#it’s replacing i with ! but

[wormy-business]

I saw this question posed on tiktok, but I think Tumblr would really enjoy it too.

If a fae creature offered to give one million dollars for a bone FROM YOUR BODY chosen at random, how many bones would you allow them to take?

Light clarifications; The fae is not the one choosing the bones. The bone is taken at random. Each bone, no matter the size or importance, is worth a full million dollars. You must also declare the exact number first, you can't go bone-by-bone. You either say 2 or you say 10, you can't work your way up to a higher number. The bones are removed instantaneously, and the money is given immediately as well. You will not get in government trouble for acquiring the money.

Tell me in the tags/replies how many bones you'd let the fae take. And as always, reblog for bigger sample size.

[biggest-gaudiest-patronuses]

"smart appliances" fuck u i want them dumb as a brick and incidentally as sturdy and enduring

[theoldaeroplane]

worried that thing you put in your art or writing or game or music is too self-indulgent, too self-referential, too niche for anyone but yourself? fear not! you can do whatever you want forever. and you should.

[muirneach]

fuck it this is about neil now

[noodles-and-tea]

How does Ford react to Fidds taking Stan with him on a creature hunt? A sea based hunt at that.

He gets a lil jealous

[sickfreaksirkay]

if i had my way the round table would look like this. and charlie brown would be knighted

[habken]

inko <3

refs

[thornshadowwolf]

In complete seriousness, they need to make laws about ads that say they can take no more than one, maybe two, clicks/taps to close/skip. No more "wait 10 seconds until you can skip the video, wait 10 seconds until you can skip the fake playable ad, wait 5 seconds until you can close the 'download now' overlay, puts up a half-screen in-app appstore pop-up (which at least you can close immediately)." This should literally be illegal to do.

Edit: this is blowing up so I just wanted to add (haha ad) that this was my "reasonable request" I also think there should be way more and way stricter laws around all advertising in general. I think most advertising as we know it today should be abolished.

[hansoeii]

let time pass.

[beif0ngs]

alright look, i just wanna know who is the writer that came up with the dumbass idea of replacing the line “Ever since I lost my son, I think of you as my own” with “Lu Ten would have been proud to have you as his father” in this scene for the Netflix live action series???

[k9wa]

𑣲 RILE HIM UP ! ft BOOTHILL.

⠀ — your least favourite cyborg is brought back to you a mangled mess.

⠀ OR

⠀ — being boothill’s mechanic when you lowkey can’t stand each other.

⚠︎ sweet sweet tension, a little suggestive towards the end, gn reader (no referring pronouns), can they fuck already, this was ib by his lightcone, wc 1.9k

boothill's eyes flickered to life, emitting a faint glow of red as his systems began to reboot.

a pair of familiar red pupils met yours, two crosshairs fading into sight as boothill regained his sight and— to your dismay— consciousness.

as the cyborg regained his motion he attempted a step forward, only to realise he didn’t have the feet or legs to do so. the only thing keeping him powered on were some metal claws screwed into his back and a few loose cables connecting to your terminals.

“sugar plum,” boothill's scruffy voice cut through the silence. “do y'care to explain where my legs might’a run off to?”

you actually cocked an eyebrow. how the hell were you supposed to know? boothill was brought back to you in a mess of scraps and wiring— the damn hunk of metal was lucky you made him as blast proof as possible and he was left salvageable. 

“care to tell me how the hell you got this roughed up?”

you asked in turn, crouching down to look at the detached and ruined internals of boothill's torso where the stand-in wires were connected. you ran a finger carefully along the edge of his shredded metallic stomach.

“guess i didn't make you as smart as i thought. time for a newer model, maybe?”

boothill's eyes flickered down to his missing lower half, then to your hand that was more or less caressing him. it was amazing how much annoyance they could show in all their artificial glory.

“look who’s talkin.” the cowboy grumbled, pointy fangs poking out in an irritated grin. 

“how ‘bout, ‘gee, boothill! i’m real glad y’ain’t get blown to smithereens beyond repair!’” 

“it would've been less work for me if whoever blew you up finished the job.”

you sighed as you stood up, putting a hand lazily on your hip.

“how’d it happen?”

boothill bit back another argument with a gruff chuckle.

“some real cutie-pies i was huntin’ down had a lil’ more firepower than i expected. guess they didn’t appreciate me spoilin’ their party.”

boothill visibly cringed as his insult was substituted with some cutesy nickname mid explanation.

“and can you fix my beautiful synesthesia beacon already? this thing is drivin’ me up the wall.”

the request fell on deaf ears as your fingers typed something on your laptop, likely another string of code.

“you’re more concerned about your censor than how long it’s gonna take me to put your legs back on…” you sighed to yourself, still leaned over your workbench, eyes focused on your screen.

“i'm not touching it right now. you’re lucky i’m even letting you stay sentient after this.”

boothill snorted at the remark, brows furrowing in a steady grimace.

“well, ‘scuse me for wantin’ to speak freely–  i’m a grown man!” his pointy teeth shone as they peeked out again in a grin.

“y’know what? just leave yer lil’ tools and all the pieces there— i’ll get my legs back on myself. don’t need no charity work from the likes’a you.” he laughed. “heck, may even give myself a new pecker while i'm at it!”

the mechanic had half a mind to listen, sit back and watch boothill struggle to reassemble himself just to prove a point and simultaneously bask in his embarrassment when the former realised it wasn’t possible.

(not that he would’ve admitted defeat– you would have begrudgingly stepped in and helped before he inevitably messed up his wiring more.)

you stepped back over to boothill, hands moving to hold his cheeks so you could tilt his face side to side to check for any more damage.

“cool it, cowboy.” your eyes squinted in focus as they looked at boothill's, lightly tugging up on his eyelid to check for scratches or cracks.

“i'll get you back up and running, just lose the attitude already.”

boothill's eyes narrowed as he felt your touch on his face. the temperature difference of warm fingers on his cold, mechanical body stirring an oddity where his gut should have been. though he tried to ignore it, the sensation was there, clear as day against all his artificial nerve endings. 

“real easy for you to say,” he huffed, avoiding your eyes as he was examined like a broken toy. “let’s see how peachy you are when yer all strung up and legless, love muffin.”

that censor really was gonna drive him insane.

“just get it over with.'' boothill muttered in annoyance. “and try not t’fuss anythin’ up.”

it took quite some time, as expected, for you to successfully reattach boothill’s legs and fix his mangled midsection. when you were finally finished, you tugged out any leftover wires that connected boothill to your terminals and pushed back in your wheelie chair to beckon the cowboy forward. you pushed your glasses up to your forehead, some hair getting swept out of your eyes with them.

“feel fine?”

boothill rolled his ankles and bent his knees, giving his legs a good stretch to test their mobility.

“mighty fine,” he responded, satisfied to feel they were weighted and moved the same as before. “though i can’t say i’m lovin’ the breeze up my backside.” 

boothill glanced down at himself, steel body completely bare and lacking any of his signature clothing. 

“got my pants lyin’ around anywhere, sugar plum?”

you pointed to another table in the room, where boothills clothes— (or rather the new ones you had to go and get—) were neatly folded, his hat placed on top of them. 

boothill went to get himself dressed, hoisting up his bell bottomed pants and sliding on his jacket. he stole a glance in your direction every so often, resisting the childish urge to roll his eyes at the mere sight of you.

the artificial man hit a small bump in the road as he went to zip his jacket (could you really call it that with how little it covered?) up—  his fingers weren’t responding as well as they should have been. he could open and close his fist, but lacked the precision to pinch and hold the zipper.

“hey, honeybun,'' boothill called over to you with a furrowed brow. “didn’t i tell you not to go fudgin’ anythin’ up?”

you, in all your overtired glory groaned, turning around in your chair and waving boothill back over.

“what are you talking about?” 

“my cute lil’ fingers ain’t workin’ that’s what i’m talkin’ ‘bout!”

boothill's footsteps were clunky and loud as he stomped his way back over to his mechanic.

you reached for his hand, an uncharacteristic gentleness in your touch as you examined five mechanical fingers.

“make a fist,”

boothill obeyed, curling his fingers into his palm.

“open it,”

he obeyed again, letting them open and relax.

“hold up two fingers,”

boothill tried, but his fingers got stuck halfway into the motion, locking at the joints.

“son of a bitch.” you sighed, turning for one of your tools. “sit back down.”

boothill grumbled and went to hoist himself back onto the workbench.

“least one o’us can say it…” 

“do you want me to fix you or not?”

“i'm sittin’ ain’t i??”

you pulled boothill's shirt off his left shoulder and popped open a tiny panel on the curve of his neck, sliding your glasses back on to the bridge of your nose. with a lean forward you began carefully looking at a few thin wires that filled the space.

boothill tapped his fingers against the tabletop while you worked, that same oddity as before settling in his now repaired gut. he rarely got messed up enough for you and him to spend this much time together, or for you to have to really be in such close proximity.

it’s not uncomfortable, but the feeling is by no means familiar. it’s actually a little embarrassing– a galaxy ranger, a space cyborg and expert hunter, feeling almost flustered at some close contact like some kind of shy little girl.

“something the matter?”

boothill nearly jumped as you spoke up quietly to check on him, voice quiet and so close to his ear he had to refrain from leaning both closer and away.

“nah, everything’s just dandy.” boothill’s voice followed yours– quieter and a little softer as a result of the closeness.

“you’re sure?” you looked up from the small mess of wires, eyes glancing up at your cyborg over the rim of your glasses. “might as well fix anything else that’s bugging you while i’m here.”

boothill would have swallowed if he had the need to lubricate his throat. he shook his head, turning to look somewhere— anywhere else.

yours lingered on him, albeit briefly, observing the clench of his jaw and the way he tried to shift in his seat without being disruptive to your work. he didn’t see the little smirk tug at your lips as you refocused on the task at hand.

boothill’s cybernetic limbs felt almost human in their sensitivity, sending faux shivers up a spine he didn’t even have. the mechanics fingers running down his forearm are doing him no favours as they move to hold his hand again.

“close your fist…open it…two fingers up…”

each command was obeyed, ten gunmetal fingers finally holding up a little peace sign.

“that should be it, come see me if they start acting up again.”

you stood up, tentatively reaching out to fix boothill’s jacket and begin to zip it for him.

boothill didn’t protest the act, but it was…confusing, to say the least.

“reckon i’ll just start seein’ those auto bots again,” he leaned back on his palms as your fingers fixed his collar, straightening it out.  “much as i love our lil’ visits.”

you only hummed, smoothing out a few wrinkles and neatly tucking his scarf into it’s neckline, as he liked. “you could,” you mused, hooking your finger lightly into his collar and giving a gentle tug forward. “they don’t take as good care of you as i do, though.”

this time boothill caught the little smirk on your lips, clear as day and enough to make him question if short circuiting was possible.

you’re doing it on purpose, he knows. the careful touches to his hands and body against the sensors you put there, quiet voice leaving him with a frisson you made it possible for him to have.

boothill returned the smirk, albeit a little wobbly.

“you tryin’a rile me up, sugar plum?” 

he entertained you with a lean forward, two white crosshairs looking right at you while he considered if a hand on your waist was too forward or the perfect cornering move. 

“just like watching you squirm.”

you were gone as quickly as you’d arrived, finger unhooked and going to pick up his hat.

“but say i was,” you didn’t bother with a glance over as you made sure the brim was straight and unharmed. “i hardly have to try.” 

boothill hopped down from the table, following your path and offering a scruffy chuckle when you reached up to place it on his head.

“yeah? and what makes y’say that?” his hand found a place on his hip.

you didn’t respond— not verbally, anyway. a quick flick of your eyes downwards was all he received. 

so he followed, looking down as well, to the very appendage he had insisted you give him over and over again pushing against his trousers. 

his own dream, now his downfall. 

boothill pushed passed you, pushing his hat further down onto his head while he stomped away. the profanities that left his lips filled the air— or rather their replacements. something something i love you blah blah peach cobbler something cutie-pie or meow!

“remind me t’settle for them lovely auto bots next time!”

he opened the door with a firm kick of his boot, stomping out with a scowl. 

as if he wouldn’t be back. you took better care of him, after all.

⠀ 𑣲 MASTERLIST / GOT A REQUEST ?

[lyss-butterscotch]

The art of violence

[somewhereincairparavel]

i will never understand how people have the heart to hate Jason even after they found out that his Ambrosia tastes like fucking sawdust. Ambrosia being tasty is like one single happy thing a demigod can have despite their tragic lives, because it reminds them of the home they once had, but lost. And Jason doesn't even have that, he doesn't even have a home to lose in the first place.

[mykaeba]

yeah ctommy, same man

[inkskinned]

at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"

like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.

"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."

... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.

and i'd still keep writing.

i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.

i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley

"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"

and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.

it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.

you create because you're greedy.

[hayden-christensen]

EWAN MCGREGOR AND HAYDEN CHRISTENSEN as Obi-Wan Kenobi and Anakin Skywalker Star Wars: Episode III - Revenge of the Sith (2005)