#it’s also the best way to make pals imo

[marcusrobertobaq]

Public Opinion can be changed again, especially if u free the androids from CyberLife Tower. Why would a "peaceful" movement have such demonstration of power by a Connor invading the most powerful megacorporation in the world HQ, killing guards and "hacking" thousands of androids?

U also can't trust Cristina and her gang, since public opinion is exactly what's between her axe and your head. One bad move and u got this same people that "supported" u (but couldn't fight for your ass) against u again.

In the revolution path we got a way of showing we're a real deal, that we ain't to be fucked with. And the CyberLife Tower section is exactly for that: shift the balance of power and scare the soldiers away - and if I'm honest Cristina won't want to push a war against androids if we got the AP army, simply cuz it's too much for them to handle. More than half of 'em troops is gone after deactivating the android soldiers and the human ones fighting are suffering losses. Not to mention the civilians that could get caught in the middle of fire just cuz Cristina decided putting NG on the streets to hunt androids. The logistics becomes messy and just not worthy, they already got a bunch of problems to solve - they just lost basically 80% of the entire crew for almost everything in the country, US was totally dependent on android labor.

Another issue is the fact this game is lame in representing the revolution ending. We all know there's a heavy pacifist push, even in how Josh dies and the PO doesn't serve of anything in this route (even the way the "violent" route is supposed to be unjustified savageness). In a realistic scenario a positive PO would make people understand why these camps are being attacked, and it's something THEY'RE AWARE that "wake up dark memories".

The only route where Cristina declares war is if u ain't got the AP army. Since we're in low numbers it's easy for her to send troops to hunt androids down again after regroup. But if we got the AP army? It'll force Cristina to sit down and try talking, and PO won't be the only thing holding her axe from hitting the androids.

U need to remember we're dealing with a corrupt government and a megacorporation that manipulates media. They sure hope androids don't fight back and by being peaceful they'll try anything to fuck with your image. I ain't saying demonstration is a bad ending - it's actually what the game wants u to believe it's the best one, even with how they ignore how the CLT infiltration can totally fuck with Markus peaceful approaches -, I'm just saying that is naivety thinking it's all sunshine and flowers. So I prefer the attack on the camps one + AP army, it's more advantageous for the androids imo.

And remember: Markus true peaceful ending doesn't include the AP army, and that's where things can go to shit ... The low numbers and relying on a public that just need the right reason to be against u again. And this time u gonna be fucked by the gov too, fully in the palm of Cristina's hands.

It's just a big joke to me how attacking the camps ain't supposed to show how androids have "emotions" when... look around u, pal. But it certainly shows they ain't human - I guess that's the problem. But it's ironic how getting your pals killed in front of cameras without doing anything is supposed to show "humanity", since the first action humans took was exactly violence. While you're making a demonstration, people are rioting for your death, lynching u and hanging u by the neck around.

In the end is just game's bad design. I know they wanna push a anti-violence rhetoric but it's so stupid how everyone's stupid in this game.

Is a revolution or a peaceful ending better in a post-canon perspective?

I read somewhere that the demonstration is the worst post-canon conclusion after the nuclear one for the androids, but wouldn't the androids theoretically have public opinion on their side? The support of the people after Markus and the androids has in a way demonstrated that they "have" emotions, that they are "human" unlike the revolution of the type, with Connor's army there would be negotiations I think, but would they still be seen in a positive light by the public? I don't know, it's a question more than a statement because I honestly admit that I know nothing about Dbh, so if I seem ignorant you know why.

[bikerbutchbait]

nobody comments on posts anymore :( hey man i wanna hear your personal opinion! i’m craving your unique experience and perspective!

[project-sekai-facts]

Your recent update made me wonder about something. I don’t know how much you know about this but wanted to try asking anyway. Hopefully this makes sense? Why would the English translation choose to censor things? I assume translations are being done in America where queer things are slowly becoming more accepted but is that a factor? Are the translators themselves changing certain things due to their own biases? I don’t know who they are and don’t want to assume anything about them, but I can’t help wondering if that’s part of the reason? Or is it because of something like, for example, sometimes movies or TV shows have certain content removed based on where it’s being aired, so is it something like that? Is the game being released in regions where queer content is banned or removed? Now that I wrote it, I feel like this is the most likely answer but what do you think? I basically just rambled in your ask my bad. Also, do you know if the Korean and/or Taiwan servers have censorship too?

oh there's more than just the Asahi thing and i have mentioned it in passing before but i'll cover it properly here. "the miles i fell in love with is so cool" -> "it was so cool! i guess that's miles for you" is definitely the biggest example though.

First off, a minor thing. it doesn't really happen anymore but in the earlier translations they quite often use words other than partner, like "pals" and "buds", in the VBS story. Probably one of the best examples of this would be An and Kohane's 3rd kizuna title, which the JP name was often fan-translated as "Making each other better" or "Raising each other up", and is called "Two supportive pals" on EN. Which does have the same meaning but the "pals" seems so unneccesary when they could've used partners. The original text is Takameau futari, the first part means "to raise" or "to lift" and futari means "two people" or "a pair/couple". So it technically is a good enough translation but using pals when partners would be more accurate to canon just seems.. off.

I’m assuming their avoidance of the word partner is because it could easily be misinterpreted as romantic, but they seem to have moved on from that at this point.

There's also THE POWER OF UNITY where they switch out "love" (daisuki) for "cares about a lot" when KAITO is comparing the relationship between Arata and Souma to Akito and Toya. Daisuki literally means "likes a lot" so often you'll see people translate it as love, though likes a lot is still valid. "Cares about" is not a direct translation but definitely can still convey the same meaning, so again instance of valid localisation it just seems like an odd choice when using love would've conveyed the exact same meaning and been more true to the original.

Then you've got another instance of them not translating daisuki correctly in Dear Me, As I Was Back Then (sorry this one is a wiki screenshot my phone died). This is worse. Like I guess if you really want then it does have a close enough meaning to the original. Like I guess daisuki meaning "like a lot" or "love" could be localised as "you're the best" if you really wanted it too. But even then, the line before this is "I'm gonna show just how much I admire her!". Minori's shout of "I LOVE YOUUU" from the original would be way more fitting here. "You're the best" feels too casual and buddy-buddy - even if Minori didn't know Haruka at this point, Haruka still had a big impact on her life and imo "I love you" would be the best to use here.

There’s also this one from Walk on and on that removes one key thing. In the original, Toya says something more along the lines of “I was able to make this track because I want to continue to be a partner who can stand shoulder-to-shoulder with you from now on and always”. This is a bit more similar to the Asahi incident in that they’ve restructured the sentence to make it two, adding in the thing about performing which isn’t even there originally, and replacing “korekara saki mo zutto” with “keep singing with you”. And “keep singing with you” still works, but it’s much more toned down, let’s say. You know what really is odd about this translation though? If the quote I put seems familiar, it’s because it’s also the name of Toya’s event card. Kinda odd they omitted that from the story then, huh? The thing is the translation of the card is very accurate so removing it from the story starts to seem intentional, especially when everything around it is accurately translated like with the Asahi incident. Also doing this removes the fact that the card name references the story so what the hell are you doing EN? It's the same sentence, if you can translate it correctly on the card you can translate it correctly in the story.

There's definitely more than this, this is just what came to mind first and I don't want to make this post too long.

These were certainly... choices. Especially with the ones that avoid translating daisuki as love because they do translate as that on other occasions, most frequently with An and Kohane. I'm assuming the reason they omitted it with the guys is because it's far harder to pass off guys saying that they love each other as platonic because societal expectations or whatever, but I'm actually surprised by the change to Dear Me because normally they're pretty good with Minori and Haruka usually. Like they've translated daisuki correctly for them before and leave in everything else that indicates Minori has a crush on Haruka, so why not this line?

I'm tempted to say that they just change the things that they think are too hard to safely pass off as platonic, but then again they left all of the unsubtle ship teasing in Buddy Funny Spend Time, which has a lot of focus on Minori and Haruka's relationship (and they even added in Haruka saying that Minori makes her heart tickle in her card story), so I'm genuinely not sure why they left that in but then changed one instance of Minori saying she loves Haruka which doesn't even have to be interpreted romantically. Like what is the limit here? An can say she's going on a date (with Kohane) and the WEG regulars can ask who she's been seeing, but Asahi can say he fell in love with Tsukasa's character and it gets removed. Both of them have romantic connotation. The only thing I can think of is that An's comes from a whole card story and event, but Asahi's is one line that's easy to remove. Same with Toya saying he wants to stay with Akito forever.

In other words, it's a mess and I don't think any of what I just wrote is coherent either.

Interpret all of this however you will at the end of the day it’s all just ship tease which is up to interpretation anyway. Except the Asahi thing. That one is a censor.

Oh and the KR and TW servers don’t do this.

[austinslounge]

Why is Kaia literally straddling another woman in that “best kisser” photo? It looks super intimate, and if she’s into women then that is 1000% cheating. Why does she behave like this in a relationship?

Giiiiirrrrrl

I wish I knew.

More importantly, I'm just curious why Austin allows this. He could do so much better! 😩😭

It's not even just the fact that she's kissing her friend Charlotte squarely on the mouth in that photo, but it's also the fact that she teases these lesbian attractions ALL.THE.TIME. Her comment under that photo saying, "Best Kisser" gives an eyebrow raise (imo) if you're in a relationship with someone else. Just my humble opinion.

She also teased in photos with Camila on the beach (the ones above) with the caption "Honeymoon". 🙄

Could she make it anymore obvious?? It's like, girl, we already know which way you swing lol. 😏 I personally don't care if people are bi, but if you're in a relationship with a man atm, to me, it's just common respect to not be teasing about your attraction to other women on front street to the public. Is it just me? 🤔

That's like if you're bi but currently dating a woman, but openly thirsting about and kissing men (even if just guy friends) while you're currently dating a woman. Or, that's like if you're heterosexual dating a heterosexual man, and he's openly kissing and flirting with other girls (even just his girl pals) while he's in a relationship with you. Most people would consider all of these scenarios to be cheating.

So yes, (maybe I'm in the minority) but I most definitely consider Kaia's behavior to be cheating because she has openly stated that she's queer, and she has obvious attraction to women. At the very least (even if you don't consider it to be cheating), it's disrespectful to Austin imo.

I just wish Austin would realize that he can do so much better than her. He deserves a woman who doesn't behave like this while she's in a relationship with him. 😔 But maybe that's just me.

Imo, Kaia is very immature, and clearly still in the "experimental" or "confused" phase of her life.

[littlefankingdom]

I watched the One Piece live action and here are some notes I took.

I'm a huge One Piece fan since I was like 10-ish? And so, I have a lot of thoughts and feelings about it. It had a lot of impact on my personality (Nico Robin is my role model). This live action adaptation matters to me and I'm going to rant. Spoilers ahead.

The director is a woman, and one of the two writers is a woman. Manga and anime are male dominated hobby (and the comic's world is sexist), so the live action of the most popular shōnen being run by women is so great, imo. Also, it's pretty successful, in contrary to other attempts, so it's a win for women.

Garp's actor is a very handsome man. Wtf, they made Garp hot. He also has a beautiful Welsh accent, which is great because it's an accent that gives a "tough guy" impression. At least, it does for me.

Luffy's actor is perfect. This Luffy is slightly different from the original one, but he's perfect in his own way. I will die and kill for him. Also, him being brown with a white grandpa is so good, it had a racial gap between the two of them, where there are already a generational one and a moral one. Like, the white grandpa in the army do not understand how his brown grandson do not like the gov, because he doesn't see it from where he is when the kid does.

Alvida's actress is so beautiful, she's so pretty. I suddenly support women's wrongs.

Damn, the violence is going up a notch (Roger executed on screen, Mr 7's body cut in half, MERRY IS FUCKING KILLED,...)

The actors for Koby and Helmeppo are queer (They/Them pals) Oda is, once again, showing his support to the trans community.

I do not like the colors. It's too dark for One Piece, imo. Look at how saturated the colored pages are, I would have preferred it to be more saturated. I know, this is because of the CGI (issues are less perceptible this way), I'm going to need to make some edits. But, they didn't have to do it to the costumes too. Like, Buggy, except from his hat, his outfit is not flashy like it should be. Would help with the colored hair if it was more colorful and flashy.

Young Luffy wear the same shirt as in the manga is a nice touch.

THERE'S A CAVENDISH'S WANTED POSTER IN SHELLS TOWN!

Dead bodies smell strongly, and Zoro is bringing half of one in a bar???

Episode 2 is pure art. I love it so much.

Buggy is attractive, wtf. I find him more pretty than Shanks.

Bogard is so cool looking. I'm gonna die if Hina is introduced one day (she's going to be so cool)

They changed the "If you’re gonna point your gun toward someone, you better use it" scene. The new one is cool, but the original is iconic.

THE MUSIC WHEN LUFFY REALIZES THAT SHANKS LOST HIS ARM! It's like the orchestra is interrupted, incredible, love it.

Nami and Zoro's siblings' energy is so strong.

Kaya and Nami interraction about the dress "it belonged to my mother" is so good, Nami gets uncomfortable because she also lost her mother and knows how it is to cherish her memory. But Kaya is nice and share it with her, which break her view of rich folks.

The decor's department must have had the time of their life for this show. It's a great job.

Zoro wanting to wear black and drink wine in the 3 episode, he's already embodying being Mihawk's adopted brat.

Kaya makes the oof roblox sounds when she slapped Usopp.

Usopp x Kaya let's gooooooooooo my boy deserves the best (Oda confirming a romance with one of his protagonists is huge)

Zoro IMMEDIATELY trying to look at something else the moment Kaya kisses Usopp.

Luffy sitting on Going Merry with "We Are" playing... Art.

Without a cook, they are eating pasta, with some fruit and drink (just like me, fr).

Garp is wrecking a brand new ship!

Episode 5 Title Card, my beloved.

Mihawk music, and voice, and character: beautiful.

"Oh, I do like your hat." Mihawk to Luffy upon meeting him, great.

Sanji needs to stop talking about food, I'm getting hungry but I'm broke and a terrible cook.

"Oregano is for savages!" 😂 ok kiddo.

Me watching Zoro nap for a whole episode because of 1 cut: "Bro, you’re going to go through so much worse, you better stop whining rn"

The "YES, YES WE DO" after Sanji says "heard you guys need a cook" is so good.

Sanji is, like, the only one after Nami to have the most experience sailing, they fucking need him.

Buggy coming back all the time is perfect. Love him.

Having Bell-Mere slaps Nami was not ok. Y'all are ruining a character I loved.

Sanji knows a man that can cook well is attractive.

Usopp and Luffy are 17 and drinking, and Koby is 16. Underage drinking baby 🍻

Garp is already having the crisis he has during Marine Fort Arc, it’s going to be difficult for him.

Buggy be swinging being carried by Sanji, who's fighting.

Luffy breaking Arlong's sword axe thingy is badass.

The fishmen are so ugly and weird looking

Buggy saying "I'm gonna get out of here" with 🖕🤡🖕(If we ever get young Ace, I expect so much vulgarity from his little shit mouth)

Usopp exploding star was badass.

Sanji's ass after Mouton Shot.

Zoro "Yeah, you're gonna fit in just fine" means you're as crazy as all of us

Sanji opening is arms for Nami and Nami ignoring him to hug her bros, lol.

Arlong Park destruction be crazy.

Sanji little laugh.

Luffy is a true bestie to Usopp.

It’s the confrontation from after Seven Arc

It's Logue town after right? Like, where Luffy's father is introduced? With the comparison to Roger? But they just compared them, are they going to do it again?

The wanted poster is the exact same, with usopp in the background.

Employee of the month lol.

Alvida and Buggy meeting, the bad bitches.

Mihawk and Shanks!!! (Shanks gave him the "ableist pos" look, lol)

Smoker introduced -> Logue Town

[mickmundy]

another merc hc thread request from twitter! pyro seems like an appropriate addition since we've been stuck in our apartment without ac during a lethal heatwave. as of today for the first time, we officially have ac! let's cool off with some pyro headcanons! i hope you enjoy my dear friend!

honestly pyro is one I've held off on for a long time because i really think they're at their best when a great deal of their character is left completely ambiguous. pyro is the Beloved Mystery of the group (spy thinks it's him. Ha!), some things are better left unknown!

that said, i don't ponder what's "under the mask". the mask is an equally important part of who pyro is, too! i know it's common to dwell on what's going on under that iconic uniform, but i personally don't! are they an eldritch terror? are they just Some Person? who knows!

imo the mercs do not ponder this either. pyro is their friend and some things are just simply not their business! they might have a passing curiosity sometimes, but all in all, nobody is seeking to try and "figure them out"! they like pyro just the way they are, no matter what that way may be!

very creative, super visual! loves to draw and paint… they won't hesitate to get their gloves wet! loves gardening or anything that keeps their hands busy. LOOOOVES junk journaling. what can they say, there's lot of junk around the base!

this applies to my personal Team Fortress Law in general but also heavily to pyro so i'll stick it in with their headcanons: the love of the bit. and of nonsensical "toon" physics. a lot of fun things about the tf2niverse is that they don't demand explanation! "pyro, you could do that the whole time?!" No, not ANY time! only when it serves some higher comedic or ironic purpose!

i think pyro is mute (selectively or otherwise) and prefers to sign. she'll also grunt/make other expletive sounds, but her preferred method of communication is signing! or drawing out what she wants to communicate. no matter what she chooses, the mercs are great interpreters!

loves to learn. can almost always be seen peering over one of the other mercs' shoulders when they're doing… just about anything! it happens so often that even the most personal-space-valuing mercs have gotten used to pyro's love of observation!

not a child, or child-like. enjoys whimsy and toys and also maiming. just because he has some unconventional interests doesn't mean he's any less of a Grown Adult Merc than the rest of them!

loves to bake and is really good at it! pyro enjoys burning stuff, but even pyro knows that everything has it's perfect Burnt (ie:correctly cooked) Temperature! the mercs love his sweet treats!

i think the other mercs play up their fear of pyro to outsiders as an inside joke. like the meet the team videos where they're all scared of them was done to scare the shit out of the director LOL. like pyro has no idea that's what they're doing and spy will come behind the director and be like "look at the bloodlust within the wretched beast's eyes…" and pyro will see spy and stand up and wave like ^_^! and spy will wink and wave back when the director can't see him do so SKDFS

the best listener out of all of the mercs. pyro loves to listen! about anything! not likely to give sagely advice (best to go to heavy, engie or spy for that!), but if you just want someone to lean on and listen, pyro's your pal (and best secret-keeper)!

there's a lot of speculation about pyroland but again it's not something i dwell on. i entertain the idea of pyroland being symbolic of pyro quitting the job they hated. life's a fantasyland every day when you're doing what you love with who you love!

is a great driver and one of the most financially responsible mercs! extremely wealthy (nobody knows this) and lives humbly. always a big tipper, loves giving gifts to the mercs (handmade or otherwise)!

the eye goggles on pyro's mask are expressive! if she "raises a brow", her goggles move to make the expression!

doesn't hate water, just gets in it in their suit! loves to swim and blow bubbles underwater in their mask. don't leave them in charge of the thermostat though… what's A Little Warm to pyro might be 'your skin is melting off' to another! as for when they were frowning in the sub, i always figured that was because he can't play with fire in a submarine, lest the whole thing explode!

very gentle. great with medic's birds and all of the critters sniper catches (claps their hands repeatedly when sniper catches a new one!), takes very good care of them! loves reptiles specifically because they like warm climates and can be pretty hard to kill, just like pyro!

nobody ever sees pyro eat, but he Does eat! they'll all sit down to eat and there will be bite marks in the food and it will slowly disappear... but not when anyone can see it do so! again, nobody questions this or tries to "catch" pyro in the act. that's just another Pyroism!

really loves learning other languages (pyro has a language of their own of course!) and hanging around spy and heavy. they like their mellow vibe and enjoy "parallel playing" with them while they discuss literature. the mercs also say that pyro has a knack for impressions!

[orangerosebush]

I recently remembered the following scene in AF (book one) with Artemis, Butler, and Juliet:

“Well, the thing is, Artemis,” she said hesitantly, twisting a strand of blond hair in a way that several of the local louts considered extremely attractive. “The bit about leprechauns.”

Artemis frowned. It was a bad sign. “Your point, Juliet?”

“Well, leprechauns. You know they’re not real, don’t you?”

Butler winced. It was his fault really. He’d never got around to filling in his sister on the mission parameters.

Artemis scowled reprovingly at him.

“Butler hasn’t already talked to you about this?”

“No. Was he supposed to?”

“Yes, he certainly was. Perhaps he thought you’d laugh at him.”

Butler squirmed. That was exactly what he’d thought. Juliet was the only person alive who laughed at him with embarrassing regularity. Most other people did it once. Just once.

Artemis cleared his throat. “Let us proceed under the assumption that the fairy folk do exist, and that I am not a gibbering moron.”

Butler nodded weakly. Juliet was unconvinced."

Each time Juliet laughs at Butler in a way other people cannot, the teasing highlights that they have a relationship with one another that is different and closer than their relationship with other people in their lives, people whom the siblings would not allow that kind of liberty.

In contrast, look at how cautious Butler is with Artemis in that same scene from AF! Butler staying quiet and shifting his weight uncomfortably would neverrrr happen post-TEC, IMO.

Like, look at this scene from TLC:

“Butler glanced at a passing couple, who were bewitched by Spain and young love. The man had a camcorder slung round his neck. Butler fingered his third button guiltily.

‘We may have ruined a few honeymoon videos,’ he noted.

Artemis shrugged. ‘A small price to pay for my privacy.’

‘Was there a third point?’ asked Butler innocently.

‘Yes,’ said Artemis, a touch testily. Still no sign of the individual he was expecting. ‘I was about to say that if there is a gunman on one of these buildings, it’s that one directly to the rear. So you should stay behind me.’

Butler was the best bodyguard in the business, and even he couldn’t be a hundred per cent sure which rooftop a potential gunman would be on. ‘Go on. Tell me how you know. I know you’re dying to.’

‘Very well, since you ask. No sniper would position himself on the rooftop of Casa Milá, directly across the street, because it is open to the public and so his access and escape would probably be recorded.’

‘His or her,’ corrected Butler. ‘Most metal men are women these days.’

‘His or her,’ amended Artemis.

It's so fun to see how late- and post-series Artemis kind of occupies a similar(ish)** role as Juliet for Butler. Let me explain!

Butler is 18 years older than Juliet, and then 22/3 years older than Artemis. Not to mention, you have Artemis and Juliet having had either one or both of their respective parents absent for significant periods of time during their young lives. Although Butler was a guardian of Artemis at one point in time, there's a reason*** why the French translation of AF has Artemis use "vieux frère" for Butler. Artemis and Juliet exist for Butler in this nebulous category of younger sibling-slash-ward, and I think that complexity makes their importance to Butler all the more interesting.

** The whole "Artemis is technically Butler's boss and thus often is telling Butler what to do -- rather than the other way around" thing is a complicating factor when assessing exactly what is the character of familial dynamic they end up developing.

***Admittedly "ami" wouldn't have the same connotation as "old friend", but I do want to highlight the sense of brotherhood invoked in "vieux frère" -- even though I also recognize that "vieux frère" has kind of a continental, "old pal"-y feel to it, which is also why it's something Artemis would say, LOL!

[hogans-heroes]

Secret Pen Pal anon here! I think I told you about how I feel like Buck and Alex would have become good friends because of their similar interests or something like that? And that Alex would kind of take it on himself to make sure that Bucky didn’t do anything too destructive because he would kind of see that as all he could do for his friend Buck since they didn’t really know if he survived or not. And take Bucky to task about that fact if he did something that could get himself killed/hurt? That Alex could honor his friend by protecting Buck’s best friend? Is that right?

I’m sort of remembering more of the post as we talk about it. I think I mentioned that I saw DeMarco as kind of a big brother to Buck? Because I think he seems a bit older. (I don’t think this next part was part of the first post.) And mostly because of that one scene with Kenny fixing the plane on the runway and DeMarco thought it was kind of a bonkers idea but let them try it. And then when it worked Buck was kind of like, “see, told ya!” A very little brother response and DeMarco was just like, “yeah, yeah, you were right. Let just get on with the job at hand” in a very fond sort of way. A very big brother thing to do. I also just like to think that Buck had someone to look out for him at the camp before Bucky got there.

I also think I told that Alex, Kenny, and Rosie were my other favorites?

YESSSS omg these are all top tier thoughts I 100% agree. I remember you telling me about these in even more detail and took them to heart, especially the Alex and Bucky dynamic that we need to see more of imo.

And big brother DeMarco is SUCH a heartwarming concept. He really does look out for Gale and they have that kind of relationship it seems. Love the idea that he was there for Gale before Bucky showed up, we NEED to explore that more.

Never enough love for Alex, Kenny, and Rosie too! I could talk for hours 😆❤️

[wetcatspellcaster]

very kindly tagged by @cursedhaglette, thank you for giving me a chance to talk about my writing :)

1) How many works do you have on AO3?

11! :)

2) What’s your total AO3 word count?

lmfao. 985,659. That's nearly ten thesises (theses?) in the time of my PhD programme, so I'm going to just go quickly walk into the sea.

3) What fandoms do you write for?

the majority of my fic is for videogames with love interests and OC potential (BG3, Dragon Age) but I did briefly fall prey to the darklina disease, which I have to admit to here in order to answer some of the other questions

4) What are your top 5 fics by kudos?

1- Pieces Still Stuck in Your Teeth (bg3)

2- Party Favours (bg3)

3- A Bleeding Heart (bg3)

4- The Stars Don't Shine, They Burn (shadow and bone)

5- An Honest Lie (bg3)

5) Do you respond to comments?

as best as I can, I typically clear out a previous chapter just before I post something new (so that's one way to monitor or predict my posting activity lmfao)

6) What is the fic you wrote with the angstiest ending?

Lmao. Sunblindness (shadow and bone) which takes an 'eye for an eye' approach to an amnesia AU. I actually wanted to end on a major character death but my pal's response was "jesus Emma, this is something people read for fun" so I watered it down :')))))

7) What’s the fic you wrote with the happiest ending?

Party Favours currently!! Happier endings incoming, IMO.

8) Do you get hate on fics?

yes, occasionally, I'm still in single digits thankfully. i always find it so funny bc nobody is more critical of my fic than me. you think you can hurt me? babygirl, we're in the 5th dimension of insults in my brain, your surface level comment barely touches the sides.

9) Do you write smut? If so, what kind?

nope! call me the Astarion!spawn ending, the way I fade-to-black :')))))

10) Do you write crossovers? What’s the craziest one you’ve written?

I crossovered Stardust and Shadow and Bone, but it was not a straight crossover it was more a chewed up, swallowed, and digested version of both premises. I similarly wrote a Wintersmith/Shadow and Bone crossover that I never posted bc the sickness left me.

11) Have you ever had a fic stolen?

lol. lmfao, even. :)))))

12) Have you ever had a fic translated?

I have had requests made of me and given permission for that to happen, but I do not know if it was ever posted!

13) Have you ever co-written a fic before?

no, it's not for me unfortunately, I was that horrible kid in group projects who just wished she could work alone :')))))))))))

14) What’s your all time favorite ship?

honestly there are many but the two that are indelibly written on my soul are Howl/Sophie and Spike/Buffy like the simple bitch I am.

In terms of things I've written? zevran/surana, hands down.

15) What’s a WIP you want to finish but doubt you ever will?

Anything I post I will eventually finish, out of social anxiety alone. At the moment I'm worried about the stuff sitting unposted in gdocs.

16) What are your writing strengths?

hahahahahahaha i don't fucking know i think i can make character voices distinct so you can usually tell which POV I'm writing from once the perspectives are established?

I have been complimented on my dialogue.

I think I'm usually brave enough to take a risky decision, even if it doesn't pay off. These decisions also land more than they used to so it's a skill I've built with time and one I am proud of.

My jokes don't seem to just be for me anymore, I like it when other people say I made them laugh.

17) What are your writing weaknesses?

If there's something that can be said straightforwardly in a sentence, you know I'll say it in three paragraphs instead. I wouldn't be surprised if people think I'm a purple-prosed motherfucker.

Smut and lack thereof

the repeat of 'conversation, stage direction, eye contact, expression, repeat' is not a weakness but it is something I become intermittently self conscious of.

18) Thoughts on writing dialogue in another language in fic?

I am a fan of it and I appreciate it when its done well (pour one out for Naomi Novik's fic/writing where the language work is cringingly poor), but not something I can personally do. Admirer in others, of the skills I lack.

19) First fandom you wrote for?

*dabs* Dragon Age, the OG. It was the pandemic, and I didn't want to replay Wicked Eyes Wicked Hearts bc I hate timed sections, so I wrote a fic instead.

20) Favorite fic you’ve written?

I feel bad writing this on the blog that's currently 99% BG3, but The Stars Don't Shine They Burn. It was my first time plotting something that diverged greatly from source material, and I was going through some stuff at the time that I can feel viscerally when I return to it and read the words. It is a work of personalised comfort. There's one scene in it that still gets me, every single time.

I don't know, it's funny to see Pieces get attention and I'm very, very proud of Pieces, but some of what I'm thinking through in that was in its proto-form in the other fic, which is finished and I'm really proud of it... so let's see if anything comes along to bop it off the top spot once I have a critical distance and am not in the writing trenches lol.

Tagging wise, I actually want to do an open call on this one!! this was a really pleasant exercise, so anyone seeing this who wants to talk about their writing or celebrate their achievements can take this as my personal invitation :)

scared? do it anyway x

[equalseleventhirds]

Hey, do you have any recs for long form, more serious ttrpg systems for fantasy settings? I feel like I hear a lot about short/definitively-lengthed systems, but I've been yearning for a DnD-esque system without all the baggage of equip loads and complicated Challenge Ratings and other rules-y baggage I don't super care about.

do i! do i ever!

serious & long-form systems do on the whole tend to be crunchier than shorter systems (not always, but generally); nevertheless, i've picked out a........ handful......... ok there's Several, i did try to control and limit myself but u kno.......... games......... anyway, here are some that are considerably less crunchy than d&d but still lend themselves to long fantasy campaigns.

uh. under the cut for. oh god it's so long. it's so long. tried my best to explain them, u see. (which is also why it took me so long to reply lol, sry abt that)

godeater (& godeater 2.0): play in a broken, post-apocalyptic fantasy world, where dead and dying gods warp the land, and you raid their bodies for divine magic to help support humanity. 2d10-based, get weird & funky with it! i admit a small preference for version 1.0, which gave u some loose examples but left much of the worldbuilding and even character building up to u to create; 2.0 has some extra books that go with it that i haven't much looked into yet, but seem to give more solid lore to work with, if u would like that.

when the guilds pay in copper, crime pays in gold: alchemical guilds pay shit wages to use people for magical experiments. go do crimes on 'em with your own magic. d6 base, assign dice to stats to make ur own dice pool; fairly light rules and in fact very little in the way of instruction or hard lore on the gm's side, so better played with an experienced gm who's good at making their own stuff, but certainly campaign material for the right gm!

third empire - violence + beauty: the world sucks, and has sucked for a while, through two oppressive empires and into a third one. you play adventurers who are trying to carve out a little goodness, a little justice, a little vengeance, in the world. y'know. lasers & feelings based, but expanded beyond the original (which also comes with it if u get it!) into more lore, more character choices, very collaborative worldbuilding, downtime mechanics, etc etc.

ruby radiance 6e: streamlined dungeoneering built to let ppl play the way actual play podcasts sound, essentially. d20 pool system, based on trophy mechanics but v much adjusted. lots of choices to make during character creation & leveling, but much much less to keep track of during the playing part. u get it.

wizard pals: all of you are wizards, going on adventures and trying to accomplish your goals in a fantasy world. d12-based, fairly lighthearted (can lean silly but u could use it for more serious if not super grimdark adventures), much worldbuilding left up to the gm, but very simple rules, so.

grimblade rpg: (speaking of grim lol,) action & adventure in a grim fantasy world; things like character creation and rewards (and magic) fully imply a fantasy world, but worldbuilding is left up to the gm, altho there are many tables to roll on to give some help. uses d4, 6, 8, and 10; all rolls are contested rolls, with dice picked based on how serious the gm feels this roll is.

shattered aether: post-apocalyptic science fantasy, you roam around a fucked up magic world and protect ppl from various dangers. 2d6 based, based on the lumen system so fairly combat-forward in a very high-action very cool asskicking way. for some reason the font chosen for this book is murder on my eyes, but if u can get past that (or just zoom in lots and read a bit at a time) it's straightforward, simple, and fun!

familiars of terra: this one may be a little too crunchy, but i love it a lot and rly the most crunch is in character creation and tracking experience, actual gameplay is (imo) pretty easy. post-post-apocalyptic fantasy world, some science fantasy elements depending on where you choose to focus, bcos there are absolute PAGES of lore on this extremely cool and enormous world; you and your party go around with your soul-bonded animal friends to spread hope and healing and also do cool shit. y'know. card-based, again it is probably more crunchy than ur looking for but less abt tracking what you can do during things and more abt tracking experience in order to level up stats, so.

1400 quest: ok that last one was crunchy, this one's very uncrunchy. pick a handful of things and get going! clearly inspired by d&d, but very very streamlined, so things that were pages of mechanics are like, one or two sentences. gm's side of it is like, a handful of rollable tables and then do whatever, so prolly for the more experienced gm. d6 based, but you may have occasion to use other dice. also if you like this one there's others by the same author focusing on other things (1400 mage, sneak, etc), or you can check out others in the 24XX type of games, which started out sci fi but has since been expanded to a bunch of other stuff. u kno.

beast dream: pokemon-inspired game where you make friends with magical beasts and go on magical adventures! d6-based, forged in the dark, so there is a little crunch wrt deciding on position etc and stuff like stress, but the author rly wanted to focus in on letting u adventure and have fun without getting bogged down in numbers and i think that shows, stuff like load and reputation aren't so much a thing.

cognatons: play as sentient, magic-filled automatons doing whatever fantasy adventures your robot heart desires. d4-based, caltrop core, so you get a fairly simple & defined set of actions; less to keep track of, easy to follow.

dethrone the divine: you're gonna overthrow the gods, and also take their places. you're already either divine, semi-divine, or magically powerful in other ways, and you adventure with the goal of gathering power and followers so you can take the place of the shitty gods in power. d6-based, pretty straightforward system, makes characters v cool and powerful, which is always fun.

perilous: do you love dungeon crawls bcos i love dungeon crawls... streamlined and easy to understand fantasy dungeoneer adventures in this one! d20-based, leans towards tags instead of complicated numerical skill stuff to keep track of. go to dungeons, fight monsters, get treasure. simple n good. (adds in some metaplot, like who sent you, how will this affect the people living here, whatever, but rly strong with the very old core of d&d-style 'go do a dungeon' kinda thing, if that's what u like.)

high magic lowlives: ok my latest obsession bcos i'm currently planning a big ol campaign for friends in this one. there are classic adventurers in this world, out there cleaning out monster nests or whatever, but they're usually in the employ of the immortal aristocracy. you? you make your money by stealing from and humiliating the immortal aristocracy, because you're a lowlife. it's a dangerous gig, but isn't it better than going into student debt at wizard school? melds high fantasy aesthetics with like, magical twitch streaming aesthetics. fun as hell. uses all the dice and also sometimes tarot cards (mostly just for character creation, u kno). easy to understand rules, i'm having a great time.

ellipses rpg: setting-agnostic system (make ur own setting!) with simple, streamlined rules and an emphasis on improvisation. d20 based, rly just some very basic foundation and then a lot of encouragement to make things up and do what's fun. so like, loosey goosey & not super structured if you want structure, but could be fun!

unbound: setting-agnostic system but with much more formal structure, got structure around how to collaboratively worldbuild your setting and everything. obvs this means some crunch, but it's still not super crunchy, nice and straightforward rly. lotta character options but not so complex and math-heavy, u kno. card-based system. designed actually for a series of short campaigns in a linked world, tho, so if ur not up for exploring new characters a lot, may not be for you.

[missyourflight]

some stuff i read and watched in november:

taskmaster (s16): what a delight!! what a fucking charming bunch of weirdos, sam campbell somehow everything to me now?? if you think susan wokoma is hot you should watch bbc CHEATERS etc

black swan: first rewatch for ages and it still goes so hard, Love the score, natalie as ever at her best when you can see the gears going in her head, she was perfect!!

the girl with the dragon tattoo: it's been fincher season on blank check, rewatched this for i think the first time since i saw it at the pictures and liked it much more, especially the mara/craig chemistry and all the snow and knitwear etc. it's great when she's like put your hand back in my shirt and he does it

anatomy of a fall: more snow - really liked this - between this and saint omer it's the year of french legal dramas etc. her lawyer with the hair and the chemistry and that other lawyer from 120 bpm!

saltburn: UGH. i'd heard such mixed things and i was actually having fun up until the Turn (although if they're freshers in 2006 they're not the class of 2006 are they emerald) but the ending is So stupid that it made me hate the whole thing lol. imo it's fine to criticise posh people for making shit art!! some of them make interesting art but not emerald fennell!!

the eternal daughter: meanwhile joanna hogg said posh filmmaker rights actually! i loved this, so quiet and haunting and the costumes and the hotel of it all. you can't know your parents really ever!! when i'm old nobody's going to be around to take care of me!! and so like aching as an extension of the souvenir project plus back to the evergreen joanna hogg theme of rich people having an awful time on holiday etc

napoleon: had way too much fun with this, was not prepared for it to be so funny and so full of Guys - paul rhys! tom godwin! sam troughton as robespierre??? mr segundus himself aka edward hogg!!! great year of looking at vanessa kirby's feline face between this and mission impossible. aren't we all just trying to enjoy a succulent breakfast etc

may december: my favourite thing i've seen this year maybe?? natalie and julianne having so much fun with like the monstrous performance mirrors meanwhile charles melton's performance is entirely heartbreaking?? so deeply deeply sad and moving?? goddamn todd haynes

yentl: every talks about how hot young mandy patinkin is in yentl and yet i was Entirely unprepared my god

miami vice: loved this!!! like yes it's mumble city and who knows what's going on but colin farrell and gong li going to havana in a go fast boat to drink mojitos and dance salsa and fall in love??? it's digital cinema and it's very tender!!! brb listening to numb/encore again etc

robert macfarlane, underland: a deep time journey: macfarlane is like my favourite writer on like nature and our environment and this was just so cool, caves and catacombs and nuclear waste under the ice

victoria gosling, bliss and blunder: look, some of us were deeply into and forever changed by the merlin fandom, and that's okay! this was a sort of fun modern take on arthurian legend - parts of it worked much better for me than others (morgan, wayne/gawain) but like where was merlin??? could have done with a bit more allusion to like The Past and The Myth and The Cycle but eh

anne enright, the gathering: can't think of like a better marriage of audiobook and narrator than fiona shaw's performance of this tbh - just pitch perfectly sharp and wounded. families!

michael mann & meg gardiner, heat 2: lol i had a blast with this. like the michael mann bro equivalent of an extremely purple romance novel i guess? audiobook again and the narrator does a fantastic pacino

just a note that i'm taking a bit of a step back from social media stuff for the time being due to continued bad brain/feelings about fandom/writing/self etc and also in a concerted effort to spend a lot less time staring directly into the portal. love you pals 💕

[callmearcturus]

Woke up today thought about pt Benji fic and how significant “not trying to seduce you” is for Ethan who is (particularly in mi1-mi2 era) a chameleon/honeytrap and thinks that’s a good thing, because it helps him survive, it makes people like him better, makes him easier to be around, etc. I feel like benji being so disturbed by him shapeshifting was not only a turning point in the sense of Ethan realizing that he could seriously fuck up a perfectly good relationship, but also in the sense of Ethan realizing that the rules of IMF-world don’t apply here, that Benji doesn’t actually want Ethan to just slip into whatever role Benji likes best. “Not trying to seduce you” meaning not just “I’m not trying to convince you to do anything you don’t want” but also “I am acting in a way that is to my knowledge genuine and natural” which is. Not something he thinks most people care about or want imo. Idk I just was getting emotional about it and figured I would go to the source, thank you for your service, I love the fic

I hope you know that feedback like this is completely thrilling. I immediately copy and pasted it to Punct to yell about.

Obviously part of the point of the fic is contending with Ethan through the years and how he changes, and the turn from MI2 to MI3 is so stark, it's fun to explore how, in our context, how that happens. Because, yeah, the core of Ethan's skillset isn't acrobatics or guns, it's... Soft skills, its the honeytrap thing. He's that FIRST and everything else second.

So when Benji doesn't want the honeytrap and he thinks Ethan's a swell pal but also not exactly boyfriend material, it's this wake-up call to Ethan, that sure he could put on the mask of being a better person but... Also he could just be a better person, yanno?

Ethan has so few people outside the game to relate to, so Benji's opinion is extremely important to him. And it's just... Nice, imo, to just wake up one day and decide for yourself "okay, I want to be a better person." It's not always that simple for everyone but it CAN be, and at the very least is a good first step.

[supermacaquecool]

Ik Odd pair won the poll, but I re-read Simple dreams today instead, so I wrote about it first lol

I have been wanting to write one of those cheesy "4 times x, 1 time y" kinda fics, so I was trying to workshop an idea through writing Saki-Aoi interactions... I wanted to show some kind of evolution to their dynamic so I wrote two different drafts with two different scenarios that became two different ficlets lol This is one of them. For this one, I started with the idea of jokes since I always end up laughing pretty hard at Aoi's reaction to them in-game (she's very endearing to me bc of it lmao), and Saki has a pechant for using humor to test people or take the edge off the bombs she drops. And yes, I was naturally having fun with the girl best friends dynamic lol

So, it was about Saki's playful behavior,,, but I didn't really know what to do with it for the longest time. I kept rewriting the first paragraph trying to settle my thoughts into a rhythm. It didn't come together until I found myself writing "If she'd only ask, Saki would tell her" (and I no longer remember where this sprung from, I'm intrigued now). It's such a perfect sentence for Saki’s contradictions. She isn't direct about wanting others to pay attention to her, she gets upset about being prodded.. Yet she still wants Aoi to show interest. That's what the fic boils down to. She's trying to find a way to get to know what Aoi likes to do and then segue into "then we should totally do x or y back home!" It's all so she can wring the promise out of her that they'll still be friends back home... Put simply, all her behavior in this fic is because she wants to be reassured about their bond. It really took me a long while to come up with a way to portray Saki's hemming and hawing and the underlying current to the way she interacts with others. She tends to test others and knows how to push their buttons and has all these emotions she refuses to really acknowledge but that still color her impulses, so it was tough to think about how to portray the way she spins conversations. But very fun. I'm very happy with how it turned out. I really love how her affinity dialogues are in-game when they have this kind of quality to them.

I wrote in the notes of the fic that I wanted to make Aoi as puzzled as Takuma can feel when talking to Saki, so that was also something else that was really amusing lol From start, she's uncomfortable with the topic of conversation lol She finds it embarrassing, doubly so bc she can't say she has gone to dates or that she's been invited. But she's also trying to keep under wraps the fact she doesn't like her classmates nor the fact she's so busy she hardly has time for fun LMAO Overall, she's pretty displeased with the questions since they touch on sore spots and it shows in the way her smiles falters lol I had fun writing her killing the mood with her avoidant answers or straight up "I don't have time for it", which was the last thing Saki wanted to hear lol I really want to write them running into their emotional walls more.

Of course, at the core of Saki's insecurity is her loneliness due her chronic illness, so I thought very hard how to include that aspect. I'm always thinking about my disabled pals when writing Saki. I write her in a way that they can relate or appreciate that aspect, so... It made happy that my friends picked on the discomfort around sickness Saki's remark about her own cuteness was meant to bring to the forefront. I didn't have much space to explore this aspect outside her intense fear about becoming isolated once again and her wistfulness about her "simple dreams", but it came out nicely imo.

As usual, Labramon was very useful to push the scenario forward where Aoi's shyness would have made it sink awkwardly lol I got to write her meddlesome side embarrassing Aoi, which I treasure 😂 I want to write Labramon putting her in evidence more, thusly embarrassing her.

I tend to wrap up these kinda fics with some fluff (it's mostly bc it's digimon lol I'd likely feel less inclined to be wholesome in other contexts lol), so I ended up resolving the conflict with Aoi unwittingly telling her what Saki wants to hear in no uncertain terms: that her pressence is treasured and appreciated. It still worked since Saki still had to cross that bridge and ask for what she wanted, so it wrapped up the ideas pretty nicely lol But I think it could be fun to write a more extended conflict between them (if I ever come up with any).

This one was really fun to write, I must say it again. Specially bc of Saki's body language, it was fun to come up with ways to make her move. I'm very happy with being able to write Saki crowding Aoi and then nestling her head in the crook of her neck in such a simple way lol When I started writing, trying to write this sort of action would had had me wracking my brains for months lol I'm glad I can do it now.

"I'm happy I met you, too!" Labramon happily, simple-mindedly, wags her tail. It's almost enviable.

Highlighting this segment because it's so mean and charged LMAO

[mayordeas-clone]

i just finished my second playthrough of octopath traveler 2. probably gonna ramble a bit in response. there will be spoilers perchance. (huge emphasis on ramble because i really am just saying whatever shoots out of my ass)

the epilogue gets me really emotional for some reason. the scene where the travelers part ways, each leaving in the reverse order you recruited them. oouuggh. i am in pain. i know ill be keeping them together for eternity while i attempt to beat galdera in this run, but the reality that these guys all have different ambitions in life and therefore they need to split off eventually to pursue those ambitions makes it a very bittersweet finale. at least there’s the class reunion at the very end, but still OOUUGHH THIS GAME MAKES ME ILL IN THE BEST WAY POSSIBLE

on that note, the fact that there’s a proper ending, a proper sequence where the travelers talk to each other and reminisce on their journey and eventually part ways AT ALL really makes this experience special and a cut above the previous game.

bc it reminded me of just how strange the ending fight aftermath of OT1 was. like after you beat the true final boss of that game, pretty much nothing happens. like you get the ending sequence with kit saying thanks but then the game hands you your prize money and now there’s nothing left to do. the travelers just don’t give a FUCK. there’s also the issue of the travelers from that game never interacting or discussing amongst themselves about the revelations learned in the gate of finis; granted, octopath 2 is not flawless in this regard either (like, agnea witnesses a flashback involving tanzy being fuckin sacrificed to extinguish the flamechurch torch and had absolutely no comment) but it was pretty bad in octopath 1. the whole questline to unlock the true final boss is hidden in a chain of sidequests that quietly unlock after beating everyone’s story, whereas in the sequel, it’s a proper sequence the game tells you about and encourages you to prepare for. so i really appreciate the strides the sequel took to tie the overarching story and links between all of the travelers’ quests more tightly. it really makes me feel like all of the travelers are actually pals who decided to travel together and help each other achieve their many missions and goals, and when that’s all over there’s an actual ENDING. TO THE STORY. the strangeness imo of octopath 1’s final battle is that the journey doesn’t feel over even though it definitely is. you know what i mean?

i also just. ADOREEEE the cast of this game. i did like a few characters in the first game like Tressa, Alfyn, and Therion, but again the fact that they never interact outside of missible (and to be honest forgettable) travel banters and NEVER as a collective unit made it harder for me to get attached to them as a whole. were they even friends with each other lol? who knows. plus i feel like a lot of them were kinda pretty basic rpg archetypes? like i found ophelia to be extremely boring bc she feels like the basic cutout of what a nice healer character should be without many extra wrinkles to her to make me interested (though it has been a while since i’ve played the first game). of course, octopath 2 is no stranger to archetypes (no piece of fiction is tbh) but i just feel like there was more emphasis on making the individual travelers and their stories more interesting. octopath 1 laid the groundwork with the ‘eight characters, eight stories that all secretly connect by the end’ concept (plus the GOOD ASS BATTLE SYSTEM) so the sequel could polish it into a nice, respectable shine. it makes me giddy looking back on the ways octopath 2 improved on the flaws of the first game. because i LOVVED the original octopath, but the sequel captured everything i loved and added more stuff. ITS GOOD. ITS VERY GOOD. ALL OF THE NEW TRAVELERS ARE MY BELOVEDS!!!!!!!!

it’s probably a cliché thing to bring up at this point, but the difference in ways the two games handle their eight-character cast and how they interact with each other is oddly reflective in the respective games’ box art. like, the first octopath had all the characters walking in one direction, their own path, all parallel to each other. whereas in octopath 2’s case, they’re all hangin out!!! isn’t that swell! :D

i also liked the improvement of the boss battles that bookend each traveler’s story in terms of their relevance to the individual stories. namely, i like how all of the travelers have a dialogue break between phases (the bosses have distinct phases now! makes them feel more separated from the ones leading up to them). ppl really liked when ophelia talked to mattais during her fight, or therion talking to darius, and now everyone has a personal one-on-one with their final boss. this couldn’t be done with all of them in octopath 1 since some were unspeaking monsters (though ochette was able to pull that off in this game) or opponents that only appeared so the travelers could solve a specific problem (like tressa and alfyn), so no previous attachment was there. in general i love how all the final bosses had some kind of connection to the travelers, big or small.

ochette feels remorse and sympathy for the darkling since it became corrupted because she didn’t choose it as her companion as a child. castti feeling betrayed by trousseau losing his way and becoming nihilistic and genocidal. or throné losing her marbles after finding out the truth of the blacksnakes, and her palpable RAGE during her fight against claude, the only thing motivating her is seeing him dead and breaking the vicious cycle he birthed. osvald’s is obvious because harvey is a mega-bastard, but when you fully boost as osvald during that fight he screams “HARVEY!!” which is super satisfying (oh, and i absolutely love how this game adds in special lines for certain bosses, adds a more personalized touch to each traveler’s boss encounters~). partitio clawing his way to topple roque’s greed and monopoly on technology he believes could change the world forever. THE FUCKING DANCE OFF BETWEEN AGNEA AND DOLCINEA. OOUUGHGGH THE SONG OF HOPE PLAYING IN THE BACKGROUND TOO 😫😫😫😫 MY FAVORITE SONG IN THE OST. temenos also feels a bit of vengeance facing off against kaldena, given she was responsible for the deaths of two people he was very close to. and lastly there’s hikari, who fought and lost much to reach the moment he can finally confront his tyrannical brother.

it’s so scrumptious. not to mention the way each character’s theme is woven into the final boss theme during the second phase. actual galactic brain move on the part of yasunori nishiki and everyone else apart of the creation of this game’s ost. i love how there’s a greater emphasis (and consistency) of each character’s theme, namely in how their battle preludes actually take from their character theme rather than just being something else that uses similar instruments. it’s another thing that was really cool and unique from octopath 1 and now made even better and more impactful in the sequel. i especially love osvald’s theme, every iteration of it. the way it’s combined with ‘journey for the dawn’ is actual peak.

um what else…… i guess i kind of alluded to this earlier but the way the stories intertwine is much stronger in this game which made connecting everything together really satisfying. it helps that this sequence is an actual part of the road to reaching the Ending of the game (the credits! i think the credits rolled in the last game when you beat your protagonist’s story. which is kind of crazy town to me looking back…) rather than unlocked through a chain of sidequests (im still not over that im sorry). the moonshade order’s members exist throughout all of the characters’ stories, whether they’re the puppet masters at the top (oboro, arcannette, and claude) or people that were manipulated into the cause (trousseau and tanzy) or simply loyal followers (petrichor, harvey, and ori). the presence of The Shadow, mentioned in 6/8 stories, laying hints to the overarching evil before this final chapter sequence begins. ooooohgh it’s so cool. i wish i could experience the final chapter for the first time again, i remember being so excited going through it (down to all eight travelers talking to each other at the beginning!!!!!!!). i know the final chapter isn’t perfect since a lot of the information is given through Reading rather than actual cutscenes (and again, tanzy’s involvement with the moonshade order and her death elicits zero reaction from anyone that met her), and tbh it would have been cool if we actually fought some of the other remaining members akin to the battle with arcannette (i know the monster near the toto’haha torch is implied to be petrichor, but she’s the only member that never met any of the travelers, and it would have been cool to confront her outright).

this would be where i put my whole rant about agnea and partitio's stories and their relevance to the grand story, but i made it its own post! you can read it here if you want to consume more of my octopath brainworms.

woooh that’s all i have to say. apologies for the text wall, it will probably get longer when i conjure more thoughts </3

i love this game, it’s very good even though it’s very easy to break the battles in half.

[dragimal]

Fave Long Fics

good ol' @arahir is asking for everyone's fave long fics, so here are mine!

sorry if the rambling is a bit long, I just want to express my love <3

🌟: denotes a fic that belongs in the literary equivalent of the Louvre-- a stunning piece of writing even outside of its contribution to the fandom

JJBA

🌟 scheherazade -- shylittleghost; Josuke/Okuyasu-centric, but multiple POVs; canon-compliant prequel/sequel to part 4, necessary to read/watch part 4 to understand

this is one of those fics that not only elevates the original work in several ways, but it's a stunning piece of writing as a whole. the flow and tone of the piece is so unique and difficult to describe, with a fitting balance between mystery/horror and deadpan humor, and uses the narrating voice to play with the 4th wall in a really fun and satisfying way. oh, and one of the last chapters is a little RPG game, adding a bit little multimedia twist <3

BEASTARS

🌟 Mongrels and Strays series (mainly Mongrels and Lockjaw)-- HassouToby; technically Mongrels' primary ships are Legosi/Haru and Louis/Juno, but it's more genfic with multiple POVs. Lockjaw is Pina/Riz-centric; canon divergence from ch 156 of the manga, so it's necessary to read at least that far to understand

I have a complicated love/hate relationship with Beastars, but this fic honestly retroactively makes Beastars a better experience, imo. it not only enhances the source material, but engages and challenges its implications in ways that I frankly think Beastars itself failed to, introducing a new final antagonist, new thematic tension, and new challenges for the main characters to face. more than anything though, Mongrels feels like what the end of Beastars should have been. this fic isn’t afraid to up the stakes and have actual consequences, making the central conflict feel like a real threat to both individual characters and society as a whole. this fic is intense and brutal, and it’s not afraid to make the characters you love hurt

Homestuck

🌟 Detective Pony -- sonnetstuck; Dirk-centric(??); it's an extension of a one-off joke in the comic, but it's not necessary to know HS to read it (but it's def more satisfying if you're at least familiar with the Alpha kids)

does this fic even need to be stated, for any HS fan? this is a classic of classics, the best rec any HS fan could give. a fic that starts off with a goofy joke from the original comic (a Pony Pals kid's book that Dirk has edited with silly commentary), which gradually snowballs into a much deeper story. a stunning piece of writing, I rank it among the best works of metafiction literature of all time. this fic does an incredible job of imitating Hussie's writing style (specifically Dirk's voice) and the multi-media presentation of HS, it almost feels like it popped straight out of the comic

Endangered -- Mortior; Dirk/Hal, Dirk-centric; robot-apocalypse AU, not necessary to know anything about HS

rly fun au, and one of my fave whump fics, for any whump fans out there. it's also one of my favorite depictions of an AI personality, like the approach to relationships and perceptions feels believable

The Magnus Archives

🌟 Two Ships Passing -- pyrites; Gerry Keay/Jon Sims-centric; a canon-divergent au starting before canon which slightly shifts the flow of the original story, so it's not strictly necessary to be familiar with TMA, but it helps

I must admit I never got around to finishing this one after it finished updating (😭), but trust me when I say this fic is stunning. some scenes still grip me 'round the throat to this day even just thinking about them. and the additional lore/background-building for certain characters is so so fitting and satisfying, it adds so much depth

To The Moon and Back series (main fic is Banned Book Week) -- verboseDescription; several different POVs, though BBB is Gerry/Tim-centric; the main fic diverges from canon after season 3, so I suppose knowledge up to that point is fine

another one I need to get around to finishing someday (idk why I dropped off a bunch of TMA fics specifically...), but this one introduces some interesting new character dynamics, and additional lore-building for many of the characters that adds fun new depth. also a few OCs whom I simply adore <3

What Belongs to the Sea -- TwoDrunkenCelestials, WhyNotFly; starts Elias/Jon, with Jon/Martin endgame, Jon-centric; "Jon is a selkie" au, and the fic implies/explains the rest of canon well enough to read without being familiar with TMA imo

this fic approaches canon worldbuilding from the direction of a different species, giving a unique new perspective on established truths of the setting. I also love the way Jon's character is so different, but still fundamentally the same kinda guy-- "fuck around and find out"-ass man lmao. not to mention Elias' fucked-up dynamic with Jon is ramped up here in a really delicious way, it rly puts their canon dynamic into perspective

Danny Phantom

🌟 Phantom of Truth / Shadow of a Doubt -- HaiJu; Danny Fenton & Maddie Fenton-centric; "what if" scenario divergence from an unspecific point in canon, would prolly be best to be familiar with the show but u can prolly get away with some wiki skimming

this one's a classic, and one of the big contributors to the "dissection/vivisection" genre of whump in the DP fandom, haha. it's such an intimate analysis of Danny's relationship with his mom, and it refuses to pull punches on Danny's situation and resulting trauma. I think it also does an excellent job challenging Maddie's perception/ethics in genuine and fundamental ways

Rise of the Guardians (movie)

🌟 Shadows and Light series -- not_poignant; Jack Frost/Pitch Black, Jack-centric; canon-compliant sequel to the movie (can't speak for book canon), u can prolly get away with reading a wiki summary if u don't wanna watch the movie

one of my fave fics for a decade now, I absolutely LOVE what this fic does for ROTG worldbuilding. so much thought is put into the politics of the fae community, and how magic functions both practically and thematically. and it introduces a ton of cool fae ocs, many of which now have their own stories, as the author has used their fae world here in other original stories as well (would also recommend!!). and the relationship between Pitch/Jack is excellent of course, with a lot of interesting BDSM elements to their dynamic (a common trend in this author's other writing as well)

Mob Psycho 100

🌟 A Breach of Trust -- Phantomrose96; Ritsu, Mob, & Reigen-centric, but multiple other POVs as well; diverges from canon before the start of the canon story, so knowing MP100 isn't necessary

this is a really fun "what if Reigen and Mob didn't meet when they were supposed to?" canon-divergent au. it pushes basically every character to their worst, most self-destructive ends, and it makes me want to throttle some of them (affectionate <3). the fic isn't done yet (as of posting this), but it promises to end satisfyingly-- it just has to put everyone through the wringer first lmao

Welcome to Night Vale

🌟 run, run, fast as you-- -- (orphaned); Cecil/Carlos, Carlos-centric; compliant with early NV lore, mostly diverges in some of Carlos' background and motivations moving to Night Vale. familiarity with s1 would be useful, but not strictly necessary

really really stunning fic, I love the additional lore-building for Carlos and Cecil here, so much is added to their characters. since this is such an old fic, some of the lore here ends up being retroactively false, as the podcast introduced different lore later on. but I almost wish some of the lore here was canon b/c it's just that good (like Cecil's whole thing with the orphanage, and how the orphanage even functions OUGH!)

The Devil Went Down To Georgia (you heard that right, the country song)

🌟 The Devil Went Down to Georgia (And Then Went Down on Johnny) series -- notbecauseofvictories; Johnny/The Devil, Johnny-centric; I guess a modern take on canon, kinda treated like an original story tbh, but like. you can also just listen to the song beforehand

the author clearly has a deep knowledge and passion for music-- especially country music-- and it rly shines through in this fic. the celebration of music and community and country culture here is just. idk, it's like being invited to the table, somehow, I love it. this whole fic is poetry and it makes me ache

Portal

Blue Sky -- wafflestories; Wheatley/Chell-centric; canon-compliant sequel to the second game, necessary to know the games to understand

I must admit it's been several years since I've read this one, so my memory of it isn't quite as strong. but I remember it being a very loving rehabilitation of Wheatley and Chell's relationship, and I believe it's considered a classic by the ship's fans.

How To Train Your Dragon (movie)

I Hear Him Scream -- Rift-Raft; Toothless & Hiccup-centric; diverges from canon at the point when Hiccup downs Toothless with the net at the beginning of the movie, so watching the movie isn't super necessary, tho I imagine most of us have seen it (as we should!!)

I don't know that I would call this one particularly well-written-- it can get kinda awkward and jarring at points, and the end of the story kinda goes off the rails for me. but the premise and worldbuilding make up for it, imo. but I admit I love xenofiction, so I love seeing the deep lore about dragon culture/society this fic presents

Kekkai Sensen

Fleißiger Junge -- TheLennyBunny; Klaus/Leo, Leo-centric; demon/angel au, not necessary to know KKSS

I really love the demon/angel worldbuilding in this one, with a delicious twist of horror that's so fitting to canon /chef's kiss/. and the way Leo's family is characterized (with several OC characters) is so so fun and charming. good eating for the starving Klaus/Leo fans out there 😭

RWBY

🌟 Teaching Qrow -- ByronNightshade; Qrow-centric; a canon-compliant prequel to the canon story, a bit of knowledge about the setting and Qrow's backstory are kinda necessary

I fucking love what this fic does for Qrow's character, it treats him with way more nuance and understanding than canon ever has (tho tbf, most Qrow fans do, lol). and all the additional OCs and building on the subtle implications of RWBY lore... AUGH it's good

My Hero Academia

Hero Class Civil Warfare -- RogueDruid; genfic with multiple POVs; "what if" scenario divergence from an unspecific point in canon, prolly necessary to at least be familiar with the world/characters to a point

really fun "what if this class exercise got got a bit too intense, haha~" au. it introduces a ton of fun new dynamics between the characters, and lets Izuku shine as a badass, chessmaster "villain"

Omniscient Reader's Viewpoint

Imaginary Truths -- Mythril; Kim Dokja/Yoo Joonghyuk-centric; actor au, not necessary to know ORV

this fic does an excellent job translating the canon relationships/dynamics to this setting, and keeps the core of the story/themes intact in rly interesting ways.

new game (+) -- illusionedwhite; Kim Dokja/Yoo Joonghyuk, Yoo Joonghyuk-centric; role-reversal au, and since it starts from the beginning where where canon would have started, I guess it's not technically necessary to read ORV first? but ORV provides more context

this fic is rly careful about the particular way Kim Dokja and Yoo Joonghyuk switch roles-- it's very much about their story roles. their core characters/themes remain intact, they're just interpreted through a new lens here. this is for the fans that read ORV and thought, "what if I want to read ORV again, but slightly to the left?"

Genshin Impact

🌟 Begin Anew, O Lost Child -- DarthPeezy; Childe/Zhongli/Guizhong, Childe-centric; a time-travel au that diverges from canon at the battle with Osial in the Liyue chapter, so familiarity up to that point is necessary

there's something about circularity and connection, here. about reaching across expanses of time to connect with those you love, and those you lost. about the horror of fate, and the hope for a future in spite of it. idk, this fic did something to me

we were lovers -- ThirteenSocks; Kazuha/his unnamed friend, Kazuha-centric; "Kazuha loses his vision" au, with a few twists. this fic doesn't really touch canon involving the traveler, but familiarity with Inazuma is necessary, so at least up through that chapter in-game.

what else can I say except this fic is beautiful-- it has the same melodic quality that I associate with Kazuha himself, so it feels perfectly appropriate.

To Be or Not To Be (Human With You) -- lilbittofmatcha; Aether/Scaramouche, Aether-centric; diverges after the end of the whole Sumeru chapter, familiarity up to that point is necessary

I really really love Traveler fics that acknowledge that the Traveler is essentially an otherworldy alien being, and was perhaps even godlike(??) before landing in Teyvat. I especially love Aether's characterization here, and the obvious comparisons to be made with Scara's situation

Sinking Ships in Liyue Harbor -- whereherbonesareburied; Diluc/Kaeya, Diluc-centric; a "what if Kaeya left" divergence from canon sometime after the events of the Mondstadt chapter. it's necessary to be familiar with Kaeya and Diluc's relationship, so reading up on their lore is best, though familiarity up through the Liyue chapter will help with this one

something about the pacing and framing of this fic really charms me. like, Diluc's journey to find Kaeya is kinda framed as a series meetings with several new people, like snapshots from a photo album? it's fun to see so many different, brief impressions of characters through his eyes

Osomatsu-san

Dissociation Disease -- PyrrhicFiend; Karamatsu-centric; technically features multiple AUs, but the core story is show canon. not strictly necessary to be familiar with the show

a fic I never ended up finishing (someday..), but I remember it being incredibly trippy and bizarre in the best of ways. though it may not be the best fic to read dealing with dissociation themself, because it grapples a lot with warped perception and hallucinations

🌟 Frater, Ave Atque Vale -- (orphaned); Karamatsu/Osomatsu, Osomatsu-centric; fantasy AU, not necessary to know the show

this one's perhaps on the razor's edge of not being long enough for this list, but I'm counting it anyways. there's something about 'brief' writing styles that often captures me, like parsing a scene down to its bare essentials makes the tone/emotion land more powerfully. this fic is probably my favorite example of this style

Voltron: VLD

The Rites of Courtship -- calibratingentropy; Keith/Thace, Keith-centric; canon-divergence from the end of s1 ep12, and it's kinda necessary to be familiar at least to that point, though u might be able to skim the wiki

a rarepair I never woulda considered if a friend hadn't recced this fic to me way back, haha. this fic features some of my favorite alien worldbuilding, with a lot of thought and care put into Galran culture and biology, I think about it a lot as a specevo creator myself

The Favored Champion -- sugarapplesweet; Sendak/Shiro, Shiro-centric; canon-divergence before canon, while Shiro is still a coliseum fighter

real fucked-up Stockholm Syndrome abusive relationship, Shiro goes thru the wringer </3. I love the way the relationship with the Lions is depicted here too, the chapter where Shiro basically screams at the Black Lion grips me by the throat. another great example of cool Galra worldbuilding too, not as heavy on the bio side as the last one but fun to see either way!

Tokyo Mew Mew

The Deal -- RizuOnceAgain; Ichigo/Quiche, Ichigo-centric; canon-divergent from an unspecified(?) point in canon, and I um. I've never watched TMM and know very little beyond TMM's basic premise and main characters? so take that as you will

I don't often read fics from things I'm not familiar with, but I trust my friend's recs with my life, and this one did not disappoint. I can't speak on how faithful it is to the original, but Ichigo/Quiche's dynamic here makes me go crazy nutso bonkers!! it has me banging on the walls and chewing furniture, oh my god!! it almost makes me wanna watch the show even tho I know I won't like it nearly as much as this fic 😭.

[cinemabuffoon]

rant incoming!

I fully believe that the expendables series is one of the biggest wasted potentials of a movie series in recent cinema history. This series could have (and should have) leaned heavily into the energy of the expendables 2, which is the best one imo so I might be biased, where it leaned into the fact that it was a bunch of aging action stars from various eras and embraced it instead of constantly trying to hand things over to younger cast members or botching what could have been one of the most entertaining franchises to exist. I mean for goodness sake Jean Claude Van Damme is literally named Vilain and is generic villain™️!!

I personally enjoy these movies because I'm there to watch some of my favorite action stars be cool and shoot up crap and pal around, and thats what it always should have been. Now, it can be as serious or unserious as it wants to be (like I've stated before I lean towards 2 so that's my preference of the ratio) but it should have been focused on this cast of characters. I understand that Stallone had stated with the third movie that he wanted it to open to a wider/younger audience but I really think that was the wrong choice. As far as I've seen from various fan response, we are all here to watch this cast! these guys! Not some younger actors we don't really care about. They should have ham'd it up! Maybe they kill off some mebers every once in a while if they want to keep it interesting. They are the expendables after all! They could bring on so many cool actors too. Imagine if in the expendables 3, instead of being what it is, they brought in some of the female action stars from the 80s / 90s! They could be new additions to the team, a mercenary squad that has a cool, friendly yet competitive rivalship with them, or even as villains! Sigourney Weaver, Linda Hamilton, Uma Thurman, Michelle Yeoh, etc!! So many cool ladies that would have been a fantastic and fun way to keep the movies fresh while staying on brand. Now if they wanted to bring on younger crowds then maybe bring on some more established "modern" action stars then. Ronda Rousey kinda makes sense to me because to my understanding she's fighter in real life. I do think you can bring on newcomers and I'm welcome to it! But I wish they didn't want to hand it over to them. I understand many of these actors are aging and may not want to do this forever and thats completely fine, but i feel that there is a better way then how they went. Also! longer standing villains would be so great! Not necessarily like Thanos but maybe keep them on for more then one movie. Allow establishing time or allow more time to have the battle of good v evil! I.e Vilain was two movies and not one, Stonebanks (who was wasted in 3 smh) given 2 or 3 movies due to his connection with barney or 4 if they had a really good concept/reasoning/writing, etc. There's so much I could probably add and maybe I will later if i think of it but it saddens me to see the state of where this franchise is heading. I hate that Tool hasn't been back once, his arc will never be finished. I hate that so many actors that should be in this arent any more or never will get to be due to its decrease in quality. I hate that the latest movie feels like the lacroix equivalent of a tangerine. I hate that these movies have had more bad than good recently. I know they were never masterpieces, but as someone who loves action films and enjoys many of these actors movies, it was such a fun franchise and one that's potential has been squandered. It's just sad. This is also coming from someone who is relatively new to this series. I didn't grow up with this so I have no nostalgia or anything, I'm not blinded by rose tinted glasses. I'm just a fan who wishes better for this series. I hope we get a movie that absolutely revives and revitalizes this franchise but after 4, I'm not betting anything on it.

feeling like we should have gotten sequels to the A-Team (2010) instead right now