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room-surprise · 3 months ago

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New Ryoko Kui interview dropped!!!

(This is a quick and dirty translation made using machine translation, and which I've lightly edited to add clarity. I'm not fluent in Japanese so I may have gotten things wrong. I'm sure others will do a better job later.

ADDITIONAL CONTEXT: This article is from a Japanese gaming magazine, like the previous interview in Famitsu, so they focus on video games and don't discuss other influences, even though they do get mentioned and are clearly pretty major.)

Kui was able to write "Dungeon Meshi" because she was not good at eating food and participating in human relationships. In this interview, we dig deeper into the influence of games, and how Ryoko Kui focuses on things she likes and dislikes while writing. [Writers of the Gaming Generation]

Dungeon Meshi.

This manga is attractive for its unique theme of "dungeons, defeating monsters in the labyrinth, and cooking them," as well as the unique characters, detailed human relationships, and deep worldview depicted in the labyrinth. It is currently being made into an anime, and adventurers from all over the world are fascinated by the world of "Dungeon Meshi."

So I thought , "I wonder if this work was drawn by someone who loves food and people." The depiction of such delicious-looking food and the construction of delicate human relationships and characters. Surely, it must have been drawn by someone who absolutely loves it.

However, in reality, the author, Kui Ryoko, says that she "is not good at either food or relationships."

So why was he able to continue drawing things she was not good at?

During the roughly 10 years of serialization, Kui has continued to confront "things she dislikes." This interview delves into Kui's unique creative techniques... and at the same time, it also delves into her "favorite things."

That's the "game"!

Those who are familiar with the subject may already know this, but Kui is also a big gamer. And it seems that "Dungeon Meshi" is heavily influenced by RPGs such as "Wizardry."

As a result, this interview turned out to be "I asked Kui a lot about her likes and dislikes." Likes and dislikes. They are the source of all interests and curiosity.

So how do we use this knowledge in our creative endeavors? How does this knowledge manifest itself in Dungeon Meshi?

How were those charming characters and the deep world created? We spoke to the original author, Kui Ryoko, and the editor, Masaru Hiroi, about things they could only talk about after the series was completed.

This is a game with the volume of a great labyrinth. I hope you will explore it all the way to the final floor!

Dungeon food. It's eat or be eaten. There is no superior or inferior, to eat food is simply a privilege of the living. Dungeon food. Ah, dungeon food.

First, I want to ask about how Kui first encountered video games.

--What are some influences from games in Dungeon Meshi? What was your first game, Ms. Kui?

Ryoko Kui (hereinafter referred to as Kui): I played traditional RPGs such as [blank?] and "Final Fantasy."

I think the first game console I ever played was a Famicom, which my parents won in a lottery . So before I knew it, we had a Famicom at home. I think my parents bought me the Super Famicom and PS1 after that...

After that, I took a break from games for a bit around the time of the PS2, but around the time of the PS4, I was finally able to buy games with the money I had earned myself .

--Why were you able to stay away from games around the time of the PS2?

Kui: I was too busy with exams, so I thought, "Well, I shouldn't be playing games," and left. When I started living alone after that, I couldn't play games because I didn't have a TV. My computer was also a Mac. [Macs aren't compatible with many games.]

--What was the trigger that made you think, "I want to play games" again?

Kui: I think the biggest thing was starting the serialization of "Dungeon Meshi."

Fantasy stories all have different settings, but at the same time, there are also things they share in common. For example, if you want to create a fantasy work, but you only know "Dragon Quest," it will end up resembling "Dragon Quest." It's scary to copy the setting of only one work.

So I just wanted to play a ton of different fantasy games and get an idea of what the most common general understanding of fantasy is.

--Did you start playing it while you were still developing the concept for Dungeon Meal?

Kui: That's right. If I'm going to talk about "eating food," I have to play a game that has a system for eating food .

So I was interested in "Dungeon Master." However, at the time there was no easy way to play "Dungeon Master" on a real machine, so I played "Legend of Grimrock", which can also be played on a Mac.

["Dungeon Master," is a computer RPG released in 1987. Time passes each time you take an action in the dungeon, such as moving, fighting, or resting, so its biggest feature is that the game progresses in real time according to the player's actions. "Legend of Grimrock," is an action RPG released in 2012. It has a game design similar to "Dungeon Master."]

Until then, I had felt that overseas games and games played on PC were too difficult, but I felt like I had overcome one obstacle there. I thought, "Oh, this is pretty easy," and started playing a lot of different games.

-- Those two games are quite heavy even among RPGs, I think, so did you actually have that much difficulty with them?

Kui: No...I would say that my impression is more that best-selling games are easy to play (laughs).

I'm not that good at games myself, so I usually play games that allow you to adjust the difficulty on a super easy setting. So, games that allow you to lower the difficulty are always a lifesaver.

-- I've heard that apart from RPGs , you also like games such as "13 Sentinels: Aegis Rim" and "Paranomasite FILE23: The Seven Mysteries of Honjo ." Do you have a favorite genre, Mr. Kui?

Kui: I guess I'm just not very good at games that require you to use your brain through trial and error.

But in RPGs, if you just level up and keep tapping, you can win and progress in the game. Also, in novel-type games, if you read the text, you can progress. By this process of elimination, I quite like RPGs and text-based games .

Personally, I like games like Disco Elysium the most, which are text-heavy, top-down, and have maps to explore.

...Even I think that's a pretty negative reason (laughs).

Everyone: (laughs).

Hiroi Masaru (hereinafter referred to as Hiroi): But, Ms. Kui, you have really played quite a lot of games, haven't you?

Kui: No, the reason I'm able to play so much is because I play in a pretty callous way ...

I often buy a game, play it, and then just don't play it. So there aren't that many games I complete... I only complete a few a year. I play around 40 games, and if I complete 5 or 6, that's good.

When I asked if I could draw at Comitia, I got scolded.

-- Have you had any exposure to fantasy outside of digital RPGs?

Kui: I think it's not just games, but also the fact that I've always loved foreign fantasy novels . I was given books like "The Neverending Story," "The Lord of the Rings," and "The Chronicles of Narnia."

-- Dungeon Meshi gives off an atmosphere of Western fantasy like gamebooks or tabletop RPGs, rather than the typical Japanese fantasy games like Dragon Quest.

Hiroi: I think I went to Kui's house before the series started. At that time, we were discussing the name of a sci-fi manga called "Drawing Inside the Brain," which I had rejected many times.

Ms. Kui said she wanted to serialize this sci-fi manga... and when he was on the fourth draft, he said, "No, this isn't going to work," and when I looked at the scribbled notes next to her desk, she had already drawn the original version of "Dungeon Meshi" ! (laughs)

Kui: ……………No, I don't remember much (laughs).

Everyone: (laughs).

Kui: But I had wanted to draw a manga about exploring a dark dungeon, like Wizardry .

Since I was in elementary school, the manga I drew in pencil in my notebooks were all fantasy stories about swords and magic, so I had always wanted to draw a proper fantasy manga. However, there weren't as many fantasy manga in bookstores at the time as there are now, so I wondered, "Maybe fantasy doesn't sell."

Hiroi: At the time, there were a lot of people in their teens and twenties posting fantasy illustrations on online communities for artists, such as pixiv, and Kui was one of them.

I thought, there are so many people who want to write fantasy, so if she writes a fantasy aimed at this generation, it might sell.

And when I saw Kui's notes, I thought to myself, "Let's make a straight-forward fantasy manga, without making it weirdly twisted."

Kui: I originally thought of making this "dungeon exploration manga" as just a hobby... When I asked Hiroi if I could draw it at Comitia first, he got angry.

[Comitia is a comics convention in Japan for original self-published comics.]

Everyone: (laughs).

Hiroi: I said, "If you're going to draw at Comitia, then make sure you draw it as a proper serialization!" (laughs)

However, at that time, Kui had already published two collections of short stories, and they were being reprinted. In other words, she had a certain number of fans even before the serialization began.

So I decided, if Kui creates a pure fantasy for those fans, we can't fail badly. If it doesn't work, we'll just learn that fantasy is difficult to sell after all.

--By the way, were there any discussions between you and Ms. Kui about the fact that fantasy doesn't sell?

Kui: I remember vaguely talking about how fantasy manga doesn't sell well and how difficult it seems. I don't know much about light novels, so that might have been there for a while.

However, since a lot of fantasy manga were coming out around the same time, it was probably a "transitional period ." Maybe it was just when people started to feel more and more like they wanted to draw and read fantasy.

Not everyone is that interested in the things I like

-- I feel that "Dungeon Meshi" is a title that has breathed new life into the fantasy genre. How did you go about creating the setting and world when dealing with fantasy?

Kui: I try to think, "Not everyone is that interested in the things I like."

I like to think about pointless settings endlessly, but there are times when I think , "When this setting is actually made into a manga, people probably won't be interested in this story." So I try to include things that will make people interested, and cut out things that will distract people as much as possible.

For example, in "Dungeon Meshi" I initially wanted everyone to speak various languages. On top of that, I wanted to make the characters "only able to communicate with each other in one language"... but Mr. Hiroi said "Don't do that" (laughs).

Everyone: (laughs).

Kui: Even when I'm drawing it myself, I think, "It takes more than six panels to explain this setting...", and if I explain the setting more than necessary, it slows down the pace of the story.

Moreover, since "Dungeon Meshi" was a monthly serialization, unlike a weekly series, there wasn't much time for extraneous stories. Specifically, I had to draw one episode of about 30 pages per month.

In that case, there was no time to add in settings like "Actually, he was thinking about this behind the scenes" or "Actually, he can speak two languages." So, rather than there being any clear choices, there were quite a few times when "there was no time to do things normally." If it had been a weekly serialization, I might have included more.

--Does the scene where Chilchuck yells insults in his own language feel rather "forced"?

Kui: That's right (laughs).I thought, this only takes one frame...it's my chance [to include information about language]!

--So you haven't thought through all of these "fictional languages" yet?

Kui: If Dungeon Meshi were to be my life's work and I were to spend my whole life creating this world, I think it would be more fun to think about it...but initially, I thought that Dungeon Meshi would end in a few years.

Hiroi: Initially, I said, "It'd be nice if it continued for about five volumes" (laughs).

However, Kui's first draft really had a lot of material... so the editors cut out a lot of it. I understand that it's the parts the readers want to read, but I cut out the parts that deviate from the main story. So it's a battle between the "author who doesn't want to be cut" and the "editor who wants to cut."

--By the way, what kind of discussion took place between the "parts you want to cut" and the "parts you don't want to cut"?

Kui: There were a lot of them every time, but I can't remember them specifically now...it was just small, unimportant details that got cut.

In the scene where the hams made by the Red Dragon go back into the pool of blood, I remember saying, "You don't need these," and they were about to cut them off, but I remember desperately stopping them by saying, "We'll need them later!" I'm glad they weren't cut off.

But once I think of the setting, I want to include things, and then they get cut out, so at first I didn't want to expand the world too much.

I also wanted to complete the story within the dungeon. I didn't want to reveal the name of the country, and I didn't want to give the characters surnames. But in the second half, Hiroi-san told me, "The world is too small, so you should make it bigger," and I was like, "Are you sure?"

--Mr. Hiroi, why did you say that?

Hiroi: As the story progressed, it became clear that "Dungeon Meshi" was no longer just about saving a sister in a dungeon. So I decided that it would be unconvincing if the story had no involvement with the outside world, since what was happening in the dungeon was something that would affect the fate of the whole world.

For example, in real life companies, the more important a decision you make, the higher your superior's rank becomes, right? When I thought about it that way, I felt something was off about the idea of Laios and his friends deciding the fate of the world on their own. "How can they make that decision without anyone knowing about it?"

The fact that the Canary Team was there meant that there must have been a system of reporting, contacting, and consulting here, because that's how "society" and "organizations" work.

In short, I think we were thinking about the situation and asking, "If an organization were to get involved in saving the world, how persuasive could they make it given the society that exists in the story?"

Kui: Well, the plot hasn't changed at all.

From the beginning, I had intended to write a story about saving the world, but I also thought it was possible for the world to be saved by only a select few people in the dungeon who knew the circumstances. Changing it was what Hiroi-san thought would make it more persuasive.

When I was drawing the first half, Hiroi told me, "You don't have to decide anything yet." I was in a hurry to move the story forward and explain the world and story setting, but he told me, "It's better to limit it to introducing the four main characters until about the fourth volume." But in the second half, he said, "Introduce more people and expand the world."

Everyone: (laughs).

Hiroi: Kui-san was like , "That's not what you said originally!" (laughs) But both had meaning...

Kui: I was the one saying, "If we expand the world there, the story will never end, right...?"

After drawing it through to the end, I realized that the balance between holding back and expanding didn't work the way I had expected. I think this is one of the reasons why the serialization of "Dungeon Meshi" took so long.

-- But there are a lot of characters in "Dungeon Meshi," and the relationships between them are complicated. I heard that you also created the relationship diagram for "Taikaishu" [※3] ...

Kui: No, I haven't made one [I didn't do that?]!

[Taikaishu is a full-color web comic by Funako Tsukasa that began serialization on a website in 2005 and is still ongoing. Its unique worldview has earned it a loyal fanbase, especially on the Internet.]

-- Eh? Is that not the case?

Kui: To be precise, I just created an account on the fan wiki.

When I started reading "Taikaishu," I struggled with the complex setting and the large number of characters...and I thought "it would be easier to read if there was an explanation or a list of characters."

So I searched for a bulletin board where readers were sharing their thoughts and asked if there was a summary, but they said there wasn't. So I thought, "Maybe if there was a place where someone with more knowledge could summarize it," and I just made a wiki account.

So I didn't actually edit it. It seems like I've been given credit for someone else's work, and I'm sorry about that...

Dungeon Meshi was created from a sense of guilt about food?

-- "Dungeon Meshi" started off with the catchy theme of "cooking monsters," but little by little the darker aspects and deeper world were revealed. Was the structure of "little by little revealing the darker side" something you had in mind from the beginning?

Kui: I thought I needed a theme to serialize it so I thought I'd try "food education." There were a lot of gourmet manga at the time, but I felt like there weren't many that focused on food education.

-- Considering that the theme is "food education," it makes sense that the nutritional value of the dishes in the story is clearly written down.

Kui: With the theme of "food education," I also thought up a rough outline of the story. Rescue the kidnapped princess, defeat the evil wizard, defeat the final boss, and become king... the framework is pretty simple.

But when I actually tried to proceed with the plan, I realized, "No, this story can't be done so lightly..." At first, I thought I could draw it in a more light-hearted manner.

Hiroi: At first, you were trying to finish the fight against the Red Dragon in one episode, right? I was like, "is that possible?" (laughs).

Everyone: (laughs).

Kui: When I tried to actually tell it in one episode, it ended up feeling like a very brief summary... In order to tell the story I wanted to tell, I had to tell it more thoroughly than I originally thought.

-- Did you have any special thoughts about the theme of "food"?

Kui: No... well... if I had to choose, I'd say I have a strong grudge against food.

Since I was a child, I was a very picky eater, and mealtimes were a pain for me. I hated eating in front of other people, and there was a time when I hated seeing other people eating, so I would look for toilets that were rarely used and eat my meals in the toilet.

When I was doing it, the word "toilet meal" didn't exist, so when the term actually appeared in society I was so happy, thinking "everyone was doing it!"

[Toilet Meals are a social phenomenon in Japan.]

Everyone: (laughs).

Kui: I was thinking, "This is so terrible, right...?" but it was a relief to realize that other people were doing the same thing.

--So what made you choose the theme of "food education"?

Kui: My parents, who were struggling with my picky eating, taught me many things, including the "triple eating" method, but it was no use and I continued to be a picky eater into adulthood. My parents had instilled knowledge about food education in me, but I was not able to put it into practice.

[Kui might be talking about Triangular Eating but I'm not sure.]

So the only thing that remains is that I feel an enormous amount of guilt when it comes to food and eating...

Hiroi: If you think about it objectively, the series starts off on a very negative note.

Kui: But now I've gotten over the habit of eating with other people... or rather, I've come to like it. My editor takes me to lots of delicious places.

--When I was a student, I was trying to leave my udon bowl at school, but my teacher found out and made me eat the packet of udon by myself. There was no soup, and it was really hard to eat the udon by itself.

Kui: It must be tough. I tried to hide it, but my teacher found out and I got really angry.

Hiroi: I've tried to hide it in a drawer before. Then, something dried up came out of the drawer... (laughs bitterly).

How can I draw things I hate?

-- Or rather, is it the fact that you're not good at it that gives you a higher level of insight into the food?

Kui: I think it's because you're interested in it that you either like it or dislike it. Inevitably, you spend a lot of time thinking about it.

Since "Dungeon Meshi" depicts a lot of food, one might think "Do I like eating?", but in fact there are many times when I draw it because I dislike something .

--Aside from food, do you also draw things that you dislike?

Kui: Maybe. For example, human relationships, modern times, fashion...?

-- Perhaps the relationships between the characters in "Dungeon Food" are portrayed so delicately because the author is not good at dealing with human relationships?

Kui: I've always been very curious about things like, "(This person is usually so cold, but has such a charming smile in front of other people)" ...

I feel the same way, but I think people are different in the way they show their true colors. I think it's strange that it stands out to me...

-- I have a simple question. When you draw something you hate, how do you feel? No matter how much you hate something, do you find it fun to draw it?

Kui: The events in the manga don't directly involve me, so I don't dislike the things I'm drawing as much. Also, when I draw while looking for the good parts, it can lead to new discoveries.

Also, I think it's scary to draw only what I like.

In my work, the important thing is "what to capture with the camera," and there's no need to go out of your way to capture filthy things, but at the same time, I think the world will look bigger if you keep in mind that "there are a lot of inconvenient, dirty, and unpleasant things outside the camera." That's the feeling I have when I paint/create manga.

When playing a game, if I have to choose between a game where I only feel like I'm in the world inside the game screen, and a game where I feel like there are lots of people living on the other side of the screen, and that the people in that world could travel anywhere they wanted, I think the latter is more fun to play.

I'm always thinking about how to express that "sense of the vastness of the world" ...and I personally like games that have "a world" to them.

-- Do you ever incorporate elements from the game into your manga?

Kui: On the contrary, I think that is a part that cannot be adopted .

The best thing about games is that each person has a different experience. Games that have lots of endings are also a result screen for what you've done up until that point. When I see something like that, I think, "That's so cool."

Personally, I think that's the game's greatest appeal, and something that could never be replicated in a manga that doesn't have players.

If you're so busy, when do you play games?

-- I'm personally curious, how do you find the time to play games? Even though you're busy with your work as a manga artist, you play quite a lot of games.

Kui: I often use the Steam Deck before going to bed or during breaks between writing manuscripts. In fact, I almost only use the Steam Deck now. I keep it by my pillow, so I can take it and play before going to sleep, or during breaks...

--Is Steam Deck really that convenient?

Kui: I recommend it. The screen is small, but it can run Cyberpunk 2077 .

Also, personally, I've gotten tired of having to turn on my PC to start up a game...with Steam Deck, I can just turn it on and it starts up instantly, even when I'm lying down. How do you writers usually play games? There are times when you have to play games for work, aren't there?

--When it comes to work, I calculate backwards how long I'll be playing before I start playing...If it's a game that can be completed in about 60 hours, I usually estimate that I'll play for 3 hours a day and complete it for 20 days in a row.

Hiroi: It's a lot of work!

Kui: That's amazing... You really are a gamer.

I've always thought that I have a talent for playing games ... but I'm not really good at that. If I'm given a game that's a little difficult, I get tired of it right away, and I'm not very good at trial and error. The range of things I can enjoy is very narrow.

I wonder if game developers around the world are also struggling with the question of "Should I make my games accessible to a wide range of people, even those who aren't particularly gamers?" or "Should I make games that are challenging and can be played deeply?" The same problem exists with manga, too.

When there's a game that I can't play well, I feel happy because it means the creator decided that there's no need to pander to people who can't keep up.

-- By the way, when you play games, do you do it as a normal "hobby"? Or do you play more often to find material for your manga?

Kui: Of course, a big part of it is that I play games as a hobby, but it is alleviated by the fact that playing games might be useful for my work (laughs).

Even if I'm not that interested in a game, if I think "it might be useful for work," I'll find the courage to buy it, and no matter how expensive a gaming PC is, I can still buy it if I think of it as a work tool. So the hurdles for many things related to games are lowered for the reason that it's "for work."

--So, when you read manga, do you feel like you're reading it for work?

Kui: In my case, manga has become my job, so when I read it I can't help but think of work.

However, I still enjoy gaming as a hobby . That's why I don't want to lose this hobby... and I don't think I'll be able to enjoy it as much if I get involved in games as a job, so I don't take on any games-related jobs.

Does the depth of the world come from the fact that it is "not decided"?

-- I heard in advance that "Dungeon Meshi" was written with a clear awareness of "what should be explained" and "what shouldn't be explained," so could you tell me more about that?

Kui: Having read a variety of fantasy novels and games, I thought that the "moment of discouragement" was the "repeated use of foreign words." When you write something like "XX of XX of XX," if there are three or more katakana characters, there is a high chance that it will be skipped over by Japanese readers.

That's why I try to refer to town names as "the neighboring town" whenever possible, and refer to characters who appear in flashbacks as "uncle" rather than by their full names, so that readers can understand without having needing exposition.

The magic used during battles in "Dungeon Meshi" is depicted in such a way that you can "understand what kind of magic it is just by looking at the picture."

-- What other aspects of Dungeon Meshi are there that you deliberately left out of its concrete settings?

Kui: Numbers and language are the settings I avoided touching. For example, just by deciding the month of birth, it is first determined that there is a moon in this world. From there, it is also determined that there is gravity.

What's more, just the concept of a "birthday" means that there is a division into a "year" and that the world is determined to have a 365-day cycle. It quickly becomes complicated.

But on the other hand, if I were to set the details and make it something like "This country's currency is 1 gold, which is worth 5 yen," it would be a burden on the reader. When reading the work, the reader would be forced to convert it into "1 gold = 5 yen" in their minds every time. That's why I try to write it with "readability as a priority" as much as possible.

However, if you're creating a "fantasy" in the truest sense of the word, it would be better to create something that corresponds to that world's calendar or metric system in order to really immerse yourself in that world, so it's difficult to get the balance right...

-- I think that style of "deliberately not giving explanations" is quite amazing.

Hiroi: I think that 's definitely partly because "Dungeon Meshi" is a silly title.

The "mindset" of the reader is a little different...I think that from the very beginning, the reader is made to recognize that "this work isn't going to say anything too difficult."

Kui: Also, we had to give a bit of thought to coming up with the character names.

For example, the main characters in Wizardry are given names that correspond to their professions, such as "Warrior" or "Wizard." The "Senshi" in Dungeon Meshi was taken from that ... I named him after thinking, "I want that person to play an active role."

That's why I wanted the overseas version of Senshi's name to be "Fighter", but I was worried that overseas readers would be like, "What does that mean...!?" so I kept it in my head.

--The character names in "Dungeon Meshi" tend to be around 3 or 4 letters long and fit nicely.

Kui: If the name gets too long, it won't fit in the speech bubble...It's generally said that a line in a speech bubble should be about 7 to 8 characters long to be easy to read.

So "Chillchuck" is really long... I actually thought that the abbreviation "Chill" could be used more, so I named it that way, but it didn't work out so well, so in the end I just kept calling it "Chillchuck". Even I was thinking "that's long" while drawing it (laughs).

Everyone: (laughs).

Kui: Anyway, there are quite a few manga-like circumstances where "maybe four characters would be enough."

--By the way, are there any rules for naming the characters in "Dungeon Meshi"?

Kui: It's not detailed, but there are "settings within the story" and "meta-settings that are just for my own enjoyment."

For example, [if Dungeon Meshi was a game] the Shuro party has names that would be given by a certain type of player. When playing a games, some people give their characters themed names that follow self-imposed rules. In that sense, meta-wise, the Shuro party is played by a player who names their characters with a plant-based restriction.

Also, since the player likes girls, the party members are all girls, and so on... (laughs).

Hiroi: Oh, I didn't know that!

Kuon: ...While it's fun for myself, I also create characters by asking questions like, "Why is the party mainly made up of women?" or "Why do they all have similar names?"

However, even if I revealed these settings in the story, it wouldn't have made the story any more interesting, so they are merely "settings that only exist in my own mind."

-- What are some specific examples of "settings that you deliberately didn't reveal"?

Hiroi: I still remember when I said, "I want you to depict the elven kingdom in more detail," Kui replied, "That's going too far."

The dwarven country was depicted quite a bit, so I personally thought it could have been shown a little more...

Kui: I felt that if I depicted that, it would limit the reader's imagination.

There are definitely "lines that suggest something might happen," and when it comes to parts that are better left to the reader's imagination, I often choose not to draw them.

Also, even when we present settings that readers think they can just skim through, they often try hard to remember them...

It all started with the manga "Eating soba through your nose."

--Let's go back to the topic a little. How did Ms. Kui and Mr. Hiroi meet?

Hiroi: I think we scouted her.

I saw a short story that Kui had posted on Pixiv and sent him an email asking if I would like to draw a manga. I remember that he had a really funny four-frame manga called "Eating soba noodles through your nose ." It was about a character eating soba noodles through his nose and crying out in pain... I think I was drawn to his drawing ability, which made me feel like "Wow, that looks painful" when I saw it (laughs).

And from that point on, we have come to this point.

[This may not be the exact comic that Hiroi is talking about, but it's a comic Kui posted on her blog about someone eating soba through their nose.]

Kui: Oh, is that so? Isn't it something like "Shugaku Tenshi" [※4] ?

Hiroi: No, that's not true! The manga about eating soba noodles through the nose was made before "Shingaku Tenshi". By the way, that manga was planned to be published in "Rakugakihon" , but when I asked Kui-san "Can I publish this?", she was very against it...

Kui: No, that's fine, but... I didn't think other people would find it that interesting.

Everyone: (laughs).

Hiroi: But that was more than 10 years ago...

--By the way, was Mr. Hiroi the first publisher to contact you?

Kui: Before that, an editor at East Press had contacted me. I was originally publishing fantasy manga that I had drawn as a hobby on my personal website. I compiled them into a self-published original comic and exhibited it at Comitia, and they asked me, "Would you like to publish this long manga as a book?"

However, after the editor asked around to various people, it seems he was told that "this will be hard to sell"... so the plan was dropped. Instead, it was decided to release a "short story collection" of short manga that had been published at the same time . This is "The Dragon's School is on the Mountain: A Collection of Works by Ryoko Kui" published by East Press.

I was contacted by a few other people as well, but the two people I still keep in contact with are Mr. Hiroi and the editor at East Press.

-- When you went from drawing short stories and web comics to starting a commercial serialization, did you study anything like "how to draw a serialized work"?

Kui: I learned almost everything about how to draw manga from Mr. Hiroi and the editors and writers at Harta .

I had absolutely no understanding of whether panel layout was good or bad, so up until the middle of the serialization, I would rearrange the storyboards one panel at a time, and I would get lectured like "Don't put a panel like this here."

I was also impressed when I was shown original manuscripts by other artists. They look beautiful in print, but the real thing is even more impressive. This is what it means to be good at drawing manga.

It didn't finish as I expected

-- Speaking of "serialization," you mentioned earlier that you initially intended to end it at about volume 5. Did "Dungeon Meshi" continue longer than you had anticipated, Ms. Kui?

Kui: First of all, I didn't really understand what a "serialized" comic meant, so I didn't even know how much of a story I could get done in how many pages. So, I thought I could wrap up the story nicely in about five years, in five volumes.

But I never quite got around to finishing it. It was so hard... (laughs).

Hiroi: To be honest, when I first heard "Volume 5,"I thought to myself, "(Are you kidding me...?)" I didn't say it out loud though (laughs).

--Honestly, even as a reader, around the time of the fight with the Red Dragon in volumes 4 and 5 I was starting to feel like, "Huh? It seems like it's coming to an end soon..."

Kui: From the beginning, my goal was to "defeat the Red Dragon at the halfway point." However, I was supposed to fight the Red Dragon in Volume 4, even though it was supposed to be 5 volumes. So I thought, "Huh? It's not over yet," and I gradually lost interest.

By the time I got to around volume 10, I felt like no matter how much I drew, it would never end. I didn't want to drag it out, but no matter how much I drew, it just never seemed to finish.

Hiroi: Even from an editor's perspective, it seemed like Kui was getting very anxious from around volume 10 onwards.

-- Having finished the long-running serialization of "Dungeon Meshi," did you experience any changes in your mindset?

Kui: I think it was great to have the experience of learning that it would take 10 years to draw a story of this scale. And when I think about my lifespan and how many more works I can draw... it makes me dizzy.

Hiroi: I feel like I'm constantly fainting...

-- Ms. Kui, are there still any works you want to draw in your mind?

Kui: Not that much. But I love drawing manga, so I want to draw a lot. I don't know if I'll have the stamina to continue for another 10 volumes, but I want to continue working as a manga artist somehow.

But maybe... I don't think it will sell that well next time...

Hiroi: Stop! Don't say that!

Everyone: (laughs).

Kui: In that respect, "Dungeon Meshi" sold well, so I was able to draw what I had imagined to the end. Next time, I think it would be better to consider the opposite scenario of "if it doesn't sell" and make it shorter.

That's the next new challenge.

-- In addition to the expectations for your next work, do you feel any pressure?

Kui: In my case, the first collection of short stories I published was fairly well received. For a manga I drew for the first time, that's about it.

That was a relief, but at the same time, I felt that "Ideally, the reputation of my next work will also steadily increase, but there will definitely be ups and downs." If the reputation of the next work is bad, will I be able to continue drawing without getting discouraged? I realized that the "battle with myself" had just begun , and I was terrified when I read the first volume.

What game has cute illustrations, in your opinion?

Kui: This is a completely different topic, but you 've played SaGa Frontier 2 , haven't you? Aren't the pixel art in SaGa Frontier 2 really cute?

--The pixel art in SaGa Frontier 2 is...the best!

Kui: The illustrations in "SaGa Frontier 2" have such exquisite balance... if you try to express that in a picture, you can't reproduce that cuteness. It's like "exquisite head-to-body ratio."

-- In your opinion, Ms. Kui, are there any games that have cute illustrations?

Kui: The first one that comes to mind is definitely SaGa Frontier 2. Also, I still remember how cute the character designs were in Final Fantasy Tactics.

But back in the day, I used to trace characters from FF7 . I thought, "There are so many cool designs in the world..." (laughs).

Hiroi: Nomura (Tetsuya)'s drawings are amazing, aren't they?

Kui: I traced Cloud and Aerith on tracing paper and quietly said to myself, "So cool..." and got really excited. I noticed something while I was working on the "Dungeon Meshi" anime...basically, games and anime are made by many people, aren't they? So I always thought, "Many people must be giving various opinions to make them."

But when I got involved, I realized that one person's power is quite large. This was quite surprising. I thought that there were multiple people who wrote the script and storyboards, and that each person had their own responsibility, but... the power of one person is quite large.

──No matter how much the work is divided up, it's important to have a director or supervisor who brings it all together.

Kui: Yes, in the end, it depends on the power of the person who takes the lead ...

However, at the same time, I think that the division of labor between scriptwriting and storyboarding is something that would never be possible with manga. In the end, you have to create everything in one person's mind, so "bias" inevitably arises. So personally, I don't like the idea of it becoming a "world created in one person's mind."

Hiroi: However, not only in manga but also in novels, the individual author's personality is strongly expressed. I wouldn't go so far as to say "ideology"... but the person's way of thinking is strongly expressed.

Kui: Speaking of which, people who create games alone, such as indie games, are amazing.

It's often said that manga artists "come up with everything, from the art to the story, all by themselves," but I don't think they can compete with independent game creators who create the music, programming, and art all by themselves.

Moreover, even more than manga, no one can give their opinion until the game is completed. If you think about it that way, making a game by yourself is really a "one-man battle." At the same time, what I like about games is that there are quite a few "works that are not made with much consideration for cost" ... I enjoy it a little bit.

-- Do you ever think, "I want to make a game?"

Kui: I once bought RPG Maker , but it ended up being a complete failure... (laughs).

Everyone: (laughs).

Love for "classic RPGs" was a major influence on "Dungeon Meshi"

-- I'd like to ask you, Ms. Kui, since you play a lot of titles on Steam and other platforms, have you ever had any problems playing a game?

Kui: Simply put, a "game that doesn't work" is a problem (laughs).

This sometimes happens with games made by individuals on Steam... they don't have any reviews, so there's no way to deal with it other than contacting them directly. There have been a few times when I've been stuck and wondered, "What should I do?"

Other times, I'll buy a title that just happens to pop up at the top of Steam's rankings. Sometimes I'll play it thinking, "The graphics are kind of cute, so I'll give it a try," only to find that it's incomplete beyond the framework.

--So now people are playing titles that aren't that major.

Kui: Also, when I played Planescape: Torment, which is said to have influenced Disco Elysium.

While playing, I came across a character who was suffering from a terrible curse that made his whole body smell and become sticky. A quest was triggered to ask the NPC who had cast the curse to lift it, but when I asked them to lift the curse, I ended up being cursed with a curse that made me have constant hiccups ...

So when I was walking around the town, the "hiccup" dialogue started popping up all the time. What's more, every time it happened, I would freeze up for about 0.1 seconds. All the dialogue was filled with "hiccups." Anyway, it was a troubling curse.

I had no idea how to deal with this either, so I decided to just kill the NPC who had put the curse on me. The NPC also challenged me by saying, "Maybe if you kill me, the curse will be lifted?", so I tried killing him, but... it didn't lift the curse at all (laughs).

Everyone: (laughs).

Kui: I thought maybe the quest would progress in other places, so I walked around here and there, but the curse was not lifted after all. I was really curious, so I looked back at overseas information exchange thread online, and I found someone had written a lecture that said "You know what happens if you kill an important NPC without thinking about it, right?"

So I realized that this curse can never be lifted again. Even if I wanted to rewind, it was an auto-save, so I had to go back almost to the beginning... I was really... in trouble!

-- But "Planescape: Torment" hits a pretty impressive spot. Was it something that just happened to catch your eye while you were browsing Steam?

Kui: I originally liked games in the same genre as Baldur's Gate, so I think that's how I got into Planescape.

Also, I saw information that a huge amount of text in Planescape was translated by one person... I'm not very good at English, and games like Planescape have a lot of text to begin with, so I'm at a loss if it's not translated into Japanese .

However, when extraordinary people like those who make Planescape use their precious time from their lives to accomplish great things, I feel very grateful.

-- So, Ms. Kui, do you prefer games that are closer to the classics?

Kui: That's right. The first game I played was The Elder Scrolls V: Skyrim, and it was so much fun that I searched for "games similar to Skyrim" and played a lot of the games that came up.

All of them were completely different games from Skyrim, but they were fun. However, I don't like "old games". I think that newer games are generally more polished and well-made.

-- Wizardry, which influenced Dungeon Meshi, is also a classic work.

Kui: When I was a child, I saw my father playing Wizardry V : The Heart of the Maelstrom. As time passed, I remembered that there was a game called Wizardry. The game I played at that time was Wizardry VI: Forbidden Pencil.

I also played Wizardry V , but it was hard to see the map unless I chanted a spell. I was directionally challenged, so even though I had a guidebook at hand, I couldn't progress.

--By the way, were you more interested in making a manga out of "Wizardry" than the tabletop RPG "D&D" ?

Kui: When I was researching fantasy, "D&D" was often mentioned... but I had never even heard of "TRPG" before. First of all, you can't play it without friends, and I was shocked to find out that lots of people have friends they can play with like this...!?

Everyone: (laughs).

Kui: So when I looked up TRPGs on Wikipedia, I couldn't imagine that people actually played this kind of game. I was more confused and thought, "How can people really role-play in front of other people?"

After that, I watched replay videos on YouTube and it was only then that I understood how games like D&D worked.

Games, manga, novels. What is the purpose of all creative works?

-- What was the last game you played?

Kui: Recently I played a school management game called "Let's School." It's made by a Chinese company that also made "My Time at Sandrock."

Hiroi: You really like that kind of game, don't you? (laughs) Oh? Haven't you played "FF7 Rebirth" ?

Kui: I'm thinking about playing the remake of FF7 once it's completed.

Hiroi: No, no, if we don't do it now, we'll never finish it! It'll be a long time before we do it!

--Honestly, I also thought it would take about 10 years for FF7 Rebirth to be released.

Hiroi: I thought it would take about that long too... I really wanted it to be completed while I could still see. So, please do it!

Kui: Once it's finished...I want to play it all at once (laughs).

--Do you and Ms. Kui often talk about games?

Hiroi: Ms. Kui sometimes says, "I want to talk about this game, so I want you to play it." I played "Red Dead Redemption" because of that. Also, a long time ago, Ms. Kui recommended "13 Sentinels: Aegis Rim."

Kui: Whenever there's a game I want to discuss with someone, I always recommend it to Hiroi.

But maybe I haven't been playing games as much lately. Until now, I've been playing games because I thought of it as "for work," but now that the serialization of Dungeon Meshi has ended, I've been playing less games.

Moreover, I'm not the type of person who gets that into one game...I don't generally play through a game in repeated playthroughs, and I'm usually satisfied once I've finished the story.

Hiroi: Then we have to start [a new ] serialization soon.

Everyone: (laughs).

-- I'd like to ask you personally, do you have any "recommended indie games"?

Kui: I highly recommend "Papers, Please" and "Return of the Obra Dinn."

First of all, "Papers, Please" is a simple "spot the difference" game, so I didn't have high expectations at first. But when I played it, I felt like there was a proper "world" to it . Also, I was curious to see how the story continued.

And "Return of the Obra Dinn" had a great atmosphere. There were hints to solving the puzzles if you looked closely, but there was also a good balance of being able to force your way through, and the music and production were cool.

Hiroi: Come to think of it, you read quite a bit of the novel after the serialization ended, didn't you?

Kui: Ah, you mean "1984" by George Orwell? That was good...

I've always thought that creativity isn't necessary for life... It's entertainment, so it's not essential to life. But after reading "1984," I thought, "I guess creativity is necessary after all."

Humans need stories to experience things that should never come true, to prepare for bad things, and to prepare for understanding other people... You might think, "You should have already learned that when you were younger," but I was deeply moved by this realization.

Anyway, I feel that it would be great if people could learn things they didn't know before through this work.

Hiroi: ...Overall, it just felt like we had a fun time talking about games (laughs).

Kui: We just used the interview as an excuse to talk about the game (laughs).

-- No no, thank you very much for sharing your valuable story! (End)

I think I can understand a little bit about being interested in things you hate.

It's easy to analyze "why do you like something?" when you like it, but it's surprisingly difficult to analyze "why do you dislike something?" When you understand the reason, it seems that "why do you dislike it" is often more meaningful.

Perhaps creative works exist in part to help us understand the things we dislike.

I was able to hear a lot of deep "creation stories" that made me think about such things. Also, Ms. Kui is a huge gamer. Mr. Hiroi also likes games quite a bit. Since serious talk and game discussions alternated, the content may have been emotionally confusing. But I feel like "Dungeon Meshi" has a similar atmosphere.

If you haven't read "Dungeon Meshi," please take this opportunity to read it. It depicts a fun adventure. On top of that, it may help you prepare for difficult things that might happen in your life someday. Of course, it's also extremely interesting as a manga. I think it's definitely one of the best "entertainment" of our time.

Why does the body want to live? What does the mind want?

This is because we have a "desire" to pursue what we like and dislike. In fact, "things we dislike" are just as important as "things we like." By understanding our own "likes and dislikes" through creative works and entertainment, humans can prepare for things that happen in their future lives. Food and creative works are equally important for human growth.

...That said, I'm not sure if it has a nice punchline, or maybe not.

To eat. To experience creative works. These are truly the privileges of life. In order to live, we must continue to eat.

Now it's time to eat. What shall we eat today?

#dungeon meshi #delicious in dungeon #ryoko kui #kui ryoko #dungeon meshi research #translation

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rosietaeyongswife · 5 months ago

Text

shameless | kim doyoung

AU: angst, fluff, drama, cheating au, readerxtaeyongxdoyoung SYNOPSIS: Marriage was supposed to be your dream. You were in love with Taeyong, until you came to realization that maybe he's not the one. Thankfuly, his best friends was there for you when you needed him the most. WC: 8k TW: cursing, cheating, mentions of sex AU: i do not support any kind of cheating. never. it's a pure fiction. yall i think i've improved my english lol one day i'll fix all my works because lmao yeah enjoy this pls:P

Marriage. How foolish of you to think it's going to be a dream come true. Well, everyone else stated that fact. According to them, marriage is one of the best stages of life. You've reached a certain point in life - perhaps an achievement. Too bad none of them said how much of a burden it can be.

Of course, the first few months were perfect. Dates, flowers, and affection. Isn't this what every woman craves? Kisses, gifts, and affirmations from your loved one. Those things blinded you. Only if you knew back then. Maybe then you would've left. It was your choice to ignore all the red flags. It's been a year, and it's a nightmare.

"Baby, can you do laundry?" You were running late, yet Taeyong does nothing. He could help you, at least. "I have to leave already. I showed you the other day how to do it. Will you do it for me, please?"

Taeyong was playing Call of Duty on the PS4 you've bought for him on his 27th birthday. He was focused on the game.

"Sure. I'll do it."

Without any other word, you left. Sometimes you'd like to smash that PlayStation into pieces. Taeyong does nothing around the house besides playing that damn thing.

It was a late call meeting with your work team. You couldn't focus on the words of your co-workers due to that weird gut feeling. Something deep down felt like something would go wrong. Ignoring this wasn't helping at all.

"Y/N, we want you to manage this project with Chaeyoung. Is that alright with you?" Your boss asked while you were drifting in your thoughts. "We believe your reviews and suggestions would make this successful on the market."

"Of course, I'll handle this."

"Thank you." He looked at the watch. "Okay, it's 9 p.m. We're done for today. I'm sorry we had to hold a meeting. It was a surprise to us too. You can go all home now."

Everyone left in a hurry, and so did you. The weather got worse, and it was raining. You couldn't get cold, so you called your husband. Silence. Again silence. He didn't pick up your calls. All you could do was run and pray that a bus would arrive.

"I called."

"Sorry, baby. I was too busy with the game. Look, I ranked up."

"That's amazing, but it's pouring outside, and I had to walk there by myself." You rolled your eyes at your husband's ignorance. "I'm fuckin tired. I just want to take a shower and go to sleep. Have you done the laundry like I asked you to?"

"Yes. It wasn't that hard." He laughed and turned the PS4 off. "I'm heading to sleep. Waiting for you in the bedroom."

At least he did what you had asked for. Walking in the bathroom was hopeful for you. Little did you know how much anger it would bring you.

"Taeyong! What the fuck have you done?!" Your husband was quick to run back to you. He was looking at you confusedly. "How could you ruin my white shirt for tomorrow? Why would you put red socks together with white laundry?"

"My bad. I'm sorry, honey." He looked at you with his doe eyes. "I didn't notice, sorry once again. I'll give you money to buy a new one."

"Sorry? You're sorry?" You scoffed. "I needed that shirt for work tomorrow. It's past 10p.m, what am I supposed to do? I asked you for one thing, and you managed to fuck it up."

"It's just a shirt, Y/N. You're overreacting. You can buy another one."

"It's not just about the shirt, Taeyong. You don't understand." You went next to him. "I don't have any clothes for work. Fuck."

Taeyong apologized once again and went back to the bed. He didn't really care about the fact that he ruined your shirt and left you alone past 10 pm, looking for clothes for work. He difted away to sleep while you had to hold your anger in yourself and calm down.

Your husband and you both work for the same company. You work in different departments and both of you start work at different hours. Taeyong got up and left an hour before you. As usual, you woke up to dirty dishes on the table and a cup of coffee on the counter. He didn't respect the fact that it was you who was cleaning the whole apartment.

"Look there. I guess you could've described another problem here, and we would put it together." Chaeyoung was taking notes on your words. "Do it, then send me the rest of the thing. I'll try to finish it by Friday."

"Thank you, and of course, I'm doing it."

Mark Lee was sipping on his coffee when he approached you. He was your best friend and best colleague from the company. Both of you go along pretty well.

"Someone's not in the mood today, huh?"

"Mark, please." You stopped on your way. "Don't get on my nerves today. It's not funny at all."

"Sorry, Miss Not in the Mood." He chuckled. "You slept on the wrong side, or what?"

"I slept on the right side."

"Then what happened?"

"Taeyong happened." Mentioning of your husband made your head hurt. "I asked him for one simple thing. Do laundry. That's all! Guess what." Mark was waiting for you to finally tell you the tea. "He ruined my shirt for today. I was tired, hungry, and annoyed, and on top of that, I had to find myself clothes for today."

Mark could only laugh. He was aware of your husband and how clumsy he can be.

"How did he even do it?"

"He put red socks and underwear together with white clothes. The majority of clothes were pijamas, but still. I didn't ask for much. I explained how the washing machine works about ten times!"

"Everyone makes mistakes, but your husband is crossing the line, Y/N. I'd be mad too. Yesterday was a horrible day."

It's almost the end of the month, so everyone is worked up. Every project needs to be finished ASAP, clients are waiting and aren't patient, and on top of that, your boss is scolding you for every little mistake you've made.

"You should be thankful you don't have to deal with it."

Another day went the same way. Today was another hard day, and the only thing you wished to do was fall asleep, but it seems like you won't be able to do that.

"Honey, I missed you."

Taeyong was looking at you with lust in his eyes. Deep down, you knew what he was about.

"Not today, sorry. I had a rough day, I'm exhausted."

"C'mon. I missed you and your body so much." He began to kiss down your neck. "I want you."

Anger was boiling in your veins. It's like you're talking to a wall.

"I told you no, why don't you give up? I'm not in the mood, I had a tiring day, and you expect me to fuck?"

"Fuck, Y/N." He stopped and put his hands into his hair. "We haven't had sex in months, alright? I have my needs, I'm fuckin horny, and I want to fuck my wife. I want us to feel good, yet you're always too busy to do so."

"I fuckin told you I'm tired. You're so, so.." His gaze went upon you. "Pushy. Leave me alone."

"Great."

The last thing you've heard was a door shutting. He left, and God knows when he'll be back. Like a kid. Your husband behaves like a spoiled child. Nothing ever satisfies him, and he wants things his way. Nothing in between.

Once you've been reading about all those unhappy couples who have sex once in a while, don't talk too much, or don't even know too much about each other. They're just together because they get used to each other and are way too comfortable to let go and leave. Little did you know you were going to face the same fate.

"Fuckin hell." You rolled your eyes. Taeyong wasn't picking up your calls when it was an important matter. "Boss, can I go into the marketing department to meet my husband? It's urgent."

He didn't even look up, but he nodded. Men.

The marketing floor was only three floors higher. Of course, you've known the majority of people working there thanks to Lee Taeyong. A few employees passed and greeted you.

Johnny was sitting by his desk, probably busy with his tasks that needed to be done by today.

"Hi, Johnny." He sent you a smile. "Do you know where Taeyong is?"

"Oh, hello, Y/N. Shit. I think he might leave for a lunch break with Jaehyun and Yuta."

"He did."

The voice was familiar to you. Turning your head, you saw no one else but Kim Doyoung. Your husband's co-worker and best friend.

"Fuck. Thank you, guys."

"Something did happen?"

"I wanted to ask him to drive me to Kun's bakery. It's Jaehyun's birthday in two days, but they need me there today. I guess they couldn't find a sample?" Doyoung was looking at you with his soft eyes, while you were stressed. "Nevermind. I'll go."

"Wait." Doyoung grabbed his coat. "I'll drive you. It's no problem for me. I'm on the break anyway."

Your whole body relaxed at his words. Somehow you felt different, because Taeyong usually rejects your requests, but Doyoung? He agreed right away.

As both you and Doyoung were on your way to Kun's bakery, Taeyong called you a few times. Asshole.

"Thank you, really. You have no clue how much this matters to me. You saved my day, Doyoung."

"No worries, I mean, I'm just driving you to the bakery. It's not hard, or something."

"I fear some people wouldn't agree." Doyoung glanced at you for a second. "Nevermind. Thank you, again. I bet Taeyong doesn't even remember we booked a cake at Kun's."

Both of you laughed at your remark. Doyoung was aware of how clumsy and nonresponsible his best friend can be.

"It wouldn't be Taeyong if he didn't forget about such a thing. But hey, look at you. You're about to solve a problem with Kun and come back to work, and you didn't need Taeyong's help."

"Wow, I'm so independent now. Not like you drove me there, at all."

Kim Doyoung was a year younger than Taeyong. Both of them have known each other since high school. Then they applied to the same business school where you met Taeyong. Both of them graduated and found a job at Lee Sooman's company. Like you did. Doyoung was different than Taeyong. He was clean, tidy, and he could cook. Everyone could depend on him when needed. He never let any of your friends down. Never. If you needed help, you should've called Doyoung. He was stylish and looked like an old-money guy. None of your friends, nor you, have seen him date. He probably had a few girlfriends, but they weren't serious, as you guessed.

"Well, I can pay you for-"

"Y/N, please." He stopped you mid-sentence. "Don't pay me at all. I had a great time picking a cake with you."

"Me too, Doyoung. Again, you're wonderful."

Taeyong was looking at you through the window of his office. He was calling you for an hour, and he had no response from you. He was a bit worried, but as he saw you with Doyoung.. He was relaxed.

Mark was smiling from ear to ear. He saw you coming into the building with Doyoung from the marketing department.

"What were you doing with Kim Doyoung?" He was moving his eyebrows in a funny way. "He's cool, right?"

"I had an emergency at Kun's bakery, yet my lovely husband wasn't picking up my calls." Mark scoffed. "He gave me a ride, and yes, he's a cool guy."

"Jaehyun's birthday, right?" You nodded. "I bought him a watch, and what about you and Taeyong?"

"I don't know. I was supposed to buy a cake, Taeyong is going to buy a gift. Please, I wish he had already done that."

Jaehyun's birthday is always a party at his house. He invites a whole friend group on the weekend, and makes a dinner. Everyone is drinking and having fun together. It was supposed to be an amazing day, but only if your husband didn't ruin it the day before.

"What do you mean you forgot?" Taeyong was stressed too. He knew he was meant to do something, but he had no idea what exactly. "Taeyong, you promised me you're going to buy him a gift!"

"Fuck, I forgot! Couldn't you do it? I'm busy with work, so it wouldn't hurt, Y/N."

"Are you kidding me?" You put on your coat. "I'm also working, I'm cleaning and cooking, I ordered the cake for Jaehyun's birthday, and both of us agreed that you're going to buy a gift!"

Every favor you're asking Taeyong for, ends in the same way every, fuckin, time. You can never depend on him.

"I help you too! Don't make me look like I'm some kind of lazy jerk. I simply forgot, things happen, okay."

"And what are we going to do? Are we going to show up with a cake for his 27th birthday and say sorry, but Taeyong fucked up once again?" The sarcasm in your tone was noticeable, and your husband wasn't a fan of it. "Do you even know what he likes?" Taeyong couldn't answer as he had no thoughts. "I knew it. God."

"Where are you going? It's past 8pm, and it's freezing outside?"

"None of your business. Clean after dinner. That's the last thing I'm asking you to do."

Cold February nights like this make you wonder about your life. Lately, both you and Taeyong have been fighting. You couldn't even remember when the last time both of you exchanged "I love yous". Are your friend's marriages the same? Do they fight a lot? Do they fight every day? Do they overcome it? To you, it seems like an endless circle.

Luck was with you tonight, because the old vinyl shop was open until 9. You made it on time to buy a jazz vinyl record for Jaehyun. He was a huge fan, everyone knew it, except Taeyong.

"That's a hundred dollas, mam."

The last shop you're going to visit is one owned by Haechan's uncle, who sells prestigious wines from all around the world. It was just a few blocks away.

As you were looking for a wine thatJaehyun hasn't tried yet, you've noticed familiar sillhouete.

"Doyoung?"

"Y/N?" He turned back with a gummy smile. "I didn't expect to see you here."

"Emergency. Again."

"Mark mentioned that Taeyong was supposed to buy a gift, right?" He was visibly confused. "Then why are you here?"

"Key word 'supposed'."

For the first time ever, Doyoung felt bad for you. He always thought that you're a couple goals. Back in the day, you couldn't shut up about Taeyong. Either of you, were talking about each other, still in love. Taeyong never complained, nor did you. To be honest, every single one of your friends thinks you and Taeyong live your dream lives. Only Mark knew it was total opposite.

"I mean, maybe he was tired? Everyone works hard these days, people tend to forget things at times."

"Doyoung, please." You laughed sacristically. "I agree, but Taeyong always forgets about something. Doesn't matter if he's tired, or not."

For the time being, Doyoung had no explanation, nor could he defend his friend.

After a few minutes, Doyoung helped you pick a wine and took you home. It was another time he saved you. He was kind enough to drive you home.

"See you tomorrow, Y/N."

"See you too." As you were about to go into the building, you turned around. "Again, thank you."

Taeyong was asleep in the living room with a TV on. Typical of him. You looked over, and once again, Lee Taeyong disappointed you. The dishes were in the sink, not washed. You put the gifts down and did the dishes yourself.

Morning was a tense one. Neither of you speaks to yourself. The only thing you said was that you're going to pick up the cake by 5 pm. It was Saturday, and both you and your husband had a free day. Taeyong was probably waiting for you to make a lunch or something, but it wasn't your plan. You made yourself some waffles and ate them by yourself.

"Where's some for me?"

"Don't you have hands? Do it yourself."

He was looking at you in disbelief. Taeyong was used to you cooking and serving him food.

"Why are you bitching? I've already apologized. What else am I supposed to do?"

"I'm not bitching. I just made lunch for myself." He was getting annoyed with you. "It seems like I'm some kind of housewife to you. I'm not. Learn to do things yourself."

By 5pm, both of you were getting ready. It's been a long time since both of you went together somewhere. Taeyong stopped asking you on dates long time ago. Of course, you missed those silly dates. Your husband doesn't put effort in.

Taeyong was waiting for you in the car, while you put everything into a bag. One last look into the mirror, and you were looking pretty. In your eyes, everything seems fine.

"What are you wearing?" Taeyong almost burst laughing. "Honey, go change yourself, I don't think you look the best in such a dress."

For a moment, you felt stupid. Your own husband laughed at your look, even though you thought you looked great. A knee high, black dress and boots with a coat. Everyone was wearing that. It was a cute look.

"What do you even mean?"

"It's not made for you, I guess? I don't know, I just want to help you to not get emberrased."

"Oh, fuck you, Taeyong."

There was no time for changing, besides, you felt cute. A month ago, you would've run into the apartment to change but not today. You tried to ingore peaks Taeyong took. He hurt you. You thought you could ignore it, but as soon as you arrived, your self esteem was six fit under.

"Hey guys! Wow, Y/N, you look stuning!" Jaehyun welcomed you with a kiss on the cheek. "Suit yourselfs."

Jaehyun complimented you, but inside of your head there were Taeyong's words.

In the living room, everyone was waiting until Haechan would arrive with his fiance, Jimin. Johnny was sipping on a coffee with Sooyoung. Taeil was taking photos with his wife, Joohyun. Yuta, Jungwoo and Jaehyun were making food. Mark was laughing with his girlfriend, Soyeon. Doyoung was looking at you and Taeyong, when both of you arrived. Doyoung couldn't stop himself from looking at you. This dress complimented your body and your bueaty the best.

"Everyone let's drink. It's our Jaehyun's birthday." Johnny stood up with a glass of champagne in his left hand. "I can't believe you're already 27. We're all happy to be here and celebrate with you, dude."

The party was going great, everyone had fun, and none of the guests seem to be annoyed, or not having fun. Taeyong found himself sitting with Yuta playing games and drinking beer.

"Men are like children." Joohyun sat down next to you on the coach. "I can't believe they're almost in their 30s."

"Don't tell me that. Look at them, they're playing on the PlayStation as if they were teenage boys."

"At least we can have some time to ourselfes."

Joohyun was right. She was with Taeil since freshman year of the college. She was three years older than Moon Taeil and she was one of your closest female friends. Everyone looks up to her, since she was the oldest one in the friend group.

"Can I ask you something?" Joohyun looked at you waiting for your question. "Do you fight with Taeil often?"

"Hell yes! We fought in the morning because he didn't clean the bathroom like I asked him to."

"Did he do it after you had scolded him?"

"Of course. What kind of question is that?" She laughed at you, but you were dead serious. "Wait. Doesn't Taeyong do the same? You know, if you scold a man, then he's kind of irritated, but do it anyway out of respect for you."

"He doesn't. You see, I asked him to do something. I show him how to do things properly, so he won't have to need my help. I explain it like I'm speaking to a child. I do it about ten times per chore." You giggled at yourself. "Guess what. He doesn't do it. No matter how much I ask for, he either forgets, or doesn't do it at all."

Joohyun, for the first time ever since she has met you, felt bad for you. For the first time ever, Taeyong doubted her.

"I have no idea what to say, Y/N. It's not supposed to be like that. You're a duo after all."

"I don't think we're a duo, Joohyun."

For the rest of the night, Taeyong didn't give you attention, which you were thankful for. He got on your nerves enough. He was hanging out with his homeboys, enjoying himself, not worrying about you. In his mind, both of you have a perfect life. You are happy together, and you're madly in love. Maybe love is starting to be a too strong word for your feelings towards that man.

"Are you fine, Y/N?"

Doyoung smiled at you when you were sipping on a lemonade made by Johnny and Mark.

"I'm just tired after work and all this shit. And you? Are you fine?"

"It could be worse." He chuckled. "I see Taeyong isn't with you."

"Thank God. He's busy playing games."

"Still. I haven't seen you talking yet."

"We had a small fight before."

A reminder of that situation from before made you self conscious again. Your husband's words aren't supposed to make you feel the way they do.

"Was it serious or?"

"Not really. It was about my outfit, so nothing extreme."

"What do you mean by your outfit? You look stunning, I swear to God."

"Doyoung, can you be honest with him? We've known each other for almost ten years. We're friends." The man was busy thinking about what might come next out of your mouth. "Do I look bad? Be honest. Do I look worse than before? I don't know, am I not taking care of myself?"

It was a question directed at Doyoung because he was a person from a friend group that you've known for the longest. Actually, it was Doyoung who introduced you and Taeyong to each other. He knew him from high school, and he met you during the same classes at the business school. Kim Doyoung was a lovely nerd. Interested in Star Wars, books, and business. He used to collect plushies, he even gave you some of them. You always have wondered how Doyoung's world crushed with Taeyong's. Lee Taeyong was a popular jerk, interested in tattoos, rock, and trouble. For quite some time, you had a small crush on Doyoung. But then, you met Taeyong, and you fell head over heels over him.

"I don't see the point of this question. Isn't it obvious? Many guys from the department have a crush on you. I saw multiple strangers turn their necks when you passed by. You've always been pretty, Y/N."

"Now I feel better. Thank you, Doyie."

He was looking at you, once again, with his soft eyes. Sometimes, he wonders why you work him up so much.

"No problem. Remember, you're that girl. Don't let anyone say otherwise."

As you were about to respond, Taeyong showed up. He was drunk, and he could barely stand on his legs.

"Did you just call my wife pretty?"

"I did. We're friends, though. It's not that deep, Taeyong."

"I don't know, maybe you want to do something with her?" He was approaching you and Doyoung. Embarrassment fed your whole body as he got closer. "I don't like the way you talk to her."

"What's your fuckin problem, dude? I complimented her, since no one else bothers to do so. Like her husband, for example. Get it together, man."

You wish you could be gone for a second. Taeyong was drunk, and he had no clue what was going on.

"Shut the fuck up, Doyoung. You don't know shit."

"Calm down. You're wasted as fuck."

Everything that came after is now the past. The next thing you knew was Taeyong punching Doyoung straight into his nose. Blood was dripping on his shirt, and guys tried to grab him. You were shocked, and all you could do was scream at your husband. He was never that aggressive towards someone.

Jaehyun and Yuta were holding Taeyong, while Johnny and Haechan held Doyoung. Both males were calling each other names, while you wanted to disappear. Everyone was stunned. They had no idea such a storm was coming tonight. Best friends fighting over nothing.

"I'm leaving."

You got up, took your purse and coat, and left. Sooyoung called after you, but you were done for tonight. There was nothing you could do with your stupid husband. Leaving seemed like a good option.

"Get in." After a five-minute walk, a black Mercedes parked by your side. It wasn't your husband, though. "I won't let you go alone on a cold, dark night. Get in."

"You don't have to, Doyoung. I really -"

"I won't repeat myself."

Even after such a fucked up night, Doyoung had to be the one to take you home, not your husband. Does he even love you?

A week passed by, and nothing has changed. Both you and Taeyong would only see each other in the morning. Not even a simple "Hi" was exchanged. He was too embarrassed after what happened at Jaehyun's birthday.

"Y/N, we would love to move you a bit higher." Lee Sooman, your boss spoke to you. "We found your results to be the best out of the whole company. I want to promote you to a higher position and move you to the International Marketing department. Are you in?"

It was the day that would change your life the most. Working schedule was tighter, and you had to spend more hours weekly in the company. Chaeyoung was moved into the marketing department, so she was working with Taeyong. Everyone in the new floor was a stranger to you. These days, it's hard to find friends. Especially from work. Mark would always pass by your floor to say hello, though.

"Can I talk to Y/N?" Yuta's voice echoed through the office of the international marketing floor. "It's urgent and we need her. I'm from the Japanese unit."

Na Jaemin, your new co-worker, asked you to come. With a smile on, you saw Yuta waiting for you.

"What do you need, Yuta?"

"Are you the one who is in charge of France and Italy's orders?" You nodded at his words. "Well, I think that someone messed up and their orders came to Japan, and Japan's order came to France. Can you check it out with me?"

Both of you came to your desk and typed out the information about the order. Someone from the delivery unit must have mistaken the orders, that would have cost millions of dollars.

"I think you should call the international shipping floor, there's Seulgi. She may know what to do before the boss finds out."

When you were on your way back, Chaeyoung stopped you. She was smiling a bit.

"Can you help us, Y/N?"

It turns out that marketing and international marketing are supposed to make an ad together. You were picked as a person from the international floor, and Doyoung was picked from marketing.

"I'm glad I'm working with you, Doyoung."

"Me too. I would cry, if I had to work with Jeno or Xiaojun. They're a bit weird."

"I don't blame you." You laughed when you opened your laptop. "I think we should start today, and it would take about a week for us to finish. What's the theme of the ad?"

Doyoung took a look at his papers and then answered you.

"Youth. Progression. Victory."

"How the fuck are we supposed to do it?" In your head, you saw how much of a struggle this ad would be. "Any ideas?"

The time went by so fast, none of you noticed it was past 8 pm. Both of you got to work to make the best project you could ever do. Doyoung was a smart guy, and he knew exactly what to put in an ad to make it interesting.

While both of you were working, Taeyong didn't call you at all. You were supposed to be at home at 6, yet he didn't even care. He's probably still mad at you because of the fight.

"I'll drop you at home." Doyoung put his coat on, and looked at you to check if you're ready. "C'mon, Y/N."

"I feel bad. You're doing too much for me, Doyoung." It was truth, Doyoung didn't mind but to you it was wrong. Taeyong is supposed to help you, not his best friend. "Let me call Taeyong, he would pick me up."

"Waiting for his response, then."

It's ben almost 30 seconds and he didn't pick up. Another call. And another. Nothing. He wasn't going to pick up your calls tonight.

"I'm sorry. It's going to be the last time you're dropping me at home. For real."

Doyoung didn't answer but rather smiled at you. It was cute how much you didn't want to depend on him, but you did anyway.

Both of you were in a car talking about the details of the project when suddenly your stomach made a noise.

"Have you eaten anything today?"

"Lunch. Sandwiches."

"Y/N, it was at 1. It's 8. Are you hungry?"

"No, I'm fine." Another noise came from your stomach. "Okay, maybe a little."

"We're going to eat something. I'm hungry too."

When you were about to protest, Doyoung shushed you a bit. He parked by a restaurant next to the company. Both of you ordered the same thing and enjoyed the meal together inside.

"How much am I supposed to pay you back? I wasn't looking at the price."

"Don't worry, it's on me."

"Doyoung, I can't-"

"I said it's fine." He laughed. "Enjoy your meal and stop being so annoying."

It was the first time since you could've remembered when you were in a restaurant. The last time you were in a restaurant was with Taeyong on your birthday a few months ago. You couldn't explain why, but you felt the warmth you hadn't felt in a long time.

"Doyoung, I really want to thank you for everything you're doing for me." He stopped eating and focused on your words. "I have shitty time with my husband, work is getting on my nerves, and you're too nice to me'' It felt as almost you were crying. "You have no idea how much it does mean to me."

"Y/N, stop. I do it, and I'm not complaining at all. I like to spend time together, and it's not your fault that Taeyong is such an asshole. I wish he was a better husband. You deserve someone who will love you unconditionally."

After that, your evening got better. Doyoung took you on a small car trip around Seoul. He showed you some streets you hadn't seen before. Deep down, he knew you didn't want to come back home as soon as possible. He parked for a minute by the Han River.

"It's an amazing place. I feel like I'm 17 again, me and my friends go on trips here to follow our crushes from school."

"I did the same thing with boys. Me, Yuta, and Taeyong with Jonny would be here every day after classes because of Taeyong." He was laughing at himself. "Because of him and Kang Seulgi, we were here every day for hours. He wanted to look at her and ask her out. It never worked though, because she left for some time, then we were in business school, and he was dating you."

Kang Seulgi? Seulgi from the delivery department? From you company? Taeyong had crush on her? Suddenly you felt lightheaded, your vision became blurry, and tears appeared on you eyes. You had to take a few deep breathes to calm down.

"I've never heard about Taeyong and Seulgi? Why?"

"Fuck. I wasn't supposed to tell you then." It was an accident. Doyoung believed you were aware of Taeyong's first love. "I shouldn't tell you. Sorry, Y/N."

"It's too late, can you tell me more?"

"I shouldn't. I already have said too much."

"Doyoung, please. Taeyong never told me about Seulgi. I had no idea about another girl."

You felt hurt a bit, not because you were jealous. You were hurt because Taeyong was probably lying to you for these years. Was he in love with a girl that got away? That's why he doesn't care. You're not the one Lee Taeyong loves.

"They were seeing each other for months. He always had a thing for her. She rejected him a few times because she was supposed to move to Daegu for some time." Doyoung was looking far ahead, he didn't dare to spare you a look. "Seulgi left, he was depressed for weeks, then I met you. I introduced both of you to each other." Boy, how much does he regret that. "He was focused on you, then Seulgi came back. I guess they tried to talk, but he was dating you already."

"Now it all makes sense to me. Fuckin asshole." You weren't even hurt anymore. It seems like all the feelings for Lee Taeyong are gone. Even hate. "We've been together for the past 8 years. I've focused on him. I was like a maid! He was never there for me when I needed him the most, but I forgave him. I always did. I did this all to find out he was never truly in love with me. Bullshit." A sarcasstic laugh left your mouth while Doyoung was observing you. "Why would you ever introduce him to me? I would've dodged the bullet, Doyie. I wish you didn't."

Doyoung felt guilty, even though he shouldn't. In his eyes, Taeyong was a good man. He was sure his friend was treating you like a princess.

"Sorry, I felt he would be a good party for you. I don't know. But you can't say he doesn't love you. You don't know that."

"I think we both know that."

Awkward silence occurred between you.

"Listen, I do believe you deserve better. Don't mind him, maybe one day he will see what he has lost. Look at you, Y/N. You can't get such an asshole like him to make you feel bad. I love him, he's my best friend, but you're my friend too. I wish you would be happier."

His words were true and meaningful. Doyoung was right. You deserve better than that. In the heat of a moment, you turned your head towards him and kissed him.

"Fuck, sorry. I shouldn't, I don't know what I was thinking-"

He stopped you with a kiss. Much stronger kiss. It was like your mouths knew each other well. As if they were missing pieces together. It's been a long time since you've been kissed.

Best friends don't kiss each other's partners, and a wife doesn't kiss her husband's best friend. That was the truth. It's been a few days, and it was awkward between you and Doyoung. Taeyong apologized to you, and he tried to be a better man for you. Somehow, you felt a bit guilty because you were married, but honestly? You wished to wake up to Doyoung every day instead of Taeyong.

"I made you breakfast."

Taeyong got into the bedroom with a plate of toast and scrambled eggs.

"Thank you."

"That's it?"

"What else am I supposed to say?" You popped your eyebrow. "I've done breakfast for you for the past 8 years, give me a break already. It's the bare minimum, Taeyong."

"I thought you'd be happy."

"I am. Okay?"

It's too late to fix things now. Breakfast in bed won't fix the damage that has already been done to you. Deep down, you wanted to feel guilty, but you just couldn't.

In the company, everyone was busy. It's April. One of the busiest months for the company. You had hopes of passing by Doyoung. Your project got accepted, whichh made your comapany's saels higher. Mark would drop by to talk shit about your co-workers. Johnny bought you a coffee, and Sooyoung called to go shopping with you. Everything should go fine.

About 7 pm, when the company was almost empty, you saw a well known to you figure. He was putting his things together, probably about to leave the building.

"Can we talk? Like adults, please? Ignoring each other won't turn back time, Doyoung."

"It's not the best time for this conversation, the building is about to close down."

"Then let's talk somewhere else. Even at the stupid bench in the park."

He took a second to rethink his life decisions.

"Let's talk at mine."

After 15 minutes, both of you arrived at Doyoung's apartment. It was located in the center of Seoul. It was maybe the fourth time you've ever been there.

"I know it's bad and awkward. I'm married to your best friend, and we kissed each other, making out even." You chuckled because of your nerves. "I shouldn't have kissed you, I guess. Sorry. But please, let's talk. I kinda miss you." He looked at you, a bit shocked. "As friends, of course."

"Well, I really want to say I regret kissing you. Really." He was pacing around the living room. "But it would be a lie. Honestly? I enjoyed it, and I would do it again, and again, and again. I don't give a fuck about Taeyong now."

His statement made you blush. He was confident in himself and sure of what he was saying.

"Fuck, me too. I know how wrong it is, but I can't help myself."

Nothing else needed to be said. Doyoung dropped everything he had held. He was kissing you like a starved man. As if he hadn't been able to see you for ages. It's a forbidden romance, and you're enjoying it.

Next thing you knew was you being in his bedroom. He was slowly kissing you down your neck, while his hands were taking off your clothes. Everything felt magical.

"Can I?" He asked with hungry eyes, his fingers on the hem of your pants. "Please?"

"Please."

It was the best sex you've ever had. Taeyong usually didn't pay you much attention. He wanted to cum and he could care less if you did. Doyoung paid attention to you, and only you. He was focused on making you feel good. He loved your body and moans you left out your mouth.

"You're amazing. I wish it was me who dated you back then." Doyoung was holding you in a spoon. His fingers were circling your shoulder. "I like you."

"I like you too."

Since then, it has become a routine for you. Taeyong wasn't suspicious of anything. He was busy working with Seulgi. He couldn't lie, but he preferred to stay at the company until late hours to finish tasks with her. He thought you were having fun with Joohyun or Sooyoung. You and Taeyong barely talk to each other, but none of you seem to mind. This marriage was meant to fail from the beginning.

"Y/N." Mark touched your shoulder. "Can I ask you something?"

"Sure?"

"What were you doing at Doyoung's apartment last night? I was there to drop him off his laptop, but I saw you coming in."

This question made your heart drop. Romance between you and Doyoung was supposed to be a secret until you'd be responsible enough to divorce Taeyong.

"We're friends? And co-workers? I was doing research with him." You giggled. "What are you even thinking of?"

"Fuck, sorry. I shouldn't have asked." He was a bit embarrassed. "You wouldn't do anything harmful to Taeyong. I thought you were doing something weird with Doyoung."

"Mark, please. How could you think about it?"

"I don't know. I haven't seen you talk in weeks. He's always around Seulgi, you're meeting with Doyoung a lot, and both of you leave at different hours." He was a bit confused. "Are you guys fine?"

"Yes, we are fine, Mark. Don't worry too much."

The thought of being almost caught scared you. Your friends wouldn't understand you. They would blame you for cheating on your lovely, hardworking, and amazing husband. Especially, if you're cheating on him with his best friend. You were lonely, and you lost feelings for Taeyong long ago, he himself probably had lost them first, a long time ago.

"I know." Joohyun's word made you stressed. "Taeyong called asking about you. I covered for you every single time. You're cheating on him, right?"

It was supposed to be a chill meeting at your apartment with a coffee and cake. Joohyun loved you as if you were her sister.

"Before we go any further, don't judge me, please." You couldn't look her in the eyes. "I'm ashamed of myself, but I think that's how it was meant to be. You don't understand how it is to be with Taeyong. How is it to be unloved and ignored."

"Y/N, I'm not judging you at all. Me and Johnny support you. At first, Johnny was furious, and he couldn't believe it." She chuckled. "I guess, me too. I wasn't ready. But look at this. After Taeyong? I really admire you, and how you were able to move on with life.

"I know I'm the worst person on earth because of that. I'm ashamed to face him and tell him I want a divorce."

"Well, it's not a surprise. It's a tough topic. Let me ask you another question. Is it Doyoung?"

"How do you know?"

"It's obvious. Every time we've been gathering together, he could never take his eyes off of you."

After that, Joohyun and Johnny promised you to keep a secret. They didn't support cheating, but they couldn't blame you. Everyone thought you were living a great life with Taeyong, only to turn out it was the total opposite.

"I'll divorce him."

Doyoung was sitting on the chair on his balcony with you on his lap. He was finishing his glass of wine. As soon as he heard that, his eyes met yours.

"Are you sure? I don't want to force you into anything." He said, slowly carrasing your back. "I fear that Taeyong won't forgive us. I may lose my best friend."

"At first, I thought the exact same thing." You kissed his cheek. "But now, I completely hate this guy. I lost my femininity, myself, and energy because of him. I can't look at him, because all I see is how much he hurt me and me cheating on him."

"I'm here. I'm going to support you no matter what."

Both you and Doyoung told your friends you needed to go on a trip to Jeju. You had the time of your life there. Taeyong was texting you once in a while. Doyoung made your life interesting. He gave you something Taeyong could never.

Dark nigths going on a walks on the beach. Singing songs in a karaoke bar or in your room. Doing stupid teenagers shit. Life with Doyoung was different. You felt loved.

Joohyun invited everyone from the friend group to a BBQ. It was a usual Friday. Mark was in charge of drinks with Jungwoo. Johnny was in charge of the music. Taeyong was busy with his phone, while you and Doyoung cut fruits like Joohyun asked you to.

It should be a peaceful night. Only if Seulgi didn't show up. After she came, the atmosphere tensed. Jaehyun felt uncomfortable, so did Yuta and Taeil. You tried to ignore it, but Seulgi was all on Taeyong. In public. In front of everyone's eyes.

"Why is she here?"

"I don't know. Joohyun probably invited her." Doyoung sipped on his drink. "That's wild."

"It is. That's why I hate him. Look how shameless he is."

After some time, everyone was busy with something. Some were dancing, and some were singing old hits. You were on the coach, looking at your friends having fun.

"How are you, Y/N?" Jaehyun and Jungwoo sat down on both sides of you. "We saw you're sitting like a potato here."

"I'm not drunk enough to go up and dance."

"Then drink more!" Jungwoo handed you another drink. "We're having fun tonight!"

"Exactly. You can't be depressed or something."

They were right. Soon after, you had almost five different drinks, most of them being mixed with vodka. You were dancing with the girls, then with Yuta and Doyoung. You really had a lot of fun. Until Taeyong turned the music off.

"Everyone! Can I take a second of your time?" Everyone was confused. Your heartbeat was faster, and your hands started to sweat. "I'd like to share the wonderful news with you!" He was drunk. Drunk like on Jaehyun's birthday. It means trouble. "I don't know if any of you are aware of me and Y/N. My lovely wife."

You were quick to stand up and grab Taeyong.

"Let's go. Get yourself together you're embarrassing me."

"Let me go." He got out of your hold. "As you know, we've been married for 8 years! That's a long period, right? Well, I think someone might get bored of one another."

"Taeyong, please. Stop it."

Tears came into your eyes quickly. Everyone witnessing the scene was confused. Joohyun was fast to send Johnny to get Taeyong somewhere else.

"Johnny, leave me alone! I'd like to share something with you! Our lovely, sweet, and faithful Y/N is a cheating bitch! That's right!" He was laughing devilishly, while you were on a verge of a breakdown. "Isn't it crazy? We all think about her as of an angel. Look at her. She's not all that."

"I don't think you should do it, man." Jaehyun tried to get Taeyong's attention, but he wasn't listening.

"I should. My wife is fucking my best friend, and I should stay quiet? No way! Tell us, Y/N, how long have you been fuckin Doyoung?"

People left gasps. They all turned their heads towards you. Johnny and Joohyun felt anger. He should never done this to you in a public.

"Let her go, man. I'm not kidding." Doyoung stood up and pushed Taeyong. "Are you crazy? Did you forget about fuckin Seulgi? You're not saint after all."

It felt like a nightmare. Everything was going so fast, and you could only stand there shocked.

"I was faithful to her for the longest time ever! And look how did she pay me back."

"Don't be funny, Taeyong." You managed to say it, while wiping the tears away. "How can you do this to me? After what I've done to you. I never told anyone how much of a burden living with you was! Not even once! I was there with you when I was doing every chore for you! Every little thing you needed! I let you fuck me when I wasn't in the mood, because I cared about you!" You were screaming on top of your lungs. "Y'all can judge me. You can throw names at me, I don't care! I've never been happier. None of you understand what I went through."

Your friends were in shock. They never would guess what was coming. You and Taeyong fighting in the Johnny's backyard with a people around. All the dirty things you've ever done were mentioned.

"Don't act like a victim."

"Am I not? You were using me for everything. I lost my will to live, Taeyong. You're a selfish motherfucker, who had never loved me. You've been in love with Seulgi since the beginning. You lied to me, ruined my life and I wasted all those years."

"I want a divorce."

"Me too. I hate you, Taeyong."

With that, all your group friends were confused. Joohyun, Johnny, and Doyoung gave you support. Taeil and Sooyoung reached out to you too. Mark,Haechan, Yuta and Jungwoo were confused about what to do. Jaehyun had no idea what to think, until Johnny changed his mind. They were uncomfortable with everything that'd been said that day.

Taeyong blocked your number, packed your things, and threw you out of your shared apartment. You had no choice but to move in with Doyoung.

"I love you, Y/N. I think I always did."

"I wish I had married you first." Both of you chuckled on the way to the court. "Imagine what we would have done in these years. I'm grateful we have so much to explore about each other."

Doyoung never let you down, or doubted you, or your trust. He gave you loved, you were craving for. He was a missing puzzle to your life. He helped you understand yourself, and improve yourself.

"Mr. and Mrs. Lee, oficially you've been divorced. Mrs. Y/N, succesfuly, you dropped Lee from your last name. I wish both of you happines on a new life's path."

It would be the end of the chapter titled Taeyong, now you're beinning a new one with your true love.

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