#it���s like this everyday with me

[introspectivememories]

okay so i know that dash baxter barely gets any character development in the show but like the idea that danny hates dash? boo, lame, overdone!!!! danny who can beat dash up and dash knows this and everyone knows this but by god danny needs something normal to cling on to so dash shoves him in a locker everyday?? yeah that's the good shit

[sideblogdotjpeg]

ive been thinking about the red string superstition recently and also sol bufo always and it makes me sick how uncannily caldwell tanner has made sol to perfectly target me personally

(+ cropped versions !)

[barawrah]

wwx goes home after reincarnation au

[meltedmush]

how long does it take you to draw your sketches/doodles? also do you have any tips to draw faster? 🙇‍♀️

I generally take 30 - 60 minutes a sketch,,,, but honestly really depends on how detailed it is.

Like a Chibi will be done in 20 - 25 minutes (Counting in the extra time I spend on minute details like a perfectionist 😭)

I for some reason really like spending egregious amounts of time on random objects too??? Unless it’s the in the background, I’ll spend 40 minutes refining it.

Random characters that are fully colored and rendered with take like 80 minutes.

The comics take usually take an hour or two per page. (If I decide to cross hatch it, my entire day will be gone with 4 pages… so I’ve been trying to find shortcuts. But not without sacrificing the quality for time lol)

I don’t think there’s any trick or magic to drawing faster. It’s really about weaponizing your artistic knowledge, and finding what’s comfortable or convenient for you!

There was a period of time where I would spend 11 or 12 hours on an illustration, and it wASS UGLYYYYY. (Some of these artworks are still available on my tumblr,,, but it’s SO LONG AGO, AND IT WAS MY 1ST OR 2ND YEAR GETTING INTO DIGITAL ART)

Overtime I learned what worked best for me, and practiced till I felt more comfortable with what I was drawing. Eventually I managed to shorten the time to 4 hours or less! Ambition was my biggest enemy but at the same time my biggest motivator. (And it still is LMFAO) 😭

EDIT (bit more to my way too long tangent): ALSO??? BRO DON’T BE AFRAID TO USE YOUR MESSY SKETCH AS LINEART OR DRAW ON TOP OF IT. I’VE DONE IT FOR YEARS NOW AND IT ADDS SUCH A GOOD EXTRA BIT OF TEXTURE,, AT THIS POINT I DON’T EVEN USE LINE-ART ANY MORE UNLESS IT’S A COMMISSION,, (IT’LL ADD LIKE AN 2-4 HOURS TO MY WORK)

[sunflawyer]

Daffodils!

HIIII HII FRIENDS IM BACK 😭😭😭😭😭 FINALS ARE FINALLY OVER I CAN FINALLY GO BACK TO TUMBLR IM SO HAPPY!!! I MISSED YOU ALL SOOO SO MUCH HOW ARE YOU GUYS!! 🧡🧡

have this sort of remake/redraw of the scene from Big Fish (2004) by Tim Burton! such a great movie 💛

-----

@kaibaspuppy @ousama @qilinkisser @bunbunsheart @earthtoluisa @all4theluvoflizzy @koda-selfships @meowtroidvanya @fated-selfship @scroldiereblog @michaelmeowndo @funkedge @starshroom-doodles @chiakiselfships @xxmellochii @tulaytullahs @7suno @pitchandaj @kittycatkissez @scientistkerberos @milkmallow28 @kits-ships @literally-just-there @melting-icarus @plague-of-nice @gogolsbf @millionmix @felixrichtershubby @showyoutheworldinmyeyes @hvemind @flyingfishhugs @canon-can-fight-me @frozenhi-chews @timespaceandinterim @sweetselfships @eternally-smitten @sxaras (feel free to tell me if you dont wanna b tagged!)

[byfulcrums]

Something I love about ATLA is that it doesn't force the "forgive the villain" on all the characters. It's been left clear that Ozai is a bad person, and there's no chance of redemption; the only reason he's not dead yet is because Aang is a pacifist

The one episode where a character is supposed to forgive someone who has hurt them in the past is the one where Katara is off to kill a man (which, fair) and Zuko helps. In that episode, even if Aang is telling her to let go, she doesn't forgive him. She never will. But she spares him. Not because she thinks he doesn't deserve death (he does), but because she's not willing to continue the cycle of violence

Killing someone can have a very important impact in your entire being, mostly depending on who you are as a person. Aang would've never recovered from killing Ozai. Katara wouldn't be who she is now, had she taken her revenge on the man that killed her mother

And the best part of it is that Ozai doesn't deserve to die. Not in a "I'm defending him" way (ew), but in a "he deserves worse that than" way

Taking away his bending was the perfect punishment for him. He believed bending made you superior and he never cared enough to train something besides his bending. What a loser. Zuko and Azula wouldn't be restrained by something like that

He's alive. Nobody has forgiven him. Nobody ever will

[dreadfuldevotee]

irdgaf if people like The Timeless Child/Flux storyline or not, but if you are unironically saying that RTD made The Timeless Child/Flux good because David Tennant looked sad and yelled a bit, I am sincerely hoping you break all your fingers simultaneously :)

[wild-at-mind]

When you tell people they should be sending every spare penny to their chosen Gaza fundraiser or they are Bad. But then it all gets a bit too stressful so you have to leave tumblr. :(

[daily-hanamura]

[introspectivememories]

you are my favorite what-if, my best i'll never know

[disposal-blueeee]

alright i'm back

some shitpost (even if this took 3+ hours to make)

vargas by @zarla-s

also credits to mysillycomics on twt (that one ".... peach time ah so sorry" pic)

[cdyssey]

Thoughts on Abbott women and their relationships to the cameras:

AUSHSHS, OKAY. One of my favorite things to think about how is how the Abbott characters are super aware of the cameras and how they have different relationships to the fact that they’re being filmed all the time. Here are some thoughts/headcanons for women esp.

Janine: Janine is the most honest with the cameras, treating them like friends, and thus shares a lot of her life with them: her triumphs, her plans, her sadnesses, her insecurities. Hell, I think it’d be fair to say that she even overshares, allowing the cameras unfettered access into her home and car and life beyond the workday. I especially thought this during “Sick Day.” This poor girl was literally, like, letting herself be filmed running to her bathroom!!! Like, girl, set some boundaries. You have a right to some privacy!!!!! But, of course, this is the crux of Janine’s central character arc. So lonely, once a clearly neglected child, our protagonist has a hard time with boundaries in general, and that extends to how she interacts with the cameras. They have become her closest companions and her dearest diary, her safe place for unapologetically being herself. We’re always getting Janine unfiltered, and it’s an incredibly humbling experience for an attentive viewer. She’s fully let us into our lives, and we feel for her deeply. My God, we just want her to be happy.

Barbara: Of the cast, Barbara is one of the most vigilant of the fact that she is being constantly surveilled and has to perpetually maintain her perfect facade because of this crucial fact. It’s her almost doll-like smile into the camera when she says that she doesn’t have a weird thing about her. It’s how she’s always emphasizing how proper and moral and Christian she is in her talking heads. One of my favorite recent examples is from the tattoo episode when she initially says her favorite “b” word is Barbara, but then her first correction is to the more upstanding and characteristic answer of “Bible.” But, as some of my favorite Work Wives gifsets have shown, Barbara occasionally forgets that the cameras are there—usually when she’s drawn into the intimacies of a moment, allowing herself to feel her own emotions without disciplining or regulating them. And it has to be with someone she emphatically trusts, such as Melissa. But any slippages, which are few and far-between, are quickly and efficiently amended. She studiously remembers herself. She slips the mask back on and smiles directly at the cameras and dares them to question what they saw in the place. She is Barbara Howard, married woman of God. She’s always perfect, don’t you know?

Ava: OKAY, OKAY, so I genuinely think that out of everyone, Ava is the most aware of the cameras being on her at all times. TikTok queen and social media extraordinaire, how can she not be? Like Barbara, and honestly even more proficiently than our favorite repressed lesbian lady, she touts an expert facade to the cameras, hyping up her natural charisma and her extrovertism and coolness—sometimes to the point of excess. She’s always catering to a targeted audience. She knows her way around an algorithm, a trend, a hashtag, perpetually attuned to what the people like and want to consume. Of course, she, too, has her rare moments of vulnerability, but the cameras have to be super quick and sneaky to find them. Avanine enjoyers, I think one of my favorite shots is when the cameras initially locate Ava and Janine talking about Ava’s grandmother during the step episode. The framing is faraway at first because the cameras are at the distance—clearly intruding and zooming on this quiet moment—and that’s pretty much the only way they ever catch our Ava Coleman slipping. I am sooooo invested in the fact that we can probably count the times that we’ve seen Ava unmasked on one hand!!!!!!

Melissa: Melissa has a fascinatingly contradictory relationship with the cameras, perhaps to match the oxymoron between her own well-chosen facade and her personality. She presents herself as tough and unflappable, likes to maintain an air of “dark mystery” to others as she once famously smirked in a talking head, but simultaneously—behind Janine—she’s probably been the most candid of the cast with the cameras. She actually let them stay in her house! Oh, yes, she absolutely insults the cameras from time to time—clearly distrusts them, stops herself when she thinks she’s saying too much, fears that they’re snitches—but she’s also told them some pretty damn intimate things too, like showing them pictures of Kristen Marie and literally crying. I really love LAW’s headcanon that there’s one camera person that she thinks is cute and so confides in more because I think that tracks with our general conception of Mel as someone who only relaxes around people she trusts. Some cameras are cops to her—they invite suspicion and paranoia, alerting her fight-or-fight response. Others have seen her at more unguarded moments and teased a lovely softness out of her.

[bi-writes]

missing roommate!simon hours

omg i know fuck i think about updating it all the time, i miss it so much. i have a few drafts but idk why i cant wrap my head around how to continue, but it gnaws at it me in my dreams.

[fyodoro]

My bsd hyperfix came back in full swing recently and it’s ruining my life bit by bit i hate that ginger chuuya nakahara and i hate his edgelord husband i also hate that wet cat ranpo oh my god this manga SUCKSSSSSSSS

[deus-ex-mona]

[maxiwaxipads]

Knights Who Carry Objects Around

Arupek - “How am I able to carry it all the time?” “That’s easy~! If you like something a lot, a little pain isn’t going to stop you.” Arupek - “But I have a department right inside my jacket! See?”

(Arupek, approaching you like a dealer in an alleyway)

Arupek - “Heheh… Would you like one of these bad boys!?”

Arupek, who opens his jacket to reveal multiple water guns!

He takes off his hat to reveal a smaller water gun...!?

He takes the card out of his sleeve...

…to reveal another water gun!?

Tuxam - “It’s retractable.”

A simple answer—as expected from an inspiring gentleman!

Chaco - “You can ride it. You can sit on it. You can even ram SEEDs with it.” “If you approach them in a certain angle… bwamnh! Skin and insides—everywhere!” Chaco - “Bashing it senselessly into a SEED is also an option, but I don’t want to harm the painting job, no?” Pikero - “I’ll have someone else carry it.” Hangyon - “Lili isn’t an object~” “For your transgression, the interest rate will be 100%!”

Badobarm shares the same sentiment.

Kurode - "It's the cost of being an iPad kid." "I have to carry it around forever. It can never escape my hands."

Merold - “(Sigh) I don’t know what I was thinking—carrying around such a big baton...” Merold - “But look at me now. Without the pains of having to carry a big ol' thing all day.”

Rimicha - "Heheh... I thought about this before~ So I added belts to my outfit!"