy for her."

Alex’s voice softens at her request, her concern for her sister evident in every word, and Lena understands. Just as Alex understands that there is nothing easy about the truth Kara will have to see.

"I'll do what I can."

This is not the last time Kara pays her a visit.

Under the guise of her article, Kara returns to Lena again. And again.

The first time she comes over under the guise of an interview, she stays until lunch. And then takes Lena to lunch, partly to make up for ruining her schedule, and partly because the CEO confesses that she often forgets to eat throughout the day.

They eat at Kara’s favorite lunch spot, Noonan’s, where Kara is aghast to learn that Lena has never tried any of their desserts despite the café being less than a block away from L-Corp. They end up trying nearly every dessert on the menu. Or at least Lena samples a little bit of everything, and Kara finishes it all off.

They part, with some reluctance on Kara’s end, three hours past Kara’s allotted time, but Lena assures her that it was worth clearing her schedule, considering how much she enjoyed Kara’s company.

It’s only after she’s no longer in Lena’s presence that Kara realizes she’d all but forgotten about her purpose for coming, which was to interrogate her about the suspicious disappearances at the Luthor Family Hospital, and about Lena’s possible involvement in Alex’s own disappearance.

She returns, this time with the flimsy excuse of bringing Lena lunch now that she knows the CEO won’t remember it herself. Lena suggests they go out to the nearby city park to enjoy her break there.

Lena leads her to a bench on a hill and they sit there quietly, enjoying their view of the park. Lena gives Kara a shy smile. “I like to come out here sometimes. When everything becomes… too much. Sometimes, everything around me just feels so wrong and… fake. Especially with what I do. It feels like none of it, none of this is real.”

Kara turns to look at her fully, a crinkle in her forehead, and Lena wonders if she's pushing it. “What do you mean?”

“Have you ever had that feeling where… you’re not sure if you’re dreaming or awake? And you’re not quite sure if anything around you is real or not?”

Lena chances a look at the other woman. Kara is looking back at her, eyes wide and intent. It takes a moment, one long moment where Kara is just staring at her, as if trying to puzzle her out. Then she nods.

“Yeah. All time.”

“That’s how I used to feel.” Lena holds her gaze, steady green meeting wondering blue. Kara is so close right now, so close that Lena could tell her. How easy it would be if Lena could convey the truth just by looking into Kara’s eyes. But she’s not ready yet. Lena drops her gaze with a soft laugh.

“I guess I was just thinking, if none of this is real, then none of my problems there would be real, either.” She gestures back at L-Corp with a wry smile.

Kara takes the bit, and her smile softens, blue gaze losing some of its intensity.

Kara fails her mission again that time. And the next. And the next. It feels as if she forgets her problems when she’s with Lena. For the first time in a long time, it doesn’t feel like she’s out of place. The world doesn’t feel so wrong when she’s with Lena, or at least, it doesn’t bother Kara as much. She feels like… herself.

As for Lena, she knows they’re running out of time, and that the agents will catch wind of them soon. Especially since Kara is on the precipice of the truth.

But for the first time, Lena finds herself delaying the inevitable. It’s unlike her — the Potential who has spent her whole life freeing as many minds from the Matrix as she can; the second-highest ranking officer and chief engineer of the Daxam, who seizes every situation with a level head and a calm command.

“What are you doing, Lena?”

Rhea’s voice is an imperious snap, even over the line. “You have never spent this long in the Matrix since I pulled you out. You’re putting yourself in danger for a simple extraction. It shouldn’t be taking this long.”

“No extraction is ever simple. I told you, she’s not ready.”

“I know you and that Oracle—” the word is practically a hiss in her mentor’s mouth. “—think that this woman is a Potential, but if she really were that special, she would’ve been ready a long time ago. You were ready long before I found you.”

“This is different—“

“Why? Because you’re sweet on her?”

Lena’s eyes narrow. “You know that’s not why.”

As soon as Lena’s tone gains an authoritative edge, Rhea softens. “I know, my dear. But you know how I worry about you being plugged in for so long with… Lex out there. Besides, you have been neglecting your duties on the ship. Your crew needs you, Mon-El needs you. Come back home, Lena.”

Lena relents. “I will. Soon.”

But ending her time with Kara is easier said than done.

It may be selfish, but around Kara, Lena feels lighter. Her responsibilities don’t weigh as much, and the bleakness of war vanishes in the company of someone so earnest and warm and hopeful. Kara is… resilient. In spite of all that she’s been through, she remains strong, determined, and most incredible of all, kind.

Lena watches Kara with the children — the youngest Potentials, who see the wrongness of the world around them, but aren’t ready yet to be pulled out — and watches her pull gap-toothed smiles and belly laughs out of even the most solemn ones.

She extends this kindness, even to Lena — over daily reminders to eat and take care of herself, to lunch dates she tags Lena along to because she thinks Lena will forget to eat otherwise.

Once, after a successful extraction of one of Lena’s children, a somber Kara brings a small bouquet of plumerias to the little girl’s empty room. She finds Lena sitting next to the child’s empty bed.

“I’m so sorry.” Kara plucks a single plumeria from the bouquet, before setting the flowers on the girl’s pillow.

Lena shakes her head, a serene smile on her face. “Don’t be. She’s free. She’s in a better place now.”

Kara, not understanding her words, gives her a sad smile. She takes Lena’s hand and presses the single plumeria into her fingers. “I’m sure she is.”

Every day, Lena fails to tell Kara the truth, wanting to prolong their time together. And most of all, wanting to spare Kara for just a little longer. Lena can’t bear the thought of being another person who adds to everything Kara’s gone through, of being the reason why that smile dims a little more, or worse, never appears again at all.

Her hesitation nearly costs them everything.

[athena-xox]

Wait okay another hc to go along w my last one here me out okay?

In cedars sdcc letter it mentions like that her and her friends are stuck as puppets and because cedar has experience as a puppet she can help her friends escape and who are the other friends stuck as puppets? Maddie, Raven and Apple.

Then she says that she thinks the puppet master is going to hand them over to EQ. HELLO?!?! OKAY ?!?!

Then she says if you can distract him I get get a potion to turn my friends back human. This part isn’t really important but I want to talk about it anyways. We could maybe assume she’s talking to a specific character to save them like cerise or kitty but I think it’s more likely supposed to be the reader. Idk I just think that’s interesting knowing what we know from the legend shadow high.

Back onto the theory, somehow cedars plan fails and the puppet master hands over cedar, Maddie and raven keeping cedar for his show.

Who are the only three who appear in the labyrinth from eah in the lost movie? That’s right Apple, Maddie and raven.

So the lost movie happens and because we don’t get the ending here’s what I think happens, not both of these but either of these could bring us to the next part:

The evil queen curses the narrators to not be able to see ahead because then they can change the story but she actually totally messes up timelines for everything, causing people and narrators to collectively forget things

The protagonists realize it’s dangerous for the worlds to be connected so they magically close all portals like what the gimms did to wonderland. And unfortunately, like wonderland monster high provided essential things to the world of ever after which is plot continuity (because monster world scares the story in line - idk sue me)

And of course a general ending and cedar is saved blah blah blah. Either way the eah girls forget about monster high because it’s been erased from their memories

And then later the legend of shadow high happens

That’s my explanation for how the lost movie/all the eah x mh connections can co exist with the legend of shadow high. And how in legend a lot of it doesn’t line up with previous canon

[keeps-ache]

i think i tapped on the explore page by accident some minutes ago, i've been scrolling for a good sec like 'why is this on my dash. i don't know any of these people. what's going on' lmfsvh

[disdaidal]

Went for a little evening walk today and discovered a good spot for raspberries near my house. Haven't picked any raspberries in years, actually (I usually go for blueberries) because the ones I typically find are small, scarce, and filled with maggots, so this spot was definitely a jackpot. Some large berries there, too; heavy and ripe enough for the picking.

My little adventure wasn't without hardship, however. Halfway through, it began to rain quite heavily. Luckily for me, I was well-prepared and took an umbrella with me. The location of these bushes wasn't exactly ideal, though—scattered across a steep hill or hidden under the branches of a dense pine that was also uphill. But I was like, I want those berries.

So, when you combine rain, wet, muddy ground that goes steep uphill, and a flat, loose rock that's large enough for you to step on, but not large or sturdy enough to carry your weight...

Well, let's just say that this rock and I played a game called rolling down a hill together. Naturally, that rock also rolled over my ankle on the way down (good thing I wore rubber boots), so I’m guessing there will be a bruise later.

At least most of the raspberries survived the little mishap, although some were slightly squished. I was able to pick a little over half a kilogram, which would likely cost me somewhere between 15-20€/kg if bought here instead, so not bad at all.

They were so sweet, too, omg 💕 12/10 worth it.

[sysig]

Bowtie Charm! Inspired by @zarla-s​‘ super cute rendition hehe 💕 (Patreon)

Bonus collar breakdowns:

Changes depending on the doodle!

[n4rval]

a little pause on art for finals(they are all late) but boy has brain been braining

more specifically on dings' dynamic as asriel and chara's weird uncle bc that's just something i don't see a lot

[iliveinprocrasti-nationn]

one thing abt being disabled/chronically ill that some people don’t get is that sometimes body maintenance that ensures you have the absolute minimum amount of function can also be something that takes away a lot of control and autonomy. you can argue till the cows come home that making those decisions to try and help yourself (or realistically to try to make sure things aren’t worse than they already are) is something that exhibits control and autonomy and stuff, but they can be so limiting in practice because they’re things that take up so much time but have to be done to do anything else