#it was the most challenging chapter I'd say

[my-current-obsession]

I see a lot of people saying that the royals (mostly Alfred, but I’ve seen a fair bit of complaining about all the others too) are statistically bad in Engage. I have to wonder, what difficulty is this based off of? On my Hard playthrough most of the royals were my best units, and Alfred in particular was amazing. Ivy and Celine were probably the weakest two - Ivy due to being a bit slow and having AWFUL dex and luck, and Celine just lacking power due to splitting her attention between strength and magic.

Is it just Maddening that they’re specifically bad for? I have not (and will not) played that mode in any FE but my impression is very much that Maddening mode is a different experience and you’re basically forced to play a certain way to win. That’s probably even more true here since fixed growths are in play, so you can’t count on RNG to give you good units. You have to find the ones that the game wants you to use, and stick with them.

For me, one of the biggest joys of FE has always been the RNG of it all - I love the random growths meaning different characters shine (and suck) each run, which encourages you to give different units a try. I love that, at least on Normal and Hard, you have enough breathing room to basically play how you want - favor the units of your choice, reclass whoever into whichever classes you fancy, etc - and doing so MIGHT make your life harder but probably won’t doom your entire run. The versatility and random nature of your units growths makes strategy & combat in this game infinitely more appealing and adds to its replayability.

Like I LOVE Persona games and Stella Glow (which gameplay wise is fairly similar to FE) but in those games the characters are what they are, and the stats on level-up are set in stone. Once you’ve done ONE run and know what works, Complacent Gaming kicks in and you repeat the exact same steps in future runs. In FE even if you use the same characters in the same classes, their performance WILL vary based on how blessed or cursed the RNG has been for them.

If Maddening IS as difficult and particular as I’m assuming, and basically every unit’s viability is determined from the moment you get them and you HAVE to play a specific way to win... is it really right to judge units based on that specific difficulty? Like, sure, so-and-so SUCKS on Maddening, but so does EVERYONE except this specific handful of units and if you use anyone else you’re just hurting yourself.

I feel like we should be judging characters based off a difficulty where everyone is at least VIABLE from the beginning, but judging how likely they are to REMAIN that way based on their growths/classes/personal skills/etc.

To put it another way, what would a tier list of a Maddening run look like? My impression is that it has two, maybe 3 categories of who you can actually use, who gets benched immediately, and MAYBE a middle category of who exists to fill a spot on the team and take a few hits/deal a smidge of damage for just a little while until someone better comes along to replace them. Meanwhile on Normal and Hard you can have a full spectrum of who on average is statistically the best through the worst, with everything in between. And considering several “unusable” units on Maddening are at least GOOD or even better on a normal or hard run, can you really call them bad? At the very least CLARIFY you mean they’re bad on Maddening specifically instead of in general.

[kiwriteswords]

KiWritesWords Masterlist

Last Updated: December 10th, 2024 *phew* Most Stories Also Posted to: AO3 Tag List Requests: Currently Open!

*: Includes Smut, 18+ Themes, NSFW, Etc.

Birthday Revelations [Aaron Hotchner x Derek's Sister!Fem!Reader]

Summary: Reader is Derek's Sister, but despite dating Hotch, nobody has caught up on the connection...until now!

I Promise You This* [Aaron Hotchner x Female!Reader]

Summary: Y/N, the newest and youngest profiler in the BAU, is haunted by her past—an abusive relationship and an illness she keeps hidden from her team. Though skilled in her work, she distances herself emotionally, fearing vulnerability. Aaron Hotchner, her reserved and perceptive boss, begins to notice the cracks in her carefully constructed walls as they navigate high-stakes cases together. 

Chapters: 3/45

A Gentle Beginning* [Aaron Hotchner x Shy!Female!Reader]

Summary: In the quiet safety of Aaron Hotchner's arms, you take a vulnerable step into uncharted territory, finding solace in his patient tenderness. 

Balances of Trust [Aaron Hotchner x Wealthy!Female!Reader]

Summary: When you and Aaron Hotchner decide to open a joint bank account, it feels like a simple next step in your relationship. 

Exposed*[Aaron Hotchner x Shy!Female!Reader]

Summary: Drabble prompt: "Getting undressed in front of each other for the first time."

A Leap of Trust [Aaron Hotchner x Female!Reader]

Summary: Drabble about "Discussing things that set themselves up to be hurt and trusting that the other won't take advantage of it."

I find myself runnin’ home to your sweet nothings [Aaron Hotchner x Shy!Fem!Reader]

Summary: After sneaking away from the intensity of the BAU for a quiet afternoon at a cozy café, you and Aaron Hotchner finally find a moment to relax. 

The Weight of Mistakes [Aaron Hotchner x Shy!Fem!Reader]

Summary: In the midst of a high-stakes case, tensions run high when a small mistake nearly derails the BAU's progress. The shy reader feels the weight of her error, fearing she has disappointed Hotch and the team. 

In The Quiet* [Aaron Hotchner x Shy!Fem!Reader]

Summary: Drabble Prompt: "Discussions of kinks that they're embarrassed/self-conscious of”

The Fear of Falling [Aaron Hotchner x Shy!Fem!Reader]

Summary: When a routine case leaves you critically injured, Hotch is forced to confront the depth of his feelings. As he anxiously waits by your side, fearing the worst, Hotch realizes that losing you would break him in ways he never expected.

If Every Word I Said, Could Make You Laugh, I'd Talk Forever [Aaron Hotchner x Female!Reader]

Summary: Drabble of Reader and Hotch getting engaged

And then I go and spoil it all by saying something stupid like, “I love you.” [Aaron Hotchner x Shy!Fem!Reader]

Summary: Five times you were shy around Aaron Hotchner because of your underlying feelings for him + one time, Aaron Hotchner was shy around you because of his underlying feelings for you.

Between Almost and Always *[Aaron Hotchner x Female!Reader]

Summary: As fate and duty continue to intervene, Hotch's silent sacrifices and your unrelenting hope create a tension that neither time nor distance can dissolve, leaving you both to wonder if love will ever break through the almosts and become an always.

If put to the test, would you step back from the line of fire?* [Aaron Hotchner x Female!Reader]

Summary: New to the BAU, you quickly find yourself at odds with the unit’s stoic leader, Aaron Hotchner. What starts as a clash of wills and a battle of stubbornness soon transforms into a connection neither of you anticipated. With each case you work, your fire-fueled banter and undeniable tension grow, challenging your carefully constructed walls. As you both navigate the line between professional rivals and something more, you’re forced to confront the truth you’ve been hiding—from each other and yourselves. In a world where control is your armor, letting someone in could be the biggest risk you’ve ever taken.

You showed me colors you know I can’t see with anyone else [Aaron Hotchner x Female!Reader]

Summary:  In the midst of an already stressful workweek, you notice a troubling shift in Aaron Hotchner’s behavior. Once warm and attentive, Aaron has grown distant, leaving you questioning what went wrong. As you try to navigate his sudden coldness, a casual conversation with JJ and Penelope might hold the key—one you didn’t realize Aaron overheard. The revelation sends Aaron spiraling into insecurity, causing him to pull away, leaving you in the dark. Now, with your relationship hanging in the balance, you must figure out what’s troubling Aaron before it’s too late. Can you bridge the gap between you, or will unspoken fears drive you apart?

Professional Distractions [Aaron Hotchner x Secretary!Fem!Reader]

Summary:  Aaron Hotchner thrives on control, order, and precision in both his work and personal life. But when a new secretary is assigned to his team, Hotch finds himself facing a different kind of challenge. 

Tonight, you're on my mind, so you'll never know...* [Aaron Hotchner x Old Friend!Female Reader]

Summary: Years have passed since you and Aaron Hotchner first crossed paths, but the connection you shared has never truly faded. In the wake of personal loss and career demands, your lives have taken different directions, leaving unresolved feelings and unspoken words lingering in the background. 

Chapters: 2/4 or 5

Wicked Game Series Masterlist* [Aaron Hotchner x Flirty!Fem!Reader]

Series Summary: You’re a former profiler who returns to the BAU after years in academia, reigniting a charged and complicated dynamic with Aaron Hotchner. Bold, brazen, and unafraid to push his buttons, you challenge Hotch’s usual control and professionalism, making him confront emotions he’s long buried.

A Quiet Kind of Care [Aaron Hotchner x Female Reader on her period]

Summary: After a long, grueling day on a case, you push through your discomfort to keep up with the team, all while secretly dating Aaron Hotchner. 

The Girl Next Door* [Aaron Hotchner x Age-Gap!Neighbor!Fem!Reader]

Summary: When you move into your new apartment, the last thing Aaron Hotchner expects is for his quiet, orderly life to be disrupted by his intriguing new neighbor. 

Unveiled [Aaron Hotchner x Secret Relationship with Fem!Reader]

Summary: You and Aaron Hotchner have always been experts at keeping work and personal life separate—so much so that the team doesn’t even know you’re together, let alone married.

Something to be Thankful For [Aaron Hotchner x Female!Reader on Thanksgiving]

Summary: When you accept an unexpected Thanksgiving invitation from Aaron Hotchner and his son Jack, a simple holiday dinner becomes something more. 

The Beauty and The Boss* [Aaron Hotchner x Bombshell Reader] 

Summary: Aaron Hotchner’s professionalism hides a secret: he’s been in a relationship with you, the stunning agent who turns every head at Quantico. 

All is Bright [Aaron Hotchner x Grumpy!Fem!Reader]

Summary: When the BAU gathers for Rossi’s annual Christmas party, you’re determined to survive the night with your grumpy demeanor firmly intact.

Sweet Beginnings* [Aaron Hotchner x Shy!Reader]

Summary: Aaron Hotchner wasn’t one to indulge in leisurely distractions, but a small coffee shop called Sweet Beginnings—and its gentle, shy owner—quickly became a quiet escape from his chaotic life.

I love you in a place where there’s no space or time* [Aaron Hotchner x Female!Reader]

Summary: Aaron Hotchner has always been a man of order and control, carefully compartmentalizing the demands of his work and personal life. But when a long-standing partnership with a member of his team—you—begins to blur the lines between professional and personal, he’s forced to confront feelings he’s buried for years.

Something in the Way She Moves *[Jealous!Aaron Hotchner x Bombshell!Fem!Reader]

Summary: As the new section chief of the BAU, you’re determined to lead with professionalism—despite an undeniable connection with Aaron Hotchner, the stoic unit chief who understands you like no one else. When your growing romance draws scrutiny from the Bureau and threatens both your careers, breaking things off feels like the only choice. But resisting your feelings is easier said than done, and navigating the fallout proves more complicated—and personal—than either of you anticipated.

Shades of Stubble [Bearded!Hotch x Shy!Fem!Reader]

Summary: When Aaron Hotchner returns to the BAU sporting a beard after a rare week off, it draws more attention than he expects—especially from you, the shy but perceptive team member whose lingering glances reveal more than you realize.

It’s a Wonderful Life* [Aaron Hotchner x Female!Reader]

Summary: Based off of the 1946 movie, It’s a Wonderful Life

In the Margin [Aaron Hotchner x Bombshell!Fem!Reader]

Summary: Aaron Hotchner’s weekly budget meetings with you, the sharp-tongued BAU financial analyst, become an unexpected mix of humor, wit, and simmering tension as professional boundaries blur. Between team antics, Penelope’s creative expenses, and your playful challenges, Hotch finds himself navigating far more than just numbers.

[greeniegirl23]

Isn't It.. Lovely? (Chapter 3#)

One month.

You had one month to make the biggest decision you'd ever make in your life. Part of you wondered why you didn't tell Alastor to have a field day with your Father's corpse, until you remembered that the other part of you still loved and cared for him.

He was still your Dad and once upon a time he was a very good Dad. Your parents were practically a power couple when your Mom was alive, after her death, depression fell on him like a bag of bricks. Leading him to find feeling again in glasses of wine and bottles of hard liquor.

Everyday you pondered on this, wondering if something would finally push you over the edge. If you'd snap and take revenge for yourself.

You didn't like having those thoughts. Yes, the idea of liberty made you feel elated but at the cost of the last family member you had? It was conflicting to say the least.

All that worrying came to a halt once Alastor began to solidify his place in your life.

Every night at 9pm sharp, when you were dressed for bed and your despicable abuser was asleep. Alastor used his powers to turn your radio into your own personal hotline. He was ever so happy to hear from you, happiest when he saw nor heard any traces of harm inflicted on you that day.

He soon found out that you were a curious one and a terrible over-sharer. It was obvious you never really had friends before and if you did, they left you behind long ago. You were as innocent and pure as the driven snow. Always asking questions about him, about Hell, and what it was like back when he was on Earth.

You loved when he told you more about his life. It was like he was reading you your own personal bedtime stories. Tales of speakeasies and the depression, parties that lasted from dusk to dawn, and of course, all of the completely justified crimes he committed before his demise.

As payment for his stories, you told him about your own and caught him up on modern day issues. He seemed especially interested in World War I, disappointed that he died a few years shy of when it started. You told him about your health science classes, your school, and he even became a good study buddy to help you out with your tests.

“Alright darling, last question.” He stated, a drum roll playing in the background. “If your patient performs a forward lunge, which plane of the body are they moving in?”

You chewed on the end of your pencil. “..Coronal?”

A bell dinging made you smile. “Correct! Well done darling, but I'd like for you to work on your confidence when you answer. No one wants a doctor that's unsure of what they're doing.”

“Yeah..I just get so unsure sometimes. I think I'm more scared of being wrong than being right.”

He chuckled. “Do not fret my dear! I've been doing these little pop quizzes with you long enough to know you have a sharp mind. Confidence is a tool that will solidify your place in the career you plan to pursue, so don't be afraid to utilize it more.” His voice was so kind and mentoirish. It felt like he was giving you life lessons almost every time he talked.

On one hand that made you embarrassed. Like these were things you should have already known but you didn't, but you decided to give yourself some grace. Life was different for you than everyone else, so obviously there would be some things you didn't experience to gain knowledge from.

You placed your pencil down and sat cross legged in your chair. Not being the type of person who could sit still, nor do things normally. “Is that how you become a radio host? Because you were super confident?”

There was a pause. “Well, it was something that helped. Being a professional at what I do required more than just believing in myself. Most people think it's easy, but it has its challenges. For example, I used to rehearse my script in the mirror to stop myself from unconsciously going ‘umm’ every 10-30 seconds. It also aided in preventing myself from fumbling my words.”

“That sounds like solid advice.” You smiled. “I should start keeping a journal when you're around and call it ‘Life Lessons As Taught By The Radio Demon.’”

A loud cackling broke out over the radio. “Ah, so the girl does have a sense of humor. A good one at that!” He said proudly. “And here I thought you were all doom and gloom.”

“Hey! I'll have you know staying positive at all times can be very exhausting.” You huffed, placing your hands on your hips in a pouty attitude. “It's really hard to smile when it feels like the world is against you...”

There was a stagnant silence in the air as you turned your head to gaze out the window, watching the rain drizzle from the grey sky. It was your favorite weather, even more so because of the friend it allowed you to find.

Alastor pondered over your words before he took a deep breath. “That leads to a question that I've been meaning to ask you for some time now. It's a rather sensitive one so if you'd prefer not to answer, I would understand.”

Giving the plushie your attention, Alastor's tone turned concerned as he asked. “I can’t help but wonder, Darling, where is your mother..?”

Without missing a beat, you replied. “Oh, my Dad murdered her.”

A sharp microphone screech omitted from the radio. It was safe to say he most definitely was not expecting that..

Not because he can't see your degenerate of a guardian doing something of the sort, he was actually more curious as to how someone as sloppy as your Dad could get away with something like that. No. What got him was even though you were saying words that no child should ever say until they're well into adulthood, you smiled. A soft one, filled with unspeakable pain and a lust for something you could not yet gain.

You could feel him hesitating to ask you some more questions on the topic, so you decided that you could quickly give him your life story. “Whenever anyone asks about it, I always tell them that she passed from cancer but, that's not true..”

Alastor’s signal chirped in curiosity, but he made sure to sound sympathetic. “What happened?..”

You chuckled a bitter melody.

“She was born a diabetic and I was around twelve.. Everyday my Mom took her medicine, the diabetes is actually what led her to becoming a doctor in the first place. Every morning my Dad would make her coffee, as a way of telling her he loved her. I snuck a few sips before only to find out she made it black, when she caught me she told me “Mommy can't have sugar…”

When I turned fourteen, they started arguing. A lot. I can remember hearing them sometimes. Mom threatened to leave him because he was starting to grow a gambling issue and she was tired of taking the brunt of most of the bills. He promised to change and that's when everything started to go downhill.. Weeks went by, she just started getting sicker and sicker seemingly out of nowhere. Still had her morning coffee though. I'd make it for her sometimes and she reminded me “Mommy can't have sugar.” Hardly able to do anything for herself, much less take her medicine. Of course he said he'd do it, he promised me he did when he took me to school..He still made her coffee, before he went to work and after she had been made bed bound..I thought it was a lie, that it wasn't true until I realized that she died that morning with a cup of coffee in her hand..”

A sour laugh left your lips, as you recalled that day you came home from school and found her lying there with blood on the pillow, blood that she had been coughing up for almost a month.

“That bastard was poisoning her with fucking sugar… Everyday he was putting a little bit in her morning coffee and not giving her the insulin she needed. She was a Type 1 diabetic and he did all of it for some fuckin insurance money..” You sighed, running a hand through your hair. Before yanking it in frustration and punching your fist through the nearest wall, your face was blank and unmoving for a second not even flinching as you removed your bruised fist from the drywall. “Mama couldn't have sugar..”

Alastor listened as you explained your mother's demise. His distaste for your father grew more and more as he recalled memories of his own childhood. He'd never tell you to your face, but he could see parts of himself in you from his younger years, if lead in the proper manner, you could become quite the promising killer.

He shook his head. Not the best thoughts to be having right now, not while you're on the edge of a mental breakdown.

“I..Would be lying to you if I said I knew what to tell you about such an awful situation..” He stated hesitantly. “But I can say that I am sorry, that you had to deal with something like this so early in life.”

“Don't be sorry, there's nothing to be done about it…She's gone now and I have to get away from him.” You declared, looking at your now bruised hand. “Now you understand why I made that wish. On any day, at any time, for any reason, that man could decide to kill me. To kill his own daughter in cold blood..”

Alastor hummed. “If you know this, then let me help you." He demanded. "I cannot sit idly by forever my dear, these links to your world are only good for short times to prevent other demons from causing other problems. No one understands the severity of this situation more than you. I would love to help you exact revenge on that putrid sack of skin but you must choose before it is too late and I am no longer around..

You sat in silence as Alastor did his best to help you come to a decision. As much as you hated being rushed, you couldn't deny that he was correct. But the decision was hard, harder than you thought it would be considering the fact that you still loved your father and the man he used to be…

All these thoughts ran through your head on a daily basis, everytime they made you wanna curl up and cry. Snatching up the plush doll, you gave it a good squeeze and hid your face in your knees, wishing that your Mom was still around.

The Radio Demon pursed his lips in thought, he wasn't good with others emotions unless he could feed off of the entertainment from it, much less comforting them. There was nothing entertaining about this, about you being sad. He didn't like it for a reason he couldn't explain, perhaps because you were so bubbly in the beginning?

You weren't trying to do anything miraculous, you just wanted to live your life in peace and possibly get justice for your mother. That was something he could understand. He wouldn't mind completely decimating your Dad, truly he wouldn't! It'd be on the house for you, truly you're the most pitiful soul he's come across in a long while.

He supposed he could pull a few quick strings to make you feel better in the moment. To bring back that smile of yours, full of wonder and a desire for life.

As you continued to seek shelter in your knees, you felt a gentle touch caress the top of your head, sharp claws softly scraping your scalp in an attempt to comfort you.

Wait..

WHAT?!

Quickly yet carefully, you snapped your head up to see none other than The Radio Demon crouched down right in front of you. His hand still rested on the crown of the head as you both stared at each other for a moment.

“I'm sorry.. am I dreaming?” You blurted out.

Alastor smiled, laughing in a low tone at your completely gobsmacked expression. “Fortunately for you, the answer is no my dear. As a gentleman, it'd be rude of me not to at least attempt to help a lady in emotional distress.”

You were still dazed and confused about him being here, much less t o u c h i n g you!! “Ida..I-- I didn't know you could-”

“Travel through the radio? It is quite possible but I only do so on rare occasions since it requires a fair bit of my power that cannot be overexerted in one day.”

Standing up to his full height, you realized how tall he was and thanked God that the ceiling was high enough for his antlers not to scrape. Crawling out of your chair, you immediately felt like an ant compared to him, the top of your head barely came to his collarbone.

“Holy crap you're tall." You blurted again. "I mean, I knew that you were tall but, you're really, really tall..”

Smirking with pride, he twirled his cane expertly like the show off you knew and loved. “7”0 exactly my dear, a foot taller than I was when I was a mortal! Though I suppose that was the universes funny way of punishing me for my crimes, I've bumped my forehead on door frames a good 50 times in both life and death!”

As you examined his real life appearance, you couldn't help but laugh. “Yeah well, the heels don't help.” You pointed to his shoes.

He huffed in feigned offense. “They are not heels, darling they are tap dancing shoes and it was quite common for them to have a bit of height back in my day.”

“Okay, Fred Astare.” You snorted as he settled himself on the side of your bed as you marveled at the fact that he was still taller than you even while sitting down. “And here I was preparing to offer you a dance in hopes of lifting your spirits, only for you to insult my tastes in fashion.” He hmphed, crossing his arms and legs while sticking up his pointy nose towards you.

In a daring moment, you sat right next to him crissed crossed, careful not to to touch him while he continued to play offended. “C’mon Al, don't be so huffy. I didn't mean anything by it.”

“ ‘Al’ huh?” He hummed. “Sounds like someone is getting rather familiar.”

“Hey, you call me 'Darling' and 'Dear' so often I think that it's only fair that I call you 'Al' on occasions.”

“I suppose you have a point. Nevertheless, I came here to try and boost your spirits, you seem to be doing better so if you wish to be bratty I can just go back home..” He teased with an evil grin.

“Wait!” You said just a bit too loudly. “Would you like to play a game with me? Ya know, before you go..”

Alastor raised an eyebrow in curiosity as he parted his lips to deny your offer, until you pulled out the big guns and gave him your best puppy girl eyes. A chill went down his spine from your usage of such cheap tactics, remembering his years as a lad and doing the exact same thing when he wanted something desperately from his dear mother.

“Okay! Okay!” He said, placing his hands up in surrender. “I shall subject myself to whatever game this is for one round, as long as you stop making that revolting expression..”

He watched as you smiled with pure enthusiasm. Such a beautiful smile you had, it made him irritated that you didn't do it more, yet proud that he typically was the source of it sprouting in the first place. Crimson eyes followed your movements as you shuffled off the bed to grab a small deck of cards off of your shelf. A part of him hoped you heard the chuckle that left his lips while you struggled to stand on your toes to retrieve this game.

“It's called ‘Uno’ “ You explained, walking back to him with a red box in hand. “It's a pretty simple game and the rules are easy.” Dumping the cards out of the box, the two of you sat parallel with one another.

”However, this simple game has been known to end more friendships than Monopoly and Mario Kart put together. It shall truly test our bond as companions, only the strongest survive it's trials..” You spoke in a dramatic tone while shuffling the cards and placing the proper numbers out for the both of you. Once you were finished, you placed the extra cards in the middle and looked the Radio Demon square in the eye. “Are you ready?”

“Yes yes,” He replied aloofly. “There isn't any possible way this silly game could cause such a staggering amount of broken relationships. I refuse to believe it's that bad.’

You chuckled bitterly. “You beautiful unsuspecting fool.”

---------------------- ( 2 Hours Later) ---------------------

“That's against the rules!” Alastor hissed underneath his breath as you threw out a fat stack of +2 cards.

“No it's not Alastor, you said you wanted to play stacks and this is how it's played.” You muttered.

The first round between you two consisted of showing Alastor the ropes. The confident man he was, he assured you that the game was easy enough for an infant to play and win effortlessly, especially since he won the first round. You then decide to spice things up by teaching him how to play stacks. He claimed that was easy as well and you allowed him to believe this as the next round consisted of him losing, and so did the next round, and the round after that, and the round after that…

Before you knew it, two hours had gone by and Alastor was determined to beat you at least once. It had gotten so intense that he resorted to taking his tail coat off and even putting his hair up, leaving him in his tight red office shirt and hair that framed his face like the scrumdiddlyumptious being that he was. The sight of his bare arms totally didn't have you blushing up a storm behind your cards.

While he was stewing over his next move, you got to confirm a few fan theories and ogled at his appearance.

Respectfully, of course.

But, the game wasn't over yet. Alastor sat across from you, irritated and with at least eleven cards in his hand, while you had three. The air was tense as he scratched his head and finally decided to throw out a small handful of 8’s, bringing his card count down to five.

Your poker face remained unmoving as you calmly threw out a wild card. “Blue.”

A warble of interference omitted from Alastor's person as his eyes scanned his cards carefully. You were actually surprised at how the tables had turned personality wise. In the beginning, it was Alastor who was calm and collected, but every loss slowly chipped away at the pride that fueled his unwavering persona. His usual smile was now looking more forced, making his disdain obvious.

Throwing out a blue card, you threw out two on top, leaving you with one card as you stated that dreadful word. “Uno.”

With a growl, Alastor tossed out a draw +4. “Red.” He stated blandly. A quick glance at the clock let him know he was late for a meeting with Charlie, but formalities be damned because he was going to win this game.

You took your cards quickly and deemed your hand an amazing one. He replied by tossing out a 2 and leaving three cards left. Victory was close and he swore that once he won he would ‘kindly’ rub it in your face.

But, just as you had been doing for these past five rounds, you had an ace up your sleeve. You tossed out the red ‘Skip’ card, costing Alastor a vital turn that could have turned the tables, only to metaphorically slap him in the face by cheering “Uno!” and dropping your final cards in the middle of the messy deck.

He suppressed a scream of irritation as you did your little victory dance, glaring at you both with gaiety and pure spite. He stood up and snapped his coat back on and his hair back down, he pinched your cheek just a little too hard. “That's enough cutting a rug darling, especially for someone that has two left feet such as yourself.”

“Stop trying to cease my dancing, I must wiggle out my joy.”

With a roll of his eyes, he tuned the radio on to his station to prepare to go back home. “Well you can dance until your heart's content, unfortunately I have to return back home to handle some business.”

Immediately your uncoordinated movements stopped, as you frowned. “Oh, right..”

Part of him felt bad. Not that he would tell you outright, but he didn't exactly want to leave you behind either. The thoughts of what your father could do unannounced made him concerned for your safety, but there wasn't anything he could do. Instead, he smiled genuinely and lifted your gaze up with his finger.

“Chin up, dearest. I shall check on you tomorrow as always and don't forget, you still need to make up your mind about what you want from the options presented to you.”

You didn't reply verbally, but you did nod your head sadly which would have to be enough for now. As he prepared to walk off, he was suddenly stopped by a tight embrace from behind. Anyone else who would have ever dared to think of such a thing would have been a splatter on the wall and he was just about to give you a kind yet serious talk about personal space until he felt something wet soaking through his clothes.

“..Thank you.” You mumbled through the fabric. Inhaling his scent as you sniffled and tried to calm down, honestly you were surprised he didn't push you off.

As mentioned before, emotions were not Alastor's think nor was physical affection. However in this moment, with you crying lightly and hugging him as if he were your only hope of survival, he decided that maybe, just this once, he would let it slide.

For his comfort, you didn't allow the hug to last longer than a minute. Once you pulled away you were embarrassed to say the least and prepared for him to possibly scold or never talk to you again. But, to your surprise, he simply pat your head and whispered, “Sleep tight, cher.”and was gone with a blink of your eyes.

To say you were sad was an understatement, but you knew that he'd be back tomorrow like he was everyday. The idea of talking to him tomorrow. To hear his voice in real time, talking to you and to offer comfort because he actually cared made your heart pound in your chest. As much as you didn't want to think this way, you couldn't help it. He seemed so concerned about you, in a way that no one else has until now.

You did your best to still your beating heart as you began to clean up your fun from earlier, only to find your cards were missing. You looked everywhere and still couldn't find them, ultimately you claimed into bed and decided that maybe Alastor snapped them somewhere you'd never find so that he wouldn't have to loose, I mean, play anymore.

Meanwhile…

“Alastor you're late!” Vaggie snapped as he came waltzing down the stairs, following her to where the rest of the group sat waiting.

“I am aware Vagatha, I was busy doing something else.” He replied calmly, only to make the fallen angel more irritated. “Whatever, I hope you brought something because it's your turn for a group activity today..”

“But of course! How could I forget?” He smiled impishly, before pulling out a red box with a familiar word on it. Once with the rest of the residents, Alastor clapped his hands together and pulled out a chalkboard seemingly out of nowhere.

“For today's activity being hosted by yours truly, we shall all be playing a game suited for bonding and the strengthening of relationships,” He beamed, writing out the title of the game in big letters for everyone to see.

“The name of the game is...UNO!"

------------------------------------------------------------

(Thank you for coming back for Chapter 3# of this story! I hope you stick around for the next one because I plan to make it the last. I've been so busy with life and stuff, it's kinda hard to find time or motivation to write, but I do want this to come to a close while still making room for a bit of fun between Al and the Reader.

For those who asked me to make a tag list, I'm not entirely sure how to 😅. Though I will try to figure it out for the next time I write a short story. Don't forget to leave your opinions behind in the comments and thank you for all the love you guys give me, it means a lot 💜

Stay Tuned! :D

Taglist: @twistedvanillacoffee @diffidentphantom @boldlyenchantingfox22

[a-book-of-creatures]

And since I just reposted something about Animorphs, here's more required reading - K. A. Applegate's letter to the fans after the series ended. Removing spoilers just in case because you need to go out there and read every one of the 60 or so books.

Dear Animorphs Readers: Quite a number of people seem to be annoyed by the final chapter in the Animorphs story. There are a lot of complaints that [spoilers]. That there was no grand, final fight-to-end-all-fights. That there was no happy celebration. And everyone is mad about the cliffhanger ending. So I thought I'd respond. Animorphs was always a war story. Wars don't end happily. Not ever. Often relationships that were central during war, dissolve during peace. Some people who were brave and fearless in war are unable to handle peace, feel disconnected and confused. Other times people in war make the move to peace very easily. Always people die in wars. And always people are left shattered by the loss of loved ones. That's what happens, so that's what I wrote. [spoilers] That doesn't by any means cover everything that happens in a war, but it's a start. Here's what doesn't happen in war: there are no wondrous, climactic battles that leave the good guys standing tall and the bad guys lying in the dirt. Life isn't a World Wrestling Federation Smackdown. Even the people who win a war, who survive and come out the other side with the conviction that they have done something brave and necessary, don't do a lot of celebrating. There's very little chanting of 'we're number one' among people who've personally experienced war. I'm just a writer, and my main goal was always to entertain. But I've never let Animorphs turn into just another painless video game version of war, and I wasn't going to do it at the end. I've spent 60 books telling a strange, fanciful war story, sometimes very seriously, sometimes more tongue-in-cheek. I've written a lot of action and a lot of humor and a lot of sheer nonsense. But I have also, again and again, challenged readers to think about what they were reading. To think about the right and wrong, not just the who-beat-who. And to tell you the truth I'm a little shocked that so many readers seemed to believe I'd wrap it all up with a lot of high-fiving and backslapping. Wars very often end, sad to say, just as ours did: with a nearly seamless transition to another war. So, you don't like the way our little fictional war came out? You don't like [spoilers]? You don't like that one war simply led to another? Fine. Pretty soon you'll all be of voting age, and of draft age. So when someone proposes a war, remember that even the most necessary wars, even the rare wars where the lines of good and evil are clear and clean, end with a lot of people dead, a lot of people crippled, and a lot of orphans, widows and grieving parents. If you're mad at me because that's what you have to take away from Animorphs, too bad. I couldn't have written it any other way and remained true to the respect I have always felt for Animorphs readers. K.A. Applegate

[masochist-marmot]

A fair and balanced look at MHA chapter 431

To all of my fellow bakudeku and togachako truthers out there: I see you, I hear you, and your disappointment is valid. I agree with a lot of the criticism. However, I have a lot of nuanced thoughts, and I will attempt to write them down in a balanced way, so bear with me. I will also treat the leaks as though they were confirmed for now.

(This post became an essay so I'll divide it into subheadings for clarity.)

Reminder: Be kind

Before I get into this, I'd like to remind everyone to please be kind and understanding when having this discourse. I get that there are strong feelings involved, but please don't harass the creators or other members of the community. Remember that at the end of the day this is fiction, and no one has the right to dictate how others view it or consume it. You are allowed to express your opinions and feelings, but try to be respectful to those who don't share them. No matter what side of the issue you stand on.

Queer relationships in shounen

First of all, I understand that it's disappointing when potential queer relationships are sidelined in favour of compulsory heterosexuality. But I can't say that I'm surprised. The standards and norms of depicting relationships in shounen manga go deep, and while it would be nice to see them challenged, we have to remember that there is an entire industry behind these decisions. I'm talking about genre conventions, authorial decisions (affected by unconscious biases), editors, publishers and a whole lot of moving parts. There's a lot of money involved, which means that any changes to the conventions will happen at a snail's pace. I am not excusing the decisions Horikoshi made, but it's good to be mindful that the decisions don't take place in a vacuum. I went into the series with the full expectations that none of the same-sex relationships would be made canon, so I'm not overtly disappointed with that being the case. It's the same expectation I take to any shounen series.

It's obviously worthwhile to question and challenge conventions like these, that's how progress is made. But focusing on a specific author's specific choices might not be the best way to go about it. Although it's worth pointing out that Horikoshi didn't have to make any relationship canon, yet chose to do so. Let me get into that.

Why IzuOcha falls flat

There is no denying that izuocha seems to have been the end goal from the very beginning. She's the first girl, Izuku took immediate notice of her, and her feelings for him became her entire character for a while. It's a cute ship, I guess. The issue is that it lacks any real depth. I'm going to be completely honest with you: I don't think Horikoshi is very good at writing compelling female characters. A lot of the male characters get amazing character arcs, while many female heroes only get a couple of cool moments (full of fanservice) and are promptly discarded. Himiko and Ochako, who have the most compelling female relationship of any kind in the entire series, fail the very simple Bechdel test miserably. Half of their conversations literally revolve around the male protagonist.

I believe this is why many of us prefer bakudeku over izuocha. The boys just get much better character development both as individuals and in relation to each other. Izuku and Ochako's moments don't cut nearly as deep, and while they do somewhat further Ochako's character development, they seem to have no bearing on Deku's character. Meanwhile Uraraka's conflict with Toga meaningfully challenges and alters both characters' worldview, even though their relationship had much less time and opportunities to develop. To me this whole situation just reads as Horikoshi giving Deku a canon love interest early on, then failing to develop the relationship and having to rush it to get the ending he intended.

Character study: Izuku and Katsuki 8 years later

Now I'll ignore authorial intent for a while and ponder on how the leaked chapter reflects on the character development of my main boys. I'm actually not that mad about the decisions Deku makes in this (forced romance aside). I seem to be in the minority that's fine with Deku losing OFA and becoming a teacher, because I actually think it suits him perfectly. In chapter 430 I mostly took issue with him being lonely for eight years and then jumping the gun to become a hero again, which seemed kinda contradictory. If he was truly contented with being a teacher, they could've made it clearer. Though I'm not going to lie, Kacchan funding his battle armor was incredibly cute. In the leaked chapter, it almost feels like they were trying to reinforce the notion that Deku is happy with his life as a teacher, which feels a little forced, but I can respect it. You have to remember that he's been quirkless for eight years and has had time to come to terms with it. People change a lot in eight years. I barely recognise the person I was eight years ago. So what rubbed me the wrong way wasn't that he rejected Kacchan's roundabout offer but the way he rejected it. Like the guy's really hung up on you, the least you could do is let him down easy.

What I think is an especially hard pill to swallow is the distance between Kacchan and Deku. Unfortunately, it also kinda tracks. Hear me out. Their relationship maintained its intensity because of the rivalry. It motivated their respective personal growths, it pushed them further, and it tied them closer together. And it was magnificent. What we see here is that Katsuki is still driven by the will to compete, but Izuku isn't. He's a teacher now, he's got lives to change, he can't be bothered with competition and numbers. While Deku was building his new identity and new life, Kacchan was still hung up on the past: He was collecting funds for the suit to get Deku back into the game, he was rejecting sidekicks who didn't spark the same joy in him, and he was slowly dropping in the charts because he didn't have Deku to push him to try (also something about his personality, I'll just let it slide). I think in this chapter we kind of see him finally accept it. He doesn't push a hero suit on a rival and urge him on anymore, instead he forms an offer to join him as an unrelated question about if Deku's still intent on teaching. Since he says yes, Kacchan won't even bring the agency offer up; Kirishima has to translate the intention. Which is where I think Deku's answer has uncharacteristically little tact.

Does Kacchan deserve a better ending than this? ABSOLUTELY. Does the ending we get counter the character development seen so far? I don't think so. The sad reality is that people do grow up, and I see the ending we get as one possibility that reflects that. I would've also been happy with an ending where Deku keeps OFA and the boys go be gay fight crime for the rest of their lives together, but in all honesty, Deku coming a full circle back to quirklessness is more thematically satisfying to me. Mind you, none of this means that the relationship between these two isn't important to them. It just means that it was always bound to change, adapt and grow to a different direction. Kacchan's final goodbye may seem like an important moment that was completely brushed off, or you can see it as not being important because it's not a goodbye. These two men will continue to be part of each other's lives. And now I kind of want to read comfort fics about what their new relationship and domestic life would look like.

Brief togachako tangent

I said in an earlier post that I will be a togachako truther until the day I die, and I stand by that. In my book, it's already canon. Though sadly, it was also doomed. I'm a little conflicted on the whole thing. On one hand, I think Toga had a satisfying character arc, but on the other hand, we mostly just got our gays buried. Still, purely from a character perspective, I don't see her pushing Uraraka to live her life as a problem. Toga would definitely not want Uraraka to dwell on her memories and guilt. They seem to be bound together by blood now, and that won't change. Neither of them gain anything if Ochako denies herself happiness by not pursuing other relationships. Still, I understand the criticism in a narrative sense. It does come off as a queer character used as a device to push forward a comphet relationship. I just want them both to be happy.

Final thoughts: Canon is not law

I have shared my complicated thoughts and feelings on this presumed final chapter. You are obviously allowed to disagree with me, and your thoughts and feelings are just as valid as mine.

I think it's important to remember that you don't have to treat canon as law. The canonicity of something has never dictated how you should interact with the media. Obviously the author making something canon has a bearing on their story, but that's just what it is. It's their story. Which means that we don't have any say in what they decide to do with it, but they also have no say in how we make their story our own. If the ending is left open, it's left open for a reason. You get to interpret what happens next based on your reading of the story.

So please go create fan content where Izuku keeps his powers and hero status and where he keeps his rivalry alive, or write a fanfic about his life as a teacher. Go explore how the thing with Uraraka develops (I trust that many of you would do a better job than Horikoshi), or ignore that part completely. Write about Uraraka's blood bond with Toga, maybe their relationship is still worth exploring post-mortem. Hell, make it a polyship between the girls and Deku. And there are so many things about Deku and Bakugou's relationship as adults that I'd read about and see fanart of, whether or not you take my interpretation of them into account.

[hello-nichya-here]

Do you still like talking about ASOIAF? see you like SanSan and wanted to know your opinion about something I was reading. I was reading some discussions around Sandor's character and there seems to be a division of opinion about whether he is in fact a total bastard, but he met Sansa (who was the first to give him empathy and kindness) and so he does kind acts but only to her (or when she is near) OR he always had a "good side" somewhere inside him (still a bastard, but I think you get the ideia of what I mean?), but was too comfortable with his view of the world and become totally apathetic to the things around him (until he met Sansa and she kind of challenged his worldview). I thought I'd ask your opinion on this, if you don't mind, because I think you usually have interesting thoughts on things.

George R.R. Martin likes complex, messy characters that are very firmly in the grey area. The full on pure monsters in the story (like Ramsay and his dad) are not as large as the group of grey, or even good, characters, and they usually don't get as much attention. There's a reason we'll see the POV of Jaime, Cersei and Tyrion, but not Tywin - they have more humanity and vulnerability in them, so Martin has something more interesting to work with and develop. He even went as far as saying that even the iconic "A Targaryen is either great or mad" thing is a LIE, because ALL OF THEM did things that could make them look great or mad in people's eyes.

With Sandor in particular, lets get the most ridiculous "take" on the character out of the way: He is not kind ONLY to Sansa or ONLY when she's around. For fuck's sake, he goes out of his way to remind her of every awful thing he does/thinks in hopes she'll stop giving a damn about him and he can thus stop questioning his entire existence, and is repeatedly exasperated that nothing seems to do the trick.

And while he is kinder to her than to anyone else, he REPEATEDLY proves that he wants to stop being just a killer. We see in an Arya chapter that Sandor wanted to just live in a quiet, peaceful village until the end of his days, but he is kicked out because of his past and is clearly upset about it.

He kidnaps Arya because he wants to return her to the Starks in the hopes that they will take him in. And after the Red Wedding he still saves Arya, and after being VERY cruel to her in trying to get her to accept that her family is dead, he changes his tune literally overnight because, come on, she's a kid and what happened is horrible, he shouldn't have snapped at her and he knows it.

For fuck's sake, he CRIES confessing his sins Arya when he is "dying", and then changes his ways when he is rescued and taken to the Quiet Isle.

More important, during a public event in which his brother is trying to kill Loras for beating him in a duel, Sandor steps into to the rescue. It would have been THE perfect way to get his revenge on his abuser without any consequence - he'd just be defending himself and another person. No one could truly hold it against him if he had killed Gregor right then and there, not even Sansa. But instead, we are told this:

"Thrice Ned saw Ser Gregor aim savage blows at the hound’s-head helmet, yet not once did Sandor send a cut at his brother’s unprotected face."

George R.R. Martin went as far as creating an two distinct, very easy ways to highlight to the readers that this character has both a human side and a monstruous side - and that the human side would eventually win in this internal conflict.

The first is his identity as "The Hound." It represents his anger, his violent impulses, his willingness to obey unjust orders because it benefits him, his alcohol abuse, his tendency to snap at people for the smallest thing, and his refusal to accept that this behavior is not "just how the world works" and is in fact a problem he needs to work on.

Sandor struggles to let go of "The Hound" even though, as I like reminding people, no one hates that fucker more than Sandor himself does. He struggles because this bad behavior is a toxic coping mechanism. It was what allowed him to survive in a cruel, unjust world - in an Arya chapter, after WINNING a trial by combat and thus being forgiven for his own sins AND the sins of his brother, we have her describe him as looking like a frightened child after he gets burned. Sansa compares the kiss she's given by Sweet Robin, a little boy that latched onto her, to her imagined kiss with Sandor. The Hound is the mask a frightened, traumatized child that never matured in healthy way hides behind.

We even see Sansa herself adapt parts of "The Hound" into a healthy survival skill - righteous anger at her abusers and their enablers instead of just blind rage at every living thing, suspicion and caution around people until she's sure they can be trusted instead of believing EVERYONE is rotten to the core.

Sandor is called "The Hound" less and less as the books go on, until we reach the point of him being on the Quiet Isle, basically going through that world's equivalent of rehab and therapy, and then hear the very clear message of "The Hound is dead, Sandor Clegane is at rest." We even have an actual bad guy steal his hound helm and see how people are WRONG in assuming that Sandor Clegane is the monster running around raping and killing people because THAT IS NOT WHAT THIS MAN WANTS TO DO WITH HIS LIFE!

And that's despite him saying shit like "If you can't fight for yourself, die and get out of the way of those who can" - which brings us to the second way Martin used to highlight the duality of the character: his feelings on what it means to be a TRUE knight.

Sandor will constantly tell Sansa that true knights don't exist, that the very concept is ridiculous, that the world is awful and he's just honest about it, that knights are for killing and that killing is the sweetest thing there is.

Yet he refuses to take on the title when he joins the King's guard. Whether that refusal happens because Sandor doesn't think he deserves the title or because he is disgusted to be in the same class as people like Gregor, he is still letting the truth slip in the moment: deep down, he DOES care about honor, even if just a little. He DOES think there's something wrong with cruel, corrupt men being give praise and status for being "heroes" when they're actually monsters. He DOES have lines he doesn't cross and that nobody can make him change his mind on.

Now, obviously a true knight doesn't get "drunk as a dog", doesn't comment on a 12-year-old girl "having tits now" (especially not when that girl is noble AND the king's future queen), does work for corrupt lords, doesn't kill an innocent child because a spoiled prince threw a tantrum, and doesn't hold the 12-year-old he is trying to save at knife point during a PTSD episode.

But a true knight would prevent Sansa from killing Joffrey and being punished (and possibly killed) as a consequence, would give her advice on how to protect herself from the King's wrath and from potential manipulators, would scream in protest when she's being beaten and humiliated in public and then give her his cloak to cover herself up, would save her during a riot, would offer to try and get her back to her family - and would accept her refusing that offering - and he would remove his white cloak, the symbol of his honor, to demonstrate he is ashamed of having done something that goes against his code.

Sandor Clegane is a complex, deeply flawed man. He knows it. But he WANTS to be Sansa's knight in shinning armor because, deep down, he shares her beliefs. And she recognizes that, and Martin goes out of his way to show us that she prays for his soul.

"He is no true knight but he saved me all the same, she told the Mother. Save him if you can, and gentle the rage inside him.”

No matter how awful The Hound is, Sansa Stark is never gonna take it as proof that Sandor Clegane didn't deserve justice for what Gregor did to him - not even when she's saying, to his face, that if he doesn't change his ways the Gods will send him to hell. And she's going to call him "Ser" whether he likes it or not, and question why he lets people call him a dog, and will thank him and call him brave whenever he helps her out. He can complain all he wants, she's not gonna stop.

No matter how flawed of a protector he is, Sansa will always remember him as the closest she got to meeting a true knight - to the point that when she's about to be sexually assaulted in a later book and someone saves her, her first instinct is that her savior MUST be Sandor, even though she knows she's either half a continent away or full on dead by now.

And that kindness, understanding and faith in him is what Sandor had always, desperately longed for, but didn't think he would ever get or ever deserve. And for that, he feels he owes Sansa a debt he can never repay, so he is at his kindest to her, and steps up to protect her from Joffrey because he simply can't help himself.

Sandor is not putting on an act for Sansa or changing his behavior only towards her. She is the catalyst for his character arc. He gave her tools to survive, she gave him a REASON to survive.

It's why their last interaction has her wraping his cloak around herself, accepting him as her knight, after singing this song to him:

"Gentle Mother, font of mercy Save our sons from war, we pray Stay the swords and stay the arrows Let them know a better day Gentle Mother, strength of women Help our daughters through this fray Soothe the wrath and tame the furyTeach us all a kinder way"

Sansa's dynamic with with the Hound - not Sandor, the Hound - was pure "Kill them with kindness." Beauty killed the Beast. Sansa saved Sandor from the Hound, and now he feels it's his duty to protect her.

[questinwitchface]

Q's 31 Days of Halloween Advent Event Masterpost

Hello dears! Back in March, I decided I really wanted to write a Halloween fic this year, and with inspiration from @allcolorsoftherainbow who did an advent challenge for Christmas one year, I decided to do an advent challenge for Halloween this year, as a personal challenge to myself. My friend, my sibling/beta reader, and I all worked together to create a prompt list; I wrote a fic for each prompt, and soon I will be sharing those fics with you!

Each day in October, expect a new fic from me until finally we get to Halloween! Most of the fics are SamBucky, and most - but not all - are oneshots. I've separated them out into themed weeks, just because I thought that would be fun. The themed weeks are: Family, Other Ships, Angst and Smut, and Countdown to Halloween!

All fics will be posted to AO3, and I will edit this post to add the link to each new fic as the challenge goes on. As always, please read the tags, summary, etc. because the ratings and content will vary.

Family Week

Prompt 1: Witch - You Look Bewitching - Rated G; 2,042 words; SamBucky and Sarah Wilson/Original Male Character

Prompt 2: Corn Maze - It's That Obvious - Rated G; 2,284 words; SamBucky

Prompt 3: Best Halloween Candy - The Candy Market - Rated G; 1,671 words; SamBucky

Prompt 4: Creepy Object - The Not Fun Scary - Rated T; 3,383 words; SamBucky

Prompt 5: Making Costumes - Con Crunch - Unrated; Incomplete Multichapter; SamBucky

Prompt 6: A Spell - To Make Love Happen - Rated T, 3,504 words; SamBucky

Prompt 7: Making Decorations - Warmth That Lingers - Rated G; 730 words; SamBucky

Prompt 8: Treats - Revenge Is Sweet, but Maybe You're Sweeter - Rated G; 3,982 words; SamBucky and Sarah Wilson/Original Female Character

Other Ships Week

Prompt 9: Trick-or-Treating - A Daring Knight, a Brave Bard, and a Hapless Prince - Rated T; 1,650 words; Kate/Yelena/Joaquín and SamBucky

Prompt 10: Spiders - Irrational - Rated G; 988 words; Sharon Carter/Joaquín Torres

Prompt 11: Group Costume - Ruby Red - Rated T; Incomplete Multichapter; SamSteve and SamNatasha and SamBucky

Prompt 12: Ghost - To Love Is to Live - Rated T; Incomplete Multichapter; Kate/Yelena/Joaquín

Prompt 13: Haunted House - First Date - Rated T; 1,906 words; Shang-Chi/Joaquín

Prompt 14: Funny Costume - Getting Back at Bucky - Rated T; 1,922 words; Kate/Yelena/Joaquín and minor SamBucky

Angst and Smut Week

Prompt 15: Contacting the Dead - Best Friend's Opinion - Rated T; 4,561 words; SamBucky and ambiguous relationship Sam&/Riley

Prompt 16: Graveyard - In Memoriam - Rated T; 3,130 words; SamBucky

Prompt 17: Cursed Object - Finish the Last Chapter, Start a New Story - Rated T; 1,899 words; SamBucky

Prompt 18: Zombie - Until the End - Rated T; 4,471 words; SamBucky

Prompt 19: Darkness - The Good Part - Rated E; 3,197 words; SamBucky

Prompt 20: Vampire - Stay for Dinner - Rated E; Incomplete Multichapter; SamBucky

Prompt 21: Sexy Costume - May the Sunlight Shine on Me - Rated E; 3,462 words; SamBucky

Countdown to Halloween

Prompt 22: Decorating the House/Yard - Something Special - Rated G; 1,817 words; SamBucky

Prompt 23: Halloween Scavenger Hunt - When They Look Back, Will They Call This Their First Date? - Rated G; 4,379 words; SamBucky

Prompt 24: Fortune Teller - If It's in the Cards... - Rated G; 2,657 words; SamBucky

Prompt 25: Scary Movies - Cuddles and Coziness, Being Together - Rated G; 1,151 words; SamBucky

Prompt 26: Pumpkin Carving - The Avengers' First Annual Pumpkin Carving Contest - Rated G; 1,314 words; SamBucky

Prompt 27: Werewolf - I'd Love You in Any Form - Rated T; 3,544 words; SamBucky

Prompt 28: Fall Festival - Birds and Butterflies - Rated T; 8,554 words; SamBucky

Prompt 29: Pumpkin Patch - Just a Couple of Guys, Going to a Pumpkin Patch - Rated G; 1,658 words; SamBucky

Prompt 30: - Ghost Story - Do You Believe? - Rated T; 2,574 words; SamBucky

Prompt 31: Halloween Party - Say Yes - Rated G; 1,703 words; SamBucky

And, just like that, we're done!! Thank you to everyone who read along, commented, left kudos, and sent me encouragement in any form along the way! It has been a joy to share these fics with all of you, and I'm so happy that we've made it to the end! I will be taking a rest for the first week of November, but expect updates to the multichapter fics in this list throughout November, possibly into December? Idk, we'll get them updated and shared with you dears. Thank you again so much for reading and enjoying this Advent Event of mine! Have a happy and safe and wonderful Halloween!

[communistkenobi]

hi, i'd like to read marx's capital, but I've heard it's quite challenging. do you think there is a best way to go about reading it, maybe skipping or reading chapters in a particular order or taking notes in a particular way?..

I read some parts of it a very long time ago so I can’t give specific advice on what to skip. I’m preparing to read it in August for an exam, and I’ll be using David Harvey’s companion to Marx’s Capital as a study + learning guide. David Harvey also has video lectures about it that you can watch, which are probably the most accessible.

however, and I mean this in a completely non-judgemental way, I think an important question to ask is why you want to read Capital - is it for Marxist theory cred? Are people telling you that you have to read it? Do you feel you ‘need’ to read it to understand Marxist theory or call yourself a socialist/communist? Is it casual intellectual curiosity? Is it part of a larger reading set that you’re doing? I’m not going to discourage you from reading it, but i wouldn’t recommend starting with it if you want to read Marx, particularly if you haven’t read a lot of economic/political theory.

and i want to be clear I’m not trying to talk down to you, I ask these question to myself constantly because it helps inform my learning priorities - what is it that I want to get out of this text, what are my goals and expectations, what personal/intellectual/moral worth am I tying to the completion of this text, and so on. Capital is a difficult and boring read! something I’ve seen both on and offline is people try to read it, it’s dense/confusing/boring, they give up and feel discouraged or think they’re ‘too stupid’ for Marxist theory, when like in reality it’s a specific text intervening on a particular set of political debates in Marx’s time, and is also an origin point for a wide range of political and economic belief systems that have undergone fundamental and global developments in the nearly two centuries since its publication. Which is all to say that I think picking up Capital for the sake of simply reading Capital sets yourself up for failure, disappointment, and potentially feeling stupid/incapable of meeting the demands of your own political convictions. Which is not a good mindset for communists to be in! CLR James says that every cook can govern; Marxist theory should not be a site of personal misery and intellectual punishment. A challenging text is not the same thing as a confusing or boring one, and I think there is a lot of moralistic expectations floating around in “leftist spaces” (big quotation marks) about the development of “critical thinking skills” as this miserable slog of whipping yourself into being radical.

I call myself a communist and have not read Capital; not only are there many other works by Marx to read, not to mention the nearly infinite amounts of secondary sources that engage with Marx, it’s also not something I feel is going to answer the questions I need when I want to read theory. I am specifically reading this text because I have to be qualified to teach it and regurgitate it on an exam, which is how I’m approaching this text. I think asking yourself what your approach is (are you doing it to advance your own learning, to answer specific questions you have about Marxist theory [and what are those specific questions?], to inform your historical understanding of the development of continental economic theory, etc) will help answer some of these “philosophy of learning” questions. Maybe Capital is the place to start based on your own motivations and prior reading, but maybe it’s not. And if it’s not that’s totally fine! Marx is perhaps one of the most responded-to European political thinkers of modernity - we are engulfed in theory engaging with his ideas. You have your pick of the lot

[jamilelucato]

The Writer and The Illustrator (Part 01)

Pairing: Benedict Bridgerton x Miss [y/n] Summary: Miss [y/n] is not your average young lady, for she is also W. Jabber, a talented writer who challenges societal norms. All was well until her publisher presented her with a new challenge—to write a children's book disguised for adult readers and to have it illustrated. And to help her with the task, she knows only one good painter in London. Age rating: although this chapter is pretty chill for younger audiences, the next parts will have more explicit scenes, so let's keep it 18+. Author's note: I said I'd be back with the Bridgerton boys, and here I am! Benedict, for the win! Hope you guys like it! (Part 02 here!) To read Anthony's fic, click here! For other stories, click here. Enjoy! Miss [y/n] was a writer. A good one, she dared add. Of course, that was unnoticed by the people of the ton, who would not have appreciated female writing, even if it was that great.

For that precise reason, Miss [y/n] prospered in a secret double life, where she was a pleasant lady by day and a fierce author by night. Her publisher was the only man she considered a friend since he knew her true identity and was present in both parts of her life. Needless to say, such an intelligent and refined man, capable of admiring penmanship made by a woman, would already have a wife. And would be dangerously too old to be anything more than an extra father figure in Miss [y/n] 's history.

Being close and such, Mister Brendy often challenged [y/n] 's writing abilities, encouraging her to try new styles in every new book. He'd often advise her towards writing the genre most wanted by the public at that specific time, and [y/n] was always quick to agree — as she held Mr Brendy's opinions very highly. Also, her family desperately needed the money [y/n] provided anonymously. Pretending it was a subsidy presented by an old aunt from the country, the young woman allowed her family some great comfort; furthermore, she permitted herself the luxury of new dresses every season.

"Good afternoon, Mr Brendy. How are you this evening?"

The sky wasn't fully dark when Miss [y/n] popped into the tiny printer's shop, but she was confident enough that nobody followed her in; thus, she modelled no cape or undistinguished clothing. She was merely herself before her old chum and a couple more teen-boy workers.

"Very well, dear," the printer replied, holding a modest smile. Mr Brendy had gently round features, and his smile, even the smallest ones, was exceptionally pleasant to witness. "Hope you're ready to hear your next challenge."

"I wouldn't be here if I weren't, Mr Brendy," she answered, lowering her eyes to the papers over his table, looking for clues to his oncoming request. Most authors did not enjoy working with demands, but [y/n] thrived with them, and she was Mr Brendy's favourite because of it.

"Well, have you how many nephews and nieces again? I always forget; I'm sorry," Mr Brendy got up and walked towards Miss [y/n]'s chair.

"No need to be sorry, Mr Brendy — I, sometimes, forget as well," she smiled. "I currently have three nephews and one baby niece. She's such a lovely newborn!"

The gentleman placed his hands in his trouser pockets, scratching his throat before saying, "Yes, newborns are usually a delight—a blessing."

"Couldn't agree more," Miss [y/n] couldn't help her anxiety taking the best of herself. "But what does my siblings' offspring have to do with my upcoming, in need of writing, book?" 

After another scratch of his throat, Mr Brendy finally spoke his true intentions. "Do you remember when you found me shivering from the rain outside and asked if I could publish your first book? And even cold, you managed to make all these demands regarding our partnership?"

"Of course, I remember! I was a baby lassie of fifteen years of age, but wasn't I a captivating writer even then?" Miss [y/n] was only joking but noticed that Mr Brendy wasn't less tense. "Does this talk have something to do with my demands? Do you need to lower my percentage of profit?"

Dear God, she hoped not.

"Nothing of such. Your books are bestsellers, Miss [y/n]. Money is not the problem," he said. "However, your other contract demand... The one where you work alone..."

"Yes?" she was desperately nervous.

"Would you be able to make an exception?"

There was silence in the room. It felt like even the employees outside the tiny office were muted, waiting for her answer.

"I'm sorry, Mr Brendy, but what are you implying? You want me to write in association with another author, is that it?"

"Not another author per se," he gritted his teeth, and the noise startled Miss [y/n]. "No," he restarted, "I don't want your writing to get jumbled up. You have a magnetic way of putting words to paper; I would never allow anyone else to interfere with that."

"Thank you," she said, happy for the compliment, though confused about how to respond. Mr Brendy was a good man, but he rarely presented free praise.

"I want you to work partnered with a painter, an illustrator. See, this is where your nephews come to action — children's books are the latest fashion, the genre bestseller of the hour. We have no author good enough to conquer that style the way we want," he paused, "— at least no better writer than you."

She was flattered but primarily confused. Her books weren't for children. Under the name of W. Jabber, she published pieces about politics and devotion, death and art, but all of that over a darker tone, very adult if you dare. What would be her place when speaking to children? What story could she have stored to tell those little kids rushing to a bookshop, looking for the newest realise?

"I want you to write a children's story the way only you could — designed for the parents. I want it perfectly disguised so that, when a parent fetches the book — tediously and only doing it for the quietness of their offspring — they get stunned to find out the narrative is very well made for them as much as the child."

"You reckon I could write such a thing?" she asked in a second of bravery. "I don't think I can."

"Upon rereading your latest, my dear, I discovered that if anyone can, it is you," he said. "When I first read Storms of Love, I could never have deduced the novel was about the Priest falling in love with his bastard son. At first glance, the story felt like a mother missing her son when he decided to go to seminary!"

She pressed her lips together, feeling shy. It was a horrible habit, as the lady knew she looked dreadful when she did it, but she couldn't help it. How many times, during balls, did she have to hear people praising her without knowing that Jabber was [y/n]?

"Again, thank you, Mr Brendy. You know I adore compliments," Miss [y/n] tried to smile, but she couldn't disguise her dismay. "Regardless, I…"

"I would never force you, Miss [y/n]!" the printer rushed closer to her, taking the liberty of placing a hand on her covered shoulder. "But before you say anything, know that the illustrator would be one of your selections, and we could do the whole interaction anonymously if you so desire."

"It's not the teamwork that unnerves me, Mr Brendy, but the writing of a children's book for adults." Miss [y/n] stared deep into Mr Brendy's eyes, but that was a wrong choice. His big, green eyes stared at her back, filled with hope for her to accept. How could she say no to the older man who knew her more than her father?

She placed her hand over his on her shoulder before saying, "Do you truly believe I am the best option for this chef-d'oeuvre? It takes courage to defy society with a youngsters' novel."

He smiled in that way only a proud grandparent could. "Yes, I believe you can."

After the conversation with Mr Brendy, Miss [y/n] at least managed to secure the illustrator would be her pick and not be some random person chosen by the printer.

That was exceptionally tricky, however. [y/n] did not know a bunch of painters — at least not enough that were indeed talented for her intentions or kind souls that would not reveal her identity. She did not want to be Lady Whistledown's next victim.

Miss [y/n] came up with one name and one name only. It was the only name not crossed from her list made in the dim candlelight of past midnight.

Benedict Bridgerton.

Thorny indeed. Could she trust him?

She and her parents had been friends with the Bridgerton family for years now, and Francesca was what [y/n] could call her best long-distance friend, but how far did she know Benedict?

He was a second son, which did not help his reputation, but there was no denying he was a gentleman and a remarkable artist. They used to play together at Aubrey Hall when they were both too young to feel ashamed.

Benedict was her friend, at least as far as being friends with a man could go for a single lady.

Subsequently, Miss [y/n] waited for the promised ball Lady Danbury would throw for the people of the ton, anxious to see if Benedict would say yes to her proposition and not tell anyone her little secret.

"Miss [y/n] [y/l/n]," said Lady Danbury, appearing out of thin air beside the young lady, "you look nervous. What for, my dear?"

[y/n] swallowed hard. "Do I? I suppose I could look like that, but I promise I'm fine as a horse."

"If that horse is about to go racing," said the old lady sharply. "Seriously, sweetie, entertain me. I fear this is the first ball I throw where nothing good happens. It starts to hurt this hostess's feelings, you know."

"Lady Danbury, well, if you must know…." [y/n] was certainly not about to tell her the real reason beyond her nervous appearance. Lady Danbury was a lady of gossip, and that was the last thing [y/n] needed. "My mama, just yesterday…" started [y/n], but she never managed to finish her lie because Lady Danbury interrupted her with a yell.

"Mister Bridgerton!" 

Oh, Christ. [y/n] felt like she was all wet with sweat. What were the odds?

"Mister Bridgerton!" shouted the old lady again, this time prolonging the last name of the gentleman walking by.

"You know, Lady Danbury, I'm not obliged to answer since there are three 'Mister Bridgerton' alive at the moment," said Benedict, stopping closer with a grin. "Two of them are at this party right at this moment."

Lady Danbury hit him with her cane, and the gentleman pretended to feel pain beyond what he must have felt. "Very funny, Mr Bridgerton, but we both know one of them isn't even old enough to be called mister."

"Yes indeed; Colin is a not fully formed child, but I rather only Bridgertons talk about that," he joked.

Only when his giggle ceased did the tallest Bridgerton siblings notice Miss [y/n]'s presence. It was a bit embarrassing for her, as she was staring at him laughing and how magnificent he looked — so relaxed that his hair moved with the movement of his chest. She had to tilt her head quite a lot to face him, so there was no covering her gaze.

"Oh, I'm sorry, Miss [y/n] [y/l/n]. I did not see you there."

"Clearly," Lady Danbury whispered in her condescending tone, making her sound like a teenager.

"Good evening, Mr Bridgerton," Miss [y/n] said, ignoring Lady Danbury's comment and smiling at the gentleman before her. She had been looking for him after all.

"And now you two have been officially introduced," said Lady Danbury surly, allowing no interruptions. "Can I finally talk to you, Mr Bridgerton, about what I wanted?"

"You, calling upon me, had a reason!" said the Bridgerton man at the same time Miss [y/n] burst: "We knew each other already!"

"Oh, all right," Lady Danbury sighed, defeated. Benedict and [y/n] smiled, feeling victorious — but Benedict's smile was broader. "Mr Bridgerton, I insist on talking to you as I'm sure you must be anxious to meet my niece."

"Your niece?" he echoed.

"Yes, the one coming from Chester," continued the old lady. "Winnie Danbury. You had heard about her coming, yes?"

Lady Danbury's eyes seemed challenging as if asking for one of them to deny her tellings, as [y/n] was sure no one mentioned Miss Winnie before. However, they both stayed silent, agreeing with a head shake.

"Miss Winnie Danbury," said [y/n], testing the name, "is it her first time here in London?"

Lady Danbury moved her body to face Miss [y/n] as she had partially forgotten about the girl's presence. [y/n] was a charm; the old lady had only good things to say about her, but sometimes the Miss would rather stay in a corner barely lit, which infuriated Lady Danbury. Miss [y/n] was a beauty; she needed to be seen more often — even if society didn't agree with the elderly lady.

"Yes, it is," replied the aunt. "Oh, she's beautiful, Mr Bridgerton. And so talented! Did you know she plays five different instruments?"

Of course she does, [y/n] thought, sighing to herself. The anonymous writer dreamed of playing an instrument or, at least, being able to draw. She'd like to have another artistic talent besides writing. It was well viewed when a woman played wonderfully and even painted; it all did better than writers. Writing for a woman was like talking to the devil; her great-uncle had told her once when she'd suggested she had some talent for it.

"Lady Danbury, it will, undoubtedly, be a pleasure to meet another member of your family," said the gentleman.

"Especially if she's like you," whispered [y/n], afraid her tone sounded too provocative for the old lady's ears.

"But," continued Benedict, pretending not to have heard the young woman's comment, although the left corner of his mouth indicated otherwise, "is there any reason you should be offering your niece to me?"

"Why, yes! You are the oldest Bridgerton bachelor at the moment," said Lady Danbury and turned to Miss [y/n] before restarting, "and it would be a lovely match, wouldn't it?"

[y/n] had no reason to disagree.

"Of course. A Danbury with a Bridgerton, the missing couple in London."

Lady Danbury smiled as if she knew more than those young fools, and touching Benedict with her cane, she began to depart.

"I'll leave you alone, as I feel that my mission here is already complete."

"Oh no, please," Benedict pronounced sarcastically, "stay and tell us more about Miss Winnie."

But Lady Danbury had already turned away and walked away from the two of them, focusing her attention on Penelope Featherington, who was creeping through the room, trying hard not to be noticed.

Mr Bridgerton looked immediately unnerved by the noble lady's departure as if he didn't know what to say to Miss [y/n] [y/l/n]. And he didn't.

The two had known each other for a while and were even good friends, but she remained an unmarried woman in the presence of an unmarried man, and alone, the two seldom exchanged words. They were sharp when doubled against another Bridgerton or one of her brothers, but Benedict had always seen her as just one of the women of the ton.

She had her appeal, a magnificence in disguise. For example, she didn't take anyone's breath away but wasn't ugly to look at. In addition, she had more prominent curves than other women, a virtue when it came to her cleavage but a flaw when considering her corset region.

Benedict never judged her for that. On the contrary, he liked knowing she had something he could hold onto.

No.

He didn't like it.

Why exactly am I thinking about Miss [y/n]'s curves? The gentleman chastised himself. Forget it before you say something foolish!

Miss [y/n] noticed the dreadful hush and decided to speak first since she had something to say.

"Mr Bridgerton, I... I'd like to have a word with you," she felt her cheeks flush with nervousness. "In a less... crowded place."

Benedict gulped. So he spoke aloud. Bollocks.

"I have a business proposition. Perhaps it will interest you," she resumed, relieving Benedict immediately. "You still paint, yes?"

"Yes," he replied overly quickly.

"And you draw?"

"Well, yes." The gentleman stopped talking to reminisce. Would she like a portrait? Strange. No one hired painters during balls, and never, ever should a single lady ask a gentleman for a painting (at least not if she wasn't interested in the man himself).

Does she have an interest unrevealed? He thought but renounced the idea. It was [y/n] who stood before him. The same girl who played in the mud and one day made fun of him for having such fragile hands.

She had no interest in Benedict other than his artistic gifts.

"Need a painting, Miss?"

"Not precisely…" She looked nervous. "Can you pace with me to the refreshment table?" she asked, walking over to it before hearing him nod. It was the least guarded place in the salon at that moment.

He followed her, for he was too curious to drop it.

"How would you feel…" she started saying after analysing their surround "if it was offered to you a chance to illustrate a book?"

"A book?" he echoed, a bit too loud.

[y/n] waited a bit before continuing.

"A children's book, but adults can deeply interpret it."

"That's rather specific," he pointed out. So what was the meaning of all that? How was [y/n] in any power to offer him such a proposition?

"Mr Bridgerton, I simply want to know if you could be interested. If you are not, then I'll never mention it again," she said, her voice slightly shaky, even though she was playing chilliness.

Benedict took a step further, thinking she was out of her mind and only his closeness could bring her to her senses. "How can you do me such an offer, Miss? As I recall, your father is not in the editing, writing and printing business."

She closed her eyes tight, not believing she was about to confess to Benedict Bridgerton.

"But I am."

"Yeah, right," snorted the Bridgerton gentleman, crossing his arms in front of his chest. But [y/n] stayed utterly silent; she didn't dare utter a word, and Benedict could not stare at her big, closed eyes for that long without wondering: who was she? He was momentarily sure he didn't know. "[y/n]?" he called her, daring, in a whisper, to utter her first name.

[y/n] opened her eyes, surprised that Benedict had used her first name. She had always thought of him as Mr. Bridgerton, the handsome and charming gentleman whom society's most eligible ladies always surrounded. But now, she was asking him for help and needed to trust him with her secret.

"Yes, it's true," she admitted, her voice barely above a whisper. "I'm W. Jabber, the author of several books. I published under a male pseudonym."

Benedict was stunned. He had heard of W. Jabber's work and greatly admired "his" writing. He had no idea that the author was Miss [y/l/n], the girl he had known since childhood. He looked at her, seeing her in a new light. She was not just the girl who played in the mud; she was a talented writer who broke society's rules to pursue her passion.

"I had no idea," he said, his voice full of awe.

"I know," she said, a small smile playing on her lips. "It's not something I can share with many people."

"And you want me to illustrate your next book?" he asked, still trying to wrap his head around the fact that his childhood friend was a published author.

"Yes," she said, her eyes shining with excitement. "I've been working on a new book, and I think your illustrations would be perfect for it."

Benedict smiled, feeling honoured that she had asked him. "I'd love to help you," he said. "But how will we do it in secret? We can't let anyone know."

"I have a plan," she said, a mischievous twinkle in her eye. "Meet me tomorrow at the park, and I'll tell you all about it."

Benedict nodded, feeling a sense of excitement at the thought of working with [y/n] on a secret project. He had always admired her intelligence and wit, but now he saw a new side that intrigued him even more.

As they returned to the salon, Benedict couldn't help but wonder what other secrets Miss [y/n] [y/l/n] was hiding. But for now, he was content to focus on their new project, a collaboration that would push the boundaries of society and showcase their talents in a way that no one else could.

[petrichorca]

Hello, I am slowly figuring out how to use tumblr effectively. I thought I'd give an update on fics I've written in 2024, but keep forgetting to talk about here in a meaningful way.

As We Go Hand in Hand (explicit, gentlebeard, 7100 words) follows Ed as he processes the past few months while living on the island with Stede, massively in love but struggling with himself. I wrote it while feeling a lot of delayed grief around the (confirmed) s2 cancellation, and while it's sad at points it's also quite romantic I think. I really love this story.

Behind Closed Eyes All I See is You (explicit, gentlebeard, 5300 words) is a smutty PWP my dear friend @chaoticturtleturtle invited me to write with her. Stede lets Ed take the lead in a scene with some sensory deprivation, pwp, and aftercare.

like sugar to my heart (mature, gentlebeard, 4200 words) is a silly fic I wrote for my Animorphs OFMD AU co-writer as a birthday gift. Our blue four-legged four-eyed mouthless alien Stedeth gets foiled by a vending machine (based on the tumblr art of the giraffe centaur), and Ed consoles him.

like a bird (teen, gentlebeard, 3700 words) with @ghostalservice gives some backstory about Stedeth's life prior to the events of our 177k fic and features some very cute art of Mary and Stede's children (as Andalites, of course) by @theogem

Stede’s Cursed Red Suit as a Metaphor for Grief and Moving On (teen, stede + izzy, 1717 words) explores the squishy time of season 2, episode 5, and the dynamic between Stede and Izzy in season 2 overall. I am also obsessed with how Stede acts in the cursed suit. I find their s2 relationship really interesting so this is me looking a bit at that via a missing scene starting with Stede yelling OH FUCK OFF.

Calypso’s Dawn (explicit, gentlebeard, 1800 words) centers around how Ed made his boyfriend blush the morning after Calypso's birthday and how Ed feels about it. I love this fic. I've been trying to challenge myself to write more self-contained, shorter stories and this one turned out really well imo.

Life as a Series of Forward Rolls (teen, gentlebeard, 9900 words) features Stede running into his teenhood crush, the gold medalist in men's gymnastics from the 1996 Olympics. This fic also centers around a Barbie doll in Ed Teach's likeness, which @swashbuckling-sweethearts made an INCREDIBLE art of (embedded at the end of the story), inspired by my own 1996 Olympics Barbie. Silly and light modern AU!

Did you mean to do that? (teen, gentlebeard, 700 words) explores Stede's grief around Ed dying, even when he knows Ed is alive. I had no idea I would be so interested in writing missing scenes, but long conversations with friends have really ignited me in exploring these. (The length - I was trying to channel @brigdh, whose ability to write devastatingly brilliant drabbles inspires me, and I'm pleased with this one!)

Perfectly Ordinary Tuesday (mature, gentlebeard, 4900 words) with @ferventrabbit follows Stede and Ed deciding to get married on a perfectly ordinary Tuesday, and drag their inn guest Dave along for the ride. We split up writing the vows, and I balled my eyes out writing mine and then reading em's. This story is fluffy and fun, and it was a great way to start 2024. :)

What's next: I'm working on or noodling a lot of projects, solo and with different collaborators. Imminently, I've got a fic with @veeagainsttheday coming for AUpril on April 1st. Hoping to get something else out in April for @ofmdjanuaury's AUpril 2024 event, which I highly encourage folks to check out - it's for all sorts of creators!

@ghostalservice and I continue to think about our blue alien Stede and his human boyfriend Ed. Wanna Fly Away was such an important project to me while we were writing, and it's become even more special as folks find it. WFA now has art embedded in most of the 15 chapters, so if you haven't seen those check it out. More to come in that space.

Where was I going with this? Well, I suppose I want to say I'm still here. OFMD changed my life, and the OFMD fandom community is deeply important to me. I still hold out hope for a third season, or a follow-up that brings us more closure, but no matter what I'm still thinking about our pirates and will for a long time. If you read this far, thanks for being part of my community. <3

[theoceanandthestars]

I'd love to read a 2nd chapter of Bobby's Goddaughter!!!! It's so good!

Bobby's Goddaughter Part 2

Summary: An earthquake leads to y/n revealing a secret to Bobby.

Word Count: 2.3k

A/N: I just wanted to say this comment and the other's under the original part made my day!! Thank you all so so much, it really means so much to me so thank you!!! I was a little conflicted as to what direction I should take this in as I had a few ideas, so hopefully you like it!! And apologies for any mistakes.

I also have an idea for a part 3 if anyone’s interested, so let me know :)

_____________________________________________________________

Shaking.

That’s what brought you out of the daydream you had been in. Well not exactly a daydream as such but you had been thinking back over the past few weeks of being at the 118 as you finished stocking the fire engine with Hen and Chim. After meeting Athena and the members of the 188 you had gone home worried. Worried that you had made a fool of yourself and that moving to LA to surprise your godfather, without telling him and then saying that you where joining his place of work, was maybe not the best ideas. Those thoughts kept you up that night and plagued you as you started to unpack your things into your new home. That was until you had heard a knock at the door and opened it to find your new team who had all given up their Saturday to come and help you move in. Even despite your assurance that they didn’t have to help you the entire team had stayed for hours until it was dark outside, and all your things had been unpacked.

That night when they had all gone home your anxiety had eased and you knew that this was your team now. A few weeks had passed since then and you had got to know everyone better, but you had spent the most time with Bobby and Athena. You relished seeing your godfather so happy with her. The three of you had gone out for lunch several times and Athena had told you all about her children who you hoped you could meet soon.  

You had also been informed by Buck that if you were part of the team then you had to have a nickname, which you remembered causing groans and chuckles throughout the team. Most of the team had settled on a shorter version of your name, but Buck had decided that he needed something more interesting to call you as he claimed that they couldn’t have another boring nickname like Eddie. The day he decided on your nickname was the day you decided that you both wanted to kill him, and that he was almost certainly going to be your new best friend.

‘Cheesecake’ he had stated as he walked over to the group of firefighters sitting at the table in the fire house.

‘Excuse me?’,  you had responded confused as to why Buck had just shouted the name of your favourite food in the firehouse, whipping your head in his direction in case he did indeed have one with him. Unfortunately, he did not.

‘That’s what we should call, y/n!’ he had exclaimed, looking at the 118 as if they were stupid for not realising this earlier, they on the other hand only rolled their eyes and continued eating. Buck however was determined that this would now be your new nickname, even if he was the only one to call you it. He didn’t know why he hadn’t thought of it before, he had discovered your love for the dessert when going through your fridge the day they had helped move your things and found that even though you didn’t have any basic food you had a cheesecake sitting in the fridge.

‘I do love cheesecake’ you muttered absentmindedly to no one in particular as your mind began formulating a plan to stop on the way home and grab one from the grocery store.

‘Do you like the name?’ buck asked, to which you thought for a few seconds before responding.

‘If you call me that Buck, I will kill you’, causing laughter to erupt from a few of the firefighters. Buck wasn’t disheartened by this either, instead he grinned and accepted the challenge of calling you cheesecake as much as he possibly could.

And this is what you had been thinking about, the 118, Bobby and Athena, Buck, cheesecakes and what your life might look like over the next year when the shaking started.

The engine rattled as you looked at Chim and Hen beside you and began to move across the firehouse as equipment flew around the room and things fell from the ceiling. It was going to be a very long day.

­______________________________________________________________

Thankfully the team had all come out from the earthquake unscathed, and you were now inside a hotel that had begun to fall during the earthquake. You and Hen were calling out for the young girl who was missing when the aftershock hit. You heard Bobby calling your names, but it was too late as you and Hen slipped into a pocket of rubble below you. Both screaming as the shock continued and more debris fell casing you in.

You slowly felt yourself coming too when the distant sound of Hen shouting for help started to get louder. Suddenly a sharp pain pierced your shoulder and you groaned before letting out a cry as the pain suddenly intensified. As you began to open your eyes you shifted your gaze to your shoulder to see the corner of a large piece of rubble stacked on top of it. Any closer and it would have crushed your neck. It was only now that Hen’s shouts registered and the groans of another person next to you. You moved slightly to see who it was, recognising the firefighter as Russ, a man you had only met about 20 minutes ago.

‘Hen!’, you shouted, ‘We’re over here’. You began to shimmy your shoulder out from under the block of rubble, hissing in pain every time you moved.

‘y/n!’, Hen replied as you heard her moving closer, ‘you okay?’

‘I’ll be fine’, managed in an almost grunt, ‘Russ needs your help though’. You began to feel dizzy as your consciousness faded in and out for what felt like only a second. The next thing you knew you heard Hen shouting Russ’ name.

‘Hen?’, you asked slowly, titling your head so you could see her face, this wasn’t a question you wanted to have to ask, ‘is he gone?’ The look on her face told you everything, you sighed and let your head touch the ground again. After a moment you spoke again;

‘I think I’m going to need your help now Hen, I managed to shimmy my shoulder out but I think its broken.’

Within a moment Hen was at your side, gently pressing your shoulder, eliciting a series of hisses to spring from your mouth.

‘Looks like a proximal humerus fracture’ she stated as she began to rummage around in Russ’ kit, ‘I can give you some morphine for the pain until we get out of here’ she began as she brought the needle to your arm. Before she could administer it though you suddenly pulled your arm away causing more pain in your shoulder.

‘No, no, you can’t’ you pleaded.

‘y/n you’re in a lot of pain’, Hen began confused by your sudden reaction, she continued, ‘this will help’.

‘I can’t go back to day one again.’ You began closing your eyes, not wating to see Hen’s face, ‘the day I met you I told you that when I was on a call before I moved here a bag of opioids was thrown into the air, that the whole team was high for hours after. Well, the reason the fire chief was so quick to do me a favour and transfer me here was because I’m an addict. I had been clean for over a year when it happened, he thought it would look bad on the department if I ever went public. I’m clean now and I have been for months but I can’t go through that again.’ At some point during your speech you had opened your eyes to look at Hen, but her face wasn’t the pity of disgust you were used to receiving when people found out about your addiction, she just smiled slightly and looked sympathetic.

‘Does Bobby know?’, her voice was gentle and understanding and made you tear up.

‘No, I know he’s an alcoholic, so he’d be able to be there for me but a part of me never wanted to tell him because I started using just before he left. I felt like the world was coming down around me. My parents had just died but I wasn’t very close with them, Bobby has always been my real dad. He was planning to move at the time and I knew if he found out about my addiction he’d stay. And this was his chance at a new life, and I didn’t want to ruin that. Now if I tell him, I’m worried he’ll blame himself for not seeing it and not staying.’

‘He loves you like a daughter’, Hen began, ‘You know that right? He sees himself as your dad and maybe he would feel a little guilty, but he cares about is you and he knows firsthand that addiction is an inner battle, he’d understand you.’

______________________________________________________________

After your heart to heart with Hen, together you had attempted to dig through the rubble but were having a hard time and eventually the two of you had sat together having almost given up. That was when you had found a small dog named Paisley who had led you both to Kat, the girl you had been searching for when the aftershock hit. It wasn’t long after that the two of you heard the sounds of a car being dragged close to where you were.

‘Okay, we’re nearly there now Kat’, you stated as the three of you and Paisley moved towards the noise that you already knew had to be your team. Loud scraping noises continued until a small beam of light broke through the darkness and you moved your way painfully towards it, you couldn’t wait until your arm was wrapped up in a sling and the piercing pain would dull. For a moment there was silence then Paisley started barking and ran towards the light, then you heard Buck shouting for you and Hen. A breath you didn’t know you had been holding escaped your lips as you and Hen made it to the opening they had created.

‘Hey fellas’ laughed Hen as you made your way to the light, being met with the faces of the 118 and other firefighters that neither of you recognised, ‘you’re going to need to help y/n’ she continued, ‘her shoulders fractured and after all the moving its probably gotten worse’.

Quickly Buck and Bobby who were coming towards you anyway helped you to get up from the rubble, the second you were standing on your feet Bobby wrapped his arms around you as gently as he could, kissing you on the top of the head and resting his chin on your head.

‘I’m okay’ you whispered into him, looking up to see his worried expression that shifted to your shoulder, ‘oh this is nothing, remember when I broke my leg and the bone was sticking out’, you watched as his face scrunched in a grimace, satisfied you continued ‘yeah that was worse’. Bobby let you go as he clearly continued to picture the time you had fallen of a slide in the park and your leg had been badly broken. Buck took this opportunity to grasp you in a hug that was frankly way too tight and causing your shoulder to pulse with pain, but you didn’t say anything, instead hugging him back just as tight before you began to walk out of the building with his arm around you guiding you outside.

______________________________________________________________

You weren’t sure how long you had been sitting under one of the medical tents after Chim had checked your shoulder and you had told him about your addiction. That was a new record, telling two people in one day and now as Bobby made his way over too you, you knew you were about to make it a third.

As he sat down on the bench next to you, your head rested on his shoulder while you let out a deep breath. Without saying a word he held his hand out in front of you both which you quickly grasped, and you knew he was trying not to cry when the grip on your hand tightened.

‘I thought that I’d lost you today’ he spoke so softly that you almost didn’t hear him.

‘But you didn’t, because you didn’t stop searching for me and I kept searching for you’, you smiled up at his face which he matched.

‘I love you sweetheart’ he stated as he placed another kiss to the top of your head. You felt so loved when you were with Bobby, your dad hadn’t been an evil man or cruel he had just been absent like your mother. Bobby had always been your godfather in name but in every way that it counted he was your dad. Every school concert or sports event he was there for, and now he had your back every day at work even when a building collapsed on you, he was there.

‘I love you too, so much.’ His arm wrapped around your back pulling you into him.

‘There’s something I should tell you’, you began, and a worried expression fell on his face, so you swiftly continued, ‘no its fine my shoulder’s fine, well not fine but it’s not awful. I…’ and so you told him everything, that you were scared to tell him because you didn’t want him to blame himself. You told him that when your parents died you felt like you weren’t mourning them but the loss of what could have been. You told him specifics you hadn’t told anyone, how you had felt, where you used to get high and you didn’t stop until there wasn’t a detail he didn’t know, and even though you felt sick with anxiety, this felt like the most normal thing in the world. You felt like a little girl again, sitting with Bobby telling him every detail of your day and him not judging a word you said. You felt safe. You were home with him.

[your--isgayrights]

wait IS jhy confirmed trans? i was interpreting that way but it seemed like translation confusion when i read it. i'd be so happy if that was true ;o;

Short answer: JHY is definitely a woman, early translation confusion was largely due to the fact that Korean doesn't necessitate gendered pronouns as much as English, she is never specifically called transgender but her portrayal represents a lot of trans experiences and I choose to interpret her as transgender.

Long Answer:

Jang Hayoung as a character represents the webnovel catagory of 'transmigration,' wherein a character from 'the real world' wakes up in the body of a 'character' and must navigate their life. Jang Hayoung was a transcendent reborn into the body of Aileen Makerfield's 15 year old 'son' Aslan in the demon realm. To my understanding, Jang Hayoung's gender previous to her transmigration is unclear, it's possible that she was a cis woman in her first life. Hayoung (or Hayeong) is commonly from 夏榮 with the meaning 'glory of summer' and generally has a feminine connotation. Regardless, after her transmigration she has to face the dysphoria and challenges of 'spiritually' being a 23 year old woman in the body of a 15 year old 'boy,' and the interactions she has with other characters are easy to recognize trans experiences in to me.

Throughout 'episode 43' her gender is discussed a lot. YJH who has little concept of transmigration calls Jang Hayoung a weak 'guy' and a 'rude jerk,' to which Jang Hayoung replies 'actually I'm a bitch.' It's also shown around this time that through the scenarios, transformation of the body is possible to the point of changing gender representation, as Yoo Joonghyuk takes on the 'Punisher' persona while enduring a punishment for rescuing Kim Dokja. Afterwards, Jang Hayoung says something to the effect of 'no matter what your body is, if you are a girl you are a girl no matter what' and YJH vehemently agrees with her, leaving Kim Dokja very confused. My interpretation of this scene is that YJH gains experience of what Jang Hayoung feels being seen as 'the wrong gender' because of her body when he presents as the punisher because he still feels he is the same person as before, but I've seen other interpretations of Transfem-coded YJH that also make a lot of sense.

It's also good to note that in Korean gendered pronouns are not used as frequently, so Jang Hayoung confused many translators because her use of exclusively feminine pronouns is not confirmed until the first chapter told from her third person POV, after which most translators switched their pronoun choices for her.

For me ORV's interpretation of JHY's transmigration falls into a lot of the transgendery feelings that I have. One time a girl in a psych class asked my professor why there were so many genderqueer autistic people when one of the major symptoms of autism is struggling with changes and I had to get on my soapbox of like, to be honest I feel like I never really changed but suddenly everyone else around me did. Like it was never important to me whether I was a 'girl' or a 'boy' because basically those were like teams to be on in elementary school and it didn't matter. But then I was growing up and it was kind of like... There was something just so soul crushing to me about the idea of growing up to be a "woman" as opposed to growing up to be a "man," as arbitrary as those labels can be it just does mean something to me. Choosing to be a guy and let myself orient my experiences and social life around that concept just feels right and makes it easier to be myself without being misunderstood by others. So for me the idea that someone with kind of reverse feelings from me who has always been a woman having to endure the experience of being in the role of a 'prepubescent boy' is pretty representative of A Transgender Experience even if that language is not specifically used. It's also a lot more compassionate than representation seen in other works, or even earlier in ORV itself, and I think my favorite thing was Kim Dokja being told he was a dumbass for thinking a woman wasn't a woman just because she was in a 'boy's body,' lol.

[a-star-that-burns-brightly]

I'm not gonna lie, it doesn't really make a lot of sense to me when people say that Eden being the culprit doesn't make sense from a narrative/story perspective, or that they "don't see her killing someone" I mean to-each-their-own obviously, but like, at the same time...the entire theme of this chapter is that not everything is as it seems. Your preconceived notions of the people around you based on the parts of themself they present to you are bound to be contradicted by an action they take, or a side of themselves that's kept hidden away. This theme was set up in the first episode of Chapter 2 with J's secret, which I elaborate more on in this post, where she is revealed to have a completely different identity that nobody in the cast was aware of, and that identity of hers is met with spectacle and admiration when J's life is really nothing to admire. Another thing that sets up this narrative is also just the secrets motive in general. From a meta standpoint, I think the secrets motive is meant to challenge us the audience and the preconceived notions we have about these characters, what we believe they are capable of doing to others, to themselves, and in general who they are as people. I remember back when the episodes were still being released seeing paragraphs of defenses in comment sections in regards to David, how he wasn't a manipulator because of this that and the third, how he was only trying to help and that he couldn't had been malicious in his intention. And I can attest to that, because I was one of those people lmao. And as we know now, David did end up being the one with the manipulator secret and showing a much more ugly side of himself that many didn't take kindly to, because it contradicted what we knew about who he was, or more accurately, what we wanted to believe he was. And I use David as an example here, because this pattern can be seen with multiple characters throughout the chapter. Arei, who up until this point had been portrayed as nothing more than a mean, merciless bully, had her past and true-feelings spilled out on full display, leading to her allowing herself the chance to become a better person. This is almost the exact opposite of what happened to Nico, who was portrayed as a timid, defenseless individual constantly catching the brunt of Ace's assault, only to show that they are a much more nefarious person than you would first assume, more than willing to tie a wire around Ace's neck if pushed to their boiling point. And the funny thing about these two examples is that even after these sides of their characters were revealed to us, people still allowed their established notions of the characters to overrule it. People theorized that Arei was lying, or just putting on another manipulative show again. People theorized that actually Nico was just trying to take the wire off of Ace's neck, that Ace actually killed himself and was just pinning it on Nico, or that Hu was somehow responsible and that she was manipulating Nico into doing it, or was just straight-up the one who tried to kill Ace. And there's nothing wrong with any of these theories in the moment, even though I'd say with present information that all of them have been de-confirmed. The reason I'm mentioning them is that it goes to show that if you have a certain view of a character that you have become attached to, and something comes along and contradicts that view, your brain searches for ways to justify the previous view you had. Even in the case of Arei and Nico where, to be fair, the previous perspective wasn't entirely wrong, people still feel strange when they see something that contradicts it.

All of this brings us to David, who as I mentioned previously, was continuously defended in the weeks before CH2-11 dropped because people didn't want to believe he was as manipulative as a lot of the fandom made him out to be. And then CH2-11 actually dropped, and possibly the most unsavory side of David was revealed to us in full display. And despite the fact that the legitimacy of how much of David's true colors is being shown is still a big question mark to this day, and the fact that this side of himself gets approximately seventeen minutes of screen-time, a lot of people were incredibly quick, and I mean quick, to immediately dismiss it as bad writing. Instead of actually thinking for a moment about why this writing decision would be made, they wrote off David as a one-dimensional bad guy to the point of even calling him a cartoon villain. It's hard to believe now considering how much effort the community has put into the past year to dissect every aspect of this blueberry-haired motherfucker, but there were people who were genuinely pissed when CH2-11 dropped. "Hey, this is all well and good but uh...I thought this post was about Eden? Why are you bringing up all these other characters?" Well I'm glad you asked, voice that I made up in my head to transition cleanly to my next point. The thing that all three of these characters, Arei Nico and David have in common, is that they all serve to challenge what we know about these characters and introduce a side of them that goes against our current knowledge, and it's up to us as an audience to either accept this as part of who they are as a person, or deny it in favor of the narrative we've grown comfortable with. And I really do think that is an intentional part of the story being told within Chapter 2, especially when characters like Hu also exemplify these tendencies in how she defends David and tries to see the good within him, deflecting away from the uncomfortable truth that he is not all he presents himself to be. All that glitters is not gold, not everyone is as they appear to be. Which brings us, finally, to Eden Tobisa. And how a lot of the arguments against the theory that she is the one who killed Arei greatly confuse me, and why I think a lot of it falls along this line of thinking.

I see quite a few people implying that the idea of Eden being the CH2 culprit is inherently, as a concept, bad writing, how it doesn't fit with her character, and other things along those lines. It's actually very similar arguments that I saw used to deny the idea that David was manipulative. But I do not see this to be the case. In fact, I think out of everyone currently alive in the cast, Eden being the culprit is what would fit the best with the narrative and story that has been established. This chapter, as I've mentioned previously, has challenged our perspectives of these characters and what we know about them, emphasizing that what we see of them might not be the full-picture of who they are as people. So quite frankly, why wouldn't the culprit be the most positive, seemingly hopeful girl in the entire killing game cracking under it's pressure and resorting to murder? An aspect of Eden's character that I think goes overlooked quite often is that, though she is not by any means naive and her optimism is genuine, her positivity can definitely seep into toxic positivity on more than one occasion. Specifically when applying it towards herself.

(x) Teruko: You seem quite chipper this morning, even though you were distraught last night. Eden: ...Yeah, I know. I'm really sorry about yesterday. Eden: I was in a new, scary situation, and I let myself get too upset. But that was a mistake, I'm not going to let myself be weak like that anymore. Eden: I'll do my best to encourage everyone from now on!

(x) Levi: I suppose I could say the same for you, can't I? Today you're just as cheerful as you've ever been. Eden: I'm glad you think so. I'm wearing my brave face, see? Eden: Everyone is probably going to be sad for a while. For their sake, and for mine, I'll put on a happy smile!

(x) Eden: [Sniff] Whit: There, there. Pat pat. Do you want to sit down somewhere else? Eden: ....... Eden: I'm fine! I just... needed a second to deal with it. Eden: I'm super ready to investigate! I'll do whatever I can to help find Arei's killer.

I want you to pay attention to the third scene I linked especially, because I think it re-contextualizes the other two scenes mentioned. I hope this does not need to be spoonfed, but just to be clear: I am not at all saying that Eden's positivity is fake or fabricated, I think her optimism is a very real aspect of her. That being said, despite her believing that the best way to make it through this killing game is to express grief and rely on others and how she does acknowledge the severity of the situation on multiple occasions, she has never really allowed herself to grieve her current situation. She refers to her very reasonable response to the death game as a weakness, and she outright admits to Levi that she is putting on a brave face for herself and the others. And in the third clip, it's not even being hidden from the audience anymore, especially with how the line is voiced. It's like Eden's VA was specifically instructed to sound as if she were forcing a smile. What this all means, to me anyway, is that there is a lot of stress, fear, and sadness bubbling under Eden's skin that she's purposefully keeping hidden, for herself but especially for the others. That doesn't mean she is good at it, mind you, as Eden at the end of the day is still someone who's feelings are practically sewn into her sleeve, but she is trying. And it's clear it is having an impact on her. Couple that with the fact that Eden very clearly wants to escape really fucking badly, if her constant attempts to find a solution to end the killing game are anything to go by. Especially in Chapter 2. (credit to @/venus-is-thinking for pointing this out in their post)

(x) Eden: So uh... I've been spending a lot of time investigating around, looking for a potential exit

(x) Veronika: You know, Eden once thought of an interesting plan to end the killing game. Based on everything we know, it could theoretically work.

(x) Hu: Eden and I have a continuous alibi from 7 PM to 10 PM. It has become a bit of a tradition for the two of us to clean up after dinner together Hu: And after we were done, we talked for quite some time, brainstorming ways to deal with the motive.

Eden has been more obsessed than anyone else over the prospect of ending, dealing with, or escaping the death game. (just as a side note cause it goes outside the scope of this post, this is also why it doesn't make sense when I see people say that Eden doesn't have a motive to kill, because...she does? Fuck if anything she is probably the person who currently wants to escape this death game the most. I understand if that doesn't sound like a satisfying motive to you, but she does have a motive.) Also couple all of this with the constant arguing of the rest of the cast, and her literally witnessing Nico try to kill Ace in front of her eyes, all the while she is trying to put on a positive smile for everyone else and herself. I really do not see why it is so unbelievable that she would break and try to commit murder. And really, I do think it's primarily because of how the fandom as a whole views Eden, which is why I spent a large majority of this post talking about the themes of Chapter 2 and how they interact with how the audience sees the characters. Another theme that has been explored in this chapter is the idea of a Good Person. Specifically, what makes someone a good person, and the desire to become one. And how is this theme introduced into the chapter?

(x) Levi: Perhaps I messed up yesterday. But I want to move on. I want to keep trying to be a 'good person,' like you, Eden.

Through the existence of Eden. With every other character in the DRDT cast, there is at least one attribute about them or action they take, that would reasonably warrant them being disliked, or seen as not the best person. Even other characters serve a similar role in the narrative, like Whit and Hu, have things about them that could result in this opinion. Like Whit's insensitivity and uncaring behavior towards the dead, and Hu using other people to make herself feel useful. But Eden is viewed, both within the story and outside it, as an undeniable good person. There's a reason why you basically never see a genuine Eden hater in a wild because...well, what is there to dislike her for? She's kind, she's caring, she's helpful, and she tries her best for everyone around her. In the midst of a story where the characters are constantly being pushed to the brink and fucking up, Eden has done literally nothing wrong. She has been a victim of circumstance or other people victimizing her. And the one time she is antagonized in the story it's by a character who, up until a few minutes after, we have basically only seen as a mean bully. Eden has done nothing wrong. Eden is the picture-perfect presentation of a good person. But I think by the end of Chapter, as a climax to both of the themes that permeate it's narrative

That will no longer be the truth.

[esoteric-joke]

Interview with Brooklyn_Babylon

(#Interview3)

Welcome to the next interview of the Dear Writer Project. This Sunday I’m here with Gina (twopoppies here on Tumblr). Thank you so much for participating and supporting my project. It was a pleasure to interview you.

Gina about her writing process, her inspirations and what she finds most challenging about writing:

What does your writing process look like?

Oh, you're going to call me out right from the get-go, huh? LOL! My writing process is that I am a complete pantser. I hate outlining and I'm not good at it (probably why I hate it). I generally get inspired by something visual and then build a story around that. The difficulty is that often, there's a concept, but there's no real story to tell. Or, I can't quite flesh it out enough to make it worth writing. But when something connects, I go bother India (indiaalphawhiskey on Tumblr) who is my beta/BFF/cheerleader and we'll talk through the story idea.

She's super helpful in terms of pushing me to think it through enough that I can write a very basic outline of what needs to happen to get from A to B. Then, I wing it. LOL!

What does writing mean to you?

From the time I was a kid, I've always been involved in doing something artistic--from fine art, to costume design, to writing, etc. I've just always needed some way to express myself, creatively. It took me a long time to get comfortable writing fiction because there are a few people in my family who are highly respected authors, and I felt I needed something of my own to sink my teeth into. But now that I've started, I realize how much I do love it (even when I hate it), and how much it allows me to dig deep into my own thoughts and emotions and be more self-aware. Beyond that, I think I'm at my most comfortable when I feel I'm helpful/supportive/nurturing. I used to write non-fiction that gave me that outlet. It's interesting that I can see those aspects in my fiction writing, as well.

Do you know before you start writing if an idea is going to become a oneshot or a longer fic?

I can generally tell if there's enough of a story to make it a chaptered fic. Sometimes the chapters just separate naturally.

Like, in An Invincible Summer, the story unfolded so that each chapter was a different month. But I had a basic idea of how I wanted the story to progress over that time period. I think, for the most part, I let the story dictate how it's going to flow.

You don’t write (or publish) as regularly as some other writers in the fandom. Why is that and would you like to write/publish more in the future?

Part of the reason is that I have a really busy life outside of the fandom (and writing). I also don't like to write just to fill up space. And I don't want to publish anything I don't think is the best I'm capable of at that moment.

On top of that, I'm just not one of those people who has a million stories in my head. I'm very visually stimulated and there are long periods of time where I just don't feel inspired. I also second-guess myself a lot and often end up shelving my WIPs. And... even when I'm inspired, I tend to write slowly. I like to take time to make sure I'm really saying what I want to say in the best way I can. I want to grow and challenge myself with each story I publish. I just don't see a point in doing it without that sort of intention.

On which of your stories did you write the longest?

I think An Invincible Summer probably took the longest. But it was also one of the easiest for me to write because the story just wrote itself in some ways. I had a much clearer picture from the start of how things were going to unfold. At the same time, there were moments that just happened as I wrote that ended up shifting the story from what I'd originally planned.

I recently went back and re-wrote that fic, adding another 10K to flesh it out better. I'm so much happier with it (even though I loved it before), but I haven't published the updated version on AO3. Not sure whether I will.

Which of your stories came together the fastest?

The first one (Whoever, However). But it's also only 9K. Harry dropped that Beauty Papers spread and my brain exploded. The story was all there. I think Hike Up Your Skirt was probably the next quickest (again, it's not terribly long), but that one I originally wrote for the Anonymous Unicorns collection so there was a lot of freedom in getting to write anything I wanted without fear of judgment. If I could only harness that, I'd be able to bang them out!

What fic of yours was the hardest to write?

I think Literally Making Love.

It was an unusual premise, in that it's about a robot and a human falling in love, but I really struggled with whether I should make it "more" than a love story. It felt like it deserved to be "more", or that it should have more about how AI changes the world and a conversation about loneliness and the way the world contributes to that. So I kept feeling like I wasn't going down the right path with what I was writing, but India reminded me that there's just as much value in a lighthearted story as there is in "serious" writing. We all know the joy of sinking into a comfort fic, or kicking our feet at something really sweet and happy. So I let Literally Making Love be what it wanted to be and I was ultimately super proud of it. And, in the end, I think I did a good job of dealing with the ethical issues, even though I didn't make that the center of the fic.

What inspires you most while writing?

Visuals to begin with. I tend to get inspired by photos or a piece of art. Sometimes song lyrics. But visuals keep me going so I make moodboards for myself and I find quotes or pictures on Tumblr that feel like they belong to the story. I think all of my fics have a link to an inspiration tag on my blog.

And then talking through things with India.

It's so helpful to have someone who gets what you're shooting for and who has the same sense of what makes for good writing. So I'll brainstorm with her when I'm stuck or give her sections to see if it's reading the way I want it to... It keeps me going.

I don't know how writers do it all by themselves. There are times when I've read something so many times that I can't even tell if it's any good. And I do the same for her... helping her get through her writing challenges or brainstorming her projects also makes me a better writer.

In the notes of Literally Making Love you mentioned a 9 month long writers block. What helped you out of it?

Truly it was just that piece of fan art I linked in the note at the start. I'd never seen that artist's work before and this drawing of Louis building an unfinished Harry ended up on my dash and I said, "Well, I'd read the hell out of that." Sadly, no one else was going to write it for me, so I had to do it myself.

While talking about this, I pointed out that I searched a few tags of this particular trope after I finished reading Literally Making Love and couldn’t find more than a handful of fics, which I was surprised by.

Gina thinks people are put off by the idea even if there are so many ways to handle it that could make for a beautiful story.

What do you find most challenging about writing?

I was about to say finding a title, but then I realized that I only had trouble with that in two of the five I wrote.

Hmm. Honestly, I think the most difficult thing for me to write are arguments/fights.

I tend to be really passive-aggressive when I argue, and that doesn't make for very good reading. So I really have to work at crafting a back-and-forth that feels natural but also packs enough of a punch for the scene to work. In An Invincible Summer, the argument scene was pretty pivotal, and one of my betas at the time made me re-write it three times before she signed off on it.

Is there anything you can tell me about future projects you’re planning?

I'm working on another historical fic at the moment. It's slow burn and longer than anything I've written before. So that's a challenge. It's set in the 1880s between the Belle Epoch debauchery and decadence of Paris, and Victorian London's rigid social structure and moral conservatism. Basically, Harry is a French ballet dancer turned sex worker/courtesan. Louis is a British aristocrat whose father has sent him off to Paris to get "the gay" out of his system before he has to marry. There are some twists and turns, and I'm having a lot of fun trying to keep things sexy and exciting for a modern reader while still being true to the time period.

I still don't have a title, and I'm still working on a brief description to sum it up. But... I'm about 60K in and I'm having fun.

When I told Gina that that sounds like you’d have to but lot of research into it, she said:

So much research! But I actually love that part. I get really into the nitty gritty and look up everything. For example, did you know the ice cream cone wasn't invented until 1896 (although not patented until 1903)? LOL! I had to change a scene I was writing because all of a sudden, I thought, "Did they have ice cream then? How did they keep it cold? How did they eat it?" I honestly hate reading something when little details are wrong. It totally pulls me out of a story.

For the next part of the interview, I asked Gina a few questions about her works in particular.

Gina about her favourite scene she wrote, her experience with writing before writing fanfics and being inspired by her own family’s history:

What work of yours is your personal favourite?

Hm. I think Literally Making Love is my favorite because it's the most unique concept, and I'm really proud of some of the writing in that one.

Hike Up Your Skirt is, I think, my most popular one. But that's not surprising because it's complete filth.

Do you have a favourite scene that you wrote?

There's a scene in Literally Making Love when they're walking the dog through the woods, and they're talking about the concept of being lonely, and Harry realizes he's the only one in the world who can understand anything he's experienced. I just really loved how that scene came together. To me it's very visual, and it's got that kind of poetic, dreamy feeling to it that I love to find in fics (and am forever trying to emulate, but I think that might be the only time I've succeeded so far).

I told Gina that this was a scene that definitely made me think about the concept of being all alone with an experience. Here’s what she said about that:

I like moments in a story that make you stop and think about more than just the story you're reading. I think these days, we can much more easily connect with others who can understand most of our experiences very deeply. Although, I imagine if you were the only highly advanced AI robot in the world, you might have some experiences no one else has had to grapple with.

Is there a work of yours that was planned to go completely different than it came out in the end?

There are definitely moments within the stories that I never planned on, and they changed some aspects of how the story ultimately came together.

For example, in An Invincible Summer, the idea for Harry to hold on to memories by getting a camera popped out of nowhere.

In Literally Making Love, the scene of Louis painting Harry's tattoos over his scars came in a dream and that meant I added the aspect of Harry's body dysmorphia. So, little things for sure.

Whoever, However was your first fic you published. Did you write in any form before that?

I did.

I wrote non-fiction for a bunch of magazines and online outlets. I've also ghostwritten three books.

Beyond that, no. Just lengthy blog posts about two gay boybanders.

What were your inspirations for gathered on wings?

There was a photo of Louis in some sort of haphazardly layered jackets and standing in front of these graffitied walls, and it had this caption, saying that he looked like a PhD candidate at the Sorbonne. That was how the idea started.

I had wanted to write a teacher/student fic without the creepy aspect of grooming and inappropriate conduct, and somehow my comment led to Harry having been his intern and them meeting again years later.

Then, the research on all the modern art and the high-end art world informed the rest of the story.

You didn’t go much into detail how successful Harry’s art got after ‘Comrade’ recommended his art for an exhibition at the Marlborough Gallery. Was that the push Harry’s work needed to get the attention it deserved?

It was.

He'd been relying on sugar daddies to pay his way and to give him the connections to patrons. But Comrade vouching for him opened the doors to him being able to do it independently. It's that feeling of, "If I could just get my foot in the door, I could show them what I can do."

That was his foot in the door.

Gathered on wings was my first attempt at writing a chaptered fic, and there was a huge learning curve. There are parts of it I really like and parts I sometimes want to go back and re-write.

Do you think Louis’ identity in gathered on wings always stayed hidden even after they got engaged (and eventually married)?

I like to imagine that as Harry became more widely known, people became interested in his partner. And Louis would then decide to reveal his identity with a new installation that they collaborated on.

Staying hidden when your partner is famous is probably a hard thing to do.

I think so. Especially if you're in the same field. In a way, it mirrors the idea of the two of them coming out at some point.

You said in the notes for An Invincible Summer that it’s inspired by your grandfather’s life. Was that your only inspiration for the story?

It's what set the scene. Other than that, I knew I wanted to write about writing and seeing yourself in a book or feeling understood by someone you never met but who's somehow written about you and your life. The concept of feeling really "seen" is something that shows up again and again for me.

You didn’t go into any detail about Harry’s relationship with his adoptive parents after he left at the end of An Invincible Summer, even though his mother tried to support him as much as she could when he had to leave. Do you think they held contact after Harry was forced to leave or if he/they even went back as a part of H & L’s adventures?

I think Harry managed to stay in touch with his mother secretly and to eventually reunite with his sisters.

When I rewrote the story, I changed the middle sister to a brother to show another way that Harry was treated differently. So I imagine Big Jim and the little brother digging their heels in and acting like he never existed. But Harry and Louis eventually had a beautiful and extensive found family.

The end of Hike Up your Skirt (And Show Your World To Me) is pretty much open. How do you think their relationship progressed and do you think they have a chance of having a normal (as in no power imbalance or manipulation) relationship?

Mmm. I actually started writing a second part from Harry's POV where you see that Harry is also playing a game to get Louis to fall for him. I see their relationship becoming a 24/7 Dom/Sub life. I think they're both way too kinky and maybe a little too depraved to have a "normal" relationship.

Are any of your original characters inspired by people you know in your day-to-day life?

No, actually. LOL! Very simple answer. They're all just figments of my imagination.

A lot of other writers in the fandom have difficulties or are just a little uncomfortable with writing smut. That doesn’t seem to be the case for you. Why’s that?

HAHAHAHA! No, I think it’s actually the easiest part for me to write. I’m not sure why. I don’t have a lot of hang ups around sex, so maybe that helps. And I love the idea of character development through intimate scenes.

How did you come up with the idea for your fic rec masterpost here on Tumblr and how did all of that start?

I think it just started because someone asked if I could recommend some fics in a particular category (If I remember correctly, it might have been dystopian fics). And I had too much time on my hands, so I decided to make a header and write little blurbs about why I liked each one I was suggesting.

Somehow that turned into a deluge of people asking for different things and, for whatever reason, I had the time at that moment. So I made rec after rec.

At some point it was annoying that people kept asking for the same things, so I just made an alphabetical masterpost.

Is there a specific trope or genre you’d like to read more of?

Oh, that's a good question. It's so much easier to tell you what I don't like.

Honestly, to me, it's really more about the writing than about the trope or genre. But I do really like a good enemies-to-lovers fic, and if you can write a new twist on a fake relationship, I'm all in.

Do you somehow track the fics you’ve read? And if you do, can you give me a rough number of how many you’ve read?

So, I only bookmark fics I've really loved. Obviously some I love more than others, but I currently have 655 fics bookmarked.

I've been reading in this fandom for 11 years. Some I won't have read all the way through, but counting those, I'm sure I've literally read thousands.

I've gone through periods where I've just got a lot more free time at one point or another. And when I entered the fandom in 2013 there were literally so many terrific fics I didn't know where to start.

And every time you turned around there was another. It was very addicting.

Are you reading anything right now? If not, what was the last thing you’ve read?

I have a hard time reading when I'm actively writing, so nothing really recent.

The last fic I read that I really liked was Danger I Can't Hide by CelticSky. It's actually a WWII fic but set on the airbase where H is a pilot and Louis is a mechanic. It's just so well written and so well researched. Highly recommend.

For the next part of the interview, Gina answered some personal questions about her experiences in the fandom.

Since when are you in the fandom and what made you become a fan?

Since November 2013.

I took my daughter (who was 6 at the time) to see This Is Us. Did a little research to make sure this boy band was appropriate for her and then fell in love with them. We ended up seeing the movie three times, then bought it and watched it at home. She was a Niall girl.

She was my concert buddy for a while. One Direction at the Rose Bowl in 2014 was her first concert.

The weirdest comment you got?

Oh, I get some doozies on Tumblr.

I think one of my favorites was from years ago when I used to do a lot of NSFW fan art. I got an anonymous message from someone claiming to be Harry's lawyer and they were demanding I delete all of my fan art of Harry. HAHAHAHA! Like an attorney would send an anon. Or even ask for something like that. I still laugh when I think about that one.

Harry or Louis?

It's very hard to choose because they're both amazing. I'm a Harry girl from way back. But I obviously love and support Louis, too.

Harry just really inspires me in so many ways. And his music is more my speed.

Your favourite Harry era and your favourite Louis era?

Oh, that's hard. I think Harry's recent era (Harry's House) might be my favorite because he seemed so happy and so self-assured and confident in who he is as a person. He looked fantastic too. Other eras are special to me because of what was going on with the fandom at the time, or because I liked the way he dressed or whatever, but in terms of just enjoying him, I'd have to say this last tour.

Louis is a little more difficult for me because I've had a really hard time with his image over this last tour and his doubling down on babygate. I'm very happy he says he's really happy and proud of his album/tour, but if I had to pick my favorite I feel like he looked the healthiest and most at ease during MITAM promo. Oh, he looked great during his Walls promo, too.

Your favourite movie with H?

My Policeman. It was a bit uneven, but he really blew me away in some of his scenes. He understood that character inside and out.

Your favourite writer(s) in the fandom?

I actually have so many that I like, although many aren’t in our fandom anymore.

It might be easier to link you to a Favorite Authors rec I made a while ago.

What are your absolute favourite fics in the fandom?

I’m going to make it easy on myself again and link you to a Favourite Fics rec.

Is there a fic that is not necessarily your favourite but still always kind of stuck in your head ?

There are fics that aren’t necessarily the most groundbreaking or complex, but something about them makes me keep coming back to re-read. Don't kill me, but... My Favorite Re-Reads.

I wanted to give you a favorite out of that list, but as I scrolled I was like, oh wait, that one! No, that one! So... sorry, you get them all.

What makes you want to stop reading something?

Hm. So many things, honestly.

Writing where people try too hard to be poetic, continuous spelling and grammar mistakes, miscommunication as the only tension, no tension at all, characterizations that make no sense to me, fics that go on and on and on with no attempt at editing, kid fics, etc. I really have very few squicks, but bad writing is hard for me to ignore (I know "bad" is subjective, so I hope no one takes offense at that... just because I don't like it doesn't mean others don't love it).

Your favourite song at the moment?

Chappell Roan is stuck in my head lately. So, I'll say Casual (although Pink Pony Club is a bop).

Your favourite season?

Fall. Absolutely. SO fucking sick of summer.

The most unusual thing that inspired you?

LOL! I'd have to say the Vintage "Sleaze" novel that inspired Hike Up Your Skirt. It was called "Horizontal Secretary".

Who would you most like to read an interview from?

Well, I'm obviously going to say India because I think she's a great writer. But she's also so well-spoken and interesting.

I'd love to read an interview with CelticSky because I loved Danger I Can't Hide so much and I don't know them since they're on Twitter!

Lastly I asked Gina to give every work of hers a colour. Here’s the outcome of that:

Whoever, However -- yellow

Whoever, However is yellow, because when I think about it, I picture the warm, yellow shade of the wood paneling of the room they filmed in.

gathered on wings -- blue

I’m not sure why gathered on wings is blue in my head. Maybe it’s just because that’s the main color of the mood board I made.

An Invincible Summer -- green

An Invincible Summer is green because the rural Georgia setting became one of the characters of the fic. When I think about it, I see the sprawling farm, the rampant kudzu, blueberry fields, lunch under the oak trees… it just feels green to me.

Literally Making Love -- red

Literally Making Love is red because so much of the story is about what it means to be human and even though Harry’s heart isn’t “real” at some point he says to Louis, “Sometimes I feel like you made my heart too small because it doesn’t hold everything I feel for you. I feel it overflowing everywhere.” Or, maybe it’s because it has “Love” in the title. LOL!

Hike Up Your Skirt (And Show Your World To Me) -- purple

I don’t know. The first thought that came to me was purple because I pictured Harry’s character with love bite bruises.

A huge thank you to Gina again. Thank you for being so open and honest while answering my questions. I had the best time talking to you and was so invested in every work of yours.

[siren-serenity]

ingame voicelines 🌈

what would they say about you? would they murmur sweet compliments or chuckle at your silly mistakes? in which yuu asks these strange students of night raven college about you: and is surprised to find out that they have lovers?

characters: cater diamond, jamil viper, idia shroud, dire crowley, gn!reader warnings: - spoilers for chapter 4! - reader is not yuu! a/n: feedback is appreciated!

"hey hey hey! how are you, yuu? *smiles* have you seen y/n around? i need them for this super cute magicam trend! it's for couples exclusively so i totally need to get y/n and i into this one!...you said they were at the library? okay, thanks!"

"hello yuu *grins* i'm currently on my way to my date with y/n but you said you wanted to ask me something?....'what do our dates look like?' hahaha funny story! so y/n loves sweets, like- seriously loves them. we met through trey since y/n works part-time at his family's bakery. i was so charmed by her beauty that i asked to court them ASAP! they rejected me but gave me a challenge: make them fall in love with me within a month! luckily, with my charming looks and sweet mouth, they accepted!"

"omg look yuu! i need someone to rant to, lmao, so you don't mind if i grab you for a quick five secs? *pauses before getting a nod from yuu* great!! look at this beautiful gift that y/n bought for me the other day! when you press the pendant, it lights up and sends the other person a message! it means you miss them. *the bracelet blinks* OH MY SEVENS!! y/n is so sweet! they're in class but they're able to find time to reply!! *heart eyes* see yuu? y/n is the best s/o anyone could ask for!"

"hello yuu. do you mind tasting this dish? i need to know if i have used the correct ratio of flavoring to balance out the spices since y/n can't handle those...huh? you're asking who is y/n to me? *smiles* they are my lover of almost three years and tomorrow marks our anniversary."

"hmm? 'how did we meet' you ask? well, y/n was actually kalim's fashion designer when it came to the important events he and his parents had to attend sometimes. i met them when they were designing his outfit and i accidentally spilled hot curry on the garment. believe me *chuckle* i was beyond horrified but they were ever so sweet when they accepted my apology."

"oh! prefect yuu, how may i help you? *listening* so you're asking me for dating advice? got your eye on someone in nrc? *laughs* well, my advice is to always maintain communication and don't let things become misunderstood. i learnt that lesson the hard way after my...incident back in scarabia. y/n had to sit me down and i really just- let loose. they comforted me, gave my over-emotional self a quick reality check and by the time the sun was setting, i felt my heart get lighter. *gives yuu a gentle smile* i don't know what i'd do without y/n."

"hahaha! take the L, losers! i got a s/o and y'all dont' LMAOO...*jumps in surprise and shrieks* y-yuu! w-when did y-you arrive? *listening* o-oh? you h-heard everything that i-i said?....shit."

"lmao you're asking me how to get a s/o? newsflash, they came to me! not the other way around! i honestly don't know what part of me did they fall for, but after being together for so long, i don't regret saying 'yes' to their proposal."

"h-huh?! you're a-asking me about w-what do our d-d-dates look like? erm- well, most of the time, we game. like i swear to the sevens, y/n has a magic hand when it comes to the ten-pull summons! like i'm playing this game called we-can't-defeat-the-super-evil-boss-with-the-power-of-friendship-and-love and in just the FIRST SINGLE PULL, they brought home the rarest gacha card ever?! bro they are my personal cheat card!"

"why, good morning to my favorite magicless- I MEAN hello yuu! how can i help you? be quick because i have to get this drink to y/n before it gets cold! see? i'm so generous to my darling, they are so honored to have the one and only me as their lover!"

"where did i meet them? well, at night raven college of course! they were hired as the lecturer for developing 'unique magic' and i fell in love with their uniqueness of their own *laughs heartily* oh, i was such a fool in love."

"hmm...'what do i like most about y/n' you ask? *in deep thought* well, of course i love y/n completely...it's really hard to choose just one...*snaps his fingers and smile* oh! we have this cute ritual every weekend where on the days that our jobs feel like too much, y/n and i will make what you 'youngsters' call a pillow fort! i'll summon some romance books and y/n will make some quick snacks and we'll just read together. sometimes, we'll re-enact some of the book scenes *coughs shyly* BUT we'll not talk about that."

[saerotonins]

tied red strings of fate

ft. gojo satoru x gn!reader

request: omg .. tadhana by udd + satoru please ? 

content warnings: fluff, angst, hurt/comfort, jjk manga spoilers [ch 236], canon divergent, implied that reader knows about curses but is not a sorcerer, lowkey a character analysis but yeah, happy ending

wc: 1283

note: when i saw this request i was so happy because tadhana* is literally one of my fave opm classics! also, im sorry nonnie if this was long overdue, figured i'd give him some fluff at his death "anniversary" heh (albeit a little late). i miss our glorious king sm :(( happy holidays 🎀

song: tadhana-up dharma down

*tadhana=destiny

gojo satoru is a force to be reckoned with. his name rings a bell and brings shivers to the spine of any potential enemies he has. 

he's gojo satoru, the strongest of all, the holy grail of jujutsu sorcery. he's gojo satoru, whose power literally repels and divides everyone else and him.

but to you, he's a lover, a man of his own, an independent being who is capable of emotions. he's satoru. the love of your life.

so when he decided to call it quits, to say you were devastated is an understatement. you were left broken, calling out his name at night hoping he would appear in front of you just one, for closure. him closing the chapter of your book got you weeping and yearning for more of him. 

because even though he's your lover, even you have a hard time of catching a glimpse of who he really is. satoru is an open book, but he's hard to understand. you did all your best to ease him and make him open up, show more of himself to you, bare his truth, the good, the bad, and the ugly, all of them you're willing to accept.

alas, the universe has other plans, the challenge ended even before it began, he is most definitely an enigma, someone that you will probably never get to solve. satoru's backed turned against you was a sight you are never going to forget. you spent months moving on and try to live a life where he isn't yours. it's hard but you try to manage anyway.

so when a knock on your door was heard by the 31st of december, you didn't expect gojo satoru in his full glory standing before you. as shocked as you are, you see his eyes had sunken. he's beyond exhausted but when he sees you, his eyes lighten up and you feel the warmth of his arms and your feet off the floor. you miss this, you miss him, it was all so familiar and something you very much miss. every fiber of your being remembered the way he touched you, triggered by the way his hands gripped onto your waist for dear life. as confused as you are, you reciprocated his gesture, opting to rest your hand on his shoulder blades.

"satoru?" you managed to voice our before you feel him put you down but his embrace remain. he then rests his head on the crook of your neck, then you hear him sniffle. suddenly you feel something drop onto your skin. his tears slowly roll from his face to your neck and shoulders.

satoru's lips wobbles as he tries to contain himself but to know avail, he lets his cries out, deciding to bare himself to you and be vulnerable. he was so so so tired of fighting. as great as the title 'the strongest' sounds, it gets too lonely even for him. being on the top is lonely. and he knows it himself.

he'd rather fall from grace than live a life where he isn't yours. he was too late to realize it. he was so stupid, too cocky, too condescending that it took him facing death before realizing that he wants to live, just for you. so when he finally defeats the evils of the jujutsu world, his first thought is you. the only one who provided light in his dark and desolate world.

as charming and bright satoru is, he is often left in the shadows in the cave but when he came to know you, he was absolutely in love and smitten. you were like a fresh breath of air to him. but when he decides that creeping into your mundane and simple life would rather be selfish of him. someone cursed like him shouldn't be able to be with someone who is blessed and down to earth like you. 

but being selfish be damned, he had faced battles, including one that almost left him biting the dust. he wants you, he needs you in his life and letting you go was definitely a mistake, something that he will never do ever again.

when his cries had calmed down, you finally get his voice again after a long time. "i'm so sorry," satoru started. "i was an idiot, i love you so much and i never stopped loving you. i was so stupid to let you go, i have never loved someone as much as i did with you." satoru knows his worth is probably lesser than any other being the moment he let you go, the only pillar who provided stability and balance in his life. he was impulsive, too proud, and too strong. but the way you held him every time you caged him into your arms is like he was fragile, someone to be protected, someone to cherish.

satoru loved that. and he was stupid to think that was worth letting go.

knowing you has made him scared of death, an entity or event that could break the two of you apart and live in separate worlds, and he couldn't bare to face it. he loves you too much to let himself go and so he fought with you in mind and thank any deity that exists, he finally won.

gojo satoru is the strongest.

so seeing him crumble right before your very eyes as his knees meet the concrete is a shock. he had bowed before you first before he had bowed to any higher up. hell, satoru bowing before anyone else would come as a shock. he held onto your ankle for support, his voice begging to take him back as he spews even more apologies that he can manage.

"please, please, i'm so sorry darling, i'll do what it takes for you to take me back. i love you so much, no other human had made me feel this way, please i'm so sorry. i miss you so much, god, i can't even remember a life before you, please." satoru had begged, begged, and begged, his voice getting louder and louder and each increased volume of his voice his hurt is more evident.

with the way his voice cracked broke your heart, and that's when you knew he meant every single letter, every syllable, every drop of tear, and every breath of his apology. 

you had completely broken the strongest. but satoru doesn't mind. even if you break him a thousand times, he'd painstakingly pick up every single piece of himself to present it to you. and that's what he's doing right now.

"i forgive you 'toru," he barely hears you say through his wails and it slowly comes to a halt. he then lost the feel of your ankles as he sees you kneel yourself to his level. your hands reached to touch his face and there you see his eyes, glassed with tears, love, and regret. satoru feels the heat of your hands on his cheeks and his instincts leaned into it. "i was hurt, but i'm never mad, i just wished you'd tell me why," his heart broke when he heard your voice crack.

"but you're hear now, right? we can fix this, we can fix us." you say as you carefully wipe the tears on his face. satoru nodded as he holds your wrists and caress his thumb on it. "yeah, we'll fix us."

"together?"

"together," satoru said in confidence. 

and with a light heart, satoru leans in to catch your lips on his, sealing his silent promise to never hurt you ever again, or he will never get to forgive himself.

he's gojo satoru.

he'll always find a way back into your arms.

another note: i'm quite unsure with the ending but this is all that i got 😔 i hope this was on par with your expectations nonnie hehe 🫶🏻