#it was originally going to be an edit but i thought drawing it would be more fun :D

[mttonex]

Mini Toddallace animatic :3

★ Song is From the Start by Laufey!! (Good Kid cover) ★

[nosferatufaggot]

Becky Botsford jr high version is such a coin toss because I could totally see her leaning HEARD into academics and wanting to be taken seriously.........but you also cannot tell me she isn't wearing an alicorn onesie to sleep each night.

[gamebunny-advance]

So if 1010 and sayu swap managers, what’s sayu like under Neon J’s management?

Tbh, my manager swap AU is more about how the battle mechanics are reskinned, so Sayu doesn't actually change that much in it ^^;

In this AU, she becomes a part of a quintet with the other mermaids from Doki Doki Mermaid Club.

I imagine that they're probably all based on a different anime girl trope, the same way Sayu is modeled on the generic shoujo protagonist.

Other than that, I never really developed her side of the AU, OTL.

[maykitz]

if you can stomach it i would recommend watching the body cam footage of the sonya massey killing, i'll try to describe it but it's hardly possible. you can't truly understand the type of extreme, completely volatile aggression that happens with cops if you haven't seen it, and it's captured here very harrowingly.

several officers are in her house, calmly talking with her about her id and vehicle papers for some time. it's routine administrative stuff, no acute danger or stress whatsoever. one of them tells her to take her pot off the stove, remarking that they don't need a fire in the house now, she walks over into the kitchen and complies. he suddenly backs off towards the front door despite already being several feet away. she asks him where he's going, he says "away from your hot, steaming water." she repeats "my hot, steamin' water?" in an amused tone. then adds "i rebuke you in the name of jesus," in a similar tone while pouring the water down the sink. the atmosphere is completely calm, you might even say amiable.

she's at this point still separated from the cops by her kitchen aisle and several feet of additional distance. the cop prompts her to repeat what she said, she repeats her reply about rebuking him in the name of jesus [edit: i didn't phrase this right in the original post; this phrase is not really a joke but rather used similarly to 'perish the thought'- ie rebuking his implication that she would harm them]. she doesn't even realise there's been a complete 180 in his head. he goes "you better fucking not, i will shoot you in your fucking face," she's stunned by the sudden abusive language for half a second, immediately he draws his gun directly at her head, she gets out a panicked "sorry!" and ducks behind the aisle, he rounds the corner into the kitchen specifically to advance right next to her, immediately fires 3 shots at her head from above at minimal distance. she's dead where she stood, or cowered rather, by the sink in her nightgown.

after a few seconds you hear the click of him turning on his body cam, saying "she came at me with a pot of boiling water." for the recording. he also nonchalantly tells his partner there's no need to get a med kit because it was a headshot. it's one of the most clear cut cases ever and it's fully recorded only because his partner did already have the body cam on throughout.

[sophiamcdougall]

You're a reasonably informed person on the internet. You've experienced things like no longer being able to get files off an old storage device, media you've downloaded suddenly going poof, sites and forums with troves full of people's thoughts and ideas vanishing forever. You've heard of cybercrime. You've read articles about lost media. You have at least a basic understanding that digital data is vulnerable, is what I'm saying. I'm guessing that you're also aware that history is, you know... important? And that it's an ongoing study, requiring ... data about how people live? And that it's not just about stanning celebrities that happen to be dead? Congratulations, you are significantly better-informed than the British government! So they're currently like "Oh hai can we destroy all these historical documents pls? To save money? Because we'll digitise them first so it's fine! That'll be easy, cheap and reliable -- right? These wills from the 1850s will totally be fine for another 170 years as a PNG or whatever, yeah? We didn't need to do an impact assesment about this because it's clearly win-win! We'd keep the physical wills of Famous People™ though because Famous People™ actually matter, unlike you plebs. We don't think there are any equalities implications about this, either! Also the only examples of Famous People™ we can think of are all white and rich, only one is a woman and she got famous because of the guy she married. Kisses!"

Yes, this is the same Government that's like "Oh no removing a statue of slave trader is erasing history :(" You have, however, until 23 February 2024 to politely inquire of them what the fuck they are smoking. And they will have to publish a summary of the responses they receive. And it will look kind of bad if the feedback is well-argued, informative and overwhelmingly negative and they go ahead and do it anyway. I currently edit documents including responses to consultations like (but significantly less insane) than this one. Responses do actually matter. I would particularly encourage British people/people based in the UK to do this, but as far as I can see it doesn't say you have to be either. If you are, say, a historian or an archivist, or someone who specialises in digital data do say so and draw on your expertise in your answers. This isn't a question of filling out a form. You have to manually compose an email answering the 12 questions in the consultation paper at the link above. I'll put my own answers under the fold. Note -- I never know if I'm being too rude in these sorts of things. You probably shouldn't be ruder than I have been.

Please do not copy and paste any of this: that would defeat the purpose. This isn't a petition, they need to see a range of individual responses. But it may give you a jumping-off point.

Question 1: Should the current law providing for the inspection of wills be preserved?

Yes. Our ability to understand our shared past is a fundamental aspect of our heritage. It is not possible for any authority to know in advance what future insights they are supporting or impeding by their treatment of material evidence. Safeguarding the historical record for future generations should be considered an extremely important duty.

Question 2: Are there any reforms you would suggest to the current law enabling wills to be inspected?

No.

Question 3: Are there any reasons why the High Court should store original paper will documents on a permanent basis, as opposed to just retaining a digitised copy of that material?

Yes. I am amazed that the recent cyber attack on the British Library, which has effectively paralysed it completely, not been sufficient to answer this question for you.  I also refer you to the fate of the Domesday Project. Digital storage is useful and can help more people access information; however, it is also inherently fragile. Malice, accident, or eventual inevitable obsolescence not merely might occur, but absolutely should be expected. It is ludicrously naive and reflects a truly unpardonable ignorance to assume that information preserved only in digital form is somehow inviolable and safe, or that a physical document once digitised, never need be digitised again..At absolute minimum, it should be understood as certain that at least some of any digital-only archive will eventually be permanently lost. It is not remotely implausible that all of it would be. Preserving the physical documents provides a crucial failsafe. It also allows any errors in reproduction -- also inevitable-- to be, eventually, seen and corrected. Note that maintaining, upgrading and replacing digital infrastructure is not free, easy or reliable. Over the long term, risks to the data concerned can only accumulate.

"Unlike the methods for preserving analog documents that have been honed over millennia, there is no deep precedence to look to regarding the management of digital records. As such, the processing, long-term storage, and distribution potential of archival digital data are highly unresolved issues. [..] the more digital data is migrated, translated, and re-compressed into new formats, the more room there is for information to be lost, be it at the microbit-level of preservation. Any failure to contend with the instability of digital storage mediums, hardware obsolescence, and software obsolescence thus meets a terminal end—the definitive loss of information. The common belief that digital data is safe so long as it is backed up according to the 3-2-1 rule (3 copies on 2 different formats with 1 copy saved off site) belies the fact that it is fundamentally unclear how long digital information can or will remain intact. What is certain is that its unique vulnerabilities do become more pertinent with age."  -- James Boyda, On Loss in the 21st Century: Digital Decay and the Archive, Introduction.

Question 4: Do you agree that after a certain time original paper documents (from 1858 onwards) may be destroyed (other than for famous individuals)? Are there any alternatives, involving the public or private sector, you can suggest to their being destroyed?

Absolutely not. And I would have hoped we were past the "great man" theory of history. Firstly, you do not know which figures will still be considered "famous" in the future and which currently obscure individuals may deserve and eventually receive greater attention. I note that of the three figures you mention here as notable enough to have their wills preserved, all are white, the majority are male (the one woman having achieved fame through marriage) and all were wealthy at the time of their death. Any such approach will certainly cull evidence of the lives of women, people of colour and the poor from the historical record, and send a clear message about whose lives you consider worth remembering.

Secondly, the famous and successsful are only a small part of our history. Understanding the realities that shaped our past and continue to mould our present requires evidence of the lives of so-called "ordinary people"!

Did you even speak to any historians before coming up with this idea?

Entrusting the documents to the private sector would be similarly disastrous. What happens when a private company goes bust or decides that preserving this material is no longer profitable? What reasonable person, confronted with our crumbling privatised water infrastructure, would willingly consign any part of our heritage to a similar fate?

Question 5: Do you agree that there is equivalence between paper and digital copies of wills so that the ECA 2000 can be used?

No. And it raises serious questions about the skill and knowledge base within HMCTS and the government that the very basic concepts of data loss and the digital dark age appear to be unknown to you. I also refer you to the Domesday Project.

Question 6: Are there any other matters directly related to the retention of digital or paper wills that are not covered by the proposed exercise of the powers in the ECA 2000 that you consider are necessary?

Destroying the physical documents will always be an unforgivable dereliction of legal and moral duty.

Question 7: If the Government pursues preserving permanently only a digital copy of a will document, should it seek to reform the primary legislation by introducing a Bill or do so under the ECA 2000?

Destroying the physical documents will always be an unforgivable dereliction of legal and moral duty.

Question 8: If the Government moves to digital only copies of original will documents, what do you think the retention period for the original paper wills should be? Please give reasons and state what you believe the minimum retention period should be and whether you consider the Government’s suggestion of 25 years to be reasonable.

There is no good version of this plan. The physical documents should be preserved.

Question 9: Do you agree with the principle that wills of famous people should be preserved in the original paper form for historic interest?

This question betrays deep ignorance of what "historic interest" actually is. The study of history is not simply glorified celebrity gossip. If anything, the physical wills of currently famous people could be considered more expendable as it is likely that their contents are so widely diffused as to be relatively "safe", whereas the wills of so-called "ordinary people" will, especially in aggregate, provide insights that have not yet been explored.

Question 10: Do you have any initial suggestions on the criteria which should be adopted for identifying famous/historic figures whose original paper will document should be preserved permanently?

Abandon this entire lamentable plan. As previously discussed, you do not and cannot know who will be considered "famous" in the future, and fame is a profoundly flawed criterion of historical significance.

Question 11: Do you agree that the Probate Registries should only permanently retain wills and codicils from the documents submitted in support of a probate application? Please explain, if setting out the case for retention of any other documents.

No, all the documents should be preserved indefinitely.

Question 12: Do you agree that we have correctly identified the range and extent of the equalities impacts under each of these proposals set out in this consultation? Please give reasons and supply evidence of further equalities impacts as appropriate.

No. You appear to have neglected equalities impacts entirely. As discussed, in your drive to prioritise "famous people", your plan will certainly prioritise the white, wealthy and mostly the male, as your "Charles Dickens, Charles Darwin and Princess Diana" examples amply indicate. This plan will create a two-tier system where evidence of the lives of the privileged is carefully preserved while information regarding people of colour, women, the working class and other disadvantaged groups is disproportionately abandoned to digital decay and eventual loss. Current and future historians from, or specialising in the history of minority groups will be especially impoverished by this.  

[alfheimr]

My Favorite Cheap Art Trick: Gradient Maps and Blending Modes

i get questions on occasion regarding my coloring process, so i thought i would do a bit of a write up on my "secret technique." i don't think it really is that much of a secret, but i hope it can be helpful to someone. to that end:

this is one of my favorite tags ive ever gotten on my art. i think of it often. the pieces in question are all monochrome - sort of.

the left version is the final version, the right version is technically the original. in the final version, to me, the blues are pretty stark, while the greens and magentas are less so. there is some color theory thing going on here that i dont have a good cerebral understanding of and i wont pretend otherwise. i think i watched a youtube video on it once but it went in one ear and out the other. i just pick whatever colors look nicest based on whatever vibe im going for.

this one is more subtle, i think. can you tell the difference? there's nothing wrong with 100% greyscale art, but i like the depth that adding just a hint of color can bring.

i'll note that the examples i'll be using in this post all began as purely greyscale, but this is a process i use for just about every piece of art i make, including the full color ones. i'll use the recent mithrun art i made to demonstrate. additionally, i use clip studio paint, but the general concept should be transferable to other art programs.

for fun let's just start with Making The Picture. i've been thinking of making this writeup for a while and had it in mind while drawing this piece. beyond that, i didn't really have much of a plan for this outside of "mithrun looks down and hair goes woosh." i also really like all of the vertical lines in the canary uniform so i wanted to include those too but like. gone a little hog wild. that is the extent of my "concept." i do not remember why i had the thought of integrating a shattered mirror type of theme. i think i wanted to distract a bit from the awkward pose and cover it up some LOL but anyway. this lack of planning or thought will come into play later.

note 1: the textured marker brush i specifically use is the "bordered light marker" from daub. it is one of my favorite brushes in the history of forever and the daub mega brush pack is one of the best purchases ive ever made. highly recommend!!!

note 2: "what do you mean by exclusion and difference?" they are layer blending modes and not important to the overall lesson of this post but for transparency i wanted to say how i got these "effects." anyway!

with the background figured out, this is the point at which i generally merge all of my layers, duplicate said merged layer, and Then i begin experimenting with gradient maps. what are gradient maps?

the basic gist is that gradient maps replace the colors of an image based on their value.

so, with this particular gradient map, black will be replaced with that orangey red tone, white will be replaced with the seafoamy green tone, etc. this particular gradient map i'm using as an example is very bright and saturated, but the colors can be literally anything.

these two sets are the ones i use most. they can be downloaded for free here and here if you have csp. there are many gradient map sets out there. and you can make your own!

you can apply a gradient map directly onto a specific layer in csp by going to edit>tonal correction>gradient map. to apply one indirectly, you can use a correction layer through layer>new correction layer>gradient map. honestly, correction layers are probably the better way to go, because you can adjust your gradient map whenever you want after creating the layer, whereas if you directly apply a gradient map to a layer thats like. it. it's done. if you want to make changes to the applied gradient map, you have to undo it and then reapply it. i don't use correction layers because i am old and stuck in my ways, but it's good to know what your options are.

this is what a correction layer looks like. it sits on top and applies the gradient map to the layers underneath it, so you can also change the layers beneath however and whenever you want. you can adjust the gradient map by double clicking the layer. there are also correction layers for tone curves, brightness/contrast, etc. many such useful things in this program.

let's see how mithrun looks when we apply that first gradient map we looked at.

gadzooks. apologies for eyestrain. we have turned mithrun into a neon hellscape, which might work for some pieces, but not this one. we can fix that by changing the layer blending mode, aka this laundry list of words:

some of them are self explanatory, like darken and lighten, while some of them i genuinely don't understand how they are meant to work and couldn't explain them to you, even if i do use them. i'm sure someone out there has written out an explanation for each and every one of them, but i've learned primarily by clicking on them to see what they do.

for the topic of this post, the blending mode of interest is soft light. so let's take hotline miamithrun and change the layer blending mode to soft light.

here it is at 100% opacity. this is the point at which i'd like to explain why i like using textured brushes so much - it makes it very easy to get subtle color variation when i use this Secret Technique. look at the striation in the upper right background! so tasty. however, to me, these colors are still a bit "much." so let's lower the opacity.

i think thats a lot nicer to look at, personally, but i dont really like these colors together. how about we try some other ones?

i like both of these a lot more. the palettes give the piece different vibes, at which point i have to ask myself: What Are The Vibes, Actually? well, to be honest i didn't really have a great answer because again, i didn't plan this out very much at all. however. i knew in my heart that there was too much color contrast going on and it was detracting from the two other contrasts in here: the light and dark values and the sharp and soft shapes. i wanted mithrun's head to be the main focal point. for a different illustration, colors like this might work great, but this is not that hypothetical illustration, so let's bring the opacity down again.

yippee!! that's getting closer to what my heart wants. for fun, let's see what this looks like if we change the blending mode to color.

i do like how these look but in the end they do not align with my heart. oh well. fun to experiment with though! good to keep in mind for a different piece, maybe! i often change blending modes just to see what happens, and sometimes it works, sometimes it doesn't. i very much cannot stress enough that much of my artistic process is clicking buttons i only sort of understand. for fun.

i ended up choosing the gradient map on the right because i liked that it was close to the actual canary uniform colors (sorta). it's at an even lower opacity though because there was Still too much color for my dear heart.

the actual process for this looks like me setting my merged layer to soft light at around 20% opacity and then clicking every single gradient map in my collection and seeing which one Works. sometimes i will do this multiple times and have multiple soft light and/or color layers combined.

typically at this point i merge everything again and do minor contrast adjustments using tone curves, which is another tool i find very fun to play around with. then for this piece in particular i did some finishing touches and decided that the white border was distracting so i cropped it. and then it's done!!! yay!!!!!

this process is a very simple and "fast" way to add more depth and visual interest to a piece without being overbearing. well, it's fast if you aren't indecisive like me, or if you are better at planning.

let's do another comparison. personally i feel that the hint of color on the left version makes mithrun look just a bit more unwell (this is a positive thing) and it makes the contrast on his arm a lot more pleasing to look at. someone who understands color theory better than i do might have more to say on the specifics, but that's honestly all i got.

just dont look at my layers too hard. ok?

[darlingbabyboo]

I've been thinking for a while about a particular one shot request and I read it last night on another fandom, so now I kinda wanna see it with TR.

So here it is : How would some of the guys react to us doodling on their hand during some boring class? (Mikey, Draken, Takemichi, Mitsuya, Haitani brothers and the Kawata twins)

Sorry if it's too much! It doesn't have to be anything big, just a small reaction would be more than perfect, since I love your writing so much. 🥹

Baby, What Are You Doing...

Summary: the guys react to you doodling on their arms

Notes: some small blurbs about the guys. These vary in length and I was lowkey running out of ideas while I was writing but I tried my best to stay original! Also, not edited bcs I don't got time for that, you see a mistake, no you didn't <333

Mikey is kinda out there so he probably wouldn't even notice you were writing on his hand, but when he does he eats that shit up. He's lazy so he doesn't like going to get tats but he loves some ink. He will praise you and start requesting things like you're a professional artist. 'Please babe, I want a dorayaki on my forearm.' You bite your lip to hide your blossoming smile, 'you know I'm not a professional artist, right?' Your boyfriend shrugs and smacks a kiss to your cheek, 'you are to me babe!'

Draken notices right away what you're doing and is probably a bit confused at first. Like, do you want him to get another tattoo??? He'll do it hun, just ask. You two are relaxing in his bed, just enjoying each other's presence. He's surprised when you pull out a Sharpie and start doodling your name on his arm. 'Honey, what're you doing?' You give a sheepish grin, 'sorry, is it a problem.' He looks at the doodle, and you start to relax when you spot no disgust in his eyes. 'No problem hun,' he turns to you, 'think I should get this my next visit?' You squeal and wrap your arms around his neck as he looks at the doodle in wonder, more love sprouting in his heart.

Takemichi is a loser (affectionate) and he would never get a tattoo because he can't stand that pain, so he will take take that doodle and he will hold it with pride. 'Sweetie, I love it so much!' He wraps his arms around your waist and you can feel his smile against your stomach. You giggle at his wonder at some shitty stick figures along his arms. 'It's really no big deal' You say, running your hands through his hair, 'you don't need to be so happy.' He shakes his head, 'it is a big deal,' He insists, 'I've never seen anything better!'

Mitsuya my love, my heart, my will to live. He will be gassing up so much that you'll probably start believing that you're the best artist in the world. He's just such a supportive cutie pie <3 'Darling, this is one of the greatest things I've ever seen,' You laugh at the amazement in his eyes as you scribble your name in mock script on his arms. It's barley legible, but Takashi doesn't seem to care, 'you sure about that?' The smile doesn't drop from his face as he looks at you with hearts in his eyes, 'I think it's the most beautiful thing I've ever seen.'

I'm sorry but Smiley is probably the biggest asshole when he catches you doing this. He loves it, I promise, but he's a jerk 100% of the time, it's hard for him to turn it off. He raises an eyebrow when he sees you uncap your sharpie and start to draw something on his hand. 'What the fuck is that supposed to be?' He mutters. You laugh awkwardly at his harsh tone and drop your Sharpie, 'sorry, I just saw some cute videos about people putting their initials on their boyfriends wrists and I thought-it's stupid sorry-I don't know why I did that.' You duck your head down, burying your face into his chest, feeling that your body's on fire. Smiley looks at the half-finished doodle on his wrist. 'Don't stop baby, shit's pretty cute.' He presses a kiss to the crown of your head, 'I might get it tatted up.'

Angry is so flustered when he sees you doing this and he loves it so much okay. He feels like wearing it is a testament of how strong your love is. He will ask you (nervously) to do it every day because he doesn't want it to fade. 'Oh my gosh! Souya, you scared me, what're you doing there?' He stands awkwardly in the corner of your room, playing with the ends of his sleeves. 'Sorry... I didn't want to scare you... I just...' He pulls up his sleeve and he sees the fading bunny on his arm. 'I don't wanna bother you, I just-' 'Don't worry baby, I get it.' You cut him off, cupping his cheek and placing a kiss on his cheek. You pull him towards the bed and tell him to wait, 'I just need to get my Sharpies!'

Ran won't notice I'm sorry. He sleeps most of the day and he already has so much ink that some doodles won't pop out to him too much. It's only until he notices you doodling on a piece of paper one day and compares it to what's all over his arms that he starts tweakin'. 'Angel have you been inkin' me up?' He raises an eyebrow at you, confused. You hide your smile, 'of course not, I have no idea what you're talking about.' He narrows his eyes, '...okay.' Not completely believing you, but too sleepy to question things. 'Wanna take a nap?' You feel the Sharpie in your pocket and bite the inside of your cheeks, 'I'd love to!'

Rindou will eat that shit up, oh my gosh he loves it so much. He's like the extreme version of Angry and Mikey. He wants it obvious, and he wants it bold. 'C'mon princess, your name on my collarbone, I need it.' You raise an eyebrow as you straddle him, 'in red though, that's a bit... much.' He shakes his head, 'no, no, it'll be perfect.' You shake your head in exasperation, your boyfriend is a big dummy, but he loves you with every part of himself.

[llysaan]

Inktober Day 13: Left Hand

Every inktober, there’s a drawing or two that I like to turn into a full illustration eventually. I think this is definitely going to be one of those!

This concept is something I’ve wanted to get on paper for a while now, and the original inspiration is from a post by zevsurana vigilskeep. It was about how dalish hunters will give the one they want to court a trophy as proof they can provide and protect (or something along those lines. I tried to look for the original blog, but it wasn’t there 😭 if anyone knows what happened pls lmk. They were a fairly popular dragon age blog I think?) (Edit!!!! target acquired! Their blog is @vigilskeep now. Shout out to them for replying haha), the post went on to be like how a warden Mahariel would have the BEST trophy in the archdemon’s head and how cool it would be for a romanced, divine Leliana to display it over the sunburst throne as a reminder and a warning.

Nehra is a Surana not a Mahariel, and she doesn’t romance Leliana, but I still thought it would be *perfect* for her to gift the trophy as a part of Leliana’s coronation. And it just makes for a cool illustration lol

Countdown to Veilgaurd: 18 days!!!!!!

[rupeenotruby]

@isasan347 made a post about Fable doing her ssbu stuff in front of Legend and I thought the idea was quite humorous and so I made a comic!

I chose to go with her lightning kick because her three main special moves are just the great fairy spells for OOT which would then belong to Time and her down b isn't very iconic since it is a more recent addition. Lightning kick has been there since the beginning and is the first thing I think of when I think of Zelda in ssb.

I started working on this comic a few weeks ago but had to put it on hold because of my finals. But now they are over and I have finished this! There is a lot I dislike about this comic (namely the dialogue, I didn't really script this out like I should)(If you have a better final punchline you are welcome to edit the panels with it (2nd to last), I changed it so many times and am still not the biggest fan of it). But there is also a lot I like! I actually finished it for one! Yipppe! I'm still figuring out how to draw everyone and wouf! It was a challenge (shoutout to four though he's a real one). I'm probably going to study their clothes a bit more before making another comic though. I'm also still figuring out how to write all these guys so they might be ooc, sorry about that too. Also here's the rough draft if you want to see it(if you zoom in you can see the original ending (maybe)):

Anyways, if you have read this far, I have a favor to ask: You see it has been a while since I have made a comic for human consumption, and I would like some feedback. Is the text big enough? Do you understand what is happening? Anything really bothering you about it? Anything you really like? Etc. Etc. I am open to constructive criticism.

I will take this time to complain about Zelda's horrible heeled-sandal-boots. They are evil and awful and horrible and every other negative thing you can think of. That is all.

[otterloreart]

Steps of creating a 3D model replica from scratch

trace photos of character from available and cleanest angles. attempt to get a 90 degree*, front and back, side profile and straight on of the face. save additional reference photos such as bottom of body, back, and various extra angles without tracing which may help reference later on.

*more on angles later, but trying to get a 90 degree from each side is the most realistic and practical option if you dont actually have the character you're copying

2. block out the body and head

and by block i mean, yeah, its made out of elaborate rectangles

4 aha, you thought I would hand sculpt those? no. no. I used the curve tool to add these swirls. And yes i exactly traced them over the drawings to match the original as best as possible. The end of the curve tool is flat by default so I added a few spheres to make the ends nice and round. (there is absolutely a way to make the ends of curves rounded but I did not feel like looking it up or messing with the settings)

this wasn't mirrored to the other side- I traced both sides of the body and the front from photos and sculpted the swirls for each side. I couldn't get a single photo of the swirls at the butt area so I just winged it.

6 I am struggling to not make Cha Cha look angry.

I feel like the eyes are basically traced off the original and yet she looks so much grumpier. maybe it just needs to be smoothed out?

I added a little definition to the area around the eyes and I do think it looks a little better. The more definition I add in this stage the better, because I prefer this to sculpting. However, if you're more adept at sculpting you would probably not make this as detailed.

7 Here she is after smoothing everything out in sculpt after remeshing, in both Eevee (left) and Cycles (middle/right). still trying to figure out how best to render things. For some reason her nose ended up lighter in cycles but i cant be bothered to fix that rn

On the previous step I made the elements of her face + ears mirrored but once I start sculpting I'm not using the mirror tool. In fact nothing ends up mirrored, even the back right foot is slightly shifted in position.

this is probably not even the final version, I think i might redo the smooth/sculpt part and fiddle with the underlying shapes (basically go back a step)

Cha Cha's face. is one of the most difficult things to sculpt. It is extremely difficult to understand the shape of the underlying sculpt because there aren't any photos of her with the eye paint removed. There are so few of her out there I don't think anyone would willingly remove the paint to make a custom or anything unless it was in truly awful condition, and I dont think that has ever happened.

I have saved dozens of references from a number of different sites- these pics here are from etsy, the above was from the wiki. Her eyes are different from every single other pony and pony and friends- they're so bulging, so round, the eyelashes are longer. It's wild.

I can only see all the things that are wrong with it.

It's basically impossible to get something like this 100% perfect unless you have like, a set of turnaround photos all from the same angle that you can match up to the camera. You can basically overlap references with the camera view but you will never know the exact angle so if you make edits from multiple angles like this you'll inevitably not match each angle and then have to go back and adjust the angles and then you're fiddling with it infinitely. That's why I usually go for the "trace 4 angles and make the rest up as you go along" method.

I don't want to spend _too_ long on every model I make- the Takara pony which took 6 months really shows how far down the rabbit hole I will go with something like this, and it's just not practical. But I think with a slight amount of fiddling I can match the reference a little better.

[cc--2224]

I Told You So

Pairing: Tech x F!Reader

Summary: After a mission goes wrong, Tech realizes that you are more precious to him than he originally thought, and though he is upset that you didn’t listen to him, he is more upset that he nearly lost you. And he intends to finally do something about it.

Warnings: This is very much 18+ Minors do not interact! Slight canon typical violence and mentions of injuries in whatever plot this has, smut; oral - f receiving, unprotected p in v (wrap it before you tap it!!), porn with feelings, possessive Tech, slight praise kink? language

Notes: I don’t know where this came from, it has been a minute since I’ve written anything remotely spicy let alone an actual smut fic. But please let me know what you think!

Word Count: 5.5k

Taglist: None, let me know if you'd like to be added!

Masterlist

Edit: Thank you all for the likes and reblogs!! I hope you enjoyed it 💚

"It is unwise for any of us to go out on our own, we should be working in teams of two." Tech pointed out as you were gearing up for your mission. You were to locate and rescue a Republic senator who had been imprisoned by the Separatists and bring them back to Coruscant.

"There's an odd number, we can't go in teams of two." You pointed out. "I can handle myself, I don't want to divide your squad." 

Ever since you had teamed up with Clone Force 99, you had gotten to know them well, but you still felt like an outsider. In some ways, you were, but you never really felt like one of the team. It wasn't uncommon for you to be the odd one out for teamwork, and to you, this was no different.

In truth, you had always hoped to be partnered with Tech when you were given the briefing, but his talents were more complementary with one of his brothers. Ever since you met him, you were drawn to him, his brains, his demeanor, the way he lit up when speaking about something that interested him which ended up being nearly everything. He was handsome and skilled, and he welcomed you into the squad immediately, over the following months, you began developing feelings for him.

It never hindered your performance on missions, not only because you were never paired up with him, but you were good at compartmentalizing your feelings from your work. You wanted to get closer to him, but there never seemed to be a good time, and even if there was, you just didn't know how to bridge the gap. 

"You can join Crosshair and myself, it will be safe for you." He suggested.

"We'll cover more ground in three groups. I'll be fine, I doubt there are even going to be any platoons that far out." 

Tech shrugged, "Suit yourself. I will send you the coordinates for our rendezvous point. Keep your comm on."

You nodded and left the Marauder with your equipment. 

You had no idea that this mission would be more dangerous than many you had encountered, but Tech knew, he always did.

As you approached the outskirts of the village, you saw a clear path straight through to the compound where you suspected the senator was held. It seemed a little too good to be true, there should have been droids out here, not full platoons, but someone keeping watch. 

You drew your blaster to be safe, and crept onward, keeping an eye out for anything out of place. You could hear chatter over the comms of the others checking in with each other, and then you heard Tech say your name. 

“All clear. As I said.” 

Tech didn’t reply and you lowered the volume on your comm, still keeping it on, but not wanting to draw attention to yourself. 

You had made it about halfway through the clearing when you saw blaster fire strike about ten paces to your left. You looked up, trying to see where it came from when you saw a platoon of B1s headed your way. 

“Easy work.” You mumbled to yourself, aiming your blaster forward, shooting them as they neared you. 

It was easy work at first, but there didn’t seem to be an end to them. When you’d shoot one, two more would appear, and before you could even disable a squadron of them, a tank appeared over the horizon. 

“Kriff.” You said. 

You considered calling for backup, but your pride couldn’t handle Tech telling you that he told you so, so instead you took a grenade out of your pack and threw it toward the platoon. It didn’t seem to damage the tank, but it at least got rid of the marching battle droids.

If you had raised your comm to ask for help, you would have heard Hunter say that the target was secure, and call for everyone to return to the ship, but you were the only one who didn’t check in. 

“Tech, Crosshair, you two go find her. Wrecker and I will bring the senator back to the ship.” Hunter told them. 

They left their post and headed to your last known location.

“Why didn’t she just join our team?” Crosshair finally asked.

“I did suggest it, but due to her stubborn nature, she was certain she would be fine on her own.” Tech’s tone indicated his annoyance. He wanted to be as annoyed as he sounded, but more than anything he was worried. 

He liked having you around, you were always willing to listen to him prattle on about whatever topic was on his mind. You were kind, you treated him and his brothers well. The idea that you could be taken from them had never crossed his mind until now. Unlike you, he had no idea of the way he felt about you. He had rarely had feelings for anyone before, he didn’t know how it was supposed to feel. All he knew was that he didn’t want to sit through a briefing without you, or ramble on about some useless topic without you intently listening, and he didn’t want your last conversation to be the last conversation. He didn’t want to be right about this one thing. 

When they saw the explosion in the distance, he began to fear he was right.

The tank fired toward you, it missed its mark and you were able to avoid a direct hit, but the explosion was just a little too close. You were sent flying back from the shock wave, and you could hear buzzing in your ear before everything went black.

If you hadn't gone out on your own, someone could have been looking out for you. Tech could have been looking out for you, just as he insisted upon.

But instead, you were so certain you could handle yourself that you had gotten yourself in trouble.

You woke up in your bunk, bandaged and sore, but still alive. You didn’t know what happened, and you weren’t exactly eager to find out, but you knew you had to face everyone eventually.

Wrecker smiled at you when you walked into the cockpit, “Well look who’s finally awake!”

Crosshair didn’t say anything, instead looking at the back of Tech’s chair. 

You heard a sigh, and then Tech turned his chair around, eyeing you up and down.

“Something you need to say?” He finally asked.

“What happened with the mission?”

Hunter spoke, “Got the senator. We’ll be arriving on Coruscant shortly.”

Had you really been asleep that long?

"I told you you should not have gone on your own." It seemed Tech was tired of the small talk.

You looked at him, unsure of what he wanted you to say. “I was just doing my part of the mission, nothing I did was out of line. I didn't know there would be that many droids on the outskirts." It was a losing argument, and one you'd rather not have in the cockpit of the Marauder in front of everyone, but Tech didn't seem interested in anything but the argument.

"Precisely. If you had gone with Crosshair and I, you would not have encountered those droids. And now you are injured because of your own mistake." He had raised his voice, something you’d never heard him do.

You flinched slightly at his words but he continued, “What happened to keeping your comm on? We were trying to reach you.”

“My comm was on!” You retorted, “Just turned it down so I wouldn’t be spotted.”

“Yes well, a lot of good that did you.” He responded sarcastically. “We might not be there to save you next time. Keep that in mind before you choose to do something so reckless.” He turned away from you, facing the front again.

Your eyebrows furrowed at the back of the chair, "I didn’t ask to be saved, in fact I’d rather be back there with the droids. Maybe then-"

Hunter cut into your argument. "That is enough, both of you." 

He looked at you with his eyebrows knit together, "Go lay down, rest is going to help your injuries, arguing is not."

You opened your mouth to protest, but before you could say anything, you turned and went to your bunk.

After you were out of earshot, Hunter spoke to Tech.

"What was that about? You can't just yell at her, she got hurt, she learned her lesson already."

"As I have mentioned, she would not have-"

"Stow it. We all know what's going on between you, even if you don't. You need to figure it out before your next outburst." Hunter turned in his chair to face the front of the ship again. Tech looked on at the dancing lights of hyperspace.

Tech didn’t speak to you for the next week. The five of you were granted time off after saving the senator and you had all decided to spend it on Coruscant, but with the tension in the ship, it didn’t seem like much of a vacation.

You knew that all you had to do was apologize, but you didn’t feel like you did anything wrong. 

You knew the others were getting tired of yours and Tech’s attitudes; they all knew that it was more than just the mission. They knew about your feelings for each other, and they knew how worried Tech had been as he treated your wounds and bandaged you up. 

The only thing they could do was to force a resolution.

“Okay, we’ve had enough.” Hunter said loud enough for both you and Tech to hear at opposite ends of the ship. “We’re all going out. And that includes the two of you.” 

He slammed down a flyer he had found for a gondola ride through the upper levels, complete with all the sights Coruscant had to offer. 

“Is that really necessary?” You asked, glancing at Tech from the corner of your eye. You couldn’t think of anything less beneficial than the five of you being cramped together in a confined space you couldn’t leave.

“It isn’t a request.” Hunter informed you. 

You sighed and left the ship, followed by the others, and finally Tech, and you made your way to the park where the dock was located.

The five of you slowly arrived at the front of the queue, and when it was your turn, you were shoved into a gondola along with Tech. None of the other batchers joined you, but before you thought to exit, the vessel's door had closed and you were moving. 

You sat down on the bench across from Tech, still avoiding eye contact by looking out the window, arms crossed. 

Tech still kept his silence. Even a week later, he was still considering Hunter's words. Was there something between him and you? He knew he didn’t want to lose you, but that was completely normal, wasn't it? And even if it wasn’t normal, that doesn’t mean whatever he felt was reciprocated. But if you did return his feelings, he knew this might be one of the only chances he had to act on it, to tell you how he felt.

When the gondola had reached nearly the top of the track, the view overlooking the Jedi temple, he sighed and finally looked at you. 

"You see, I... I felt responsible for your injuries."

"You felt responsible?" You repeated after a pause. "Wasn't it my fault that I got injured? For not following your oh-so-wise plan?" 

You were acting petulant, but your emotions were still running high and the confined space didn't help.

"Well yes, if you had done as I suggested, you would have been free from injury."

"Right, because you know everything."

"Crosshair and I left with zero injuries. So yes, this I know to be fact." 

"Do you really have to say 'I told you so'? I'm sorry, is that what you want to hear? I'm sorry that I got hurt because I didn't l-"

You didn't have time to react before you felt Tech's lips upon yours. One hand was on the side of your face and the other was digging into your waist.

The vessel rocked slightly at his movement, causing you to grip onto the bench. Your eyes were still wide at the sudden contact, but when he didn't back away, you closed your eyes and deepened the kiss, moving your hands to place them on his chest. 

He stopped to take a breath, his lips still hovering tantalizingly close over yours, breathing you in, committing your perfumed smell to memory.

You closed the gap this time when you decided he had enough time to catch his breath.

His tongue darted out and swiped across your lip, asking for access to explore. You allowed it, moaning into his mouth when you felt his tongue against yours. 

In one swift movement, he sat on the bench and pulled you into his lap, resuming the kiss once you had situated yourself. 

Your hands moved up, resting on his shoulders briefly before snaking your arms around the back of his neck, holding him close. You could feel his strong hands massaging your thighs before resting on your ass, testing the waters by giving it a squeeze, you bucked your hips slightly in response. 

You could feel a coiling sensation in your stomach, a heat pulsing through you, and pooling out onto your panties. You wanted him, and you could feel based on his actions and the stiff bulge in his pants that he wanted you just as badly.

He broke the kiss, and moved his head back, causing you to chase after his kiss. He put a finger to your lips and smirked.

"You must be patient, the gondola ride is near the end of its course, and I still have more to say about the mission." 

You frowned in protest, feeling all that heat suddenly dissipate as he gently pushed you off of him.

"Not to worry, the Marauder is nearby, no one else will be there and we can continue our conversation there, if that is what you want."

You nodded in agreement.

"I apologize, but I will need to hear an answer before I can comply."

"Yes, I want that." You said too quickly, trying and failing to not sound too desperate.

He smirked again. "Good girl. You and I still have much to discuss."

You whined slightly at his praise, then waited for the door to open as you neared the dock.

After disembarking, Tech grabbed your hand, pushing past the people exiting their respective vessels. Hunter, Wrecker, and Crosshair were nearby, but you didn't see them as Tech ushered you back toward the landing port.

"I guess they finally talked about it." Wrecker had said, staring wide-eyed after you two.

"We should probably give them some privacy so they can talk more." Hunter shook his head, smirking toward the ground.

"Just as long as they don't talk in my bunk." Crosshair said as he crossed his arms.

The door to the Marauder wooshed open, and the two of you hurried on board. Tech was back on you before it could close again.

He pushed you back into the wall, pinning you there as he kissed you. Placing hot kisses on your lips, your cheek, your jaw, your neck, anywhere he could.

"Do you realize how worried I was when I saw you?" He asked between kisses. "When I heard the explosion, when I rushed over only to find your body on the ground?"

He stopped kissing you and looked into your eyes, "I thought I lost you before you were even mine to lose."

"Tech.." You tried to move a hand from his grip to place it on his face, but he tightened his hold on it. “I’m sorry.”

“I do not want your apologies.” He told you, “I want you by my side, I want you to be safe. I…” He kissed you again, this time more roughly, eliciting a moan from you again. “I want you to be mine.”

Behind his goggles, his pupils were dilated, his eyes half-lidded.

The coiling feeling returned. Your stomach was in knots. You had never seen Tech like this before, you hadn’t seen him behave so possessively, and you wanted to see more of it.

"Then make me yours." You said, only a whisper. “I want to be yours.”

His mouth found yours again, not bothering to ask you to give his tongue space to enter but instead forcing it past your lips. His knee slotted itself between your legs, close enough to tease you, but not close enough to give you friction where you desired it most. You bucked your hips trying to find it on your own, and he smiled into the kiss.

"What do you want, mesh’la?" He asked you.

You bucked again in response. He removed one hand from yours and brought it down, pushing your hips back against the wall so you couldn't move them again.

"I told you, I need to hear your words. Tell me what you want."

"I want you. I-I need you."

"Then I should not keep you waiting."

He let go of your hip, and with the hand that was still holding yours above you, he guided you over toward the console.

"Here?" You asked.

"Well, of course." He guided your hips downward so that you were seated. "I cannot help but think about how pretty you would look while I fucked you right on the console of my ship."

You let out an involuntary moan at just his words alone.

He caressed the side of your face, and with a feather-light stroke across your jaw, he tilted your chin up to meet your gaze. Despite his words just a moment ago, he placed a gentle kiss on your lips once more, and his hand slowly traveled down your neck, over your breast, down your stomach, and rested at the hem of your shirt.

He looked into your eyes, silently asking for permission. You nodded eagerly and he pulled your shirt up over your head. He tossed it onto the seat behind him and then looked at you, admiring the newly uncovered parts of you.

"Beautiful." He whispered. Out of everything done so far, this one word was enough to make you blush, you tried to turn your head away but he stopped you.

Leaning down over you, he placed a kiss on your shoulder, then your collarbone, trailing down to your breasts, still obstructed by your bra. His lips kissed the top of one, while his hand held the other over the fabric. You reached behind your back and unclasped it, giving him access to another part of you where you wanted to feel his touch.

He tutted quietly. "I could have done that myself."

You rolled your eyes jokingly and he resumed allowing his lips to explore your skin, now alternating between kissing and sucking. And where his lips weren't, his hands were. Squeezing the flesh, thumbing over your nipple while his mouth worked on the other.

Soon, he continued his exploration, and as he neared your stomach, he lowered himself down until he was kneeling between your thighs.

His gaze was hungry as it focused on your center, his lips formed a tight line, holding his mouth closed to prevent his tongue from hanging out.

His hands were on your knees, he trailed them up your thighs, stopping at the waistband of your pants, once again looking up at you to ask your permission. You situated yourself to make it easier for him to remove them, and soon they too were discarded, thrown back toward the pilot chair. His hands were back on your thighs, prodding the soft skin, placing hot, open-mouthed kisses on each of them, sucking them enough to leave marks.

You whined, both at the sensation of him marking your legs, but also at the lack of sensation where you really wanted him to be.

He smirked up at you, and then spread your legs further apart, slowly moving his face toward your aching cunt. He could see how turned on you were, and he licked his lips before speaking.

"Stars, you appear to be soaked."

"Mmhm." Was all you could manage, all your attention was on the fact that he was inches away from giving you the friction you needed.

"Cyar'ika.." He scolded. "Words. You need something of me, what is it?"

"I... I just need you, I need your mouth, your fingers, your cock, I-I need to feel you." Your desperate words turned his gaze dark.

"Good girl, telling me everything you want," his praise caused you to squirm, trying to close your thighs just to feel friction, but he held them open.

"You enjoy it when I call you that?"

"Gods, yes." You moaned.

He hummed in response, keeping that knowledge filed away.

He finally pressed his face forward, nose rubbing against your clothed pussy. You whined in response. He dragged the tip of his nose upward, knowing exactly where you wanted to be touched, and he hooked his fingers around the waistband of your panties, relishing in your whines and pleas for him to finally take them off of you, and soon he relented, letting them join the rest of your clothes before he dove in.

He ate you like a man starved, licking you through your folds, tasting as much of you as he could.

"G-ah, fuck, Tech," you cried out, your hands reaching for his hair. The feeling of your hands gripping his hair causing him to groan.

His lips wrapped around your clit, alternating between sucking it and circling his tongue around it. He could feel you squirming at his touch and he reached one hand up, resting it on your hips, hoping to help anchor your.

With his other hand, he circled your entrance, teasing you, making you beg him to touch you before he obliged.

He slid one long finger into you as far as he could, pressing against the spongy walls, exactly where you needed to feel him.

He let go of your clit and let his tongue run up and down your folds, getting another taste of your juices.

"M-mmo-" You began to say, being cut off by the feeling of his tongue making another swipe up.

"My apologies, you will have to repeat yourself." He looked up at you, his face slick with your arousal.

"More, I need more."

He raised an eyebrow and plunged another finger into you. Your head rolled back and you cried out.

"Is that what you wanted?"

"Yes!"

Your grip tightened on his hair, pulling his face back into you. His hot breath fanned against your cunt and you sighed in contentment.

"Gods, you are a needy thing." His purred, his voice vibrated against you as he attached himself to your clit again.

He sucked on you while his fingers made scissor patterns inside you, all the while you could feel the coil start to tighten.

"I'm close-" You cried out. He didn't change anything about his rhythm. He strived to get you there, he was eager to please you after he had been so harsh toward you earlier. His tongue circled your clit and he could feel you pulsing around his fingers.

You could feel the heat growing in your stomach, your moans got louder as you got closer. He slid his fingers out, and before you could complain about the loss, you felt his tongue swiping up and down before dipping inside you. His fingers resumed drawing circles on your clit as he drank from you.

Your thighs clenched together, forcing him to stay exactly where he was, you muttered out a string of curses as the coil finally snapped and you cried his name as you came undone. He kept lapping at you until you were through.

You released your hold on his hair and he stood back up.

"You taste magnificent," He smirked, licking your arousal off his fingers before his mouth found yours again. You could taste yourself on his tongue as he leaned you back onto the console. You shuddered when you felt his stiffened cock press against you. His hands began grabbing at your breasts and your arms wrapped around his neck pulling him in.

"You are perfect." He said as he began kissing every piece of you he could. He locked onto your neck, he kissed you fervently, then gently bit down, giving you a mark that would be difficult to hide from the others, not that they didn’t already have an idea of what was going on here. But that’s what Tech wanted, he wanted to show everyone that you were his. 

"Tech.." You said quietly,

"Mm?"

"I want to see you." You pushed yourself back up onto your elbows and looked into his eyes.

For a moment, just for a moment, he froze, but soon enough, his hands moved to the fastener on his pants.

"Let me do that."

He smirked and helped you off the console gently.

You worked on the buttons on his shirt first, unbuttoning them slowly, placing gentle kisses on his chest as each loose button reveals it to you.

He tilted your chin up and leaned in for a kiss, pressing against you. You could feel his stiff bulge press into you again and your hands moved faster to unbutton his shirt.

You pushed it off his shoulders when it's finally unbuttoned, and you looked at his toned chest. You knew he'd be strong but it was still a surprise to you. Your fingers danced across his torso, feeling the muscles under his smooth skin, before finally landing on the fastener of his pants.

You look up at him, just as he did for you, asking for his permission. He pressed his forehead against yours in response, you smiled and kissed his lips, then moved to undo the fastening. He helped you to slide his pants off, and he stepped out of them, kicking them off to the side.

You could see the outline of his cock much clearer against his briefs and you could feel your mouth water, you clenched your thighs together, not wanting to wait to feel it inside of you. He raised an eyebrow at you.

"You desire it so badly?" He asked you, forcing your gaze away from it and back up to him.

You nod quickly, "Yes."

He smiled then rutted his hips against you, "Then please, continue."

Your hands moved to the waistband of his briefs, he moved his lips to yours again and you returned the kiss before kissing along his jaw, then his neck. You peeled the waistband down and he hissed as his briefs grazed across his cock. They had soon joined the rest of the clothes and you looked down.

You bit your bottom lip and you started to lower yourself down but he stopped you. You gave him a confused look, and he smirked.

"There will be plenty of time for that at a later time. But for now,"

He continued by guiding you back onto the console, laying your back down and he stood between your legs with his hands on your thighs.

"Are you comfortable?" He asked.

"Yes," you assured him.

You felt his cock rub against your folds, before he positioned himself at your entrance.

"Ready?" He asked.

You bucked your hips in response and he pushed himself in without another word.

You arched your back as you felt him stretch you open, if there was any pain, it quickly turned into pleasure as he buried himself in you inch by inch.

When he was fully sheathed, he gave you a moment to adjust before he started to move. He started out slow, he made sure that you were used to the feeling of his thrusts before he picked up the pace.

"Gods, you are taking me so well, cyar'ika."

You replied with a moan. You bucked your hips to meet his pace and he smirked.

"Is there something you want?"

"Mmm p-please, go fas-faster" you answered between thrusts.

"Very well," He obliged, his hands gripped onto your thighs and he buried himself again, quickening his pace at your request. He looked at you as you took his cock, the way your back arched, how your tits bounced with each thrust, the way your face contorted in pleasure.

He tightened his grip on your thighs, you took that as a hint to wrap your legs around his waist and he moaned in response, feeling himself go even deeper inside you.

"You are so perfect, such a good girl for me." Your walls clenched around his cock at his praise.

He thrusted into you harder wanting to explore the new angle he was permitted.

“Fu-uck,” you whined.

"Is this okay?" He asked, unsure of if he was hurting you.

"Gods, yes!"

He set a brutal pace, but you bucked your hips, meeting his thrusts each time.

Tech could feel himself nearing his climax, his pace started to become slightly more erratic. He slid one hand down your thigh toward your center. He circled your clit with his thumb, intending on sending you over the edge with him.

Your walls clenched around him again at the contact. You were getting close again. Your moans grew louder as you neared the edge.

"That's it," He said, he wanted to feel you come undone again. He continued circling your clit as he thrusted into you. "Be a good girl and come for me once more, come on my cock."

Your second orgasm crashed over you without as much of a warning as the first, your legs tightened around him, he slowed his thrusts down, helping you through it, and he moaned at how your walls constricted him. He knew he wasn't going to last much longer.

"Wh.. Where do you want me?" He asked.

"In-inside," you said, still overcoming the last of the waves of pleasure.

He didn't ask any further questions, he buried himself as far as he could before he stilled, his cock twitching inside you as he painted your walls with hot ropes of his seed.

He moaned out your name as he finished, feeling himself soften inside of you, he pulled himself out of you and you pushed yourself up, wrapping your arms around his neck, kissing his lips, your tongue darting into his mouth.

He returned the kiss, holding you close to him, and his hands traveled across your thighs, before lifting you up from the console.

“I love you.” You told him, resting your head on his shoulder as he held you. “I think I always have, but… In case it still wasn’t obvious.”

He smiled and carried you toward the refresher, sitting you down on the counter when you arrived, giving you a chaste kiss on the lips. “Perhaps it was not obvious over the last week, but now, I would have more questions if you did not.” He smiled at you, “I love you too. But next time, if I ask you to join me on a mission instead of going off on your own, please listen to me.”

“But look where it brought us.” You replied with a smirk.

“Perhaps that is true, but for your own information, you do not need to nearly get yourself killed in order for me to fuck you. You could have just asked.”

He grabbed a towel before he quickly left to retrieve your clothes and clean off the console. Tech soon returned to you and turned the water on, helping you off the counter and guiding you to the shower where he joined you. It didn’t take long for his lips to be on you once again. 

While it was your stubbornness that led you to this point in the first place, you were suddenly very eager to see what would happen on the next mission, should you and Tech finally be paired together.

[bel1ewrites]

Good Luck, Babe! (Sam Carpenter x Reader)

a/n: Long time no see......... Originally this was a Wanda Maximoff fanfic, but I needed Sam in a tank top again. ps. listen to Good Luck, Babe! by Chapell Roan if you want to understand this more or watch Stardew valley female farmer x Haley edits.

Description: You'd have to stop the world just to stop the feeling.

WC: 2.9k

Warnings: Bar bathroom sex, bottom!reader, top!Sam, farmer!Sam, internalized homophobia, brief kissing of men :(, angst, mentions of alcohol

IT was getting difficult to keep track of the number of shots you’d gone through, each one drowning out your regrets more than the last. The bar was stuffy. It was full of sweaty bodies and slurred words, Friday night drawing most people from town to wind down from a week full of work. It was always a risk coming here, you knew that.

She frequented this bar, sipped on whiskey and laughed lightly with the other farmers at the bartop. But you didn’t care. Besides, you weren’t there for her! You weren’t. You were there to find a new boy to distract yourself with, to spend the night next to. 

The martini you’d ordered sat untouched in front of you, taunting you quietly as if reading your thoughts. 

“Hey there pretty lady,” a voice called from behind you, raised slightly so that you could hear him over the chatter. 

You turned on your stool, eyes met with a man. They all looked the same to you: like, well, men. This one had glasses, which was a good thing you’d supposed. He was handsome enough. His hair was dark, near black, and slicked back with a thick layer of gel. The thought of running your hands through the sticky mess made your stomach churn. Not because you didn’t like man hair! You just didn’t like gel, which was a valid reason that had nothing to do with his gender.

Running a hand through your hair, you put on your best smile and lowered your eyelids -a trick as old as time-. “Hi,” you said sweetly, offering him your name. His eyes lit up, beer hanging comfortably in his hand. 

The background noise grew louder, hoots coming from a number of men somewhere behind you. A mixture of, “Took you long enough!”s and “Look who decided to show up!”s grabbing your attention. You brushed it off, stayed facing away from the ruckus and tried to focus on gel boy’s words. 

“Pretty name for a pretty girl,” he said smoothly, eyes running down your figure. “I’m Har-”

“Alright boys enough!” a familiar voice shot out through the room, rasped syllables filling your ears and sending shivers up your spine. You didn’t turn around, wouldn’t. Your feet stayed planted as her laugh sparked your body to life. 

You thought long and hard. Thought about what to do, where to go. You should stay, there was no reason to leave. And anyways, the night was far from over. The clock behind -Harley? Hardy?- the man read half past nine. No, you would stay and have fun with Har-what’s-it and you would go home with him if he asked and you wouldn’t think about a certain farmer with black hair and impressively skilled forearms. Forearms that were sculpted from lifting and plowing and planting. Forearms that you wanted to watch move as her hands found their way-

“Um, hello?” Har-gel asked, scratching his neck with his free hand. His cheeks were tinged with a slight pink. He seemed like a sweet guy, one who would marry a sweet girl and have babies with her. A girl who wasn’t you. 

You grasped the collar of his shirt, pulled him down towards you with your back pressed against the bartop. “Can we makeout?” you asked, eyes flicking down to his parted lips. They were chapped a little. You looked away from them. 

He didn’t hesitate, just placed his beer on the surface behind you and boxed you in with his arms, hips pressing to yours as he moved closer between your legs. 

The kiss was fine. It tasted like beer and the stubble on his chin poked yours painfully. It was fine, his tongue was in your mouth and like, that was fine you guessed. He was respectful with it, hands not venturing from their spot behind you. You waited, kissed back, went to run a hand through his hair and thought better of it. You waited some more. 

After what seemed like an eon, he pulled back. His cheeks were bright red and his glasses were foggy, lips a little swollen as his breath rushed out from them. You didn’t feel much of anything besides indifference. There was a pit in your stomach, one that you ignored entirely. It was probably something everyone experienced when they kissed a man, one that was meant to be pushed aside. 

“Wanna get out of here?” Har-don asked, gazing down at you with a look that was definitely meant to be attractive, and probably would’ve been if not for the shots in your system. 

“Yeah!” you said, smile painfully forced, “Just let me go use the restroom really quick.” he backed up as you went to stand, digging through your purse and setting two twenties down next to your drink. 

Your legs carried you to the women's room, hands fussing with the tangles he’d made in your hair. The dress you wore was one of your favorites, one that screamed summer. It was the perfect length for going out, not too short but not too long. It flowed around you as you pushed the bathroom door open, sighing with relief when you realized you were alone. 

When you met your eyes in the mirror, you couldn’t help but look away. You were ashamed, you felt like a fraud. The pit in your stomach grew, so you washed your hands to distract yourself. The water was cold as it rushed out of the faucet, soothing your overheated body and disarrayed mind while you watched it hit your skin. You stood there with your hands under the water for longer than normal, not even glancing up when the door opened.

Briefly, the sounds of the bar flooded the bathroom, fading as the door swung shut. Subconsciously you reached out, pushed on the soap dispenser and watched the foam fall into your dripping hand. You just needed a minute before you went back to the sweet man with the glasses, a second to collect yourself. 

“Got a lot on your mind?” a woman asked from behind you. Well, not just a woman. The woman. 

The woman who you shared your secrets with, who held you when you cried and listened to you say things like, “it's just not the way I am, Sam,” after the two of you got done fucking. She was the woman who made you believe in love, who showed you how colorful the world could be. 

Her hair was pulled back, a few stray pieces falling messily around her face. It was still dark, but the summer sun had brightened it up a little bit. She was clad in her work clothes, tank top tucked into her jeans, boots laced perfectly. It was easy to tell what she’d been up to the past few months, her toned arms and tanned skin hinting at long days spent on the farm. You forced your eyes away from her figure in the mirror, looking back at your hands in the water. 

“Nope,” you sighed, turning the water off and drying your hands. “Just freshening up.”

She huffed out a laugh, crossed her arms over her chest. “I don’t blame you,” she admitted. “I’d wash my hands after that little show too.”

You couldn’t help the heat that rushed to your cheeks, movement halting momentarily, hands frozen in brown paper towels. You hadn’t meant for her to see that, not consciously at least. You just needed to distract yourself, just needed a minute to focus on something other than her. 

“If you came in here to slut shame me, I’m not in the mood,” your voice was cold, eyes catching hers in the mirror. You still hadn’t turned to face her. You couldn’t

Her brows pinched together, lips parting to say something before shutting again. Her tongue darted out the wet them. She took a step closer. “I didn’t mean- well, I did, but I’m sorry.” 

You shrugged, “not like I care.” You shoved the paper towels into the trash can next to you and leaned into the mirror, running a finger under your lip to fix the smudges there. The reminder of the feeling of stubble against your chin made your stomach churn, but your face remained impassive. 

You can hear Sam groan from behind you, probably pinching the bridge of her nose between her pointer and thumb. “I hate when you say that.” 

“Say what?”

She took another step closer, the sound of her boots hitting the floor sending shocks to your system. “That you don’t care.”

You stayed quiet, looked at yourself in the mirror. You saw a girl, a fraud, a liar. You saw your future flash in front of you, an unhappy marriage, nothing more than some man’s wife. 

She was right behind you now, close enough that you could feel her presence like a promise. She put her hand on the counter, leaned forward until you could see her face in the peripheral. 

“Look at me.” she pleaded lowly, desperation in her tone. It was impossible to keep your eyes from meeting hers. She stood behind you, arms at her sides and gaze burning into you. Her body pressed into you as you leaned away from the mirror, her hands falling to your waist. “Tell me you want me to go,” she sighed, burying her face in your neck and inhaling. You couldn’t help but fall further into her. 

You said nothing, your own hands moving to grasp at hers and drag them up your body until she was hugging you from behind, breathing you in and squeezing. 

“Tell me to leave,” her voice was muffled in your neck, lips moving against your skin as she placed kisses there like last resorts. 

You shook your head, lashes fluttering as you gave into the feeling of her again. Her eyes met yours in the mirror, hands squeezing your flesh. You couldn’t help the gasp that escaped you when she bit you softly, teeth digging into your jugular. 

“Say you want this,” she spoke the sentence like a prayer.

You couldn’t manage the words.

“Tell me you want me,” She ordered, voice hard. Her breathing was heavy, you could feel her hands shake slightly from where they were pressed into you. “Say it or I’ll leave right now. I swear, I’ll leave and pretend you never existed.” The words were sharp and final. 

All you could manage was a nod, brows drawn together in want. She moved, taking her face out of your neck and towering over you, though your height differences weren’t drastic. Her hands skated down your pelvis, landing on your hips and squeezing, pulling you into her. 

“Use your words,” she pried, eyes dark and pupils blown. 

You couldn’t. Your mouth was glued shut, it was impossible to say anything to her, impossible to do anything other than shake your head and squeeze her hands on your hips. You were so lost in her that you forgot all about the bar, all about the bathroom, the unlocked door. There was nothing but her. Her hands, her hair, her face, her mouth. 

She moved her hand, pushing you forward with a grip on the back of your neck and folding you over the counter. Heat rushed through you, settling in the bottom of your stomach and making you close your eyes. The counter was fairly long, seemingly built for fucking on top of. 

“Don’t worry,” she reassured you, her hand trailing down your back, the other still on your hip. “I’ll get you to say it.” 

You let out a high pitched squeak, a mix between a whine and a sound of shock when she pulled the skirt of your dress up, pushing it past your lower back. 

Her fingers ran over your skin, nails digging in as she dragged her hand lower and lower, pushing into you and leaning forward to speak in your ear. You moaned quietly, hips moving against the pressure of her still hand, seeking relief. “Would you have let him bend you over this counter,” she asked, kissing your shoulder. “What would he say if he saw this? If he saw you all desperate and needy for me, whining and begging for me to fuck you,” she looked at you, face pink and lips parted, and hummed. 

When she started moving her hand you had to bite into your lip to keep quiet, so hard that you were afraid you’d bleed. Her fingertips pressed into your clit, moving in calculated circles just how you liked it. She’d always been so good at reading you, at figuring out just what made you tick, what made you need her. 

“Please,” you panted when she slowed her hand, watching as she smiled menacingly from behind you before pulling the last layer of fabric down your parted legs. When she put her fingers back they were met with slick heat, the sound of her groan only making your need worse.

“Say it,” she said, running her fingers through you, feeling the way you wanted her. Her breathing stuttered when you let out a needy sound, her fingers pressing tight circles right where she knew you wanted them. It was too slow, you needed more.

You suppressed a moan, covering your mouth with your hand. 

“You used to be so good for me,” she pouted, pulling your hand away from your mouth and holding it behind your back with her free one. “What happened?”

Without warning, she slid two fingers into you, pulling a deep moan from you, too loud for a public bathroom. Her fingers pushed down, finding the spot that only she knew before you could even comprehend it. She fucked you like she meant it, hard thrusts powered by months of pent up need. It was scary how fast she was able to build you up, how fast she got you panting and begging. 

“Fuck,” you whined, straining your neck to look back at her for the first time, as opposed to her reflection in the mirror. 

“Face forward,” she ordered, pounding into you harder, “look at how pretty you are, taking me like this. Tell me you want this, baby.” Her voice was dripping with need, the steady rhythm of her thrusts hauling you closer. 

“Harder,” you groaned, pushing back into her and leaning up on your free arm. The fabric of your dress rubbed against your skin where it lay, the sensation was so dirty. You were being fucked over a bathroom sink, watching yourself get more and more pathetic as your ex buried her fingers in you.

Her thrusts grew softer, slower, enragingly delicate. “Say you fucking want me.” Her words were a stark contrast against the way she fucked you, the way she drew it out.

“Please, please Sam. I need it.” your mouth dropped open, little sounds flowing from it as she sped up again, fucking you just how she knew you liked it. Your eyes were closing of their own accord, struggling to stay open and watch as her muscles moved while she fucked you against a bar sink. 

“Good girl,” she smiled, letting go of your hand to rub your clit again. You almost fell as the pressure inside of you skyrocketed, becoming almost unbearable. “Now tell me who you belong to.”

You couldn’t comprehend her words, too focused on the orgasm that was quickly approaching, preparing your body for the shock of it. “I’m so close, baby, I’m so close. Just like that.”

Your cunt was throbbing with need, finally reunited with the person who knew you the best. All those months of fucking yourself would never amount to the way Sam did. The way she commanded your entire being.

She stopped moving. All movement stopped. Her hands, her body, her mouth. You almost cried as her fingers stilled inside of you. The orgasm rushed away, dissolving into painful pleasure and disappointment.

“No, no. Why did you stop? Sam, why?”

“Tell me who you belong to.”

“Wha-” she started moving again, slowly rubbing a spot deep inside of you. You sucked in a breath. You were so turned on it hurt, wetness running down your thighs.

“Say it,” she stressed, fingers moving on your clit again, your orgasm sparked back to life, slowly building again. The longer you waited the faster she went, working you back up until you were on the edge, one move away from cumming. 

“I’ll stop again and walk out of this goddamn bathroom so fast,” she growled over your moans. It was so hard to focus, you needed her so bad you couldn't breathe. "Who do you belong to? Who else fucks you like this?"

“You,” you choked out through a whine. Her thrusts sped up. You pulled her in with no resistance, clenching around her fingers and dripping with need “You. I belong to you, I’m yours. No one fucks me like you do, no one touches me like you do. Please let me cum Sam, please.”

The world seemed to pause when she leaned into you, kissing your neck and fucking you like you earned it. She was giving you all of herself, showing you who you belonged to and who you needed. Your brain was foggy, no sound came out of you as you came, cheek pressed against the counter and hands clenching into fists. Your elbow had given out, leaving you arched into the bar sink.

"That's it," Sam cooed, slowing down to fuck you through the wave of your orgasm, "You're so pretty."

Shock after shock hit, each one leaving you shaking even as she rested unmoving inside of you. "You did so good."

Your whole body was on fire, throbbing and twitching as you worked through it, Sam whispering praise in your ear.

She kissed your cheek, a sound of protest leaving you when she pulled her fingers out of you. You stayed still, your body moving with the force of your breaths.

"I locked the door when I came in," Sam smiled, rubbing your back soothingly.

You would ask her later, when you regained your ability to speak, how she knew to lock it. You would ask why she followed you, why she cared after you left her like she meant nothing. But for that moment, all you could do was lay there and listen to her love you.

[inconspicious-random-thoughts]

Broken staff

It more than likely been mentioned elsewhere but I want to talk about Alastor staff.

Vivienne mention the staff is part of his essence. Now it is split into two along with a deep gash from holy power across Alastor torso. He made sure to salvage the broken pieces before shadowing away.

I REALLY hope they do more angsty shit next season with this. Alastor power is severely weaken until he recuperates. That Alastor is covering this vulnerability from the others. Notice in that group hug, his obvious tattered clothes and gash is hidden and he back to his 'normal self' facade after his chilling and rattled part of the song. No one knows how Alastor battle went....except for the Vees. Dun Dun DUUUUUN.

I would love to watch Alastor trying to power play, manipulate and figure out his freedom. All the while hiding his weaken state. It frustrates Alastor greatly as healing seem agonizing slow. Because holy wounds heal slower or some BS like that. The hotel constantly rely on his powers that he would still provide and he continue to use his reserves to cover up his secret.

Husker was the first to notice something up. Be as observant and ability to read people, and just know Alastor. He catches the momently grimace is Alastor moved his torso wrong or an involuntary flinch, clutching his chest in pain. But Alastor recovers these moments quickly. It's in a blink of an eye type movements, that only Husker catches. It's all so obvious to Husker. The extra strain smile when Alastor performs magic. How exhausted from the exertion afterwards. Husker keeps a wary eye on him but doesn't say anything. We know what happen last time he brought up a touchy subject before.

Charlie was next to notice but it took a while. It took some obvious clues. Something like Alastor faceplants to the ground unconscious from over exhaustion after a more complicated spell. Or maybe some more dramatic...

The Vee's. They know Alastor took heavy hits. They will use that to their advantage. They possibly make a move against him and he unable to defend properly. Vox would be mocking loudly what he witness, revealing Alastor secret to the hotel. Naturally, Charlie would be hurt with a "Why didn't you tell us?" after a gasp.

I really hope they do something with it. It doesn't have to be a full season arc, they can probably even manage it in one episode as a focus with subtle clues from a few episode before it.

I be so annoyed Alastor bounce back like his fight with Adam never happened. I am a sucker of Alastor barely keeping it together and nearly losing his shit. HE. IS. BARELY.KEEPING.IT.TOGETHER. But he still keeping together...we haven't see him break yet. Can you imagine the weight of stress finally breaking him?

His staff (which is part of him) is splint in two. Just like how is internal conflicting dilemma of being powerful sociopath demon with a plan vs growing affections of the residence of hotel that complicates his plans.

All of his careful planning will go to shit, he will lose all control-He going to absolutely alone when he finally breaks down from losing control of everything and the audience will see him drop that smile.

He mention to Charlie that a smile is a way to keep control and that's when we see him drop his. As much he careful with control he doesn't even control his own soul.

Edit:

Omg, So when I originally wrote this, I knew staff was incorrect word I want to use but at the time I kept drawing a blank what to call it.

It's a cane

A cane is something be used to support themselves with, a crutch. And Alastors just splint in half. The thing that's also part of his essence and probably help channel/control his powers.

The angsty poetry is fucken delicious

~I am nearly foaming from the mouth from the thought!

[colleendoran]

I was curious how you manage to keep features consistent when you draw them? Do you use models? Is there a model for Crowley? He is very handsome.

I don't use models per se, but I sometimes keep files of photos or art that resembles the subject.

Crowley is based a bit on the French actor Alain Delon who was once considered the handsomest man in the world. He doesn't look exactly like Delon, but that is in my head when I draw him. I recall reading Neil and Mr. Pratchett once considered Peter Sellers for Crowley.

There is no reference for Aziraphale because he is entirely in my head and I can't really find anyone who looks exactly the way he does. I recall reading that Neil and Mr. Pratchett thought of Brian Dennehy at one point, but my head canon Aziraphale won. I think a Brian Dennehy Aziraphale would have been amazing, though. Anyway, he is actually kind of hard for me to draw because his facial structure is a bit outside my usual style. His face is a bit long and his eyes closer together than I normally do, and if I'm not careful, he slips away. He appears younger and more classically handsome as an angel than he does in his corporeal form, but I think he's quite fetching as a bookseller.

Michael Sheen is so perfect in this role it is really hard not to leak bits of his performance into the graphic novel edition, but I have to resist the impulse. I am not allowed to use any of the show actors as models.

I adore Michael Sheen. Who doesn't?

Adam is also a head canon character. He is a perfect young Greek God, so that's kind of drawing on a day with a Y in it for me.

The inspiration for Newt I'm keeping a secret. I submitted a number of sketches for Newt. The show Newt dug in deep and I had a hard time shaking him off.

The Them are based on kids I knew. They're in my head, I don't need any photos. They don't really look like the kinds in the show. The book version of Pepper, for example, is a freckled red-head.

Anathema is an amalgam of features that don't come from one person, which I think fits the description of the character. She's also unusual for me to draw but she's easier to draw than Aziraphale. I nail her every time.

Hastur is a caricature of the stereotypical English upper class you'd see in broadsheets 200 years ago. I have a file of pictures of Anthony Ashley-Cooper, 7th Earl of Shaftesbury for Hastur. I considered making Hastur more handsome in a Duke of Hell sort of way, but I think Hastur likes to be scary. I keep thinking of Peter O'Toole when I draw Hastur, too.

I feel kind of bad basing Hastur on Lord Ashley because he was a wonderful person and I'm sure he didn't go to Hell.

Ligur is a broad caricature of Danny Devito. I obviously can't use a DeVito portrait. That would be wrong. But I can tweak from there and come up with a general idea of the face I want to use.

Beelzebub and Metatron are head canon, and don't look a thing like they do in the show. I postulate some demons prefer to look like their angelic selves, and at other times prefer to be fearsome. Crowley can look fearsome when he wants, for example. In the book, Beelzebub appears as a young man in red flames.

Shadwell was drawn from reference at the direct suggestion of Neil.

Madame Tracy is based on a certain person, but no one you would have heard of. The original source might not be flattered, but I love Madam Tracy. She's really easy to draw because she's a bit over the top. I'm sketching around her scenes right now because I don't have final approval on some things yet. So she might need some changes later.

War is head canon, very easy to draw. She's a knockout. No reference required.

Famine looks a lot like Famine in the show, actually, but that's what Famine always looked like, pretty much. Except he has the grey eyes he has in the book.

Pollution is initially described as being a forgettable white guy, but later described as looking like a romantic poet, which strikes me as being memorable. Because he's only on one page in his forgettable white guy phase, I chose not to make major changes in his appearance between those panels and later when he appears as his true self, because that's a bit more confusing than it needs to be in the graphic novel edition. He's rather glamorous as the essence of Pollution, though. No reference needed.

Dog is a dog.

While I do give every detail a lot of thought, I am sure other people have other opinions. I understand that, and hope you enjoy what I do anyway.

Thanks for your question.

I'm still a bit under the weather, so may be stepping away from the net for awhile so I can concentrate on work. I have a lot of sick time to make up.

But don't think I don't appreciate your interest in the Good Omens graphic novel adaptation. Your wonderful support is acting on me like a tonic, let me tell you.

[the-s1lly-corner]

Drawing each other (Slasher edition)

help im getting good ideas for writing but idk what fandoms to write it for so uhuh... i guess writing for the mains ones i write for! woo yeah! characters: jason voorhees, brahms heelshire, bubba sawyer, thomas hewitt, Michael myers notes: reader is GN, admin did a coin clip on whether or not the reader is an artist cws: none

JASON

sometimes sitting in the cabin all day can get a little boring, you were the one who brought up the idea of drawing each other

neither of you are particularly good at drawing but that doesnt mean the two of you arent going to have fun

hes a little embarrassed to show you his drawing of you, hes hesitant to turn the paper around to show you

you didnt have much access to many drawing supplies, a lot of what you already had was crayons and colored pencils stolen from the camp, as well as the paper

he doesnt care if the drawing doesnt look the best, hes in love with just about anything you do or anything that has to do with you

he keeps the drawing folded up and tucked in his shirt pocket!

BRAHMS

hes actually pretty decent at drawing, using that to spend his time when hes not watching you from the cracks in the walls

on top of that hes pretty confident in his ability

you, on the other hand.... i dont think he would make fun of your work, but its clear that theres only one artist between the two of you

keeps the drawing you make of him in his little hiding place in the walls

takes a long minute to look at your drawing of him, its hard to read what hes thinking in that moment

more than proud of his drawing of you, you likely have to remind him to hurry up.. hes going to spend a lot of time on it

will expect a compliment for his work- and dont think he wont compliment your work either!

MICHEAL

you got the idea while doodling random stuff in your sketchbook, deciding to take this as a moment to do something together

he doesnt get it at first but hes... probably... not going to just walk away from you

a decent artist himself, he doesnt draw often but its clear he knows some of the basics of art

very quiet while the two of you draw but its nothing new

exchanging your drawings goes without a hitch, and hes sitting there looking at your paper for a long moment... he doesnt give much of a reaction... but you do notice him tucking the paper into one of his pockets

he doesnt care if you keep his drawing or not, however you sometimes find him looking at his art if you display it somewhere

BUBBA

hes not very good at drawing, he never really gets the time to sit down and doodle- on top of that he doesnt know what to draw most of time, when he does have the time and thought to try!

loves anything you make, you dont have to be a good artist either, hes going to take in every little detail of the art

is this how you see him?

if youve added additional stuff such as sparkles or hearts, hes going to be staring even longer... thats so sweet, you like like him?

of course he already knew you did, youre both dating but seeing stuff like that in passing always feels nice

very protective of the drawing out of fear that his brothers may tamper or destroy it- at best they (namely nubbins and choptop) may tease him

THOMAS

like his original counterpart, thomas doesnt draw all that often so he hasnt built up the skill... but that doesnt mean he isnt going to try to draw you how he sees you when you sit him down to do this activity with him

takes a long time to get all the details right, doesnt want to make you look off or worse, offend you if he messes something up

you can draw him with or without his mask, but its clear that you put care into the drawing, regardless of skill

loves it so much, hangs it on the wall in the basement so he can look at it while hes working... its like a little motivational thing for him! he protects his family, and youre part of it.. he does this for you!

a little hesitant to give you his drawing, but lightens up at your delight for how he portrayed you

[madameriasims4]

Basic Reduxe Kitchen

CC Set of 14 BGC Items

A combination of my Back to Basics and Basic Luxe kitchens, because I really liked my mesh for the Luxe ones, but I will always love butcher-block tops more than any other kitchen surface. It's a pretty standard kitchen and I think the file names are self-explanatory, so here are some bullet-points-of-interest:

Like my Basic Luxe kitchen, the counter's end pieces have been changed to an alternate full-tile model and a half-tile model for more customization.

The cabinet also contains half-tile end pieces

This color palette draws a few swatches from the Basic Luxe palette, but I changed the hardware color slightly, and grabbed a bunch of colors from sforz's various palettes

The dining set packages come in two standalone versions: one set that matches the rest of the kitchen's swatches, and another set of 18 solid wood tones (bottom two rows of palette image)

Disclaimer: I re-mapped the UVs for the island tops and some counter tops, so the dirt overlays may be funky-looking. Since you're supposed to clean them when they're dirty anyway I decided it wasn't worth the effort to figure out a seamless texture for them (if you saw the uv map you would understand)

Download link below the cut!

There isn't really much to say about this one! I thought it was going to be an easy project (when will I learn?) but I found some mistakes in the original meshes (nothing big but I'm a perfectionist) and fixed them along the way, which took extra time. And then I spent forever trying to decide on colors, and then trying to trim down the count (I cut 2 whole wood tones which helped decrease the number by about 30%).

I also decided to do custom thumbnails for these, because I liked the way they came out in my Basic Luxe set. I spent about three days manually generating, exporting, editing, and importing thumbnails (and even set up an auto-clicker program to help me!)... only to find out that S4S added a "catalogue thumbnail underlay" option in one of their updates. I'm still mentally recovering from that (read patch notes!!) 😔

Anyway, at least I got to play with ReShade a bunch! I've been mostly using it for screenshots in ESO, which is an online game that I can't pause, so being able to take my time and play with shaders and get juuuuust the right look was a real treat!

I use Peacemaker's No Occluder mod to prevent weird shadows from appliances/cabinets.

Credit: Kitchen Clutter | Solid Wood Texture by @myshunosun

Download (Patreon) Always free, no ads.