#it’s the tone of the general story

[dearmyloveleys]

the way I can tell mdzs was written more seriously (tone wise) than the other two bc there’s no sword rental or immortal discord servers in there

[mikimeiko]

The Fall of the House of Usher | Miniseries (2023), Mike Flanagan

[shalom-iamcominghome]

I've been doing a lot of reflection as of late, especially after this past class.

This past class was about the Torah and Tanakh in general, and the way the rabbi talked about the commandments (specifically the ten commandments) has made me really reflect on how I interpret them, specifically the fifth commandment, or honoring your mother and father.

This is a commandment I have wrestled with for a long time - in fact, it brought me away from g-d at multiple times. I was severely abused when I was incredibly young by my mother, and I used to feel insulted at the implication that I were to honor her while she got to live a better life. It was hypocritical, in my eyes.

But this rabbi surmised that this particular commandment was because parenthood is an act of creation, something that is like the g-d from which we come from. My realization is this: I don't think we're necessarily meant to take even these commandments literally.

I this particular commandment is more of a call to honor creation - creation is a gift, and like any gift, many people simply will not like it and will discard it. The person who abused me created me, but she did not honor creation. She didn't honor me, but I can still honor it.

I have started to honor creation much more. I'm too young, too unstable, not mature enough to be a father (though I fantasize about it), but I create all the time. I create relationships, I create with my hands through crochet. I create memories, I create my world. And I can honor who I am and where I came from that made me who I am. I've been learning one of the mother tongues of my family (Italian, since part of my family originates there) and it was judaism that inspired me to do this.

I don't think g-d wants me to honor my abuser. I think He wants me to remember the Holy action of creation. When I am a father, that act of creation will be Holy, and indeed, I am already joyful about the thought.

I have seen many people struggle with this particular commandment, but I think this perspective helps me personally. I don't think I ever have to forgive my abusers (plural), and I don't think I am commanded to simply because they happened to be family. I am commanded to recognize the holy, to elevate the mundane. In doing so, I will remember g-d. Through creation, I honor g-d and everything he has done for us, for me, and for our collective people.

[fandom-trash-xl]

WAKE UP, FRIT NATION! THEY TALK TO EACH OTHER!

[katabay]

JACK THE GIANT KILLER

originally this was a kind of personal visual vibe test: I'm still turning some thoughts around about jack in my head (altho I have finished assembling the skeleton of a story and I'm looking forward to seeing what happens when I start to press at it) but I really liked how it turned out so I'm posting it as it's own illustration :)

the first post about this idea is over here, but I've fine tuned it down a bit so that the story begins with jack finding the body of a giant while he's out in the woods one day, and the story spirals out of hand before he can stop it.

it's been interesting to read up on jack tales from a literary analysis point of view while I figure this story out!! and through the power of more coffee, I think. I'm close to pinning down an underlying theme I'd really like to bite into. I just need to condense it down to a couple of sentences instead of several paragraphs.

and to close this post out, here's another excerpt from the j.g. ballard's the drowned giant that haunts me!

[sonknuxadow]

crazy how ive been seeing people absolutely losing their minds over the way amy is written in the generations remaster and how she was character assassinated and her crush on sonic was removed and im playing it right now and the literal first thing she does when you free her from white space is call sonic cute which is nowhere close to what she said in the original. wtf are you people on about

[heybiji]

boy who is secretly partially responsible for the death of dino donut is forced to wear a dino donut shirt and also has to ask the owner of said shirt for a favor

quick doodle of a scene from the MASKS game i'm running (characters are westley/the delinquent played by jd and adrian/the doomed played by dallie)

[2700k-moogie]

Milk ref sheet done yaHOOOOOOOOOOO lookit my big beautiful baby they filled with joy and happiness

[greenerteacups]

Hi GT,

Forgive me if this is a stupid question, but I absolutely love the recs you've given (you've introduced me to tomione, and I love it!) and I was wondering if it's possible to give you some recs in return? There are some books and fics that definitely have dramione / got vibes, and I was wondering if I could share them with you!

So glad you've enjoyed them! Feel free to rec me anything you want. I've read most of the classic recs in terms of fic and adjacent content (Cruel Prince et al), but I'll try anything that's well-written. My tastes run towards weird and/or audaciously creative stuff, and I can forgive a lot of weaknesses in plot on the grounds of (1) ambition or (2) character work. My turnoffs are instalove, protagonists who can't fail, and most Y/A (I'm not a hater, I swear, I just need characters who can say "fuck" when their leg gets chopped off.)

I'm also a fan of weird and fucked-up dynamics.(Wuthering Heights was my favorite book for a while, and as a teenager I wrote an AU in which the book ends on a long sex scene where Heathcliff fucks Cathy's ghost and then immediately gets murdered by Catherine 2.) Obviously, I am very normal.

[itsohh]

I've been listening to all the audio record for the r6s operators in arknights and I had a few thoughts

I think I've realised in all my hours playing frost I never really listened to her voice. Its actually really nice.

I always was like 'haha kapkan frost friends cause they both trap operators' but her voice lines actually really back that theory up

Frost calls the Doctor sir which is big sad as a female play BUT it's also really funny if I think about it that she just asumes my Doctor is male and shes too embarrassed to correct Frost

Intrestingly enough they translated all of Tachankas Russian lines to English in the subtitles but they didn't with Fuze (малыш was translated) (same goes for the rest of operators I'm just using them as an example)

I did very much short circut when Tachanka said малыш ngl. covered my face and everything. Vlado Stokanic did a fantastic job

Ash's voice sounds kinda different than in the game. Perhaps its the sound mixing or maybe its just the voice actor but she sounds older. At first whenever I borrowed Ash I wasn't a fan but its really grown on me.

I straight up just don't understand what this Ash voice line means

Especially after reading through her event, I think Ash has grown a lot as a character in Terra.

I think all the second crossover voice acting sounds exactly the same as the game (r6s), it could be just because of the voice actors age or perhaps the mixing, it could also be because their tone of voice is pretty much the same as when they say the same lines in r6s. Eg Ela's depart line sounds exactly (it is rerecorded tho) how it does in the game. "No time to waste". The second crossover operators shout some of their lines where the first crossover operators say all of them

I love Blitz I do but his voice lines have made me realise if I was paired with him in combat I would slap the shit out of him. Hes such a nerd, I understand why Ash is so done with him

This Iana line gets so me so hard because its like, is she talking about the fact shes human in Terra or is this a reference to her albinism and her compromised retina? My poor baby I love her

That all being said I still think they all did a fantastic job and for a still anime picture I think they have made the characters feel so alive, even with just a still anime picture. Then again the r6s cross over kinda exspanded the charactisation of most of these operators more than ubisoft has in the last uh 5 odd years.

[hauntingofhouses]

Seeing fan discussions about Blue Eye Samurai and especially Mizu's identity is so annoying sometimes. So let me just talk about it real quick.

First off, I have to emphasise that different interpretations of the text are always important when discussing fiction. That's how the whole branch of literary studies came to be, and what literary criticism and analysis is all about: people would each have their own interpretation of what the text is saying, each person applying a different lens or theory through which to approach the text (ie. queer theory, feminist theory, reader response theory, postcolonial theory, etc) when analysing it. And while yes, you can just take everything the authors say as gospel, strictly doing so would leave little room for further analysis and subjective interpretation, and both of these are absolutely necessary when having any meaningful discussion about a piece of media.

With that being said, when discussing Blue Eye Samurai, and Mizu's character in particular, I always see people only ever interpret her through a queer lens. Because when discussing themes of identity, yes, a queer reading can definitely apply, and in Mizu's story, queer themes are definitely present. Mizu has to hide her body and do her best to pass in a cisheteronormative society; she presents as a man 99% of the time and is shown to be more comfortable in men's spaces (sword-fighting) than in female spaces (homemaking). Thus, there's nothing wrong with a queer reading at all. Hell, some queer theorists interpret Jo March from Little Women as transmasc and that's totally valid, because like all analyses, they are subjective and argumentative; you have the choice to agree with an interpretation or you can oppose it and form your own.

To that end, I know many are equally adamant that Mizu is strictly a woman, and that's also also a completely valid reading of the text, and aligns with the canon "Word of God", as the creators' intention was to make her a woman. And certainly, feminist themes in the show are undeniably present and greatly colour the narrative, and Episode 4 & 5 are the clearest demonstrations of this: Mizu's protectiveness of Madame Kaji and her girls, Mizu's trauma after killing Kinuyo, her line to Akemi about how little options women have in life, and the way her husband had scorned her for being more capable than him in battle.

I myself personally fall into the camp of Mizu leaning towards womanhood, so i tend to prefer to use she/her pronouns for her, though I don't think she's strictly a cis woman, so I do still interpret her under the non-binary umbrella. But that's besides my point.

My gripe here, and the thing that spurred me to write this post, is that rarely does this fandom even touch upon the more predominant themes of colonialism and postcolonial identities within the story. So it definitely irks me when people say that the show presenting Mizu being cishet is "boring." While it's completely fine to have your opinion and to want queer rep, a statement like that just feels dismissive of the rest of the representation that the show has to offer. And it's frustrating because I know why this is a prevalent sentiment; because fandom culture is usually very white, so of course a majority of the fandom places greater value on a queer narrative (that aligns only with Western ideas of queerness) over a postcolonial, non-Western narrative.

And that relates to how, I feel, people tend to forget, or perhaps just downplay, that the crux of Mizu's internal conflict and her struggle to survive is due to her being mixed-race.

Because while she can blend in rather seamlessly into male society by binding and dressing in men's clothing and lowering her voice and being the best goddamn swordsman there is, she cannot hide her blue eyes. Even with her glasses, you can still see the colour of her eyes from her side profile, and her glasses are constantly thrown off her face in battle. Her blue eyes are the central point to her marginalisation and Otherness within a hegemonic society. It's why everyone calls her ugly or a monster or a demon or deformed; just because she looks different. She is both white and Japanese but accepted in neither societies. Her deepest hatred of herself stems primarily from this hybridised and alienated identity. It's the whole reason why she's so intent on revenge and started learning the way of the sword in the first place; not to fit in better as a man, but to kill the white men who made her this way. These things are intrinsic to her character and to her arc.

Thus, to refuse to engage with these themes and dismiss the importance of how the representation of her racial Otherness speaks to themes of colonialism and racial oppression just feels tone-deaf to the show's message. Because even if Mizu is a cishet woman in canon, that doesn't make her story any less important, because while you as a white queer person living in the West may feel unrepresented, it is still giving a voice to the stories of people of colour, mixed-race folks, and the myriad of marginalised racial/ethnic/cultural groups in non-Western societies.

[phoenix-before-the-flame]

I’m watching one piece, and now I’m wondering do you have any hcs on the world building in the fairy tail universe ? Do you think theirs some crazy kingdom’s , advanced technology in some lands ? Love to hear your thoughts 💗

hmmmmmmmmmmm kinda a bit of a deep question tbh.

Structurally FT has good bones for its world. And that's kinda it lol

There's a fleshed out map of all the countries within the continent that fiore is found on (Ishgar, which has 16 named countries apart from fiore itself) and expanding wider than that we know that there are about 3 named continents (Ishgar to the east being a peninsula connected to the mainland that we know nothing of, Alakitasia to the west where Alavarez is and Guiltina to the north) and a fourth unnamed continent further east that exists within earthland.

But while we have all this info, nothing in particular comes into play as the series had progressed, the majority of the series' arcs all more or less take place within the same country, which for a series that has it's characters constantly travelling for missions looks particularly bad, especially when even the known locations all visually seem indistinct from each other in terms of stuff like architecture. It's a reason why I appreciate edolas in particular because it at least offered something that visually stood out and an insight into how that culture functioned. (and in Phoenix Priestess for the small montage the squad in the city of Rose Garden and showing a bit of the country Veronica)

Like it is frustrating to me whenever I think on it because the solution would be just to change the locations of where they travel to just to expand the background of the places travelled, wouldn't even have to change arc structures or anything to give some life to the named countries like:

Joya despite its small size as a country is the main manufacturers of trains and exports the majority of the transportation other countries use as well as weapons. Wizards are less found here, with treasure hunting being a more popular job choice.

Sin, despite the ironic name, is a deeply religious and faith driven country. Magics that have connection to nature and celestial bodies are particularly revered here.

Desierto mostly deals with trade, having constantly active shipping ports. Enchanted items such as brooms and carpets are popular and easy transport choices within cities and are more widely used than vehicles.

Iceberg's largely uninhabited due to the weather with most of the population sticking closer to the country's borders.

Like this is all just purely flavour text examples to just try and bring some life to these otherwise lifeless locations but you get the general gist of it.

There was clearly this effort to establish these locations by giving then names (and drawing a full on map) so it always boggled me that they were never properly used as a backdrop for the arcs within the story. (Tower of Heaven? Move that arc to Sin, Lucy's arc with Loke? Takes place in Stella, That arc with the giant village? Put it in Minstrel).

Like shifting around major arc locations would easily open up avenues to naturally expand the world as the story moves. And not even just big arcs, but smaller less grand filler arcs (which jesus christ did ft rlly need because it defs need breathing room between all the big events. It's why the story moves at such a breakneck speed without things really feeling as though they've changed in any meaningful ways) would do wonders to make earthland feel like a genuine lived in world (like how it is within the world of one piece that you cited as an inspo for this ask.)

[nenekobasu]

my problem is that i've driven myself in a corner by arguing "isagi's nel arc stories are unsatisfying on purpose (and they're secretly brilliant)" and man. you never want to be in a position to argue that any story is bad on purpose, i mean i'll keep doing it for blue lock specifically (and keep posting about how this should be done for blue lock specifically) but no one else should do it

[puppyeared]

Atla live action 😐

[sonicunleash]

society if the dungeon meshi anime actually had texture and kept ryoko kui's personality in the artstyle instead of doing generic thin-lined flat colors flat shading streamlined anime face style. i know ppl have mixed opinions on some of these examples but i reallyyyy wished they went stronger on the mangas artstyle like say haikyuu season 4 and demonslayer did.

like i think heavier shading and use of lineweight and black shading would already do a lot for the texture... more frequent use of that nose shading ryuko kui uses a lot, like here? ALSO BRO THEY GOT RID OF LAIOS' UNDERCUT like okay tbf in some of the colored manga references he doesnt have that but also how else do you interpret his hair in this panel

anyways in general just throwing in some more hatching like using it more common as an art style for texture instead of just roughed up clothes/appearance would do some wonders. also softening the palettes i feel like theyve made things too dark and idk how to explain it its like they filmed the manga through a samsung camera

disclaimer i know most of these changes would cost more money and time and effort to do. the solution to most of this would probably just be to give them a bigger budget

[mmxxviii]

i love fantasy high and i’m so invested in every choice they’re making but also. i have never been so anxious over a story in my entire life.