All of Arda Is Autistic- Maeglin
Maeglin looked up from the newly-forged sword he had just showed to his uncle, praising it’s many assets, only to stare straight into Idril’s eyes. Immediately, he felt his face growing hot and lowered his gaze, hating himself for his insecurities.
“I think I never heard you talk so much, and with so much passion.”
It was a statement, nothing more, but Maeglin was sure he discerned a note of accusation in his cousin’s tone.
“It is a good sword, Maeglin, the likes of which you will not find often even here among the most skilled smiths of Gondolin.”
Maeglin nodded, encouraged once more by his uncle’s earnest praise.
“It is the alloy that makes it special, lord! The mountains are rich with may different metals, but no-one seems to have delved for them in earnest yet!”
“No.” Turgon agreed. “Indeed we have had no knowledge of the strengthening of swords by using different metals. Our interest in those were mainly so to make jewellery and other fair works of art.”
Maeglin bowed courteously, while he could practically hear his father’s voice in his mind, scoffing. What use were fair trinkets, when there were blades to be wrought cunningly, so that they would become near sentient?
Turgon returned the small bow and left, but Idril, to Maeglin’s great surprise, did not.
“Why are you so, cousin?” she asked, and Maeglin tensed at once.
“How?”
Idril eyed him thoughtfully for a while, then said: “I’ve never heard you talk of your parents’ deaths, nor have I seen you shed a tear for them since. For long, I thought you incapable of any such thing as emotions, but yet here you stand and explain the alloy of metals with such reverence in your voice that it borders on love.”
Maeglin considered what she had said for a moment, then answered: “It is not so that I do not grieve them. My mother, mainly, but also my father. But what good is there in speaking about those grievous things, when they cannot be undone?”
Idril nodded after a while, apparently lost in thought.
“How was it, growing up in the dark? I cannot imagine it being anything but horrible.”
“Yet it was not.”
She looked at him wonderingly, and Maeglin could not help but feel heartened by her interest in him, so he told her of his childhood and youth, something he could never have imagined doing.
“… you see, whatever the common conception, my father was not some kind of monster. He was caught in his own mind, and often so, and never felt at home among the Eldar, but in his strange way, he loved us, my mother and me. He cared for us. All this, the lore of how metals work, I learned from him, and he learned it from the Lords of Nogrod, among whom he was held in great respect. He was a fabulous smith!”
Idril wrinkled her nose.
“Well, but love does not excuse imprisoning others.”
“’t was only in the last years that Amil grew weary of Nan Elmoth. My father could never stand the light of the sun, he said it hurt him. But we wandered the forest by starlight, and we were content.”
A smile played about her lips.
“Aredhel never stayed long anywhere, I guess.”
Maeglin shook his head.
“No.”
“But you know, had he truly loved her, he would have let her go!”
He stared at her, aghast. How could letting go mean love? Idril stared curiously at him and he held her gaze, even if it made him very uncomfortable. After a while, she turned away with a sigh, leaving Maeglin behind, and he sensed that he had somehow said something wrong, but how and what was a mystery to him.
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Also have another “first words spoken to you are on your skin” soulmate AU idea where Kara is a journalist assigned to shadow the controversial CEO of L-Corp for the day. It’s a big deal for her to get this assignment, so of course she trips the second she’s near the other woman and tries awkwardly to redeem herself.
The CEO stares at her almost in shock, and then says nothing. At all. Ever, for the entire day.
Kara spends hours following Lena Luthor around trying to fill the silence, but no amount of questions get her to talk. Lena almost seems to be running away at some points - like she’s trying to lose her? - and the few times she’s managed to catch her actually talking to someone she goes silent the second she sees Kara.
She asks around if Miss Luthor is usually like this and everyone looks at her like she’s crazy. Apparently she’s the only one who gets the silent treatment. By the end of her first day shadowing she’s walking away with half a page of observations and not a single quote. Miss Grant is going to kill her.
But that’s okay. It’s fine, this isn’t over. She has four days of shadowing ahead of her and she’ll be damned if she doesn’t finish this with a quote from the woman herself. It’s only a matter of time.
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so like. at what point are we going to stop listening to game companies saying "the game was poorly received and didn't meet our sales targets, and that's why we're removing it from storefronts and taking down all the servers mere months or even weeks after release" for titles that had a long expensive development, were barely marketed, and nobody knew they'd even released until after they heard they were getting shut down and couldn't be played/purchased anymore?
I feel like the prevailing takeaway for anyone who doesn't just conclude "yeah, game was pretty mid, makes sense to me" has usually been "this company just has unreasonably impossible sales expectations and treats every project like a failure if it doesn't print a trillion dollars". but these ARE allegedly experienced business execs who aren't complete idiots, and after this most recent debacle with Concord I'm starting to wonder if a bunch of these "games getting wiped out of existence when they underperform instead of just being allowed to persist as they are and maybe improve with time" cases in recent years might be more of a Warner-Discovery type situation, like nuking an entire animated series or film that was worked on for years and preventing it from being sold because it has to be officially unprofitable for the company to use it as a tax write-off. I look at a game that was worked on for 8 years and only made available for 2 weeks, and it's hard not to see the parallels.
great work, AAA games industry, really normal and sustainable stuff you're doing over there as usual
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Writing is fucking hard
For the past oh idk 2 ish years I’ve been working on a book. It’s a fun book! I would love to finish it. But god is it hard work. And I keep getting into the cycle where I feel like it shouldn’t be this hard, I shouldn’t have to force it like this, so maybe it’s not actually very good and I’m just wasting time making a heap of trash that no one will care about
But like. I won’t know unless I try right?
But it might also be a tremendous waste of time.
And that’s the rub with it, isn’t it? I don’t have a crystal ball to see if it’s worthwhile. If I want to do it, I just have to do it first and trust it’ll turn out in the end.
In riding there’s a saying: “throw your heart over the fence and your horse will follow”. It means ride forward with your heart, and the horse will carry you.
And I feel like I’m sitting on this horse, staring down an enormous bullfinch (big scary jump, look it up)
And I’m just holding my heart in my hands
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