#it’s about being the most powerful being in the world

[chaosroid]

One thing about the whole "book lore says women can't be witchers" is that...it doesn't even really say that. All the lore ever said on this matter was that no girl has ever survived the Trial of the Grasses. That's it. It doesn't say what the sample size was, nor does it say if they ever tried it on adult women. For all we know, they conducted it on a few dozen girls, none of them survived, and then immediately gave up.

There's also the possibility that simply more research was done for male physiology, and females might've required a different concoction of mutations to survive that they never got. Considering how under-researched womens' health tends to be irl, is it so hard to believe that the mages who first created the witcher mutations could've failed to take into account the nuances of female physiology?

In the medieval world, males are naturally going to be more expendable by virtue of being less essential in reproduction roles, so of course there's going to be more performed on boys. However, 'no girls have survived' =/= 'it is impossible for girls to survive'. Especially when the girl in question is canonically one of the most powerful women in-universe. We have no idea how Ciri's bloodline could interact with the mutations.

Nevermind the fact that there has already been a woman who was subjected to witcher mutations and survived. In the Witcher game, Rayla was turned into a mutant by the Salamandra, who had stolen the secrets of the mutagenic process from Kaer Morhen. The only difference between her and an actual witcher was the training.

The Trial isn't some immutable element, they're a process of alchemic components/ingredients, and like all things under alchemy, formulas can change and improve.

[gallusrostromegalus]

I did not care at all for Aizen Sosuke when I first read bleach. I found him boring, and worst, unthreatening.

So it's pretty jarring for me that I have been OBSESSED with him in your AU. I'm rotating him at great speed

Walt Disney was a jackass who was flat-out wrong about a lot of very important things, but he employed a great many geniuses of storytelling, and there's a piece in Disney Animation: The Illusion of Life by Frank Thomas and Ollie Johnson that discusses a key feature of Disney Studios Character Design:

"Of all characters, villains are the most fun to develop because they make everything else happen. They are the instigators, and always more colorful than the Hero. They may be dramatic, awesome, insidious or semi-comic, but they MUST be appealing. Almost any story becomes innocuous if all the evil is eliminated, but we do not necessarily gain strength by being frightening. we want a character that will hold the audience and entertain them, even if it's a Chilling Type of Entertainment."

And I've found that to be an important principle of character design, especially the kind of canon restructuring I do.

Aizen had a LOT going for him in canon- for all of Bleach's other faults, Aizen's conspiracy and THE REVEAL are spectacularly constructed and executed. I legit screamed and threw my mug across my dorm room when I read it in the manga the first time. He's also conventionally attractive and the translations I was reading gave him the speech patterns of Every Douchebag In Your 101 Political Theory Who Thinks He's The Smartest Man In The Room, which made him a terrific combination of Unfortunately Charming, Menacingly Competent and Engagingly Obnoxious.

...But he falls flat in a few key places.

Aizen's reasoning could be MUCH more sympathetic- After all, he is RIGHT. Soul Sciety does suck ass and all the options kind of suck. Who designs a universe like that? An asshole who needs killing, that's who. The best kind of Unhinged Madmen are the kind who spell out their reasoning and you realize that there but for the grace of Not Having Super Powers Go I. Canon!Aizen makes a few Good Rhetorical Points, but seems to lack any personal connection to his all-consuming plan.

Another issue is that nearly every villain with A Plan has a clear end goal AND a lot of the menace is drawn from the fact that the plan *could* work. Aizen's plan for betraying the court guard and then killing them off before proceeding into the Royal Realm to Kill God sorta falls apart when it's clear he planned to use pretty much all his accumulated forces dealing with the court guard and doesn't seem to have a plan for the Even More Powerful Royal Guard, let alone God. For how meticulously planned the rest of the plot is, the last two VERY IMPORTANT steps are just handwaved.

So I sat down and started with the plot beats Aizen MUST hit, and tried to imagine what kind of guy would he have to be to get there? And I came up with this:

Sosuke Aizen is a fundamentally good man with genuinely good intentions who is really trying his best for the whole world.

Think about it- what lengths would you NOT go to if you think you found a genuine shot at Fixing Everything Wrong With The World Forever? We all talk about killing Hitler if we found an actual Time Machine- would you do it if your only chance was when he was a baby? Would you kill an infant if it meant you could stop World War II before it starts? Of course you would! One small life for over 75 million? You'd be insane not to! What if you found out that you could prevent the future extinction of Humanity by killing your best friend today? Ten Billion lives? For theirs? It's simple, really- Hell, it's your Moral Obligation to do that if you were SURE!

-And Aizen IS sure. He is absolutely, totally, completely sure that He Can Save Everyone if he just gets rid of that idiot sitting on the throne of heaven. He's seen the plans! He knows where the gate of heaven is! It's So SIMPLE he just has to get inside, and he knows EXACTLY how to do it, yes it'll be hard and there will be... unpleasant parts but. IT. WILL. WORK.

He is of course, insane.

Aizen didn't have One Bad Day that set him irrevocably on the path of madness. It was a succession of catastrophic disappointments and realizations that he was living in a fundamentally irrational world that made irrational thinking look sane. The Catastrophe that befell his family, working for the central 46 and later the court guard and seeing how the organizations were inept to the point of abuse or corrupt to the core, learning that The Actual House Of God is a place he can just? Go to? Anyone would start thinking you were just a handful of white lies and homicides away from Fixing Everything, Forever.

Not only is Aizen insane, he is nowhere near as smart as he thinks. He is smart- He does have a knack for being able to guess just what will spur someone to action or make them recoil in fear. But mostly he gets extremely lucky Many, Many, MANY times. On some level I think it gives him Confirmation Bias that this is what he's supposed to be doing. Aizen is also nowhere near as smart as (nearly) everyone else thinks he is. His bizarrely good luck makes him look like a hyper-competent genius when really it was really the catastrophic failure of Soul Society as a Society that let a merely mediocre conspirator to evade detection for so long.

Being that he is at most, mediocre, he had to have Outside Help, specifically Gin's emotional support and Tousen's Competence- and if there's a part of the fic that stays true to canon, it's this.

Gin is Aizen's emotional rock in Canon. He's the ONE guy that Aizen genuinely trusts, and considers his 'my only real partner' in his scheme. There's more than one occasion in the manga where Aizen more or less asks Gin "Is this actually a good idea?" and Gin backs him up every time.

...Which is more than a bit at odds with Gin's later stated goal of "I did all this to kill you at your most vulnerable to protect rangiku" . It never rang true to me. So I started thinking why on EARTH Gin would be backing Aizen up like that, and realized there was a hole in my world building that he slotted into nicely :)

On the other hand, the entire fic was started because I didn't like how Tousen's character arc ended, so you can imagine how much he's changed.

But in canon, TOUSEN DOES ALL THE FUCKING WORK.

Lab work? Tousen.

Supervising the arrancar directly? Tousen

Actually getting victims for the Hogyoku experiments? Tousen.

Altering all the archives to keep Aizen's plot hidden? Tousen.

Sending all the Orders allegedly from the central 46? Tousen.

Making sure Unohana believes Aizen's fake body is real? Tousen.

Managing all the day-to-day operations at Las Noches? Tousen.

There's even this little exchange, which is Tousen's first appearance in the Manga:

Aizen establishes this entire meeting is a little fake-out a few pages later with "now isn't that a convenieint time for the alarm to go off?"

which makes him look like he's investigating, but he's also going "Good job on disrupting everyone with the alarm Gin!" It's ballsy of Aizen to do a check-in on his plan with his main nemesis in the room, but also his style.

I think the same thing is happening here with Tousen. To make sure Ukitake wouldn't raise a huge fit about the proposed execution of his beloved lieutenant, which might fuck everything up for Aizen because Ukitake is one of like, three people Yamamoto will listen to (sort of).

...So he had Tousen poison Ukitake to keep him out of the way.

ALL. THE. FUCKING. WORK. It's even in his name! The characters for "Tousen" Refer to a legendary scholar the emperor of China sent out to discover the secret of immortality- only to kill the scholar when he returned with that secret. The character for "Kaname" means "Necessary/Vital/keystone" or "to organize/take account of". His name LITERALLY means "Scholar who is essential for the plan (that we're going to kill later)"

Another thing Kubo did well in Bleach: his name game is Off The Fucking Charts.

-but I digress.

In AEIWAM, it's much the same only this time Aizen sees this very dangerous witness who is immune to his illusions but also extremely snart and capable young man and instead of risking being caught out by the one damn guy who can see right through him, opts to Curse Kaname into doing as Aizen says, and doing all the fucking work of this conspiracy against his will.

It's Not Nice, but Aizen genuinely thinks he's doing Kaname a favor by subjecting him to this degrading and incredibly painful servitude- I mean, Aizen's only other option was to Kill him to keep his silence, and isn't it wonderful that you get to help fix the universe? You're the one always going on about Justice, I don't understand why you didn't jump at the chance to mete out some Divine Justice.

An Excerpt from the captain's meeting in between the Massacre that made the visored and Zaraki's arrival, when Kaname realizes Yamamoto is 100% serious about his promotion to captain of the 9th and goes to throw up in the garden. Aizen offers to go check on him while Unohana very politely reads the general the riot act:

---

"You broke your toy Aizen." Kaname coughs.

"…I really am sorry for running you ragged like this. I really shouldn't have gotten so mad about you hiding the the hogyoku- it was very petty of me." The bastard sighs, taking off his glasses and rubbing his face, entirely genuine.

Kaname stayed on his hands and knees, weaving slightly as another wave of nausea flowed through him, powered by disgust and rage.

"How about this- I've got a lot coming up with the new job, training Gin and disposing of Kiganjo- So how about I promise to not give you any orders for a while? You will have to keep our arrangement a secret and not interfere, of course, but other than that, you're free to do as you please for- a year and a day is traditional isn't it? No, that's not going to heal by then- Oh, would you look at that!"

Kaname didn't have the strength to offer his usual rebuttal that he won't look at anything, ever. The sides of his head tingle like his skul was being pressed between two enormous hands made of static electricity.

"It's 11:11! Alright, I won't give you any Orders until 11:11 am on November 11th, 1911. That's easy to remember! What do you think?" Aizen continued cheerfully, patting his back and the Curse nails.

"…I can't." Kaname groaned. He could scream if he had the energy, but due to Aizen's Illusions, nobody would hear him. "I actually physically can't think. Please…"

"Of course! You really are such a help to me, it would be a shame to lose you. I'll even amend our contract, so you don't get paranoid-" There was a sizzling sound and a new stroke of hot pain up Kaname's spine as Aizen did something to the wretched Bakudo. "There. No compulsions for eleven years and a day. What do you say?"

Kaname grimaced, but dropped his head. Save the energy to fight another day. "…thank you, Aizen-sama."

"Good man! Let's get you on your feet." Aizen beamed, putting his glasses back on and offering him an arm.

---

He genuinely thinks that he's doing everyone a huge favor and if they don't get it it's because they're just not smart enough, but it's alright, He's a Benevolent God and they'll appreciate all his hard work the next time around :)

Aizen is a man who is FULL of joy. He loves what he does! He actively takes pleasure in it! And I think that's something that REALLY delivers in terms of sympathy AND horror for him. Who *Wouldn't* have a great time actually fixing the universe? He's a good man who enjoys doing good works, and this is the greatest work of all!

It also Delivers on the Horror when I get to write the deliciously fun scenes where Aizen is Elbows-deep in a novel War Crime and waxing poetic about how GREAT this is, or being confused why the people around him are reacting with fear. Don't you want to make everything better too?

[webzazes]

making this danny phantom teehee ❤️

My family always seemed like the most normal people in the world. But, we're filthy rich. I'm not a fan of it, but it's whatever. At least I have funds for passion projects, and hopefully, in due time, my own greenhouse (I've wanted one for years).

I actually only learned what really made us so successful recently, though. Ever since I was young, I was told over and over again that it was due to an invention, something useful and prominent in everyday life. However, it turns out that we're so wealthy because of black magic.

The thought alone inspired me so much, and I was already into gothic and fantastical things- it practically tripled my obsession. My parents, however, thought I was "too obvious" or "too gloomy" for our happy little family, especially because of my style of dress, but I was dead-set on breaking away from the norm after I learned how, well, not normal we are under wraps.

This made me a loner at school. I was different, and I wasn't a fan of going out of my way for friendships, let alone any unnecessary social interaction. I kept to myself, and became "the weird goth girl". Honestly, I was happy with that.

But, being a loner led me to Danny. And, of course, his friend Tucker. They accepted me- although we did butt heads at times, as is natural. We'd go to Danny's house, hear about his parents' work, and especially, their obsession with ghosts.

As someone getting into the occult, (I was actively training myself with books from our family library) I was interested. Very interested. I knew about souls, zombies, and demons, but not so much about ghosts themselves, the physical representation of a consciousness and soul tied down to Earth.

So, when Danny brought us to his basement to show us the "ghost portal" his parents were working on, I was excited. Really excited. Of course, I didn't let that show, I figured it might be as dumb as all of the other Fenton tech, and I wasn't expecting it to be dangerous, either.

But, when Danny stepped in to try and turn it on, I realized it was, in fact, dangerous. Very much so. The sheer amount of force I felt when the portal opened was almost painful- but never could be as painful as the sight of what happened to Danny because of it. He looked almost burned in places, and practically wilted to the ground.

He was limp. And he didn't look right, either- his hair was a shocking, clear white, and his eyes were green. At the time, I didn't even notice that the protective suit he was wearing had changed. But I could 100 percent tell that he was dead. Stone cold and limp, dead.

Tucker looked to be on the verge of tears, but I didn't care. I had to do something! I could feel some kind of residual energy on Danny's body, and I thought, "a source". A source of power for me to use, something I could heal him with.

Healing was my passion. I've always cared for life. Especially in this instance- Danny wasn't allowed to die. He couldn't die. I don't know what I would've done if he did..

So, in a split second, I was by his side. I was full healer mode, to the point I knew I couldn't let Tucker see my face. If he saw my eyes, well, he certainly wouldn't have been able to forget them any time soon..

I grasped at the energy left on Danny, and I made it mine. My emotions made me strong, determined, and I used that energy to successfully make an offering to Danny's soul. It was like summoning a demon- I'd seen my mom do it before- but more intimate, as I touched his spirit, poured its power into his bloodstream, and pulled at it, as I tied it to his body. I could almost feel the ectoplasm in my hands- and that's when I realized what the residual energy really was. Ectoplasm.

The ghost portal was real.

All in all, the whole process of "fixing" Danny, well.. it felt like nothing. And it really was quick. Thankfully, once I told Tucker that Danny was breathing, he didn't think to question the wait. He said nothing. And I couldn't bring myself to say that Danny was still cold..

So, hurriedly, we took Danny to his room, and told his parents he was tired. We said that he fell asleep while playing games with us. That was it.

That is how it all started.

You always wanted to be a Healer. Unfortunately, your dad was an Necromancer and your mother a Demon Summoner. So your healing was a bit… unconventional to say the least.

[diorstarkey]

Good Graces | 01

Rafe Cameron x Princess!Reader | series masterlist.

summary; Being the son of the President of the United States came with its fair share of responsibilities, but none as infuriating as this. To secure his father's re-election, Rafe Cameron was forced to spend weeks under the same roof as the Princess of England. Diplomacy, they called it. Torture, he thought. The last thing he needed was a spoiled royal ruining his summer. But between gala events, unexpected conversations, and stolen glances, Rafe realized the line between hate and attraction was thinner than he'd ever imagined.

warnings; no smut. reader is two years younger than rafe. english is not my first language. the images are for the aesthetic. 'forced marriage au' by @rafecameronssl4t inspired<3

author's note; this is my first series!!! hope you liked it, reblogs and comments are appreciated<3

The presidential ballroom was impeccably decorated, a display of luxury that Rafe found unnecessary and pretentious. He leaned against one of the high columns, watching the political and royal elite move like chess pieces on a board. Ward has talking to the King, your father, about something he wasn't paying attention and didn't bother to pretend to care about.

The ride over had been torturous enough. For the thousandth time, Ward lectured him on how to behave in front of the Royal Family, reminding him—again— not to embarrass him in front of "the most powerful allies we could ever have."

Now, as he stood there, arms crossed and mind elsewhere, he saw you enter to the ballroom. Your entrance was impossible to ignore, your dress shimmering as if the stars themselves had been woven into it. Everything about you was poised, practiced and perfect, from the tilt of your chin to the way you greeted the room with that ever–diplomatic smile.

When your gaze finally met his, your expression shifted slightly, and an eyebrow arched. You approached with purpose, the polite smile on your face as cold as the champagne being served.

"You should bow", you said, your British accent cutting through the noise around them.

Rafe didn't move, instead crossing his arms tighter. "And why would I do that?"

"Because I'm royalty" you replied matter-of-factly, through your smile remained polite.

"And I'm the President's son" Rafe shot back, his tone dry. "I'd say that makes us even, wouldn't you?"

Your smile tightened ever so slightly, but you didn’t back down. “Are you always this charming, or is it just when you’re forced to interact with people far more important than you?”

"Only when those people are wearing a crown and an attitude." he countered, smirking.

Before you could retort, a voice interrupted.

“Ah, there you are, Rafe!” Ward’s tone was overly cheerful, drawing both your attention. “Why don’t you and the Princess take a photo together? A perfect opportunity for the press, don’t you think?”

You exchanged a quick, reluctant glance with Rafe, silently agreeing on one thing for the first time: this was going to be a long night.

Rage groaned internally, but this well-practiced fake smile was already in place. He extended an arm toward you in mock politeness, his smirk sharp enough to cut glass. "After you, Your Highness. Don't want to break royal protocol now, don't we?"

You rolled your eyes, but your own diplomatic farcade never faltered. "How thoughtful of you, Mr. Cameron."

As you both moved toward the photo backdrop, flashes from cameras already began to light up the room. Rafe leaned in slightly, lowering his voice so only you could hear. “Smile big, Princess. The world’s watching.”

“I'd rather choke and believe me,” you replied through gritted teeth, “I’ve been smiling through worse company than yours.”

The photographer barked instructions as if posing next to someone you couldn’t stand wasn’t awkward enough. “Closer, please! Let’s see some warmth!”

Rafe, ever the troublemaker, slipped an arm lightly around your waist. “Anything for the press,” he muttered, his voice dripping with sarcasm.

You stiffened at the gesture, your eyes shooting daggers at him. “Get your hand off me before I make you regret it,” you hissed quietly, though your face maintained an air of perfect grace for the cameras.

“Relax,” Rafe replied, his grin widening. “I’m just playing the role your family paid for.”

“Paid for?” you echoed, your smile faltering for just a fraction of a second.

“Sure. Isn’t that what this is? A transaction? You play nice with us so my dad looks good, and in return, we keep your little kingdom relevant.”

Your eyes narrowed dangerously, and for a moment, you wondered if anyone would notice if you stabbed him with your heel. “Your arrogance is truly astonishing.”

“And your entitlement is truly exhausting,” Rafe shot back, his voice just low enough to keep your verbal sparring private.

“Perfect!” the photographer called out, breaking the tension. “You two have such natural chemistry. Just lovely.”

You stepped away from Rafe the second it was socially acceptable, smoothing down the fabric of your dress as if even proximity to him had somehow wrinkled it.

“I need a drink,” you muttered under your breath.

“Make it a double,” Rafe quipped, already heading toward the bar.

A few minutes later, you found yourself stationed next to Rafe at a small table as your families chatted about alliances, trade agreements, and other topics that seemed infinitely dull. You weren’t listening, of course. You were too busy internally debating whether it was worth the scandal to excuse yourself entirely.

Rafe, meanwhile, was stirring the ice in his glass with a look that screamed disinterest. His posture was casual, legs stretched out slightly under the table as if he were deliberately trying to take up as much space as possible.

“Enjoying yourself?” you asked, your tone dripping with sarcasm.

“Immensely,” he replied, taking a sip of his drink. “I especially enjoy sitting through conversations about ‘strengthening ties’ and ‘mutual benefits.’ Thrilling stuff, really.”

“Perhaps if you paid attention, you’d learn something,” you countered, keeping your voice neutral as possible.

“Perhaps if I wanted to listen to lectures, I’d go back to college,” he shot back.

You arched a brow. “Ah, yes. How could I forget? The prodigal son of the President, gracing the Ivy League with his presence. Did you even finish?”

Rafe’s smirk returned, though this time it was edged with something more genuine. “Touché, Princess. I did, actually. But I guess the finer details of my resume didn’t make it across the Atlantic.”

“Oh, I’m sure the tabloids covered it thoroughly,” you said. “Right next to your exploits at frat parties and your extensive collection of speeding tickets.”

He chuckled, leaning back in his chair. “You’ve done your homework. Impressive.”

“Unlike you,” you shot back, taking a sip of your champagne.

“Touché again,” he said, tipping his glass toward you in mock admiration. “You’re sharp. I’ll give you that.”

The conversation, sharp and biting as it was, didn’t go unnoticed. Across the room, Ward exchanged a glance with the King, who raised an eyebrow as if to say, Is this really going to work?

DIORSTARKEY — do not plagiarize, translate or copy my work.

[ceruark]

Yandere MBTI: Sunday

credit: Yandere MBTI System created by the amazing @ddarker-dreams! used with permission. words: 1,046 cw: yandere themes: abduction, brainwashing, manipulation. a/n: happy birthday to me! here’s my gift to all of us :>

Final Assessment: RDMS

Reverent

Sunday holds you nearly as high as the aeon he worships. He adores you, and your endless happiness is one of his primary motivators for pursuing that perfect world. It’s because of this that he keeps you locked away in Dewlight Pavilion; the world is an unforgiving place, and he’s already lost so much. As long as you’re safe and by his side, where he can shower you with affection and make sure every single one of your needs is met, you won’t have to know suffering the way he has.

Any material possession you ask for is left outside your bedroom door the next morning. Exquisite dishes are served to you every night, no matter how much the imported ingredients may cost. Every single article of clothing in your closet is made from the finest materials and fitted to perfectly suit your body. He’ll give you anything your heart desires, darling— just not your freedom.

That isn’t to say that Sunday can’t be cruel, though. As is evident in the Penacony story at times, he enjoys toying around with others and does possess somewhat sadistic tendencies. If you resist him too much and for too long, he’ll feel justified in putting you through some type of punishment: trapping you in the miniature display city, locking you in your room for days and ensuring that none of your attendants speak to you, or warping your dream to be something more of a nightmare. The slight satisfaction he gets from watching you suffer just a fraction of how agonized he’s been without your love is enough for him to brush off any guilt he feels, and the way you cling to him when it’s all said and done makes it even sweeter.

Delusional

Though he does fall under this category, he’s not blind enough to convince himself that you love him unconditionally the way he does for you— no, he can recognize that you begrudge him for taking you away from your home and the people you once called your family. However, he is delusional in the sense that he believes he can get you to love him.

After all, not too long ago you were falling for his charm, blushing at his delicate touches and clinging to his arm as he walked you through the hidden alleyways of Penacony. Back then, you were always eager to rendezvous with him when he could make time and find a place out of the public’s eye— certainly, you’ll be able to feel such tender emotion for him once more. You just need time to adjust to your new home, your new life. 

However, his patience is not endless, and he will use more drastic measures if it means earning the love for him he knows is sleeping somewhere deep within your heart. At times where he feels particularly paranoid and vulnerable— such as after losing Robin, or when leaving Penacony with the Astral Express— he may resort to using the brainwashing power of The Harmony to make you more docile and willing to bend to his whims. It does hurt him to do this to you, but the few moments of you peacefully sitting in his lap or holding him in your arms makes it worth it.

Manipulative

Sunday needs you like a dying man in the desert needs water. That being said, almost nothing is off the table for him when it comes to winning your love.

As the Oak Family Head, it’s incredibly easy for him to get into the good graces of your family and friends. If you’re able to see through his carefully crafted mask this early into his pursual of you, then he’s pulling at the strings of those in your inner circle, commandeering them like puppets. They do his job for him by challenging your hesitation over accepting his affections; this is the most powerful man in Penacony you’re talking about, and he’s such a gentleman who’s so clearly smitten with you! Why would you possibly turn down a man like that?

If you’re not able to see through his facade, though, he’s doing everything in his power to make sure he shines like gold in your eyes. Unexpectedly, things in Penacony start falling apart for you: you’ve been kicked out of your residence, your friends have turned against you, and the sweet dream you’ve found here is rapidly unraveling before your eyes due to the will of some unknown higher being. Not to worry, though— Sunday is here for you, and he’s more than happy to help you rebuild everything lost, making sure to root himself into the foundation of your new dream as much as possible.

After becoming part of the Astral Express, though, his means of trying to coax you into loving him are a bit different. He knows he’s pitiful after his fall from grace, and he’s willing to swallow his pride and appear more pathetic and subdued if it means you’ll pardon his previous actions against you and comfort him.

As mentioned in the previous section, he’s not against using more unsavory methods of manipulating you in the name of keeping you close. Using The Harmony on you is a last resort, but he will if he must— the end always justifies the means.

Strict

As is obvious, he’s keeping you chained by his side. As the Oak Family Head, he’s got you locked inside Dewlight Pavilion at all times. During the few instances you’re permitted to wander Golden Hour, two Bloodhound members are glued to your side if he can’t escort you around himself. You’re never alone, and you’re never out of his sight— the nightingales that lurk in the shadows just a few feet behind you are a testament to that.

As a member of the Astral Express, he’s still hesitant to let you out of his sight. He may not possess the same means of following you around or trapping you, but that doesn’t mean he can’t guilt you into staying with him after everything he’s been through. If anything, he’s even worse now than ever before; you’re the only familiar thing he has control over in the uncertain, vast journey before him, and he clings onto your love and those last shreds of power like a lifeline.

[possessedmen]

In the underbelly of a city that thrived under the cloak of night, there was a tale that would chill even the most hardened of souls. It began in the confines of a maximum-security prison, where a man named Vincent, known for his cunning and ruthlessness, orchestrated his escape. Vincent was no ordinary criminal; he was a master of manipulation, with a mind as sharp as a razor's edge.

After his daring escape, Vincent found himself a fugitive, hunted by law enforcement and desperate for a new identity. He turned to the digital world, where anonymity was king. Using a stolen phone and a vague profile on Grindr, he crafted an allure that was irresistible. His target? An unsuspecting man named Luke, who was drawn in by Vincent's charm and the promise of an unforgettable night.

They met at an abandoned warehouse, the perfect lair for Vincent's dark intentions. The place was a relic of the city's industrial past, now a silent witness to Vincent's twisted plans. The air was thick with dust and the scent of rust, but Luke, blinded by desire, saw only the shadows as romantic dimness.

The encounter began with the usual dance of seduction, but Vincent's intentions were far from ordinary. With every touch, he was not just seeking physical connection; he was seeking possession, a way to merge his essence with another to evade capture forever. The act was brutal, a display of raw power and dark magic. Vincent's goal was not just to dominate physically but to merge his spirit with Luke’s, to become one with him in a way that transcended the physical.

As the night deepened, the warehouse echoed with the sounds of their encounter, a mix of pleasure and pain, of dominance and submission. Vincent's eyes, usually cold and calculating, now burned with an unholy fire. He whispered ancient words, words that should never be spoken, as he sought to bind his soul with Luke’s.

The ritual reached its climax, and in a moment that defied reality, Vincent seemed to dissolve into Luke, his body merging with the other man's in a way that was both horrifying and mesmerizing. When the deed was done, Luke was no longer just himself; he was a vessel, a new identity for Vincent, who had successfully escaped not just the prison but his own body.

After the possession, Vincent, now within Luke’s body, stood in front of a dusty mirror in the warehouse, admiring the new form he had taken. Luke’s body was a canvas of perfection in Vincent's eyes, a stark contrast to his previous rugged appearance. He ran his hands over the smooth, unmarred skin, feeling the strength in the muscles, the vitality that coursed through veins untouched by the harshness of prison life. This body was a prize, a new beginning, and Vincent reveled in the sensation of being someone else, someone unburdened by his past.

Curiosity about his new identity led him to Luke’s phone, which lay discarded on the floor. Unlocking it with a face that now belonged to him, Vincent delved into the digital life of his host. The phone opened up like a book, revealing Luke’s world. There were messages from friends, work mails, plans for meetups, and photos that painted a picture of a life filled with joy, travel, spice and connections.

Vincent scrolled through Luke’s social media, absorbing the personality, the likes, the dislikes, the history. He found family photos, a testament to a loving home, something Vincent had never truly known. There were reminders of birthdays, anniversaries, and simple joys like coffee with friends or a new art exhibit. Each piece of information was a puzzle piece in understanding who Luke was, and by extension, who Vincent would now pretend to be.

The next morning, the warehouse was empty, save for the lingering echo of what had transpired. Luke, or what was left of him, walked out into the daylight, a new man with Vincent's mind and memories. The city would never know of the dark magic that had been performed within its boundaries, but the legend of Vincent, the man who escaped not just prison but his own skin, would become a whispered tale among those who dared to delve into the city's darkest secrets.

[literaryvein-reblogs]

Writing Basics: Descriptive Verbs

A verb is a word that’s used to describe an action.

Descriptive verbs - (or strong verbs) are single-word actions that add to the tableau in the reader’s mind, giving it a boost of color and energy.

In many cases, an engaging, vivid verb is more concise and telling than a straightforward, overused one.

The man ran quickly toward the smoke, versus 

The man sprinted toward the smoke.

Weak verbs are simply common ones—words that describe the bare minimum of the action. Sometimes that’s the best way to keep your writing clean and direct, but it can also lead to a lack of color, or personality.

Types of Descriptive Verbs

The most powerful verbs evoke imagery and emotion in the action of the verb itself. A dog doesn’t just eat its food—it gobbles it. The glass doesn’t just break—it shatters.

Questions to consider when replacing your verbs:

Verbs of movement: Movement is especially ripe for descriptive words. Movements communicate how your characters feel, what they want, and how they present themselves to the world. Is your character merely walking along from point a to b? Or do they project more attitude with a saunter or perhaps swagger? Are they in a skipping mood? These movement verbs can also denote a sense of place, and urgency: Depending on the terrain, perhaps they plod through mud or stagger over jagged rocks. Suspicious characters might slink away into the darkness, or scamper just out of reach.

Verbs of stillness: In real life, stillness is never entirely devoid of movement, and is equally revealing. A nervous character doesn’t merely sit, they perch on the edge of their seat. A rude character might slouch in their chair. A character who has just received terrible news may slump on the couch.

Verbs for speech and expression: With dialogue attribution, you could write an entire novel using only “said,” without having to resort to more descriptive verbs like “shouted,” “cried,” or “whimpered.” The best answer is a balance: try to keep your language from jarring the reader out of the story, but considering your character’s intent when searching for the right descriptive verb in dialogue also allows you to quickly deliver more information to the reader. When is a laugh so cruel it becomes more of a snicker, or so unguarded it bursts forth as a guffaw? Muttering a word under the breath might be a sign of dissent, while a whimper is one of surrender. Create volume in your dialogue by introducing sound-oriented synonyms, like whispers or shouts.

When to Use Descriptive Verbs

The best verbs help you hone your prose to give you the effect you wish to achieve. Think about the tone do you want to set—what feelings or mood do you want to evoke? What kind of language will best deliver the story you want to tell?

Reading your work aloud is an excellent way to both hear the sonic effects of your prose and catch awkward repeated sounds or other unintended effects. Read through your writing and make a note of where things feel too slow, or stale.

Where are the moments where your prose stalls out? Highlight all the verbs you’ve used in that section and find stronger words to heighten the tension or enhance the mood of the scene.

Reasons to Use Descriptive Verbs in Writing

Using descriptive verbs is especially useful when considering pacing; active verbs help anchor your writing in the present tense, contributing to the exciting (or suspenseful, emotional, moody, exuberant) tone you might be going for.

Weak verbs, in general, are often supported by adverbs of manner (those descriptive words that end in “-ly”). Good descriptive verbs rid your sentences of the need for too many adverbs, and can also keep state-of-being verbs (like am, is, are, and was, which lead to passive voice) in check.

Source ⚜ More: Writing Notes & References ⚜ Writing Resources PDFs

[snugglyporos]

// Christ I wish I could go back in time and erase concepts like 'unconscious bias' from the world of popular lingo because people apply it to things that they don't apply to. No, most people do not possess an unconscious bias that working class people are worth less than rich people, that's your classist ideology being applied to things that you shouldn't apply it to. We might call that a conscious bias.

What is actually happening is a mix of tropes being blended together and not changing over time. Namely, the idea that the more individuals there are, the weaker they are. We see this everywhere; fifty ninjas? Weak. Not a problem. One ninja? Super powerful. Legend. This exists in everything from James Bond movies to comics to Power Rangers.

The reality is that, narratively speaking, the random cannon fodder between the protagonist and the final boss do not matter. They don't! In real life they would, but if you tried to give ever goon a backstory and explain it you would have a shit story because the audience does not care about the backstory of unnamed good #23. After they take the punch from the protagonist, the audience has entirely forgotten they existed.

Which means that, narratively speaking, the killing of the main villain is more important and more impactful than the killing of some random goon. Now, if you're a good writer this shouldn't be the case. But this too, comes from the blending of genres and tropes.

In the late 1980s, fiction became more violent and more visceral. This means that a lot more violence was happening! And yet, writers still wanted to have their protagonist show that they were the protagonist, because people were all in on moral relativism. People would be like 'well, there's no difference between the hero and the villain if the hero kills the villain.'

The response was a lot of heroes started adopting a weird kind of no killing rule; Batman will break your fucking spine but kill the guy who just blew up a building? That's too far! 'I'm not like you, a guy who kills people, I just cripple them for life!'

And again, this is what happens when genre conventions (the hero should be morally superior than the villain, or at least attempt to be) mixing with trope developments (everything now needs to be brutal and violent to reflect real life).

Now, the circle has completed itself, where we're once again back to 1985, where people are like 'actually no, the hero should fucking kill that guy.' You'll probably be a big fan of the Death Wish movies and The Dark Knight Strikes Back; you know, things that lots of proto-fascists really love because they reinforce the notion that actually, heroes should wield violence against their enemies and impose their will through abject terror.

The reality is, people aren't sitting around going 'my work should reflect the idea that workers are less important than the boss' it's that narratively, the random goons exist to be smacked down to prepare the audience for the big bad, because rising action requires that there be rising challenges. This is mixing along with personal tastes in media.

Now, you could, for example, turn this new trope on its head and ask whether the Punisher murdering every jaywalker and low level drug dealer with extreme violence makes him a villain, because his ideal is that any lawbreaker should be murdered instantly no matter how low the crime. You might also argue that the trope should actually be that the grunts shouldn't be killed by the hero, but the guy who organized them should, because he's much worse than they are.

You could also argue that, the reason why the hero doesn't just kill the villain is that murder is wrong? Even if you think it's morally justified? I think people forget, when they fantasize about an ideal French Revolution, that the most common crime people were executed for was pickpocketing, and every day they would execute the guys who got caught working the crowds at the executions the day before. More poor people got killed in the French Revolution than rich people; you should probably keep that in mind!

Because the core reason you probably want your hero to not kill people in general is that you then have to ask who deserves it and your answer will inevitably include a lot of people you might actually like! You probably don't want heroes taking vague concepts like justice into their own hands because inevitably that makes them into the Death Wish protagonist, deciding that what really needs to happen is for a white guy with a gun to just start shooting up inner cities.

You don't want your hero to start killing people because this is corrosive and it will inevitably result in comparisons between people who got killed.

So no, it's not some kind of unconscious bias, it's because we've melted a worldwide demand for bloodshed and violence with established genre tropes and if you removed one or the other people would complain and be very unhappy.

Or, I guess you could go on and say that Freddy Kruger is anti-marxist because he only targets teenagers instead of people who really deserve it.

[cece693]

May I pretty please request Hannigram with an SO that really likes biting things? Like they’ll just nibble on anything available, including themself or Hanni/Will

male reader if possible :)

Bite Me, Darling

pairing: hannibal lecter and will graham tags: self soothing mechanism, male reader bites things, Alana bashing, jack Crawford bashing, just everyone in general is against this relationship, innocent male reader, hannibal and will want to keep him this way

It was strange, how everything about him was normal on the surface but wildly unique beneath. The way he moved through life, unaware of the way people stared, was something that only a few people truly understood. Will Graham and Hannibal Lecter, for all their intelligence and their capacity for manipulation, had each found something in him—something pure and raw—that spoke to them in ways they couldn’t articulate.

You were innocent in the most innocent way. You didn’t know how to read people’s intentions, how to navigate the murky waters of deceit and pain that others swam in. You were a creature of quiet habits: chewing on pens, biting the corner of your sleeves, even nibbling your fingers. It wasn’t that you was anxious, but rather that this was your way of processing the world. You didn’t speak much, but when you did, it was with a tenderness that could disarm even the most hardened individuals.

For some, this made you seem almost too innocent for the likes of Will and Hannibal. They were two men who dealt with darkness constantly, who played in shadows. Hannibal, the brilliant psychiatrist with an appetite for blood, had found himself intrigued long before anything happened between them. How did such a pure soul even come to be? How was it that someone as complex as Hannibal could be pulled into a world where biting things wasn’t just a habit—it was part of who you were?

But that was the thing, wasn’t it? Hannibal was nothing if not a man who craved complexity, and you, with your simple yet peculiar habit of biting, had an allure that he could never fully comprehend. He wasn’t sure when the lines had blurred, when you had shifted from being someone he wanted to understand to someone he wanted to possess.

Will, on the other hand, was less of a mystery. He found your unspoken understanding of him soothing. Will was not a man who found comfort easily. He’d had too many years of running from his own mind, of balancing between the need for human connection and the heavy weight of his empathic gifts. But you were different. You never demanded anything from him. There was no need to over explain; no fear of rejection. You were there, and that was enough.

The three of them had fallen into a relationship that no one, especially not Alana Bloom or Jack Crawford, could understand. Jack, upset that you had a greater control over his 'asset' perceived you as a problem that needed to be extinguished immediately. While he couldn't force Will to break up with you, he began to use manipulative language more frequently, hinting that his absence was endangering the lives of people. But after a while, his words began to lose power.

"Will, you can’t just leave because he told you to," Jack would say, his voice thick with frustration. "We need you to solve this case. You're part of this team." But Will, unmoved, always told him he was tired and needed a break—as if killers would respect that and stop murdering until he felt better. Jack would then begin to retort how soft Will was becoming, as if that ever mattered when others perceived him as a madman.

Alana, on the other hand, was driven by something more personal. Jealousy. She had been drawn to both Hannibal and Will. Her feelings for them had never been simple or easy, but she had always harbored a belief that somehow, one day, they would choose her. Instead, they had chosen you. The idea of you, with your gentle biting habit, managing to capture the attention of both men—of all people—was enough to make her skin crawl with resentment. How could someone so abnormal and clearly dealing with childhood trauma have the audacity to step into their world and steal both her love interests?

She couldn’t help but feel that you didn’t deserve them. You weren't like her—you didn’t understand the complexities of their lives nor seemed to be able to handle the hurdles that came with it. And so, she set to work.

It started subtly. A conversation here, a comment there.

“Don’t you ever feel like you’re a little strange?” she would ask, voice light, as if it were a passing thought. “I mean, the biting…it's something you can't help, but don't you ever want to stop it? Be seen as normal for once in your life?"

At first, you had laughed it off, thinking nothing of it. But over time, the seeds of doubt were planted. You began to wonder. Was your habit of biting things wrong? Your lovers had never raised concerns, but it would be something they'll definitely keep private, perhaps a secret only shared between Hannibal and Will. You never thought that Alana's words were connived to break your relationship apart, your naivety something the woman had taken into account and used to her advantage.

So, you tried to stop.

You started small: you tucked your hands into your sleeves when your instincts told you to gnaw at the fabric, and you opted for straws instead of biting the rim of a glass cup. You made an effort—any effort—to keep your teeth away from Will and Hannibal’s skin, no matter how comforting that gentle pressure felt against them. At first, neither man noticed; after all, it was easy to dismiss as a passing mood or an unremarkable change in routine.

But after a couple of days, small signs alerted both of them to the shift. Will began to see you catch yourself mid-motion, your hand halfway to your mouth before you stopped and pressed it flat against your chest instead. Hannibal noticed the anxious flicker in your eyes whenever you realized you were about to bite down on your sleeve—or worse, on him—and yanked yourself away.

It was Will who first chose to address it. One evening, you were curled up in his living room, dogs scattered around you like living blankets. The space was quiet, the only sound the gentle snoring of a dog and the low hum of the overhead light. You were running your thumb over your bottom lip—an almost-bite—when Will finally spoke.

“Hey,” he said softly, “what’s on your mind?”

You hesitated, forcing a small smile. “Nothing. Just thinking.”

He studied you with those empathetic eyes of his. You knew he was reading more into your silence, but Will was nothing if not patient. “You’ve been distant,” he finally ventured, words slow and careful. “I don’t mind if you need space, but if something’s bothering you, I want to help.”

The sincerity in his voice tore at your heart. You wanted to confide in him, to say Alana made me feel wrong, and I don’t want to be wrong for you, but the fear of seeming weak or needy held you back. You simply shook your head and offered a reassuring pat to one of the dogs resting on your lap. “I’m fine,” you lied, hoping he wouldn’t push. “Just tired.”

Hannibal discovered your change in behavior under more intimate circumstances. The two of you were alone in his kitchen, the scent of simmering stock filling the air. He had taken your hand to guide you closer to the cutting board, demonstrating a particular technique for slicing vegetables. Normally, a casual closeness like this was an invitation for you to lean in, maybe press your teeth gently against the back of his hand or the curve of his arm—just enough to ground yourself in his presence. This time, you didn't lean in nor brought his hand to your lips.

Hannibal stilled, eyebrows lifting in polite surprise. “Darling,” he asked softly, “what’s wrong?”

Heat bloomed in your cheeks. You swallowed hard. “Just didn’t want to hurt you,” you offered lamely, though you both knew you had never caused him pain before. His dark eyes narrowed thoughtfully, but he released your hand without comment. You wondered if your face betrayed the unease you felt, because Hannibal’s expression shifted into something gentler, concerned. But he chose not to press you then and there. Instead, he simply carried on, instructing you gently with the knife work and occasionally brushing a reassuring hand across your back.

Though both men tried to give you space, their combined worry spilled over as time went on. Neither was used to seeing you so guarded, especially around them. On a chilly afternoon, the three of you gathered in Hannibal’s study—a routine that had become something of a tradition. Will sipped his whiskey quietly while Hannibal and you browsed through his impressive collection of classical music. There was a soothing air of comfort, and for a brief moment, your doubts dimmed.

But of course, it was Will who noticed your jaw moving—saw the slight shift as your teeth worked the soft flesh inside your cheek. He placed his whiskey glass down on the table with a muted clink before pushing himself out of the chair.

“Stop,” he murmured, crossing the room with purpose. His voice was gentle but firm as he stepped close to you. Without hesitating, he brought his hand to your chin, his touch warm yet insistent. “Open your mouth.”

You stiffened, instinctively pulling away. You shook your head, trying to avert your gaze from Will’s intense blue eyes. You didn’t want to show him. You didn’t want him to see the damage you’d done to keep from biting them instead.

But then, Hannibal appeared at Will’s side, his presence commanding. He didn’t say a word, but the look he gave you—equal parts concern and disappointment—made your shoulders slump in silent surrender. Unable to deny the weight of their worry, you parted your lips, letting Will tilt your chin just enough so both he and Hannibal could peer inside.

A faint gasp escaped Will as he saw the small puncture in your cheek, the fresh bead of crimson welling against your lower molars. Hannibal’s lips flattened into a thin line, and a flicker of displeasure darkened his gaze. In the grand scheme of things, it was a small wound, but it spoke volumes to them—volumes about how you had been coping alone.

Hannibal’s voice was low, edged with concern. “You’ve been hurting yourself to avoid biting us.” It wasn’t a question; it was a quiet statement of fact.

Will let go of your chin carefully. “Why?” he asked, his brows knitting together.

You swallowed thickly, your hand hovering near your mouth in a subconscious attempt to hide the injury you’d just revealed. “Alana said it’s weird. The biting,” you whispered, your voice unsteady. “I didn’t want to embarrass you.”

A stretch of silence followed your confession, Hannibal and Will exchanged a look—a silent conversation filled with understanding and mild anger toward Alana’s interference. Will’s gaze softened as he turned back to you. “We told you before,” he reminded you gently, “you don’t have to hide this from us. You’re not hurting us—”

“—nor inconveniencing us,” Hannibal interrupted, stepping closer again. The resolute calm in his eyes steadied you. “In fact, we’ve grown quite accustomed to it, and dare I say, fond of it. Your habit is part of who you are.”

You glanced down, feeling the sting of tears threatening in your eyes. “I just…I didn’t want you to get sick of me, or to think I was some sort of burden.”

Will’s hand found yours, his fingers threading through with a gentle squeeze. “That’s not possible,” he murmured. “We miss it…miss you being comfortable around us.”

Hannibal placed a hand against your cheek, being mindful of your tender injury. “You never need to hurt yourself on our behalf,” he said, voice quiet but unyielding. “Any pain you feel—physical or otherwise—we’d much rather help you carry it, not watch you bury it inside.”

At those words, a sharp wave of relief pulsed through you, along with an ache of regret for having doubted them. You inhaled shakily, letting yourself lean just a fraction closer to Hannibal’s touch, feeling the stability it offered. Will eased his other hand around your waist, tugging you gently in his direction. Sandwiched between them, you could almost believe nothing else mattered.

“I’m sorry,” you managed, blinking away the tears that threatened to fall. “I…I’ll try not to hide it anymore.”

Will’s lips quirked into a small, comforting smile. “No more chewing on your cheek,” he said, voice warm with affection. “You’ll let us help, right?”

With a hesitant nod, you felt Hannibal’s hand slide from your cheek to the back of your head, urging you closer until your forehead rested against his shoulder. He cast a glance at Will, who leaned in and pressed a soft kiss to your temple. Despite the swirl of emotions, you felt a gentle calm in their presence—a sense of being anchored.

[yanderedrabbles]

Yandere Actor

The Golden Age of Hollywood. Stars are born every day and you're desperate to become one. Thanks to @laboodanda for requesting this!

Yandere! Actor who's well established in the industry - his name on the Walk of Fame, his face on all the posters, his agents calling day and night with new offers.

Yandere! Actor who meets you on the set of his latest movie. You're barely even part of the main cast - just a side character with a few lines. But you sparkle.

You have that razzle dazzle in you that makes a true star.

Yandere! Actor who knows it's just a matter of time before you make it big. You've already got your foot in the door and all it takes is a lucky break.

Yandere! Actor who comes up to talk to you during lunch, winks at you and grins at the way you blush. You're in awe of him and it takes a second before you can answer his questions.

Yandere! Actor who's used to starstruck fans, to women who shriek when he looks their way. But, it's somehow new and endearing when you're the one looking at him like that.

He can hear the other extras rushing to your side when he leaves, babbling about how lucky you are that he talked to you, the big stars never notice the little fish.

On the final day of filming, he congratulates you on your first ever role and invites you to dinner to celebrate.

Yandere! Actor who takes you to a cozy restaurant in a quiet seaside neighbourhood. He doesn't want to be interrupted by fans, but he also doesn't want to be seen in public with you. At least not yet.

You really impress him. You know quite a lot about acting techniques, about getting into and maintaining character, about catering to the camera.

But it's clear you're still a rookie. There's a slight nervousness to you that veteran starletts don't have. It's alright - he'll train it out of you in no time.

Yandere! Actor who shares he milkshake with you and offers you his jacket when the sea wind starts to nip.

When he drops you off, he squeezes your thigh and says he'll talk to his agent about you, that there might be a role in his next movie for such a pretty little thing.

Yandere! Actor who sees the innocent, love struck look in your eyes and revels in it.

Pretty soon he calls you and tells you about a private audition with some studio execs.

"Keep your hair loose and wear that short sundress you wore on our date."

It should be friendly advice, so why does it sound like an order?

The audition is in one of the studio's offices. A room filled with big shot executives and egotistical directors. Men in suits who are high on their own power, their own genius. They've seen a thousand hopeful girls and to them you're no different.

The way they look at you makes you feel like dirt, like the most untalented person in the whole world. You would have walked out then and there if it wasn't for him.

Yandere! Actor who volunteers to read the lines with you. He winks and smiles at you and by just being there makes you feel so much better. And a few sentences in, you find your stride. Immerse yourself in the scene.

You're playing the part of a jilted lover, a woman who gave everything to her man and has her heart shattered when he leaves. In the final act, you grab his collar and look up at him with tears in your eyes, your voice shaking.

"Please, please don't go. I love you. I need you."

You raise one hand to his cheek, your fingers trembling. "Don't you love me too?"

Yandere! Actor who actually forgets his line.

You're looking up at him so weak, so vulnerable that his mind goes blank. His director calls out the line and he repeats it blankly.

"And...End scene!"

Yandere! Actor who doesn't look away from you even when the directors start clapping and you turn to give them a bow. You were so raw that it didn't feel like a performance. The tears, the desperate way you pulled at him... It felt so real.

It's only when his agent slaps him on the back that he manages to snap out of it.

The director is already grabbing your arm and insisting to the studio executives that he needs you in his next movie.

Yandere! Actor who comes up behind you and drapes his arms around your shoulders. You don't realise it but he's staking his claim, showing all these rich and powerful men that anything to do with you has to go through him. He grins at his agent.

"She's perfect, isn't she?"

The man lowers his shades and drags his eyes across your body.

"You need to clean up her look a little, but you were right. She's the perfect girl for you."

You feel like there's more behind their conversation, things they've discussed that you aren't privy to. But you don't have the nerve to ask.

On your way out of the studio, Yandere! Actor curls his arm around your waist.

"You're gonna be a lead actress soon baby. The execs want you in a few supporting roles first, just to get you used to the camera, but the director has his mind set on you."

You smile at him, a megawatt grin filled with the thrill of having your dream come true. It makes him feel like the centre of your world, makes him feel like a man.

You throw your arms around his neck and hug him. "I owe you! Thank you thank you thank you thank -"

He cuts you off with a kiss. And in that moment you really do feel like the luckiest girl in the world.

Yandere! Actor who slowly takes over your beauty routine. Who tells your hairdresser exactly what shade to tint your hair, exactly what shape to thread your eyebrows. Who buys you new clothes and tells you exactly how to style them.

You don't realise it, but he's shaping your look into something that compliments his own.

Yandere! Actor who almost invites you to his movie premiere until his agent advises against it. Who kisses you and apologises and says he'll bring you to the next one.

You understand, you really do. You're still relatively unknown and having you on his arm would just invite gossip. But it still stings watching him go to the premier on his own, his arm around his beautiful co-star. You go to bed that night with doubts nagging at your mind.

It's only when you hear him knocking at your door at three in the morning that your insecurities go silent.

Yandere! Actor who's still wearing his tuxedo from the red carpet. His hair falling out of its slicked back style as he dangles a bottle of champagne in front of you.

"Gotta celebrate with my girl."

He's barely three steps into your apartment before he's kissing you, his hands on your waist and dropping lower.

You try and push him away. Tell him it's your first time.

Yandere! Actor who nips at your neck. "Don't worry, 'm gonna be so gentle."

When you still try and slip away, he pulls back to look in your eyes. Despite the haze of alcohol, there's something piercing about the way he looks at you.

"How many girls can say their first time was with a Hollywood star?"

Yandere! Actor who let's his fingers climb higher up your thighs.

"I've been workin' so hard to make you an actress. Don't I get a reward?"

How are you supposed to say no to a man who holds your future in his palm? You nod your head just the slightest and he's back to kissing you, back to drawing you hands to his belt, back to growling in your ear.

Yandere! Actor who's a shameless liar. He isn't gentle with you at all.

Yandere! Actor who wakes up all groggy and hungover the next morning. Who pulls you closer to him and falls asleep again with his head on your chest. You look down at his dark hair and his chiseled features and for a little while, it doesn't feel like such a bad deal. Love him in exchange for a career.

And he is so easy to love.

Yandere! Actor who encourages the director to start filming your movie as soon as possible. A romance between a thief (you, in your very first lead role) and a jaded detective with a heart of gold (him, who's had so many lead roles he's lost count).

The schedule is gruelling and the director is a tyrant, but this is your big break. You give it everything you have. You learn the script inside and out, badger the screen writer until she discusses your character arc with you, follow the director around and beg him for tips.

Yandere! Actor who adores working with you. You're sweet and pliable and the chemistry between you is sizzling. Every scene with you makes him need a cold shower and a priestly intervention.

Yandere! Actor who pulls you into his trailer every chance he gets to "read lines." But it always ends with him holding you down and kissing you, claiming it's good practice for the camera.

"Character building," he pants from between your legs. "Just getting into the mindset."

Yandere! Actor who watches with satisfaction as the movie comes along. You remind him of himself when he just started, raw talent and a burning desire to please.

Yandere! Actor who is next to you every moment he isn't needed on set. Who gives you endless advice and makes you laugh with his stories about bad takes and wardrobe malfunctions.

Part of it is to keep an eye on you - there's a jealous bit inside him that thinks of you as his creation, your talent a reflection of his training - and part of it is to spark rumours.

It works exactly as he intends. Pretty soon the magazines and radio hosts are blabbering about a possible romance between him and his relatively unknown co-star.

Yandere! Actor who's determined to make this movie a success. On the premier night, he walks down the red carpet with his arm around your waist. When the cameras are at the height of their flashing, he takes your chin in his hand and kisses you.

The next morning, the papers are raving about it and the theatres are sold out before midday.

It's a critical and commercial success. Yandere! Actor who's high on the thrill of it. Who loves driving down Hollywood Boulevard and seeing you on the billboards, who loves having Hollywood's newest darling on his arm and in his bed.

But then the letters start coming.

Yandere! Actor who snarls at the piles and piles of fan mail you receive. Maybe, if it was all innocent praise, he could have accepted it. But most of the letters are absolutely filthy.

Men writing to you from all over the country, all over the world. Describing in detail all the things they want to do to you, all the ways they want you speared on their cocks. Men who promise to treat you so sweet you'd never want to leave them and men who threaten to whip you over their knee if you don't learn to say please when they fuck you.

Yandere! Actor who's never received mail with such perversion. His fans are mostly sweet young girls who timidly describe how nice it would be to find a man like him, to get taken to prom and courted.

Yandere! Actor who becomes suspicious of every man he sees. The gaffer that looks at you too long becomes the guy who promised to find you and fill your cunt with his come. The driver who holds your hand when you climb out of the car becomes the stalker who followed you home the other night.

Yandere! Actor who keeps his arm around you whenever you're outside. Who starts keeping his gun in the glove box of his car.

It's not only strangers he needs to worry about either. The studio executives keep pressuring you with stricter and stricter contract offers. The director wants you starring in a romance role with another man. Two dozen talent agencies are crawling over glass to try and sign you.

Yandere! Actor who tells you to let him handle the contracts and paper work.

"The bastards will try and trick you out of your money and your clothes. Trust me baby, I've had to deal with plenty of shitty deals. I don't want that for you."

Yandere! Actor who knows exactly how tightly binding a contract is. And it's no coincidence that the one he has you sign binds your career almost entirely to his. It ensures that the bulk of your roles are alongside him, that he has the final say in studio disputes, that he owns the rights to your name.

The studio executives might normally never sign a deal like that, but they're desperate to get you under contract. You're a blazing star and they aren't going to lose you to a competitor.

Yandere! Actor who drinks a toast to your success and kisses you infront of all those high flying executives. Despite all the attention and awards you've earned, you still look up at him with a blind sort of hero worship. He's the goal you've always aimed for, the standard you've tried to reach. To be his girl is still so dizzying you almost can't believe it.

In bed that night, Yandere! Actor thinks about proposing, about wifing you up. The wedding would be huge, generate massive press. His next big project with you is scheduled for half a year away. Maybe do a proposal during opening night? Or better yet, at the Academy Awards? Yeah, that would get cinemas sold out even faster than kissing you on the red carpet did.

Save the wedding for a few years down the line. When your career is more established and your image might need an upgrade.

You curl against his side and moan in your sleep, brow scrunched. Cute, naive little thing, aren't you? Hollywood would swallow you up and spit you out if it wasn't for him.

Yandere! Actor who kisses your forehead as you dream about cameras and lights and action.

"Don't worry baby, I'll take extra good care of you."

Yandere! Actor who's curated his image so carefully. Who wants a girlfriend who's light and talent make him shine all the brighter.

And who better than someone who owes him her career?

Extra!! Here's a short drabble I wrote when I was brainstorming the idea with @laboodanda

[storm-and-the-stars]

I always took "female socialization" to mean that, if you grew up perceived as female, then you were experiencing this kind of power imbalance and compensations as you were learning how the world works and how to be a person, as a way to keep yourself safe, so it becomes your "default" to act in a way that's more "defensive" and protective/fawning, even if that particular situation doesn't hold the same kind of danger that similar ones did in the past? Like it's less "trained like a dog" and more "this is what you were taught is safe and expected, and it takes effort to do the opposite." And because it starts so young, it's easy to let it go unexamined. Like, less "she does all the dishes bc the men in the house expect her to," and more, "she initially assumes she should do all the dishes because she's been taught that then men in the house will be expecting her to, whether or not they actually do expect that." And being a woman or girl (or also a man or boy, in the opposite way) is partly about placing yourself in alignment or opposition with each of the assumptions and expectations of your gender.

I will admit, I might be off base with this understanding, and in any case, the experience of being queer in most any capacity holds similar patterns of navigating situations in a way that minimizes your personal danger and social ostracization, and absolutely not every woman will leave these assumptions unexamined or have them be present in the first place, and trans women would absolutely experience that as well (though might be in more of a position to examine it, since they're likely not getting the messaging from such a young age, and therefore are more able to clock a change)

I'm afab nonbinary btw, for context, and also don't run in terf or gender essentialist circles so I don't know exactly how much is being attributed to "female socialization"

a lot of behaviors that get attributed to "female socialization" can be so much more easily and accurately understood as a person recognizing the power differential surrounding them and behaving sensibly in response to that.

like. does a woman politely listen to a man monologue at her because of some experience she had when she was twelve that magically cursed her to behave that way forever, or does she do it because the man has the power to hurt her and she knows it?

does a woman do all the dishes in her household because she is less capable of breaking out of a long-ago conditioned response than, like, your average trained dog, or is she doing that because she knows that all the men in the house will blame her if she doesnt and will make life worse for her if she speaks up?

maybe a lot of sexist patterns of behavior that are widely observed in society arent caused by women like, lacking willpower or backbone? maybe it is super fucking weird for supposedly feminist movements to imply this is the case when they talk about female socialization as the end all, be all of predicting human behavior?

isnt it both more useful and more respectful toward women to consider that they are perceiving their present circumstances accurately, and recognize when power is already being wielded against them, and take logical measures to deescalate and protect themselves because it works? is it not fucking clear to everybody that trans women in particular have to do this all the fucking time?

[kwanisms]

It’s the season of love, or lust. Here’s a collection of 14 separate tales to keep you company this Valentine’s season. demon/incubus!Idol × fem!Reader

» back || playlist || taglist « ❑ WORDCOUNT —  ❑ WARNINGS — adult language, female reader, shorter reader, reincarnated reader, chubby!Reader, smaller reader, jealousy and possessiveness, mentions of: marriage, travel, homesickness, food & alcohol consumption, history of drug use, depression & thoughts of suicide, feelings of isolation, past love, heartbreak, major character death, reincarnation, severe depression, loneliness, minor character death, food & alcohol consumption, occultism, witchcraft, demonic summoning & rituals, PTSD, graveyards, ghost hunting, communicating with spirits, hospital environments, long working hours, bodily trauma, blood, gore; see each part for full warnings! ❑ CONTENT — angst, fluff, smut; supernatural, fantasy, demons & angels, biblical, established relationships, office setting, boss!Reader, coworkers to lovers, ER doctor!Reader, demon!Idols; non idol au, demon au, farm au, hospital au; see each part for full content lists! ❑ NOTES — happy valentine's, my loves! Here is something no one asked for but I'm delivering anyway! I've got 14 stories here, 11 of which are sequels to existing aus I've created and three new ones! They're all of my existing demon aus! From Seventeen to Stray Kids to Day6, all of my demon characters are being revisited here! Taglist is open and will close at the end of January so sign up now! Thanks for the support thus far babes and as always, this is a work of fiction and all characters are not reflective of their respective irl counterparts. for entertainment purposes only.

MINORS WILL BE BLACKLISTED & BLOCKED. AGELESS BLOGS WILL BE BLOCKED.

 ➥ incubus!Kihyun × fem!Reader summary: After the events of her story, Y/N has had her curse broken and succubus powers removed, allowing her to live a normal life. She has managed to keep a low profile, getting a job in a diner, her entire world is turned upside down when one of the men she was tasked with seducing in her previous life shows up at the diner late one night with a bone to pick with her. read part one | read part two »» coming Feb 1

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 ➥ incubus!Hongjoong × fem!Reader × Seonghwa summary: After being banished to hell, Hongjoong manages to find a weak point and escapes back to the mortal realm. He only has a short time before the hounds of Hell are sent after him to bring him back and he makes the most of his time by tracking down his former servant only to find Seonghwa’s vampire curse has been broken and that he’s now happily married to the woman who destroyed everything Hongjoong built up. read part one | read part two »» coming Feb 2

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 ➥ incubus!Jisung × fem!Reader summary: Now that all his friends are seeming to settle down with their respective partners, Han decides to venture out on his own and explore a new city. While there, he meets someone who flips his world upside down and turns it inside out. read part one | read part two »» coming Feb 3

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 ➥ demon!Jeonghan × fem!Reader summary: Jeonghan lost his chance at love by being stubborn and cruel. Since then, he’d been drifting through the world, finding no meaning at continuing his meaningless charade. He refused to return to Hell but being on Earth was even more torture. He thought about just ending everything when the world came to a halt upon spotting a familiar face on the streets of Paris. read part one | read part two »» coming Feb 4

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 ➥ incubus!Johnny × fem!Reader summary: Y/N has been living her best life, having climbed the social ladder at work and now heads her department, thanks to the promotion she landed. She can’t forget the reason for her success and one night while at the office working late, the demon she made a deal with comes back to check in. read part one | read part two »» coming Feb 5

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 ➥ demon!Mingi × fem!Reader summary: Summers spent in the country used to have a sense of nostalgia but now, as you helped clear out your aunt’s old farm house, it was just hot and all you did was sweat. When you come across an old, tattered black book, things go from hot to hotter when you are transported to an alternate dimension where you meet a mysterious man who inhabits your aunt’s house on what he calls the ‘Other Side.’  read now »» coming Feb 6

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 ➥ incubus!Sungjin × fem!Reader summary: Since the incident at the museum, involving the old grimoire, Y/N has kept a low profile and quit her job at the museum, instead getting a job at a bookstore in a quiet part of town. It’s been three years and she still has the book, keeping it locked in a glass case in her house. The demon has not appeared since but she can’t shake the uneasy feeling she has as the fifth year anniversary of the Summoning approaches. read part one | read part two »» coming Feb 7

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 ➥ incubus!Yeonjun × fem!Reader summary: After a visit to the old graveyard with her friends, Y/N has had this uneasy feeling of being followed or watched. Maybe she’s being paranoid, or maybe it's the result of playing around with a Ouija board but one thing is certain; she keeps seeing someone or something watching her from the window in her bedroom. read now »» coming Feb 8

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 ➥ incubus!Jongho × fem!Reader summary: As a result of passing his seduction test, Jongho has become a full-fledged incubus. He’s now among the ranks of those who have made names for themselves. He finds that being an incubus comes with a great amount of freedom and responsibility. Responsibility he shirks because he can’t seem to stay away from the one who helped him pass his test: Y/N.  read part one | read part two »» coming Feb 9

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 ➥ demon!Seungmin × fem!Reader summary: Your idea of fun was playing video games with your friends or playing beer pong at a frat party. It did not include summoning a demon in the basement of the creepy, old abandoned house at the end of Willow Avenue.  read now »» coming Feb 10

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 ➥ demon!Chan × fem!Reader summary: Ever since she summoned him, Chan hasn’t been able to get Y/N out of his mind. He returns to her after some time and insists that she accept the proposal he made to her the last time he was there. He wants to be bound exclusively to her. Y/N is hesitant but Chan tells her to think it over while he makes his trip to visit her worth both their time. read part one | read part two »» coming Feb 11

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 ➥ incubus!Chanyeol × fem!Reader summary: Since their encounter and Chanyeol’s nature as an incubus exposed, he and Y/N have had a secret relationship which tends to bring out the worst jealousy in both of them. They often sneak around the hospital, meeting in secret places.  read part one | read part two »» coming Feb 12

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 ➥ incubus!Hyunjin × fem!Reader × witch!Felix summary: After his visit, Hyunjin has moved into the house next door to Y/N and Felix, making himself at home as their neighbor and tormenting Felix by plaguing Y/N’s dreams. Hyunjin seems determined to make Felix’s life a living hell and drive a wedge between the witch and his girlfriend. read part one | read part two »» coming Feb 13

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 ➥ incubus!Joshua × fem!Reader summary: Ever since that fateful night where Joshua revealed himself as a demon, Joshua and Y/N have built a life for themselves, living together in her house and working at the antique shop together. When Joshua decides to take her out for a romantic Valentine’s dinner, his jealous side emerges when he thinks the waiter is flirting with Y/N so he takes her home to remind her who she belongs to. read part one | read part two »» coming Feb 14

©️ kwanisms 2018 - 2025 | all written and artistic works on this blog are protected under copyright. reposts, continuations, and translations of my works are not permitted. All graphics made by me.

[lilithyvenus]

acknowledging your mother wound and how to heal it - pick a card reading

hello there. i thought this would be a great introduction to my reading style, especially fitting as it's a monday. it's painful to accept that your mother was your first enemy. although the idea of a mother as we've been taught and shown onscreen (both big and small) is worth examining in itself (being self-sacrificial in vain, being one dimensional, etc), one should still be able to count on their mother to nurture their emotions. i hope you can find wholeness, with or without her.

for today's pile selection, we have marina as the housewife archetype from her electra heart era. extremely fitting with the album and the persona being an exploration of wounded versions of different feminine archetypes.

group one

your cards: strength in reverse + seven of cups in reverse + six of wands + judgment

your mother has instilled in you a fear of being seen, particularly in regards to achieving public-facing dreams. whether she was conscious of it or not, she has taught you to expect negative criticism and to be mistrustful of your own skill and capability. for those of you who are fat, she probably didn't even realise that her trying to make you smaller as a way to secure you better treatment in the world just reinforced that it's your body that makes you unworthy of adoration. you exist to be seen and valued for what you have to offer. this is not to say you won't be envied or spoken badly of, but that it is in the figurative cards for you to thrive, but only if you take the plunge. you work towards healing this wound by understanding that she was projecting onto you, clumsily attempting to save you from scrutiny, and most likely butter about her own dreams remaining unfulfilled. it is not my place to tell you to forgive her, only to understand that you have access to media that tells you you can be more, and she likely didn't at your age.

your channeled songs + films + books

- the beauty myth by naomi wolf

- i'm coming out by diana ross

- wicked (both the book and the musical; the former to explore how one is taught to loathe themselves and the latter to remember you can liberate yourself)

group two

your cards: eight of wands + knight of pentacles + queen of wands in reverse + seven of cups

similar to group one, your mother actively discourages you from pursuing your goals. however, she's definitely aware of what she's doing. she knows the power of her words over you, and she is masterful at making it seem like the seeds of doubt she plants are yours. she is draining you because it's easier to live with herself if you're both miserable, and you actually need to leave if you can. you heal this wound by accepting that she is absolutely the adult here and she knows better; there's only so much empathy you can have for someone who chooses to be cruel. you're being asked to remember that there's people around you who can help get you out of this, and that you don't have to gather proof of anything; you know she's making you feel awful, that's reason enough to hate her presence. for someone, it's okay to hold hate for her, it doesn't make you a bad person.

your channeled songs + films

- starring role by marina

- mother dearest

- girls in the hood by megan thee stallion

group three

your cards: queen of wands + eight of swords in reverse + king of wands in reverse + king of pentacles in reverse

is your mum homophobic and/or transphobic? first of all, she'll be dead in no time so she won't force you into heteronormative performance your whole life, don't worry. seriously though, someone here is being forced to perform a gender or a sexuality that doesn't align with them because their hating ass mum won't mind her own fucking business. in general, your mother is actively suppressing you learning how to stand by and for yourself. she has kept you from getting to explore who you are, expecting nothing but Good ChildTM from you, and whether she's aware of it or not, it's limiting your growth both internally and in the material world. you're being asked to acknowledge that you weren't made the way you are by accident, the only actual issue is bigotry that surrounds you. that is to say, trans and queer people aren't accidents, they just exist in a world full of bigots. what you can do is fully embrace yourself, because that's how you'll find your chosen family.

your channeled songs + films

- holy by jamila woods

- stone butch blues by leslie feinberg

- freaky friday (the one with lilo)

[extremely-judgemental]

As someone who knows squat about faery lore, explain this to me. Aren’t faeries supposed to be otherworldly? Why do they have gender roles when they should be genderless or gender fluid? There shouldn’t be sexism either, let alone misogyny. If females are considered ‘brooding mare’, shouldn’t they be revered since they worship Mother for birthing their lands? How exactly is being queer wrong when literally anything is possible in their world and that’s utterly stupid when genders don’t even exist.

Why are they monogamous when they should be having scandalous relations with everyone? If they were all incest-y enough, Cassian sleeping with Morrigan and then calling her his sister would be less appalling.

How is magic orgy in Spring lands frowned upon when everyone should be designing costumes to outdo the other? I know Eris and Rhysand have a running tally, but it is Helion who always wins.

Species-hierarchy makes sense, but shouldn’t it be the other way around? Creatures with non-human features should be considered superior because they are attuned to their true nature and are tapped into land magic better, especially since they enslaved humans for ages. By that standard, shouldn’t Tamlin be considered the most powerful because of his beast form and shape-shifting? Why do faeries live by human standards and concepts? If anything, shouldn’t they look down on mortals for being bound by the ‘rules dictated by the flesh’?

These books are romantasy. . .but where is the fantasy though?

[thetadispatcher]

Dan glanced at Rook then back to Willow, he hadn't planned on acknowledging the comment, which was clearly the right choice based on Willow's reaction to it.

"Truly, I feel Peter's habit of personifying things is why the way I was treated wasn't questioned much." Anyone who knew Peter wouldn't feel inclined to question why an android was being treated like a human, seeing as Peter had a history of treating other non-human things in a similar manner that he occasionally expected those around him to do the same. Most were glad to see he was no longer talking to inanimate objects, and had moved on to something that could at least respond and looked human.

The PL600 knew better then to comment on the other android's reaction to the suggestion of calling Johan's android by an acronym, it would lead to the possibility of him being questioned on just what he'd learned. That was something he wanted to avoid, the other androids didn't need to know what had become of the world Peter's older counterpart had come from, and just what that version of Johan had done to it. It would likely lead to the issue with the unstable man worsening if the others knew just how far he could go if he was given any sort of power.

"I understand that well, sometimes I wish mine knew how to stay put. I'd take him to his room, but I know he'll just end up back down here quickly." Dan rolled his eyes, Peter's inability to stay put had yet to improve and his current state would definitely affect that. So carrying him was the best solution, Peter wouldn't be at risk of falling and hurting himself that way.

Dan carefully started taking the crates apart as Sixty and Daniel finished setting the computers up, gathering up the dismantled wooden sides in his hand. He handed it to Daniel, who nearly fell over from the weight, as he'd forgotten Dan made thing look much lighter then they actually where. Soon the two PL600s had the area cleaned up, allowing Brent an easier path in and out of the room to fetch parts as they were finished.

"Happiness now doesn't mean it has to last, that's what beauty comes from, dude." Dan turned his attention to Peter as the younger man started talking. "Flowers are beautiful because they wither, if they stayed like that forever they wouldn't be beautiful. That's the frag-frag-fragility-of the mortality of life is what makes things beautiful. You don't know shit." Dan chuckled a bit as he listened to Peter ramble.

"What are you talking about?" He asked as Peter turned his head to look at Vincent. "Oh, look, it's the purples." He promptly broke out into a fit of laughter. "You really are high out of your gourd, aren't you?" Dan shook his head as Peter kept giggling, clearly amused by his own comment. "Well, at least you're in a good mood."

If the bear was content with no treats, Rook was fine with simply shoving her face in her fur. "Would be funny if you could install a mini fridge."

"Please, ignore that." Willow cut in, "I must say that gesture was quite precious and it certainly justifies why that excuse would be so effective."

Or why nobody had bothered sending Peter to bed so far. They had provided instructions for the custom androids, the androids present could handle the task efficiently. Apparently, the resident human was simply too endearing to be dismissed.

While Dan seemed to find some use in Bishop's suggestion, the other was by far not a fan of the implications, or the tone of his organic counterpart. The lack of a LED didn't hinder his ability to show his distate for the suggested name. "That's merely an acronym."

Bishop simply raised an eyebrow "Does it really matter?"

The android glared at him.

"I understand the feeling." Willow replied, "My favorite human doesn't show the greatest self preservation instinct either. Training is a slow process."

[moonshinesonic-moonstarslight]

Bittersweet story notes:

God!Shang Qinghua works a little differently than usual here. Instead of having great powers, or memory of the plot, ect., Airplane is stuck with thoughts and ideas still affecting the world. Things get reconned and modified based on his ideas for new plants and beasts/plots or philosophical thoughts on certain subjects.

The catch? He's not the one who chooses these changes.

It's the System.

Who makes the changes as it wills while blaming Airplane for it should the idea not work to fix plot holes/worldbuilding. (No spending time to sit down and meditate on how the world should work doesn't please the System. Airplane tried. Only to get ignored and the System to take his random thoughts instead. He was so pissed about it.)

Airplane has found that there is three constants he has to keep regarding this world:

1: Porn (contrived, random, and apparently the biggest thing since the domestication of grain)

2: Misunderstandings and Miscommunication (which if avoided would have solved so many problems with the world)

3: Tragedy (though size of tragedy may vary)

And that the System has favoritism towards his random in-depth smut inducing ideas or taking his torture fantasies and making them reality on some random characters that Airplane has to interact with later.

It sucks and he's so very tired. (People long stopped being people to him, not because he thinks he is the only "real" person. But because the System doesn't treat them like people. Airplane has serious doubts that even he is real in this nightmare of a world. It's just better for his sanity if the people who has to suffer his contrived plots and fantasies are just canon fodder nobodies or fate bound puppets he is stuck watching move about to the script he wrote a lifetime ago.)

Shang Qinghua is a man of many masks. Even the "Airplane Shooting Towards the Sky" Shen Yuan meets and gets to know is one. (While people have many masks to go through life, Airplane treats each mask like a role to play and rarely lets his true personality come out. He's not sure who that is anymore, truth be told, and he's not comfortable trying to find out any time soon.)

One of the things Cumplane has to work through after the contrived smut at the beginning of the story is that Airplane's ideas do still affect the world. And that Shen Yuan hasn't actually been getting to know the man who wrote his most hated (*cough*and loved*cough) book over these last few months. But instead has been seeing his "persona of a hack smut author". Dragging Airplane out of his bundle of personas and masks is going to be a challenge...

Especially due to the fact that the idea that the System grabbed and used on them wasn't just a mere 'fuck it out and you're good' flower. Nope! It was Airplane's idea for a more romantic/consensual fuck flower. Basically it's a wedding flower. Used to help lovers get over wedding night nerves and used in some cultures (both human and demon) to elope. [Airplane hadn't figured out how it worked ecologically yet, just culturally and biologically/spiritually] The biggest thing about this flower is that it needs a kiss (on the mouth) and sex to have the marriage be complete and valid. It is possible to trick the senses into thinking that the "marriage rite" the flower promotes is done without actually going through with it. But it's a bit tricky to pull off as those who are under the effects desperately want to go through with it properly.

Because the flower doesn't merely promote sex, but honest feelings for their partner as well. (Can easily backfire, but in Airplane's defense he had just thought this up a few minutes before Shen Yuan ran into it. He hadn't had time to work all the details before the System went yoink!)

So yeah, Cumplane is married now. And getting a divorce from an elopement with this flower is extremely hard. Like you have a better chance fighting Bingge with no golden finger level hard.

Neither are taking it well to say the least.