#it's a translation convention

[exilley]

I do sort of wish western anime fans would analyze anime and manga from a framework of japanese historical and cultural context. Specifically a lot of works from the 90s being influenced by the general aimlessness and ennui that a lot of people were experiencing due to the burst in the bubble economy and the national trauma caused by the sarin terrorist attack. I think in interacting with media that’s not local to our sociocultural/sociopolitical sphere it’s easy to forget that it’s influenced and shaped by the same kinds of factors that influence media within our own cultural dome and there ends up being this baseline misalignment of perception between the causative elements of a narrative and viewer interpretation of those elements. It’s a form of death of the author that i think, in some measure, hinders our ability to fully understand/come to terms with creator intent and the full scope of a work’s merits

[gremio0]

personal Rain World designs for fun

[vaguely-concerned]

on the one hand I think inner demons could stand to have a bit more romanced rook specific content, but on the other hand the underlying in-built implication that 'yours is the one true voice of comfort and safety in my inner world' is a sentiment and intimacy so way beyond the romantic or the platonic or any secret third thing you could care to name that it makes me lose my entire poor little mind a bit. it's so big and fundamental — near-existential — that in that exact moment at least the distinctions kind of seem irrelevant.

all the people lucanis' mind conjures up along the way are relationships he has that are unavoidably mixed and fraught in some ways even when they're also full of love (they are fraught BECAUSE they're full of love) — the good in them inseparable from things that hurt him at the same time. (it's about: the basic disorganized attachment patterns this poor guy is dragging around with him. careful with those, they're dellamorte heirlooms. what you love also inevitably hurts you and you won't be allowed to have one without the other, you have to surrender parts of your soul to hold on to what little you have left: this is the story up until now.) and the idea that rook isn't that to him — that beneath the fear of wanting them when romanced (which is more its own separate thing because within this psychology, actively wanting something and not just clinging on for dear life to even a meager status quo lest you lose it is in itself dangerous bordering on catastrophic), this is a relationship where there isn't resentment, or guilt, or shame, or dread, or rage, or self-hate, or any of the other emotions that keep him paralyzed, unable to move this way or that. no debts, nothing owed of yourself and your soul's substance except what you can freely and safely and happily give. love and freedom don't coexist — but, I mean, you're almost starting to make me think........... unless...👀👀👀. the unconditional and undramatic 'you are here and I am here with you, you can be exactly how you are right now with me and it's safe for us both even though you're afraid it won't be, I'm not going anywhere' acceptance rook shows him here that he returns to them in the big romance scene, when it's rook who needs it. the way he's just. standing there in the center of it all, like a child desperately helplessly waiting to be found, hiding in the place he hopes you'll know to look first. (rook does know. it's one of the first things they say in there.)

in short the most important room in his little mind palace for the romance is the very first room — the one where rook isn't. where, in fact, rook cannot be, because they disprove the entire structure of the place with their existence and presence in his life. with everyone else he's putting words in their mouths about what they think of him, and rook is the one who actually gets to come in to speak their own words to him — and have him listen. ('he'll listen to you, he always listens to you', 'your voice is a comfort'.) of course rook isn't present anywhere else in there — at the risk of stating the obvious to a tedious degree, they aren't one of the locks, they're bringing the key. in the very finest 'the messenger and the message' sort of way.

[tongues--and--teeth]

Give me more characters to draw like this <3

[jessiescock]

Love how the world of the scu (shrek cinematic universe) is made up of fictional countries like far far away and duloc, vaguely european-looking fairy tale landscapes, and the country of Spain

[metalobrukht]

[starflungwaddledee]

Do all of the knights have names in your au? And how did you decide on them?

hello there, thank you so much for the message! correct me if I misunderstand, but I think this is about a panel from my galacta knight vs meta knight comic:

where Galacta Knight uses the word Vaýtita. it's not a name, it's a... actually you know what, it's so much more embarrassing! it's a term of endearment/a relationship designator from my unnecessarily complex whole entire sci-fi language i built for them, lmao 💦

here's the note at the beginning of my personal dictionary as a quick crash course:

Ei Vaýtita in particular means "my gravity". it's akin to words like beloved, my heart, or soulmate- an irresistible force in one's own life. it's usually used romantically, but it doesn't have to be. Galacta Knight says it here to be cruel, though i do think he means it quite wholly

when I go in for making languages, especially sci-fi or high-fantasy ones, i like to consider the alien culture that the language is formed in. for these guys, everything was star and space coded; they had no reason to care about "hearts" or "souls". they considered themselves star-like, and so gravity as a term was most important; it's the only thing that can really move them.

praise is about being bright or shiny or having strong gravitational pull; and insults, accordingly, tend to revolve around being dim/lightless or stuck in orbit around someone greater

(translation under the cut because this is already getting long, sorry... i love to talk about this... thank you for asking 😭💝)

phrase // literal translation (from starspeak) // english localisation or meaning

kalimépos // welcome first light // good morning astéskotei // dim star // derogatory but not blindingly so; you could use it pityingly or fondly in a pinch ei épios // me see // wake up ei Vaýtita // my gravity // term of endearment and a relationship designator used within a star-system, usually for equal partners eu desai Ílioz ai ei // you (are not) the Sun of me // this is basically just a rejection from Meta Knight. the Sun serves an important role in star-systems, and he's simply telling Galacta Knight to shove it. he doesn't say it very well, but he refuses to say Ílioz-ei and so turns to a slightly clunky workaround.

[carlyraejepsans]

Do you enjoy underfell? I thought you disliked aus /genq

i don't dislike the concept of AUs itself, I'm just not a fan of like... the subculture that spawned around them in the UT fandom specifically and how it eventually took over almost all canon content (especially when it limits itself to the bros)

i like aus visually! i am an artist at heart after all. it's just that, if I'm going to care about them as stories and not just fun design ideas, my bar is uhh almost impossibly high the further you move from canon lolol.

[allthoseotherworlds]

Genuinely really loving the tendency of official Doctor Who stuff to now refer to the Doctor in general with they/them pronouns

[hanzajesthanza]

dandelion is indeed the worst but if he’s not present in the next book i would legitimately be sorrowful as the whole thing will become a slog . you basically cannot have the “short stories” era-of-the-timeline iteration of geralt without dandelion, it would be like eating unbuttered bread.

though it’s not like season of storms did them dirty, i wasn’t disappointed with it (… with regards to them), but since it’s literally been over 20 years since the saga was finished i’m trying to prepare for any potential reality

[tea-cat-arts]

I'm willing to at least hear out most of the "xyz plot point is heavily tied to abc cultural context" brands of posts but the "wwx isn't meant to be read as morally gray" and "the western fandom made up Sizhui being wangxian's son" brands of post make me feel like my cultural ignorance is being used to gaslight me

[naomiknight-17]

Finished reading through the Dungeon Meshi Adventurer's Bible last night. Very good, very interesting

One book down in my to-read pile... 7 to go lol

But! Something is bothering me about Half-foot naming conventions

The book says their names are like

FirstLast Father(s/z)

Ex. ChilChuck Tims

But Chilchuck's daughters are

Meijack Chils

Flertom Chils

Puckpatti Chils

(Or Chilz, couldn't find a definitive answer on how they write the father's name part)

So they all have different 'Last' names. Jack, Tom, Patti. All sisters with different 'last' names

So is it more like... a middle name? A second name? Then why does the book call it a 'last' name... especially when the father's name comes after??

Make it make sense

[d-criss-news]

x x x x | Believin' Fan Meet with Darren Criss in Paris, France (November 11th, 2023)

[wavetapper]

the problem with dhmis is that all of its tumblr sexyman shit is completely 100% separate from the show itself but thats the only thing a lot of people on here know it for. which is a shame because unfortunately the undeniable truth is that don't hug me im scared, both the websites and the tv series, absolutely fucking slays

[agnesandhilda]

do you think the minimal amount of untranslated german that's going to be included at the start of the anime's nel arc is going to be just as awkward as season one's untranslated english was

[mist-the-wannabe-linguist]

thinking about the fact the Frankensteins named their son William. did they want their son to have a fancy foreign name? did they want him to be a specialest little boy with a name like an English king? did they name him after Shakespeare?