#so yeah this is about

[hopeswriting]

i love you characters who know exactly who they are, monstrous parts and all. monstrous parts and nothing else. i love you characters who embrace it fully and wholly, who are happy and at peace with who they are and have no intention to ever change their ways or interest in becoming a better version of themselves. i love you characters who've painstakingly perfected being monsters, and so they'd know they're already the best version of themselves. characters who've weaponized their monstrous parts to get every single thing they want out of life, and who are unashamed and unapologetic and proud and bold about it.

i love you characters perfectly self-aware of their monstrous parts who gleefully look straight back at the rightfully deserved and earned scorn, judgment and condemnation thrown their ways with wide grins that's all teeth. characters who say "you're right, i am a monster. and you should try to stop me. but can you?" and it's a threat.

i love you characters who won't stand for anyone telling them they don't get to have love and happiness because of their monstrous parts. characters who'll stop at nothing to take hold of love and happiness of their own in spite of the world telling them they don't get to have those things, and who don't care to become even more irredeemable than they already are along the way.

i love you monstrous characters who hold tightly onto the broken and bleeding forms of the love and happiness they took for themselves, with no intention to ever let go of them even if it means they shatter in their hands. characters who'd rather they shatter in their hands before ever letting go of them, and who made sure to first break them and make them bleed so they could fit within their hands to begin with. i love you characters who don't think it makes it any less meaningful or worthy, and who would do it all over again and even worse if need be, because how else can a monster even love anyway but with sharp teeth and claws and your blood and tears warm on their lips and tongue?

i love you characters whose monstrous parts are their oldest and most loyal and trustworthy companions. characters who find comfort in their monstrous parts and are ruthlessly and mercilessly protective of them. i love you characters who can't even fathom who they could possibly be other than monsters, and yet have this gaping, bottomless pit of loneliness and yearning for something they couldn't possibly know the name of. i love you characters who've been monsters for as long as they've had that gaping and bottomless pit inside them as far as they can remember.

i love you monstrous characters who've never imagined they could ever be loved back for the monsters they are, but then they are. monstrous characters who've never imagined the broken and bleeding forms of the love and happiness within their hands could choose and want to stay right there anyway, but then they do. i love you characters who suddenly have to confront and grapple with the idea that maybe they can be something else other than monsters once they're loved.

i love you monstrous characters who're loved anyway, monstrous parts and all. monstrous parts and nothing else. i love you monstrous characters loved for being monsters first and foremost, monstrous characters loved because they're monsters, and not in spite of it.

i love you characters who know no amount of love given to them will ever change the fact they're monsters. i love you characters being loved anyway with a love that doesn't ask or want or expect them to become any less monstrous for it, but they want to try to change for it anyway. i love you monstrous characters who are loved and whose nature won't change for it, but maybe their ways can. maybe they can try to make their monstrous parts a little less sharp and jagged and deadly, a little less often bloody and a little more merciful and kind out of being loved as they are anyway.

i love you monstrous characters learning to let go of the broken and bleeding forms of the love and happiness within their hands, and having their whole world turned upside down when they choose to stay anyway. i love you monstrous characters being made completely undone not by the forgiveness for the broken and bleeding parts, but by the acceptance of them.

i love you characters who are monsters and loved anyway and who don't become any less of monsters for it, but so what of it? after all, when is a monster not a monster? when there's no changing of their nature, and yet they try to not give in to it anyway just because they were born with sharp teeth and claws and a craving for blood that'd make it so easy to.

i love you monstrous characters who are loved and don't become any less of monsters for it, but who still keep being loved anyway.

i love you monstrous characters resolving to try to become more human even knowing they'll never really succeed at it because they still keep being loved anyway.

[xinea]

I know i'm new to kdrama and all but I am simply not built for this first male lead vs second male lead formula, especially when the second male lead is an stupid little gremlin dude whose nose snots up when he cries (affectionate)

[peanutseagle]

Yeah. so. episode three

[s0up1ta]

"so grunkle ford how do you know bill?"

"... that's not important."

[vegetabletaxi]

this is just a bunch of text and barely a comic sorry, but i really wanted to talk about this stuff even if i don't have the energy to properly draw

[colorstrike624]

No but seriously the things turtles can do are unhinged.

[liquidstar]

Yes, Greece still exists, we didn't all die 2000 years ago. Yes, people speak Greek. You people are so fucking stupid for real. So many of you claim to love ancient shit but can't even acknowledge the actual living culture of the people whose mythology and classics you romanticize. You keep leaving annoying comments about how you just forget Greek people still exist, thinking you're being quirky because you love ancient stuff soooo much that you forgot about the people it came from. You think about it so little you don't even realize that an actual Greek person has to read this shit, making it clear how little you actually care about the culture beyond the romanticized (and westernized) mythology. Don't claim you love Greece, don't use our mythology anymore if you can't acknowledge that we're still around without making it about how little you think about us. It's mind boggling that you'd think a Greek person would read this and think you're anything but obnoxious. Explode.

[theshadowrealmitself]

I like to think that Vulcans who come to understand that Humans just can’t try to process emotions the same way as them, it’s just healthiest to let it out in harmless ways, decide that venting and stuff should be taken just as seriously as Vulcan’s meditation time, and will encourage the Humans around them to complain about what’s upsetting them

People who are used to aloof Vulcans who avoid Humans at all cost running into one comforting a Human

“-and then they said my cheesecake was subpar, and they didn’t even bring a dish!!!”

“The purpose of this event was that every participant brings a food item of sorts, correct?”

“Yeah!!”

“And they did not follow this rule while insulting dishes that were brought?”

“Mostly just my dish but yeah >:(“

“How illogical”

“That’s what I’m saying!!!”

[phanfuckingtasmal]

im sorry but i cannot stop thinking about isha's pastel memories that play during her sacrifice scene.

look at how full of colour this beautiful fuckin shot is:

it's been well established in episodes 4-6 how grim and dark the undercity has become under cait and ambessa's new rule. but look at how isha sees/remembers it - because of jinx.

jinx, who went through a severe childhood trauma that has carried over into her present self - she covers extremely destructive weapons and grenades in bright pinks and blues, neons, childlike doodles, graffiti. (joy and destruction, powder and jinx, a contrast so striking it becomes like a signature for her).

and then we see the world through isha's eyes. when we meet her in episode 2, she's running through sewers, from goons dressed in black; it's grimy and grim. and then all of her recent memories are done in these childlike pastel, almost crayon-y sketches. because what isha saw was jinx covering a dark and grim world in colours.

and so isha covered her world in colour, too.

because jinx made her world bright.

isha looked at jinx and saw the child in her. she saw powder and she saw jinx. she saw joy and destruction. and that's why jinx gave isha so much hope. isha knew the world was grim and dark - but then she watched jinx, and she learned that you can paint over all that grim darkness with neon blue spray paint.

that's why isha believed in hope. that's why in her final moments - in a scene that is lit dimly and dramatically - she sees nothing but a bright world coloured in pastels.

never underestimate the hope of a child.

[poorly-drawn-mdzs]

It's just guys night talk! Don't worry about it!

(Read Tiger Tiger and shake this man awake so he can finish that thought!)

[hinamie]

surprise it's yuri!!!in 2024

[marsipain]

Norwegian Mikus :)

Left is Miku as a russ and right is Miku in a bunad!

[nikoisme]

Hear me out. Somewhere Else but it's medieval england with a certain guy

[what-am-i-doing-in-this-fandom]

I am such a big Werewolf Stan advocate I had to jump on this particular train 🙏 (but I didn't really wanna commit to full line art, you guys understand)

Oh, and you guys aren't gonna believe this, but here's part two 🙌

[3rdsday]

Tommy basically said "the DSMP was good because it was, and still is, loved" and that basically sums up my feelings on the matter too.

[chloesimaginationthings]

FNAF Into the pit? More like into the daddy issues