#it's a very fascinating theory though

[moodyseal]

I got too deep into the Schema Theory while writing the paper for one of my exams and it got me thinking about Apollo's coping mechanisms yk

Basically the gist of this theory is that, in the eventuality that their primary needs are not satisfied during their formative years, a child might develop a bunch of different behavioural schemes in their adult life (which are too many to be listed here oh my god) that are a direct reflection of how the parent failed them during childhood

For example, one of these schemes is emotional deprivation, which is a person's tendency to emotionally distance themselves from other people due to the fact that they believe they won't be able to comfort them, and it's a scheme that's formed due to the guardian not satisfying the child's emotional needs. Basically it's formed through a "If my parent couldn't do it, then how could others?" sort of mentality

Another one, which I believe is very relevant here, is the sense of failure, which originates due to the guardian's immensely overbearing nature and the continuous dissatisfaction with the child's efforts. As an adult, the child in question believes that they're inept at everything, even if evidence points to the contrary, because of the fundamental belief that they hold that they're a failure

(Does it remind you of anyone?)

Now, these schemes tend to go hand in hand with modes, which are essentially coping mechanisms that the person uses to deal with whatever life throws at them and whatever negative emotion these schemes bring on. One of these modes is the *squints* scheme overcompensation? Anyway what it says on the article I got the info from is that basically people who use this coping mechanism tend to do the opposite of what their behavioural scheme tells them to do. If they're ashamed, they put down others. If they feel like a failure, they boast. (Again. Who does this sound like.)

AT FIRST it seems like a good coping mechanism but it's actually not, because the overcompensation leads to this vicious cycle where the more a person overcompensates, the more the scheme worsens. In Apollo's case, the scheme we're examining here is his sense of failure; in his overcompensation mode, to avoid feeling incompetent he tries to constantly put himself in the spotlight, drawing attention to his talents. However, he does it in such a ridiculous way (perhaps actually in some form of self-sabotage?) that the people around him insult those talents, call him a failure, and thus worsen his feeling of worthlessness.

(This might be tied to the punitive scheme as well, maybe? Considering how keen Zeus was on punishment, Apollo might've developed this scheme as a result, though over the centuries it could've shifted its focus from everyone to just him idk. The change between "I'm punishing everything and everyone for being so stupid, even my own son + this Ptolemaic god who breathed wrong in my direction" to "Actually I'm chill" seems pretty suspicious to me tbh)

ANYWAY all of this is to say that everything he does is so intrinsically tied to the damage Zeus did to him that it hurts. All his behaviours all his coping mechanisms. Everything

The arrogance is not just a façade he built over the years to hide his feeling of unhappiness and guilt!! It's quite literally an abuse response!!!!

And yeah maybe Leto was the one who spent the most time with him and Artemis and who took the most care of them so technically she should be considered his figure of attachment instead of Zeus but then again. How much time did Apollo spend beside her compared to the time he spent at Zeus' side, after the twins became Olympians? What do a few moments with her in a year do against entire centuries with him?

Leto's influence never really mattered. He was doomed since the beginning

[bonaesperanza]

I just realized that Ekaterin Vorkosigansaga's maiden name is Vorvayne because the structure and nature of her and Miles's romance are heavily inspired by Sayers's Wimsey novels, in which the romantic heroine is called Harriet Vane.

[aroaessidhe]

2024 reads / storygraph

Babel-17

sci-fi set in a future in an intergalactic war facing unknown beings only known as ‘invaders’

when a new code from the enemy is discovered, a poet/linguist/cryptographer is asked to try crack it - but quickly realises it’s a language

she assembles a crew to travel to the war yards to study the language, and discovers that learning it changes the way people think and interact with others

explores linguistic relativity

queer and polyamorous characters

[confusedhostage]

Please feel free to leave your reasoning/opinions in the comments or tags (:

[hedgehog-moss]

Last spring my neighbour asked if I could let Pirlouit mow the grass around his barn from time to time, which Pirou was happy to do at first but if I left him there several days in a row he got pretty sad about being alone (lots of wistful, melancholy braying). So this year when my donkey was hired for this job again, I went for a different formula: for the past few weeks I've been bringing all the animals to the neighbour's barn for an hour of landscaping services now and then at apéritif time.

The fence is extremely not Pampe-proof so I have to have my apéritif while sitting on the road in a strategic position from which I can toss a stick in her direction if she tries to escape, but other than that I've been really enjoying this peaceful evening ritual, just sitting there reading and watching the animals while feeling like I'm doing my neighbour a favour. Pirlouit doesn't get all the grass to himself anymore but I've learnt that he prefers to be rich in friends than in food.

You'll notice that Merricat is present in every photo, looking alert. She too has been hired, but for the thankless job of Thought Police. She may look like she's just napping on the warm asphalt with not a care in the world...

... but she is working! Keeping an eye on the llamas, always.

I've discovered that in a specific context my three cats can act as precogs and warn me of Pampe's future crimes. My theory is that they developed this skill because of Poldine, who loves cats. Any cat who enters the pasture will soon be noticed and (lovingly) chased by Poldine, who wants kisses. Cats not only do not want llama kisses, they don't differentiate between individual llamas. They are all potential kissers. So even if it looks like she's all relaxed, Merricat is constantly monitoring where the llamas are and what they seem to be planning. If we are on the other side of a fence and Pampe approaches it a bit too slyly, Merricat will jump to her feet, ready to flee (and I will toss one of my anti-Pampe sticks, and say NON.)

Merricat and I are a very good team! We've foiled several of Pampe's plots, but we need to be on the road for Merricat to remain wary (if we were in the pen Pampe's escape attempts would involve getting away from us and the cat wouldn't care.) Cars are rare so it's okay (plus it's so quiet you can always hear them coming), and on the few occasions when someone showed up and asked why I was having apéritif on the road, I pointed at Pampe and they were like, "Ah! Didn't see her here. Good luck!"

"Hedgehog-moss, you're exaggerating. Pampe can't be that—"

She is! She is. And she always seems to notice when Merricat is on a bathroom break and I'm absorbed in a book.

There was one evening though, when she got distracted by a fascinating new idea. I don't claim to know what's going on in this llama's head (except when she's looking at a fence, then it's easy) but as you can see, once I brought the animals to the barn Poldine started eating flowers, Pirlouit started eating grass, and Pampe started eating the wall.

After a moment she slowly circled the barn, then stopped and lay down right next to it, settling down in a comfortable position but with focused ears and her head still turned towards the wall. It was suspicious behaviour, but on the other hand she now looked so uninterested in the road that I decided to take a risk and run home to bring back some dinner—and she didn't move while I was away! I even brought Pandolf, who is usually banned from these soirées because he would disturb my Merricat alarm system. He was happy to be finally included.

It's unclear if Pampe was eating the wall, talking to the wall, or carefully examining various parts of the wall as Step 1 of 27 of a complex plan only she understands, but she stuck close to the barn all evening instead of lying in wait by the fence so I was able to have a picnic in the grass rather than on the road, which felt more bucolic. I know that "Pampérigouste has a new, mysterious project" is a worrying sentence but at this early stage (feasibility study) it felt to me and Merricat like a little holiday!

[ennaih]

Every Film I Watch In 2023:

208. Forgotten (2017)

[vveakfish]

thinking abt reading as part of the writing process

[esoteric-goblin]

on worldbuilding, and what people think is going on

there is one facet of fantasy worldbuilding that is, to me, the most interesting and essential but i don't see it come up in worldbuilding guides or writing prompts or anything, and that is the question of:

what do the inhabitants of your world believe about how the world works, and how are they wrong? a lot of fantasy media will set up their cosmology, gods, magic systems, planar systems, concepts of the afterlife, &c., and proceed as though the inhabitants of the world know and understand them.

from someone whose entire academic career is focused on studying human culture in various regions and time periods, with a focus on belief systems (religion, occultism, mythology, folklore): that sort of worldbuilding is unrealistic and missing out on so much fun.

people are always seeking new understanding about how the world works, and they are mostly wrong. how many models of the solar system were proposed before we reached our current one? look at the long, turbulent history of medicine and our various bizarre models for understanding the human body and how to fix it. so many religions and occult/magical traditions arise from people disagreeing with or adapting various models of the world based on new ideas, methods, technologies. many of them are wrong, but all of them are interesting and reflect a lot about the culture, beliefs, values, and fears of the people creating/practising them.

there is so much more to the story of what people believe about the world than just what is true.

to be clear: i think it's fine and important for the author to have a coherent explanation for where magic comes from or who the gods are, so they can maintain consistency in their story. but they should also be asking what people in the world (especially different people, in different regions/nations and different times) think is happening when they do magic, or say a prayer, or practise medicine, or grieve their dead. it is a rich vein for conflict between individuals and nations alike when two models of the world disagree. it is fascinating how different magic systems might develop according to different underlying beliefs.

personally, i think it is the most fun to spawn many diverse models of the world, but give none of them the 'right' answer.

(bonus points if you also have a thriving academic system in the world with its own theory, research, and discourse between factions! as an academic, it is very fun to imagine fictional academic debate over the topics i'm worldbuilding. sometimes i will be working out details for some underlying mechanic of the world and start imagining the papers being written by scholars researching it)

[purple-plum-petals]

Hello!! I see your requests for Homicipher are open and I got giddy :D (starving for more content) May I request fluff drabble for Mr Silviar? Maybe his s/o teaching him how to say "I love you" in human language? Thank you!

⊱ Those Three Words ⊰ || Mr. Silvair X Reader

╭─━━━━━━━━━━━━─╮   Character(s): Mr. Silvair (Homicipher/文字化化) Reader Type: Human (Gender-Neutral Pronouns) Warning(s): Spoilers for Homicipher (specifically Route End: Mr. Silver Hair 1), Canon-typical Mentions of Violence (and Horror-Elements), Cultural Barriers (Mr. Silvair Doesn’t Fully Comprehend Certain Emotions). Anything spoken in the other world’s language will be bolded. Genre: Drabble, Fluff, Slight Angst, Pre-Established Romantic Relationship (It’s Complicated, honestly). Word Count: ~3,280 Request: “Hello!! I see your requests for Homicipher are open and I got giddy :D (starving for more content) May I request fluff drabble for Mr Silviar? Maybe his s/o teaching him how to say "I love you" in human language? Thank you!” Author’s Note: Mr. Silvair!!! He’s genuinely so pretty, y’all – it’s not fair. 😔 I find his overall character to be quite fascinating, and a part of me is really hoping the game gets a DLC or something to further expand on each of the character’s lore (and more moments with the MC, of course). Like game, what do you mean that some of the monsters may have been humans while others probably never were?? I desperately need more food… I headcanon that Mr. Silvair was either 1. never human, or 2. has been in the other world for a very long time, resulting in the loss of his memory as a human which could be why he’s so interested in researching them/maintaining the MC’s humanity. 🤔 But that’s just a theory – a game theory! Anyway, I hope you enjoy!

→ If you enjoyed my work, please reblog it if you can! Exposure on Tumblr is based on reblogging content rather than liking it, so your support would be much appreciated!  ♡ ╰─━━━━━━━━━━━━─╯

Even after everything that had happened between you and this world’s resident human-enjoyer, you surprisingly still felt at ease with Mr. Silvair. That comfortability, though, made you think hard about your sanity. After all, it probably wasn’t normal to be comfortable around someone who enjoyed taking you apart and watching your body put itself back together over and over again. Yet, you did, and you didn’t mind your current arrangement as much as you probably would have in the past. 

Mr. Silvair’s home was destroyed in a fiery explosion (courtesy of himself), so you had offered to help him find a new one. You managed to locate a large room, one that he deemed satisfactory enough to call his base, and you had been staying with him indefinitely since then. As long as you had a comfy bed to lay in and someone else to keep you company, you were happy. 

Your other friends(?) frequently stopped by as well to say hello, the most common ones being Mr. Crawling and Mr. Chopped. While you were occasionally hit with a feeling of loneliness, it was hard to feel that way with so many friendly faces around. Well… maybe their faces weren’t that friendly, but they were kind and gentle with you, and that’s what truly mattered. 

You hear the sound of Mr. Silvair moving around in the room adjacent to the one you typically stayed in, and you wonder to yourself what his plans for today are. The tall, long-haired man spent most of his time engaged in research. You didn’t see him as frequently as one would expect despite the fact you two were practically roommates. All you could do was hope he wasn’t messing around with and subsequently angering any more terrifying, violent ghosts. You enjoyed your current home, and going out to look for another one wasn’t very high on your list of things to do. 

The Rubik’s Cube in your hand was still as scattered as ever, and it seemed like, no matter how long you spent trying to solve it, you were only able to successfully complete one side. Mr. Masque was kind enough to give it to you (he apparently had a whole stash of the things somewhere), and his gift was something you were immensely grateful for. Attempting to figure out the puzzle helped you pass the time wherever you were alone (and it most likely helped you keep your head on straight). 

You’re currently lying flat on your back atop the plush bed in the relatively empty living space, looking up at the gray concrete ceiling with a blank stare. Once you decide you’ve loafed around for long enough, you stand up slowly from the bed, placing the cube gently on the covers of the cot. You stretch your arms above your head, a strangled noise coming from your throat at the movement of your stiff muscles, and you begin to make your way to the other room where your… 

What even was Mr. Silvair to you? While yes, you were fond of him – hell, you’d go as far as to say you loved him – you knew he didn’t feel the same. You remember the moment he told you “I not understand like”, and that he didn’t want to save you from your condition, no… he found you entertaining to keep around, and that’s why he did what he did. 

It was complicated, you thought, trying to have a relationship with a being who didn’t grasp what the concept of love was. Deep down, though, you knew you wouldn’t change it for the world. He enjoyed your presence, and that was all you could ask for. 

You walk over to the metal door and knock, waiting for a response. After a moment, you hear Mr. Silvair’s voice echo, “Enter.”

The door opens with a slight creak as you twist the knob, peeking your head inside the somewhat grimy space. The room, still fairly new, didn’t have as much blood or gore as his old one did. There were fresh stains on the floor and wall, you noted, and you couldn’t help but wonder who or what they were from exactly. It didn’t matter in the grand scheme of things, though, so you didn’t bother asking. 

You grin up at the taller man and give him a small wave, saying softly, “Hello. I not bother?”

He returns your smile, placing the scalpel in his hand on the stainless steel tray that held a variety of medical tools. It looked like he was in the process of cleaning the many, typically blood-stained, pieces of equipment. Mr. Silvair turns to face you and replies gently, “Hello. You not bother. Enter.”

Tilting his head to one side, his long, silver locks move when he does, cascading down his head and slipping off his shoulder at the movement. His smile drops slightly before he asks, “Feeling unwell? Injured? Need cure?”

“No, no cure.” You quickly say, not quite in the mood to be dissected or taken apart right now (honestly, though, you never really were, even if you did understand why it needed to be done). You pause by the door before finally shutting it behind you, the both of you now alone in the private and secluded space. 

Ugh – why was it so hard to say what was on your mind??

After taking a moment to build up your confidence, you tell Mr. Silvair while fidgeting with the rubber of the clear raincoat you wore, “I want see you. Communicate.”

He hums and smiles at your admission, walking over to you before placing a calloused hand on your face. Your eyes close on instinct, and your breathing shutters when he rubs his thumb across your cheek. A part of you wanted to be annoyed with him since he had to be aware of the effect he had on you, yet you didn’t want to run the risk of him removing his cool palm from your skin, so you kept your mouth shut. 

It had taken quite some time for Mr. Silvair to get to this point of physical affection with you (something he began doing more often after he saw how much you enjoyed getting head-pats from Mr. Crawling), so you didn’t want to ruin any progress you two had made in your complicated and unconventional relationship. 

“Okay,” Mr. Silvar starts, removing his hand from your face as he gestures to one of the two chairs in the room. He smiles down at you before saying, “Sit. We communicate.”

You do as you’re told without speaking another word, your hands folded in your lap after you sit down, watching Mr. Silvair take a seat on the chair across from you. You talk with him for quite some time, doing your best to update him on your current progress with the puzzle since that was pretty much the only thing you had going on in your life. While it wasn’t satisfying to speak in the other world’s language because it tended to miss most of the nuances of speech, it was the only way the two of you could communicate. 

Mr. Silvair seemed to pick up on your frustration, seeing you were growing annoyed at the lack of words in your arsenal – the term you were looking for wasn't coming to mind. In response, he tilts his head to the side and asks you, “You upset. Why?”

“Not right words.” You reply, brows furrowed when you look up at him, your gaze landing on the bloody bandages wrapped around his eyes. You turn your head to look down at the floor, the somewhat fresh pool of blood perfectly matching the color of the Rubik’s Cube. You point to the puddle and turn to ask Mr. Silvair, “What’s this called in your language? Can you tell me how to say this color?”

“Blood.” Mr. Silvair responds, not understanding what you wanted him to explain. 

“No, no.” You quickly reply, shaking your head. You continue to glance between him and the blood, enunciating your words even though he didn’t understand your language the same way you were able to understand his. You didn’t back down or give up, though, saying again, “The color – I want to know what color blood is.”

He pauses, one hand under his chin as he seemingly takes a moment to figure out what you are asking him. After a few beats, Mr. Silvair replies with a word you haven’t heard anyone speak before, “???”

You visibly brighten at the new word, and the expression on your face causes Mr. Silvair to let out a light chuckle before he crosses one of his legs over the other. You take a breath before telling him, “Okay. Thank you.” 

After another pause, you continue to speak, “So… One part object done, red part. Other parts hard – not finish.”

Mr. Silvair had been leaning forward in his chair, his elbow digging into his knee while his hand rested under his chin, holding his head up as he stared at you with an unwavering gaze. He always listened to you with rapt interest, and you would be lying if you said the constant attention didn’t make your heart stutter in your chest. However, he suddenly speaks, pointing to the pool of blood you had been gesturing toward moments before, “What you call that?”

“Huh?” You ask, pausing your story to look at him. Mr. Silvair doesn’t say anything else, though, giving you a moment to comprehend what he has asked you. You perk up when your brain finally registers what Mr. Silvair had said, replying to him happily, “Oh, that’s the color red. So, blood is typically red – blood red.” 

“R-ehd?” He echos, and the sound of his voice speaking a word that you were able to understand without having to flip through your mental dictionary had your breath hitching. It sounded so strange but so nice coming from his lips. 

“Yeah, red! Blood is red!” You say, sounding excited and oh-so happy. Mr. Silvair would be lying to himself if he said he didn’t find the look on your face and the tone of your voice endearing. Then, your expression shifts slightly as you lean forward in your chair, saying enthusiastically, “Oh my god – I just got an idea! Me teach you me language!”

“...You language?” Mr. Silvair asks after a moment, shifting in his seat slightly. 

“Yes! Me teach you!” You reply, gesturing to both him and you with your hands. Your mind remembers the way Mr. Silvair and Mr. Chopped helped you shortly after you first arrived, teaching you directions to walk, facial expressions, and more. They had helped you expand your knowledge of this world’s language, and they were probably responsible for your survival in so many of those early interactions. So, you smile at him as you say, “We same.”

He returns a smile, nodding his head and replying with a simple, “Okay.”

“Alright, so, let me think here…” You hum to yourself, leaning back in your chair and closing your eyes while you consider what you should start with. Body parts seemed to be the first thing that popped into your head, so that’s eventually what you decided to start with. Sitting up in the chair, you point toward your hand with the other, tapping a finger to your palm as you speak, “Okay, so, this is my hand – hand. Can you say hand?”

It was kind of cute, strangely enough, seeing Mr. Slivair take the time to repeat the word you spoke over and over in his mind, trying to match the movement of your mouth with his own. Your languages were quite different in sounds, syllables, and the like, so he was practicing what to say before actually speaking. After a few moments of contemplation, he replies, “...H-ah-nd.”

“Hey, that was pretty good! Not bad for your first try, Mr. Silvair, even if the pronunciation is a bit off.” You say with a wide smile, clapping your hands together as you applaud him on his efforts. He chuckles again, finding your way of teaching to be… sweet. 

Then, you speak again, once again grabbing his attention. You tap the pad of your finger under the skin of your eye, asking him, “Do you remember what this is called? I think I’ve told you before.”

Mr. Silvair is quicker in his response this time, having heard you ask him about his own eyes before as he smoothly says, “Eye.” 

“Yes! Good job!” You praise once more, giving him a thumbs up in response. Then, he stands up from his seat, walking over to you while his once-white lab coat flows behind him. You crane your head back to look up at him from where you were still sitting, a simple and stupid, “...Huh?” leaving your mouth. 

Mr. Silvair reaches a hand to your face, cupping your chin gently in his hand. You feel his thumb resting on your bottom lip, and he begins to move his finger back and forth along the slightly chapped flesh, tugging at it slightly. He tilts his head to the side, asking you seriously, “What this called?”

“Oh, uh…” You know your face is probably flushed beyond belief at this point if the heat cascading through your head is anything to go by, and your mind and heart are completely caught off-guard by his sudden touch and question. You avert your gaze to the side, swallowing harshly before you finally reply, “They’re my lips – they’re, umm… similar to mouth. Lips, mouth, same.”

“...Lips?” Mr. Silvair asks again for clarification, his voice having an almost husky tone to it that has a shiver travel down your spine. 

You nod in response, muttering a barely audible, “Yes…” 

Mr. Silvair hums at your response, a small smile gracing his lips. He leans down, face so close to yours, before he inquires with an almost teasing tone to his voice, “You want touch?”

“Y-Yes.” You answer at an almost embarrassingly fast speed. 

The man who you had grown so fond of chuckles at your enthusiasm before leaning forward, pressing his lips softly to yours while he holds your face between his palms. Kisses weren’t a common thing between the two of you, and they were really only something Mr. Silvair initiated when he felt like it. You could feel the intensity at which your heart was beasting due to his sudden affections, and there was a part of you that was worried it would burst out of your chest right then and there. 

Your eyes flutter shut and you tilt your head to the side, your hands coming up to rest atop his – his hands that were holding your cheeks so, so gently. It was almost sickening the way he was holding you like you could break at any moment. 

Then, almost as quickly as it began, the kiss ended before you even realized it did. Mr. Silvair’s forehead was now pressed against yours, and he doesn’t make any move to remove his hands from your face. Your lips were no longer touching, and yet he still lingered.  

Mr. Silvair didn’t play fair, you thought, yet you couldn’t help but wonder why he wanted to kiss you so suddenly, so randomly. You close your eyes and your brows furrow at the tightening in your throat, an aching sensation slowly spreading throughout your chest like a disease before you whisper, “...I love you.”

There’s a silence, a stretch of nothingness before Mr. Silvair suddenly asks you, his voice just as soft as yours had been, “Repeat?”

“...No,” Your response is nearly immediate, and you shake your head before repeating once more, “Nothing.”

“...I love you.” The sound of those three words leaving his lips nearly causes your mind to implode. It sounded so sweet, yet it also felt worse than any suffering you had experienced before. The searing and excruciating pain, the feeling of a blade digging itself into the flesh of your torso couldn’t compare to the deep-seated torment you felt right now.

Mr. Silvair hums, tilting his head to the side as his thumbs continue to caress your cheeks, “What mean?”

You knew there was no point, no reason to try and explain your feelings again, but you do. You still do, even though you know it’s pointless to try. You can’t bring yourself to look at him as you speak, finding the concrete floor more interesting, “Mean… mean me like you. Lot like.”

There’s a pause, a moment of contemplation before Mr. Silvair says, “...Not understand.”

“I know.” You reply, nodding your head once in response. 

“You know?” He asks you, sounding somewhat confused, a tone you very rarely heard from the man. Had he forgotten that moment that you couldn’t seem to forget, the memory that you continuously found replaying in your mind like a broken record? It wasn’t fair, you thought, that only you were forced to hold onto such a painful memory. 

“You communicate before.” You clarify, finally willing yourself to look at his face. Mr. Silvair’s expression was tight, his lips drawn into a flat line. 

You needed to get away, to just run from this moment in the hopes he would forget the whole exchange just as he apparently did the last one. You take your hands and grab his wrists, removing his palms from your face before you stand up from the chair. You refuse to look at him as you turn, heading to the door as you utter, “...I’m going to go for a walk, so I’ll be back later. Goodbye.”

Then, you feel something tug at the sleeve of your raincoat. It wasn’t strong, nothing that would actually stop you from moving, but your legs proceeded to hault at the small action. Mr. Silvair says, his tone not demanding in the slightest – if anything, it sounded like a plea as he speaks, “No exit.”

You take a deep breath and turn around to face him, asking in such a small voice that it even caught yourself off-guard, “...Why?”

“I want you here.” Mr. Silvair responds quickly, so quickly it seems to have taken both of you by surprise. The two of you stare at each other for a moment before he asks, finally releasing the material of your jacket from in between his fingers, “Stay… Will you stay?”

You once again find yourself wondering if Mr. Silvair was aware of the effect he had on you as a sigh leaves your mouth. You nod your head lightly and reply, “I will stay.”

“Good.” He says in response, a gentle smile on his face as he says for the second time, “I love you.”

You frown at him and shake your head, saying with a slight edge of frustration in your voice, “No speak. Not true.” 

“True… Believe true.” He says quickly, reaching out to once again place a hand against your cheek. You don’t move, don’t flinch away from his touch – you still relish the way he’s holding you like a fragile piece of glass. Mr. Silvair’s brows are furrowed ever so slightly as he mutters, “Confused.”

“You’re telling me… How do you think I feel?” You say with a huff, your hand holding into his as you find yourself nuzzling your nose into his palm. The painful feeling in your chest was still present, but it wasn’t nearly as excruciating as it had been now. You find it in yourself to smile, gazing up at him as you speak, “...but we’ll get through it together – we together. Right?”

“To-geh-ther…” He repeats, leaning down to press his forehead to yours once more as he says softly, “Yes.”

[copperbadge]

I'm researching second-line medications for ADHD, because the Adderall works well for the executive function but non-pharmaceutical solutions are simply not effective for the emotional dysregulation, which I think the Adderall might be making worse, apparently that can happen.

But what's wild to me is that it seems as though the most effective treatments for ADHD, first or second line, almost all come in one of two flavors:

-- High potential for addiction

-- Used outside of ADHD as a treatment for addiction

There are definitely some treatments that fall somewhere in the middle, but it's hilarious how often my notes read stuff like "Second-line treatment for ADHD, can be used with stimulants, also used for smoking cessation/substance use disorder/individuals with history of alcohol misuse". It's almost like addiction frequently has biological causes related to emotional regulation and impulsivity and can be treated medically. Fancy that.

I've also found fascinating anecdotes by people with ADHD who prior to their diagnosis were struggling with addiction to opiates and were able to stop when they got on stimulant medication -- which "shouldn't be a thing" because opiates are depressants, not stimulants, and shouldn't impact ADHD. I've seen the theory floated that it's not stimulant/depressant that matters so much as impact on dopamine production and reception, but who the hell knows honestly.

It is interesting to me, though, because despite the jokes I've made in the past I've always watched myself very closely when it comes to opiates. I became well aware fairly early on that "oh, this is the drug that I could get in trouble over", but part of that was always that if I took a Vicodin, I would actually go do stuff like the dishes or the laundry or my essays for grad school, and that felt really good.

Anyway, I don't think it's often discussed that medication which increases your ability to do stuff can also overblow your ability to feel stuff, and also medication for emotional regulation may also boost you onto the wagon. So there you have it.

[estrellogy]

Astro Notes Pt. 4

Thank you to everyone who participated in the poll!

- Both water and air signs, especially risings here, are good at mirroring others. But they often evoke different responses. Water signs are often projected on because like water, they reflect directly what energy others are giving out. Water deals more with subconscious emotions and energies that others may not even be aware of themselves. Air signs, on the other hand, mimic and adapt. They are social chameleons who know what’s expected from them. That’s why they are often well-liked.

- Scorpio placements, especially sun and rising, if underdeveloped, can pride themselves on their manipulation skills and how good they are at lying. They are extremely emotionally intelligent, observant, and aware of their environment. These are the keys to be a good manipulator. However, when they mature, they’ll use these natural abilities in much more productive ways. They grow to value truth and integrity above all else because they’ve experienced the other side of it.

- Personal experience: I have Moon in 9th house and traveling is so intertwined with my life. Two out of three siblings on my dad’s side (my dad and his sister) work in the airline industry, so they travel all the time as part of their jobs. My mom is a Sagittarius moon and she loves traveling. She would let me skip school sometimes to travel. It’s so interesting to see how astrology is not only reflected in an individual’s chart but is connected through generations.

- Speaking of 9th house. I have a theory that if you want to improve your social skills and charisma, work with your 9th house energy. People usually focus on their 1st, 7th, and 10th house because they are social/relationship houses. Maybe 3rd house since it focuses directly on communication. But 9th house is the house of higher learning, philosophy, and hope. I think we often connect best with others when we discuss about our own life philosophies, our live experiences and lessons, and our hopes and dreams. 9th house represents such an interesting and expansive part of us that’s often overlooked. I think 9th house is where our human spirit is stored.

When you’re deeply connected to this well of positivity, wouldn’t you naturally become charismatic and interesting and fun? That’s why Sagittarius is such a charming sign. Even though it’s not ruled by the beautiful Venus or glamorous Neptune, it radiates light. Work with your 9th house to unlock your own charm. It is that which attracts people.

- Sun sextile Pluto women have a very subtle way of getting people to do what they want. They don’t try to dominate or force, but they play into their natural strengths. For example, if they notice that people respond well whenever they come across as innocent/childlike, they’ll play more into it. They don’t alter their authentic self but more like, they add spice to it. Sun trine Pluto does this more naturally, sometimes without even realizing. But sextile is much more intentional.

They’re usually quite playful and flirty individuals. They gain power without people noticing. Sometimes, they even give up a little bit of power, become intentionally vulnerable, while gaining the upper hand without the other person knowing. They truly understand power = influence, not control. Fascinating people to observe.

- Taurus will take their time. That’s why they’re master seducers. They don’t make their suitors wait simply to play games. They are genuinely picky and know their worth. Like any earth sign, they know the value of time, especially theirs. So they would rather wait to see if the other person is worth it than jump blindly into it and have their time wasted. It also helps that they are so sensual and tempting, which comes from being deeply connected to their physical senses and body. They radiate feminine power. Venus in 2nd house also applies.

[punksocks]

Placements For Romantic Archetypes Pt.2: The Siren (18+ Only)

*Adults only! Minors dni

*just based on my experiences, only take what resonates

She’s absolutely hypnotic and the only thing she did was walk into the room. Someone with a magnetic air, that always catches attention from the people around them. Seen as sensual and mysterious, some people think they’ve got to be paid to look that good. In a lot of people’s fantasies, even if it’s only for a moment. Gives off maneater energy and brings out some sort of obsessive tendency in others.(Can apply to all genders but is often seen in the form of femmes that have a lot of mascs run after them.)

***

-Scorpio rising/Pluto in 1st: Classic placement for this vibe lol. I’ve been working on understanding exactly why this placement tends to catch so much obsession (and bruh I don’t know). I have a few theories, but for this one I’ll focus on s*x appeal and power. Scorpio rising gives the native a naturally heavy aura, the kind of energy that can’t be ignored when they walk into the room. Everyone immediately has a reaction to energy like this, and typically it’s either disgust or fascination. When people are fascinated it can easily slip into obsession. Everyone wants to know how you got so -magnetic-, so -powerful-. But not only is the native the mysterious sort that won’t exactly broadcast that information- this sort of power is second nature to them. Death and transformation is the way they’ve moved through this world as long as they could remember. I’ve noticed, this sort of short circuits some people. They want to pick apart every detail. They want to know why they’re so hooked on you even though they barely know you. They want to be immersed in the well of you. It’s intoxicating. (The natives also tend to be compelling and magnetic in general, the type to hold an audience’s captivation)

-Lilith in 1st/10th: Always gotta mention Lilith lol, she explains a lot. So it’s like the birth and death of Scorpio ascendant with something more. Twice as polarizing. It’s like that sort of energy with this potent, heavy dark feminine energy. It’s like they unlock these hidden primal desires in people that people didn’t even know they had. (Typically someone heavy in their feminine energy will have the Lilith energy and be like unlocking something in everyone else). There’s a lot of power in walking into the room and setting people off. Some people (dominant energies)tend to see this as a challenge and then these people want to cage that s*nsual, intoxicating native, and keep them all to themselves. (They also tend to be like curvier body types, so take that as you will)

-Lilith in 12th: People’s secret fantasies. They subconsciously desire the native. The native also brings peoples deep rooting cravings to the surface with their presence alone.

-Scorpio Venus: Power and presence. The native has a very heavy and influential energy. People often find them charismatic in an enigmatic sort of way. They attract powerful friends and romantic interests. They have a very seductive aura and typically can be as obsessive as some of the energies they attract.

-Venus hard aspects (especially conjunct but also square/opposition) to Pluto: Pluto’s tension with the native’s Venus tends to make them have a Scorpionic tinge to their romantic lives and the way they act as a friend/romantic. They can be dark and obsessive and have trouble taking things slow, they tend to attract romantic interests with this energy as well.

-Venus/Mars in 12th: Hidden desires. And also the native (subconsciously usually) has this ability to tap into whatever their romantic/s*xual interest desires on a subconscious level. A lot of like not just having s*x but tapping into and healing or bonding with someone on a soul level. (Sometimes on accident lol, doesn’t make them any less addicted though!)

-Venus/Mars in 8th: The natives have a heavy s*xual aura. They are also very memorable and they probably are a lot of people’s s*xual fantasies. Tendency to go deep in relationships and trysts to find out all they can about what makes their partners tick.

-8th/12th house/Lilith synastry: Ahahaha, Ah yes, the synastry that tends to f*ck people up (usually dudes, when is it ever not dudes). 8th house synastry tends to be dark and taboo and s*xually charged. Like the passion is so intense you find yourself all wrapped up and out of control. 12th house synastry is that like person that gets so on your mind they’re in your dreams. Just when you think you forgot about them they’re running through your mind again. It’s dizzying (especially since this usually is the house of hidden enemies, confusing stuff). Lilith synastry is just.. it can be so messy. The Lilith energy is often going to shine a light on what the other person is dealing with on their shadow side. This could be insecurity, anxiety, s*xual inadequacy, anything deep dark and hidden away. It’s often dizzying for anyone even a bit insecure (and let’s be real, most of us are), and can bring a reactive nature to the chemistry. (Bonus points if any of these placements are in Scorpio)

-How do you get her to be yours? Forever? Slow down, cowboy (very cool of me I know). Before you try to cage the siren (learning nothing at all from all the mythology that says hey don’t do that) have you tried to approach them like a person? Do they have a rich inner world outside of being a s*x object? Try to take a deep breath, look at why you’re only seeing this person as a goal to score or a bird to cage. And then have a polite conversation with them like a person. And expect nothing in return. That’ll put you ahead of 50% of the competition right away, and maybe you’ll get lucky and get invited into understanding the siren and their complex inner world. (Or maybe they are in their maneater phase, in which case have fun or steer clear, it’s up to you lol.)

[yanderenightmare]

more gojo with curse!darling please! i lobe this concept<3

Gojo Satoru

P1 & P3

TW: abduction and captivity, mild condescension, mild coercion, NSFW hints, some descriptions of darling, but nothing too specific, a joke dissing people with blue eyes and pale skin

gn reader - fem labels (drama queen) & fem accessories (jewelry: various)

He kept you like one would a stray cat. Leaving you be as you found places of comfort around his apartment, hiding when you wanted to be left alone – which was almost always.

You hadn’t warmed up to him yet. Understandably so.

He’d set out food for you, locking the door with seals when leaving – scoffing out a laugh after coming home only to find the dish still on the table. He keeps forgetting you don’t eat.

You may look it, but you’re not exactly human.

But you are getting thinner, unfortunately. Suppose his apartment isn’t ideal hunting ground for a curse. And as you’ve gotten weaker, you’ve become wilder – primitive in a way – hissing at him when he gets too close – feeling vulnerable. 

You’re very cute.

But, cute or not, he doesn’t want to starve you. He isn’t cruel. So he walks and wonders what it is that you would find appetizing. 

Watching your behavior – how you sneak around his apartment looting – like a crow – collecting shiny objects to deck yourself in. Stealing all his rings, chains, watches, belt buckles, manchets, any gold or silver-rimmed glasses, and anything else you can use as jewelry – old coins, can tabs, all the silverware – along with everything else you deem pretty – fabrics, flowers, decorations, all his silk shirts. 

You rob anything and everything of value, making a nest of it all in the tub. 

His theory is that the bathroom is the shiniest place in the house and, therefore, where you feel you most belong. You sleep there despite him having given you a room – coveting all your findings.

He’s never really thought about how a curse can have such behaviorism. It’s not too odd to keep tamed ones as pets, but still, he’s never thought about why one would aside from utilizing them in combat. But you weren’t made for such intents and purposes. You were… just fascinating to have. Not far off from being an exotic pet.

But even for a curse, you’re unusual.

It’s not fear or death you thrive on. It’s… something a lot more innocent, actually – which is probably why you have no malicious instincts to hurt him – not that you could if you tried. But he can tell… you don’t want to be a curse, do you? In fact, those few times he has nicknamed you curse, you’ve scowled at him a little more than usual. 

No, what you desire is devotion – to be worshipped. 

What you want is to be a god.

Quite like him, actually. You like having your ego stroked. 

It’s your pride that needs feeding, and he can only asses that it feasts on people’s mad desire for you – of which he has plenty to give.

But you reject it.

“I won’t rely on the pity of a filthy jujutsu sorcerer. I’d rather starve.” You tell him with a sneer, curling yourself up with folded arms upon your chest – pouting with eyes closed, drowned in your treasure bath as though everything wasn’t nicking your skin, trying to ignore him.

He slants his head to the side, crouched down beside you with his arms resting on the tub, a smirk on his face – playing cute as he reaches a slim finger out to touch your cheek.

“Won’t you let a filthy jujutsu sorcerer worship you a bit? Trust me, a curse has never made me feel so weak before. Don’t you think I’d make for the best beggar?” 

You grimace, brows deepening into a vexed frown without opening your eyes, but you don’t flinch away. “I won’t be patronized. You keep playing with me like I’m your toy.”

“Maybe a little,” He chuckles softly. You’re such an honest and expressive little curse. “But I do think you’re the most beautiful thing I’ve ever seen~”

“Naturally.” You reply simply, the furrow in your brow softening, but you don’t offer much more.

“Come on, pretty curse.” He drawls. “Let me help you before you waste away.”

You scoff. “Tch- foolish, selfish human… you really are such an ugly thing to behold.” The furl returns, but still, you keep your eyes closed. “Do you honestly think that your rancid touch is going to save me?” Then you laugh – harshly and mockingly. “Please, don’t flatter yourself. A god requires offerings left at their shrine, not the filthy touch of the peasants that leave them.” Your nose scrunches suggestively. “You should consider it a blessing to even be allowed to look at me.”

Vain and stubborn, he thinks. You are the curse of beauty. But still, he's never experienced rejection before.

Suppose he has to try a little harder…

He soon finds himself courting you. Trying to make you comfortable.

He starts giving you gifts – first, silver silk bedsheets that lure you into sleeping in your bed instead of the bathtub, along with other changes that make your room more appealing – ornate wallpaper, canopy drapes surrounding the bed, and a smaller chandelier for the ceiling. Happy to see you abandon your former treasure in the tub in favor of your new dwelling.

Then he gifts you other pretty articles – clothes and such that actually fit you – patterned silks and lace. He attempts to give you clothes you can use to cover up more of yourself, but you seem partial to wearing less – most comfortable in just an elegant kimono you can easily discard on the floor.

You’re confusing like that – walking around his apartment half-naked but hissing and scowling at him when he stares.

It’s more the jewelry you enjoy wearing – crowns, earrings, necklaces, body chains, rings for your fingers and toes, bracelets for your wrists and ankles – everything in abundance. Jingling when you step about.

You seem healthier after receiving his presents. Also, a bit less skeptical – now engaging in conversation with him – although often about what his next gifts will be and if he can buy you diamonds and rubies for you to bead your hair.

“Sorry, but the banks closed. I’m not giving you a single dime, your highness.” He laughs one day, eyes bright and smiling, watching the puzzlement befall your face before the spread of horror that soon followed after hearing his next words. “In fact, I’m gonna start taking things away.”

“You wouldn’t-” Your voice had dropped into something so weak it was adorable, no longer having that strident overconfidence you’d built up.

It makes him feel almost bad watching your face drain and become so distressed like a spoiled little brat who’d just been told no for the first time.

“Oh- I would.” He grinned like it was all only a cruel joke to him – something just for shits and giggles. “Satoru Gojo giveth and Satoru Gojo taketh away.”

“But-” Your lip wobbles, and he can spot the tears brimming in your eyes already.

He doesn’t let it bother him. Or at least he doesn’t let it show.

“I think I’ll start with all your jewelry- how about that necklace you’re wearing right now?” He threatens, pale hand reaching towards your neck to pull your pearls off – but you shrink into a ball on the floor before he has the chance to.

“No, no, no, don’t-” You start sobbing, and he thinks it’s the first time he’s seen a curse be so sad and desperate.

Not to mistake those countless curses he’d made cry and plead for their life, but that wasn’t what you were doing. You were grieving. 

You’re really such a simple thing, aren’t you?

His smile softens into something not so cruel. Crouching down to your level, placing his hand atop your head where you’re bowed and bawling, petting you soothingly. “Okay then, drama queen. Stop your crying. I’ll let you keep it.”

You raise your head, hopeful. Looking at him with terribly puffy eyes - cheeks streaked with teardrops hanging off your lashes. Looking so pained and vulnerable, it made his heart ache at the sight. 

You don’t say anything but he can tell there’s a question on your lips you’re unable to voice.

“Under one condition.” He answers. 

You flinch when his hand slides from your hair to cup your cheek, holding your chin as he rolls on his feet and places a kiss on your salty lips.

You gasp and allow it for a second but then abruptly push him off – falling back on your butt. “No- you’ll make me filthy.” You rush out. “Beauty is meant to be admired, not reaped. It’s not right. You can’t-”

He watches you blush and stutter and thinks it’s silly how he hasn’t thought about it before. But now it’s become clear. Curses spawn from human fears, after all. It’s not strange that they’re so similar. But still… he’d never think a curse would be afraid of losing their virginity.

“It’s okay,” He coos, setting his knees down softly – crawling forward to where you sit, hiding your face behind small hands decked in too many rings. “I’m not gonna stain you…” He promises, his breath warm on your skin. “I’m gonna make you feel like the most desired diety in the world.”

Your breath shivers as he takes your hands and uncovers your face – eyes wide looking at him.

“And after I’m done admiring you, I’ll get you more diamonds and rubies than you can count.”

You swallow – eyes skittering from one of his blue ones to the other.

“Really?” It’s below a whisper.

“You bet.” He answers with a smile, flashing you a smirk. “I’ll get you enough to swim in.”

Your nose does a little twitch like it usually does, but this time, it’s not to express disgust. “Do you promise?” You bite your lip – staring at him.

“Let’s make it a binding vow.”

And that’s the arrangement.

You let him admire you in ways you’ve never let anyone else before, but only if he fulfills all your greedy heart’s desires.

He doesn’t mind. It’s nice to have something to spend money on that’s worth it.

You’ll lie next to him and he’ll get to study you up close – finding things that betray you – model details that aren’t in line with human imperfections. Missing bone structure, flawless symmetry, hairless skin devoid of any and all accent of mark or spot – just smooth milky texture without a single fault.

He says it’s sad – that the standard for beauty isn’t even achievable, to which you reply that it’s only fair everyone should be subject to the same disappointment, never to achieve perfection like you.

He asks if you think he’s really that ugly. And you say yes.

“Liar.” He accuses. Head propped on his hand, his hair a tousled mess lying in the bed beside you.

You’re looking up at the ceiling but close your eyes insouciantly at his comment. You tip your chin a bit as you speak – lips pouty and proud. “Lies are an ugly trade- in which I don’t partake.”

“Oh, really?” He rolls on top of you and you give a whine. Looking up into his sparkling blues and how his pearly hair falls loose and wispy. “Then look me in my eyes and tell me I’m ugly.” He dares.

“Puh-” You scoff, folding your arms above your puffed chest, looking off to the side, still with eyes closed as though to dismiss him like you so often do. “Men with beady bright blue eyes and pink skin look like pigs.”

You sneak a peek with one eye when he doesn’t answer. He’s still looking down at you – still daring you. 

And you continue. Raising a finger to nudge his nose up. “Say oink-oink, piggy.”

He brushes your finger away as he leans in closer. Now with his nose rubbing yours.

“Tell me I’m ugly.” He repeats – his voice dipping low into that serious tone that makes your breath tight and your stomach flurry.

“You’re-” You try but it ends up swallowed, stifled beneath those big worldly blues. “You’re…” You try again but it’s worse than the first time, making you bite your lip. He’s not budging.

You look away. Feeling defeated and mopey because of it.

“You’re not as pretty as me.” You finally sulk.

So cutely grumpy with your pursed lips and vexed brow, he just has to laugh. “Tch- now that we can both agree on.”

And then he forces you to laugh too – beginning to snort like a boar into your ear, placing sloppy kisses to your neck while you scream out that it tickles.

P1 & P3

[parisoonic]

How the hell do you manage to superimpose the hilariously exagerated proportions of the tf2 mercs into a cohesive 2d style? I always struggle SO much with like, the way the mercs' models have huge hands, the way they have relatively low-poly definition on things like arms, shoulders, and legs... and Especially the way like, the models are kinda janky when you pose them for art purposes- when using movement tools, things like armpits and seams between body parts get all deformed... Which makes the study of form and silhouette rather difficult.

I assume that a lot of your ability to translate the concept of the mercs from their original mediums into your own works of art comes to you quite naturally- through experience you have with drawing and art style stuff, as well as through intuition. I was simply wondering if I could poke at your mind and get some insight into your process, any thoughts you have about the proportions and silhouettes of the mercs, any quirks you've found while drawing the mercs, or simply what you enjoy drawing about them. Like, don't be afraid to infodump about something just because you think people wouldn't find it interesting- I am here, I am sitting, and I am listening- if you so choose to speak.

I am utterly fascinated and enraptured by the more behind-the-scenes aspect of art. The mundane things that come second nature to great artists yet seem so revolutionary to less experienced artists.

I love your work, I look forward to seeing more of it, and I hope you have a nice day :]

Sorry for the late reply! I've been a little…stuck on how to answer this but that's mainly because to me, drawing is composed of SO many different little skills - you have form, anatomy, shape language, silhouette, appeal, rhythm, acting and posing…not to mention everything AFTER your raw draughtmanship like line style, rendering and colour theory. Trying to distill a multiude of small skills into some pithy advice is overwhelming to my brain. So I'll take the invitation to ramble instead :))

I don't think I have any new or revolutionary insight into the tf2 guys specifically - more I'm using them as work horses to excercise general silhouette/posing/shape-language and further my skills when it comes to drawing characters!

I do agree though the proportions are rather silly when you stop and think about them realistically…they can be kinda tricky if you follow their 'actual' proportions. what looks great individually was maybe never meant to be directly compared (ie: Heavy's hand size against Spy's lol). It would've been funny if the TV show exsisted and we had more content to review…would the animators have had rules like Spy and Heavy can never shake hands? Would they cheated the proportions for shots? Or would they have said WHATVER it's gonna look weird and embraced it? (Like Kingpin in Spiderverse lol)

Paul Lasaine for 'Into the Spiderverse' This is AWESOME. But it's also one of the silliest designs I've ever seen comitted to screen. The varied scales of the characters work because of the unifying treatment (lighting, rendering, consistant hand anatomy, consistant clothing fold treatment etc) and because they are sort of proportional within themselves. A common mantra is that hands should be about as large as a characters face....which they all are here!

Human brains are very flexible and forgiving though. It's totally fine for you to put a character with huge hands and head next to a teeny tiny character! Vanellope and Ralph from Wreck-It Ralph look grand next to each other! And in that film you even have varying levels of stylisation sitting against each other (unified by the look dev treatment of the shaders and lighting). I think as long as the chracter is proportional within themselves it sort of works out. IE: a general rule is that a hand should be as large as the face so…you can have some large arse hands as long as their placed on a body with a big arse head. Unifying characters with the same treatment (ie: lineart brush, colouring style will also help them look cohesive next to each other :) )

I don't actually reference the 3D models/animations very much at all and instead draw their proportions based on my tastes for stylisation following their general vibes/silhouette profiles. I don't stick THAT close to their in-game looks and there are artists who do that are so so so much better than me (Creedei and Flapjack come to mind). I'm not amazing at body-type differentation and TBH they're all wearing chunky clothes all the time so I usually draw the guys as one-of-three body shapes: Heavy is the uniquely wide guy; Sniper/Scout/Spy are all tall and slim and Demo/Soldier/Medic/Engie have a little more of the generic 'hero' bodytype with varying tallness and broadness of the shoulders

Something like this! You can vary all these individual elements in terms of size, thickness, taper amount etc to create different characters. If you ARE going to reference the 3d works though you'll need to apply some anatomy knowledge to overcome the weird shoulders, armpits and knees which desperately need blendshapes to correct the 3D volumes and approach it a little more like an animation supervisor. There's a reason why you see in making-ofs and art-ofs character designers, character leads or animation supes doing drawovers of the models. These are character models that have had great effort put into their 'base' silhouette but it still needs to be reinforced in every frame for maximum appeal.

Shiyoon Kim for 'Raya' This sort of thing will occur at multiple stages during the animation process. Shiyoon Kim's notes are post final model but pre-animation. Most likely for internal rig tests, exploring what blend shapes and alt shapes are needed for the rigs etc. If your production has time, this will continue all the way to final anim. IF! But it's interesting to see how he emphasises the shapes and enhances the character acting of the 3d model.

As for 'mundane things' - I wouldn't say they're second nature! (If that makes you feel better!) I have to actively really persue certain advice and try to figure out how to best apply it. This can sometimes involve redrawing and redrawing an element of the drawing until I've grasped the nettle of whatever I'm after or…..until I get frustrated and either delete the drawing or just call it done lol

Here, I'm looking for a really specific flow of the head that sells both the acting and a subtle head tilt. I'm also trying to apply the general mantra regarding faces that converging lines (set by the eyebrows and mouth) are more appealing than parallel. It's tough! I also tend to use a drawing I've already done as a template/reference on the page too. Oh! This page is an amazing example of why I'm not an animator or storyboarder…consistancy? Who is she? 💅

Converging lines (that form tapered shapes) are always more appealing than parallel. Using this logic you can loft the facial features across converging lines to create dynamic appealing espressions. Combining this with anatomy, perspective and rotation is the tough part though. I'm still learning o7

The things I probably think about MOST are always flats vs curves, simple vs complex and general line of action/flow...and then eliminting tangents. Each of these can be a dedicated visual-essay on their own - hence my stumbling as to answer your question. Anyhow, not sure if it's ever come up on this blog but I looove dinosaurs :)) so i'm using a wee piece to demostrate these ideas! (but also to demostrate these concepts apply to everything from humans characters to animals, props and background design)

Okay, I'm getting self-aware that this is getting really long :') I have a wee tutorial tag for my blog if anyone wants to comb through my garbled art-thoughts. Learning, studying, repetition and practice will always be the greatest teachers! I'm glad you like my art- thank you so much for the lovely comments - I feel like such a noob still and not qualified to give people advice but we're in it together learning! High-five! 🙌

[nenoname]

Details in Stan's letter that still haunt me

(how long will I continue thinking about a two page letter that's technically not even that long because Stan's handwriting is fricking large? .....you don't need to worry about that.)

The bro code only shows up in the Lost Journal pages, and to me Stan's message feels like it purposely echoes Ford's "miss you" in the college photo (and for some reason the message doesn't appear in the website version of the photo?) ....or alternatively Stan simply noticed how distressed Ford was about this entire thing and wanted to support him in a way so he can be sappy but without the kids knowing, or both!

Stan's claim about the Oregon lottery contradicts what the Lost Legends website said about Tate McGucket's ability to predict the winning numbers!! ...but also breaking into the Lottery HQ is definitely a very Stan thing to do and it's not the first time small gags have been retconned

Despite spending most of his letter nonchalantly destroying him, the taunt about ripping a dollar bill in half is the only part where Stan is directly responding to Bill. Maybe it's the two of them having similar ways of thinking but it's rather specific considering Bill taunts the reader about it...

And after Bill spends an entire book calling Ford Sixer despite normally using a pretty wide range of nicknames for him, Stan then spends his letter mainly referring to Ford as Sixer, even though post-Weirdmageddon he tends to use a mix of nicknames. And it's not like he'd gotten to see Bill himself for long, let alone see him steal that childhood nickname (that is only used twice in the actual show btw!). Did Ford tell him what happened or...?

With all this and the website's "still on your mind" message, what I'm getting at is my tinfoil hat theory of Stan somehow seeing some of the pages the irl readers saw, even when it should be personalised to the specific reader, and he's been lying about it for some reason. Considering that the book flat out doesn't make an attempt at convincing Soos, I find it a stretch that whatever Bill was telling Stan via the book was an attempt to convince him either.

Wouldn't be the first time Stan's skimmed through a book and lied about what it meant to him.

(...Now I kinda wanna see a story about the family reading their versions of the book and making fun of it while Stan is improvising every single one of his pages and blatantly ignoring Bill's attempts to mock and taunt him)

But also I'm fascinated by the letters that only showed up on the website (aka the Soos+Wendy+McGucket+Pacifica ones). I'm assuming that Mabel had stuck them on after Stan's letter... but they were basically eaten by the book itself because seeing Stan's letter kick-started Bill's breakdown which takes up the rest of the book

[skythealmighty]

gang ngl i miss object universe. i should rewatch it again and get way too emotionally attached to Ice Cream and Map

#rocket talk #i made fanart of them with a steven universe song once i'm unwell

(1 note)

🪟 im-not-electric Follow

why does gamey get to be on ii TWICE. who gave him permission

🪟 im-not-electric Follow

thanks for the suggestion @cabtube-truther

📟 knockoff-gameboy Follow

You don't hear PBSB complaining about this...

🪟 im-not-electric Follow

well they're in a show that's super popular

📟 knockoff-gameboy Follow

Yeah, and you're in one that got cancelled

🪟 im-not-electric Follow

shut up you didnt even finish season one

#just one more cameo mephone4 thats all i ask

(316 notes)

anonymous asked: not sure you're gonna want a cameo rn mephone is going Through it

🪟 im-not-electric Follow

hold on im not actually caught up lemme see

🪟 im-not-electric Follow

holy shit

#I TAKE IT BACK

(58 notes)

anonymous asked: omg fan pleaaaase marru me ill do anythinggg ❤❤❤🥵🥵🥵

💥 fans-fantastic-features Follow

hey @test-tubular just checking was i ever this weird

🧪 test-tubular Follow

Weird? Always. This weird? No.

💥 fans-fantastic-features Follow

COOL just checking anyway

no please stop sending me these

#fans fantastic asks #this is the least weird anon ask from i think this specific anon #ive blocked them but oh my god #NO!!!

(83 notes)

💥🔃 fans-fantastic-features Follow reblogged 4️⃣ four-therecord

2️⃣ hey-two Follow

Hello everyone!! 👋 Since I've gotten many an ask about my cheesecake recipe from previous TPOT episodes, I've decided to make a longpost and put it here for you all to use!! Feel free to use without credit but credit is still appreciated 😊

Keep reading

4️⃣ four-therecord Follow

i hate you

#so they ARE on here #followed both immediately #how did i not come across them earlier...

(2,613 notes)

💊 the-cringe-one Follow

Recovery across different universes, a scientific theory

(Full post below the cut)

((Thank you to @not-tally-hall for the testimony regarding the S*n!))

Keep reading

😎 the-chad-one Follow

boring 👎👎👎👎

💊 the-cringe-one Follow

Get off my post

⛳ bossy-bot Follow

This is incredibly fascinating and an enjoyable read! There are some points of debate I've brought up in DMs, but otherwise this is a very solid theory. Good job!

💊 the-cringe-one Follow

Thank you, that means a lot!!

#I follow your papers closely so hearing that coming from you is an honor #anyway back to my regularly scheduled nonsense

(13 notes)

🟧 julian-waiting Follow

Bonjour! J'ai découvert ce cite grâce à des vidéos amusantes

Je suis encore en train de m'habiteur à la société et je pense que c'est une bonne façon de me faire des amis! Enchanté de vous recontrer tous 😃

🥖 shut-up-about-boto Follow

bienvenue sur le site de l'enfer ! la plupart des gens ici ne parlent qu'anglais, vous pouvez donc m'envoyer un message si vous voulez parler à quelqu'un en français. je peux également vous montrer des endroits en ligne pour apprendre l'anglais

🟧 julian-waiting Follow

Cela signifierait beaucoup pour moi, merci

🥖 shut-up-about-boto Follow

bien sûr!

🍐 betterthanpearaib Follow

Baguette we all know you're not actually French you don't need to keep pretending 😒...

🥖 shut-up-about-boto Follow

K

(172 notes)

anonymous asked: your iconic quote from episode 10 has unfortunately become a vocal stim for me. please help, i'm suffering

🍿 stevecobseviltwin Follow

Hey? This is the funniest ask anyone's ever sent me. Can we make out behind a Denny's

#my condolences though oh my god 😭

(4 notes)

⚾️ take-me-out-to-theballgame Follow

Guys, this site is easy! Just watch

⚾️ take-me-out-to-theballgame Follow

Based ball? Based on what?

⚾️ take-me-out-to-theballgame Follow

#hey. are you doing okay

No

(42,526 notes)

🍐 betterthanpearaib Follow

Finally watched II! Good show. I want that twink OJ dead why is he like that

☝ i-date-iconic-posts Follow

Date of origin: November 2nd, 2020

🍐 betterthanpearaib Follow

I DIDNT MEAN IT I DIDNT MEAN IT I DIDNT MEAN JT I DIDNT

#😭😭😭😭😭😭😭😭😭😭😭😭😭

(26,942 notes)

🎒 liam-plecak Follow

Thanks everyone for the help so far! I'm not too much of a science nerd, unfortunately, @bossy-bot, so I didn't understand everything in the papers you sent me- but they still helped a ton! Especially the coding help. I was a telemarketer, not an IT person...

Now that I know what I'm doing, I have some free time. With some recommendations from @fans-fantastic-features:

If you have any other recommendations, just leave them in the comments. And please go and send help to @fire-cartoon-schtick while you're at it!