#it's a love language in itself

[underwhelmingalchemist]

No more discourse over maia arson crimew's use of neopronouns and labels. If someone asks you how you identify and you can say 'as an enemy of the state' with no exaggeration whatsoever, you get to call yourself whatever the fuck you want

[columboscreens]

[chasiufan]

ghghghhg their dynamic is so fun. love bisexual ppl

Eckstra… I think it’s funny that someone like othello managed to bag both undertaker and grelle aka the baddest bitches out there. Meanwhile he’s just a lame loser /; it’s his transgender looks and autistic personality it captivates them

[randomnameless]

IDK if you’ve done the paralogue opening up in this chapter? 

It’s about Seteth and Rhea taking their kids out for a family outing to whack bandits !

Curious how they’ll handle this. Because if Dimitri does talk to her and it becomes clear he’s after TWSITD, what does Edelgard do? Keep insisting on war or give up and team up with Dimitri against TWSITD? It’s OOC for her to give up and let Rhea and the Kingdom live their lives, but prioritizing killing Dimitri and Rhea above even taking TWSITD down would be, eh, questionable on her end to put it lightly. Really curious to see how the writers deal with this.

:)

I can’t wait to see your review of a certain chapter later on!

Oh, look at that, Dimitri being smart. He plans on cutting off Edelgard’s supply line. Since she only uses one, that’s brilliant.

We knew since Crimson Flower that Hubert is the brains in their duo, but Hopes is an AU where she decides to take things in her own hands instead of listening to his plans about siding with Uncle’n’pals...

And it shows lol

Lamo, Shez thinks one hundred Dimitris would wipe the floor with the Empire.

Why one hundred, even 1 Dimitri can wipe the floor with them ! especially if they have only 1 supply line

FUCKING FINALLY. All the points to Ashe. Glenn didn’t die because Faerghus is toxic. He died because he wanted to protect his best friend. He argues that there’s nothing wrong with that.

B-but do you mean the Faerghus promotes toxic masculinity essay was full of shit? :(

I joked a lot about Faerghan people exchanging “knightly vows” instead of straight up marrying, but it felt good to have someone acknowledge that people swear loyalty and die to protect the people they love.

Of course, you will have very different opinions about knighthood and loyalty in, hm, other routes.

More language learning lessons. She wants to learn the language to help Brigid diplomatically. It’s too bad she can’t get a teacher in-house.

Hahaha - remember how in Houses, Hubert said some nobles considered her to look like a “caged animal” or something?

TFW the Faerghus Prince spends time to learn a different language and help his new “friend” to learn it, meanwhile the Adrestian Princess eats sweets while her hostages has to learn everything by herself.

The more you learn about Sylvain, the less sense he makes defecting to the Empire.

This game made me appreciate Sylvain, which I didn’t think possible after his depiction in FE16!

Wait, Edelgard FINALLY told him about Thales? Girl, you (maybe?) could’ve spared all of Fodlan a lot of pain if you just said that earlier.

Who cares about Fodlan when you can care about restoring Adrestia to its former glory??

Dimitri just whipping the magic away. He’s so cool in all of these cutscenes.

His plot armor magically increased his res stat?

AG really is going to go there! TWSITD is really the big bad, not Edelgard.

Sure Nergal was the guy controlling everything from the shadows, but does it mean Marquis Laus can get away scot free with all the shit he pulled?

Will Supreme Leader have to face the consequences of her war??

Oh, Ferdinand’s dad, Duke Aegir is now in control? What happened to Edelgard? (also, I sorta love how so many dads got whitewashed, but they went full evil with this guy still lamo)

Remember Ferdie’n’Lysithea’s paralogue in FE16?

Poor Ludwig was, imo, retconned in Hopes - even if a certain plot point will be revealed later on - which oddly coincides with Hopes nuking Ionius out of the cast ; in Houses Ludwig was more of a Numida than a Lekain, in Hopes, he is really presented as a stupider version of Lekain.

I think you’ll learn more about his motivations in SB... and how they don’t coincide with what we learn in FE16.

Is TWSITD controlling Edelgard? Lamo, that’s one creative way to write her out of the story without letting her team up with Dimitri or choosing TWSITD over giving up conquest.  

And the answer is... no!!! We’re in a Fodlan game, after all!

Let me present you... Supreme Puppet ! 

It really felt like the writers wanted a way to justify why Dimitri wouldn’t behead her on spot for starting the war and invading Faerghus and allying/cozying with the people who murdered his father and brought ruin to the Kingdom - so they took the “surprise brainwash!!” route - can you really hold any grudge against her when she is now manipulated and nothing more than a puppet?

I guess I’ll rant later at the end of the route, but this “surprise brainwash” really felt like the easy way out to... give Supreme Leader a pass for everything she pulls out in this game.

Azure Gleam Ch 9

More Azure Gleam to come. So far it's doing everything I wished AM did or had time for.

STORY

Oh, the title includes "Reunion." I'm guessing Dimitri and Edelgard talk again?

Curious how they'll handle this. Because if Dimitri does talk to her and it becomes clear he's after TWSITD, what does Edelgard do? Keep insisting on war or give up and team up with Dimitri against TWSITD? It's OOC for her to give up and let Rhea and the Kingdom live their lives, but prioritizing killing Dimitri and Rhea above even taking TWSITD down would be, eh, questionable on her end to put it lightly. Really curious to see how the writers deal with this.

The Empire is stalemating at Arianrhod. Shez is worried about supplies, but Dedue thinks they need to prepare more first.

Oh, look at that, Dimitri being smart. He plans on cutting off Edelgard's supply line. Since she only uses one, that's brilliant.

Shez thinks if Dimitri pulls this off, he wins the war.

So I'm betting the big enemy will switch from Edelgard to TWSITD. It would be cool for Edelgard to team up with Dimitri against TWSITD, but I doubt that'll happen. She'll probably die or go and join up with TWSITD or escape but the big focus will still be TWSITD and Edelgard a footnote on the way there, hence powering up the Empire after Dimitri would've otherwise taken them out.

Feels like this is going to end part 1, like how GW just ended.

Oh, Claude!? First time we've seen him in a while in AG. Oh, shit, is Claude going to bail out Edelgard for no real reason except writers said so? Because it would make no sense to help the Imperialists if he wants the Alliance to remain standing.

He's wondering what the Alliance will do, what's best for them and trying to predict who's going to win.

Oh, wow, I really expected AG to get the 1 battle deal this time, but nope. Good.

MAP/SIDE BATTLES

Lamo, Shez thinks one hundred Dimitris would wipe the floor with the Empire.

I got to compliment Dedue. Life complete.

Yuri sold Edelgard a tip about a secret passage. He saying some skeevy stuff about that count. I'm betting we'll recruit him this time. He doesn't seem to like Count Rowe's general dude lol.

Dimitri saying he's not good around children in the expedition dialogue is funny, since it's fairly cannon that they like him.

INGRID & RODRIGUE B SUPPORT

Aww, Ingrid got to return to Fraldarius territory and went down memory lane. Again, another support that reinforces how tied all the Faerghus team are together.

It struggles with having enough food too. I think it's the influx of refugees causing the shortages.

Cool details. There's new shops and good roads.

She finally faced it and wants to keep visiting it. Of course, Rodrigue says she should.

Haha, Ingrid ordered Glenn around. Not surprised.

And Rodrigue says it's ok to show weakness and not just worry about pushing forward. He's such a team dad. And very much in line with the themes in the Blue Lions.

ASHE & DEDUE B SUPPORT

Dedue made his own tea blend!!! Ok, Seteth officially has competition for #1 husbando in Fodlan now.

OFC he made it for Dimitri, lamo.

You would forever be second place to Dimitri with Dedue lol.

The tea reminds Ashe of some Lonato made.

And OFC it's a tea to calm nerves. He made it for Dimitri after all.

ASHE & DIMITRI B SUPPORT

Dimitri is checking on Ashe, esp with his role as a knight. Everyone's been nice to him, which is good, but Ashe is still unsure of himself.

Dimitri pretty much knighted everyone who's now his knights.

Ashe has a more romantic view of knighthood. Someone who's loyal to the king and protects their leader and their people.

Then Dimitri's like, naw, they're here to kill people. Loyalty is only there to control them.

Very in-character for both of them.

Dimitri's like go ahead and follow that code, but don't die for it. Now he's talking about Glenn. And how he wants Ashe to choose life over loyalty.

So THAT'S why Ashe defects. He's so miserable about it.

FUCKING FINALLY. All the points to Ashe. Glenn didn't die because Faerghus is toxic. He died because he wanted to protect his best friend. He argues that there's nothing wrong with that.

Ashe respects Dimitri so much. He's so wholesome.

DEDUE & PETRA B SUPPORT

More language learning lessons. She wants to learn the language to help Brigid diplomatically. It's too bad she can't get a teacher in-house.

Dedue is sorta doing the same for Duscur, though not royalty so not as much power.

Dimitri wants to make Duscur independent again. I'm so glad AG is paying more attention to Duscur.

Petra also realizes that Dedue is more than just Dimitri's bodyguard.

Giving these two a support was a brilliant idea.

DIMITRI & SYLVAIN B SUPPORT

Aww, Dimitri didn't want House Gautier's opinion, but Sylvain's. Their relationship is underrated.

Lamo, Dimitri is speaking with others about bringing commoners into the nobility. This game does a shit job justifying Edelgard's war if everyone is on their way to doing what she's killing them for not doing.

The main concern is lack of crests. And funny that it's Sylvain defending them and Dimitri saying it doesn't matter. The more you learn about Sylvain, the less sense he makes defecting to the Empire.

Lamo, the Kingdom is already discussing the possibility of getting rid of inheritance.

Sylvain only shows the political side of himself to Felix and Dimitri.

I love this support. Dimitri is just showing Sylvain with compliments and expressing how much he relies on Sylvain (which is very healthy for him to admit). Then Sylvain is admiring Dimitri back.

DIMITRI & FELIX B SUPPORT

My first Dimilix support in Hopes. It better be good.

Ah, starts with Felix calling Dimitri an idiot, these two are just so . . . I love them. One of the most complex relationships in all of Fire Emblem. And I live for it.

"Idiot, let me worry for you!!!" Is the most Dimilix(Felix) thing ever.

Felix has a mother, everyone. I think she got mentioned before, but power to her for actually existing!!!

Then Felix gets mad at Dimitri for worrying about him and not his own issues, It's the most Felix ever. And then Dimitri's like, oh, that's not possible.

Oh, no, now Dimitri is going off about revenge. And Felix isn't thrilled about it.

Oh, shit is getting real. Dimitri thinks Felix might hate him because he could do nothing when Glenn died and feels so guilty over it.

Felix "I don't hate you, ok." Haha, I love these two idiots.

Dimitri has such horrible survivor's guilt. He feels so guilty for surviving and that Glenn died protecting him. It makes me wonder what kind of hell his head went through when he thought Dedue died in Houses (or actually does die, including CF). That has to be like worst nightmare shit.

Felix is like, ugh, just eat!!

MAIN BATTLE

Shamir and Catherine! Together, as it should be.

Miklan is here too. Still not sure how to feel about this. Ohh, he's the one who cut ties?

He's starting to come around to liking working for the army though. Shamir called him out for having a bad attitude too lol.

Annette is so much shorter than the rest of the Blue Lions lol. She's standing next to Dedue. Who thought that was a good idea. They can barely fit into the same frame lamo.

So Persuade Shamir and Yuri are strategy options. I was confused until I saw Shamir was an allied general and Yuri an enemy one. Getting to both of them, obviously.

I'm guessing Miklain's death is unavoidable? Eh. Seems pointless to bring him back at all.

Isn't this were Ingrid died in SB? Worst moment in the game so far. 

Aha, cool! Cutscene time. And seems it's cannon here that Dimitri defeated Edelgard in combat. He just keeps racking up the badassery in this game. 

So glad Dimitri didn't just let her run. So annoying when heroes do that, except Thales is here to fuck things up. 

Wait, Edelgard FINALLY told him about Thales? Girl, you (maybe?) could've spared all of Fodlan a lot of pain if you just said that earlier. 

Dimitri just whipping the magic away. He's so cool in all of these cutscenes. 

Thales bullshit magic abilities ruining a potential team up. (Could they ever? She seems hellbent on taking over his country so . . .)

Oh, hey, hegemon. 

AG really is going to go there! TWSITD is really the big bad, not Edelgard. Don't misunderstand, Edelgard is the superior villain. But since Dimitri gets two stories, I'm glad one will focus on TWSITD and (hopefully) send Edelgard to the backseat. Bc him vs her again, what's the point? 

Aw, Shez saving Dimitri. These two have such a wholesome relationship. I really like it more than I expected too. 

Aww, this stuff with Shez and Dimitri just keeps piling up. Shez feels so worried about having the same powers, but Dimitri just doesn't care. Still trusts her. It's so sweet. 

I also love how Shez has some personal involvement in this route. It's kinda missing in the other two. 

Dimitri - "I alone-" Felix shuts that down, ofc. Good though. I'm glad seeing Ingrid and Annette speak up. It's obvious to remember how Felix and Dedue got their lives changed, but so glad they called back to what Ingrid and Annette dealt with too. 

Felix saying Dimitri's name so soft when he's hurt. My heart. 

Oh, Ferdinand's dad, Duke Aegir is now in control? What happened to Edelgard? (also, I sorta love how so many dads got whitewashed, but they went full evil with this guy still lamo). 

Is TWSITD controlling Edelgard? Lamo, that's one creative way to write her out of the story without letting her team up with Dimitri or choosing TWSITD over giving up conquest.  

(sorry for the weird formatting, some of this is copy and pasted)

xxxxx

[iamnoodnood]

our love

[faaun]

the way that diff languages sound r so fascinating they're all different and all so vivid

[completeoveranalysis]

While rereading your liveblogs, I have discovered more things that would’ve foreshadowed Acid Tokyo being past Clow

Specifically that the book in the old language Clow used to have supposedly talked about vampires (cough cough)

(Another person sent a submission about this page as well - thank you both of you!)

I love so many things about this detail. It's ABSURD that they put this in here with such a tiny focus and then never addressed it again BUT YES THIS BOOK IS ABSOLUTELY written in modern Japanese, which would be "ancient" to the people of Clow.

BUT ALSO? THE AUDACITY OF THIS?

At the time you first read this scene, it is just "an old book that is about vampires".

But with hindsight, if this book is written in the time of Acid Tokyo, then it is more than likely actually talking about Subaru and Kamui. So Seishirou is here, looking for tales about vampires to try and find Subaru, and reading about BASED ON Subaru when he was IN THIS ACTUAL WORLD.

Meaning Seishirou WAS IN THE RIGHT PLACE just several hundred/thousand years too late.

WHICH IS EVEN FUNNIER considering Kamui and Subaru wanted to leave Acid Tokyo as soon as they could because they knew Seishirou would find that world eventually. TURNS OUT THEY WERE RIGHT, BUT THEY DIDN'T ACTUALLY NEED TO RUSH AFTER ALL.

[syrupbitee]

this is so ass im so sorry

[bestworstcase]

Your post re: Salem's attitudes towards magic got me thinking about "Why spend our lives trying to redeem these humans, when we can replace them with what they could never be?" from Lost Fable again. I'm finding it a little difficult to blame people for believing she thinks the current crop of humans are just inferior when the only subject on offer in that sentence is "these humans." Of course when you stop to think for two seconds why Salem says or does anything she does it makes total sense that her hangup is with the gods, but that just makes me wonder even more why write the script like that? How unreliable is the direct dialogue in Jinn's vision supposed to be taken vs. her narration? (The simplest read of that episode seems to be of course the narration is biased per the question asked, but otherwise it's a frame narrative for the flashbacks which may or may not be more objective portrayals of events. The fact that the characters are also physically witnessing these scenes means they can't be 100% objective I think, but still leaves open the question of what's skewed and by how much.)

Unreliable or not, it's just a surprisingly absolute statement to put in her mouth considering how often we're invited to question her motivations everywhere else.

i do take the dialogue in the lost fable to be accurate to what the characters said, perhaps with some smudginess if what we’re seeing is ozpin’s memories exactly – in which case the dialogue in scenes he wasn’t present for is suspect because it’s what he imagines was said based on what salem told him, and the rest is probably closely accurate paraphrase because no one could be expected to remember the exact wording of conversations from several thousand years ago! but even then i would expect the parts he was there for to be reliable enough. 

so much rides on the lost fable and specifically this one line that it would be beyond cheap for the resolution to be “she didn’t say that at all, actually.”

the first time i watched the lost fable, i did intuitively interpret that line as salem alluding to the gods – so i think there’s probably some degree of her statement reading as ambiguous or not ambiguous depending upon how one habitually uses the word “redeem.” specifically: how precise one is about the verb requiring an indirect object. 

to ‘redeem’ something means to take some action to settle a debt, or redress a wrongdoing, which—inherently—implies the presence of a creditor or wronged party. in some contexts, the implied creditor is only an abstraction (think “the city’s robust public transportation is its only redeeming quality”—redemption is used here in a figurative sense to mean that the one making the statement dislikes everything but the city’s transit system); and in casual speech it’s fairly common to leave off the indirect object if it isn’t necessary to identify the wronged party (think the common phrasing of “so-and-so redeems themself”).

but while it isn’t incorrect to drop the indirect object, necessarily, there always is an indirect object; it isn’t possible to redeem a debt or a wrong that doesn’t exist, nor to have a debt without a creditor or a wrong without someone wronged. (as an aside, this is why redemption arc discourse tends to always be arguments about forgiveness—redemption does, inherently, definitionally, necessitate forgiveness—and this is also why i’m pedantic about differentiating ‘redemption arc’ vs ‘atonement arc’ vs ‘villain-to-hero arc’ and dislike the popular usage of redemption arc as an umbrella term.)

anyway, in simpler terms: when salem says “redeem these humans,” the apparent meaning of the next clause depends on whether or not one is predisposed to hear that phrase as a clipping and mentally append the implied indirect object, which makes her complete statement “why spend our lives trying to redeem these humans [from my sin in the eyes of the gods] when we could replace them with what they could never be?”

<- and then the question becomes, which “them” is she referring to? “these humans” or the gods who will judge whether redemption has been earned? her elision of the gods is entirely within the realm of common vernacular, and salem is a character who regularly circumlocutes (and earlier in the lost fable itself we have ozma’s quizzical “what are you saying?” signaling that salem’s speech is cryptic or confusing – because ozma doesn’t understand her; this is an intended trait versus the writers fumbling), and she says this in a moment of emotional distress (which she mostly bottles up, but while ozma is explaining all of this to her she’s leaning on the desk with her arms folded, listening intently – this is the same posture she has when she’s huddled in the shadows making herself miserable with conjurations of her children in 8.4).

so there’s quite a bit of weight here on the side of, “salem just discovered that her partner has been manipulating her into serving the gods she abhors throughout their entire relationship, she’s deeply shaken, she isn’t awesome at clearly articulating her thoughts in general; is it really surprising that she might misspeak to the tune of saying ‘them’ in reference to an (elided but necessarily implied) antecedent of ‘the gods’”

it (clearly) isn’t going to occur to most viewers as an obvious interpretation of the line, but i think it’s well within the bounds of what is reasonable for the narrative to later reveal that salem really meant this, particularly given how deliberate and how clear the storytelling themes are. definitely a risk, because some section of the audience is undoubtedly going to feel lied to and cry retcon, but rwby takes creative risks all the time.

and then there’s the ‘fairyales of remnant’ piece of it – the anthology is very much in dialogue with the lost fable across the board (on this see also ‘the two brothers’ presaging the thematic treatment of the brothers in v9, and ozpin’s paired commentaries on ‘the infinite man’ + ‘the girl in the tower’ being discussions of truth, propaganda, and forgiveness). so why does ‘the shallow sea’ begin like this:

Long ago, before the fish had scales, before the birds had feathers, and before the turtles had shells, when our god still walked and crawled and slithered the earth, there were only Humans and animals. (And Grimm. There have always been Grimm. There will always be Grimm. But those creatures don’t figure in this story, so just put them out of your mind, if you can.)

and end like this, after a story about the god of animals leading their chosen people to transform by submersion in magical waters, to the horror of those humans who refuse to change: 

From that moment on, there have been animals, Humans, and Faunus. And the descendants of the Humans who turned away from our god’s great gift have always carried envy in their hearts. To this day, they resent us for reminding them of what they are not and what they never can be.

humans and animals (and grimm) -> animals and humans and faunus, and the last line – the mythic explanation for human hatred of faunus – is a nearly direct repetition of the last thing salem says in the lost fable?

now obviously not everyone can be expected to read ancillary material like the fairytale anthology, and that’s why the shell game with the implied indirect object matters; but it is interesting that ‘the shallow sea’ is stated to be a very old oral tradition (one which “contains deep truths,” no less) and that it repeats that line in a context that is quite plainly not about genocide – but rather cultural pride in the face of intense, often violent, persecution. 

this story also 1. explicitly belongs to a closed tradition, and 2. is (obviously) one ozma knows despite there being no indication that he’s ever reincarnated as a faunus. which – together with the story’s age – adds up to at least the implication that it is possible he heard this story from salem, because the reasons she might be conversant in ancient faunus oral traditions are. well. obvious. 

…and if that’s so, then ‘the shallow sea’ as written in the fairytale anthology completely recontextualizes salem’s last statement in the lost fable as salem quoting from a faunus creation myth both she and ozma knew in order to express her rejection of the brothers’ mandate, which would 1. neatly explain why ozma seems to have understood exactly what she meant even though none of the lost fable witnesses picked up on it, and 2. provide an elegant and very simple opportunity to ease the general audience into this revelation by having a character in vacuo retell this myth, using that same closing line. you don’t even need to mention salem directly – the turn of phrase is memorable enough that a lot of viewers will go “…why does that sound eerily familiar” and that plants a seed for later. (or if you’re going for more of a sudden record scratch moment, salem is the one declaiming.)

from a character standpoint, it also makes a lot of sense for salem to respond to ozma in this way – his liking for stories is, one presumes, not a new thing that developed after the ozlem kingdom’s collapsed, and he also clearly isn’t just cynically using fairytales to deceive and manipulate – else he wouldn’t have apologized to the kids by referencing ‘the girl who fell through the world’ and comparing himself to alyx. stories are just important to him and part of how he communicates.

so if salem heard everything his god told him and then said “no, none of that matters, why spend our lives trying to redeem these humans when we could [paraphrases the conclusion of a story where the hateful envious people who refuse to change are simply sent home and not allowed to live in the harsh but free new world with the people who chose to embrace change]” – she made an effort to say what she meant in his language, and what she meant was either 1. figuratively associating the brothers with the envious humans who were sent home and “these humans” with the faunus who were now free to determine their own fates, or 2. “okay yeah these humans aren’t great, have you considered more faunus as a solution” (<- this would be extremely funny if it turns out the shallow sea is a more literal story than i think it is, but i think it’s much less likely).

more broadly, to the question of why the line is written that way – i can only speculate based on what i would be thinking in the writer’s shoes, and the overall structure of the narrative around salem – but i imagine the absoluteness is sort of the point. it’s meant to be a really shocking and frightening thing to hear coming out of her mouth, while also being, if you pause to think very precisely about what she said, quite plausible as a verbal stumble – the alternative antecedent of “the gods” for “them” is implied and eliding the indirect object of “redeem” is common vernacular – and then there’s this other possibility hinted in an ancillary text that she might have actually been quoting a story as a verbal shorthand both she and ozma understood. 

there’s a narrative expectation that the viewer will be right there with the kids making the same snap judgment about what salem meant – because i think the kids all absolutely did take this at face value as a statement of genocidal intent. the story itself is structured like a nesting doll such that each new revelation appears at a glance to be the whole story, but isn’t and in fact has large gaps and details that don’t add up which become glaringly obvious as soon as you reach the next layer and look back, but if you’re paying careful attention as you go it’s also quite possible to piece together the missing pieces. 

delivering information this way trains the audience (…mostly) to expect that the information we’re given is incomplete and maybe not wholly accurate. the advantage here is that even if the vast majority of the audience is completely blindsided by a specific reveal, for most viewers that’s going to feel really exciting – this happened in v9 with the lore reveals about the brothers, massive overnight reversal in the mainstream fandom views of darkness with the general mood being that it was cool – as opposed to feeling tricked or lied to by a “retcon.”

and that builds up a certain kind of trust, that the story is a puzzle but it isn’t going to cheat. it’s also a bit of a challenge or an invitation for the audience to try to figure out what’s coming, like a mystery.

with salem, i’d bet that one line in the lost fable is supposed to seem weirder and weirder the more you think about it, because… why doesn’t it track with anything she says before that point in the lost fable? why does the story begin with salem waxing poetic about humanity’s virtues? why does the narrative make such a big deal out of nobody knowing what salem wants AFTER the main characters witnessed a seemingly open-and-shut declaration of her “true” intention?

at the same time, the amount of explanation required to argue for an alternate interpretation – even if it’s really not complex or a reach – compared to the ease of just taking the statement exactly at face value, in and of itself is both a misdirection (most of the audience will take the path of least resistance, and hopefully enjoy the journey the story takes them on while leading them to the eventual right answer) and sort of the thesis with respect to the storytelling themes. salem thinks coolsville sucks!

but i am also very willing to consider (because of my own intuitive reaction to the line) that the writers perhaps did not mean for it to seem quite as unambiguous as the general audience and most of the fandom ended up taking it, because if you’re spending a lot of time immersed in a specifically theological context regarding redemption (which the writers probably would’ve been, given the importance of the religious narrative in the lost fable and in relation to this line in particular) – and if you’re also in the habit of being very precise and careful about how you phrase things (which is true of how rwby is written in general) – and if you’re writing what might be the most critical episode in a complicated puzzle box story, whose fulcrum is a red herring that is also meant to provide a clue to anyone who thinks to look at it more closely and with an open mind — then yeah i can see a scenario where the writers may have felt that the specific wording of salem’s statement was more ambiguous than it actually is. in which case the echo in ‘the shallow sea’ might have been a bit of an effort to correct course by giving the subset of fans invested enough to read the fairytales (<- the cohort most likely to be keen to unravel the puzzle) an additional hint. who knows.

[svtskneecaps]

oh also also, baghera getting increasingly french at the end of the timer was so fucking funny and i love her so much, like when her and phil fought and phil killed her and her accent thickened until she abandoned words and made french noises CHEF'S KISS reminds me of when she played outlast w cellbit slime and jaiden and got progressively more french as the night wore on, genuinely had a blast hearing her progressively dropping more and more swears in french

also reminds me of something i THINK i remember, think it was her who said during brazil she kept accidentally speaking french to people because of how close she felt to them

[hopeswriting]

i love you characters who know exactly who they are, monstrous parts and all. monstrous parts and nothing else. i love you characters who embrace it fully and wholly, who are happy and at peace with who they are and have no intention to ever change their ways or interest in becoming a better version of themselves. i love you characters who've painstakingly perfected being monsters, and so they'd know they're already the best version of themselves. characters who've weaponized their monstrous parts to get every single thing they want out of life, and who are unashamed and unapologetic and proud and bold about it.

i love you characters perfectly self-aware of their monstrous parts who gleefully look straight back at the rightfully deserved and earned scorn, judgment and condemnation thrown their ways with wide grins that's all teeth. characters who say "you're right, i am a monster. and you should try to stop me. but can you?" and it's a threat.

i love you characters who won't stand for anyone telling them they don't get to have love and happiness because of their monstrous parts. characters who'll stop at nothing to take hold of love and happiness of their own in spite of the world telling them they don't get to have those things, and who don't care to become even more irredeemable than they already are along the way.

i love you monstrous characters who hold tightly onto the broken and bleeding forms of the love and happiness they took for themselves, with no intention to ever let go of them even if it means they shatter in their hands. characters who'd rather they shatter in their hands before ever letting go of them, and who made sure to first break them and make them bleed so they could fit within their hands to begin with. i love you characters who don't think it makes it any less meaningful or worthy, and who would do it all over again and even worse if need be, because how else can a monster even love anyway but with sharp teeth and claws and your blood and tears warm on their lips and tongue?

i love you characters whose monstrous parts are their oldest and most loyal and trustworthy companions. characters who find comfort in their monstrous parts and are ruthlessly and mercilessly protective of them. i love you characters who can't even fathom who they could possibly be other than monsters, and yet have this gaping, bottomless pit of loneliness and yearning for something they couldn't possibly know the name of. i love you characters who've been monsters for as long as they've had that gaping and bottomless pit inside them as far as they can remember.

i love you monstrous characters who've never imagined they could ever be loved back for the monsters they are, but then they are. monstrous characters who've never imagined the broken and bleeding forms of the love and happiness within their hands could choose and want to stay right there anyway, but then they do. i love you characters who suddenly have to confront and grapple with the idea that maybe they can be something else other than monsters once they're loved.

i love you monstrous characters who're loved anyway, monstrous parts and all. monstrous parts and nothing else. i love you monstrous characters loved for being monsters first and foremost, monstrous characters loved because they're monsters, and not in spite of it.

i love you characters who know no amount of love given to them will ever change the fact they're monsters. i love you characters being loved anyway with a love that doesn't ask or want or expect them to become any less monstrous for it, but they want to try to change for it anyway. i love you monstrous characters who are loved and whose nature won't change for it, but maybe their ways can. maybe they can try to make their monstrous parts a little less sharp and jagged and deadly, a little less often bloody and a little more merciful and kind out of being loved as they are anyway.

i love you monstrous characters learning to let go of the broken and bleeding forms of the love and happiness within their hands, and having their whole world turned upside down when they choose to stay anyway. i love you monstrous characters being made completely undone not by the forgiveness for the broken and bleeding parts, but by the acceptance of them.

i love you characters who are monsters and loved anyway and who don't become any less of monsters for it, but so what of it? after all, when is a monster not a monster? when there's no changing of their nature, and yet they try to not give in to it anyway just because they were born with sharp teeth and claws and a craving for blood that'd make it so easy to.

i love you monstrous characters who are loved and don't become any less of monsters for it, but who still keep being loved anyway.

i love you monstrous characters resolving to try to become more human even knowing they'll never really succeed at it because they still keep being loved anyway.

[miabrown007]

Felonies and Other Love Languages (Heist AU)

art by @art-the-f-up

I have Shay's permission to post his art. as you do not, you should not.

[seaweedstarshine]

Sometimes I think of Amy Pond, who grew up being called mad by those who wielded the word as a tool of exclusion and shame —

Amy Pond, who though forced into the hands of four psychiatrists, still clung to that which they called madness until those systems which elevate psychosocial conformity above humanity stripped it from her —

Amy Pond, whose imaginary friend reappeared for a single hour after twelve years and reignited that faith before disappearing for two more years —

Amy Pond, who spent those those two years under the same implicit threat ingrained in her through psychiatric violence, and thus began to believe the man who stopped the invasion was “just a madman with a box,” only for him to agree, and to also call her “mad, impossible Amy Pond,” reframing madness as non-negative for the first time in her life —

Amy Pond, who ignored the disembodied voice of her imaginary friend even as she ran away with him for real, who still lived each day with the traumatic internalization of deviancy dictated upon her by the psychiatric-industrial complex that shaped her from childhood —

Amy Pond, who wouldn't acknowledge the Doctor's voice, such that it took an Angel in her eye that was literally killing her to ensure she couldn't reality check herself —

Amy Pond, who stood before a room which muttered about “the psychiatrists we brought her to,” and though afraid, escaped their rigid parameters of acceptable existence.

[yume-fanfare]

today's sidequest has been doing some scanning and cleaning of my mom's 1985 candy candy manga that's held together by tape. it was afaik the first manga that was ever published in spain, and it was both in color and flipped for western reading, in B5 format! this was a hardcover edition that compiled several shorter stapled installments of each manga chapter, that had been previously released by themselves

[158cm]

moots who have trouble with eating / their relationship with food, i'm making you some comfort food and we're gonna watch ghibli movies and cuddle :3

[dinosaursmate]

There has been zero fangirls talk I know nothing pls share

it’s a new musical from Australia that is currently playing in London which is about girl who is a fan of a boyband… whose lead singer is called Harry… they are British and all auditioned for a tv talent show and were put together as a boyband…

anyway so she is 14 and writes self insert fanfiction. She co-writes a fic with a male fan from America called @ saltypringl (the best character in the show) about Harry and the fan going on the run so he can escape his evil management who are working him to death (fan girl says she can see depression in his eyes) (also Salty throws in a mention that management are concealing “multiple queer relationships in the band”)

fan girl kidnaps Harry irl and tries to convince him to go on the run with her but he’s like wtf is wrong with you, you’re disgusting

so she and her friends decide to drug him and throw him in the woods to be found and she will magically not go to jail

he then goes back on tour but halfway through his show realises she was right and leaves the band.

there’s a lot more to the story than this and it is quite mostly played slapstick (as I’m sure you’d hope, reading that synopsis) but it lowkey offended me. The writer was inspired by the reaction when Zayn left 1D and wanted to write something that portrays how strong and valid teenage girls and their feelings are

but imho she fell short of that and the belittling and patronising she did to fandom and fic writers through it undid all the good she might’ve done.

It was written from yes, a sympathetic, but ultimately an outside perspective and offended me as a lifelong fic writer and boyband fan.

I will defend fan fiction strongly and anything that reinforces the idea that all fic is teenagers writing self insert is damaging to our community