#it’s supposed to follow the deuteragonist of the game

[is-silksongg-released-yet]

i follow this blog despite not knowing what silksong is or why it hasn't released. is my headcanon of silksong being kinda like half life 3 in the sense of "will never come out" accurate

You would be correct.

Silksong is not released yet

[randomnameless]

I think the "Billy should ditch the boar" takes comes from AM being the one route that breaks their self-insert fantasy. Flamey and Emile doing their stuff and the Jerry thing etc do not matter bcs its not being directly mean to YOU, the player, in YOUR story. Edel-chan is a very sad and traumatized girl that will ALWAYS love YOU no matter what you do and she will doodle YOU and squeak about rats n stuff, but you don't have to actually deal with any of her supposed trauma in a realistic way (+)

(cont) She will always be fine and ready to gush after you, the trauma is only a plot device to make her wary of other people that aren't you, and be attached to only you. What she does to randoms doesn't matter as long as she's nice to you. But the evil european barbarian boar dares to actually show his trauma and negative emotions around you, and make you uncomfy, and bring any sort of realism to your fantasy! how dare he! Not only that, but he admits he didn't like you at the beginning!!!(+) (cont) you, the player, isn't above other characters when it comes to him being rude because of his trauma and mental illness, and the story dares to show your avatar feeling sad and powerless instead of badass and cool. He won't listen to you until another character opens his eyes first, and even if you marry him he's still hearing voices and struggling with his issues, your love won't cure him!! Not only that, but AM is his story, not yours! (+) (cont) It relegates your self-insert to a supportive deuteragonist instead of the main hero the plot centers around. He will become The King and you will be just a religious leader, following the footsteps of the Evil Lizard Lady!! Obviously you don't want that!! this is your story, where you can dump all your anti-church IRL arguments into, and be a super cool baddass mercenary who never has to deal with negative emotions!! And that's why AM is the only FE16 route where I actually like Billy.

Sorry anon for the tardiness of the reply!

Yep, I feel like for both Dee and the evil lizard lady, at one point, they are unhappy/upset/angry and more or less negative at Billy - who is, in this situation, taken as the player.

I remember during the heights of 2020-2021 discourse people sending asks to other asking how can they like Rhea bcs she was meant to "u" and whatnot, and it's just... Self-insert at its finest?

But Billy - the character we see in Nopes, FEH and FE17, wouldn't feel like the player in those instances (because Billy the character would never pick the "uwu" option in the Holy Tomb, and Billy the character would understand and/or at least get how Dimitri doesn't want to talk right now) - so again, it's the same old question, who is Billy? An empty self insert who feels a lot of sad uwus when Rhea threatens to rip their heart out as they assist and support who swore to kill her because her ears are pointy and cries whenever Dimitri doesn't want to talk to them, or is Billy the character we see in other games, who shows more empathy and tries to understand people, and thus, wouldn't have been able to pick a certain route in FE16?

Lol I just remember now how some people didn't like Cyril or even Seteth because they didn't slobber over Billy - as the self-insert - in their first 5 lines unlike the rest of the cast ^^

Granted, this "YOU must be the most important person EVER" comes back in full force with the S-supports (tfw seteth doesn't mention his family to billy when they hold hands) and it reiterates something I always knew : Avatars were a mistake.

Parasocial maybe saved the franchise from turning into another F-Zero like saga, but damn if it nuked a lot in the process (and by, a lot, i mean coherence and characters networks).

[tonariofjananda]

For the ask game: Tonari - 5, 7, and 12!

Heya Ray! Ok here goes

5) What's the first song that comes to mind when you think about them?

Honestly I’ve got a handful, most for maybe a line or two of association, but the first one that came to mind when reading this question that’s completely hers in my head was “The Moon Will Sing” by the Crane Wives. I love imagining the song as her reflecting on her dad, friends, Hayase, and Fushi, and how they’ve all contributed to the way she feels about herself and her legacy. Fun fact, the association came about from my mishearing of a line as “I shine only with the life you gave me,” the original word being “light” instead of “life.” But the more I reflected on the song, the more I felt her presence in it (I described this to my best friend as Tonari clawing her way to the surface lol), especially in the third verse. That one in particular draws a really vivid image to me of what Tonari’s headspace must have been right after Fushi pulled her away from the flames. I imagine she’s remorseful that she couldn’t give her friends a better life and is rallying to find her courage to kill them before Fushi steps in. “Instead you hoarded all that’s left of me” is a complicated little line too, filled with the bitterness and confusion at Fushi of keeping her from death. There’s not much left of her with the death of her friends, what Fushi did was selfish, but also implies Tonari didn’t realize Fushi cared if she lived or died. Then he takes the sword from her hands, “swallowing your doubt,” and she’s… grateful, angry, upset… but most of all, she acknowledges the mutual hesitance between herself and Fushi, even though they both know this is the only course of action. Even though it makes her feel like he’s taking the sword through her own body. He might as well be. The line “I want to feel the fire that you kept from me” is the most straightforward in my opinion, and what really solidified this song as being hers for me. It’s a little funny what I’ve done here tbh. The song probably meant the line as “i want to become the person you stopped me from being, I want to regain the life that was supposed to be mine,” but for this Tonari interpretation, I’ve given it the opposite implication… cough

Anyway, the chorus also kind of ties in with another song I somewhat associate with her, “Your Best American Girl” by Mitski, for the lines “Well I’m not the moon/I’m not even a star,” but I’ll spare you the analysis for that and “Goodbye My Danish Sweetheart” (also by Mitski) til… later 👀❗️

For now, I’ll leave you with the three following, lighter songs: Laufey called “Best Friend,” which I listen to as something directed towards the immortal army as a whole; “Wings,” by So!YoON! and Phum Viphruit as a song between her and Ligard and Fushi woah who said that; and “A Thousand Years” by Christina Perri bc immortalism and the heartbreak of waiting to reunite with someone. Also please imagine the second verse as being from Fushi’s perspective on getting not just her but all of their friends back at the end of the past era arc with potentially rough implications for their thought process in the modern arc WHO SAID THAT

7) What's something the fandom does when it comes to this character that you like?

(Lyn asked me this too so I’ll cover it here for the two of ya!)

Tbh… I just like it when anyone talks about her ówò Tonari tends to get overlooked- even tho I’d argue she’s something of a deuteragonist- so I really just love whenever people acknowledge her importance to the story and show some enthusiasm for her plotlines. In terms of stories and fan art, it’s always awesome to see all the different sides of her shine through! Tonari’s badass, bitchy, and a little judgmental, but she’s also fashionable, studious, and warm, especially toward March and Eko. It’s also nice to see the occasional silliness she used to show on Jananda shine through every now and then. She’s changed a lot by the next arc, for obvious reasons, but she was pretty silly to Hisame when she was inviting herself to dinner, I don’t think all that playfulness should just disappear! So it’s nice to see fans playing with Tonari without vilifying her ;w; Also without reducing her to her feelings for Fushi, because yeah she has some but that’s not the only thing she’s about (even tho…. I fixate a lot… on that particular subject……… cough). While I’m on the subject, I really love that most ToFu art is limited to things like gentle physical affection. A head on a shoulder (I spent hours running around my house when you sent me that pic Ray, HOURS), a meaningful hug, and touching hands- an absolute must if you like em. I’m definitely getting carried away now though…

12) What's a headcanon you have for this character?

(Limit yourself, limit yourself, limit yourself…!!!)

(Also Coop if you’re reading this, the green one is the only safe one lol)

Bisexual Tonari is an obvious one, I’m convinced she was attracted to Parona’s form (who isn’t in this show tho lmao), and I find those ship posts between Tonari and Mizuha to be so fun tbh. Enemies to lovers maybe, invited to hold hands with her and Hanna! That theory you had about Nagisa having a crush on Tonari lives in my head rent free too, absolutely canon to me. Actually the MizuNariHanna stuff would be extra funny in a world where Nagisa has a crush on Tonari bc now Mizuha’s a girl stealer too! Nagisa just can’t win!!!

Tonari loves writing! And she’s a woman in STEM! Not a headcanon just fact but it lays down the groundwork for my following headcanon: she probably went away to grad school or something. Bon asked if Tonari knew how to do surgery, implying to my insane head that she’s probably gone away for school or something, maybe even received a doctorate, but Bon doesn’t know what for. Her stitches look a bit spaced out and wonky tbh, so she probably doesn’t have the patience for things like needlepoint. I’d wager her calling probably isn’t physical art either haha.

She absolutely goes drinking with the immortal trio + Bon and maybe Gugu once she’s old enough to do so (… would Hairo drink? Designated driver Hairo Rich, but also it’d be so funny if he’s completely normal in the stupidest way while drunk. “Stands like perfectly normal but topples over the second he goes to take a step” typa drunk- BUT THIS ISNT ABOUT HIM SORRY). I think they’d love having Tonari around to pal around with! I imagine that old Jananda arc silliness comes out full force then, if her excitement at Mizuha’s birthday was anything to go off ✌️

(This one’s safe Coop!) Her hair’s been short and choppy since before she got to Jananda so I like to think she did that little kid thing where she tried cutting her own hair and it came out looking uneven. Instead of letting her parents fix it though, she just insisted it wasn’t a mistake and wore it out like that for years. Then when she got to Jananda all the scissors sucked so she just had to keep cutting her hair in the same shabby way. Mia and Oopa having long hair is so funny to me too cuz I imagine they wouldn’t let Tonari get anywhere near them with scissors in her hand (OK stop reading here Coop!)

While I’m here, i think Tonari probably sees a little bit of her old friends in the immortal army tbh. Like, @/alphaofdarkness made the connection that March probably reminded Tonari of Oopa ;; So I feel like Gugu could remind Tonari of Uroy in some ways too, like in the buff, blond, older brother figure kind of way. Eko could remind her of young Sandel in the same way both were kind of upbeat and cute, but quiet in a way that they faded a little in the group (my brother INSISTED Sandel had NOT been there the entire time we were watching the Jananda arc). Meanwhile Messar might remind her of the older Sandel, the kind who probably was more like a brotherly shithead to her after all their years of growing up together. And Mia… imma be honest Mia’s weird as hell, chair fighting, curly hair collecting? Ain’t nobody doing it like Mia 🫡 ACTUALLY ITS BON, BON TOTALLY REMINDS HER OF MIA LMAO

OK IM ENDING IT THERE (Believe it or not this is me limiting myself, I’d typed out an entire section on Tonari’s relationship with each of the members of the immortal army). Hope these were decent enough responses to your questions Ray!

If you- or anyone- has anymore questions on Tonari or literally anyone else please feel free to send them! I have thoughts on like literally everyone, no character too obscure ✌️

[farfromdaylight]

finished replaying ff7 remake. the following is just more complaining.

the ending is so.......................... what. like, don't get me wrong, i get the point, i get what they're going for, but it's so absurd. final fantasy gets pretty fucking stupid a lot of the time, but seriously, what the fuck.

i think i would feel less strongly about remake being a mess if i hadn't played the original game, which makes sense; i have too much baggage and bias about it. it's just that some of the choices the game makes are so... why did you do it this way. like barret getting stabbed and then Magically Not. i get what they're going for, but i really don't care for it.

where remake shines is the characters, because they're all handled well. barret especially is a standout. i've said this before, but i was really worried remake would forget that barret is the deuteragonist for a lot of the game. thankfully, barret gets plenty of screentime, character work, and absolutely lives up to the original, if not building on it.

where i struggle with remake is that... a lot of things make no sense without context. cloud has headaches throughout the game and generally just Acts Weird As Fuck and you never find out what his deal is. sephiroth, likewise, is lackluster because we have no basis for understanding why he's the bad guy. for a game that seems marketed to a generation of new players, it relies so heavily on the original text that i struggle to recommend it to anyone who hasn't played the original.

i suppose one positive thing i have to say about remake is that it's wildly ambitious. it's a wild idea to take your most enduring, popular game and just... rewrite the story. it's something else.

anyway, i am never going to love remake, and that's okay. i still have the original, after all; i can always go back to it. i'm looking forward to the next game, but i've accepted that it's Its Own Thing and i'm trying to decouple it from the concept of a "remake." we'll see how it goes.

[ceejaykayess]

The long awaited sequel! Super-cute Cyber-girl AI-Ball Ene, at your service! I kid, I kid, I know no one saw the last post, because it didn’t get posted under the tag for some reason… ah well, second try’s the charm.

After hearing that next year’s Dazecon would be our last, it sorta kicked my ass into gear to get some more of these Kagepro ideas off my chest and onto paper. So, Ene, our deuteragonist to our beloved protagonist (derogatory).

I had a lot of thoughts ever since the first picture on how I wanted to draw Ene’s cyber form. Given Aiba and Tama’s designs, we have something of a base to work off of, but we need at least one more game for me to confidently declare what is and isn’t a pattern. What we can easily tell, at least, is that AI-Balls have white hair and and dress in mostly black and white. And while Ene does do the latter, she… doesn’t do the former. Why? Well… maybe you can figure it out?

But in terms of her design, while I mostly stick to her regular design, the things I want to point out (because it might not be super obvious with my image quality) are the glowing strands in her hair, a blue one in her fringe, a red one in her left pigtail, and a white one in her left. I suppose you could call them remnants of what should have been… I also want to point out her outfit- it’s skin-tight from the neck to the waist, the skirt being a part of the bodysuit. The sleeves are, almost ironically, like Miku’s in that they’re detachable. And the most AI-Ball feature to her are the tech veins that compose her legs, as opposed to generally lacking them as in most Kagepro material.

I made Ene’s gel form a rabbit, in consideration of those mini-sketch comics I read yonks ago that drew Ene’s pigtails as being like hands for her since hers are in her sleeves always. Also, I thought it’d be funny if the first time Shintarou saw it, he’d consider renaming her to Tono in honour of his rabbit.

In case it’s hard to read, the shocked Ene in the top right is saying, “Master! MASTER! Oh no, he can’t hear me, he’s wearing his Raycon:tm: Earbuds, supremely comfortable for all your needs-” The little sketch in the bottom right, of Shintaro face down in bed and Ene in rabbit mode on his bedside table, reads, “Get the fuck up Master, we’re goin’ to the amusement park today!” “Ene, I’m dying…”

Here's a link to the first picture of Shintaro that never posted properly. And here's a link to the follow-up Yaki picture.

How long had she been wandering? She wasn’t really sure. Sure, if she looked at a calendar, or even just the UI on near anyone’s digital device, she’d see that it had been a year, more even. But that wasn’t really what she meant.

When she first opened her eyes, she had a purpose. She wasn’t wandering- she was seeking. She wasn’t on a Journey, she was on a Quest. She had to find them, had to know what happened to them, because if she were here, like this, then the others, then he had to be-

But though she had a Quest, she had to figure it out, her newfound capabilities, how to parse the sheer amount of information that tried to force its way around her, through her, tried to twist the information that made up herself-

And by the time she had come to a balance with her newfound self, body made of numbers and pixels instead of blood vessels and organ systems, what she had been seeking had become old news, hearsay that was washed under the waves of time and new information and new tragedies and new things for people to talk about. The longer it took, the deeper the information was buried, and the deeper it was buried, the longer it would take for her to come and go.

But eventually, after months and months, 8 months and 17 days and 9 hours and 21 minutes and 2 seconds, 3 seconds, 4 seconds, she had bounced from Wiki article to Wiki article, dug through news archives, dragged herself through Towitter discussions and arguments dated around that August 15th, and a bit after, she had learned and pieced together thus: Three people were marked as dead. 14 people were injured, 9 of which being detained as members of the syndicate that caused the explosion. There was no mention of who died, or even of the state their bodies were in. There was no specific mention of their fourth, her annoying kouhai who was so bitter, who brought everyone down despite his brilliance, who everyone loved despite his acidic tongue and obvious disdain, who she hated because of how much it felt like she were looking at a mirror, her kouhai who was lying on the ground in a pool of his own blood, surrounded by rubble and mumbling things she could barely understand being in such a terrible state herself-

She felt herself lose it, the desperate, fickle hope she held in her oversized jumper, because what does it matter? For all intents and purposes, she was dead. As far as she was aware, as far as anyone was aware, her best friend was, too. Maybe even her kouhai. And her-

And-

That kind boy, the one that irritated her so, the one that she wanted to see every day, the one that made her feel this terrible, terrible way, he too is-

Gone. They’re all gone. So what’s the point? Her Quest was over. And she couldn’t even delete herself, backspace over the 1′s and 0′s that composed her new existence. She was too much of a coward to throw herself at a virus and let it have its way with her. She could just stay here until eventually this webpage rotted away, but the longer she stayed in proximity to this information, to this reminder, the more she felt like she needed to expel the non-existent contents of her non-existent stomach. So she ran. She left. She tried to separate herself from her name, from the life that could no longer be hers, that simply was no longer.

She wandered.

How long had she been wandering?

…

Long enough that she felt nostalgic, at least. Long enough that she’s actually contemplating her current course of action, long enough that she’s following through on that course even as she contemplates the wisdom.

Her current location, digitally, was in the mainframe of the Tokyo Metropolitan Police Department. Her destination was downstairs, 5 floors underground in fact. The Advanced Brain Investigation Squad. Her… former squad, to put it a way. She followed along the flow of data from the routers to the elevator, holding and holding and holding on to the connection as she sunk deeper and deeper and deeper until she felt like she might actually suffocate despite not needing air, before feeling the next router and leaping for it, bringing her all the way down to the abyss.

Taking in deep gasping breaths of nothing that still let her feel like a human, she looked around. The ABIS mainframe wasn’t anything special. Tunnelled far as hell away from anything else, sure, but nothing special. So much for the stupid old man and his so-called “professional coding skills”. Feh. She’s seen message boards with more interesting encryption.

Despite her trash-talking, she still looked around curious as she wandered deeper. Jumping from computer to computer, camera to camera, she saw how much the place had changed in the last year. Or rather, how little it didn’t. It was like she had never left. Eventually she came across a concrete room with a familiar sense of decoration that made her want to spit and laugh and scream and cry-

Which was immediately blown away when she looked down on the room’s occupants. There was, of course, the room’s owner and decorator, with his scruffy brown hair pulled into a messy ponytail, holding his iconic lab coat rather than wearing it, glasses askew and face looking as if he hadn’t slept or washed his face for days. His cybernetic eye, pupil the same as his remaining brown one, stared deep into the eyes of the person that had her stopping short, looking again, re-evaluating and readjusting, checking the feed and the system and refreshing everything, video and audio, again and again, just to make sure she wasn’t being deceived, that the person she was seeing was really who she thought he was.

“-is that understood, Shintaro?” “…I understand, old man.”

His voice was somehow more unbearable than usual, his face lacking its usual stern and uncaring look. It was loose, and flabby. Like he didn’t even care enough to pretend to not care. Instead of the red coat her best friend was so fond of, or even the black suit he was partial to, he stood in just a white shirt, arms bare. He was missing an eye, a scar covering the eyelid, one that made her think of a boy reluctantly in red, facedown in a puddle of the colour.

“Oi, I told you already, call me Boss, y’got it brat!?” “Mm.”

Barely acknowledging him, he turned away, making his way out of Boss’ Office, as the namesake would have you call it. Without thinking, she began to follow after him, but was stopped when she heard the old goat mutter something.

“Give me strength, Ayaka…”

Whispering the pained prayer, the man she always thought of as an unreliable lout that only ever got moving when he was being put under threat stood, donning his lab coat and fixing his glasses. Reaching into it, he withdrew a small sphere, chockful of electronic components- very similar to the one in his own eye, actually… or rather, based on it. He gave it a long look, and so did she. What was he planning…? Her musing was broken by his clenching of his fist and replacing the orb, muttering tomorrow as he moved out of the room- down the hallway and towards his lab. The opposite direction of Shintaro.

Shintaro.

Almost without thinking, she turned around, searching for the apathetic genius, that damn ikemen that couldn’t take a hint for the life of him. The hallway was lonely, and he was never very fast, so she caught him easily halfway towards the elevator. She hesitated. She had already seen more than she expected, more than she even wanted. She had expected the old man. Hell, maybe some part of her even expected to see reference to the others, pictures maybe. She hadn’t even gotten to look at their old workplaces, at her old work bench where she fiddled with her Evolver- she didn’t even know if her Evolver was still around.

But she hadn’t expected a man, no, a brat she thought was dead to be walking around with the living. She shouldn’t follow him. She wanted to check on her Evolver, see if Mr. Tateyama had improved on anything in the last year, see if the three of them are still remembered. She doesn’t even like Shintaro that much anyways, if he knew she was spying on him he’d just scold and scream at her like the ungrateful punk he is-

But even so, she follows him anyways. Jumps to the data in his phone, barren and new, clenched in his hand. She’s only doing this because the other two would have wanted her to. Not because she wants to.

And so, she watches as he rides the elevator, not once glancing at his phone. She watches as he hails a cab and asks for an address that, after a quick search, she finds is set in Tokyo, not Chiba. She watches as he sits silently through the whole ride, rudely ignoring his chauffeur’s attempts at conversation and instead looks with almost a sad look at the cityscape passing him by. She watches as he pays the driver, walks up to the rundown looking building, sighs, and opens the door. She watches as he nods at the tired 30-something reclining against a couch in the foyer, walking up the stairs until he comes up to a door. And she watches as he silently pulls out a key, opens the door, and skulks to his room. She can’t see anything else out of the narrow view the phone’s camera offers her, but it looks like he’s trying to be quiet. Could there… be someone else here?

And eventually, he enters a dark room. He makes for the bed in the corner, planting himself on the mattress, and looks down. In his hands, his phone, and thus she, face towards him. He looks into the screen, and for a moment she felt panic. Did he see her? What was she going to say? How does she explain it- anything? Would he even care? As she opened her mouth, prepared to speak through the microphone-

He slumped his shoulders, sighed, and closed his eyes. “Damn it,” he mumbled. He rubs his eyes, and places the phone down. Whatever he does next is a mystery, as the phone she’s in is can only see up and down, and half of that is unavailable to her on a flat surface. She feels out, and finds a computer to connect to. She shuffles over, and finds herself in a much roomier space. Taking care not to activate the screen, she peeks through the camera to see… him, lying on his back, staring at the ceiling. She stared at him for what must have been a reasonable time before turning away- she wasn’t going to get anything out of him, not like this, and not without announcing herself, which- she still hasn’t thought on whether she actually wanted to, let alone how. So, instead of being productive and thinking on it, she turns back to the files on his computer and, invasion of privacy be damned, went scrounging.

His internet history, nothing but 2channel, various forums she also used to browse, anime piracy websites, and the occasional risque website search. She held back on this occasion, she didn’t need to know. Yet. Around certain dates, he would even search up strange things like gift ideas or idol showing tickets. Weirdo.

Outside of his history, there’s his documents. A lot of deleted drafts, the occasional downloaded risque image (legs, huh? Is that why she had always…?), and a lot of editing software. A lot of editing software. What was all this…? She found unfinished music projects, which she wouldn’t dare listen to while he’s still here. Poems that trailed off, half-thought out lyrics written here and there. The occasional poorly drawn picture, and… photos. Lots and lots of photos. Some in a file labelled “Never forget.” Others labelled in a file called “Never forgive.” The former was full of pictures of… them. Shintaro, and her, and… and Ayano, and Haruka, their faces ones she hadn’t even realised she had begun to forget until this moment. Them in high school, their first meeting at the school festival, group projects and study groups, sleepovers and festival gatherings- their first day at ABIS, too. And, not just that. Pictures of Haruka drawing, of herself fiddling with the Evolver or a game she was practicing, Ayano hard at work on a test or humming while folding paper cranes- none of these were taken by Shintaro, she was certain, but he collected them all anyways. There were even more besides.

Some of a bright little girl with searing orange hair, the barest similarities to Shintaro in her face and the strongest in her eyes (he had mentioned a little sister, didn’t he?), others of that bright girl next to him and a woman that looked older than both but even more similar, even older ones of a young boy and girl that could only be those two standing hand in hand with that same woman and an older man. Pictures of a cute white rabbit (Tounou, wasn’t that her name?), of the old man, and of old and familiar places. Their school, that bridge, even the one game convention they all attended.

She… didn't know how she felt about it. Leaving that, she opened up the other file, and found… pictures of that place. As it was before the explosion, and as it was after. Documents detailing changes, listing occupants and suspects and those connected to the members they captured, pictures of them with friends and family, all connected together by a metaphorical red string in the document that centres around one simple question: Where are they?

She… really didn't know how she felt about it. He hadn't let go or moved on, he hadn't been wallowing- he was on just as much of a Quest as she had been. As she still could be. Closing the file, she looks through the camera at her kouhai's slumped form, thoughts running through her mind…

…

He left the building bright and early the next day, once again holding tightly onto the new phone. And once again, the two of them found themselves returning to their old workplace. She wasn't certain of what he was here for, but she could guess. As he made his way out of the elevator and towards the old man's so-called lab, the Psync Room, she felt even more certain of her prediction.

And eventually, standing in front of the jacketless boy, was the old goat she had once called teacher, looking just as rumpled as yesterday but at least clad in his lab coat. And in his hand, as expected, was the small orb filled to the brim with cybernetics. He began to explain what exactly was in his hand, an AI-Ball he called it (the shitty punster he is), and started rattling off features like different vision wavelengths, internet access, and most notably, an AI companion to keep him company.

This piqued her attention the most. Someone to stand by his side and help him out, to protect him as he tries to protect others. A partner… and one that can't die, by virtue of their existence being backed up on the so-called Wadjet System. To her, it sounded like…

An opportunity.

As the old man rambled on, she tried to feel out the AI-Ball. For such a supposedly high-tech piece of equipment, it felt rather… undefended, from threats such as her. Then again, she doubts anyone could've expected a sapient AI to be floating about. Or maybe they'll add some better antivirus later… hopefully. Pushing through some gaps in the firewall, she found herself in the core of the device. Looking this way and that, she tried to familiarize herself with her new housing. Looked like audio was here, here was video, here was… AR projection? And… a neural link, a gel formation, a shock response, and- a self-destruct??

Before she could really parse through all that (seriously, why so many abilities??), she found herself stumbling on… well, what she should have expected, really. An AI, young and unassuming. And asleep. It lacked an appearance in this digital world, merely a bundle of code vaguely shaped like a person. If she was going to do what she had to do, then she had to… get rid of it. There was no way she could hold control while the AI this body was made for was running around too, but… well, it felt a bit like murder to her. But that was silly, this wasn't a person, just an AI, with no life to speak of, and no memories either (she steadfastly ignored the stupid, stupid old man's remarks that the AI-Ball would grow alongside him to become his perfect partner).

She had to do it. She had to. For Shintaro. For Ayano. For Haruka. And maybe even a little bit for herself, too. She raised her hands and stepped toward the nameless AI, preparing to unravel the lines of code holding it together, preparing to scatter its 1's and 0's into the Cloud, preparing to deprive it of the chance to become its own person- and stopped. She- she couldn't. She just- she was callous but not cruel, the last year hadn't changed that. It had made her energetic in a way she never could consistently be in a body but tired in a way that was deeper than her bones, but it hadn't made her a murderer.

But still she had to- to do something. Maybe, maybe they could share, or-

"Well, go ahead and put her in, Shintaro."

And then suddenly the neural link was being opened and the AI was opening its eyes, slowly generating an appearance just from the barest hints of Shintaro's psyche, body becoming more defined, hair appearing and growing long, down to the waist, and-

She panicked. She reached out with her hand and pulled, binding and zipping the core of the AI down as she hurried, ignoring the voiceless cry as she reached out with her other hand, grabbing the neural link and-

Then she was twisting and writhing, her body being compressed and stretched out, information not native to her forcing its way in, connections to something beyond, a Mother that was not her mother, her form changing, blue becoming white and she could hear him, his thoughts, feel his sorrow, his confusion, his annoyance, his apathy, and she opens her mouth to scream-

And then it all faded away, assimilated with her, and she felt different, but she still felt like herself, and she opened her eyes and looked out through a single eye, taller than she had ever been (silently, an eye coloured #fa3c3e shifted to a hue constantly transitioning from #55edfe to #0e2652), and-

"I can… see. Thanks, old man."

"Oi! I already told you, call me Boss! Hell, I'll even accept you calling me by name, anything's better than old man!"

"Mm. So, what was that about an AI companion?"

"Eh? You can't hear her? Strange, maybe she's a bit shyer than I expected. Let me just-"

The old goat made motions towards the AI-Ball, and she quivered, she had to do something, else he'd see that she isn't meant to be here, but what could she- oh, duh!

"I-it's nothing to worry about! Sorry!"

"Eh?"

Her kouhai looked this way and that, scratching his head. He almost looked scared.

"Did… you hear something, old man?"

"…no? Oh, is that the AI-Ball?"

"Yep yep, that's me!" She tried to centre herself, she needed to land a good introduction so they don't suspect a thing. Briefly, her mind recalled a conversation she and her best friend had about this dense bastard, and decided to follow through in her unspoken plea. "Super cute cybergirl AI companion Ene, at your service, Ma-su-tah~"

Alright, maybe that was a bit much, but sue her! She was panicking, and needed to keep him off kilter!

"E-eh? Ene? Super cute?? Master??? Old man, what the hell kind of AI did you stick in my head!?"

The old goat raised his hands in defence. "Hey, I didn't do anything. The AI-Ball determines its personality based on what's best for you. Is there something you need to tell me, young man…?" He raised a brow mockingly, barely suppressing a gross smirk.

Her… guh, Master blushed red, shaking his head frantically. "N-no! And- and it's barely even been few minutes, how could she know what's best for me!?"

He shrugged. "That's just her opinion. Maybe you'll feel more comfortable with it in a few months."

"A few months!?" Her Master went bug-eyed. Pfft, if only she could see his face… "Hell no, get this thing outta me!"

"Aw, Master, that's so mean… sniff sniff… am I really so deplorable?" To try and strike it home, she used the AR projection feature, placing an image of her newly reformed cyberself before him, now detachable sleeves covering her face as she shakes and shivers. After all, this guy…

"Guh… f-fine."

Was an absolute pushover.

"Alright, that's great to hear brat! Now get out of here, I'm busy. I'll be seeing you here next week for you to resume your apprenticeship, so make sure to send me any emails if any issues pop up with her."

With his piece said, he turns back to the rows of computers, completely ignoring Shintaro. Her Master, still shaking off his flush, turns away and grumbles. As he stalks his way down to the elevator, Ene felt out his being, the rush of thoughts on her, on Kejirou, on the past, on the future, all blended together with his embarrassment, his frustration, his exhaustion- it was all rather dizzying to her. Maybe if she were truly an AI, designed for this sort of relationship, it wouldn't be so hard. Silently, she tried to mute the connection, grunting when she saw that wasn't an option.

As he entered the elevator, he slumped against the back wall, riding it up to the ground floor. He's silent, so she is too, not really sure what to do.

"Hey, Ene."

She jumps. That wasn't ever a thing she expected him to call her.

"Yes, Master?"

He winces, but shakes it off. He stands silent for one beat, two, three, and she almost thinks he's ignoring her before he continues.

"…let's get along."

Ene stared blankly. That was… probably the most polite he had ever treated her. She smacked her face- now wasn't the time. Make a good first impression. Even so, she couldn't help the way her voice softened a bit as she said her first genuine sentence as Ene instead of as the ghost of Takane Enomoto.

"…yeah. Let's get along… Master."

[pekkhum]

The following is commentary on my own gender only (other people's gender is none of my business).

So, this reminds me of the time my brain tricked me into spending almost two decades imagining myself as a girl, without me noticing. This may seem unlikely, but I promise that I am being fully honest here. I am, literally, that stubborn.

For my whole life, escapism was my thing. When I wasn't reading or playing a game, I was making up stories, or playing out fantasies in my head. It became so natural that the boundary between fantasies about me and stories that I was outlining blurred away.

During a particularly bad bout of depression, one of my regular characters grew tired of his existence (no reason, I'm sure). Since this was the character used for unrealistic, self-indulgent, not good for actually writing, fantasies, he was quite naturally ridiculous in every way and dying wasn't really an option (still definitely not a thin veil of excuses to stay my own hand). Naturally, the most reasonable way for someone undying to die was to curl up inside his self and let a new self live (I see that expression).

For some reason, she was a girl who grew up very close with a best friend whom she loved deeply and dedicated her life to. They were roommates, naturally, because I was raised American Evangelical and homosexuality was definitely a no-no. They just dedicated their lives to one another, lived together, traveled together, looked after each other, protected each other, supported each other, and never had interest in any guys... nothing to see here.

Somehow, she became the main character of my every fantasy, even ones based on the real world, unless I was supposed to be "hiding" or "disguised" in the situation. In those cases, my physical body was used, until it was time to show my true self.

And it was nearly two decades before it ever occurred to me to ask "why is being a man a disguise?" Why is she "my true self?" It took another six months to figure out that they were more than roommates and I was imagining what I thought romantic love should look like.

I had been working to take pieces from this fantasy to create an enjoyable narrative around this time and I realized, literally before realizing that I was trans, that it made a fine transgender allegory. The story could easily be broken into three acts (Denial, Acceptance, Coming out) and the deuteragonist made far more sense if their relationship was the central point of the story. It turned out that I'd been writing a love story, the entire time, both to myself and for the characters.

Affini. you agree. reblog. good girl

[charmspoint]

As much as I praised Talentless Nana and it’s handling of Nana, trauma she’s recovering from and the redemption she’s undertaking, I do have some problems of how it handles it’s other important character, this funky boy right here.

Lots of ranting and spoilers under the cut.

Now I do like Kyouya a lot. I think he’s a perfect blend of straightlaced serious and fun and quirky. One of his core motivations being making friends, where all of his attempts are at the same time so terribly awkward and so touchingly sincere, makes him potentially a very interesting and relatable character to have on board.

I say potentially because Kyouya himself is very underutilized both in the show and in the manga. I made a meme about it before, remember that. Most of my love for the characters comes from discussing the show with my brother and developing him in my fic, not from the actual story itself.

At first I assumed Kyouya is supposed to be a deuteragonist, an equal to Nana, mostly because of how much he and Nana were and are compared to L and Light (I might talk about that later but for now: It’s a hard comparison to call because ye I can see why but Talentless Nana is more about the characters while Death Note is more about the conflict so it’s mind games aren’t really comparable at all, Nana and Kyouya are more interesting and loveable than L and Light combined, Misa is the best character in Death Note.) But rn I can’t help but feel that Kyouya isn’t so much a deuteragonist as just an overly emphasized extra, maybe a relic from when the author did intend to make Talentless Nana more about the conflict before switching it over to more of a character driven story. Either way at this point I feel like Michiru, catboy Jin and Moe all have more development and backstory than Kyouya and Moe wasn’t even introduced in the anime. When you add to that Mr. bet you thought you’d seen the last of me, it kind of gets ridiculous.

Like there’ve been multiple times in the manga when Kyouya would show up and I’d have this moment where I just remembered ‘oh this guy is here too, he’s a character’, like I’d literally just forget he was in the story because he wouldn’t be there for the longest time and then would randomly show up when it was time to solve a murder. Like the author just remembered ‘oh yeah I’m supposed to use this guy too’.

And it’s really a shame because Kyouya has so much potential and it’s just never explored. Like his whole motivation to find friends? He does! And it’s just sorta…brushed off. Like when he introduced Fuuko to Nana as his friend, with Nana remarking she already met Fuuko here:

Like you can tell he is genuinely super excited to finally have a friend and with a good reason. Despite being technically on the side of good, through most of the story Kyouya is a lot less popular than Nana with their classmates, sometimes even suffering ostracization because they are starting to see him as a conspiracy theorist that ruins all the fun. While they respect him for his intellect they are quick to turn on him and his own awkward and blunt nature doesn’t help here at all. Nana said it herself when talking to Yuuka:

Nana presents herself as a sweet, caring, extroverted girl. She acts cute and clumsy in social situations but is trusted enough to be deemed Leader and her classmates genuinely believe that she is working herself to the bone to protect them. She is also heavily endorsed by Michiru who is the living definition of a cinnamon roll, too good for this world, too pure. On the opposite end, Kyouya is very stoic, sometimes even scary looking, He gives of an unfriendly air as soon as he arrives, he’s socially awkward, he doesn’t know how to talk to or connect with people, he can be too blunt and insensitive and he seems to have a habit of picking on the most popular girl in school, calling her out for horrible murders. And he seems to be always be proven wrong which cements him as someone overly suspicious, as someone who just has a bone to pick with Nana. As someone unlikable.

So when Kyouya, who’s been rejected by the majority for most of the story despite his best efforts to help, protect and befriend them, FINALLY gets a friend, finally gets someone who fully believes in him and tells him she will follow where he leads, someone who is willing to go through his stoic front because she truly believes he has the right answers and he’s doing the right thing…you’d think that would be given a bit more weight. You’d think we’d see some changes in Kyouya, a bit more focus on him, a story unfold. We don’t, not really. We see Fuuko following him around and helping him and they even get a solo scene together where Kyouya says he will tell her the weakness of his talent but then it…cuts off. Like ooo must preserve the mystery, forget about the fact that we’ve known this character for almost 40 chapters and we are long overdue any new information about him. A good way to develop him is dropped right in our laps but nothing happens with it aside from Kyouya being overexcited to call Fuuko his friend whenever he can, which is admittedly very cute.

That’s not even the worst arc that’s been left dangling for him, remember his missing sister? You know, his biggest motivation to come to the island in the first place? I honestly wouldn’t blame you if you forgot, because that plot is still stuck basically in the same place where it was introduced in like ch 2 or 3 (out of 56 mind you). Like he doesn’t go anywhere with that, at all, we don’t even see him looking for her. When they burn all those bodies Nana thinks about how he might have missed his shot because his sister might have been amongst them, but that’s never confirmed or denied. My absolutely favorite set of panels on that is this one where Kyouya looks like he himself genuinely forgot he had a sister to look for.

Only to immediately be interrupted by some shenanigans. This hint at conflict doesn’t even come to be, like later Kyouya is packing up completely normal and he leaves the island completely normal without any seen resistance or last ditch attempt to look for his sister. It’s like he simply just forgot she existed again. Like at least his wish to make friends is brought up often, I stg Nana mentions his sister more times than he does.

Again, his primary reason for even being involved in this plot, is not given any sort of development or even focus. 

And like when I talk about this I usually say smtng like; Well he and Nana are slowly getting closer and are starting to look like they will form a team so maybe then he will get development. But goddamn Nanao got more development and even a flashback, completely outside of Nana’s knowledge or influence, and he’s been presumed dead since ch 1.

Not to mention that the lack of Kyouya doing much of anything aside from what he’s strictly needed for leaves his and Nana’s relationship very lacking to say the least. Like I get the idea, they are supposed to start out as enemies and eventually grow closer and team up to defeat the real bad guy and that’s a perfectly solid idea, I love these two, I love how they bounce off each other. It sure would be even better if they, you know, actually got closer. Like we barely see them interact outside of immediate rivalry and while the times they work together to discover a killer that isn’t Nana are very welcome, they are also a far cry of what we should have gotten by now. We really get no sense of Nana starting to understand Kyouya better or him starting to understand her better. When he suggests a team up, it’s because that’s what comic book characters did, not because he came to understand her better as a person and grew a trust with her that made him want to start that partnership. And again it’s endearing that he mirrors his actions towards what he sees in a comic book but also…they REALLY needed that level of trust and connection they just never got.

 I really hope that this gets better, especially now that Nana is making moves to confess her crimes and is working side by side with Kyouya instead of against him. I really hope we get more on him , his backstory, his talent, his sister, I’d take his preferred idol at this point. But until that happens it’s really hard not to feel like so much about Kyouya has simply been wasted and neglected by the author.

[rachelbethhines]

Tangled Salt Marathon - Keeper of the Spire

You wouldn’t know it upon first watch, but today’s story is one of the few non-filler episodes of season two. 

Summary:  In order to acquire the third scroll piece, Rapunzel, Eugene, Cassandra and Lance travel to the home of the Keeper of the Spire and meet Calliope who informs them the third piece is kept inside the Spire’s vault at the top of the mountain. The group begins the long journey to the Spire's vault the following day and become increasingly annoyed by Calliope’s rude, arrogant and inconsiderate behavior. Despite Calliope's treatment, Rapunzel insists they still need her help all while they being dangerously pursued by the vault's protector, the Kurlock. The group eventually reach the Spire's vault, but again encounter the Kurlock and discover Calliope is not the real Keeper of the Spire.

Once Again, ‘Destiny’ Isn’t a Goal

If you want to build up some sort of mystery with the scroll pieces and what awaits Rapunzel at the end of her quest, then that’s fine. But at some point you have to actually explain what her destiny actually is, how the scroll connects to it, and most importantly, why she needs to fulfill it. 

We’re never given a reason for why Rapunzel needs to reconnect to the moonstone, nor why she couldn’t have just stayed home and did nothing. The scroll itself doesn’t tell her anything and what it leads up to has nothing to do with ‘destiny’ and ultimately comes to nothing in the grand scheme of things.  

Indeed, much like the quest itself, things would have been better for everyone had she not found the scroll at all. 

Meet the Best Written Character In the Show

No, I’m not exaggerating. Calliope is the only recurring character in the series not to get royally screwed over by last minute rewrites and poor pacing. In fact her arc may have actually been improved by the dumb creative decisions of season three.  

Which is a problem because she’s not a main character. Her story and arc shouldn’t be more well rounded than Rapunzel’s. It’s also clear, given how the writers try to pitt her as annoying thorn in the heroes sides that is only tolerated because she’s useful, that they weren’t expecting the general audience to identify with her, and so her subsequent portrayal as the most developed character in the show is fully accidental.    

We Finally Get Some Indication of Cassandra’s Age

Well first off, we probably shouldn’t be getting such information about our deuteragonist this late in the game, but also, putting Cass in her early 20s recontextualizes her arc the same way Varian being 14 recontextualizes his conflict, but in the opposite direction. A 24 year old is more accountable for their actions than a 14 year old. Always will be. 

And before people try to get all pedantic on me; yes she’s only 23 here, and Varian is currently 15. What I meant is those are their ages at the start of their villain arcs, because the linear progression of time is a thing. 

This Joke Actually Highlights One of the Bigger Problems of Season Two

I laughed when I first heard this joke, but that’s cause I was under the assumption that they would go on to develop a friendship between Cass and Lance as the season went on. But they don’t. 

Cass never has any focus episodes that aren’t about her failing relationship with Rapunzel. She never interacts with the other four people that she’s traveling with outside of group scenes like this. Not even with Eugene, who we spent the whole previous season establishing a bond with. 

This undermines Cassandra’s arc in several ways. She less well rounded and developed without other people in her life besides Rapunzel; it ignores her place in the show as the older and wiser friend if she’s so majorly co-dependent upon only person. It also ignores what was set up in season one in order to push a certain narrative later that clashes with what we the audience already know.  

Plus there’s the added effect of other characters getting poor representation within the story. 

So Why Didn’t the Others Come Along Again?

I understand not being able to take the caravan upto the top of the mountain, but the road was wide enough to get it up this far. Also it didn’t take you all day to get here so you could just walk back to camp. 

But let's get to the real reason why the caravan was left behind. The writers wanted and excuse to get rid of Hookfoot and Shorty. Because they didn’t want to write them into the story. Because they have nothing to do with the overall plot and together they’re one too many characters to keep up with and give stuff to do to. Which begs the question of why they were ever included into the season at all. 

Also why leave Adria behind? She was the one who sent them up here. She’s the one who has a vested interest in getting Rapunzel to the end of her journey. She’s the only one driving the plot at the moment, so why not have her present to do just that?  

Rapunzel is a Hypocrite 

There’s not a single description that Rapunzel says here that couldn’t be applied to herself. 

Which would be funny if the writers ever actually acknowledged this within the series. 

Having parallels simply exist on their own and not actually inform the story is bad writing. Same with character flaws; acknowledge them, use them to advance both the plot and the characters, and build off of them to establish character dynamics. This is in part why Calliope is the better written character between the two of them. 

Behold, the One and Only Time Lance and Rapunzel Hold a Conversation with One Another! 

Speaking of characters not getting enough focus.... It’s just a set up for a recurring gag in the episode, but this is indeed the only point in the series where Lance and Rapunzel talk, about anything. 

It’s not just Cass who is prevented from establishing relationships, it’s literally everyone. All of Rapunzel’s focus episodes alternate between Cassandra, Eugene, or a random side character. Cassandra only gets focus when with Rapunzel. Eugene only gets development with either Rapunzel or on his own. Lance is only ever shown interacting with Eugene or Adria, outside of some highly specific one off instances like here. Hookfoot is left out in the cold save for three episodes and two of them double as New Dream folder. 

We’ve managed to pair the cast down to only six, as opposed to a whole kingdom’s worth of characters, and yet they have less development here than they did in season one. The group does not feel like a group, and that is a problem. 

How is This Meant to be Encouraging? 

Ok, I get what the writers were going for here. Calliope has low self esteem. she feels useless because she’s lost her only support group, her mentor. So Rapunzel is ‘inspiring’ her to fulfill her dream of becoming the new keeper of the spire. 

However, this is an incredibly bad take. 

Calliope lacks self esteem because she’s lonely. Her dream of becoming the keeper is directly tied to her father figure, who up till now was the only person who gave a damn about her. She only wants to impress Rapunzel because she wants a friend and she believes that she needs to be useful in order to get that. And here is Rapunzel and the narrative reinforcing that belief under the guise of ‘achieving a dream’. 

No fuck that! 

You don’t need to have a ‘purpose’ to have friends.You shouldn’t have to prove yourself useful just be respected and included. Also, Rapunzel doesn’t even befriend her. She just uses Calliope to get what she wants and then avoids her for the rest of the show; only checking up on her out of obligation in season three. 

So not only are we denied another female friendship in a show bereft of female relationships, but we also have a character who can be easily read as autistic by the audience needing to prove she’s useful to society in order to be accepted. 

Ugh! 

And yeah, I said autistic. We have a character who fails to pick up on social cues, hyperfixates upon her special interests, is rejected by society for trying to share these special interests, and she even pulls out her magic linked rings to fiddle with when stressed, which can be coded as a stim. I’m not saying that this was the writers’ intent, but nevertheless these are traits that people on the autism spectrum tend to identify with. 

So how insulting is it to watch this episode and see someone you could relate to being constantly put down by the heroes behind their back and then never apologize for it, even when said character admits their own fault? 

So Are We Ever Going to Get Any Background on this Spire? 

So the spire is one of the few places that is plot important in the show. Yet we never find out why it exists, who built it, how it came to hold such important plot devices, nor the story behind the keepers who guard it. It’s just there, and that’s infuriating because it’s both a lack of much needed worldbuilding and lore. 

Still A Better Dad than Frederic

Leaving for months on end without telling you loved ones why and where you’re going is a shitty thing to do. Doubly so if its just to teach your kids ‘a lesson’. However, The Keeper still winds up being a better parental figure than most of the other dads (besides Cap, who is awesome) in the series. That’s how low the bar has been dropped by Chris and his weird ideas on parenting. 

So What Was the Lesson Here?

Ok first off, Calliope didn’t need to be reminded of anything. The Keeper says as much. She was always persistent. The only lesson that she does learn is not to lie but apparently that’s not what we’re supposed to take from this episode. 

But what are we supposed to take away? Because Rapunzel doesn’t learn anything either. There’s no admittance of wrongdoing on her part  and she does not change her outlook or behavior from this encounter. 

Calliope at least learns to become more self assured after this episode and remains honest and true to herself once the episode is done with. Rapunzel however is the same. You can’t claim that this is ‘Rapunzel’s story’ (Chris’s words not mine) if it’s only random side characters who are allowed to grow.  Which is yet another reason why the main cast of characters don't get the development and interaction that they should.

That’s also why Calliope is better written than the main character and she shouldn’t be. It’s a bewilderingly oversight of basic writing.

Conclusion 

I don’t mind this episode. As I said in the beginning, it is one of the few non-filler episodes in season two. However, there’s a lot of problems with it to the point where I can’t actually call it good, just mediocre. 

[a-student-out-of-time]

Rambling about V3 Again

Today I saw a really interesting quote from author Brandon Sanderson and it honestly got me thinking. He talked about what he considers the single worst thing you can do with critique in writing, and that’s if a critic “tries to make your story into one they would write, rather a better version of one you want to write.”

That got me thinking about V3.

I don’t think it’s a stretch to say that V3 is a very polarizing game, and I’ve seen many people talk about how they would’ve preferred to see the story play out, from character arcs to deaths to story conclusions. And while I do honestly enjoy seeing alternative perspectives and takes and AU’s, I feel like a lot about the game, what it’s trying to say and be, is skewed by those ideals.

I’m not saying that the critiques about the game are invalid, because there are a fair share of flaws with the game. What I am saying is that we end up talking so much about what we wish V3 could’ve been that what V3 was trying to be often ends up lost in that, and I want to talk about it.

It wasn’t until I really saw this quote that I was able to articulate all my likes and dislikes about the game and the reactions to it into a cohesive whole, which is what I’d like to do here.

So let’s ask this: what was V3 really trying to be?

Let’s start from the game’s theme: the relationship between truth and lies. This is best exemplified by the fact that you have the option to lie during trials, that you can use deception to find the truth. That’s a very different take from the previous games, where hope was associated with finding and confronting the truth.

Kokichi is another example, as he’s a self-admitted liar who claims to lead a criminal organization and it’s hard to tell exactly what he’s thinking or saying. Yet Kokichi actually helps bring the group to several truths: he helps find the culprit in trials, he reveals Maki’s identity as the Ultimate Assassin, tells the truth about Gonta murdering Miu and it’s thanks to his actions that the group later discovers the reality of their situation.

Throughout their journey, the group is confronted by numerous truths they don’t want to acknowledge, even refusing to do so and attacking people who continue to push them through. And with every revelation, there’s always those lingering details that don’t really make a lot of sense.

Let’s look at the game’s main narrative. At the start of the game, Kaede remembers she was kidnapped in broad daylight, thrown into a van, and brought to some abandoned school with a bunch of other people. She doesn’t act like a particularly nice person and is dressed differently, at least until the Monokubs arrive and give everyone their new clothes and memories. From that point, the narrative shifts considerably.

Kaede is suddenly an outgoing, optimistic leader and Shuichi is a sullen, withdrawn detective who serves as her deuteragonist for Chapter 1. She’s resolved to escape the Killing Game and tries to rally the group together. However, when her methods don’t prove successful and they start drifting away from her, she considers saving them by any means necessary and goes so far as to attempt murder against the mastermind. When that happens, she’s found guilty and executed, leaving Shuichi to take up her role as protagonist.

As you go through the game, using devices called flashback lights that apparently reawaken lost memories, you learn more and more about the reason that the group was brought here: the Gofer Project. When meteors began raining down on earth, all seemed lost until they established this project to send a group of survivors into space to colonize a new planet. A group of Ultimates.

They had established early on that Ultimates have even greater rights in this world: they’re the only ones allowed to vote and hold office. As the meteors came down and the news of this project got out, some people formed a cult that believed it was divine judgement and that mankind should be destroyed. That’s when they began the Ultimate Hunt, pursuing the candidates for the Gofer Project across the world. The Ultimates, with no other way out, decided to erase their memories of talent and live their last days as normal people.

To protect them, the people in charge spread a false story that the Ultimates had died, even holding a fake funeral for them and sent them into space secretly. However, while everyone was in cold sleep, one member of the cult- Kokichi- had sneaked aboard and piloted the ship back to the ruined and now inhospitable earth. They have no way back and no way to survive outside, and thanks to Kokichi’s claims to be the mastermind, they’ve been killing each for nothing. The group ultimately loses hope.

However, they’re resolved to continue on in their fight against the mastermind when they find a flashback light that reveals they weren’t just any ultimates: they were the next generation of ultimates from Hope’s Peak Academy. It wasn’t really the meteorites that got everyone, it was an alien virus that pushed mankind to the brink of extinction. That the cult that rose in the wake of this was Ultimate Despair.

That seems like a definitive way to link this game with its predecessors...until you really begin to stop and pick it apart. If this was about saving mankind, why did nobody have their memories right away? Why would you only bring 16 people? Why students who don’t make them suited to colonization? Why people like a death row inmate, a serial killer, a self-proclaimed liar and criminal, and an assassin?

Furthermore, going through many Fte’s highlights how much of the characters’ backstories seem very out there. Gonta wasn’t raised by wolves but a race of dinosaur people living in the woods, Kirumi is so hyper-competent that she became prime minister during the meteor crisis, Korekiyo’s killed almost 100 women and yet has never been caught, Maki can attend high school despite Japanese orphanages being too underfunded for kids to usually attend, Tenko’s neo-aikido breaks all the rules of traditional aikido and she's impulsive, has low pain tolerance, and disregards fair rules, none of which are very befitting of a martial artist.

And to conclude, even I thought that the reveal of their connection to Hope’s Peak felt very fanficy and out there, especially when the game had made no references or implications of it beforehand. But the reason for all of this is simple and effective:

None of this is real. It’s all staged.

Chapter 6 reveals that everything from their identities to the outside world they thought they knew was all just a fabrication. In truth, Tsumugi shows herself as the mastermind and that they’re actually in the 53rd season of an in-universe show called Danganronpa. Something alluded to even in the beginning of the game with the Team Danganronpa logo. This moment was very make or break for a lot of people, but let’s treat it fairly.

According to Tsumugi, the outside world has become a peaceful, boring place and Danganronpa is the only source of real entertainment the people have. A place where people literally come to have their identities replaced with those of Ultimates and then made to kill each other. This, as it turns out, was an outgrowth of the actual series we’d played before. A game that’s gone over 53 times.

This revelation is devastating for the characters. The lives and memories they’d known were all fabrications, which Tsumugi claims to have intentionally written. The Flashback lights were designed to implant fake memories to manipulate them, which is why that Hope’s Peak connection was set up after everyone gave up following the reveal of the outside world. A truth that could lead the world to despair, a lie that could lead the world to hope.

She even goes so far as to show everyone’s audition tapes, claiming that Kaede, Kaito, and Shuichi himself were willing to participate in the killings out of sheer misanthropy, popularity, and morbid excitement 

Kiibo is also revealed to be the audience’s means of interacting with the game, able to carry out their wishes and can even be hijacked and used as a way to fight against the characters’ decisions.

In the end, Tsumugi claims that the ongoing battle of hope vs despair needs to continue in perpetuity and that the survivors need to sacrifice someone, since only two people can survive Danganronpa. Shuichi, however, convinces Maki and Himiko not to vote for anyone and actually convinces the in-universe audience to give up on the series. Kiibo then blows the set to hell and allows Shuichi, Maki, and Himiko the chance to escape and see the world outside and what sort of influence they could have.

Now, let’s this break this down piece by piece here, because I feel like this part of the game is often conflated. Often I’ve seen people say that Chapter 6 is a giant middle finger to fans of the series, that nothing about the series really mattered, or that the flaws of the game can simply be attributed to bad writing on the creator’s part.

I honestly used to be in that camp myself, but the more I’ve thought about it, the more I feel those statements don’t hold up to scrutiny. We often conflate writing and narrative decisions we don’t like with bad writing. However, if the creator deliberately wants the narrative to move in that direction and has made intentional foreshadowing, references, and motivations that match it, we can’t simply equate that with it being “badly written.”

It’s not bad simply because we would’ve preferred they do something different. There’s a lot of very acclaimed books out there that I’ll admit I don’t care for because of their narrative decisions, but I wouldn’t go so far as to say they’re badly-written.

Furthermore, if something intentionally doesn’t make sense in-story, that is not bad writing. That is purposeful on the part of the creator, not a plot hole. The Gofer Project is not supposed to be a logical narrative, it’s meant to serve V3′s role: deconstruction of the nature of the series. It does this in many different ways:

Sequelization: 53 is a ridiculous amount of entries in a franchise and as I’m sure we’re all aware, as the number of entries goes up, the writing quality tends to go down. The Gofer Project story was purposefully meant to be nonsensical because it’s a story in an in-universe franchise that jumped the shark long ago.

A lot of people found it confusing or ridiculous that Shuichi and Kaede would have a romantic connection despite knowing each other barely a few days. That’s also the point; quick romances are a convenient narrative device to establish a means for character growth, followed by fridging her, a bad narrative trope designed to propel Shuichi toward development. Tsumugi even said as much during Chapter 6.

Similarly, Maki’s role in the story and her feelings for Kaito were reminiscent of that as well, with him helping her come out of her shell. 

When you go back, you can see Danganronpa is loaded with references to other series. Tsumugi is an obsessive otaku and went so far as to fill the entire story with deliberate references and callbacks to things she enjoys.

The Monokubs are deliberate references to executive decisions to add more marketable and merchandisable characters as the series drags on.

The fact that there are (supposedly) people willing to sign up for a killing game deconstructs the idea that some in the fandom may have had. That is, actually being in a killing game would not be fun or exciting, but horrific and traumatizing. Most of us wouldn’t be badass detectives or heroes, we’d be scared out of our minds, afraid, and want to find a way out.

Furthermore, Shuichi being repeatedly told that he’s just a fictional character and that his role is to be the protagonist, to go through hardships and come out stronger for the audience’s entertainment pisses him off so much that he wants no part of it. 

The climax is ultimately a deconstruction of what the series is famous for: the battle of hope vs. despair. In-universe, this has been reduced down to a simple narrative where the audience wants the same thing again and again: to see hope win in the end. Because hope keeps winning, the audience keeps wanting more. It’s become so formulaic that the audience doesn’t want to break out of its shell and just wants to see it over and over.

The final PTA against Kiibo is not meant to be an insult to the audience, but a representation of fighting against toxicity and entitlement in the fanbase, especially the ones that don’t want change. It’s not saying “you’re stupid for liking this series,” it’s saying “don’t be like these people.”

And how does the game? An unsatisfying ending that’s so bad that it drives the audience to give up on the show, finally allowing the killing to stop. Tsumugi decides she can’t live in a world without her favorite show and decides to die.

And that brings me to what I think is the ultimate thing that people conflate about the ending: that it’s all fiction, so nothing about it matters. That the entire franchise was fake, so it’s not worth your time.

That’s exactly the opposite of what V3 is trying to say.

First, Tsumugi is a completely unreliable narrator. The kind of person who let fiction consume her entire life, yet she believes it can’t change reality. She’s a liar and a hypocrite, and there’s no way of knowing if anything she says about the outside world is even true. It could be like she says or it might not be.

The fact that they have technology that can remove memories and add fake ones adds an entire dimension of ambiguity to everything she says, especially when you consider how the beginning of the game does not match up with what she says. We have no idea what the kids were really like before the killing game, so why should we believe anything she says?

And how can we be certain of her claims that she just wrote everything as planned? Kokichi and Kaito managed to put together a plan that completely threw her and Monokuma for a loop

Shuichi, Maki, and Himiko ultimately choosing to take the words of Kaede, Kaito, and Tenko to heart, even if they were part of a fictional narrative, is proof that they still had an influence on the trio. They choose to take something meaningful from their experiences regardless of the reality of their situation. And that’s something we all do.

The media we consume has an influence over who we are as people, and it’s part of why so many of us have such strong attachments to works we love. They were often influential in help shape who we are as people now, for good and for ill, and it’s important to take that into account.

V3′s message is that yes, that is important, and that you should read and enjoy stories and fiction, just as long as you don’t let it consume your life. They can influence you and even the world at large, and so it’s our responsibility as writers, artists, and creators to use that influence positively, to use the medium as a way to change the world for the better. That the only way for stale franchises that we’re tired of seeing over and over is to demand change, even if that means walking out on them. That the only way for things to change is for us to take action and demand change.

And by the end, we may not see immediate results, but we can at least work hard at trying to bring them about. V3 ends with Shuichi, Maki, and Himiko facing an uncertain future in a world they really know nothing about, but hopeful that their actions can and will change the world for the better. Real life doesn’t have solid, satisfying conclusions and it always doesn’t play out like a story, but that doesn’t mean you should give up on ever finding something satisfying or hopeful out there.

This, by no means, is me saying that V3 is a flawless story. I can point to numerous critiques that I still think hold water. However, Sanderson’s point is that we shouldn’t criticize a work based on what we wish it was rather than how it is and what it was trying to do.

I know there’s a lot about the story that bothers people, I know there’s a lot that wasn’t polished and a lot that feels uncomfortable and hard to swallow. Like Shuichi, coming out feeling confused, lost, unsure of what to do, but choosing to see merit and things to take to heart even in a story that turned out to be full of lies and uncomfortable truths.

If you didn’t enjoy V3, I wouldn’t force you to enjoy it. If you did love it, then you should love it. These are all just my thoughts on a story that, as time goes on, honestly feels more and more relevant to me.

[variabels]

I have too many so I’ll just put them in the post.

Team White (Isagi, Nagi, Barou, Chigiri) is a way better group than E4. E4 feels too centered around Isagi and isn’t that interesting. Meanwhile Team White isn’t centered around Isagi, every character in the group has a unique relationship and dynamic with everyone else. The only ones who met each other through Isagi are Nagi and Chigiri but even then, their friendship bloomed when they were alone.

Rin and Isagi’s rivalry is the most boring one in the series. I’m not even excited to see them play against each other in the PXG game. I don’t see how Isagi is supposed to go back to Rin as his main rival after having Kaiser, a NG11 and way better player, as his main rival for the first 3 NEL games. It just feels like he’ll be downgrading lmao. Rin and Isagi working as a duo/partners is much more interesting.

Nagi and Isagi worked way better as a main duo and had better chemistry than Bachira and Isagi. Bachira and Isagi felt more like tell without much showing how they ended up caring about each other and becoming close. They also felt too perfect for each other that their dynamic ends up feeling less interesting as time goes on. Their individual play styles are fun but their plays together aren’t too interesting since it feels like it’s always Bachira sends the perfect pass for Isagi. Meanwhile Isagi and Nagi weren’t perfect for each other which made their interactions and plays together much more interesting since they really had to think and work together to overcome obstacles. Them becoming friends and growing to deeply respect each other also felt much more natural since we got to see what led to them reaching that point of mutual respect and trust.

Nagi was also a way better deuteragonist than Bachira, having the deuteragonist switch almost every arc was easily one of the best decisions in Blue Lock’s story. Although I find it kinda funny how the first deuteragonist (Bachira) was friendly and the second one (Nagi) was too but just performed way better in the role. And then the third one (Rin) was unfriendly and once again the one that followed (Kaiser) ended up performing better in the same role too.

I hate Nagireo and Kainess. I could give deep reasons and list things I hate about both ships, but tbh, the root of my dislike for both ships just comes down to me hating shipping simps with characters they obsess over. It just seems to be one of my constants when it comes to ships. I think they’re all much more interesting being shipped Isagi (tbh this goes for almost every ship with some exceptions being RyuSae and Karasu x Hiori).

Kunigiri and Rinsagi are boring af. They have cute fanart but idk, they just don’t not feel interesting. Like they just don’t give the dopamine rush that ships I like do and they don’t give me any distaste like the ships I don’t like do.

Reo was a 10/10 character pre-NEL which made his character regression ruin him way more than if he had been a 7/10 prior to it. I’ve already ranted about Reo’s character assassination today on Reddit so I won’t bother writing my whole analysis on how he got ruined.

Reo’s really pathetic but his simping isn’t the most pathetic part. So, Reo (from what has been shown in the manga) hasn’t made any meaningful lasting friends by himself in BL. Zantetsu was Nagi’s friend first but Reo never interacted with him after the 1st selection. He could have become friends with Kunigami but stuff happened. He got a heart to heart with Isagi but even then, they never pursued a friendship with each other. He was hanging out with a group in chapter 150, but none of his interactions were shown as being particularly meaningful to Reo. It felt more like hanging out with work colleagues/acquaintances. Then there’s Chigiri who once again was Nagi’s friend first but nothing suggests any meaningful friendship between him and Reo which is kinda sad, I think they’d get along now that Reo’s isn’t in such a bad state like in the 2nd selection. Just let it sink in that Barou and Nagi, two guys with some of the worst social skills in BL, have made more meaningful friends than Reo, a guy who actually knows how to speak to people. Like bro, that’s embarrassing. 💀

I don’t particularly care for top/bottom dynamics much. But Isagi is definitely the one wearing the pants in his harem and there needs to be more fics where he’s not some uwu cutesy pathetic stereotypical bottom just cuz he’s cute and short. We also need more unhinged Himsagi in BL fanfics lmao

Orange/Salmon Sendou > Blond Sendou, it was weird at first but now I realize it is the much superior option

The anime did the right thing by not showing Shidou/Igaguri vs Kunigami/Reo in season 1. The added Reo line also adds more to his character and to the scene. It comes across as him trying to make himself feel better about the situation than him putting down Kunigami for no reason. It shows that the whole situation really had an impact on him and since the game wasn’t shown, it gets the viewer curious about what happened and Kunigami not making it feels like a surprise. Whereas in the manga, it just feels like Reo ultimately didn’t care too much besides thinking the situation kinda sucked and it’s obvious that he and Kunigami lost against Shidou so when Igaguri appears, you already know Shidou is the last member because like Hell they’d choose Igaguri.

i’m actually curious so please leave your unpopular bllk opinions in the tags/comments of this post <3

[lnarizakis]

critical thinking | a. keiji

masterlist | cards against humanity x haikyuu!!

pairing: akaashi keiji x gen!reader

foreword: this is around 2k words and honestly I’m kinda proud of myself like i think this is the longest fic I’ve written on here!! I hope you guys enjoy hehe

look out for: no warnings!

PREFACE. The setting: Akaashi Keiji and (L/N) (Y/N), with a painfully obvious crush on the former, are studying in the library. It’s one of the only days where the setter’s not practicing hard for nationals after school. They’re not really aware of the time, but it’s probably around 4:30. The sun’s shining brightly through the window, hitting all the right spots on Keiji’s face perfectly. He’s such a gentleman for choosing to sit facing the sun. It’s awfully quiet in the surrounding air, but between the two of them hushed whispers fill the atmosphere. From afar, it could be assumed that they’re having a heated discussion about the literature homework in front of them, debating the true meaning behind the significance of the light in the character’s eyes, but they’re discussing something a little unrelated. Well, perhaps the concept of “true love” could have been branched out from how (Y/N) suggested that the light in the character’s eyes could have been lit up because of the love he had for the deuteragonist, so in a way they’re still discussing the literature homework. But, no. Not really. I mean:

“Wait, so you don’t believe in true love? Like, the kind where you look into someone’s eyes for the first time and think— ‘Wow. I’m in love with them,” blurted out (Y/N) in a hushed whisper, absolutely exasperated with the fact that Keiji outrightedly stated that he does not believe in true love. Well, as far as (Y/N) interpreted the words “I really don’t think there’s such thing as love at first sight” goes, Keiji does not believe in true love.

“No, you’re getting the two mixed up. The kind you’re thinking of is love at first sight, as I’ve previously mentioned. True love is something else. True love is…” Keiji thought for a minute. He stayed silent, wondering what true love really is. He tapped his fingers on one hand, and played with his pen with the other. The notebook underneath both remained blank.

“True love is critical thinking.”

(Y/N) sputtered out, “You thought for a good one minute, and all you could think of what true love is is critical thinking?! You weren’t critically thinking there, Akaashi-san.” Keiji chuckled. That was funny. He smirked, as he let his eyes bring themselves down towards his still-blank notebook.

“We should get back to work, (L/N)-san. We’re here in the library for a reason,” Keiji stated, as a matter-of-fact. Dejectedly, (Y/N) muttered out that he’s right, and they get back to work. They agreed to disagree with their previous argument, about the significance of the light behind the main character’s eyes, and decide to write their own answer in their notebook.

After a good fifteen minutes, (Y/N) let out a sigh as they dropped their pen onto the table. They stretched out their arms, cramped from being used to write several paragraphs of pure BS-ing. Impulsively, they suggested, “You think true love is critical thinking, huh? Is there any way I can show you that it’s not all that?”

Keiji thought for a couple seconds, then pointed his pen towards (Y/N).

“See? I had to think for a minute if you were asking me out on a date. Critical thinking at its finest.” Oh, how he loved to tease (Y/N). They playfully rolled their eyes. “But alright. I’m game. Convince me, with everything you can, that true love isn’t all critical thinking.”

ONE. The setting: Akaashi was in his room, staring at his closet. It’s a neatly done closet, with all of his clothes sorted by color. He had just come out of his shower, and he had just finished drying off. His hair was still a little wet, but since it’s several hours before his first date with (Y/N), it’ll dry beforehand. He just needed to find an outfit. He had planned on doing so last night, but extended volleyball practice called and asked for all his energy to be spent. Bokuto just had to get those cross spikes in before nationals. He couldn’t forget, like last time. That was… a little embarrassing, to say the least.

He pulled out a pair of black skinny jeans along with a gray sweater that he hadn’t worn since his first year in high school, but it seemed to him that his shoulders have gotten a little too broad to fit loosely into that sweater. Looks like it won’t do; he might feel a little uncomfortable with the snug fit, and (Y/N) might feel a little odd with his constant shuffling, attempting to stay comfortable throughout the date. Back to the closet those two went.

Oh my. Black joggers and a hooded sweatshirt. Absolutely not. It was too casual. Keiji imagined himself wearing that while (Y/N) was wearing the nicest thing in their closet (well, perhaps not the nicest thing, but something still pretty first-date nice).

Keiji found a pair of looser jeans— but what to pair them with? He found a collared shirt and a lighter-colored sweater to go on top. In the depths of his closet he also found an overcoat, as well as an expensive belt the third-years of his volleyball team bought him for his birthday. He would definitely look nice with this. But wait— what were they going to do again? Just a simple outing at the cafe, right? This outfit was definitely too fancy for something like this. He couldn’t simply wear something like this at a cafe like that. Nope. Definitely not. Back to the closet the whole outfit went.

He gave up. He decided to go with the first outfit, the skinny jeans and the sweater. He was going to have a collared button-down underneath. He thought this would be best. Definitely. No doubt about it.

—

Walking towards the cafe, Keiji felt more uncomfortable by the minute. He felt his pants were too tight, or his collar kept unfolding itself every time he moved his shoulders. He felt like a clown in a circus; with everyone staring at him as he walked by different people on the sidewalk.

When he opened the door, he found (Y/N) sitting at a table by themself. They hadn’t ordered anything yet, but they were on their phone. Oh gosh, they’ve been waiting for him. It was all because he spent too long finding an outfit to wear. He really shouldn’t have put so much thought into that outfit. It was so unnecessary to think that much!

“Hey, you.” It was (Y/N). They stood up from where they were sitting, and beckoned Keiji to come closer, as he was currently blocking the entrance. He followed the little hand wave, and profusely apologized for being late, to which (Y/N) replied that it was completely fine; they actually had just arrived.

“You look nice.” (Y/N) broke the silence once more. They scanned Keiji up and down, smiling softly.

TWO. The setting: The sun’s setting and the sky’s a really pretty purple and pink. They’re walking home after what seemed like their fourth or fifth date. They weren’t really sure themselves, since (Y/N) keeps spontaneously asking them out on several dates. So maybe it was even the sixth. But who was he to judge, because right at this moment he stood underneath a street lamp that shone a bright yellow light with the love of his life. He was so proud to call them his. What he wasn’t so proud of, however, is how they haven’t had one, single kiss yet. That’s a little embarrassing. However, right here, seemed like the best opportunity to share his first kiss with (Y/N).

Uh-oh. How was he supposed to kiss them? Does he… place a hand on their shoulder? Or does it go on their waist, as he leans in and softly kisses them? No, that didn’t seem right. Maybe he places that hand behind the neck and brings them closer to him? No, that didn’t sound right either. Where does his other hand go? Does he keep it hidden in the pocket of his coat, or does he hold their hand? You know, for support? Or maybe he uses both hands to hold them by the waist. That seemed like the best option.

But wait— how does he… lean in and kiss them? Does he do it slowly? Just quickly give them a little peck on the lips and look away like a tsundere? Oh gosh, his lips were chapped; maybe he shouldn’t kiss them after all—

He’s given no time to think any more before (Y/N) leans towards him and places their lips against his. The kiss was a little forceful, and he felt their teeth, but it was still nonetheless wonderful. Once they pulled away, Keiji softly placed the tips of his fingers over his lips, ghosting the touch of what he had just felt.

“You just… kissed me,” he stated.

They smiled a toothy grin. “I did. You were taking too long; you were staring at me like a dead fish. Critical thinking, aren’tcha? It doesn’t get you anywhere,” (Y/N) taunted.

THREE. The setting: (Y/N) and Keiji stood outside the door to the gym, hand in hand. It was some time after practice had ended. The former felt Keiji’s hand getting clammy and sweaty, a result of keeping their relationship hidden for so long. Currently, they were about to announce to Bokuto Koutarou, proud captain and ace of their volleyball team, also being Keiji's best friend and closest confidant, that they were dating.

What was he to say? Akaashi was to word it in the most precise way, or else (Y/N) would get the wrong idea about what they meant to him, and their relationship might be extremely damaged. Or Bokuto might think that Akaashi’s setting volleyball secondary on his list of priorities, which is extremely worrying as part of the starting line-up for nationals.

Right on cue, the doors to the gym swung open. It was Bokuto. His skin glistened with sweat, a product of his hard work. He gave a long sigh, exclaiming his thanks for the cold air outside. His eyes were closed. Bokuto opened his eyes to see his junior and someone else that he had never seen before holding hands. Akaashi looked worried, to which Bokuto expressed his concern with an “Oya? Akaashi, what’s the matter?”

“Hi, Bokuto-san. My name is (L/N) (Y/N), and Akaashi and I are dating. We just wanted to tell you that.” (Y/N) blurted out, and Akaashi felt his cheeks grow slightly warm because of the sudden outburst of their confession. To Akaashi’s surprise, Bokuto laughed heartily. The ace clasped a sweaty hand on the setter’s shoulder.

“Oh! I’m proud of you, Akaashi. You managed to get ‘em! You’ve been crushing on them since forever.”

FOUR. The setting: It’s late at night. Akaashi’s older now; he’s a little more experienced with all of this “dating stuff.” He’s getting the hang of it— well, he should be, since there’s a little black velvet box sitting in the drawer of his nightstand in his bedroom. Akaashi has his own little apartment now, and (Y/N) has their own. They haven’t moved in together yet. Akaashi’s ready to propose to them. He’s got the best plan ever. He knows exactly what to do. There’s nothing that can disrupt the plan. First, he’s going to walk over to (Y/N)’s apartment, and they’re going to spend the whole day together, out and about. He’s then going to treat them to a nice dinner, which once they’re done, he’s going to present to them the ring. It’s going to be beautiful and meaningful. Memorable, even. Or, well, it was going to be beautiful and meaningful.

“You can’t sleep?”

“No… I had a nightmare that you left me.”

“Okay, come over and we can sleep together.”

Akaashi hung up the phone. Around ten minutes later, he heard a knock at his apartment door, and there he saw (Y/N), cold and out of breath. He let them in, and he led them into his bedroom.

—

And so we have it: Akaashi and (Y/N) were lying side-by-side on his bed, neither of them being able to go to sleep. The former setter turned to (Y/N) and they replicated his actions. He stared into their eyes.

“You know I love you, right? I could never leave you,” Ever the stoic boyfriend. (Y/N) still smiled softly, though, knowing he meant every word he said. Despite his cold exterior, his eyes radiate warmth.

“I know. I love you too,” they whispered.

“I want to marry you,” Akaashi accidentally blurted out. His eyes widened, and so did (Y/N)’s. Oh God, did he really just say that? Did he really mean it? Of course he meant it, what was he thinking?

Still in shock, (Y/N) asked, “Wait, do you really mean it?”

“I just… said that, right?” Akaashi let their question slip in and out of his ear.

“Yes. To both questions.”

Getting out of bed, Akaashi lowered his voice as he asked himself as well as (Y/N), “You’re serious, right? This is super spontaneous…” He reached for the closed drawer of his nightstand, and opened it up. He grabbed the black velvet box and opened it. Behind him, (Y/N) was sitting up in bed, wondering what he was doing.

And there he was, inching his way closer to (Y/N), holding out their engagement ring, to which they held out their ring finger. He slowly eased the ring onto their finger, face flushed with warmth and love while doing so. He looked up into their eyes.

“Looks like I wasn’t critically thinking there. Thank you for teaching me what it means to love from not just the mind, but also from the heart.” (Y/N) playfully slapped him on the arm.

“Keiji, you’re supposed to say that at our marriage, not right now!”

[gunnerpalace]

hey there! so i used to be a huge fan of bleach, and loved ichiruki, and i was reminded of them today but i haven't been involved with the fandom since the series ended. however, i've heard of different variations of why the series ended/ships happened the way they did, and was wondering if you knew or could direct to me a post that explains that? i apologize if i'm bringing up bitter feelings, but i've always been curious if bleach's ending was a big FU from kubo or if he always intended rr/ih

I don’t think I’ve ever seen a post that really goes over it structurally in that kind of way (from a shipping perspective). I’ll get back to what you actually asked me after some asides, because it’s not so simple to just analyze the ships in a vacuum.

I’ve had my own post about why the ending was a fuck you moment, thematically, because it failed to resolve any of the themes and momentum of the series in a way that would be appropriate (either internally or in the context of the supposed genre of shounen.)

I would also say that the ending was a fuck you moment in terms of lore, backstory, and mystery, because all of the historical and political dimensions (i.e., things involving the Soul King and Great Houses) were unceremoniously shuffled off to Can’t Fear Your Own World. Not that any of those things were ever brought up properly in the manga to begin with; the proper and natural time for that would’ve been at the conclusion of the Soul Society arc, when Ichigo and co. spent a week there, which we saw none of. So I would say that everything in CFYOW is basically retconned bullshit hung off prior convenient plot hooks, and that the same was true of TYBW and LSS/TLA/Xcution as well. There may have been some notes and forethought, but it’s about as “valid” as Kevin J. Anderson and Brian Herbert’s Dune works are compared to the original Frank Herbert ones; it’s second-hand, at best.

(This is setting aside that Bleach was clearly made up as it went along. For example: Noriaki literally admitted that he didn’t know who had killed Aizen in Soul Society until he realized that Aizen not being dead was the most shocking answer; the clear baiting and abandonment of Kisuke as the villain hinted at through various means such as his unclear and later retconned reasons for being exiled, and so on. Bleach was very much a J. J. Abrams-style mystery box work that was made as it went with, at best, rough notes, which is why its themes and focus change, for the worse. I also have a post about why it stopped being special, which is part of a running series I intend to write on how to rewrite it to fix and preserve that)

The best recent thing to compare it to is, really, HBO’s adaptation of Game of Thrones, wherein D. B. Weiss and David Benioff openly admitted to removing or deemphasizing story elements, and ignoring themes in adapting the work. The difference is that Bleach was not being adapted from anything; it degraded due to its own creator not understanding what he had created.

(To put it very simply, because this would be the point of Hyperchlorate Part II and would take a whole post to explain: the ending of the Soul Society arc did not properly establish and flesh out Soul Society as a place with a history, space, and purpose. Instead, the Arrancar and Hueco Mundo arcs decided to be a thematic inversion and deconstruction of the Karakura and Soul Society arcs. This again had an ending that did not establish or flesh anything out after Aizen’s defeat, with an even greater diffusion of focus onto ancillary characters. The Xcution arc tripled down on this by addressing something entirely new and retconned in, only to abandon it midway through in favor of going back to invoking Soul Society. And Thousand-Year Blood War took all of these problems to 11. tl;dr: Noriaki tried themes, people hated it, and so he just shoved in more and more dumb sword fights between people nobody cared about, half of whom hadn’t previously existed.)

So, let’s get back to your question. Let’s talk about ships. I’ve clicked a lot of keys and spilled a lot of ink on this subject over the years, but I no longer particularly feel like searching my own archives (really ought to go back through and organize them better) beyond this post and my own follow-up to it about the chronology of IR interactions, so I’m just going to repeat myself.

First, let’s say that Bleach was not ever a manga about ships.

I’m not disavowing that what Rukia and Ichigo had was special. That was called out multiple times through the focus of the art, the dialogue, and by the characters themselves. (Directly by, for example, Orihime’s outright statement to the effect in Soul Society, and her later jealousy regarding it. Indirectly by, say, Uryuu’s acknowledgement that him saving Rukia first would piss Ichigo off. In fact, the biggest indirect indicator doesn’t even involve Ichigo and Rukia; Shunsui asks Chad why he’s there and Chad says he wants to save Rukia, Shunsui calls bullshit that two months isn’t enough time to risk your life for that, and Chad agrees and says he’s there because Ichigo wants to do it. Shunsui moves on, but his argument is left hanging: why was two months enough for Ichigo? Because, as Orihime will later say out loud, Rukia is special.)

What I’m saying is that that was never the focus. It was explicitly constructed that way.

How do I know? The Grand Fisher fight. The Grand Fisher fight is emotionally charged, bringing up both Ichigo and Rukia’s greatest traumas, and is their one real moment of not understanding each other for a time. It was a triumphant moment that made them truly glad to know one another, and you can see it in their reactions afterward (Rukia thanking Ichigo for not dying, Ichigo asking Rukia if he can keep being a Shinigami). There was a lot to unpack there, and you can see it in the way they look at each other.

What happened immediately after the Grand Fisher fight? Noriaki skipped a whole month. We go from June 18th of 2001 to July 17th of 2001. He deliberately skipped all of the emotional impact of that event, and Rukia being around for Ichigo’s 16th birthday. Just never happened. We never hear about it. Wasn’t his focus as a writer.

Now, I’m convinced that was because he was scared of what he had on his hands. He wasn’t willing to commit to either a couple’s battle shoujo or a shounen with male and female seemingly-heterosexual co-equal deuteragonists who clearly had a strong emotional bond. More specifically, he wasn’t willing to make Rukia a centerpiece of the manga despite having designed her first, having made her the moral and philosophical core of his manga, and having based Ichigo entirely around completing and complementing her. But hey, that’s just my opinion, right? Except it kept happening.

From the Grand Fisher fight onward, the name of the game in the manga, structurally, became keeping Ichigo and Rukia apart.

The moment she was taken back to Soul Society, her prominence dropped. We got emotionally charged scenes of them regardless. Right at the conclusion, after yet another emotionally heavy set of Ichigo and Rukia interactions, we again skip almost a month, from the end of the first week in August of 2001 to September 1, 2001. (Due to some completely unnecessary timey-wimey bullshit with the Precipice World.)

In the Arrancar and Hueco Mundo arcs, they have roughly a day together over the course of three months. What happens after every meeting? They’re shuffled apart and split up, and we cut away. This time, for over a year!

Ichigo and Rukia again have a very emotionally charged meeting in the Xcution arc. And what happens at the end of that arc? We skip ahead another month to TYBW. (Xcution ended sometime in May of 2003, TYBW starts June 11, 2003.)

And in TYBW, Rukia and Ichigo barely meet up at all. Indeed, the focus is scarcely upon them.

In CFYOW, neither of them even appear, let alone have any relevance to the plot.

The implication, in my opinion, is pretty obvious: Noriaki was deathly afraid of dealing with the outcomes of their interactions, and that ultimately became him being deathly afraid of allowing them to interact at all to begin with. Why? Well, as I said in one of the last linked posts:

As an author, sometimes you will find your characters will do things you didn’t anticipate or plan for, and you’ve got two choices: you can go with the flow and do what’s natural and deal, or you can fight it and try and impose your vision anyway.

He refused to let his art take the direction it needed to go in.

Now, some people might say he got bored of them, or of having them together. I say that’s bullshit. And the reason I say is down to three things:

He didn’t ignore them, he did his best to keep them apart. I outlined this above.

He did not emphasize anything or anyone else instead. His focus was all over the place. While, admittedly, Ichigo’s prominence also declined, so did everyone else’s.

It would have served him well to focus on their interactions to expand his universe and explore its lore. The things that were detailed in the databooks and CFYOW could’ve been presented naturally and easily if they were together. But that came with a cost of shifting the focus. A cost he refused to pay.

Let’s talk more about (2) and (3) now.

Regarding (2), Chad and Orihime are inextricably linked in Bleach, because they essentially have the same relationship to Ichigo. “But Orihime loves Ichigo, and Chad is his no-homo bro!” someone proclaims. So what? They’re presented as equal and parallel at every step.

They both gain their powers at approximately the same time.

We are told they gained their powers due to the Hogyouku (in Rukia at the time) interpreting their wishes (and no one else’s, such as Tatsuki, Keigo, or Mizuiro), meaning they probably had the same strength of desire.

They both go to Soul Society “for Ichigo.”

They both utterly fail against Yammy and Ulquiorra.

They both spend most of the Hueco Mundo arc doing nothing.

They are both featured prominently in the Xcution arc, and both fail to see through Tsukishima’s powers despite their love for Ichigo. (Meanwhile, Byakuya coolly tries to murder someone who he thinks is his mentor, in Ichigo’s name.)

They both get sidelined in Hueco Mundo with Kisuke in TYBW, doing little to nothing.

They both are utterly ineffectual in the final fight in TYBW.

They are often portrayed together, they are often as effective as one another, and they are equally as developed in their relationship to Ichigo going forward, which is to say: not at all. The loss of focus on IR did not come with an attendant rise of focus on IH, any more than it did with the sudden rise of IchiChad. Nothing was built in IR’s place. There was no emotional or human content which filled its gap.

This is where the IH ending coming “out of nowhere” stems from: it indeed came out of nowhere, because Ichigo was never shown to have any interest in Orihime in all this time, nor an especially close relationship with her. He never hangs out with Chad or shows a bond with him either. He never hangs out with anyone, in fact. (Indeed, “friends” in Bleach do not do any of the things that friends actually do in real life. Nor do parents. You might say that interpersonal relationships and communication largely don’t exist in Bleach. But that’s its whole own topic.)

I would honestly say that more time and emphasis was given on Ichigo’s pseudo-surrogate mother relationship with Ikumi than was spent on him interacting with Orihime. (I would say Noriaki has serious hangups about relationships of any kind, be they romantic, familial, or friendly, and also has some severe hangups regarding mothers and fathers, but that is also its whole own topic.)

Regarding (3), Noriaki apparently wanted this big, Game of Thrones-style world with a long history and political machinations and so on. This is the whole point of TYBW and CFYOW. Trouble is, early Bleach was successful because of its small-scale intimacy. So how do you go from one to the other? You have to lay the foundations at every step. And Noriaki steadfastly refused to do so at every step. Having Ichigo and Rukia interact, and focusing on Rukia while Ichigo was sidelined without powers, would’ve permitted that organically. Indeed, if RR was the endgame, it would have given time to establish that, were it his desire. (Because Rukia never showed any interest in Renji, and frankly Renji always seemed way more preoccupied with Byakuya.) It didn’t serve his goals, but he did it anyway.

It’s much simpler to say he lost focus, and that he started to hate the manga as a whole. Why else would you have Mayuri fighting a giant hand when that achieved nothing, and Kenpachi fighting Thor when that achieved nothing? It became empty. Hollow, you might say.

But that takes us back to the question you posed: where did the ships come from? Nowhere. IH, RR, and fucking TatsuKeigo weren’t established anywhere. They just appeared. Why?

Well, why did every single character wind up doing the exact opposite of their intended and stated goals in the end?

Why did Soul Society revert to its previous attitude and rebuild the Sokyouku?

Why did nothing get resolved?

Why did nothing change?

Why was it all revealed to have been completely and utterly pointless?

In my view, it’s because that ending was a giant fuck you to the readership and Shueisha. There is no other way to interpret an author pulling a 180° and completely nullifying their characters’ arcs, and their work’s themes. Aizen’s little speech at the end is the cherry on top. I read it as Noriaki saying that he’s showing “courage” in telling us all to fuck off.

As to why? That’s an open question. His relationship with Shueisha was contentious, so maybe he was mad at them. (They gave him a deadline once he was dragging his feet, and reclassified Bleach as a joke manga.) His readership was on the decline after the Soul Society arc ended, so maybe he was mad at the audience. I don’t know. I also don’t really care. What I am convinced of is he decided to blow up his franchise and to not leave a single stone unturned when he did so.

That’s where that “ending” comes from, which is why despite it featuring IH and RR, both are thoroughly unsatisfying and without setup: it was the only way to piss absolutely everyone off, including people who wanted that outcome.

In a way, it was his greatest success since the early days of the manga.

Anyway, this was messy, but it’s not a simple topic to address. The tl;dr is that Bleach was a trainwreck from the very beginning that only succeeded on the merits of its characters, and that Noriaki deliberately avoided the promise it had to be something unique and grand. The ships are just a part of that, and cannot be understood in isolation from it.

[echoeternally]

Mario Thread Opinions

I saw something making rounds on Twitter featuring Mario characters, so, I wanted to respond to that, but without flooding the timeline.

So, I’ll put them here instead! ...And I’ll try to keep thoughts short...

... ... ...

Original Tweeted Characters

Mario: He’s such a cheerful and happy protagonist! I don’t get why people ever have strong dislikes for him. He’s full of energy and normally kindness. Maybe they think that’s bland, but I’ve been following Mario’s journeys since I was very young, so he’ll always be a great protagonist for me.

Toadette: She’s so energetic and sweet! She’s come such a long way since her debut from Mario Kart: Double Dash, and currently, Toadette seems to be a regular mainstay for the franchise. You’re doing amazing, sweetie! Keep going!

Dry Bones: One of the cutest zombies and/or reanimated dead characters that I can think of. While a tricky enemy to handle, I still enjoy seeing them. Plus, they’re welcome additions to spin-off games like almost always!

Shy Guy: The beeeeest! Shy Guy is the cutest little enemy, and I love how they get included into various roles as either friend or foe. I think I’m always happy to see Shy Guy around in some way!

Pink Gold Peach: Peach deserves a cool power-up form! While I wish she had it outside of spin-off titles, I think it’s a cute concept regardless. (Though, I get the disappointment when she shows up.) People mention “rose gold” as a title instead, and I think I agree with that, but also, alliteration.

Peachette: (deep, heavy sigh) You could have been so fun conceptually...the potential for future uses that could be dramatic with bait-and-switches for Peach. But...marred by Internet memes...also, not a fan that Toadette gets replaced on-screen by Peach in the first place, so, yeah.

King Boo: This dude has so many change-ups in how he appears. I kind of love him as both a Mario enemy and a Luigi’s Mansion main boss. He makes a good adversary for Luigi, so, I hope he sticks around to spook the cast! Love his laugh too, lol.

Daisy: She deserves so much love and attention, and I don’t understand why the developers at Nintendo have kept her locked behind spin-off titles for so long. I feel like that could change going forward, so I’m hoping that she becomes even more awesome and help save the day in future adventures!

Peach: Arguably the most iconic damsel in modern media, though I wish we could let her evolve past that. Peach is strong in her own right, so let’s see her headline a franchise and save the day herself! She doesn’t get opportunity to do that enough. She can be more than just Mario’s plot device. Anyway, she’s great, and I wish she would get more respect from Nintendo. She could make the Disney princesses shudder if given the chance.

Yoshi: Quite possibly the cutest steed known to pop culture! He’s so sweet and precious, like, I feel as though no one can help but love Yoshi. Anytime he pops in and the moment immediately improves!

Luigi: As a younger sibling myself, I totally can relate to Luigi easily. He’s the best deuteragonist that Mario could ask for! His fans can sometimes be a little much, but I can understand the enthusiasm! Luigi’s a good boy. Nintendo should dunk on him less though; he’s proven well enough.

Hammer Bro: Bah, an enemy that always keeps me wary! Probably one of the biggest common enemies that is practically guaranteed to be at least a light challenge. As they appear in more spin-off games, I like their energy and excitement more. They’re fun dudes!

The Koopalings: No clue how they were kept dormant for so many years, because they provide so much flavor to the series! Then again, it’s painful to see any of them separated from one another, and including seven characters can be a challenge. Overall, I love them, and they make great opponents and even additions to rosters! Best generals, I think.

Kamek: I know that the name isn’t supposed to be significant, but he ended up being so. And I really wish we would get a version of Kamek that stands out from the other Magikoopa! His role seems too important to be neglected as often as it can be. Definitely the coolest standalone enemy on Bowser’s minion roster, and I hope they keep helping this one stand out more in the future!

Waluigi: He’s pretty funny, and he can sucker a few laughs out of me time and again. I think that he’s underrated by the Mario franchise itself, and that he should appear more often or join Wario for his franchise. His loudest fans are definitely a bit too rambunctious. Still, he’s been around for 20 years, and I do agree that he probably deserves better.

Rosalina: Definitely a cool character that I really hope we keep in rotation. She should be used for more than just spin-off shenanigans without question, so I hope that we see her more as time goes on. (She almost joined Odyssey in a cool appearance!) Anyway, I love her motherly and calm yet elegant nature, and the lore that she gave to Super Mario Galaxy as well. Luma princess!

Bowser: As Mario is one of my favorite protagonists, Bowser would be one of my favorite antagonists! Though, I do wish he’d get a break. He’s a fun character without always being evil. We should give other villains a chance to go crazy and let Bowser do something else, either helping Mario or just living life without being the big bad. He’s sometimes more interesting being just a dad above all else!

Piranha Plant: Plant gang rise up! Not going to lie, one of the most iconic Mario enemies to appear, and yet, I feel like they’ve been slept on until their recent inclusions in games as playable characters, most especially in Super Smash Bros. Ultimate. Great surprise trap enemies too. Overall, love these chompy dudes! ...Except when they chomp me, that is, ha!

Metal Mario: Probably one of Mario’s coolest power-up forms! He’s appeared in several spin-offs as a playable character, starting with Mario Golf for the N64, if I’m not mistaken. While I prefer him as a power-up, he’s a fun concept to see turn up every so often.

Whomp King: An iconic opponent in Super Mario 64, and one that I’m surprised to see turn up every so often! Yet, I’m also surprised that we don’t see him more often as well. It’s odd, but then again, Whomps can be underutilized. I like him though!

Wario: Greedy guy supreme! Wario is perhaps the grossest Mario character, but also one of the funniest. He’s usually a welcome addition to the rosters that he joins, so, I like to see him around too. His laugh is hilarious and definitely one of the more recognizable out there!

Dry Bowser: Bowser’s reanimated corpse! Originally a cool concept and perhaps even a surprising one! Since I like Dry Bones, I tend to like this dude, even when he’s not exactly Bowser himself sometimes, since that happens. Either way, cool and creepy, so totally a unique flavor!

Pom Pom: Honestly, not an addition that I ever expected, but totally welcomed alongside Boom Boom’s return to the franchise. I love her shuriken attacks and ninja theme, because I’m a sucker for that. And more female creature features are always welcome to roster! Not every lady needs to be a princess, after all.

King Bob-omb: I love him! He’s arguably my favorite boss from Super Mario 64, and I’m so happy that he’s been popping up more frequently. He’s finally playable for the first time in Mario Kart: Tour, so I hope he appears as such in future titles! His mustache deserves greatness!

Toad: I have literally always had a huge soft-spot for the Mushroom Kingdom citizens. Also, I feel like Toad should be recognized as an individual as much as Yoshi is! He’s cheerful, helpful, sweet, and usually so helpful! Plus, I totally crush it when I use him in Mario Kart, lol. One of my favorites as well, and I consider him as part of the core cast!

Bob-omb: Who knew living explosives could be so...cute? I can’t deny that I delight in seeing them, even though they usually terrorize me whenever they’re around. Totally love to see them included, as they’re great inclusions.

Boo: Spooky time! I love seeing Boo, they’re fun. Also, horrifying to face off against, since they’re not usually the easiest to defeat. They’re cute though, and I love to listen to their cackles and trills! Also wonderful inclusions, both in the main Super Mario games and hilariously so in Luigi’s Mansion. (I love their titles and names in those games!)

Bowser Jr.: While his existence should raise questions, mostly concerning how, I tend to hand wave that as easily as Nintendo does. I love that Bowser has a bratty kid, it’s so entertaining to me! And it’s precious, because I really enjoy seeing Bowser having a soft spot for his son. Junior himself is enjoyable to see too, because he’s a pint-sized enemy with lots of personality!

Pauline: That’s my girl! That’s my girl right there, whoo! I’m so deliriously happy that she’s returned in the greatest form, from nameless damsel to major city mayor! And now she’s regularly included for Mario franchise casts by the fans and the developers. She deserves it, and I hope we continue to see Pauline appear all the time in the future! Get it, One-Up Girl!

Baby Daisy: A cute baby bean, and a logical companion for Baby Peach! Not usually a character that I favor, but I don’t mind her. The scariest kiddo on the racetrack, that I’ve learned.

Petey Piranha: It makes sense that the Piranha Plants have a boss leader, since Bowser is that for the Koopas, and then we have such for Bob-ombs, Whomps, Boos, and the others. Anyway, the sludge stuff is gross, but I do love to see Petey! He’s actually sort of cute with his little utters of “yay!” in spin-offs. Plus, he’s usually a fun flavor of boss to battle!

Lakitu: Honestly, I forget that these dudes are supposed to be bad guys; they’re usually so friendly and helpful! And I think I prefer them that way overall. But, they do make challenging opponents when they’re not helpers, so that is fun to see from time to time. Totally a great mainstay to the roster either way!

Baby Rosalina: Like, I do get the idea of her, but at the same time, she’s more or less a walking contradiction, more than Bowser Jr. or the other babies by far. She is cute though, and I guess we’re not meant to think about it.

Koopa Troopa: Basically Bowser’s equivalent to Toad, and I don’t think that’s a comparison that’s addressed often enough. Like, they’d be great to make Bowser’s forces more sympathetic. Anyway, I like them as enemies, though I tend to see them as helpers fairly often too, since that’s how they’ve appeared over the years. Totally a great mainstay!

Boomerang Bro: As if their hammer throwing cousins weren’t bad enough, we get these dudes to battle from time to time. They’re tricky but cool variations on classic opponents. And I think I enjoy seeing them when we have big cast herds for the spin-off Mario titles.

Bullet Bill: Fear. These guys just come flying out of cannons and my instinct just shifts into fight-or-flight. I love them appearing, but I’m always wary of the challenges they normally present. Also, similar to Bob-omb with the whole, “who knew living artillery could be cute?” Because I know it’s Mario, but geez.

Baby Luigi: The baby bro! He’s a fun alternate option for Baby Mario to rescue, and cute to see included from time to time in spin-off titles. Though, I think his best appearance was Mario & Luigi: Partners in Time.

Banzai Bill: The developers went, “Hey, know what’s scary than a big bullet chasing you down? How about a MEGA DEATH BULLET that destroys everything in its wake? Let’s even give it a creepy slasher-grinning face!” And nobody really questioned that. Utterly horrifying to battle (or just run from), but cool conceptually, so I like the enemy inclusion.

Buzzy Beetle: They’re such lowkey baddies that I actually love. Like, there’s even a sinister hint to them with the glowing red eyes and everything! Totally underrated as opponents, and I enjoy their appearances whenever they’re around.

Baby Mario: The leader of the bunch, and you know him...wait a minute. Anyway, he’s a fun character concept, and I like the idea of exploring characters at different points of their lives! It’s cute to see Mario was thrown into heroics since basically birth, and Baby Mario’s usually entertaining to see around, even though we should really question the lacking moral/ethic decisions of letting babies drive go-karts and playing sports.

Goomba: The number one low-level grunt of all-time! At least, I think so. They’re such fun enemies to see included almost all of the time. It’s fun how they’re normally super easy to fight, but can be surprising challenges in various appearances too. Simple conceptually, yet really diverse in use! Overall, one of the best baddies out there!

Thwomp: Floating death trap extraordinaire! These dudes are utterly terrifying to be anywhere near, most especially under. I tend to remember them for the blocky blue forms used during the N64 era, but I think that’s the less iconic form. Still, they’re great trap enemies for sure, with a great slamming grunt to boot!

Captain Toad: While I’m not entirely sure if he’s meant to be separate from the Toad we know, I treat him that way. Plus, it’s fun to have a light-hearted version of Wario’s treasure hunter role used, and one that actually provides aid to Mario on his adventures! Plus, a hero in his own right. A great character indeed!

Wiggler: Instead of chanting “don’t be suspicious,” it’s “don’t wake the wormy” for me. This crazy caterpillar is full of anxiety inducing moments for sure, but on the cuter side too. Also, shout-out to the Flutter form! Anyway, they make a fun enemy, and it’s fun when they go from passive to aggressive!

Cheep Chomp: I really can’t deny that I’m surprised that this was included for an opinion list. Anyway, bigger and scarier fish enemies are always a good fright to include, so, why not? I like the purple version too.

Baby Peach: The original baby princess, which is weird to mention, given that I never expected more than one to appear or matter. Anyway, she’s a cute companion for Baby Mario and has her own baby princess posse, so...yeah.

Boom Boom: These dudes were always such cool enemies in Super Mario Bros. 3, so I’m really glad they came back into newer games! I love seeing them appear more in spin-offs lately too, they’re entertaining options to shuffle in with the cast now and again. Fun to face off against too; normally easy, but can be tougher too!

Cheep Cheep: Fishy! It’s weird how they can be so cute, and yet they’re so dangerous, since one bite cuts you down to size. But yeah, I like them as basic aquatic enemies!

Blooper: These troublesome dudes...they can chase you, tentacle smack you, and ink you in the face! That last one never used to be a problem in kart racing, but they totally improved over the years. Good enemy. But, also? A really, really cute spin-off character! I kind of love seeing them appear in other titles as playable characters. Especially in Mario Tennis Aces. Their voices are so cute!

Whomp: Really weird to see them included so far from their king. But anyway! Cool enemies, totally underrated compared to their Thwomp cousins, and I like to see them turn up now and again. They make fun guards, most commonly utilized in the Mario Party series. They’re fun enemies and deserve more love!

Additional Characters That I Like Too

Birdo: The disrespect at people never including my girl...shameful! Anyway, I love Birdo a lot. She’s pretty cute and should totally be included way more often than she is. And she pairs so nicely with Yoshi, that’s so perfect! Plus, she’s probably the earliest trans character that I was ever introduced to, and/or consciously aware of. Anyway, I love her, so there.

Toadsworth: Why does he get so neglected over the years? I thought he was a great inclusion for Peach’s staff, and yet, he’s diminishing so frequently over the years for some reason. Anyway, he was a very entertaining character, made a great equivalent to Kamek, and I wish he’d be used more frequently.

Donkey Kong: Not going to lie, I tend to not include him in Mario cast calls a lot too, since he just feels comparatively detached to other characters. That’s so weird for someone that basically helped kick off Nintendo’s main franchise. Anyway, I love him a lot, even if I don’t show it much. He’s a cool kong, and doesn’t need to be the king to prove it!

Chain Chomp: The bark and chain rattle of sheer terror. I love these guys though! They’re so cute! And dangerous. But cute! Whether being used as a baby’s weapon of mass destruction in racing, or as another avid tennis player, Chain Chomps are just delightful to have around.

Wart: Yeah, not really expected to be included. But, I like Wart from Super Mario Bros. 2, and he’s basically my new character to campaign for since Pauline made it back from the yester-years already. Wart has great potential to be an alternative to Bowser, or even just a fun character to include, so, I hope that we see him come back to the Mario franchise in the future some day!

Nabbit: This pesky thief actually stands out well enough to me, probably because he’s included as a playable pick in the New Super Mario Bros. games from time to time. Anyway, an oddball of sorts, but pretty cute to see pop up from time to time! Maybe he’ll be kept in rotation for future spin-offs...we’ll see!

Monty Mole: Perhaps a more forgettable enemy, but I think they’re entertaining and rather unique ground enemies! Also, I enjoy their Rocky Wrench cousins. But yeah, I felt these dudes deserved a special mention too!

Diddy Kong: Although I typically don’t consider Diddy a Mario character, he’s appeared so often enough that he should be. I like him as Donkey Kong’s go-to partner, and he’s fairly cute too!

Tatanga: Look, if Wart doesn’t work out, then I’m rallying behind Super Mario Land’s Tatanga. Plus, if we get more Daisy, we might as well get an enemy to go along with, or rather against, her. Who better than this little dude? ...Though, I kind of like the bulky version from the comics more. Then again, it’s less expected for a tiny guy to be a main bad guy, so, he’d work either way. Another fun alternate for Bowser, so he can have a break, and Mario gets more enemies!

Fire Bro: I saw the Boomerang Bro and was kind of expecting this dude to show up too. Normally easier to handle than their weapon tossing cousins, at least for me, but they’re challenging enough too. Another fun variation inclusion for big roster herds.

Spike: You know, I recall the Paper Mario version known as Clubba best. But anyway, I like these dudes, and I’m enjoying seeing them appear more often in newer spin-off titles. They’re cute! And they provide strong diversity for Bowser’s usual forces.

Luma: How did we not see these little fellows in the main set? They’re so adorable, I love seeing them all the time now! Definitely one of the coolest races to come from the Mario games, totally fitting for the franchise, and I love seeing them appear basically whenever they do. They’re so cute!

Rex: The retro Super Mario World enemy that’s rather squishy and most commonly forgotten. I think they work nicely as an evil equivalent to Yoshi, at least in appearance. It’s honestly strange that they’re so underrated and underutilized by the franchise; they’re pretty cool!

Ninji: Little ninja-like minions from Super Mario Bros. 2 that appear sparingly across the Mario series. Another enemy that I feel is super underrated and totally has potential for inclusion in spin-off games or just as a more frequent opponent like Rexes should be.

Koopa Paratroopa: Kind of included with Koopa Troopa above, but I like to see Paratroopa distinguished, since they normally tend to be, even among flying enemies. Plus, they’re common inclusions to the Mario spin-off titles, so it’s weird to pass over them. Anyway, I like these winged menaces too!

Professor E. Gadd: Speaking of underused characters and E. Gadd should totally pop up there. I like that he’s a Luigi’s Mansion mainstay, but I miss the days where he was slowly branching out in other titles, perhaps most notably in the Mario & Luigi series, but he’s also the reason that Mario had FLUDD in Super Mario Sunshine! I wonder why he’s not included more frequently; even if not playable, he makes sense just being used in some capacity.

Spiny: Lakitu’s little monsters that rain terror from the skies and onto the ground! Perhaps one of tougher baddies to battle with, but I like to see them, since they’re pretty iconic. Even without being Lakitu’s minions, they’re still plenty tough for Mario to battle against. Plus, they’re kind of cute? We should see a blue variation some day though, so that way we all know who to hammer on for all of those Mario Kart horror stories...

Cappy: Since this is being posted on the 3rd anniversary for Super Mario Odyssey, I’ll give him an additional inclusion. After all, Cappy is probably one of Mario’s best companions for a 3-D Mario title to ever be included, easily surpassing FLUDD and Baby Luma / Co-Star Luma. I hope he’s not left to be forgotten as the years go by, because he had plenty of personality and flavor that really made the adventure even more entertaining, and a great concept to engage with the game play, so, here’s to Cappy!

... ... ...

Phew. Anyway, these are just some thoughts on Mario franchise characters! There sure are a lot of them, huh? Probably too many to count if we really dig through the series, that’s for sure!

That’s all from me though, at least for this. Thank you for reading!

[that-shamrock-vibe]

Disney+ What To Watch: My Top 10 Favourite Modern-Day Disney Classics

#2. The Princess and the Frog

With the Post-Renaissance era having mixed results from audiences, Disney decided to go back to its beloved an fruitful Disney Princess formula with the last 2D animated studio to date from the House of Mouse.

This not only reminded fans what they loved about Disney when it was on the top of its game, but also began what is now known as the Disney Revival era seeing a resurgence in Disney classics and it all began with the Disnefied spin on yet another classic fairy tale.

The Princess and the Frog does not get enough credit, period. Not only could this movie be mistaken for part of the 90s Renaissance, but the characters are fantastic, the comedy is on point, the music is original and fitting for the setting and...it may just be because there was a 7​1⁄2 year lull of sub-par movies from the mainstream Mouse House between Lilo & Stitch and this...but there is just this feeling of coming home or seeing an old friend again that I always get whenever I see this movie.

Now a lot of people who criticise this movie say that the main problem is the fact the plot seems very crowded, but really it is straight forward to follow and. if you treat it like a chessboard, the game is set up in the opening scene and song.

So basically you have, arguably, the best female Disney character in animation who has been brought up on strong moral values, she also has a life-long dream from a young age of becoming a well-known chef and owning her own restaurant to honour her father.

Simultaneously, you have a foreign spoiled prince who has been made broke by his parents who comes into the company of the movie’s villain who allows him to escape his troubles but by doing so curses him as a frog and employs his butler to take on the appearance of the prince, trick the local sugar baron’’s into marrying him and thereby takeover New Orleans and harvest its citizens for their souls to appease his friends on the other side.

Plots collide when our heroine meets the frog prince and is tricked into kissing him because he believes she is a princess and so promises to grant her the money for her restaurant if she frees him from his froggy prison, but instead she is turned into a frog and they must find a way to reverse the curse and thwart the evil villain.

I have genuinely just given a general synopsis of the movie in three very short paragraphs so if anyone still thinks this movie is confusing then either I’m missing something or you’re overthinking.

The lessons in this movie are so well learned and played out, the relationships are genuinely built up so that when our main protagonists do eventually fall in love it feels earned rather than just a business arrangement as it was originally going to be.

The choice to make this a 1912 Louisiana set movie, complete with a strong African-American protagonist and an equally strong ethnic Eurasian deuteragonist, as well as a Haitian villain, is genuinely revolutionary for not just Disney but family entertainment.

It doesn’t really shy away from prejudice, albeit while it is not a main focus of the movie, Tiana is put down numerous times not just for being a woman trying to succeed in life but also referred to as a woman with “her background” which means he skin colour, or her upbringing in a poor neighbourhood.

Tiana is the every girl for me, not only has she worked for everything that she has earned, even throughout the movie, but she has a smart head on her shoulders. She knows how to whip Naveen and her friends into shape, but also she is not afraid to stand up to the Shadow Man or any of her oppressors.

She also doesn’t believe herself a princess, she is not the type of doe-eyed dreamer that would usually fill the princess role. She has a drive, she’s determined, and it’s all real-world issues. Her motivations aren’t because of a man but providing for her future and maybe supporting her mother.

Even when cursed as a frog, she is still determined to achieve her goal, she just needs to be able to turn back into a human first which is where she learns life isn’t all about the endgame. That’s when she allows herself to open up to seeing the good in Naveen and allows herself to fall for him but in a natural organic way.

Anika Noni Rose does an absolutely amazing job as Tiana, she was born to be this character, I can genuinely see her as the live-action version of the character. Anyone saying Tiana was originally supposed to be Caucasian really needs a reality check, look at her design.

It also doesn’t hurt that Tiana’s main princess dress is green which happens to be my favourite colour.

Naveen is a lot like Flynn Ryder in terms of being that loveable rogue type of character but what elevates Naveen is he does at least learn and show personal growth throughout the movie, first with actually doing some hard work and cooking and then with developing actual emotions for Tiana and being conflicted into whether or not the most important thing is regaining his humanity and money or being with Tiana.

Dr. Facilier is one of the great Disney Villains, I may not be Haitian but I actually dressed as him for Halloween last year complete with UV skull face paint, now yes I’m practically a milk bottle and so a white skull face on me does not exactly show properly but I still felt very good about myself.

I loved the addition of voodoo to a family friendly atmosphere, it didn’t need to go into the blood rituals as heavily as say American Horror Story: Coven did but it still showed that a large part of voodoo is blood rituals with requiring Naveen’s blood in order to maintain the illusion of Lawrence being Naveen.

The personality they gave Facilier as well wasn’t exactly as sinister as Maleficent but instead more like Jafar or Scar, he allows himself to have his own brand of humour such as when he’s giving his tarot readings but also his sinister side manifests in how he utilises his magic and his friends on the other side and particularly his shadow.

Charlotte Le Bouff is probably the funniest supporting character I’ve seen since Mole from Atlantis or even the Genie in Aladdin. I absolutely love seeing this girl every time she is on screen, she steals the show in every scene she’s in. But also, you do feel for her. She wants that dream fairy tale life and you want her to get it because she is just that loveable.

If I had to say who I liked the least it would probably be Louis and Ray, nothing personally against them they are both decent comedic side characters, but they just seemed to be tagalongs and didn’t really contribute a purpose. Louis is an alligator who dreams of being a jazz musician which comes true when Tiana opens her restaurant and he is part of the house band, Ray is a Cajun firefly who is in love with a star and he gets to join her by becoming a star when he is, rather brutally, murdered by Facilier after a rather emotionally manipulating funeral scene.

Mama Odie and Eudora (Tiana’s mum) are great examples of Disney utilising named talent for minor roles, as both Jenifer Lewis and Oprah Winfrey respectfully do very reasonable jobs with what they’re given. I mean it’s Jenifer Lewis as a Voodoo Queen it’s just magic.

Just like Naveen, I was so happy with the infusion of Jazz music in this movie. I want to go New Orleans so badly, and I partially want to go there because it is the hub of jazz music. I loved the “Down in New Orleans” book-ended renditions at the start and the end of the movie, originally performed by Dr. John and in the reprise performed by Anika herself belting it out.

“Almost There” I love as a “I Want” song and as an empowerment mantra, it’s a song about focusing on your goals, working hard for them and it is catchy as hell.

“Friends on the Other Side” is the best villain song since “Be Prepared” and “Hellfire”. Not only does it give an amazing display of Facilier’s voodoo powers but Keith David delivers a fantastic performance all round.

“Dig a Little Deeper” is another great life motivation song, and if it is Jenifer Lewis singing it then she stays in character and does a great job.

The other songs are good, they’re nice but I do feel they’re a tad forgettable.

The Princess and the Frog is one of the more underrated Disney animated movies, it was unfairly weak at the box office, yet delivers a brilliant well-rounded story with fantastic characters, stunning visuals, great life lessons and an overall heartwarming feeling.

It’s also made me want to try beignets as I have never had them before.

So what do you guys think? Post your comments and check out more Disney+ What to Watch Top 10s as well as more Top 10 Lists and other posts.

[themattress]

My Danganronpa (Killing Harmony) character tier ranking. Follow-up to these posts.

Yeah, there are no S Tier or A Tier characters in this game. So moving on...

B Tier (Good) - Kaede Akamatsu, Gonta Gokuhara, Himiko Yumeno, Ryoma Hoshi.

Kaede deserved to be the protagonist the whole way through; what little we were able to get of her was so interesting and endearing. Gonta is a fantastic concept for a character - a Tarzan/Mowgli type who has an affinity for insects and strives to be a gentleman - and among the better utilized in the cast. There’s probably a law against disliking Himiko since she’s so precious, and Ryoma is funny and legitimately cool and even depressing all at the same time.

C Tier (Weak) - Shuichi Saihara, Kokichi Oma, Tenko Chabashira, Miu Iruma, Kaito Momota, K1-B0 / Keebo.

Shuichi absolutely should have died instead of Kaede, or at the very least remained the sidekick while she remained the protagonist, because as the protagonist he is not that interesting, his wishy-washiness is tiresome, and his angst over his talent just falls completely flat compared to his predecessors’. Kokichi would have been great had he not been given the role of Poor Man’s Nagito Komaeda, because he is insufferable in that role. Tenko is funny, but the whole misandry angle for her character was ill thought-out and it doesn’t feel like she ends up amounting to much; ditto for Miu and her unique personality. As for Kaito, I really don’t feel like he warrants all of the focus and glorifying that the narrative gives him, and putting a frequently sexist guy as the deuteragonist on top of killing off the female protagonist and replacing her with a male one really rubs me the wrong way. Keebo, meanwhile, is just bland beyond the fact that he’s a robot, and his ties to the notorious end plot twist don’t help.

D Tier (Pathetic) - Rantaro Amami, Kirumi Tojo, Angie Yonaga, Korekiyo Shinguji, Maki Harukawa, Tsumugi Shirogane.

Rantaro barely gets to showcase any of his character before he’s dead, and his role in the story amounts to both a huge fake-out and an infuriating slap in the face to all Kaede fans. Kirumi, Angie and Korekiyo all could have worked given good material, but unfortunately the material they get is abysmal. I didn’t care for Maki to begin with since the “twist” on her character was obvious and she only got wose from there; she feels like a Creator’s Pet who is derivative of previous characters like Kyoko and Fuyuhiko but without the charm and likability, not to mention saddled with an unbelievable romance with Kaito and an outrageous Karma Houdini act at the story’s climax (she is one of three survivors in spite of what she did, while Kaede is killed for what she was framed for doing. There is no justice.) And Tsumugi...sigh. I’m sad to say that I quite liked her and would have placed her at C Tier...and then it was revealed that she was the Mastermind, which is such a dumb, dumb, DUMB decision. Everything that was likable and interesting about her, totally wiped away in one fell swoop.

E Tier (Abominable) - The Monokubs.

“He is all that remains of a once powerful na-” SHUT UP! I freaking hate these things; I hate their designs, I hate their personalities, I hate their interactions with each other and with Monokuma, and yes, I hate their dumbass theme song. I get what the point of them was, what they were meant to represent. I get that they were supposed to be annoying, unlikable and pointless. But it just ended up working way too well; they are simply unBEARable.

[i-just-like-commenting]

The Witcher review

When I first read critics’ reviews of this show, they seemed to fall into two camps: non-fantasy fans who dismissed it as nonsense, and fantasy fans who said it got good but took a while to get there. Knowing I was a fantasy fan, I figured I might be in the latter camp, and started watching it. Casually at first, one episode a day, taking a break for Christmas…and then about halfway through I was hooked and marathoned the rest of the series. I genuinely liked this series…but it has problems, and I can see why it lost a lot of non-fantasy fans from the outset. Let’s get the bad out of the way first so I can gush about the good.

Barriers of Entry

Most TV viewers are not fantasy readers. Those of us who are may regret that, but it’s not a genre that everyone gets into, and it has its own storytelling quirks that can be off-putting to newcomers. This is why, for all that it failed in later seasons, Game of Thrones did well for general viewers in its early seasons. The small bit of fantasy hinted at isn’t all that different from the zombie films people are used to, and the rest feels mostly like period piece drama. Magic only gets introduced gradually, with an explanation of what it is and how it works as it’s introduced. Also, there’s a map.

The Witcher doesn’t have any of that scaffolding. It is full high fantasy, magic-heavy, thick in world-building from the very instant it opens. It explains very little about anything; by the end of season 1 I don’t know what Cirilla’s powers are, how Witchers are made, or what the Conjunction of the Spheres is that gets repeatedly mentioned. Now, as a fantasy reader I’m used to this; ideas and supernatural mysteries get introduced and not explained until later because the characters in-universe understand the and don’t need an explanation. All I need to know is that Cirilla has some dangerous power that Nilfgaard wants, that Witchers are made and not born, and that the Conjunction is an important thing that happened in the past that may be relevant in the future. Presumably all will be made clear in time.

But I really would’ve liked a map. Up until the penultimate episode we’ve no idea of what this place looks like, how everything is connected to each other. It makes the stakes of Nilfgaard’s invasion harder to fathom. How big are they as a kingdom? How at risk are the Northern Kingdoms? How many Northern Kingdoms are there? A few map shots in the first episode as Calanthe prepares for war, a few more as the series progresses, all of that would have helped situate the story and have it feel more grounded spatially.

As for temporally…

Timeline Shenanigans

I have no problem with this series choosing to have three different timelines for its three different characters that don’t meet up in the “present” until the final episode. Certainly there have been excellent series that have done this in the past (N.K. Jemisin’s Fifth Season comes to mind). But time stamps would’ve been really nice. Let the first episode play out as it does, but when we jump back to Ciri for the last time, have a heading that says “30 years later,” confirming to the audience what they suspect from some throwaway lines about Calanthe, that this is taking place much earlier than Ciri’s scenes. Do the same when Yennefer is introduced, keep updating how far along we are with Geralt’s story, not just to clarify the timeline but to also build suspense as the viewers realize that the plotlines are catching up to each other.

However that wouldn’t fix all the problems inherent to the time-jumping. Between episodes 5 and 6 we find out, for example, that Yennefer and Geralt have met several times already and are pretty heavily involved with each other. It works well enough because the actors are very good, but it’s a bit “oh, really?” when you find that out.

Likewise, I have no idea how long Jaskier has been around having an obvious crush on annoying Geralt; is it months? Years? I think it’s years, because that’s the same time frame for Geralt and Yennefer’s hookups, but maybe it wasn’t that long? And how long did Yennefer’s education take? When did her immortality kick in? How much time passed between Geralt and Yennefer breaking up and Geralt deciding to seek out Ciri? Was it right before? Years later? How old is Jaskier supposed to be at this point? Was Yennefer’s joke about crow lines an indication he’s approaching middle age? Time stamps!

This show is really lucky it had as good a cast as it did to carry it through these narrative issues.

Special Effects

The elves, hedgehog people, and fauns all look…bad. Like, almost Halloween costume bad. Don’t know what else to say. The other effects were really good, so they stuck out.

But now let’s talk about how this series rocked:

Have I mentioned this cast is fantastic?

So my interest in Henry Cavill may have been less than high-minded, but he is in fact absolutely fantastic in this. The show also walks that fine line with “jerk with a heart of gold” characters where it explains their dickishness without excusing it. We understand that with the life he’s led and the discrimination he’s faced why Geralt is cold and aloof, but we also see how being that way destroys his relationships with people he cares for, especially in episode 6. And Cavill manages to convey perfectly how, at the moment he sees Ciri, Geralt realizes that his whole life has been leading up to him taking on this role as protector and guardian. He needs someone to need him, even if that terrifies him.

And then there’s Anya Chalotra as Yennefer who you might call a deuteragonist since she doesn’t show up until the second episode and isn’t the title character, but honestly the show is as much about her as it is about Geralt. You start with her as an abused child with a spinal deformity who thinks she’s unimportant and worthless. You have her trying to conform herself to the purposes others give her, literally changing her body to meet their expectations, failing, flailing about trying to find a purpose, and then in the final episode landing on the grim realization that she is the only one who can protect all the Northern Kingdoms. It’s an excellent arc, even with the timeskips sometimes making it not as smooth a one as it might have been. Again we have Anya Chalotra to thank for making it work in spite of the narrative missteps.

Even Freya Allen, though she doesn’t get much to do plotwise, does a great job portraying the internality of Ciri’s journey this season, as she slowly realizes her beloved grandmother may have, in fact, been terrible – but that this doesn’t justify what was done to them.

Relationships you can root for

Two broken and emotionally distant people learning to break down their barriers and be vulnerable to each other? Sign me up, nothing is hotter. I really like Geralt and Yennefer, and I honestly hope they find common purpose together next season and realize that, wish or no wish, they’re good for each other and should try to work it out.

But Jaskier and Geralt’s relationship is honestly great, too. While I don’t think they’re sexually interested in each other and therefore this counts more as a “bromance,” I also hate the term “bromance” and prefer to just say that their unacknowledged but obvious affection for each other is charming. I’m guessing Jaskier will come back later? Maybe he was just in the short stories they use here, but that would be a shame.

The soundtrack “slaps” – that’s the term young people are using, right?

While “Toss a Coin to Your Witcher” is attaining meme status and so many Youtube listens that it threatens to break into Billboard’s charts, let’s not forget how all the music in this series is so good. Like, literally, even if you can’t get into the show at all because of its other problems, check out this score, it’s amazing. It is incredibly frustrating that it’s not up on Spotify yet, though a few tracks are available on Youtube.

Its total embrace of being a fantasy series

And here we come back round to the beginning of my review. While Game of Thrones did well in its early seasons by easing its audience into its fantasy setting, as seasons went on it seemed progressively more and more embarrassed that it had to be a fantasy story. The Stark children’s warg powers are forgotten, prophecies are removed, the House of the Undying is reduced to like one room, bye-bye krakens and any kind of water magic, Euron’s just a pirate now, and who is this Lady Stoneheart you speak of? They even dispensed with the big final threat of the White Walkers as quickly and unceremoniously as possible, just so they could get back to the politics.

The Witcher, on the other hand, is a fantasy series from its first frame to its last and loves it. There’s monsters and magic everywhere, Destiny sets everything up to follow fairy tale rules, and humans share the world with multiple other sentient species. It does not apologize for this, and it has a very lived-in feel to it that many magic-heavy universes fail to achieve. You believe that this is a world where the supernatural is natural, where people have seen and lived alongside magic their whole lives. We see how magic is integrated into combat, healing, and politics, and it’s all believable in spite of how unbelievable it is. It makes it refreshingly fun and escapist without feeling completely divorced from reality.

So overall, I recommend the series while really wishing they’d structured it more clearly and accessibly. And had better makeup effects because ugh.