#it’s insane i’m just… so gay

[seluneclerics]

successfully transitioning into a multifandom account without a dip in interactions has been so nice, i was terrified that all my mutuals would jump ship the moment i started posting about other f/f shit </3 so glad that isn’t the case though you guys are so real

it’s hard when all i think of is mother miranda, lara croft/ss endurance, korrasami, neve gallus, sabine callas/wei ling ying, lae’zel/tav & shadowtav, rinse and repeat

i’m an f/f demon if i’m being honest

[gd-dollopole]

I should find another hobby

Anyway, if Merlin was set in modern times, Arthur would have called Merlin his “gay awakening”.

[insane-hag]

“i am sane. i am normal.” i say, looking at myself in the mirror after watching two hours of “april ludgates funniest moments” and “ann perkins being the normalest person in the show” videos.

[arcsin27]

Kinda gay to dress up as the same character. What are you, two halves of one whole?

[moon-thyme]

THEM I love old man yoai

[i-may-be-an-emu]

not me actually keeping up with sfthtober :0

anyway here’s ditch being adorable

Reference photo under the cut

[mythmerth]

the “there’s something about you, Merlin. I can’t quite put my finger on it” is insane. can we talk about how insane that is? Arthur meets this kid who speaks to him like no one else in his life has before, disrespects him loudly and publicly despite knowing he’s the prince, causes a massive scene in the town, and lets him off with a there’s something about you. WHAT. this is exactly why they make me insane. at first sight they’re under each others skin and stuck on each others mind. that fucking line haunts me who the FUCK says that in a purely platonic way I’m going crazy

[lesbianfakir]

Mytho fans id like to issue a formal apology. I realized I, too, know how it feels to have your special little guy mischaracterized and trampled over by his own damn media and now everyone hates him but YOU understand you understand him and they’re wrong they’re all wrong and also there’s this other guy everyone insists is better like it’s a competition and it’s really annoying and you just want everyone to see your pookie bear the way you see him. I understand. I’ve always understood. I am a better man now.

[faynthearted]

hi! sorry I’ve been quiet. I’m alive, and I’m also overworked and terrified. please, god please, do not let this man win presidency again.

[wispscribbles]

Uhm, just wanna say on here that I have a tiktok where I post ghoap stuff

😳

👉👈

[ssruis]

At some point I really do need to talk about tsukasa + rui wrt to rui - who has had so many people leave him because his ideas were scary/dangerous even when he did everything to ensure people wouldn’t actually get hurt - going “I’m going to be too weird and he’s going to leave me so I should just get it over with now by being as insane as possible. Ok he’s still here what if I’m more insane. Ok he’s still here but surely he’ll leave if I’m even crazier. Ok he’s still here but THIS time (rinse and repeat).” I feel like a lot of why rui acted Like That in the beginning was because he was like “this guy is a liar there’s no way he’ll actually stick around *nobody* is ok with my stunts.” If everyone says you’re weird and your ideas are insane and will hurt people you might as well lean into that being your reputation so that nobody else will attempt to be your friend and then leave when you + your ideas are too much. Obviously a lot of this is unconscious but I think in the beginning it was at least a little deliberate.

He was 100% lying when he was like “if you touch this you’ll die” in the main story but I feel like that was his way of being like “see recruiting me was a bad idea. Oh well this is what I expected”. Which is also why he immediately is like “bye then ✌🏻” when tsukasa is like “I don’t want to die.” & then he’s shocked when tsukasa is like “ok fine let’s do that” -> he suggests a flame thrower and launching tsukasa 10 meters into the air -> tsukasa is still like “😰… but it will wow the audience so as a future star I must do it”

which is 100% the first time anyone has been insane enough to agree to what rui throws at them & he’s very obviously super cheesed by this

The reason I’m singling out tsukasa (besides the fact that I’m a ruikasa enjoyer) is that, unlike with emu/nene, 1) tsukasa promised to match his freak during their first interaction 2) when rui attempted to call his bluff tsukasa continued to be insane and agree to his ideas.

& then when rui “shows and theatre are my entire life and also the only way I know how to connect to people (even though that never works)” kamishiro leaves and refuses to return, Tsukasa elects to convey his true feelings/rediscovery of his original goal through a show based around their argument. Which is an absolutely unhinged thing to do, but it works because rui is also unhinged and shows are the language he speaks best.

I think after the main story rui’s continued attempts to find the point where he’d finally become Too Much for tsukasa were unconscious. The brain likes patterns and it’s natural to attempt to make any exceptions to a rule fit with what you’re used to.

Wonder Halloween is absolutely rui’s worst nightmare coming true, in that he constantly goes to such great lengths to ensure that what he does is safe and people still leave anyways - and now he’s finally found someone just as crazy as he is, a place he can be accepted, and Tsukasa gets hurt because one of rui’s inventions malfunctions. If people left rui when it *was* safe, why on earth would someone stay when they actually got hurt because of him? & then tsukasa doesn’t leave, but rui pulls back because there’s no way he’s getting a second chance if someone else gets hurt. I think tsukasa being mad at *himself* for getting hurt and only getting mad at rui for pulling back was Huge because rui is so used to being too much, and now tsukasa is going “I won’t accept anything less than your authentic self.” Also huge because it showcases that tsukasa is a fucking freak.

The constant roping tsukasa into antics at school is (imo) another part of that - ok so tsukasa is fine with all of this on the stage, but what about in front of all of his peers? Getting in trouble and being labeled as weird will be the deal breaker right? Even nene doesn’t want to be seen around him. Nope! Tsukasa actually is going to act like they’re glued at the hip at school. Tsukasa cares about his reputation, in that he doesn’t want to be labeled as a trouble maker, but he’s already known as a weirdo and doesn’t really care. He’ll huff and puff about Rui being irresponsible and tarnishing his reputation but he’s still not leaving. Rui will purposefully annoy him & tsukasa will react dramatically but continue to associate with him.

Pandemonium is essentially an event about their relationship, & I’m not going to go pull a bunch of quotes (I am keeping this post solidly under control. I am not going to go insane with the evidence. I am normal and in charge of my own destiny.) but since I have this quote on hand:

Rui: I had always thought that I could never properly understand everyone around me.

Rui: as I started doing shows at Wonder Stage with everyone, my way of thinking and feelings began to change.

Rui: now, I am able to understand and connect with someone without relying on shows, and I’ve come to value the beauty of laughing alongside others

Rui: that’s why — tsukasa-kun. Thank you for giving me the chance to change.

The reason why pandemonium is the turning point for their relationship is because they’re connecting outside of shows. The reason why rui specifically cites tsukasa as the reason he changed is because tsukasa brought him to wxs, repeatedly emphasized that he would not accept rui holding back, and stuck with him when any sane and reasonable person would have been like “I value not getting detention on the daily and not dying on stage.” I say that with love. Pandemonium shows that rui *can* connect to people and form relationships without playfully threatening bodily harm several times a day, but the rui + tsukasa relationship is special in that they’re both insane Together.

One specific thing I want to point out is in the card story where tsukasa joins the disciplinary committee (I’m not transcribing that/pulling quotes watch it yourself) because he’s tired of having a reputation as a trouble maker. The easiest way to clear his name would be to stop associating with Rui at school, but tsukasa instead goes “I’m going to be taking responsibility for him and watching him carefully”. ??? Ok? Freak. (Tsukasa Tenma voice) you are NOT getting rid of me.

Last thing to mention is that saki, upon first meeting rui, is like “He must keep my brother in check I’m glad he found someone to do shows with 🥰” (funniest possible first impression of the ruikasa dynamic). This post is rui focused (consequence of spending the past 24 hours rotating him in my mind) but I think that because rui is so crazy people often forget that tsukasa is also insane. Even saki, who he’s objectively more normal around, thinks he’s a freak.

They’re both show maniacs. Matching each others freak. Absolutely misery inducing to be around if you haven’t built up a tolerance. I think they’re neat. I hope they both explode. You understand.

[faelapis]

at least rebecca sugar is keeping busy i guess 😭

[mikesbasementbeets]

people will truly go so far out of their way to avoid admitting that mike never loved el romantically like ‘he’s confusing true love with infatuation’ and ‘it’s not real adult love it was puppy love that faded as they got older’ and ‘the contrast with byIer just shows the difference between a childhood crush and genuine mature love’ like just say platonic. the word you’re looking for is platonic.

[oceanic-sunsets]

Mike Wheeler and Will Byers, Character Arcs explained by the Duffers and Letting Characters surprise you

I’ve been so excited to write this analysis because I love talking about character’s arcs, development, and storytelling in general. For this particular analysis, I’m going to focus mostly on Mike, the Wheelers, and Will, but I’ll touch on a few other important characters too to draw parallels/give examples. 

Once again, I’ll remind you that I believe Mike is gay, so my analysis will touch a lot on the subject. 

Now let’s get into it:) 

I’m going to start this off with a few notes from the Duffer’s Masterclass, lesson 7: Character Development. They tell us their creative process, how they come up with characters, what defines them, and later on, what their main arc will be. 

So as we can see, some names were changed, Will was Tommy and Mike was Joel. Something that stands out is that Mike, since he was named Joel, has always been intended to be Will’s best friend, the closest one of his friends. 

Now, for Sheriff’s daughter, the Duffers mention how she didn’t make the cut, and this is only me assuming, but it sounds like the role Max would later on have: she’s the new girl who two of the main kids are interested on. 

Next we are shown the following characters’ descriptions: 

The Duffers then explain how a lot of it “mostly stuck”, how some stuff didn’t make it into the show, and then we have characters whose name changed but their purpose stayed the same, or those who got some traits swapped up with a different character. For example, how the “Billy Flanagan” role was first represented by Steve back in S1, and later on by Billy, even with the same name. 

I’ll talk about a few characters, their old traits vs what I think (based on the show) they ended up changing. 

Karen Wheeler: She's first described as a great, overprotective mom, who suffocates Mike and tries to protect him from the evil around him. She hides from his husband. Projects happiness but actually very sad inside. This obviously didn’t stick. This sounds an awful lot like Joyce, word for word. See, instead: Julie Conley. We’ll get to that in a bit.

Ted Wheeler: Suburban, always busy with work, never around and not close to his son.  This is still pretty spot on. Ted Wheeler was always meant to be exactly who he is. But wait, could there be more to it?

Mike Wheeler: --introduce him with DnD-- shy, birthmark on his face and neck, which he is bullied for. No confidence outside his friend group. Ultimately coming of age, falls in love with El.  Mike’s connection with DnD and being bullied stayed. The rest, however? it all changed. Notice how Karen used to have a role more similar to what ended up becoming Joyce. Now, look at Mike’s first description. Sounds familiar, right? That’s because it basically describes our Will: shy, with an overprotective mom, no confidence outside his friend group and with the ultimately coming of age. Falls in love with El Mike. I’ll get back to Will in a bit, for now, let’s go back to Mike. The Duffers also mention how his character completely changed and it was influenced by Finn Wolfhard’s performance: the Mike we know isn’t shy, quite the opposite! he’s brave and fills up the group leader’s role. 

What does this mean? It means his character arc can’t stay the same, because his fundamental traits, those that define him as a character and give him a drive, also changed. See one of Will Byer’s previous descriptions: More normal. Rings any bell?:) 

Lucas Conley: Nerd, dungeon master, dresses in black, glasses, LOTR and other fantasy books, videogames, unkempt. As the Duffers say themselves: this is nothing like our Lucas Sinclair. Instead, it sounds more like…

You guessed it, Mike! With his Hellfire t-shirt, long hair, more edgy look and interest in videogames and fantasy. This is not the only reason why I think Mike ended up filling this character’s role. Just wait until you read the next ones.

Terry Conley: Lucas' dad, disappointed in his son, makes him shave his head and hair, abusive with his mother. Very obviously not our Lucas’ dad. Instead, it’s a mix of both Ted (disappointed) AND Lonnie (disappointed and also abusive). Why do I include Ted, when you could arguably say he’s not disappointed, just never there emotionally? Because of the hair thing and his wife’s description. By saying he makes his son shave his head and hair, it’s implied that it’s because it’s long/not “normal”, or “adequate” enough. Ted Wheeler is an absent father, but he also represents conformity and traditional values: he would not support his son’s hairstyle choices. 

Julie Conley: Lucas's mom, very sweet, doesn't stand up for Lucas, should leave dad but doesn't. Again, not our Lucas’s mom. This is word for word the Karen Wheeler we know: sweet but doesn’t really stand up for her kids. Should leave Ted (see: the almost-cheating plot and their unhappy marriage), but doesn’t. 

This is the family that’s meant to represent normalcy, conformity and traditional values, but they happen to have a rebellious son. THIS is the role that the Wheelers ended up filling, you see it very clearly from the very start with Nancy, a little bit with Mike (who then retreats, trying to fill his expected role) and we start seeing a glimpse of rebellious Mike again in s4. 

Will Byers: Mike’s best friend, more normal, more shy, goes missing, killed by an entity.  He doesn’t have much of a description, but besides going missing, two traits stay: Mike’s best friend, and shy. As I mentioned when I talked about Mike, since his traits changed, so did his character arc. He’s still the shy, missing kid that drives the show, defined partly by this experience and the events that revolve about it. We just have to add the missing pieces to it: (see: Mike Wheeler’s original description) lacks confidence outside of friendgroup. Overprotective mother. Tied with DnD. Bullied. Ultimately coming of age. Falls in love with El Mike. 

Need more convincing, more proof? Let’s take a look at this section of the show’s bible. 

Now again, with my notes. The yellow highlighter represents what is true to Will’s character, and the blue one represents Mike (yeah, I know, I know). 

“He’s never had a first kiss, much less a girlfriend. [...] he will discover a courage he didn’t know he had. By the end, he will even kiss a girl.” This was meant to be Mike’s original character arc. You COULD argue that it’s only about season 1, but even then, it is not true to the events of the show. Mike’s s1 story was NEVER about his insecurities with girls, not having a girlfriend, and finding courage. The entirety of Mike’s actions in s1 (and therefore, his arc) are driven by Will’s disappearance and the goal of FINDING him. It’s NEVER, not even once, not even when other characters try to convince him of it, getting a girlfriend and kissing a girl, despite having kissed El by the end of s1. 

Instead, whose plot is intrinsically TIED with romance and a confirmed coming-of-age story about finding courage within yourself? 

Yeah:) And you KNOW what’s the logical conclusion the Duffers have written for this particular arc? “By the end, he will even kiss a girl boy.” That’s the resolution to this kind of arc. NOT rejection. It is a pretty clear example of “Taking a character from point A to point B”. 

The Duffers say: “you can’t give everyone an amazing, big arc. [...] We gave Mike the biggest arc in terms of him coming of age” and then explain how IMPORTANT it is to not try to explain everything all at once, instead, drop hints so you're telling the audience, "this is an important part of this character and we're going to continue to explore it, but we're just getting started you can't just include it all, reveal it all too soon”. You can’t make it too complex from the very beginning either, instead, simplify and slow down.

Then they mention how they like to take a character that's a stereotype, make the audience believe they know this character, make them believe it’s a comfortable portrayal, something they know. And then you flip it and reveal there's more to this character because no one can be so easily defined. However, just HINT it. The reveal will happen on its own, at the right time for the story.

So, based on all of this… What do I think that happened?

This might be an unpopular opinion, but I do not think they planned byler from the very start. I think they had an idea of what they wanted to do, of what message they wanted the show to send, but found out along the way a different, more natural, and groundbreaking way to accomplish that. And I think they realized as soon as early s1, when they knew they wanted it to become a several seasons show rather than a limited series. It’s no coincidence there are elements like Will’s sexuality, homophobia, and conformity present from the very beginning. But they also found a way to portray this in a subtle way so it made sense in both outcomes: if they didn’t get a s2, s1 could still stand on its own, make sense, and feel resolved enough. If they got more seasons, they had more time to hint at this story, get the greenlight, and develop it over the course of all the seasons.

I also think the characters themselves, despite being written by them, lead them to this conclusion naturally. As they say in their masterclass… 

“You can drive and throw obstacles at them, but they can become very real, and sometimes they end up doing their own thing, surprising you”.

To finish this analysis, let’s do a little exercise. 

What is Mike’s Overall Arc, considering the following? 

His family represents conformity, an upper-middle-class household that’s apparently normal and very traditional. 

Both Nancy and Mike are meant to be the Rebellious Children in their very normal, traditional family.

Mike goes from leader to comic relief, to the Angry-closed off-messes-up character archetype. This is so evident that he even becomes unlikeable to most of the General Audience.

The Duffers remind us that hints are important and addressed later. Seemingly ‘weird’ actions and off personality have an explanation: there’s something deeper going on with Mike. You cannot address it all at once, it has to be over the course of episodes and seasons.

More advice from the writers: sometimes you plan something but end up realizing it works out better in a different way. Sometimes your own characters surprise you, and take you to the path that is more natural for them, who they are, and their story.

Mike’s character arc was never getting the girl once the Duffers really established who Mike was. 

And with that, I conclude this analysis. :) Wait for the next one! Please tell me your thoughts if you liked this and read this far. I love reading your tags and comments.

[meepmeep19]

Yk one thing the BSD fandom hasn’t really realized yet is that Suegiku have actually known each other just as, if not LONGER than Soukoku. Seriously. Ik that sounds crazy, but just hear me out:

First of all, we know Jouno joined the Hunting Dogs 6 years ago. That means he’s known Tetchou for at LEAST six years now

Now you may think it’s a little bit of leap to just assume that they knew each other for all those 6 years. After all it’s entirely possible that Tetchou joined after Jouno did, and so the two could’ve only known each other for as little as a year. However, I honestly don’t think that’s the case, and Tetchou did in fact join BEFORE Jouno.

Admittedly, this is just ultimately HC but it makes sense when u think about it. Out of all the Hunting Dogs. Tetchou is easily the MOST committed to justice and his job. He has passion for it almost unlike any of the other members. I think that he (unlike Tachihara, for instance) actually TRAINED and maybe actually applied to become a Hunting Dog the normal way, kinda like how u can apply to become a cop. In other words, based on his very evident dedication, you can tell that this was a career he CHOSE to go into. And considering that career planning requires, well, a PLAN, one that doesn’t necessarily have to take that many years (depending on the career), and the fact that current Tetchou seems like he’s already in his early to mid 20s max (most of the young adult characters in BSD tend to be in that range- Kunikida, Dazai, Ranpo), then 6 years ago (when Jouno joined) he would’ve most likely have almost completed or already completed his training and become a HD member

Ofc, u can argue that his training could’ve taken longer, so he still could’ve joined after than Jouno. But considering the fact that they took in Tachihara when he was like only 15 (I think?) mostly because of his ability, I don’t think the official training and application process actually takes THAT long. Or if does, then you can easily speedrun all that time by having an OP ability, regardless of ur actual age. (They’re kinda like ADA and PM in that sense; age literally does not matter if u have a broken power lol that can make up for that lol) And considering the fact that Tetchou HAS an OP ability and is literally the strongest Hunting Dog, I feel like he would’ve been accepted for the job sooner rather than later. So yeah, he would’ve already been a HD by the time Jouno joined.

But 6 years ago is just when Jouno OFFICIALLY joined the HD. That’s not even mentioning the time it must’ve took to find and arrest him in the first place. So considering Jouno was an executive of an infamous mafia group, I bet it would’ve taken more than just Fukuchi to capture him. Other HD members, like Tetchou and Teruko would’ve most likely been on the mission as well.

Especially because (while this is mostly HC territory again) it rly seems the HD took down, not just Jouno, but most likely his entire mafia group. We never hear any mentions of them in the present and it just doesn’t make sense that a group as ruthless and THOROUGH as the HD would capture Jouno,(someone who can literally hear them coming MILES away and literally disappear into thin air!) but somehow not anyone else in the mafia group. So if they rly did take down everyone, then that definitely would’ve been a job for more than just one person. Meaning Tetchou definitely would’ve been involved in Jouno’s arrest. Which is how they might’ve actually known each other for even longer than those 6 years, depending on how long it took to arrest Jouno. (Btw, SKK have known each other for 7 years)

I think the reason we’ve never actually realized this is because unlike SKK, SGK aren’t freaks that constantly bring up how long they’ve known each other every five minutes

Also, you could argue that SGK understand each other almost as well as SKK, considering Jouno can literally read Techou’s body like a book and that Tetchou is capable of perfectly describing Jouno to an absolute T.

[mr-e-nigma]

I really enjoy how you can nuke every relationship in The Quarry EXCEPT for Dylan and Ryan’s. They will turn every mean dialogue option into backpedaling, apologizing, and/or flirting and I for one think that’s beautiful. Love wins