#it's just bananas that both of these things exist in the same episode

[merrybloomwrites]

The Only Way of Knowing You (Chapter 4)

Story Summary: After a chance encounter, Y/N finds herself on a series of dates with Harry Styles. She shares with him her innocence regarding physical intimacy, and he takes his responsibility in teaching her all about that very seriously.

Chapter summary: This chapter contains a night of babysitting, and a night of passionate and clumsy firsts, all of which leads to a realization for Y/N.

Word Count: 3.6K

CW: oral (f and m receiving)

AN: I made up a lot of character for this story and haven’t mentioned them since chapter one so quick reminder of the cast list. Kyra is readers sister, Brian is Kyra’s husband, Wyatt is their daughter and Jasper is their son. Also, I names Gemma’s baby Adeline for the purpose of this story.

—————-

Waking up in Harry’s bed, his arm slung lightly across your waist, just feels right. Maybe that’s why sleepovers start becoming a normal occurrence after that first spontaneous night together.

Those nights tend to be grossly domestic, the two of you making dinner together in comfy clothes followed by an evening stroll around the neighborhood. You’d started watching a new show, saving episodes in order to view them together.

While most of the time is spent with innocent fun and conversation, there’s still the physical aspect of your relationship. Kisses come easily now, from little pecks to say good morning, to make out sessions that end with you grinding in Harry’s lap or having his fingers finding places inside of you that you didn’t even know existed.

All in all, things are going very well.

It’s Wednesday evening, and you’re home alone getting your things ready for work the next morning when your phone rings. Seeing Harry on the other line, you quickly answer, greeting him with a happy, “Hi honey.”

“Hi baby, how was your day?”

That’s how it always is with him, always checking on you and wanting to know how you’re doing. It makes you feel so happy, to be so seen by him.

“My day’s been good, better now that I can hear your voice,” you answer truthfully. A few months ago you could’ve cringed at that statement, but now that you're in your first committed relationship, things like that feel natural to say.

“Well that I agree with,” he replies.

“What’s up?” You ask, sensing he has a reason for the call. While you of course spend time talking on the phone, normally you text first to make sure the other is free for a chat.

“Gemma is wondering if you and I could babysit Friday night,” he says.

“Both of us?” You question.

“Honestly, I think she just wants you because you’re experienced with your niece but thought I might get offended so she asked for the two of us,” he replies with a laugh.

“I’m sure she trusts you, but you’re her baby brother. Hard to shake the thought that you’re still just a kid. Kyra was the same way the first couple times I watched Wyatt.”

“I guess that makes sense,” he says.

“But I’m definitely in for some babysitting. Kyra and Brian took the kids on a vacation for two weeks and I am missing kiddo time. Is it an overnight or just the evening?”

“They’re doing dinner and a show so 5 until 10 or so.”

“Sounds perfect!”

With that settled, the two of you talk for a little while longer before wishing each other a good night.

On Friday afternoon Harry picks you up and the two of you stop to grab the takeout he’d ordered.

You arrive at Gemma’s house and you’re greeted by Michal holding baby Adeline.

“Gems is just finishing her makeup, she’ll be down to give you all the instructions soon,” he says, passing the little girl to her Uncle Harry.

As promised, Gemma comes down a few minutes later, and after greeting you both she holds her daughter and begins to tell you everything you need to know for the evening.

“She gets a pouch and some banana at 6 and then she should be in the bath at about 7:30. Don’t worry about like, scrubbing her clean or anything, it’s more about routine and calming her down for bedtime. There’s a bottle in the fridge, so just throw that in the warmer. After bath make sure she’s dry. She has this rash on the back of her knees so use the ointment that’s on the changing table. I set out her jammies and her sleep sack so get her dressed and then feed her the bottle while rocking and she should fall asleep. If she fusses at all there’s dummy’s on the edge of the crib. What else?”

“I think you’ve covered it, sweetie,” Michal says, wrapping his arm around her reassuringly.

She laughs nervously and says, “Sorry, it’s my first time leaving her with anyone other than mum.”

“I completely understand,” you say. “We’re not offended that you’re a bit anxious, but I can tell you that you have nothing to worry about. We will take excellent care of your little girl.”

Soothed by your words and your confident demeanor, Gemma gives Adeline one more snuggle before passing her back to Harry and heading out the door.

The night goes smoothly, you and Harry working together to keep the little one happy. She’s a chill baby, appeased by the simplest tactics, even as bedtime nears. Just as Gemma said, she falls asleep in Harry’s arms as he feeds her the bottle and he carefully transfers her to her crib. While you wait for the parents to get home, Harry shows you some music he’s working on.

This is a newer development, him trusting you with something so personal to him, and you don’t take this trust lightly. You listen, amazed by the process of songwriting, and give your feedback when asked.

All in all, it’s a successful and easy night of babysitting. The hardest part, you admit to yourself, is watching Harry interact with his niece. Even though you try not to, your traitorous mind can’t help but imagine that this is what he’d be like if the two of you have children. So kind, and gentle, and deeply in love with them.

It makes your heart ache, and you realize that you are in love with this man. Not the Harry Styles persona that he gives to the world, but the kind, loving family man that he is at his core. This thought scares you. You’ve never felt anything like this before. So while you’re sure of your feelings, you keep them to yourself, just for now.

The next night you end up at Harry’s house. This is becoming more common, though he enjoys visiting your apartment as well, always saying that he loves how cozy it is.

But cozy as your place may be, it does not have the comfiest king sized bed ever created. Because that can only be found in Harry’s bedroom.

You’d finally gone to Le Petit Chateau after the fiasco of your last attempt, and the wait was worth it. Dinner was delicious, and you always enjoy an excuse to get dressed up. Especially when Harry is dressing up as well. He looks good in anything, of course, but you absolutely adore the way he looks in a suit.

Which is why it’s no surprise that you end up in the bedroom immediately upon arriving home. He’d driven tonight with one hand on the steering wheel, his other sliding under the fabric of your dress to rest teasingly on your upper thigh. Any pretense that the night would end innocently was gone the moment his finger slipped up just enough to run along your panties.

He’s behaved long enough for you to arrive safely at his place, kick off your shoes by the door, and make it to his room. Once inside though, there’s no holding back.

Harry sits on the end of the bed, pulling you to him and you hike up your skirt so you can straddle his thighs. The kiss is dirty, messy, your tongues sliding together as you run your hands through his soft hair. You want to feel more of him so you quickly push at his jacket. He gets the message and slides it off while you start unbuttoning his shirt.

If he’s surprised by how forward you’re being, he keeps it quiet. Once his chest is bare, you slide your fingers along the smooth skin, running them gently over the muscles. You’re addicted to the feeling, suddenly wanting more, wanting all barriers between you gone.

Suddenly, you get an idea. Something new you want to try. Something you’d always been scared of, maybe grossed out by the thought of, but with Harry it doesn’t seem so daunting.

You pull back, leaving your lips close enough to tease for a moment, and then you slide to the floor. Kneeling now, you place your hands on his thighs and look up at him through your eyelashes.

“What are you doing baby?” he asks.

“I want to try something. Is that okay?”

“Of course,” he replies, though you can see he’s still confused. He trusts you though, so when you start to unbutton his pants he doesn’t question anything, just shifts enough so you can remove the rest of his clothes. After tossing everything to the side, you look back at him, drinking in the sight of him naked in front of you.

It literally has your mouth watering, which is perfect for the activity you have in mind.

“I want to try something. Just, tell me to stop if you don’t like it. Or feel free to give tips,” you say.

“I’m sure I’m going to love whatever you do, sweetheart. Don’t stress, alright?”

“Alright,” you answer quietly. You take a deep breath, scanning Harry’s body once more before encouraging him to open his legs. Once you have enough room, you shift forward so you’re nestled between them.

You wrap your hand around his hard length, and begin to stroke him just the way he taught you. After a moment you take a deep breath. You hesitate a little longer but when you see Harry’s kind eyes watching you curiously, you get the last bit of bravery you need.

Leaning in, you finally open your mouth. You lightly lick the tip of Harry’s cock, and he shouts, “Fuck, baby!” You’re sure it’s a cry of pleasure, but you glance up just to make sure.

“Do that again, love,” he says. You follow his direction and then move to lick the rest of his dick, exploring him with just your tongue. After you spend some time doing that, you open your mouth wider, engulfing the tip in your mouth.

Harry groans as you do this, clearly enjoying your ministrations. You try to take more of him in your mouth, going as far as you can but Harry stops you, saying, “Don’t try to take all of me. Use your hand for the bottom.”

You pull back slightly, wrapping your hand around his base.

“That’s so good, sweetheart. Just like that,” he says, and you're delighted to hear he’s starting to sound breathless. You concentrate on the tip for a moment before swallowing him down again and he cries out. His hips thrust up, before he quickly pulls away. You gasp a breath and he cups your cheeks saying, “So sorry, didn’t mean to choke you. You okay?”

“I’m okay.”

“You’re doing so good. You feel amazing,” he says, and you preen at the compliment. Having caught your breath, you go back to what you were doing, and can tell Harry is quickly approaching his orgasm. He warns you that he’s about to come and you pull your mouth off, now using just your hand. You’re not quite ready for him to finish in your mouth, but he doesn’t seem to mind.

You continue to stroke him, twisting just right and sending him over the edge. He moans loudly as his cock twitches and spurts lines of cum that land on your hand and drip down your wrist. You work him through his orgasm and pull away when he hisses in sensitivity. You look at the liquid on your hand, and after debating for a moment you bring it up to your mouth and take a tentative lick.

“Fuck,” Harry says and his cock gives a halfhearted twitch against his leg. “You have no idea how hot you are. And that mouth is absolutely sinful. Can’t believe you’ve never done that before.”

“So it was good?” you ask, leaning into the hand that Harry has gently cupped on your cheek.

“I was bloody fantastic. C’mon, let's get you off the floor. Are your knees okay? Not too sore? And your jaw, does it feel alright?”

“I’m fine, Harry,” you answer with a laugh. He grabs a shirt off the floor and uses it to clean your hand and then helps you onto the bed.

“Lay down, baby, let me take care of you now. Say thank you for that fucking perfect blowie.”

You lay down and blush at his words, hiding your face in your hands, but he’s having none of that. He gently moves them out of the way and leans in to kiss you. You go pliant under him, letting him lead the kiss and just enjoying the feeling. His tongue swirls around yours, making you dizzy with pleasure.

He begins to kiss a trail down your body, starting with your cheeks, going down to your neck and then your cleavage. You arch your back, pushing your chest out and he plays with the strap of your dress.

“May I?” he asks, and you quickly nod, too intrigued by what is going to happen next to be self conscious. He lowers the straps of your dress, bringing down the fabric until your whole chest is revealed to him. He begins kissing there as well, before swirling his tongue around a nipple. He sucks it into his mouth, and it’s an odd sensation, but definitely a good one. He does the same on the other side before pulling away and moving lower.

He kneels on the bed in between your legs and asks, “Can I eat you out?”

“Excuse me?” You ask, unsure of what he means.

He chuckles at your confusion and then says, “Can I go down on you?”

When it’s obvious that you still don’t know what he means, Harry crawls back up so he’s hovering on top of you. His lips brush against your ear and he murmurs, “May I please lick your pussy until you come?”

“That’s a thing?” You practically shout and Harry barks out a laugh.

“I’m sorry, I don’t mean to laugh. You’re just too cute. And how do you know what blowjobs are, and how to give an excellent one I might add, and not realize that women can get pleasure from another person's mouth as well?”

“I mean, logically blowjobs make sense. It’s the same concept as sex. Like, they stimulate in the same way. But I don’t understand how a woman can be stimulated with a mouth. It’s way different than sex.”

“It is different. But still good in its own unique way. Can I show you? Obviously we won’t if you’re uncomfortable or don’t want to. But I think you’ll be surprised,” he says.

“You don’t think it’s gross?” You ask. You know what it looks like down there, and can’t imagine why someone would want to put their mouth there. Granted you’d always thought the same thing about penises, but it seemed less icky when it was Harry.

“It’s not gross at all. Nothing about you could ever be gross.”

“Okay,” you say a moment later.

“Okay?”

“Yea. We can try it. What uhm, what do I do?”

“You just lay back and look pretty. Let me take care of you and make you feel good. And as always, if you want me to stop just tell me and we stop right away.”

Following his directions, and trying to not get too in your own head, you lay back on the pillows. He goes back to kissing you, his mouth moving against yours before traveling down your chest once again. You try to get lost in the feeling and let yourself enjoy what he’s doing, but you can’t get comfortable.

Realizing it’s your dress that’s bothering you and you push Harry back gently.

“What’s wrong?” He asks.

“My dress is pinching me.” You answer. Harry is there, kneeling between your legs, still naked, and you buck up the courage to say, “Can you help me take it off?”

“You’re sure?”

“I am,” you say, sitting up so he can get to the zipper. His hands land on your shoulders, rubbing gently along your upper back for a moment before finding the zipper. He slowly pulls it down, giving you an opportunity to stop him, but you don’t. You want this. It may be scary, being completely bare, but this is Harry. You want to be open with him.

He lifts the dress over your head and gently folds it before placing it on the ground. It warms your heart that even in this moment, he’s so careful with your belongings.

“Lay back,” he says, his hands guiding you onto the pillows once more. He gently strokes at your newly exposed tummy before placing kisses to it.

“This too?” He asks, his fingers now running along the waistband of your panties.

Resisting the urge to take a nervous breath, you reply with a confident sounding yes. He pulls them off, his eyes watching the fabric move down your legs, not immediately looking at your now bare genitals.

There’s a moment of nervous anticipation before he finally looks at the most private part of your body. Before your anxiety rises he says, “Beautiful. You’re absolutely perfect.”

Your entire body heats up at the compliment, and you resist the urge to hide your face behind your hands. As though reading your mind, Harry says, “No point in getting all bashful, you’re going to be hearing compliments like that from me all the time. Better get used to it.”

“I think I can live with that.”

“Good. Now let me work, you’ve never experienced the joy of being eaten out and I plan to remedy that.”

You can’t help but giggle at his statement, still loving how casual and fun he makes all of this feel, rather than serious and intimidating. All thoughts leave your mind, however, when his kisses move to your inner thighs, his breath ghosting over your overheated core and making you shiver.

When his lips wrap about your clit, you arch off the bed and shout out in pleasure and surprise. You’d thought the friction of him rubbing there felt good, but this wet, hot suction? Possibly the best thing you’ve ever experienced in your life.

He then moves his tongue through your folds, lapping at your wetness in a way that should be gross, but is truly so incredibly hot. He switches between licking and sucking, greatly enjoying himself if the noises he’s making are anything to go by.

And then he sticks his tongue inside you. And it’s game over. His nose is angled just perfectly on your clit, and his tongue gives you just the right stimulation to have you seeing stars. More wetness gushes out as you ride out your orgasm, and Harry doesn’t hesitate to lap up all of your juices.

He sponges kisses all over your body while you catch your breath before finally coming up to hover over you, his eyes meeting yours.

“How was that?” he asks.

“That was…wow…it was-” you cut yourself off, truly unable to form words to describe the experience.

“That good huh?” he says cockily and you both laugh together.

“It was. It was that good, Harry,” you say once you’re able to say a full sentence.

“Wanna take a bath with me?” is his next question.

“Obviously I do,” you answer, and he kisses you quickly before jumping out of bed and going into the attached bathroom.

He comes back after a minute and picks you up, cradling you in his arms as he carries you to the tub that’s now full with warm bubbly water. Harry places you in before sliding behind you and you lean back against him.

It’s relaxing, few words spoken as you rest together and clean each other up. When the water turns cool Harry gets out to grab towels and robes for each of you. He helps you stand and dries you off before helping you into a robe. You stand together in the bathroom brushing teeth and washing faces before going back into the bedroom.

“Would you like to borrow some pajamas?” he asks.

You hesitate, trying to decide what you want. Normally you’d immediately answer yes, but being completely naked alongside him earlier had felt so nice, so freeing. Part of you craves that skin to skin contact. But it’s out of character for you, and you’re not sure how he would react to that.

Deciding to not explain yourself, you simply remove your robe and climb into bed, hoping he’ll get the message. He watches you and takes off his robe as well, giving you a look as though asking if that’s what you want. You nod in reply and he gets into bed as well, laying on his back so you can tuck against his side. You rest your head on his chest and he wraps an arm around your shoulders.

You get lost in your mind, thinking about these new sexual encounters you’ve had with Harry. Up until now, nothing more than a tampon had ever entered you, and now he has. If you can feel so connected to him when it’s just his fingers or his tongue, what will he be like when it’s his cock? How close will you feel then? How good will it be to physically merge your bodies, especially when you’re so emotionally tied? You want to find the answer to these questions. Soon.

A press of lips to your head brings you out of your thoughts and you look up so you can share a kiss.

“Good night, baby,” Harry says.

“Good night,” you reply. As you drift off to sleep in Harry’s arms, you can’t help but think that it really was a good night indeed.

————

AN: Thank you for reading this chapter! Final chapter is next Friday and then my next series will be One Direction x reader (ABO pack fic)

[yamcha-thelonewolf]

How would you feel if Toriyama made Yamcha a fighter again and was actually stronger this time? I'll always be thinking how when he smacked Beerus in the back he made a face. What if he wasn't taken just by surprise that he did it but by the power behind it?

Like what if Toriyama did Yamcha dirty and decided he's not strong unless he does not want to fight?

Good question. Yamcha is still a fighter, for me. He never really gave up, even though what DBS showed us seems to say otherwise. I can't accept the fact that he threw in the towel, that was never like him. Yamcha always shows to us, in his own way, that he still has a passion for martial arts. Get it? Martial arts. That thing that long ago in Dragon Ball was the leitmotif of the whole story.

However, I don't think Yamcha has really stopped believing in his potential. It is virtually impossible to do so after reaching such a power level that makes him literally one of the strongest human beings in the world. Plus if we consider the fact that, between him, Tien and Kuririn, Yamcha's features are the most "normal" (he's got a nose and only two eyes) we can also safely say that Yamcha is the strongest human being in the world.

Okay, this is a bit of nonsense that I sometimes like to bring up.... But think about it, it might as well be so if we have to be really precise.

«JUST LOOK HOW SERIOUS HUMAN MY FACE IS!»

So, I would just be happy if his warrior attitude, that was never really buried, was put on display again. Even a little sentence, a hint, a tiny scene where he is seen fighting or training with one of his friends... That would be enough for me.

Yeah, something like that... Dragon Buddies.

For example, I am so glad that he made his return in Moro Arc as a Z-Fighter; I would like to see the animated version of his moment. Unfortunately, I think this is not the beginning of his rebirth. I have always thought that Yamcha's only enemy is Yamcha himself, and partly so, but the truth is that the real villain of his story is Akira Toriyama himself. It pains me to admit it, but it is so. I can't understand why he is pandering so much to the idiocy of the DB fandom making fun of Yamcha.

Yamcha laughing at memes about Yamcha knowing that he could destroy everyone with one finger.

The hell, even in Majin Buu Arc he was amazing. All right, I know, they're fillers, but you want me to be honest? The fillers took better care of him than the canon episodes and the manga. I mean, at the beginning he was presented to us as a 40-year-old man who had now given up martial arts for good, wearing a banana yellow suit, expensive and sadly unsuitable for battles. He just doesn't seem to want to hear about it. But then, after several episodes of him goofing off or being a fanboy in the stands, like everyone else Yamcha dies, and it is in the afterlife that his will to fight is reawakened after so long. As it was with King Kai before. For those who have followed him from the beginning of Dragon Ball, to be able to see Yamcha again happy, excited and strong, with his uniform on like the old days, is a joy to behold.

Relative joy.

Guys, I can't accept the fact that Yamcha has to be dead to feel even more alive, or even worse that his existence depends only on fillers. Yes, I know, it's still better than nothing, though...

Another good job was also done by the OVA Dragon Ball: The Return of Son Goku and Friends!, probably the last work that remembers that Yamcha also exists and especially treats him as a very valuable fighter. I'll talk about it.

This moment is still one of my favorite. It is one of the most badass things about Yamcha, plus it reminds me so much of a scene where Tarzan does the same...

Look! On one side we have the ape man (no, not a saiyan), on the other side the wolf man... Damn, I love it! Well, maybe I'm digressing, but it is curious to notice how the act of undressing is cathartic for both characters. They both strip off a garment that does not really belong to them and wildly bring out their true nature, their animal instincts, but most of all their desire to protect those they love. That's Yamcha. After all, who says Yamcha has to save the world to redeem himself as a character? He can also do so by protecting someone. That is something he can do very well, and I will prove it to you. Anyway, I sincerely hope that his role in the world of Dragon Ball will also be recognized in DBS. I also hope he can use again even his sword, but unfortunately he became a meme and, apart from the Moro Arc, we only saw him slaughtered and humiliated even by his own friends. This is the saddest thing that could have happened, also because in OG Dragon Ball it would NEVER have happened. There is no more demeaning thing than seeing Goku completely ignore one of his close friends, one of the first, and treat him as if he were worth less than zero. Seriously... WTF?! The Goku I love would never have done that.

Alright, that's the real Goku! Thank you!

I mean, maybe Goku wouldn't have invited him to the Tournament anyway, but at least he would have stopped in front of him to say a few comfortably words. As he once did.

Because, you know, that's what you do with friends and those who have been there for you in the good and in the worst of times. Let us remember that Yamcha took care of Goku together with Chichi when the virus struck him in the heart...

Well, I try hard to think that this is all a joke, though I doubt it. I strive to think that the whole attitude that the characters have had in DBS toward Yamcha is just the result of a studied plan to piss him off and spur him to undress again and howl like he used to. But... I know it's not.

Therefore, even though Moro Arc slightly brought our Z warrior back to the forefront and confirmed that Yamcha is still very strong, I still do not consider myself satisfied. What I would like more than anything else is just a confrontation between him and the protagonist, Goku, in which the saiyan helps him believe in himself again. And if it is not Goku, someone else is fine as long as Yamcha is reconsidered with dignity.

I don't think I'm asking for that much. Goku has helped so many people, dinosaurs, mice, monkeys, strangers he has met only once in his life, even bad guys... So why not help the first character who consciously believed in his abilities?

...Guess I have started a new topic. I will definitely talk about the relationship between Yamcha and Goku as soon as I can. Being the main character, a positive assessment of Yamcha by Goku could change the current idea of this character and make him much stronger as a result. I mean, Goku is the Mr. Satan of the real world. What he says is the truth, so it is only up to him to make sure that Yamcha can come back stronger than before.

Thanks for asking! 💕

[unleashthegoats]

Hey y'all! Loved the new episode, and wanted to chip in on one of the later points - videogames, especially in relation to the "Grey" Jedi concept. Knights of the Old Republic II really did some irreversible damage in that regard, as much as I love the game (though I prefer the first one). Kreia is one of the most central characters in regard to shifting morality debates in Star Wars (in universe and from fans alike) imo, and I'd honestly be super interested in hearing you three cover either or both of the games in the podcast, although I understand that's highly unlikely since none of you have played them. But she is extremely relevant to this topic because she preaches about neutrality and that there's more than just ~dogmatic thinkings of light and dark~, and your relationship with her suffers if you are kind and altruistic and get too rooted in the light side and she's like...one of *the* characters that kind of gets credited with developing a "grey" philosophy in-universe? But people always bring her up as if she's this great point of sensible consideration and not actually, as it turns out, a master manipulator trying to purge the Force from the galaxy (or something like that at least? It's been a while since my last playthrough lol) that lies to you all the time to get you to do what she wants (because she was so crazy bananas both the Jedi and the Sith said "no thank u :)" - well, with a bit more nuance but you get the gist). Really, it's a bit like people falling for Palpatine's anti-Jedi points all over how they talk about her philosophic arguments without bringing that up. But yeah, I thought you might be interested in that. Also, I think KotOR might be what people meant with being able to unlock Dark Side powers as a Light sider but you are absolutely correct that it's a mechanics vs story issue (especially since some powers are indeed alignment-locked AND making dark side choices does impact the character (apart from story, ending and relationships to your party members). It's a bit of a simplistic gimmick, of course, but the further you get into the Dark Side on the alignment, the more it's visible - sickly skin colour, cracks in the skin and flesh, your eyes change...stuff like that. I don't think using Dark Side powers actually pushes you further down the alignment, but the intent is obviously not for Light Siders to mix and match however they like).

Anyway, I'm so sorry for rambling on for so long, but I thought you (or someone, at least :D ) might appreciate that additional info. Keep up the good podcasting! :)

OUR FIRST ASK! I'm so glad you're enjoying the podcast, thank-you so much for listening to us ramble on for an hour once a month!

This is all really interesting! I've read a few metas about the Star Wars video games and the characters within them which is partly why I chose to briefly include them in the episode (and also because I am familiar with Jedi: Survivor which has its own "dark side" mechanic for the main character that was relevant to the discussion). Aside from Jedi: Survivor, I wasn't necessarily referencing any one specific video game, I assume it's probably a thing that's come up more than once.

As far as my reaction to Kreia goes, just based on your description of her, the idea of there being "too much light" just isn't how Lucas's own worldbuilding worked. It's clearly trying to hit on the idea of "balance" being equal amounts of light and dark usage, as opposed to balance being acknowledging darkness EXISTS (in yourself and in the universe) in order to keep yourself from acting on it. There just isn't a way to be "too light" or something like that, there's never "too much" kindness and compassion and selflessness in the world. In this sense, the video games are just going to fall into the same category as the rest of legends and EU stuff, in that they often just do their own thing based on their own interpretations of Star Wars, but it doesn't mean it actually fits with what Lucas himself was trying to get across about the philosophy of the Force and the Jedi in his own stories, and that's primarily what we're using as a base to discuss Star Wars from.

If any of us ends up playing KOTOR, we can certainly try to bring it up more often. I don't think we have any plans of doing more video game stuff currently, but if the KOTOR remake ever comes to pass, maybe I will!

-Mod Sugar

[rodent-king-buunii]

Were more than halfway done, this is eps 9-12. I put pictures + screenshots in this time.. Bare w me here

TW: Death

Episode 9:[not much happens]

The street clip is back

The real life footage is fuckin trippy stop!

THE BEAR ONSIE MADE A COMEBACK! LETS GOO!!

Alien Freddy Kruger has made an appearance..

Oop- damn she found a Knight..

O no.. what is she bout to do w track 44?

NOT HER PARENTS GETTIN BUSY WHILE THEIR CHILDRENT ARE FUCKIN DYIN N KILLIN!?

THE SKINWALKER IS STILL BABBLIN BUT IS MAKIN SOME WORDS?!

The boy lives!! HE GAVE HER A SMOOCH?! N PUT HIS FUCKIN GUM IN HER MOUTH

Not her mimickin the sister’s babble on the banana phone

This episode has a lot of info + big words i don't entirely understand, i just know that Lain is bein duped in the wire like a deepfake matrix

WHO IS THIS FUCKIN DUDE?!

Episode 10:

THE FUCKIN STREET CLIP[i feel like i should have a counter for this shit too]

AYO SO THE DUDE AT THE END OF THE LAST EP LOOKS LIKE IS MONOKE HAD A BROTHER BUT THAT BROTHER WAS JUST… NOT HITTIN LIFE RIGHT?! THIS MFER SUPPOSED TO BE GOD?! HE LOOK LIKE A EMO NEANDRITHAL

GIRL GOD HAS ME KICKIN N SCREAMIN IM--

Not them beefin by readin each others minds out loud… this is the shittiest fuckin battle ive ever seen HELP

Why have a desk for someone that dosent exist?

Lain havin an existential crisis part 12..

They made this whole fake ass family to keep this creature[Lain] in a state of calm? She is some sort of experiment, her state of mind and body are separated. Like some sort of computer simulation that has made itself believe that its real..

As if she was a real girl but somethin happened n her consciousness was uploaded into an A.I. n is remembering that this fake world is hers, shes the god of her own world.. She is everythin n nothin

Dude2 finally made an appearance but bout to get EUTHANIZED!!

NOT HIS SECRETARY FINDIN HIM

DUDE 3 GOT FUCKED UP N GOT A BULB SHOVED IN HIS MOUTH HELP-

O shit the mom that the delivery dude was tryna get w got fucked up too

Kid didnt even notice…

The men in black are supposed to be the good guys but o my fuckin gods they talk like super villains- i liked it better when they didnt speak

They denounced the emo God for both worlds.. He cant be Hannah + Miley anymore

WHY THIS MFER LOOK LIKE EMINEM?!

Wait okai so it made sense when the dad said he loved her but when Eminem said it it made me confused??

Mfer look like the one meme

God is a dick dude “i created you” “love me” “theres no one else”

LAIN FIGHTIN BACK

Episode 11:[empty episode]

Openin up w/, what i can only assume is, Lain hookin up to her set in this empty house she once called a home.

It feels like a music video you vaguely remember seeing as a kid, is about to start.

Were Lain + the dead classmate actually friends?

Were any of her friendships real?

Was any of it real?

After 8 straight minutes of never starting a music video we got to the plot?

Emo god is back-- fucker

THIS BITCH IS SOFTWARE?! IS THAT WHAT YOURE TELLIN ME?!

She understands but doesnt at the same time + i feel her for that.

The dead girl + the guy from the club are playing angel + devil on her shoulder, playing the suicide game + trying to vaguely convince her not to..

Alice’s teacher “rumor” is still in hot pursuit

ALICE IS BEING STALKED BY FREDDY KRUEGER?!

O its just Lain bein weird.. Nvm..

She is the wired

Love that for her

Shit Lain passed it on like a fuckin virus

Episode 12:

“I was overthinking things all along” --Lain

What a fuckin mood

THE FUCKIN STREET CLIP IS BACK BBY!!!!

Alice is onto Lains ASS

+ LAIN KNOWS

Fuck Lain is bein creepy af usin her power to creep out her “best” friend

Taro is still up on the “i kissed an angel” thing-

Lets all love Lain

The man is tryna blend everyone + everythin usin Lain

THIS IS THE FUNNIEST FUCKIN DEATH SCENE WTF?!

WHY ME MOVIN LIKE THAT?!

HE SAW LAIN + FUCKIN SPAZZED TO DEATH

EMENEIM DOES TOO FUCK I LIKED HIM

Alice comes to the Ikura residence + walks though this trashed deserted house. Hits some gas, sees the skinwalker w/its head split in half, still babbling in search for Lain

Lain sleeps in a cocoon bed like i do :>

“Watching what?” Lain: :>

Lain thought she was loving Alice, Alice thought Lain was bat shit outta her mind + hated her.

Theyre connected without having connected

“Alice, i love you” girl don't-

Alice is a better friend than i am…

FUCKIN EMO GOD NEEDS TO FUCK OFF MY GUY

LET LAIN GO SHES SCARING ALICE ITS NOT A BUG SHES HUMAN DAMNIT

ITS NOT A BUG, SHES HUMAN

ALICE SAW THE HAND OF GOD

Not Lain talkin back to EMO GOD

I love her questionin him, tellin him that theres a god before him

Lain fuckin leaves him to go with Alice so he threw a fit + created a body… fuckin pussy

These girls watched as a false got destroyed himself

Death Count

+5[theres no telling how many global Knights there were]

+1

+3[?]

New total ≈19

Thoughts:

I shouldnt have laughed as much as i did during episode 10 +12. God was givin v musty.

||P1||P2||P4||

[amplesalty]

Christmas 2023 - Day 1 - The Mean One (2022)

On the first day of Christmas, my true love gave to me...

A man dressed like a furry!

It's Dec 1st which can mean only one thing, it's time once again to lament on a not so 31 day filled Halloween marathon and shift to anticipating the arrival of a jolly fat man in an red costume. What better way to do that than with another round of holiday related media? And, being the purveyor of Grinchly related matters that we on this here blog, we're looking at a certain release from the space year 2022. "But Ellis…" I hear you cry as you erect your evergreen tree based shrine to capitalism, "it's day one. You only watch horror related Christmas movies on day one, right? Surely this is some sort of mistake…" There is no mistake, friends.

For what we have here is one in a growing trend of cheap, 'no copyright intended' spins on popular franchises in an effort to make a quick buck on shock factor alone. I say trend, it's realistically only one other one given The Banana Splits Movie was licensed, as was 'Arthur, malediction' which I'm just learning about which is a spin off of the Arthur fantasy novels which were adapted into animated movies in the late 00's. The other big knock off children's horror is the infamous Winnie the Pooh: Blood and Honey, which I think is able to delve deeper into the actual characters because it's dealing with a property that, at least in some part, had just entered into the public domain. Here, they skirt around the stuff that's liable to lead to litigation with such lines as "His name is The Gr…" "FINCH, ORDER FOR FINCH!" which leads to our villain being referred to simply as 'The Mean One'. But they're quite happen to revel in some of the key points of previous iterations, such as our protagonist being a girl named Cindi and existing dialogue, such as when Cindy is studying a sketch of The Mean One and wonders if his evil is because his shoes are tied to tight or whether his head isn't screwed on quite right.

The film starts out innocently enough with Cindi (no Lou), who is way more than 2, finds a shadowy figure in her living room that appears to be stealing their Christmas related paraphernalia. She hands him her necklace as a gift and he scampers off into the night, only, this story doesn't quite play out that way, as the scene suddenly shifts to Cindy's mother confronting the intruder, only to get knocked to the floor and finds herself impaled on an errant nail on the floor that goes through her neck and kills her.

A young Cindy is asked to draw the intruder but leaves police puzzled when she draws a green, furry Santa. He looks surprisingly happy here, it's kind of a cute drawing if it wasn't tinged with the reality of bloody murder. Twenty years later, she's back in 'Newville' and looking to deal with her traumatic past at the behest of her therapist. She and her father roll into town with their car decorated with reindeer horns and a shiny red nose, only to get pulled over and told such things are illegal within city limits. Apparently it's too distracting for the other drivers. Honestly, Frank Costanza has the same problem with tinsel. Things only get stranger for Cindy and her Dad when they go to find decorations to spruce up their place for Christmas, only to find no store in town sells them. But no matter, Dad is able to find some old ones knocking about the place and promptly sets them all up.

But celebrations are short lived when a rampaging beast breaks into their home and attacks daddy, finishing him off by pinning him against the front door and driving a pointed candy cane through his skull and out of his eye socket. Tony from Hack the Movies would not be thrilled.

The movie hints at a few different things from here, with Cindy having a psychotic episode on account of the same green monster killing both of her parents some twenty years apart, staring at her bloody hands like she's New Generation Bob Backlund after choking out someone with the Cross Faced Chickenwing. You've got her trying to look for answers while a suspicious police force keep an eye on her and a frustrated mayor is on the scene trying to cover everything up Jaws style because she's worried about how the bad publicity will affect her attempts at re-election. And it's here that I feel the movie starts to fall short. We come to learn that The Mean One is alerted to all things Christmas and will come murder your ass if you so much as hum Jingle Bells to yourself so pretty much all mention of the big C has been eliminated in the town of Newville. But this movies feels so small that it's never able to fully run with that concept or show the ramifications of that. There's some obvious recency bias here but looking back at something like Halloween Ends, and the whole trilogy, I obviously waxed lyrical about how those movies really looked at the town of Haddonfield itself and focused on how the actions of Michael both 40 years ago and through to the present day shaped the town itself and it's inhabitants. But here, there's such a small cast of characters that we never really get to see how the townspeople have been affected by this or how they react to outsiders coming in. Even when Cindy and her Dad are after decorations only to find no one sells them, that all happens off screen. It would have been much more interesting to see the shopkeepers being nervous or even hostile to the idea of these two mentioning the word Christmas, alluding to some conspiracy as to why the town keeps the whole thing under wraps. Show, don't tell.

I think that could actually be a neat concept for someone to explore, Christmas is obviously such a ubiquitous thing in society and something that brings joy to so many, why wouldn't you want to go spread that with everyone? Wouldn't it be weird if you turned up somewhere and everyone was against it? Actually, to dip back into one of my ongoing tropes, this would actually be a really cool stealth 'War on Christmas' horror movie. Someone feels they're being persecuted in not being allowed to celebrate Christmas and goes to great lengths to break the rules of the town by putting up displays, playing music etc but is actually doing more harm than good as their actions bring this evil force into play and puts peoples lives in danger.

That's not to say that the movie is without it's charms, if you want gratuitous gore than it has that, specifically a scene where The Mean Ones slaughters a bunch of drunken revelers dressed in festive costumes. The Mean One is played by David Howard Thornton who also plays Art the Clown in the Terrifier movies which actually makes a lot of sense when looking back at this one scene because it's very Art like in the way he does this almost theatrical routine in front of his confused would be victims before starting his slaying. The movie isn't quite as cheap as I was expecting and I felt pretty engrossed throughout, it only takes a bit of a dive at the end as it really ramps up the stock footage and phoney looking news reports which very much smack of 'let's get one of my mates in a cheap suit and stick them in front of a green screen'. Maybe I'm too used to these big Hollywood movies that shell out to have respected news presenters like Sophie Raworth show up to tell us that the world is ending.

The acting feels pretty lame all round and, surprisingly, the whole thing is played way more seriously than I expected. I did like Doc Zeus actually, partly for his odd name and also for being somewhat convincing as a grizzled, old hunter who is out avenge his murdered wife who was chopped to bits by The Mean One. The movie doesn't really venture into the silly buggers territory until two thirds of the way in when it abruptly turns into Home Alone meets Terminator where Cindy goes all Sarah Connor and has a Rocky-esque montage to become skilled in all manner of hand to hand combat and firearms, before setting up her house with bear traps, machine guns and bauble based explosives to help her in her final showdown with The Mean One.

She definitely paid $5 for the Festive Gun Skin DLC though.

And SPOILER WARNING, I do kinda dig the anticlimatic ending somewhat where Cindy has The Mean One beat but hesitates in pulling the trigger on getting her revenge, that whole 'if you stare into the abyss, the abyss stares back at you' thing and actually forgives him.

This causes his heart to grow three sizes that day, only in the Moe Szyslak 'this is a serious medical problem' sort of way and his heart promptly explodes 5 seconds later. Huh.

The whole ending is another sign of them not having the scope to deliver on their ideas because they try to get across in flashback that The Mean One didn't mean to kill Cindy's mum, that he was horrified by his actions and Cindy's reaction to him after initially being so welcoming to him tipped him over the edge and made him into the monster he would become. Which, again not wanting to sound like 'let's just turn this movie into Halloween Ends', would have been an interesting thing to see play out. If you had The Mean One be at least semi-sociable like the 2018 Grinch that would be out and about in Whoville, only this accident makes the town ostracize him like Corey Cunningham in Halloween Ends, you're actually developing that sense of sympathy over the course of the movie instead of trying to humanize him with a 10 second flashback right at the end. So in a lot of respectives, this is a pretty lacklustre movie but I have to at least give it some credit for seeming like it had some decent ideas that it wasn't able to execute. I was going in expecting full on cheap explotation to come out somewhat pleasantly suprised is at least something. The costume on The Mean One is pretty good too. They put some effort into the mask and it helps sell the scary factor. The movie is just an odd curiosity and I can imagine some people might get some mileage out of it, if you just want a Christmas gorefest or a novelty piece of subversion on a childhood classic, it's got that going for it.

[mommyhot3lbows]

living the delusional life: episode 1: how i would plan our MGP ⭐

truth to be told yes i am still jealous towards other batch that got to have their mgp and all of this couldn't be done due to stupid COVID-19. robbed our high school life forever ngl. like wdym i don't get to have a special prom night after 5-6 years going through hell? and the worse part is the school literally just ignored our batch after what we've contributed to the school. like girl are you serious rn....... anyways this post is basically me relieving my stress so i started organising and making up shit in my head to cope. pls bare with me.

time

the way i imagined who it's going to be done is when all of us were done with our degree and internships (and other names so to speak for other courses) and after all people that are studying abroad to be done and come back to Malaysia.

yes, we're going to be super old but i think it somehow made it better because it's like a reunion which we never had and we're going there by that time most of us have already have our own money and car and shit, so its going to be easier.

place

i was thinking somewhere big, like a big hall or ballroom which looks super fancy. like really nice venues. also i feel like the hotel or place need to be near to the accommodation nearby like lrt and such, to make it easier to get there and stuff. and the hotel doesn't have to be super fancy or what not, it's like you know, like a decent hotel like how you expected a normal room should be? yes, that's the vision.

food

honestly i feel like a serve-on-the-table kind of thing should be the way for dinners, but idk i feel like its somehow better if its like a buffet? where you can take whatever and how many things you'd like. considering we're going to be wearing like dresses and look hot and etc, i don't think we'll be eating much.

at least that's what it is for me, because i never enjoyed formal dinners because i used to handle something at the same time so i never got to enjoy it fully. oh well that's kinda sad LOL. like seriously, i mostly took pictures at the end of the day and eat leftovers from food and drinks that most people have already finished and such. kinda sucked, but yeah, it is what it is i guess.

also the menu should be like not too heavy, i feel like western should be nice but idk malay cuisines should be there too. but if malay food are there it would be like a kenduri fgs lmao....... maybe we should just have both choices. OH AND THE DESSERT NEED TO BE SOMETHING LIKE EITHER SUPER SWEET OR JUST NICE.

dessert i was thinking maybe something like chewy cookies and brownies... cakes are so idk, its like meh... or like a dessert cup, where there's like some cream and maybe some brownies or what not along with some fruits like berries or bananas... it should balance out the sweetness of everything imo.

goodie bags

i remember doing a poll and most of us voted for having the goodie bags as like those brown aesthetic boxes, filled with those paper stuff. and in there wil be like jewelleries or like a necklace or a bracelet with calista's name on it. also maybe some sea salt choc chip cookies in there, some pastries as well. we never really eat candies anymore these days.

oh and maybe like a shawl or shirt or like a tote bag, basically just something calista based. it would be pretty cool to do so.

additional stuff

it would be cool af if there's like a polaroid service, where anybody can just take how many pictures they want and etc but we pay the service provider per hour. i think those type of services exist....

PHOTOBOOTH. VERY VERY VERY IMPORTANT.

games

it would be boring asf without games. i imagined this to be literally just us, without teachers, or parents or kids, literally us. we can act and be how we act normally without caring what other people is thinking.

some of the ideas i had for games are like those typical sleepover games, but we turned it into like a big one for the whole crowd. i think its going to be pretty cool. or maybe like a game related to what we used to be back in hs, so maybe incorporated something from that. like guessing what house they're from (since we'll not remember most people's houses lmao), it sounds tacky and cringe but idk.

theme

something elegant. plain b&w would be dull af. elegant might be the theme for it. instead of colours, we pick the vibe we're into. like formal-elegant-hot-people type of elegant. like old money, and shit. it would be pretty cool to see each and everyone's dresses and outfits.

no rules ofc. this ain't the hs no more (thankfully).

[k7l4d4]

I honestly love Zoe as a concept (mysterious half-sister who is almost the same age as Chloe that she’s never heard of), but her presentation is... kinda ruined. Like, she doesn’t FEEL like a “nicer Chloe.” She doesn’t feel like Chloe at all! She just comes across as a generic-ish nice girl with an interest in acting. Heck, her introduction episode is basically a copy and paste of the Trope Namer for the Mary Sue trope, and Queen Banana shills her as this amazing Bee Miraculous user... when she either does basically nothing, or just uses Venom, compared to Chloe who actually knew how to fight with the thing.

It comes across as forced because she both came out of nowhere in a very blatant way without any reference to her existing beforehand, AND Chloe also being severely flanderized?? It cheapens what little value her appearance was meant to have, as was her almost immediately getting the Bee Miraculous.

If Zoe had been mentioned or hinted at existing back in, I dunno, Season 2? 3? It would’ve made her appearance a bit easier to swallow. Honestly, the fact that so many people act like “she grew up with Audrey and SHE didn’t turn out to be a brat, so clearly it’s all Chloe’s own fault!” tends to annoy me. Like, people are different and they react to different things in different ways; Chloe’s entire issue is that she wanted Audrey’s love and approval and thought mimicking her was the best way to get it, because Audrey was barely around and belittled and insulted her whenever she WAS, whereas Zoe would’ve gotten a firsthand look, twenty-four seven, of what Audrey is like as a person and would’ve known that she wouldn’t ever get any love from her... if it weren’t for the fact that she’s apparently been in boarding schools most of her life, so Audrey wasn’t in her life any more than she was in Chloe’s.

Sorry for the rambling, I have... many, MANY complicated feelings about the show’s current writing

correct me if I'm wrong cause I'm probably overthinking this, but of all the characters to be a different Chat Noir aside from Adrien and Marinette...it was Zoe. Zoe who is supposedly Chloe's replacement. Chloe who the fandom hc as being Chat Noir in a lot of AUs and generally just a popular Kwami Swap AU character for the cat miraculous.

Maybe it's just me being upset (still) about Chloe's lost potential but meh. I wish Zoe is treated better tho, right now she's like every other character - relevant when the plot needs it or another Adrinette 'shipper'.

[monstermoviedean]

weekend at bobby's is an episode in which bobby learns that asking for help is worth it even when it's hard and dean learns that he shouldn't ask for help because it makes him whiny and self-absorbed.

[variousqueerthings]

and now I’ve finished my rewatch of s1

(EDIT: yankee doodle doctor! I forgot to fuckn include it - done now)

which, I’ve gotta say -- considering I only watched it for the first time... in late August of this year? -- I think I’d already internalised this idea of the show “still finding its feet” in that season/generally not being as good

however while this is true in the sense that there are some concepts that are rougher now/better explored in later stories + character things that definitely don’t exist later on (Hawkeye mentions “mom and sis,” and Radar smokes and drinks I think are the two I noticed the most... there’s also Henry’s wife giving birth in showtime, which I don’t think is ever brought up again, but I can include it in my show canon)

(makes him cheating on her feel worse though)

(also saved this:)

(haha... ha.... oh no)

anyway, a lot of character stuff and concepts persist! 

the “dear” episodes of course, the depiction of the army as both inherently ridiculous and dangerous (the ringbanger, the army-navy game, tuttle) feels pretty consistent, even some early experimentation in episodes like yankee doodle doctor and showtime (which, I take back my previous post, showtime also feels like a season-ending episode, so that makes it s1,3,5,7 for me so far). And Klinger made appearances much sooner and more consistently than I remembered. Even that early on it feels like the writers could tell that character was something special

then there’s Hawkeye becoming Chief Surgeon in episode 4 already, early seeding for Margaret to become more friendly with especially Hawkeye (although they’re right in showtime -- she and Trapper always seemed to have a tension... she shoulda given some % of the perfect guy to him, she and Hawkeye bonding over wanting to lowkey bone Trapper), and Mulcahy’s series-long arc of not feeling like he’s necessary in comparison to the others in the camp

an early couple of entries into the “Hawkeye’s brain works a certain kind of way” with “yankee doodle doctor,” “bananas, crackers, and nuts,” “tuttle,” “sticky wicket,” “major fred c dobbs,” and the whole nude-camp-walk in “dear dad again” especially

a lot of same-sex flirting, including some of my favourite scenes, such as: Hawkeye and Trapper dancing, Hawkeye kissing Frank -- on the forehead and on the mouth, Hawkeye warning Frank that he’s going to call an usher if he doesn’t stop walking his fingers up his thigh, Hawkeye and Klinger discussing gaudy outfits, Hawkeye telling Trapper he won’t go home with him just because he gets him drunk, Hawkeye and Trapper flirting in Margaret’s bed, and Hawkeye telling the general he wants his baby, and also general vibes, such as Tommy saying young Hawkeye was “a bit of a sissy,” Hawkeye giving Trapper his long-johns because of one pathetic cough, and the way Hawkeye grabs the back of Trapper’s neck in relief and support in showtime

(not shown on this screenshot is how he shakes him a bit, like he’s holding onto the scruff of a puppy)

and then of course the first suggestion of the show’s overall trajectory with “sometimes you hear the bullet,” but would argue particularly “yankee doodle doctor,” “ceasefire,” “sticky wicket,” and “showtime” are also strong indications of that

Shower scenes: 3 (the ringbanger, sticky wicket, showtime)

Most shocking thing that never comes up again: Klinger threatening to use a hand-grenade in camp and Mulcahy talking him down

Favourite 3 episodes: sometimes you hear the bullet (yeah yeah it’s obvious but it’s That Episode!), tuttle (this was the first episode for me that really cemented how into the show I was going to be), aaand then a tie between sticky wicket and ceasefire 

Singing: I forgot to document that this season! Silly me...

Kind of insane about this:

Followed by Hawkeye refusing her advances and her pressing on regardless (with the line “I���m not interested in your mind,” interested in the role reversal happening here), and then Trapper comes in and interrupts them

[ultrakart]

Seeing double

I’ve seen some out of context screenshots of this episode. VERY interested in what that’s all about...

-Ooooh so THIS is the episode where we get Marinette’s running outfit!

-A big step up from that instagram post from ages ago where she is on a run with Kagami and she’s just in her pajamas lol

-COSPLAY BUG COSPLAY BUG HELLO IVE BEEN VERY CURIOUS ABOUT U

-Shoutout to @overworkedunderwhelmed​ for dubbing this girl as Dopplebug lol

-Ohhh Marinette knows her!

-I was expecting them to be total strangers

-Of course cosplay girl just so happens to be a classmate

-Ruh roh, THIS conversation is gonna go over well

-Ohhhh so Marinette and Socqueline have known each other for like... years

-I HAVE to know the full backstory to this

-Is Socqueline also have Chinese? This shop

-Is this your family shop

-IS THAT A BANANA OUTFIT YOU CAN PUT ON ADRIEN

-IF I HAD ONE OF THESE RINGS I WOULD TOTALLY USE THAT EXCLUSIVELY

-Bruh the Jurassic Park lady from earlier is back

-Random animal dna go BRRRRRR

-So......... the alliance ring tracks literally your every move...

-Recording TWENTY FOUR SEVENNNNNNNNNN

-And Marinette had it on when transforming

-This gon be gooood

-Oh and we get to see a different section of Paris in this episode! Neat!

-CGI EMILIE AGRESTE????

-Noooooooooo wayyyyyyyyyyyyyyy ://///////

-OH OOP. Now that’s really clever of Gabriel! Alerts for when someone with a ring moves around like a superhero

-It was Tomoe’s idea wasn’t it

-Gabriel you ain’t THAT slick lol

-Ooooh

-Her name is Socqueline Wang!

-That’s like... the third person named Wang in this show

-Wang Fu, Wang Cheng, and now Socqueline Wang

-ok?

-Lol using voyage to expedite shipping that akuma

-Darker Owl

-OK

-Yo Adrien still playing on his gamecube

-He even got a wavebird controller

-Lol Plagg really hates the alliance ring

-OH OOP DEFEATING THE AKUMA IS JUST A VISION ISNT IT

-I see that pink shoujo filter

-But whose fantasy is this

-WHOSE PERSPECTIVE ARE WE WATCHING

-Lol wedding scene

-Hang on lemme just hit the print screen button so hard that it breaks

HELLO. MIRACULOUS WORLD CHARACTERS MAKING A CAMEO IN THE MAIN SHOW. HELOOOOOOOOOOOOOOOOOOOOO

Like a couple weeks ago I was searching the #fei wu tag and I found a post marked as a spoiler and I was like wut??? She shows up in season 5?????

THIS must be the reason why!

So happy to see muh gurl show up in the main show. If even as a vision. Definitive proof that the specials ARE canon. 😊😊😊😊😊

Anyway let’s resume the episode shall we.

-Aaaaaaaaand they’ve woken up from the Matrix lol

-OH. CHAT NOIR. PISSED BEYOND ALL BELIEF

-BROOOOOOOO

-Ohhhh nooooooo even getting rid of the akuma no longer feels victorious

-Because they’ve made no progress. The kwamis are still missing

-OH OOP MARINETTE GOT A RING

-But she already knows how dangerous it is for that thing to track her every second of every day o_o

-POST END CARD SCENE?

-They are in DA NILE

That episode was a RIDE. Like?? I remember ages ago saying that it would be super cool to see some sort of Ladynoir shared dream where they both exist in the same dream world together and???? IT HAPPENED?????

And we have a CANON Marinette lookalike character. She’s cute! And she really just wants to be as helpful as possible but her way of helping is super dangerous. Girl I love your energy but plz be careful!!

Also also also also also also MIRACULOU WORLD. MAH GURL FEI MADE AN APPEARANCE (...not physically but anyway) IN THE MAIN SHOW.

This episode really did have everything a girl could ever ask for. Good stuff, good stuff.

Can’t wait for the rest of the season to obliterate me.

[saberstars]

I'm Here

Pairing: Gender Neutral Y/N & Loki

Fluff, angst, implied smut

Warnings: Mentions of depression/mental illness, epilepsy/seizures, mentions of sex, as always if I missed anything feel free to let me know

Summary: Loki & You have a pre-existing friendship with benefits & one night you have a seizure after some spiciness. He cares for you helping you afterwards & makes sure you rest easy & safe. Reader is portrayed to have seizures more so during changes in sleep phases, not awake. The wake seizures or more of a medium ish absence/ focal aware seizure that only occur on occasion & can be “fought” through.

Word Count: 1796

Notes: This was intended to be a gender neutral reader. I think I removed all he/she pronouns.

Additionally, I know that not everyone experiences seizures the same way, and that epilepsy can affect people differently. This is all written from my experiences with it, so I ask that you do not tell me I portrayed something wrong. I can and will accept constructive criticism, But I will not accept someone telling me blatantly that I am wrong with my experiences. Therefore please keep that in mind when reading. I genuinely hope this fic brings others comfort if you suffer from epilepsy or any disorder that causes seizures. Thank You <3

It’s been three years since you found out you suffered from epilepsy. A diagnosis that came late in your life to be fair. As a young child up until you reached adulthood, you suffered from eye shakes that would eventually turn into stuttering spells that made it difficult to breath or not breath properly at all. You never passed out though, you got close a few times, but you managed to stay awake and “fight it off.” You started to notice over time that you’d also get a strange taste in your mouth, almost like metal or as if you were sucking on a battery and it had that zing flavor. You knew that was a precursor and would panic on cue rightfully so. You hated when you had your mini stutter fests because all you could do was hope it didn’t happen.

Of course you complained to your parents as a child but they didn’t think it was anything. They said it was just a panic attack. So you took their word for it. That was until you started having grand mals in your sleep. At first you thought they were just a part of some strange dream, that wasn't real to you, not yet anyway. You would wake up exhausted, sore, sometimes unable to move properly, walk, open and close a fist, and you just overall couldn't stay conscious sometimes. Again you complained to your parents about it, but they said it was nothing. You probably had night terrors or some form of minor sleep paralysis. So you dumbly believed them.

When you moved out, You sought answers, and eventually got them. You were grateful. The medication they prescribed helped tremendously though, it did make you tired but it was worth not having your episodes. Thankfully your case wasn’t as severe as others and it was manageable so long as you took care of yourself and took your medications. Though you were warned, breakthroughs were common, and missing your dose can and would cause a seizure.

Despite having such a diagnosis, you kept it to yourself. You never really told anyone. It wasn’t until you started sleeping with a friend, that you finally divulged your secret too in the event that it ever happened whilst they were with you.

It was someone you randomly slept with on and off with. A friend with benefits, his name was Loki. You had met the god shortly after his father had passed and his home, destroyed. You found comfort with each other despite it being more of a sexual comfort. You both used sex as a way to fight your own demons, a distraction, a quick grab at serotonin. Despite the sex you both developed a very deep friendship. You’d read together on occasion, have very interesting debates on current events, history, as well as other nuances, and a lot of other things. You even met his brother and the avengers at one point.

You both slept soundly after spicy events had taken place 2 hours prior, Loki had come over desperate for attention of any kind. He didn’t say why, but you knew it was a rather serious topic he wished not to discuss and rather lessen the pain with ecstasy. Little did you know, on this day a few years ago he indirectly murdered his mother. He blamed himself dearly, he knew if he would have kept his mouth shut for once in his life she may be here today. So he needed a genuine distraction. One of any kind. Preferable you. Due to the spicy events that took place you missed your dose, due to falling asleep promptly after, which cost you dearly. Missing doses always caused this to happen no matter what.

You gasped for air like usual, your body contorting outwards first with a thrust. You were awake, conscious, and terrified for the few seconds you normally were given before blacking out. You began to stutter violently all the air leaving your lungs as it happened. Until no sounds were made and it was just you chattering. Loki woke immediately, with a completely calm exterior despite a raging mixture of emotions internally. He knew you never called an ambulance for these things because you were normally alone & unaware until you became conscious again. She made him promise to never call 911 unless it was over a certain time length, to save her medical expenses, or unless she stopped breathing for good.

Loki dare not touch you though as you shook and curled up. The last thing he wanted was his godly strength to crush you somehow or cause you more pain. Instead he watched and hovered until you finally stopped. It was a short 50 second one, which was under your time limit, but he still debated calling. It’s not like You would’ve known he lied.

His breathing hitched as he went to check your pulse and airway, ever so delicately, which were both clear and strong.

“Oh thank you.” he whispered

A few hours had slid by with still no response from you. Loki sat next to you, staring down at you, to the point where he would fight the urge to blink, waiting for a stir of some kind from you. He did give the courtesy of redressing you though, in a nightgown from a drawer after an hour slid past. He even went as far as ensuring that you were adequately covered by the blankets to avoid being chilled. It has been 3 ½ hours now, with no stir of any kind from you. He knew it would be awhile before you showed any signs of movement possibly but this worry tore him to his core. In the midst of waiting he refused to just idly go back to sleep next to you, he was determined to stay awake until you were conscious again, so that you knew, he stayed there waiting for you. Loki didn’t know when he found himself talking to you as if you were awake, but all he knew was that it made him feel a bit better, and he hoped that when you woke it would make you feel better too.

“You know, I’ve been reading this really dumb gothic romance novel. I think you’d like it because of how naive the girl is. I know you like to criticize and pick on how they make decisions.” he spoke with a chuckle in his voice thinking back to how you’d flail your arms and drop your book to scream about how dumb some main protagnist could be.

“I'll have to buy you a copy or give you mine when I’m done.” Loki shifted his weight from his right to his left brushing your bangs out of your eyes.

“I don’t know why you keep those so long, all they do is get in the way of your gorgeous eyes.”

It was in that moment you rustled, you shifted your neck ever so slightly, Your eyelids twitch. Loki leaned forward parting his lips as he watched with a heart of hope completely overwhelmed with joy when he saw the color of your iris’s. He exhaled a shaky breath cupping your cheeks which caused you to flinch sending a wave of shocks through your body. It was at that moment you knew. You knew what he saw, what he had gone through. Your heart sank and you immediately berated yourself internally despite your exhausted state.

“It’s ok you don’t have to say or do anything. I’ll stay, I’ll take care of you for as long as you need.” Loki assured you, wanting you to know that you didn’t have to go through this alone. You never really had anyone stay, let alone worry about you. Your eyes began to water as tears rolled down your face.

“I’ll go grab you some water, you’re probably parched. I’ll also grab you a banana. I read that potassium can help with the cramping.” Loki said leaving to yourself for a moment. He also grabbed tissues for your eyes and nose just in case. Upon returning her placed everything at your side offering help to sit up. “Do you need to use the bathroom or help sitting up?” He asked with a gentle tone.

You nodded trying to take a good deep breath so you could speak a bit. “I’m so sorry you had to see that… but thank you. Thank you for staying, for helping. I do need the bathroom and I would appreciate help. My legs are still...” you mustered out with all your might but after a point your tongue refused to work with you.

“Of course, I may be a monster but I’m not entirely cruel. If it helps… you can just think to yourself and I can listen that way. So that you're not struggling too much.” Loki admitted with a tone of self depreciation.

“You're not a monster just because you're different & have made mistakes.” you thought as Loki picked you up bridal style walking you to the bathroom. Of course he placed you down on the toilet and waited outside for you to do what you needed. Since he had only added a nightgown to your previously naked body it made things easier. It was exhausting to just sit up and do everything but you pushed through. You even pushed yourself up and limped to the sink best you could to wash your hands. Upon hearing the faucet though Loki came back in standing behind you offering support if needed.

“Catch me~” you thought before falling back into his arms with a snort.

“You're lucky I have godlike reflexes you minx.” He replied with a hint of flirtation. You had used more than you had in you to wash your hand. Loki caught you obviously and carried you back to the room placing you back on the bed. “No, more like I knew you were ready to catch me.” you slowly thought as exhaustion tugged at your consciousness again. Loki noticed the pill bottle on your dresser before prompting you to take it. Instinctively opening it and sliding one into his hand.

“You should probably take this before you fall asleep.” You took it mentally saying thanks drinking the glass of water with it.

“Yeah that would probably help avoid some added breakdancing.” You joked trying to use humor to lighten the situation. Loki stared plain faced trying not to entertain your joke though, despite finding it secretly witty. Maybe he’d laugh at it when you felt a bit better. Soon after you began to dance between awake and sleep. Loki took note based on how your thoughts jumbled around between multiple things, laughing to himself a bit before minor intrusive fears began picking at you. Loki immediately jumped into action in an attempt to squash them soothing you a bit.

“You can sleep soundly, please get some rest. You don’t have to force yourself to stay awake out of fear or guilt.” Loki spoke in the most caring and sweet tone he could muster up. Trying to convince you that it was going to be ok & it worked. Somehow you knew he was right & that you could trust him completely. You drifted back to sleep peacefully thinking about how for the first time in your life, you didn’t fear sleeping in your bed. You didn’t have intrusive thoughts about whether or not you’d wake up in the morning or not. Which honestly brought tears bubbling their way up and out of Loki's eyes. The amount of trust you had in him in your thoughts, at that moment completely took his breath away. And that was something he wasn’t going to break or ever lose.

[judyhopps934-mt-zd]

Thoughts on Truth

Warning: Spoilers and intense emotions. You have been warned.

So that's how you fix a broken miraculous. And once it's fixed, Duusu seems to be better and felt that she was living a nightmare. Okay, we see.

I never spoke about ShadowMoth's costume. It's okay. I just don't like how powerful he is now.

I guess since the Kwamis were never out of the Miracle Box, they don't know how to behave in the human world. Its funny to see how they behaved, but I also feel bad for Marinette who looked like a crazy person trying to get the kwamis under control.

Also, the Miracle Box reflects Marinette. Does that mean that Marinette is spontaneous or that she is willing to let the Kwamis out of the Miracle Box? I say its both.

Also, how did the writers let Marinette forget that the Kwamis live in their magical world??? (Did they forget about "Sandboy"???) Also, didn't Master Fu or Tikki ever tell her about the whole kwamis and technology thing??? Is Adrien the only one that knows??? Or do I have amnesia?

The girls thought Adrien was at her place??? Did anyone even tell them about the whole Adrien and Kagami thing? Or is that why they are shocked???

The goat kwami apparently did not know about the technology thing and called photos paintings. I get it though: photos are like paintings.

And they sent a photo of Adrien to Luka. Oh boy *facepalms*

...and when Marinette answers Luka's call (made by the goat kwami whose name I cannot recall), she mistakes him for Adrien. I wonder how long this will last (if it even lasts)

Being a guardian means many responsibilities... and forgetting many things, including having a date with Luka. I feel bad for both of them, especially since the date was yesterday. YESTERDAY! Also, forgetting what they were going to be doing and what they will see in the movies

I love Lukanette's chemistry (even though I am a Love Square stan as you all know). Their guessing game on the way to the movies was adorable and in line with couple goals.

The necklace as a gift theory was right! We did it peoples!

Marinette screaming the answer "Kiss me" was a whole mood. And so is the staring thing.

WE/I WERE/WAS RIGHT THAT THEIR KISS WOULD BE INTERRUPTED!!! AND THAT IT WAS AN AKUMA!!! Take it as you will, although they were both passed that there kiss was interrupted.

Ladybug yeeting Chat Noir off the roof only to pull him back, break an office window, Chat smiling about it, and Ladybug enjoying this moment while simultaneously being concerned is what I live for! My Ladynoir heart is satisfied.

IT IS CANNON THAT THEY HAVE PATROLS. Although, it was cannon ever since the IG accounts existed.

ShadowMoth and all these sentimonsters is bananas. How do Marinette and Adrien handle this????

Well, we know for Marinette is the excuses that sometimes make no sense. And the fact that we see Luka become more upset with the more excuses she makes hurts, to the point that he mentioned it at the performance.

LUKA HAS A CHARACTER PEOPLES! THIS IS NOT A DRILL!

He had no idea who his father is and his mom would not tell him. This is why he has some form of trust issues and why he is very hurt when Marinette would not tell him anything (because that would mean that she has to tell him she's Ladybug and that could mean the end of the world).

Side note: He is still aware that she still likes Adrien.

Luka resisting the akuma and amok because he still trusts Marinette hurts and shows that they have a healthy relationship (or as healthy as it could be when your girlfriend is a superhero and cannot tell you). Also, how he tells Marinette to run before succumbing to ShadowMoth shows how much he really cares about her. Luka I owe you an apology

Love how everyone in Paris thinks that Marinette's secret is that she loves Adrien. Marinette, you got them all fooled. But if this is the case, then that means Adrien is really dense.

Truth spots his mom and gets her to say who his father is...

ITS BEEN JAGGED STONE ALL ALONG!!! WE WERE RIGHT PEOPLES! OUR HEADCANNONS BECAME CANNON BECAUSE WE ARE GENIUSES!!!

My first thought was "Holy chiz, we were right! We were freaking right!" I had to pause for a miniature victory dance.

Miniature victory dance break!

Anyways, he goes to Jagged Stone not before ShadowMoth yells at him and Truth yells back that he always tells the truth. Man this all hurts so much seeing Jagged's absence having an effect in Luka's thoughts about honesty.

Chat Noir saving Ladybug from saying who she is, giving her the oxygen mask, and saying how he won't force her to tell the identity is wholesome.

Luka is understandably angry at Jagged for leaving him and his mom as Truth. Understandable. I also get Jagged's perspective of the fears of being a horrible parent. But once you are a parent, you have to stay unless you are a danger to children. Jagged is not a danger to children and he should have stayed. Just saying.

People are being yeeted left to right in this episode like wha???

Now Truth heads for Marinette's house and attacks her parents. They also think her secret is about Adrien lol.

I love Tom. Even under the spell, he was willing to make sure Truth does not go up to her room. Too bad that wasn't enough though.

Just as he was about to open the place with the Miracle Box, they catch him! Now, the showdown starts.

Ladybug loves Chat's confidence, courage, and SENSE OF HUMOR!!!! AHHHHHHH!!!!

Ladybug and Chat saving each other from revealing their secret identities is just wholesome!

It sucks being in a room that belongs to your soon to be ex (Note: Marinette is not his ex yet, so do not say ex until a certain point). And with photos of the one she loves. Yikes.

Ladybug and Chat's conversation is wholesome. They are safe in each other's company because they trust each other and such. And they like each other's company. But they will catch ShadowMoth no matter what his name has changed to.

Also, Adrien must have had a hard time in his civilian life to be excited about fighting akumas and sentimonsters. I mean why am I surprised this is the same guy that is excited about throwing himself to death get this kid some dang therapy!

The Lukanette break up. So they are taking a break because Marinette wants to be honest to Luka, but cannot be honest for now. Luka takes this surprisingly well and says that he will be waiting while Marinette is the one that appears to be hurt the most. It hurts me

Luka and Jagged Stone collab! I can't wait for it!!! Glad that Jagged and Luka will slowly bur surely mend their relationship.

It hurts me knowing that Marinette can't be with anyone as long as she is Ladybug (or at least until ShadowMoth is defeated) because of the responsibilities and secrets she holds. She is afraid that she is a danger to others and being a danger to others means that they are a danger to Ladybug and Chat Noir and that means the end of the world! My precious bean is 15/16 and she has the weight of the world on her shoulders and this is the first step to her eventual breakdown from the Gloob trailer. Like, can we not hurt Marinette FOR FIVE GOSH DARN MINUTES???????

At least being a guardian has some perks, like having all the Kwamis giving you a hug in exchange for the world on your shoulders. Glad that the kwamis are being understanding to this extent.

Also, can I have kwamis to hug me when I am sad/stressed??? Especially since I am going to college

Overall, this is a very heavy first episode and I am here for it! Luka has a backstory independent of Marinette and a lot of our headcannons are confirmed! Also, Ladynoir are very much alive in their platonic banter and I am here for it even if the rest of the Love Square is somewhat dead.

I have my two cents on Lukanette and that is even as a Love Square stan, they deserve better, at least for half the season, and allow Luka to heal, and Marinette to focus on herself and being a guardian.

I sort of see the impact of Chat Blanc in this episode, but I am not a very emotional person when it comes to watching TV and even though it did not make me cry, it was still emotionally heavy for me, so take it as you will.

Anyways, we are back on track my peoples and I will add on to this post once the English Dub comes to light. See you all soon!

[miraculouscontent]

Based on your tags there's apparently a new episode called 'Lies.' Do I even WANT to know what its about?

No, but I’m here to provide anyway. :’3

(note that the episode takes place at the same time as “Truth,” with Lies as an akuma coming in right after; funnily enough, this means the scene below with Marinette and the kwami literally can’t exist in the placement that it is; keep that in mind when you realize what they use the end of the scene for because clearly the priority wasn’t on the grimoire, it was to reassure its audience of “something”)

- The episode opens with Marinette in her room and the kwami flying around, complaining to Tikki about how the grimoire doesn’t make any sense (as she apparently does not have the translated version). Tikki insists that it’s normal and that its meanings are hidden on purpose to protect the secret of their powers. Marinette points out that she - a guardian - still can’t understand it, and Tikki assures her that she’ll discover the secret soon like Master Fu did; after all, she helped with the aqua power-up. Marinette is now filled with confidence, but gets distracted when the kwami drop an apple on the keyboard, causing the news to pop up on Marinette’s monitor (how does Marinette’s computer work at this point anyway???).

- Nadja is talking about Paris celebrating Prince Ali’s birthday, but the kwami who dropped the apple swoop down and retrieve the fruit, stepping on the keyboard a bit more in the process. The news swaps to Alec, who is talking about Aaaaaadrien (there it is) and an exclusive report about his life. Marinette chimes in with Adrien’s name and watches as a couple clips are shown where some reporters apparently followed Adrien’s daily life. Marinette sighs about how amazing Adrien’s life is.

- Cut to Adrien coming home. He sets up his phone up as usual to fake that he’s playing piano, then cheers that he’s finally free and says his transformation phrase, much to Plagg’s dismay as he was about to eat some cheese.

- Chat Noir leaps out of his house and across rooftops until he gets to his apparent designated spot for patrol. He calls Ladybug, but she’s not picking up due to not being transformed, so it goes to her answering machine. Chat leaves her a message and tells her that he’s there on time “as usual,” then reminds her that it’s time for patrol and asks if she forgot.

- The scene speeds through Chat Noir idling on the rooftop in various positions until he decides to check his baton for new messages. He has none. He lays back and calls Ladybug again but gets no answer, leaving her a message saying that maybe she has “more important things to do now that she’s the guardian” (intentionally using air quotes on that one). He cheers back up to say that “it’s okay” because he’s the cat for the job and he’ll just start patrol without her, adding that he’ll “see her soon” and to “let him know.”

- Chat Noir leaps elsewhere and sees some kids shouting his name. He hops down, ready for a fight, but it turns out that they just wanted to take his picture. He checks his baton again, but still no messages. The scene then to Chat Noir idling on a bench in the park between “Mister Banana” and Xavier Ramier (”Mister Pigeon”). Chat Noir gives some one-sided banter to Mister Banana, then suddenly turns to Xavier and points out that he hasn’t been akuamtized for a while. Chat Noir then proceeds to egg on a potential akumatization, asking if Xavier misses being Mister Pigeon and then going on to question if he feels any negative emotions. Xavier thanks Chat Noir for worrying but assures him that he’s in an excellent mood that day. Chat Noir, saddened by this, gets up to leave, and Xavier asks him to say “hello” to Ladybug for him. Chat Noir says that he will... “if he sees her one day.” He checks his baton to see that he has no new messages still.

- Cut to Chat Noir idly in a hotel with Chloe’s butler offering him a glass of milk. He asks about Ladybug and points out that she hasn’t shown up a lot lately, to which Chat Noir admits that things have been calm. After drinking his glass of milk, Chat Noir hears shouting and looks over to see Chloe arguing with Sabrina about a bag she’d apparently lost. Sabrina tries to tell Chloe that the bag is still hanging around Chloe’s shoulder, but Chloe cuts Sabrina off and tells her to not to speak to her nor look at her. Chat Noir gets excited at the prospect of an akumatization happening, but Chloe finally notices her bag and gets all happy again. She asks Sabrina why she didn’t say anything and Sabrina tries to point out that Chloe forbade her from speaking, but Chloe insinuates that that’s always the case anyway, again telling Sabrina to hush up. Chat Noir slumps back onto the counter and asks for a larger glass of milk instead.

- Cut to Chat Noir back on a rooftop, having still gotten no messages from Ladybug. Chat Noir calls her and she doesn’t pick up, so he leaves her a message and refers to himself as “the one she stood up,” but cuts himself off when he hears something going on. He peeks over the rooftop to see Kagami fencing with Tomoe. They go back and forth a bit, vagely talking about her becoming better than Adrien, and Kagami assures her mother not to worry because she has what she needs to succeed. Chat Noir smiles and leaves a message for Ladybug that it’s the end of patrol, then leaves.

- Adrien returns home, sad, pulling out his phone and staring sadly at Ladybug’s picture on his lock-screen. Plagg makes an idle comment about “variety” and hovers over Adrien’s picture of the fencing team with him next to Kagami. The scene then cuts to Adrien staring sadly down at two chunks of cheese, one with a red rind and one with a brownish-white rind. Adrien then gets a call from Nathalie informing him that Kagami had called to say that the fencing class schedule had changed again and it’ll be an hour early. Adrien brightens a little and thanks her, then ponders to himself what Kagami is hiding.

- Cut to Kagami in her car listening to Tomoe ramble about how the schedule changes the Agrestes “imposed” are exhausting, then tells Kagami to make the most of it by doing an extra hour of Russian. Kagami agrees and the scene cuts to Adrien listening to Gabriel rambling about how the schedule changes the Tsurugis “imposed” are exhausting, then tells Adrien to not forget to try on an outfit he’d finished for his next photoshoot, which Adrien agrees to.

- Kagami and Adrien enter school together and Fred Haprele is confused, pointing out that their fencing class starts in one hour and D’Argencourt isn’t there yet. Kagami feigns surprise and says that she thought she had the right schedule this time. Fred apologize and starts to say that they can’t stay alone in school, but Kagami finishes the sentence for him and then tells him that it’s no problem and they’ll come back in an hour. As Fred turns back around to continue sweeping the school grounds, Adrien asks Kagami what she’s going to do and Kagami drags him off into the art room.

- Kagami pulls a sketchpad out of her bag and admits that she’s always been passionate about drawing but never told anyone. She talks about how “art never lies” and how poses people do reflect their personalities. She flips through a few pages and Adrien is amazing. Kagami solemnly says that her mother doesn’t let her draw, thinking she’s not good enough, but Adrien chimes in that he thinks Kagami is incredibly talented.

- Kagami pulls Adrien onto the raised platform in the artroom and requests that he pose for her, because she wants to draw him. Adrien asks how she wants him to pose and she tells him to pose with whatever he feels comfortable with. Kagami talks about an artist she admires and adds that she’d liked to draw him like the characters she used to paint, asking idly if Adrien knew that he used to sign his drawings with a Japanese ideogram. She then gets frustrated with her drawing and decides to redo it because it’s “not Adrien.” Adrien asks to see it, but she’s already crumpled it up. Skilling tossing the paper in the garbage without looking, she asks him to make a different pose. She states that it’s easy to make beautiful art of him since he’s beautiful, but she wants to draw the real him; who he is inside.

- Adrien tries a few different poses, with Kagami getting progressively more frustrated and telling him to change each time. She points out that they’re his model poses and reqeusts that he try something more natural. Adrien confidently strikes his Chat Noir transformation pose and Kagami looks unamused. Adrien backpedals and tries to ask what she thinks, but Kagami insists that it’s still not natural. Adrien sadly states that he promises that it’s really him, but Kagami interjects that it’s him when he’s “acting like a clown.” Adrien tries to go on that maybe that’s the real him, to which Kagami approaches, grabs his hand and puts it to his chest, then starts pressing him against the wall (the shot weirdly has a cut when she’s pushing him where his hand is back at his side even though both of her hands are on him, so I have no idea what happened). Kagami insists that this is the real him and Adrien asks if she’s sure, to which Kagami states that she is and that he’s perfect, promptly leaning in for a kiss.

- Their phones then go off, interrupting the one-sided kiss from happening, and Adrien hurried states that it’s actually time for fencing now. He’s seen smiling on the way out and Kagami as well.

- Cut to fencing practice. At one point, Kagami lifts her helmet to kiss Adrien’s helmet, then Adrien raises his helmet for them to kiss (mutually this time). However, Adrien hears birds and looks over to see Ladybug chasing a flock of clearly-controlled pigeons from beyond the school doors (i.e: Mister Pigeon is back, who Chat Noir had hoped to get akumatized earlier; the one who is now interrupting Marinette and Luka’s movie date+kiss since “Lies” takes place at roughly the same time). He makes a quick excuse about forgetting something in the locker room and leaves, though Kagami just smiles at it for now.

- Cut to Chat Noir leaping up a building and seeing Ladybug, at which point we get a reused clip from Truth, so I’m just going to copy from my episode summary of that:

- Ladybug is listening to a message from Chat Noir that she presumably got earlier, stating that he’s ready for patrol. While she’s listening, Chat Noir sneaks up and pranks/surprises her, to which she grabs his wrist and yeets him off into the distance. Realizing what she did, she yoyos him back and he slams into the window. She scolds him because she could’ve hurt him and Chat Noir states that “the only thing that hurts him is when she leaves him alone for patrols” and how he “even missed her angry looks.” She reminds him that she’s been busy and he says that he knows because she’s guardian now. Ladybug promises not to forget patrol again and they go off to fight Mister Pigeon.

- The scene cuts away to Adrien rushing to Kagami at Andre’s ice cream stand (Luka has just walked away). Adrien and Kagami are about to enjoy their ice cream when Adrien sees a sentimonster that Ladybug is in the middle of fighting. Adrien tells Kagami that he has to go home because his father must be worried, then rushes off. Kagami stares sadly down at her ice cream.

- The scene cuts to Adrien, Alya, and Nino leaving school while Marinette is riding away with Luka on his bike. Marinette waves good-bye to them and they wave back, but Luka gets a message from Kagami and quickly hurries into his car before reading the message. Kagami’s car pulls up beside his and they both put their windows down to kiss, but Adrien sees Ladybug chasing an akuma and hurriedly tells Kagami that he forgot something in class, assuring that he’d call her later. Kagami looks upset and tells her driver to drive off.

- The scene then cuts to Kitty Section and Adrien playing together with Kagami, Marinette, and the others watching. They finish and get cheered for, after which Nino approaches Adrien and says that he filmed it all and the concert was great. Adrien rejects the compliment because he missed the intro, but Ivan and Rose reassure him that they can just play again. Kagami interrupts to say that it’s time to go, then shakes her head when Adrien asks for a few more minutes. Adrien promises Nino that he’ll do better next time, then walks off with Kagami.

- While going across the gangplank together, Kagami takes Adrien’s hand, which surprises him and causes him to drop his belongings. They pick them up together and smile at each other, but Marinette’s lucky charm bracelet slips out of Adrien’s pocket when he goes to get up. Kagami sees it as they’re leaving and picks it up.

- Adrien notices that their rides aren’t here yet and laments that they could’ve played one more song. Kagami comments that they at least get to spend more time together, but Adrien tells her not to worry because they’ll have enough time together when they go to Prince Ali’s birthday party. Kagami grabs his hand and corrects that she meant time where it’s only the two off them, then starts talking about how happy she is with him and how she thinks they’re very similar. However, Adrien sees Ladybug off in the distance and gets distracted, meaning that - when Kagami asks him if he feels the same - he’s not paying attention. Kagami realizes this and turns to look at what Adrien is looking at, but there’s nothing there. Adrien apologizes and claims that he saw a wasp. Kagami tries again to ask him if he loves her back, but Adrien still isn’t paying attention, asking what she was saying. Kagami asks him what’s the matter and Adrien claims that he lost something on the boat when his bag fell, telling Kagami not to wait for him. Kagmai, disappointed, gets into her car that’s just arrived and requests to be taken to the town hall.

- Adrien goes in front of a building and lets Plagg come out. Plagg talks about how he hopes they’re still going to the prince’s birthday since the best cheese is served when there are big ceremonies, but Adrien states that Ladybug needs him right now and transforms. He checks his messages and is told by Ladybug that Hawk Moth merged his powers with the peacock to become Shadow Moth. He then goes to the Liberty, where Truth is there asking Ladybug what her identity is, having already shot Ladybug and captured her under Pharo’s spotlight. Chat Noir cuts in and takes Ladybug into the water with him.

- Meanwhile, Kagami arrives at the town hall, where Andre (the mayor) is wishing Prince Ali a happy brithday. Tomoe reminds Kagami that she agreed with Gabriel that Kagami would come with Adrien and Kagami covers for him, stating that Adrien is answering questions from journalists. Kagami is then seen sitting on the stairs outside, staring sadly at the lucky charm in her hand.

- Cut to nighttime and a reused scene from “Truth:”

- Ladybug and Chat Noir hop up to a roof and Chat comments on how much fun he had. Ladybug describes what just happened and is like if that’s fun for you then yeah. Chat idles on Shadow Moth’s name and Ladybug shows confidence that they’ll catch him in the end, after which they banter a bit and Chat Noir tells her that it’s “only with her that he can have so much fun.”

- Adrien returns and tells Kagmai that he hopes he didn’t make her wait too long. Kagami, the lucky charm behind her back, says that she hopes that Adrien found what he was looking for. Adrien is confused and Kagami reminds him of what he’d said. Adrien hurriedly states that he found it and thanks her. Kagami asks him what it was and Adrien says that it was a lucky charm that Marinette gave to him, but when he goes to pull it out, realizes that he’d actually lost it. He tries to claim that he lost it “again,” but Kagami finally pulls out the lucky charm and shows it to him. Dread washes over Adrien’s face as he realizes the lie he’s been caught in.

- Kagami confesses that she’s lied to, having lied to her mother so they could see each other, even lied that he came with her tonight, and lied during their fencing classes so she can spend more time with him. Hurt, she points out that they’re both liars, but that the difference is that she lies to be with him and he lies to get away from her. She turns away and opens the town hall door to leave, and when Adrien tries to call out to her, she states that she’d rather be alone and shuts the door behind her.

- Shadow Moth appears and summons his akuma, sending it out to the sad Kagami. He offers her the power to rid the world of liars in exchange for the miraculouses, to which Kagami agrees. Adrien opens the door just in time to see the new akuma, Lies, and see her start to form an orb of light around her. Adrien shuts the door and lets out Plagg, stating that this is his fault and he has to save Kagami.

- Meanwhile, Jagged Stone is playing for Prince Ali while Penny is trying to stop Fang from eating the cake on the table. Lies’ orb of light then shines through the door, shocking everyone as they step back in fear. Roger pulls out his taser and demands to know what’s going on, to which Lies asks if he’s ever lied. Roger claims that a policeman never lies, but Lies states that he’s lying and Roger gets engulfed in the light, making him freeze in place. Lies then refers to Tomoe as “Mother” and asks if she’s ever lied. Tomoe realizes it’s Kagami and starts to say that she didn’t permit her to--then Tomoe gets engulfed and also frozen. The others start to get engulfed as well and Chat Noir enters, almost calling Lies “Kagami” before catching himself and telling her to stop. Lies comments that Chat is a new candidate for a lie detector test, and Chat Noir tells her that he’s not lying when he tells her that he’ll free her from Shadow Moth.

- Jagged chimes in to say that he’ll help. Chat tells him to go hide but Jagged insists that he fears nothing. Bob Roth pops into view to say that Jagged lies about his age, at which point Jagged is shocked and tells him that it’s not very rock n’ roll to--then he gets engulfed too.

- Chat Noir escapes through a window and Lies goes on about a world without lies wouldn’t need superheroes like Chat Noir. Chat Noir considers Cataclysming the sphere, but Ladybug shows up, yoyoing his hand and stating that touching the phere will paralyze him. Chat Noir tells her that it won’t if you’ve never lied, to which Ladybug asks him if he never has. Chat admits that it’s not the case and they back away from the light together. Chat asks if Ladybug has never lied and she tells him that she obviously has because they have to lie at least to keep their identities a secret, adding that if they touch the sphere, nothing will stop it from taking over Paris.

- Ladybug uses Lucky Charm and gets a box with an entire drone inside. She states that they can’t go inside, but a drone can’t lie so it can. She tells Chat Noir to be a distraction while she sends in the drone, and they take out their earpiece communication devices to keep in touch.

- Chat Noir goes to distact Lies, shouting a bunch of things that clearly aren’t true. Ladybug sends her drone inside while Shadow Moth tells Lies to go after Chat Noir and retrieve his miraculous, to which Lies says that she won’t go back on her word and liars always pay for their mistakes.

- Ladybug saw the bracelet and tells Chat that she knows that the akumatized object is. Chat Noir tells her to break it but Ladybug states that she doesn’t know how to without touching it. Chat Noir admits that only a person who’s never lied can enter the sphere and such a person doesn’t exist, but Ladybug sees that Fang is still moving and gets an idea, her Lucky Vision highlighting the cake, Fang, and the device she’s seeing the drone’s vision through. She tells Chat Noir that Fang is an animal, so it doesn’t know how to lie. Chat Noir says it’s great thinking and Ladybug uses the drone to pick up each individual slice of cake, using one of the cakes to coax Fang and make him free himself from Penny’s leash.

- Ladybug lures Fang all across Paris while Chat Noir flees from Lies’ orb of light. Chat Noir climbs up a building and uses his baton to hoist himself even higher, but he’s trapped himself now. Ladybug states that, if Lies sees the drone coming, the plan goes bust, to which Chat Noir says that there are only two liars left in Paris and only one of them can turn her attention. Ladybug immediately catches onto what he’s about to do and tells him not to, asking what they’ll do if she’s wrong. Chat Noir simply states that he trusts her, letting go of his baton and falling towards the orb of light. Ladybug states that he’s crazy and he simply states that he’s “crazy for her,” promptly falling into the orb of light. Ladybug laments his unconsciousness and the scene cuts to inside the orb, where Lies finds Chat Noir on the ground. Ladybug urges the drone to hurry and sends it inside the orb of light alongside Fang.

- Lies starts removing Chat Noir’s ring and is halfway there when a slice of cake drops next to her. She’s confused and Fang enters, chomping down on the cake and the bracelet in the process. The akuma is freed and Kagami gets de-akumatized, Shadow Moth shouting in dismay at the loss. Ladybug purifies the akuma and casts Miraculous Ladybug, leading to Chat Noir waking up to Fang licking the side of his face. He recoils and Ladybug charges at him, slamming her fists against his chest and yelling at him, stating that he needs to stop doing these sorts of things. Chat Noir boops her and states that, yeah, but he does it because he finds that “angry little pout” of hers absolutely irresistable. Ladybug squints/glares at him, but is smiling.

- The two fist bump and the scene cuts away to Adrien de-transforming in an alley, leading against a wall and sighing out Ladybug’s name. Plagg states that he understands the romance of it as - even though he loves every type of cheese - he always comes back to his favorite, camembert. Adrien gives Plagg a slice in response and Plagg eats it.

- Cut to the next day, where Kagami and Adrien are fencing. Kagami fences him off the mat and against a pole, getting a little violent in the process, but D’Argencourt cuts in to say that they’re there for fencing, not solving personal problems. The scene then cuts to Adrien and Kagami in the locker room, where Adrien apologizes for hurting her, but adds that all the good times they shared weren’t lies. Kagami states that she knows he’s hiding something, but that there’s also sincerity in him. Adrien asks if they can’t be friends anymore and Kagami cuts in to ask how she could trust someone who lied to her. She gives Adrien back Marinette’s lucky charm, then picks up her bag, stating that she’ll let him know when she’s ready to see him again. Adrien stares sadly at the lucky charm in his hand and the scene cuts away to Chat Noir and Ladybug on the rooftops.

- Chat Noir tells Ladybug that the difference between them and the rest of the world is that they can’t be completely honest; that they have their secrets and have to lie. They both look solemn at this, then suddenly brighten and turn to each other, stating that they know they can at least trust each other.

- They fist bump and the episode ends.

[modern-oedipus]

The Promised Neverland S2 EP1 Review

The anime is well up to six episodes by the time I am writing this, but I finally put time aside to devour the second season of The Promised Neverland. As much as my time permits, I want to write analysis posts for each episode!

Before we start, here is a reminder that I read all of the TPN manga, so I may compare some scenes, which may be spoilery for anime-onlys. Also, I heard that the anime skipped Goldi Pond arc, dismissing some of our favorite characters like Yuugo, and bringing Norman up significantly early compared to the built-up in the manga. However, as much as I’m disappointed that we will not see Yuugo animated, I’m going to start this season without holding any prejudice. In fact, I think it’s nice to see that anime is taking a different path, both because I can now enjoy something new and maybe even get surprised, and it may open doors for a remake in future, which calls for more TPN content!

Anyway, let's get to the point!

I love this opening. It gives flashbacks to the TPN trailer, but it highlights the word “cruel” a lot more when there is a demon following them from behind, rather than the trailer where they were looking at a beautiful sunrise.

This screenshot is called Nostalgia and it hits me so hard. In fact, it is hitting me extra hard because the last year I properly remember is 2019, since 2020 was not… lived in the way we are used to. That’s why TPN feels more like an anime that aired last year- and I’m feeling like I’m back home.

Holy shit, this opening is so good- I’m not so good at pointing out visual details but, these are not just random people, I think they’re our babies, right? I can spot Ray, Lani and Gilda..? The hint of rabbits to humans to demons was so well-put. It’s like the food chain, and the opening is really quick to pace up, which is good- I LOVE songs that START RIGHT OFF THE BAT! NO NEED FOR A BUILD UP! BE BRAVE! SHOW UP! I LOVE THIS!

Is this… is this a foreshadowing of that major thing that happened in the manga? I almost teared up. I missed these children so much. I wasn’t putting TPN Season 2 aside because I don’t care about the anime coming out, no- I was waiting until I was properly available so that I could stop, watch and devour, just like how I watched Banana Fish. (Looks like it’ll take a long while for me to catch up with six episodes. :P)

MY BABIES!!!! MY ABSOLUTE BABIES!!! THEIR TIME SKIP APPEARANCES ARE FINALLY ANIMATED! My heart can’t take this sdgsdlg. Emma my baby. You were so good before manga utterly disappointed me, that’s why I’m glad anime is taking a different path. Despite the general rage in the fandom, I’ll actually give a chance to the anime, because I personally wasn’t happy with the way manga ended. So maybe anime can offer a different sight! ANYWAY, I’M SURE SOMEONE MUST HAVE POINTED OUT BEFORE BUT??? THE FACT THAT THEY SAVED NORMAN’S SIDE ON THE TRIO FRAME EMPTY?? MEANS SO MUCH. It’s like. We didn’t forget you, Norman. We love you, Norman.

Skip to the first frame.

THEY REALLY STARTED FROM THE VIDA FLOWER!!! If only you didn’t exist, you hoelower.

Spot the difference between a serotonin molecule and Ray, if you may. I dare you.

SAME EMMA, SAME. HE IS GORGEOUS AND PRECIOUS AND ALIVE AND SAVED AND OUTSIDE AND BREATHING AND SAFELY WRAPPED AROUND HIS SCARF. YES. FUCKING YES.

I love you fucking much, you have no idea. You’re the best boy on the earth. I’m so happy. I love you so much. I wish Ash had a happy ending like you as well. But no. Ash had to suffer. (For those who don't know, it's a reference to the anime Banana Fish.)

Continued in the comment section.

[robin-the-enby]

Hey! I love your matchups and I really want one with on the black butler characters.

I am ISTJ and even though I was born in America I come from a Mexican family. So I am fluent in Spanish and English. Along side of Mandarin Chinese (still learning) and Japanese (still learning)

Appearance wise, I have olive skin, long wavy/curly hair that reaches my tailbone (i like putting it in side braid). I also have long bangs that quite often fall over my glasses. And just too lazy to move them. I also have dimples when I smile. I will bite anyone who try poke them.

Personality: I can get hard to know at first because I have trust issues (my heart has been broken okay) . Not too mention people don't try to get know me because of my major Resting Bitch Face. They think I am judging them or that I am scary. But I am not... I am attentive so I will stand up for myself and anyones else. I am patient. Also, after you get to know me you will realize I am a chaotic crackhead with a melodramatic persona. Like "your star is here!" "The stage is calling for me. Move out of my way" "the spotlight is on me so could you move you crusty face?" I like to tease and flirt with the people I am close to. I zone out or daydream a lot. And in the worst times. It could be a serious meeting and I am chuckling because of something in my head. Which have scared people. It could be during a conversation and I will stop listening. But I will always feel bad and apologize.

I also like to scare people. Like tell them the unsolved cases or horrific cases that I know (I love unsolved cases) . This is also why my little siblings hate me. Turns out talking kids murder cases and disapperinv cases was not appropriate for bed time story... woops.....

I like to pop out of nowhere and either flick or playfully punch my friends and say boo. I do accidentally roast people. I don't think before I say things. And don't realize until hours or days later. And I am like "shit"

I am sarcastic and that has gotten me in trouble before. My friend asked for my advice and I didn't know she was being serious. So I gave her a sarcastic advice and she came back to me mad. I was like "shit you believed me?"

Likes/hobbies: i like my anatomy class and I like to read, write, meditate (because I get stressed a lot). I really like to dance and listen to music. Which my music taste is everywhere: Kpop, classical music, jazz, jpop, Spanish songs, rock, metal. Every music genre except for country. I like to play the violin.

My passion lies in the arts and crafts. I would like to do illustration and photography. More specifically street fashion photography and and event photography. Like weddings and funerals. Yes funeral photography does exist and I will like to do it. Since it is also special event. I draw a lot of portraits and landscapes. I have been told that my art is either scary or mysterious. Though I can get a little caught up with my passion. I practice to get better with no rest.

Flaws/toxic traits: I am not empathetic or sympathetic. People always thought I didn't care about my friend's issues. I do i just don't understand them. My compassion does make up for this and will give advice. My other flaw, is the high walls I build to protect myself. I am there for other people. But people were never there for me. People have manupliated me and that cause me trust issues. I don't know how to handle negative emotions like depression, anxiety, self doubt, procrastination. So I just isolate myself in these moods. They really take a toll on me and make me think I can't do my passions. I am afraid of commitment because of toxic relationships i had before.

Love language: I am not obvious with affection. (Because no one ever gave me it). I show it through my teasing and flirting. My love language is however Act of Service. I will help my s/o with anything they need. Chores, work, advice, etc. Sort of the mom of my friend group. But a Savage mom as I have been told. "Stop crying, here I made you a cookie" "do I need to hurt someone" "don't worry I can get coffin with a lock in it". I am also an aggressive supporter. Like "No YOU are beautiful. YOU are gorgeous!" (This happened when someone gives me affection and time try to turn the attention to them as way to hide my fluster)

I will call my s/o like "stupid" "idiot" but in a endearing way. Okay. Occasionally I will use "beloved" and "Cariño/cariña"

I am not good receiving verbal affection or physical affection. I was never given affection so I am not used to it. I will start blushing and stop working. I will also probably say "idiot" or turn the attention to them like "no.. u" but I think fails because I am terrible at hiding my blush. I get easily flustered with affection okay. But I won't ever admit that I like it. Though it is obvious.

Sexuality: i am bisexual so it doesn't matter what gender I am paired up with.

Funt fact i guess?: I love small plants, plushies, and banana milk. Like I have hundreds of different kinds of plants and they each have their own name. Like GGmo, Lily, Melody, Edward. I love Banana milk as I said. I drink it every evening. It always get me happy so when I am sad or had a bad day. I drink banana milk and I am happy. It is also to make up for my coffee addiction. I am addicted to coffee. My friends said no coffee and I was like fine banana milk then :)

This is getting long now... bye.

I'm glad that you like my matchups, I'm trying my best tbh😅 I match you with:

Sebastian Michaelis

Sebastian is very curious in nature, so he definitely wants to know what you're really like, not the front you put on.

He's also very charming when he wants to, he makes it very easy to open up to him and get comfortable around him.

Sure, he, as a demon, doesn't really care much for humans, so when he doesn't have to play the polite, kind butler, he probably has a RBF as well, however, I think that changes when he's interacting with someone he loves.

His sweet words may have been a mask at first, so he could see the real you, but the closer you two become, the more he means every word of praise, encouragment or comfort he utters.

He would most certainly be amused by your crackhead self once you do get comfortable around him, but it's not really his vibe. He wouldn't scold you for being loud, brash or inapropriate, like he does the other servants.

If he's in a really good mood or when the situation calls for it, he can be dramatic as well. Sometimes he'd do it just to get on Ciel's nerves XD

One big pro of being with Sebastian is that he lets you off the hook a lot. If he was talking to anyone else and they'd space out, oh honey, he would stare them down so hard, it's sending chills down my spine just thinking about it. But if it's you it's like a complete 180, Sebastian can't possibly be mad at you, everyone spaces out sometimes, those things just happen.

The other servants make sure to be on your good side so that you could intercede with him on their behalf.

You can't scare him with your true crime stories, but you sure as hell can scare the others. And you can bet your ass Seb's gonna help! The plan is: You tell the story and then he's gonna pop up out of nowhere behind them, giving them mini heart attacks.

If you try to scare him though, you'll need to be on guard 24/7 until he gets you in return. And even if your on guard all the time, he finds a way to scare the life out of you.

Your humor is practically the same, I mean, Sebastian is great at off handed remarks/roasts and sarcastic comments that you have to look for to really see them. You two could be talking shit about anyone and everybody would be like "Oh yeah, normal conversation, yes"

Sebastian would love to dance with you. And trust me when I say this, he is good at any type of dance. If you two are ever at a ball, prepare your feet, because he's not gonna let go of you the whole night (unless his master is in danger of course).

He would be your #1 supporter, he'd go with you out to take photos, and if you asked him to look at some, he'd take a good long look at each and every one of them and describe in detail how he feels about them. Also would go to any art shows you'd host if it came to it.

When it comes to sympathy and empathy, Sebastian also has a hard time showing these feelings. He's been alive for far longer than any human on Earth and he's a demon. He's never had any of the problems humans have, so naturally he doesn't kniw what it feels like to have them. Plus, before you came into his life, he didn't care much for them either.

However, he's gonna be there for you whenever you need him, emotionally or practically, even though he doesn't get your feelings.

You both have walls put up, you because of bad past experiences, him because as a demon, he has major issues with being vulnerable in any way. And I'm not talking just emotionally here, but demons are almost undestroyable, yet they have very few weaknesses that they just need to hide away.

It's rare Sebastian has a problem, but even if he had, you wouldn't know, because he thinks you, as a human, wouldn't understand and so he won't burden your mind with it. However, he's very perceptive and so if your behaviour changes, be it due to anxiety or a depressive episode, he'll know.

Now, he's not the type of person to try and break down your walls by force, but in situstions like these, where he's not sure how to help, you gotta talk to him and he won't leave you alone until you tell him how he can help.

He's not above carrying you around and doing everything for you until you're embarassed enough to tell him

He is very appreciative of your help around, since the other servants are good at everything but what they're supposed to do.

You with your tough love and Sebastian with his teeth rotting compliments and affection, it'd be honestly really funny to watch. He adores how you show affection, because it's different from most people he's known. But on the other hand, you can't expect him not to spoil you afte all the hard work you do every day?

He would really shower you in love and affection, because you deserve it and because it makes you flustered XD

[81scorp]

21 tips for writing humor

 This was not written by me. It was written and uploaded to deviantart  Jan 13, 2017 by DesdemonaDeBlake.

All credit goes to her. I just copied and pasted it here.

There are many theories as to the nature, science, and reason for humor. It's an element of human behavior that seems objective in the skill that is required to execute it successfully, and yet just as subjective for how unpredictably it can hit every individual audience member. Today, I'm going to talk about the various forms that humor takes, and give you some tips for making your humorous story a success. To start with, lets look at what I will call the “five scales of comedy”. (Please note that the following is not intended as definitive list of the only sources and scales of humor in the world, only the ones that I have been able to identify within my own life, time, limited understanding, and culture. Also note that I will use the word “Humor” instead of the word “Comedy,” simply because I do not want this discussion on genres to be confused for the type of story that is opposite of Tragedy.)

The Five Scales of Comedy

A story or other source of humor can usually be found along the lines of five different scales. These are: High Humor vs Low Humor, Sweet Humor vs Acidic Humor, Distanced Humor vs Close Humor, Predatory Humor vs Reflective Humor, and Clever vs Ridiculous Humor. These scales stand apart from the sub-genres of humor (dark, slapstick, dry, etc...), and have to do with how the humor affects the audience. Note that there is no “best” type of humor; there is only humor that works in different ways and which impacts different sorts of people. So wherever you find your story in the scales, know that there is no need to change it unless you want to. Also, the names of the scales are just that—names. Just because your story falls into the category of “low” humor, doesn't mean that it is any less valuable than “high” humor.

Range 1: High Humor

Within the range of High vs Low humor, what we are discussing is the how large an audience we are trying to reach. High humor involves jokes and comical situations that are only understood by a very select group of people. An example might be a comedy series that focuses its humor on the experience of working in a corporate office (like … The Office), or perhaps political commentary. These are only funny to those people who have shared the experience or the political knowledge of the person generating the humor. Basically, the higher the humor, the more the entire set-up begins to resemble an inside joke. This type of humor is excellent for gaining the interest of select demographics who you may want to address. For example, if you only want to talk to nerds (I say non-insultingly because I am one and am proud of it), you might have lots of references to science fiction and fantasy.

Range 1: Low Humor

On the opposite side of the range, you have Low Humor. Low Humor deals with topics, jokes, and situations that are more universal to the human experience. An easy example of this is a fart joke. Everyone in the world farts, and most people are in touch enough with their inner child to think that it is funny if the joke is skillfully set up. Again, there is nothing wrong with low humor; and in certain situations it is even preferable. The lower your humor, the larger your potential audience can be. Other examples of low humor might be family life, slapstick, and situational comedy based on everyday experience. Shows like Spongebob Squarepants, for example, involve such a low degree of comedy that people of all ages, demographics, and locations across the world are able to find delight in it.  

 Range 2: Sweet Humor

The next range of humor, Sweet vs Acidic, deals with the intensity of the humor itself. Sweet Humor involves jokes, situations, and characters that require less pain and cynicism to appreciate. For example, a story that involves simple characters bumbling around, making mistakes, overcoming, and becoming better people for it would generally fall into the range of Sweet. We don't laugh at their misfortune (or if we do, its lighthearted and with limited consequences, like slipping on a banana peel), we laugh because their situations are joyfully amusing.  

An example of this are the sort of jokes and humor found in Youtube “Lets Plays,” like those of Markiplier and Jacksepticeye. We don't laugh because of anything bad happening to these people (or the characters that they play); we laugh because they are eccentric, silly, and joyful in a way that also makes us feel joyful. This form of humor can be tremendously encouraging and uplifting to the types of readers who enjoy it.

Range 2: Acidic Humor

On the other hand, we have Acidic humor. Much like with food, most people have strong preferences and limits to how acidic (spicy, sour, or bitter) they like their humor. Acidic humor deals with laughing at topics that are increasingly serious or even tragic, such as death, illness, social injustice, etc... A popular example of acidic humor is South Park. Those of us who enjoy acidic humor will find ourselves laughing at topics that would otherwise likely bring us to tears. The power of acidic humor is that it helps its appreciators to cope with the difficult truths of life, and also to acknowledge problems that we are otherwise tempted to ignore because they are too hard to think about.  

An example of an issue addressed in South Park is the elderly, their treatment, and our fear that we will face the same. Sure, when we watch an episode we laugh when the younger characters mistreat and abuse the elderly in the community. However, a conscientious viewer will then begin the chew on the issue, once the episode is over. We'll look at our own actions, and begin to wonder if our treatment of the elderly is just as bad. Because of the acidic humor, these difficult truths come to the forefront of our minds, we gain the courage to actually think about them, and we can even bring them up in discussion with others. This discussion can then lead to people changing the world for the better.

Range 3: Distanced Humor  

This range has to deal with the necessary emotional distance we need in order to be able to appreciate a certain level of humor. Even with lighthearted humor like slapstick, which has very low acidity, the audience needs to be distanced in order to laugh. For example, if I watch Bugs Bunny wallop Elmer Fudd on the head with a mallet, it's generally pretty damn funny. I know that these characters are both flat cartoons with limited depth to their character, and that as non-beings they don't really feel pain. Therefore, I don't have empathy to Elmer's pain (because it is really non-existent), and I can laugh. However, if the show were to show me Elmer's life, how he's been a vegan but famine has caused him to need to find meat to feed his family, and how he struggles to even shoot at a rabbit because it makes him feel like he's betraying himself; then I'm not going to laugh if Bugs hit him with a hammer. I'm too close, and need emotional distance in order for my empathy to not get in the way of my humor.

Range 3: Close Humor

We do not need distance in order to find something funny. With close humor, the jokes and situations actually rely on how well we know the characters and how much we empathize with them. An example of Close Humor is Scrubs. In the show actually find ourselves within the mind of the protagonist, JD, and seeing the entire world through his eyes. He tells us about his insecurities, his genuine pain, his fears, and we actually really care about him as a character. Yet, we find humor in his minor misfortunes and even in his silly victories. The closeness of our perspective amplifies the events that happen in his life in a way that distanced humor cannot achieve. For example, when he stutters and says something embarrassing in front of someone he idolizes, we find ourselves giggling. If Elmer Fudd were to stutter in front of someone he idolized, we wouldn't laugh nearly so hard because we can't possibly understand the stakes of the moment or why meeting this person is so important to him. We need to be close to a character for Close Humor to work.

Range 4: Predatory Humor

With the range of Predatory Humor vs Reflective humor, we are discussing who will be the “butt” or target of the joke. (Note that a joke does not necessarily need a butt, as we will discuss later.) While often used in a negative way, in order to bully and shame others, predatory humor is not a bad thing in and of itself. Predatory humor can be used to tackle and harm negative constructs and ideas in our society. For example, Fairly Odd Parents used to frequently attack neglectful and abusive parenting. Note that the while Timmy's (the protagonist of the show) Parents were frequently the butt of jokes, they were also not the real target (just like parents in general were not the target). The targets were their selfish and non-reflective actions that had damaging effects on their son. We can use predatory humor to attack ideas, and point out the evils that are so often overlooked in society. The trick is to always keep vigilance of your own mind, actions, and motives to makes sure that you do not become a bully who targets the people themselves. Because even if someone acts in an evil way, bullying them will never cause that to change.

Range 4: Reflective Humor

On the other side of this range we have Reflective Humor, which serves to make fun of itself. Again using South Park as an example, the creators would often make their own beliefs and ideals the target of their ridicule. For example, it's fairly clear that the show speaks in favor of LGBT rights and for their being accepted as equals in society. However, they also go as far as to mock people who are so over-enthusiastic and pro-LGBT (to the point of hypocrisy). Another example is when the show begins to teach a moral lesson, the writers will often make fun of themselves through the character of Kyle for being so preachy. The effect of the show making fun of itself is two-fold. First, those of us whose beliefs South Park mocks feel like the show is being fair. Thus, we continue to listen to and respect the views of the creators, even if we don't always agree. Second, we trust the messages of a story more when it has the integrity to point out its own failings. Note that unlike with other scales, Reflective and Predatory Humor can actually be interwoven so that a joke or story makes fun of itself just as much as its target.

Range 5: Clever Humor

The last range of humor that we'll discuss is that of Clever vs Ridiculous. This range is fairly self-explanatory, but the core of its nature is what sort of punchline is delivered at the end of a humorous situation. Clever humor takes the audience expectation and amplifies or twists it to an unexpected place. You can see this in the work of comedians such as Louis CK and Demetri Martin. Martin, for example, has a humorous bit about doorways that say “Exit Only.” The joke then involves his compulsive desire to tell store workers that they underestimate the potential of those doors by about 50%. The delivery of the punchline is true and logical, but it such a way that it humorously exceeds audience expectation.

Range 5: Ridiculous Humor

Opposite of Clever Humor, we have ridiculous humor. This is when the punchline of a humorous situation is so absurd that we can't help but laugh. And example of this is the Spongebob Squarepants episode where he and Squidward get lost while delivering a pizza. They become lost in the wilderness and spend the episode becoming more and more so. Then, right at the end, Spongebob exclaims that they are saved because he's found a big beautiful boulder, the likes of which the pioneers used to ride for miles. And, to make matters even more ridiculous, the boulder works—driving just like a car. We find humor because the punchline is simply so grandiosely absurd that we can't help but enjoy it. Note that both Clever and Ridiculous humor require a great amount of skill and thought to pull off successfully, it's just a matter of your preference and your target audience.  

The Five Sources of Humor

Once we identify what type of humor we are employing by using the scales, the next thing to consider is what makes our stories funny. This is something of a challenge, because we don't generally put much thought into why humor makes us feel the way it does. The humor either hits or misses, and we laugh or we don't. Making matters even more complicated is that there are so many theories as to why and how humor works—with everyone from Aristotle to Freud interjecting an opinion. But if we look at the particular sorts of things that make people laugh, we can improve how we use humor in our stories.

Source 1: Misfortune  

Whether a cartoon character is slipping on a banana peel, or a character in a romantic comedy finds themselves in an embarrassing situation, the misfortune of others seems to be the most popular form of humor. This is why slapstick and funny home videos have been so prevalent in modern humor. Plato and Aristotle seemed to believe that this was because such humor made the audience feel superior to the characters being ridiculed (Superiority Theory). This seems especially true when we see unlikable characters (like the villain in a children's cartoon) experience misfortune in a comical way.  

Though Superiority Theory has its place, I would assert that there is an alternative way that people enjoy misfortune. Perhaps the experience of slipping on a banana peel or being in an embarrassing situation is funny because of our own memories of experiencing the same thing or something similar. Freud and others theorized that humor was a release of energy (Relief Theory). Maybe our camaraderie with the character, mixed with emotional distance from the scene we are watching, creates a safe space to release our own stored feelings of pain or embarrassment. Thus laughter really does become a healing force.

Source 2: Absurdity

In his essay “The Myth of Sisyphus”, Albert Camus defines and explains the absurd.

“It's absurd” means “It's impossible” but also “It's contradictory.” If I see a man armed with only a sword attack a group of machine guns, I shall consider his act to be absurd. But it is so solely by virtue of the disproportion between his interaction and the reality he will encounter. […] Likewise we shall deem a verdict absurd when we contrast it with the verdict the facts apparently dictated. (29)

Though Camus is not talking about humor (rather the existentialist question), I think that the absurd is a source of humor. Audiences are often entertained by the absurdity of a situation. And by looking at Camus' explanation, we can hypothesize that this form of humor comes from the disproportionate contrast of action and situation. An example of this might be one of the last battle-scenes in Braveheart. In this scene, victory looks unlikely, the dramatic tension is high, and it seems to be the most serious moment imaginable. Then, upon being signaled, the protagonist's soldiers pull up their kilts and reveal their bare asses to the enemy. It's so unexpected and so absurd, that many people cannot help but to keel over laughing.

This scene is completely disproportionate to what we would expect to see in this dramatic a moment. The action does not suit the situation, but in a strange way it also kind of does—with the action juxtaposing itself against the situation. Perhaps, just like with misfortune, absurd humor creates a needed release of energy, connected to our own sense of existentialist absurdism. The absurd could then serve to release our feelings of despair in a positive light. The show, Rick and Morty, seems to be built on this connection between absurd humor blended with existentialism and nihilism. Of course, this is just a theory. What you'll want to focus on when writing absurd humor is the relationship of your characters' actions to the situations that they find themselves in. Are they lost in the desert? Have them climb a boulder and ride it home. The stronger the contrast between action and situation, the higher you'll make the potential for absurdity.

Source 3: Wit

Wit is the essence of Clever Humor; its the pithy intelligence that makes us laugh because of all the thought put into a situation. When we hear a witty joke or are part of a witty situation, we find ourselves moving in a forward humorous momentum, instead of the backwards and diagonal momentum of the absurd. But we don't stop at the expected location. For example my mother called me a few months ago, asking me if I was going to wish my brother a happy birthday. The expected response for this sort of set-up/situation is to answer “Yes” or “No”. But I went forward and beyond “No” by asking why she wanted me to congratulate my brother for being one year closer to death (I have an acidic sense of humor sometimes). This reply was much more thoughtful than what my mother expected, and pointlessly taken beyond the realm of reason. Therefore, she found it funny.

Perhaps there is an element of the absurd in any given amount of witty humor. It's as if we are taking extra steps to be as intelligent and rational as possible—ending with us standing somewhere close to the absurd. Using Camus' illustration of absurdity, the soldier with a sword wouldn't necessarily attack the machine guns, but instead go home, refusing to sacrifice his life to be a metaphor. You can see this sort of humor in Youtube series such as How it Should Have Ended. In this series, animators take a closer look at popular movies and then make efforts to enforce logic in worlds and characters that didn't have them. This includes having Severus Snape use his time-travel gizmo to go back in time and kill Voldemort before he became a problem—an action that is so logical that it erases the need for any of the Harry Potter stories to even happen. So when you create witty humor, look to take things beyond the realm of expectation—aiming for the absurdly reasonable.

Source 4: Anti-humor  

Anti-humor is when something is so unfunny that it becomes funny, sort of like puns. As we find delight in the absurd and the unexpected, humor and jokes can begin to feel predictable. We begin to look for the solution in jokes, and we're usually smart enough to begin to be able to predict it. In this case, the expected becomes surprising. An example is the classic: “Why did the chicken cross the road? To get to the other side.” If you haven't heard it before, this anti-humor joke is actually kind of funny. A great example of this are the great collection anti-jokes found online.  

You can take anti-jokes to the next level using extremely acidic humor. This is where you take serious, grievous, or tragic topics and use them as the punchline for your joke. For example, a joke about a fatal illness is not funny because the person making the joke finds that topic amusing (otherwise that person needs some counseling). A joke about fatal illness can be funny to some people for the exact opposite reason—because of how dark and unfunny it is. Again, I believe this ties into a release of negative energy while in a safe space, and the processing of difficult emotions. If you plan to use the extreme form of anti-humor, please note that many people have very legitimate reasons for not enjoying it. So be careful, and give your audience some sort of forewarning so that you do not spring something so emotionally charged on them without their consent.

Source 5: Familiarity and Value

When I was taking university writing classes, I had an extremely eccentric professor who had all sorts of mannerisms that were unique to him. In the moments when he was particularly eccentric and acting out of his true nature (which he was quite comfortable with), I would find myself laughing, even if the situation wasn't funny. I think others can relate to this, as we all love to talk about fun people that we used to know, and find ourselves laughing even when what we are remembering isn't particularly funny. We laugh because those people acting happily out of their own nature gave us joy, and so anything they do creates a laughter that feels akin to humor.  

This mirth through familiarity can be accomplished in stories as well. In Bob's Burgers, for example, we really don't even begin to understand the humor until we develop an attachment and feelings for each individual character. Sure the situations are mildly amusing, but true laughter and humor doesn't begin until we know the characters, their likes, their dislikes, and who they are deep down inside. Once we know that, we laugh as each character acts out of their nature. When we see Louise (one of the protagonists) act with mischievous intent, we laugh even before we know what she's doing because we are happy that she is about to act out of who she really is. Note that this is a rather difficult sort of humor to pull off because you have to create a relationship between the characters and the audience before the humor will be possible.

General Tips for Humor

Tip 1: Create a patterned and uniform blend of humor for your story.

When you choose what sort of humor you plan to use in your story, the best way of maintaining audience enjoyment is to keep it constant. Just like when we watch a stand-up comedian, we begin to develop a taste and sense of expectation for whatever we are watching or reading. Over time, your audience will begin to really appreciate the flavor of your humor, and that appreciation will make your jokes increasingly funny (so long as they are creative and continue to be intelligently crafted). The pattern will also make all of your jokes seem, feel, and become purposeful. Your audience will enjoy this much more than if you seem like you are desperately trying to milk the humor from anything you can get your hands on (you perv).  

I recommend you begin by analyzing the origins of humor in your story's world. Is the world simply absurd, with unseen gods of chaos just dropping coconuts on people's heads for pure amusement? Does the humor come from a specific character? A group of funny people living in a serious world that they must learn to cope with through humor? A funny narrator with a unique perspective on life? Once you figure out the origins, determine where your humor will fit on the scales (it doesn't have to be on any extreme, you can stay in the middle of the scales and still be hilarious); and then figure out the source.

Tip 2: Create a genuine story with genuine characters, in order for humor to gain the most power.

If we value stories in terms of how much people enjoy and remember them, the best humor stories are those with good plots and characters. This may seem counter-intuitive when your intent is to make your audience laugh, but think of it this way. If an audience wants just concentrated jokes, they will read a joke-book. Your audience is choosing to dredge through the murky waters of story in order to find the humor with more difficulty because they want a blend of story and humor.  

An example of this is the movie,“Austin Powers.” Many people, myself included, watched these movies before we ever watched the James Bond movies that they were making fun of. And we enjoyed them greatly, and laughed the entire way through. Why? Because the characters and story, ridiculous as they were, were good enough that we actually invested our interest and emotions into them. As an added bonus, the story has become timeless and respected in its own right. Even if we face a future where nobody knows who James Bond is, the Austin Powers movies will be able to stand on their own merit because they are more than just jokes.  

Tip 3: Be careful about dating yourself.

Speaking of parody and humor losing its ability to be funny, let's talk about references that date our stories. Humor at the expense of popular culture (movies, politicians, celebrities) is a fun ploy of high-humor. It's especially useful for nighttime comedy shows that will be lost to time anyways, within a couple years. When you are writing a novel, however, you are trying to create something that will last a bit longer than that. Additionally, novels take a lot longer to write than an episode of a late night comedy show. This means that by the time you publish and people begin to discover your book, they may not know who the vapid pop star you're making fun of is. Your humor will be lost to time, and your book quite possibly forgotten. Of course, I'm not telling you that you can't use this sort of humor, just that you should be aware of the risks it holds.

Tip 4: Mark every line that is supposed to be funny, and make sure that it is.

Nothing detracts from a story or from a spirit of jovial humor so much as an obvious joke that falls flat. It's like watching an acrobatics show. If the acrobat falls on their face too many times you'll either be embarrassed for them or you'll empathize and start worrying for their safety. Either way, you won't find the situation amusing. In your own personal copy of the manuscript, mark every joke for analysis of whether it actually succeeds and whether it serves to empower the story. Then, ask your editors, test-readers, and writing partner to circle every point that they genuinely found funny. Be sure to pick test-readers who fall into the niche you are writing for, as well as those who do not. If nobody but you marked a specific joke, then you need to either get feedback for how to make it funnier, or else cut it.

Tip 5: Write within your own expertise and authority.

This does not mean that you can't laugh at things, and poke fun at things that are outside your realm of expertise, so long as you have done your research. But consider the power of an insider making a joke about something that you are a part of vs an outsider doing the same. It would be like the difference between me calling most writers narcissists (as I am one, and know that it is pretty true in most instances) and a politician making a joke and calling writers narcissists. I mean, what right does that asshole have to judge us, even if it is true? The point is that your jokes gain power when you can tell them with the confidence of an insider. Not only that, but your audience who is a part of the group at the butt of the joke, will be much more gracious and feel far less attacked when the joke comes from one of their own.  

Tip 6: Humor is personal  

Humor is something that is highly individual to specific groups and people. For example, I do not understand, nor am I really able to appreciate most British or Spanish comedies. This is not because they aren't funny; they are just as valid and hilarious as every form of comedy that I do enjoy. The reason is simply that because of either how I was raised, my life experiences or because of who I am by nature, I can't enjoy them any more than I can enjoy olives on my pizza (seriously, I hate them). It doesn't matter how artfully these types of humor are composed, there is simply no effect akin to joy, amusement, or laughter when I come across them. In other words, the problem is me and not them.  

All this is to make three points. First, it may be more difficult to find test-readers and worthwhile criticism for humorous work. Even if I'm really good at critiquing stories, I will not be able to give you any helpful feedback if your humor doesn't match with mine. And that isn't your fault any more than it's my fault. It's just a difference in taste. Second, humor is as personal and close to the heart as any other story or craft. When you create a joke, you are channeling whatever emotions and mixes of experiences have led you to the type of humor you have. So recognize the emotional bond between yourself and your humor.  

The third piece of advice is for those on the other end of the spectrum, those experiencing the humor of others and perhaps trying to give advice. Please recognize that others' sense of humor is just as valid as yours. Whether their sense of humor is simple, complex, dry, witty, dark, acidic, sweet, or anything in between, it is their sense of humor and not yours. Be careful in how you voice any attempts at criticism, as there are few ways to break your friends' trust and confidence as completely as when you tell them, “That's not funny.” You might as well be telling them that their heart sucks, and they are a sucky person.  

Instead, acknowledge the differences in people's humor, value it even if that humor makes you uncomfortable, and voice your criticisms accordingly. Try: “This joke wasn't successful with me, and might be perceived as racist/bullying/insensitive to some readers; so seek other feedback to see if it's just me.” You will voicing just as honest an opinion, without formulating a direct attack against the person who has trusted you with something so delicate to them.  

Weekly Recommended Watching: Doraleous and Associates by Hank and Jed. (A free animated fantasy Youtube series that manages to successfully mesh several humor types with an over-arching plot. Examine how even there are plot elements that are serious and even sad, the series maintains its humor through well-balanced distance and wit. And if this form of humor does not amuse you, that is perfectly valid and your own unique sense of humor is still a valuable thing.)