#it was just fun to keep it going uwu

[broodwolf221]

the only downside to focuswriter and streaks is that I usually write late at night uwu;; sooo finally broke my streak bc it's after midnight when I went to open it

but! 90 fucking days straight of 500+ words a day!

[puppyeared]

i feel like. theres designing a character with certain themes and motifs in mind, and then theres making a gijinka for the water bottle on my nightstand

[thegreatducktective]

My partner got me into making kandi stuff but I think im getting in too deep...

This is my favourite creation so far: The Worm cuff 🧡💛💚💙💜

[afterthefeast]

re lrb in any case to me astarion’s arc is less about regaining agency than becoming aware that he already has it and has to act like that. there's a distinction between agency as a material fact, ie having the ability in theory to make your own decisions and act on your desires, and the awareness of having that agency.

i'm no psychologist, but in my experience one of the most helpful steps in recovering from mental illness has been the awareness of my own agency ─ yes, sometimes I feel as though my life is completely run by my intrusive thoughts, but invariably getting out of that place has involved a recognition that ultimately, I am the one in control of my thoughts and I have the agency to work through them. that doesn't mean that it isn't hard, or time-consuming, and sometimes I don't succeed in the way I'd like, but nonetheless the ability to at least try is and always has been in my power.

in baldur's gate 3, your companions appear with varying degrees of agency (aside, obviously, from the tadpole they all share). they range from gale, whose current situation physically and magically restricts him but who at that moment in time doesn't have many other immediate restrictions on his day-to-day actions, to wyll, whose every move is watched by his abusive warlck patron.

nonetheless, your companions benefit from being shown that they not only could have agency at some point in the future, if they break their pact/shar's curse/free cazador/free orpheus/fix the infernal engine/get the crown of karsus, but they have agency now and must therefore use it responsibly. wyll is already to some degree aware of this, i think, even if it's only because he is so morally forthright ─ he's one of your companions who remains actively trapped by their abuser during the game, yet he refuses to kill karlach because he knows that would be wrong. even within his severely limited circumstances, he makes a choice, he demonstrates agency. in the shadowfell, shadowheart ─ a cult victim subjected to extreme psychological and religious abuse ─ has the choice whether or not to kill aylin, and can make it either way.

astarion, at the point at which you meet him, has just been given freedom for the first time in, essentially, his life. it's no surprise that he doesn't know what to do with thise newfound agency, and doesn't recognise it for what it is, given that he literally cannot remember ever having control over his own life. that's deeply tragic, but it doesn't erase the fact that he has control over the things he does during the game. those actions (for example, given i am still talking about that last rb, talking about the children he kidnapped and gave to cazador as though they were nothing), are things he has agency over and is responsible for. nonetheless, he acts as though he does not, lurching from one attempt to gain power to another (killing the druids to suggesting you use whatever's in moonrise to your advantage), because his own self-perception as someone completely powerless is so overwhelming. he must accrue power because that is the only way he can make sure he's safe and can never be hurt again. it's just that that self-perception is not completely accurate, he does have agency; if he makes choices that result in moral wrongs, those moral wrongs are his to bear.

i'm not getting at astarion here, I don't mean to imply that he's at fault for this attitude. it is, obviously, the natural response to 200 years of enslavement and abuse. kind of the whole point of the game, of all of your companions' quests, is that if people are hurt and abused often they will feel as though their only avenue towards power is to do the same to others. but being severely traumatised doesn't make his behaviour okay; he doesn't get a free pass to do whatever he wants because of cazador. you can like him, literally who am i to say otherwise (i like him too!), but don't just excuse everything he does or get rid of the most interesting parts of his character because you're unwilling to grapple with the fact that as it stands in the game, he's morally incredibly complex.

i think there's a tendency to assume that a character either must or must not have agency, and to present it as a binary, because for some reason it's used as a shorthand for moral culpability, when in reality the relationship between agency and culpability is significantly more complicated. i haven't really been getting into coerced choices here because that's a whole other kettle of fish (though i will give the necessary disclaimer that my stance on this is quite clearly influenced by the fact that deep down i'm a bit of a virtue ethicist). nonetheless, while this is my pop philosophy take and i'm not trying to impose this overall moral framework on people, i think it's pretty reasonable to say that lack of agency does not mean that what you did was not wrong.

implying that astarion is at fault here would be indicative of the very attitude I am trying to oppose ─ the idea that people either have agency or don't, and if they do bad things with agency they are evil, but if they don't have agency they are victims. astarion is both ─ he is the victim of horrendous, harrowing trauma and yet he has done bad things and in fact visited that same trauma upon other people. there's no escaping this, and i think it would be bad for astarion to just brush everything he did for cazador under the rug because he did it for cazador. he still did those things ─ he might not be culpable, i do not think he can be considered as such, but there's no way you go through all of that and don't feel guilty for it.

notably, if shadowheart kills aylin and wyll kills karlach (if he can? i actually don't even know if he can do that, but hypothetically), they are still responsible for that action and it was still morally wrong. they have to deal with that: part of dealing with it can be to recognise the coercion they were subject to, but the fact that they lacked agency doesn't just erase the wrong or mean it was never wrong in the first place. likewise, astarion becoming the ascended vampire is still obviously a terrible thing to happen for him and everyone else, and is in no way justified just because it might finally give him the sense of safety and control he craves. the whole point of that moment is that even when he is being retraumatised, when he has returned to the place and person that hurt him, astarion has the capacity to choose, and to choose the right thing. acting as though his trauma means he has absolutely no agency whatsoever and so never has to address the fact that he can, at various points, greatly fuck up, just removes one of the biggest themes of his whole character.

tldr: astarion has agency, one of his greatest challenges is realising that he does and that he must use it responsibly, and acting as though that is not the case does a disservice to his character and the story it is trying to tell. also it is deeply deeply boring. the end.

[sasquatchandleatherjacket]

.

[moinsbienquekaworu]

I'm sorry I'm going to be insane for a second, avert your eyes

[jackdup]

@howthesleeplesswander || plotted starter for rhysie cup! (´｡• ᵕ •｡`) ♡

“So, uh . . . Yeah, like—? What made you decide to rebuild Atlas and not, uhm . . . I mean, you were a Hyperion guy for awhile, weren’t you?” And you’re making small talk, aren’t you, Timmy Boy? Attempting. Important distinction. We’re attempting, kiddos. Call yourself a friggin’ actor . . . God.

Look, Timothy had been in his fair share of awkward situations. He’d been the cause of about 90 percent of those situations, which was pretty freakin’ funny when you thought about it: Handsome Jack being “awkward” . . . But, well, something here was awkwarder than usual. Like some higher power had taken that dial and turned it all the way to one end and forced these two poor souls to figure their shit out while said higher power kicked back, made himself a bowl of popcorn—hey! Maybe even ordered an entire pizza . . .

Ugh. Tim didn’t want to think about pizza for the next year at least. Scratch that.

He fidgeted. He’d been doing a lot of that since the Vault Hunters left him here on Promethea. You know, kind of like he was some stray cat they found digging through the nearest dumpster who should have just been ignored, but they weren’t heartless enough to leave him and figured You know what? Let’s toss this pathetic pile of matted fur onto some other asshole’s lap and wash our hands, be done with it. Even in their company, Timothy had felt the tension in the air between him and Atlas’s CEO (who was incredibly attractive for a guy who probably just sat behind his desk and cackled maniacally at the expense of others, by the way—? Why didn’t the damn VHs feel the need to warn him?). Now that the two of them were alone . . . ? Tim wasn’t sure whether to laugh or cry. Maybe both. Internally.

Externally, stumbling his way through a semi-normal conversation with probably the first semi-normal dude he’d met in what felt like centuries was the way to go.

“Stickin’ it to ‘The Man,’ or whatever?” Tim prodded after a pause. (“The Man” here very obviously meaning the jackhole everyone knew and the sane people hated at this point; Timothy didn’t need to spell that one out.) “God, sorry, I— I-I get it.”

Want to know the weird thing about losing a hand? It still somehow felt like it was there. Imagine the scenario: some disheveled, absolutely trashed representation of what was maybe a man at some point lifting his pathetic little stub of an arm to subconsciously futz with those damned latches on this stupid friggin’ mask only to realize . . . Well. Play it cool. (Which, by the way, meant doing that universal thing everyone did where he just flexed that arm in what was meant to look like a convincing stretch.)

Tim didn’t meet Rhys’s gaze. Funnily, he was pretty sure neither of them were doing great in the “eye contact” department (among about two dozen other departments). With a shake of his head, all he offered was “Listen, I’d . . . I-I’d remove the mask right here and now—might make all this weirdness, like, one degree less weird, but uh . . . hah.” Now the laugh was external, but not at all humored. “Really not convinced something won’t still explode if I try, so . . . Yeah. Sorry about the reawakened horrific trauma, I bet. I promise that's totally unintentional. If I was the real Jack, ya know, it'd be . . . it'd be intentional. But I'm not. So.”

[labyrynth]

i might be inclined to to give more credit to that “jgy tried to kill everyone at the burial mounds and he’s so evil” post if if the conclusion wasn’t so dumb, but more importantly, if op wasn’t the clown that also made that “jin guangyao is so manipulative he manipulated readers into liking him” take

[cluescorner]

What the fuck is happening

ib: crepuscularqueens

[hollow-prey]

I really truly have been feeling so. unhinged. and chaotic lately. I haven't even been doing anything that crazy, but also. I literally bought a jar of green hair dye this week. Just because I decided I want to dye part of my hair green. part of me kinda wants to cut my hair even shorter into something more of a pixie cut. I am CRAVING another loud, cathartic concert experience. and I keep entering periods where my mental state just feels more impulsive and chaotic about certain things and decisions (but not in a bad or harmful way). it's like I'm going through my teenage rebellious phase in my mid-20s, except now I'm an adult and can make my own decisions without significant parental control (though thanks to my anxiety I still worry about what my parents think about absolutely every weird or bold thing I do) and everything I'm doing is legal

[b1rds3ye]

AAAA i loved that 141 + masked reader one!! omg you're filling my head with mask ideas now...

what if reader had one of those LED masks that showed different facial expressions? just walking around going ":D" ":]" "^-^" "?" ">:(" as a substitute of their real expressions. omfg imagine them coming back from a mission and price is praising them on their work or smth and they just hit him with the "uwu"

I'm glad so many people are liking the prompt, I had a lot of fun with it too!! This is very much giving me Watch Dogs 2 Wrench but also Rina Tennoji omg there are so many legendary masked characters-

The rest of the 141 were confused at first. While the mask provided anonymity, there was also the benefit of hiding facial information to an enemy. But now with these LEDs your emotions could be read like an open book, but ultimately they found it endearing.

Soap in particular loves your mask. Johnny loves surprising you to generate "!"s over the eyes and finds himself smiling every time your mask switches to a new emotion. As demolition expert, he prides himself over the one time he got you so riled up that an error message flashed across your mask. He's also genuinely curious about the mask and will gladly try to help if there are any technical difficulties or if you want a hardware upgrade. He's also the most unnerved out of the 141 if you ever turn the LEDs off, immediately by your side to comfort you as he can no longer read your mood.

Gaz doesn't often provoke you but he does find himself snickering whenever your expressions change from others. It's also an easy way for Kyle to keep track of how you're feeling, even when no one's around your mask automatically goes ";-;" when you're feeling down and he'll check up on you. Whenever he does make a joke though, he's immediately looking to your mask to see if someone will appreciate his humour. He also wishes you turned off your mask more during missions, the little angry face your mask makes isn't intimidating in the slightest and he can't risk getting distracted cooing over you during an op.

Ghost is very curious. Your own mask has him wondering if his own needs a bit of an upgrade - perhaps an LED skull mask with a moving lower jaw. Simon's heart warms up a bit at how you've picked a mask that's still so comically expressive, he enjoys interacting with someone that's so upfront with their emotions. He won't admit it but he finds it cute how your mask goes "-_-" whenever he says one of his horrendous "military humour" jokes. He's considerate of your mask and ensures that there is no water or liquids nearby.

Price's first concern was practicality (how the hell were you going to use night-vision?) but once the mask seems to work without a hitch, he now checks on your mask to not only gauge your mood but as a visual indicator of the overall atmosphere among the rest of the task force. You're now his favourite person to praise. He doesn't give it freely of course, but most of his subordinates will try to hide their smiles as they glow under his praise as they keep up their tough soldier persona. You though? The sudden "! o !" and then consequential "^_^" as you walk away with a hop in your step is probably the sweetest thing he's seen in his entire military career.

It's all fun and games until you turn off the LEDs - usually done in dark/covert missions or when you're interrogating the enemy. That's when you're truly unreadable, a masked terror. As you eliminate enemies in close combat the last thing they will see is their own face contorted into absolute terror as it is faintly reflected like a memory against the bottomless darkness of your visor.

Masked Reader Masterlist Call of Duty Masterlist

[bowieandqueen11]

Sanji With A Clingy Reader Would Include...

Request: OH BABY telling about one piece is like unlocking a whole second heart of mine i have fully for that anime and manga and live action. and so, if you ever decided of course, you writing something similar to something you did on marvel once and sanji with reader that has no personal space and is touchy would be amazing. but also... kissing zoro is great to, if you ever decided? anyway! HOPE YOU LOVE IT (one piece i mean), and if not ignore me UwU

Ooh yess babes this is so SWEET!! :3 I LOVED IT omg hello to my latest obsession not me ordering the first collection of the manga

This was really sweet and fun to do, but I did stay up all night writing it so all comments are much appreciated!

Warning: slightly spicy, some mentions of fighting!

(I do not own One Piece or its characters, all rights go to creators. Gif credit goes to @fanpageknight.)

☆.。.:・°☆.。.:・°

Look at this man. Seriously, look at this man with his little bottom lip bite and eyes like the sun shines heavily out of them and tell me he would be anything less than absolutely madly, heart wrenchingly, soul crushingly enthralled with a clingy reader??? That's right you can't take the l on this one.

It all started that day when the three of you ended up shipwrecked on that sad sack excuse of a rock. When you and Sanji huddled on one side of the forsaken isle to stay away from the terrifying Pirate Zeff. His hands had shaken as he drew them up to his chest, but he mustered the nerves to string open the sack Zeff had thrown at his feet. Once he had counted out the cans, he offered all the food to you.

He wanted you to stay alive far more than himself. Ever since you had landed on his ship he had been smitten, and his weary heart would beat its last under this smothering sun as long as you would live on for the both of them.

To keep him calm: to stop his gasping, tortured heaves as he tried his best not to writhe in panic at the thought of never stepping back on safe land again, you would spent most of those 85 days sitting over the cragged edges. Sanji couldn't tear his eyes away from peering down at the gushing shards of stone below that seemed to rip up in tides and tear for his swinging feet; to try and distract him from sniffling any longer, your hand would tentatively creep over the rock until it landed flatly, and unceremoniously on top of his own. His fingers flexed beneath your own, but he didn't pull away. Instead, he folded them upwards, giving your hand a shaking squeeze: a dutiful promise, a flitting confession of love, that you just happened not to feel in your ruminations of the circumstances.

In fact, he asked you that night, in an uncharacteristically quiet and bashful voice, if you would keep his nightmares away by holding him like his mother used to. You felt terrible: you were so stunned that for a moment you stood with the last piece of mouldy bread you had in your hand in shocked silence. Poor Sanji thought you were about to reject him outright: throw what little he had left of his heart - that he had so carefully lifted out and placed in his hands to offer to you, only to have it thrown back to his feet in the usual ridicule he got for his love. His bottom lip began to tremble, until you nearly knocked him onto his bottom with how fast you dropped everything and flew over to lock him in a tight hug, not minding the fact that your shoulder was growing wetter and wetter despite the brewing rain each time Sanji buried his snivelling head against it.

So you would let him rest safely in the bracket of your arms: his left cheek resting in the warm stretch between your collar bone and your neck, his right hand draped leisurely around your waist as you told him stories of pirates and treasure: of the Deep Blue and tropical fish that shone like bursts of fragmented starlight every time their fins graced the water. Although he would groan any time you removed your hand from where you were stroking the wet strands of his hair back from his forehead, it was quickly replaced with wonderment as you would point up at a cluster of stars and whisper excitedly: 'look, there's some now!'

He had never been afraid of nights ever since that moment, not when the stars were still out and he could trace with the butt of his cigarettes the fish you had drawn specially for him in the skies. It was like a secret message: a lover's reminder that he was never alone. That you were always with him. That your beauty - your light, it shone everywhere, no matter where he was.

It was the first time he had kissed you, two forgotten children lost underneath the dripping crevice of your little hideaway. As your belly began to rise and fall underneath his elbow, and he believed you had exhausted yourself out after trying to make him feel better, he dared to dart up from your shoulder and press his lips firmly against your cheek. It had been quick, almost gliding past time like a dolphin leaping up out of the water, but it had meant so much to him that he curled up into a ball in your side and flushed a bright cerise, having to shove his fist into his mouth to stop his manic giggling from waking you up.

But you weren't asleep, and as Sanji settled back into your neck with a smile bright enough to rival the shine of buttercup petals, you swore as he began to drift off in the first peaceful dream he had had in years that one day you would return the favour, but in full.

The two of you were thick as thieves growing up, to the point where Zeff became so distracted by your antics that he often tried to separate the two of you by making you work the floor and Sanji either in the kitchens, or off fishing at the docks. Ten seconds later though, he'd be kicking through the kitchen doors again to find you leaning on the kitchen counter next to an eager faced Sanji, whose to busy to register Zeff's shouting. Instead he places the spoon to your lips, having spent half of lunch service prep cooking you a brand new recipe he had spent the whole night creating out of a medley of your favourite foods. He subconsciously licks his bottom lip, the tension in the room felt by the other chefs who try to carry on washing pans and cutting vegetables enough to put everyone on edge as Sanji refused to look anywhere but your lips. Holding his hand under your chin, his dipped eyes were broken by a sudden grin as a loud 'mmhhh' left your mouth and you chewed in sweet bliss.

Still ignoring Zeff's increasingly erratic rant, as Sanji goes to start cleaning up his pan you slide down to stand behind him, wrapping your arms tightly around your back and jutting your chin into his shoulder blade like a baby koala. You can tell he's laughing silently by the way his shoulders shake against you, but all he does is pull up your hand from his belly button to press sweet, dainty kisses up and down the lengths of your fingers, before dropping it down to press your palm flatly against his heart.

'I think that might be your greatest dish yet, buttercup!'

'From you, that means everything my precious heart.'

'Why do you call me that?', you murmur, refusing to lift your lips from his shirt.

'Well my sweet love, why do you call me buttercup? I mean, I always know I smell of butter and the likes-'.

He's distracted by your snort against the side of his neck, but the two of you are too love-strikingly embarrassed to say anything again. Even if neither of you could see the warm peach rushing up both your cheeks, Zeff could. He could also hear the padding thuds of Sanji's heart as he gripped his fingers that almost imperceptibly bit tighter around your hand, and he found himself sighing at how oblivious you two idiots were.

Sanji is definitely just as clingy as you, if not more so. You've definitely met your match in this man. I mean, any time you're out on the floor, handing out bread to tables and scanning the room to check if there were any patrons you may have to throw out by the scuff of their collars later, his eyes are trained on yours. He leans against the banisters, not even trying to remotely hide how obviously he's tracing your path with a dumbstruck, lit up smile. If you're in the kitchens, desperately trying to bite your tongue and not tear Zeff a new one as he chops his hands together and rushes you to plate up? He's sliding up to your side in an instant, throwing scathing looks at the man while trying to help you spoon thyme onto your bass, nuzzling the side of his head into yours encouragingly. If you have any free time at all? Sanji is fast on your heels, darting after you like someone's firing shots at his dress shoes, as if you have his heart tied to a string on your wrist as he seeks out whatever nook you're going to relax in. It doesn't matter if you're at the bar, watching the docks, or trying to hide from Zeff in one of the cupboards in the pantry: Sanji is squatting down and grunting as he shoves himself in right next to you. He sits criss cross, only satisfied when at least one of his knees is resting heavily over yours, and he has full access to watch what you're reading over the side of your neck.

He only fully settles, though, if you touch him in some way. He genuinely will begin mewling once your hand reaches over to brush your knuckles over his jawline, or your hand finds itself guided to bunch itself up in his hair. One time, he guided your hand into his lap, and you began to absentmindedly stroke your pointer finger along the seam of his inner thigh. Thank goodness you had your head buried in a book one of the pirate crews had come to swap some dried meats with you for, because it took every muscle in Sanji's body twitching: every finger clenching and unclenching into his knee until he drew blood not to knock you flat right there and then and kiss you like there was no tomorrow.

He gets a MASSIVE nosebleed - so gushing, in fact, that he tries to reassure you he's fine as you hold him by the elbows and lead his tilted back head and pinched nose down to Zeff for some help.

It becomes a very major recurring issue every time he looks at you. He makes sure to carry a handkerchief in his breast pocket from then on.

God, if he didn't love you more than anything in all the seas. If you weren't the only one that he let see past his charming nature: if you weren't the only person left in his life that truly could recognise the young boy left in his eyes, in his gait, in his smile, in his dreams. That little kid on that great big ship, the one who had found you stowed away behind one of the barrels of rum, and instead of calling for the crew had taken your trembling hand and led you into the kitchens, introducing you as his newest sous chef. That same kid, who stood beside you and held your hand so gently, so heartbreakingly gently under his as he guided you through lessons of chopping onions and sautéing garlic, breaking out into long strings of rushed, praising French every time you got it right. The same one, who would frown as if he were the one who had been hurt any time you burnt your hands or sliced your fingers. Who would unravel the knot at the back of his apron, and tug it over his head to carefully place it over yours.

'This always brings me luck', he would say as his fingers daintily tucked the strings underneath your shirt collar. 'But I don't need it anymore, because you've brought me all the luck and happiness a man could ever dream of, my cherie.'

The same kid who would tip toe out of his bed to sneak down to your hammock, crawling in and burying himself underneath your blankets where you slept in the brig, telling you fantastical stories about his mother until you fell sound asleep. He would watch you from where he lay on his side, hands folded by your head, as if you had hung every star in the wide skies. He would brush his fingers over the edge of your cheek and curl up beside you, wishing that every minute of every day of the rest of his life could be spent with you.

Yeah, smitten wasn't enough to cover it. Only destiny could be raw enough to draw the two of you to each other, Sanji always thought.

As teenagers, you would end every shift outside, sitting on the wonky boards of one of the jutted docks. Just sitting side by side, as you always wanted to be, pretending you weren't playing a game of chicken as the two of you teased and pressed and glanced your fingers over each other's, leaning back and looking up at the stars. Sanji always appreciated the better chance it gave him: shrouded in naught by wisps of moonlight and the rare flashing neon of ship string lights, to take you in as much as he could. You didn't mind the fact that he spent the whole time staring over at you. In fact, if you hadn't been so lovestruck, you might have found the courage to tear your head away from the horizon to meet the look of gut-wrenching devotion that always seemed to pour out of his eyes and beam only on you. It always felt like warm sunlight, sitting next to him, and so you finally dared a chance at grabbing his fingers and intertwining them between your own, pretending it was because of the sea chill spraying a fine mist over your legs.

Again, the squeeze he gave your hand was almost, almost imperceptible, but you felt it this time. And you could feel the look of enduring devotion he pierced into your skin, a warm tingle washing like a spring tide through your tired body.

He always knew. He always knew that if he had stayed on that rock, he would have been content to. Happy, even. Because he would have been with you.

'I love you', he said without words. He gave your hand another squeeze. 'I'm going to love you forever. No matter how many lifetimes. No matter who I am. I'm always going to find you, and I'm always going to love you.'

His voice nearly made you jump, surprising you at how it started with his usual buttery smoothness, before cracking with a thick gulp as his words trailed of. 'Never leave without me.'

'I promise, as long as you don't leave without me.'

He shakes his head. 'You never leave me. Not even for a moment.'

Sometimes, when the two of you are older, he still comes stealing into your room at night, wiping his nose with the back of his hand as his lips wobble into a frightened frown. Turns out, as he draws the covers back and comes reaching in for you, he had another nightmare that pirates had come to steal you away from him again. With an aching sigh for how stricken he looked, how desolate, you let him claw at your shirt and bury his head into the side of your neck until the rest of the world melted away.

He kissed you again, that night. When the feel of his legs strewn familiarly between your own began to burn against his skin, and the weight of hand perched over his thrumming heart became too heavy to bear in secret. With nothing but the light streaming like shards of pearly stars through the porthole to betray a moment so special, so longed for, Sanji let his eyelashes flutter close as he slowly... slowly pressed his lips against your cheek again.

This time, his eyes widened in shock as the feeling of your hand gripping at his jaw and turning his face straight on to your own. Before he can even open his mouth in confusion, the sweet pressure of your lips pressed against his top one. For a moment, Sanji doesn't move an inch: doesn't even breath, not even processing that the thing he’s spent every moment of his waking and sleeping life wishing for ever since he found you on that boat was actually happening, right here right now. He tries really hard to stop his whole body from shaking, as his silky lashes finally falter shut against the top of your cheeks and he tries to focus his whole attention on the way your plush lip seems to press so perfectly against his own.

When he finally pulls away, he lets out a loud 'OW' as he pinches his arm.

'What did you do that for!?'

'I had to double check this wasn't a dream, my sweets!'

And then he's on you again, like a ravished man gasping for air. God, he wasn't sure if soulmates were real, but when your top lip pulled down against his, and he could feel the thud of your heart synch against his own beneath the tips of his fingers, if he didn't know that he was yours.

He stays in your room a lot more often after that, using it as an excuse for you to help him button up his shirt during sleepy mornings, smiling at the feel of your fingers as they knocked against the muscles of his chest. It was also his favourite part of the day - the good morning kiss the two of you shared before you raced down to be at your shifts before Zeff decided to knock your heads together.

One time you forgot to give him one, too distracted by one of the sous chefs busting into your room with a bloodied nose and a chipped front tooth, whistling through the gap as he begged you to come down to the main foyer and help him break out a fist fight that had started between two gangs of rival pirates. The pout on Sanji's face that day was enough to make even the most bounty-heavy pirate's knees tremble. Every other chef steered way clear of his station, watching the arch of his back and the jaw in his muscle jump as he busied himself by frying his steak of tuna, so gutted at the loss of just one kiss. Not angry, no: just grief stricken, because this man seriously just adores you that much.

When you finally get your lunch break, the first thing you do is throw your napkin down on the kitchen ground and grab Sanji by his suit collar, enjoying the surprise tilt of his head as he drops his spoon onto his serving tray and allows you to lead his feet backwards to the fire exit. As soon as he's outside, you slam him gently against the wooden beams of the Baratie restaurant, and kissed him silly to make up for it. His look of trusting confusion suddenly melt into jumping heart eyes when your knee slides up between his thighs to try and pin him in place. His breathing comes out in harsh, shallow gasps between ferocious kisses, and you have to press him back against the wall every time he comes arching forward to follow your head for even more kisses. No, this was about you making him feel good. And by goodness, as your tongue pressed against the seam of his lips and tentatively ran over his front teeth, if he wasn't two seconds away from falling to his knees right there and then.

When you let him go, he slides down the wall like putty until he's sitting with legs stretched out and both his suit and hair a ruffled mess. He's literally never been more deliriously happy in his whole life.

Your favourite time of the day is when the restaurant closes, and the two of you finally have the kitchens to yourselves. Once you've tossed your aprons back onto the rack with a tired sigh, the only thing that can cheer you up is the sound of Sanji kicking his chair back with the toe of his shoe, and the sight of him beckoning you over to him with that tilted head and pearly beam of his. Mmh, how safe you feel, how loved as you collapse down to sit on his knees, and he tucks you in between the brackets of his arms in a vice so tight it could match any Marine knot.

You take one of his hands off the pen he was holding, turning his palm round to face you so you could fiddle with the rings he was wearing. You draw one up, curling his finger before your eyes, before slotting one off and sliding it onto your own ring finger. It was the one his father had given him: one he so loathed to wear, and yet felt guilt bore down too heavily on his conscious to ever take it off. You turned the one on top of it, one you know Zeff had given him after his first day working at the Baratie, and you smiled at the memory.

'You know', you start, still fiddling with his hand, feeling him shift his thighs as you pressed a gentle kiss on the pointer finger you were currently grasping onto. 'I may just have to keep this one.'

'Oh yeah?', he says dreamily, and you could feel his grin growing as he hid his burning face in the nape of your neck. 'Don't worry sweetheart. One day, once I find the perfect one, I'll give you a ring of your own.'

The two of you sneak out and share cigarettes out the back door a lot, where Sanji steps forward and kisses you like a man possessed every time you pinch the stub from out of his mouth and draw it along your bottom lip teasingly. When you try to get him to go back in, he just wraps his arms around your waist and lifts you up, spinning you around to stop you from leaving him alone. Laughing, you try to shove him off, swatting at the hands that form a tight clasp over your belly button, until his large fingers finally slide down to hold your waist. You glance behind you, smirking at the way his eyes are tightly shut in euphoria as ducks down, chest nearly enveloping in his desperation to reach your face again. His kisses become sloppier: smoke stained as they leave wet trails up your jaw, before he finally gives in and tries to make you laugh one last time by nibbling at the lobe of your ear.

Whenever he has a fight with Zeff, you have to hold him afterwards. The feel of your fingers curling the hair at the nape of his neck, or rubbing soothing circles into the sore muscles of his shoulders stops the furious darts of air from flaring his nostrils almost immediately.

Man has blaring heart eyes 100% whenever he's in a fight with rowdy customers, and you get to kick the flashy knife out of the last one's hand before the pirate could launch straight for Sanji's neck. He tilts his head at you with those amazed eyes, a gentle smile growing almost shyly on his face like a secret wink, before he throws his now empty plate at the pirate trying to sneak up behind your back. The crash echoes out through the booth area, a cry so furious: so full of rage that anyone would try and dare hurt you, that it makes all the remaining pirate crews crawl out towards the door on their hands and knees.

Stitching each other up afterwards is a motherfcking mess though, that Zeff straight up just abandons all hope of being able to use his kitchen. With a defeated rub of his pounding temples, he lets the door slam shut on his heel because he just can't deal with the two of you. He'd much rather pick up a brush and start sweeping bits of crushed and splattered asparagus off the floors than have to watch you to battle it out in a stiff competition of who could be more sickeningly, maddingly in love with the other. Between you standing between Sanji's entrapping thighs, closing you in tighter so you could have full access to kiss his bobbing Adam's apple as you use a rag to swipe bits of dry sauce off his neck, and him throwing his head back and whimpering, Zeff was going to go insane. Even worse, as soon as you're finished, Sanji's reaching between your fingers to lick split consomme off your nose.

The two of you are literally insufferable, and if every one apart from Zeff doesn't find it the cutest thing I-

When Luffy comes and wrangles Sanji into joining his crew, the chef's first thought is to be distraught. He seeks you out straight away, nearly breaking some poor fisherman's pole as he tries to hurdle over it and grip onto your shoulders, making you drop the barrel of dried meats you were carrying from Luffy onto the planks and watching Luffy nearly dangle off the edge of his ship to stop it from rolling into the ocean.

'Y/n- I- I can't go!'

'You're hardly scared!'

'I'm not scared of going, I'm terrified of going without you!'

You let him pour his heart out for a moment, before stopping his rambling, near sobbing mess of a sentence by bopping the tip of his nose. You giggle, swiping some hair from his forehead. 'Sanji, Luffy asked me to come first. I promised I wouldn't go without you, and I meant it.'

You manage to unlatch his twitching hand from your left shoulder, and give it an almost imperceptible squeeze. The tears that threatened to fall from his eyes finally cascade down, although he's so relieved that he's smiling through the blurriness. You swipe them away with your free thumb, finally, after all these years, feeling the squeeze of your hand that Sanji gives you back, before he envelops you in a breath taking hug.

'Awww, you guys are so sweet!', Luffy calls out from where he's hanging by his sandal off the railing of his ship. 'But could someone give me a hand before my hat falls into the waves? That would not be very cool.'

The first thing the two of you do once you're on The Going Merry is to find your bunk. Sanji isn't very subtle when he kicks your door shut with his heel, and comes scampering towards you like an upended sand crab, pinching for you until he's hefted you up over his shoulder and has unceremoniously landed you in your shared hammock. He's quick to jump in, straddling you as the hammock sways back and forth with the commotion.

He nearly starts crying again when he sees a flash of silver poke out from underneath your neckline; he grazes his hand over the chain, recognising it as his father's ring you had taken months ago. The one he had hated so much. The one you had tried to save him from. A small piece of him. A weight you tried to bear for him. A reminder of how much he was loved.

A confused Zoro, not realising there are new crew members on board, follows the sound of Sanji's voice crooning out how much he adores you, and how he loves you more than every star in the sky, down past the window on your bedroom door. Let's just say, he's not very impressed when he catches sight of the hammock swinging wildly from side to side, and an array of clothes thrown out and discarded in a mess around it.

[smol-feralgremlin]

But at the same time, I felt uneasy at being thrust into an online community which I’d long considered kind of annoying: What’s really striking is the extent to which a disorder associated with garrulousness and substance abuse has been captured so utterly by nerds. To what neurodivergent urges would I now be subjected? Would I be tempted to start drawing pastel-colored webcomics about buying too many notebooks or set up a TikTok account with my boyfriend in which he is assigned the role of baffled but tolerant neurotypical and I am essentially a child? Would I start claiming that innocuous behaviors like “Googling stuff,” “using emojis,” “being able to concentrate sometimes but not always,” and “watching cartoons” arise directly from my newly confirmed condition? Would I begin to construct elaborate metaphors along the lines of “ADHD is basically like having a poltergeist that follows you around and moves your stuff” or “ADHD is having a werewolf that lives inside your brain: the secret is not trying to control the werewolf, but fully embracing that you are this creature”? I didn’t want to do any of those things, but I did start to consider what we are telling ourselves — and one another — about ADHD.

[just-antithings]

To all the people yelling about people "not writing enough f/f or even just women in general": Trying to write female canon characters is exhausting af. There's often so much baked in misogyny that one has to try to either write around or avoid or worse: actively choose to keep. And that means doing emotional labor of plunging yourself into that, for free, for people who will scream at you that you did it wrong anyways. Most slash fans are women, or people otherwise affected by misogyny. Women who don't want to try to wrangle a character out of a mess of misogynistic tropes. Especially when they're almost certainly going to be yelled at about how they're doing it wrong. (If they get feedback at all). People demanding more people write female characters and femslash (for free) are demanding some pretty damn intense emotional labor from, most often, other women. Of wading into the characters and trying to navigate the misogyny baked into a lot of them. Try to extract Kairi Kingdom Hearts from the misogyny baked into her character: actually really think about it. And then think about what parts you need to keep in order for the story you're writing to still work. Or think about what parts you need to remove and how that will affect what you're writing. Say you're writing a canon-compliant Kindgom Hearts fic. If you remove the misogyny to the best of your ability: will that change things in a way that means your fic is no longer canon compliant? Do you expect someone to think about that and do it for you? For free? When they are writing for fun in their spare time and could instead grab Saix or Sora and NOT have to dive into misogyny?

And even when people DO take the time to perform the emotional labor and time and energy to wade through the misogyny baked into some of these characters? Chances are they'll see a much lower viewer turnout. Readers don't want to risk tripping over bad writing or misogynistic tropes, either. And if they do get a turnout... chances are it's going to be someone telling them they Did it Wrong. When people give one-note female characters actual nuance, readers throw fits. If they don't write pure soft and tender uwu f/f people (especially antis) throw fits. Write a villain AU? People lose their shit. Write a toxic relationship between women? People lose their shit. Explore a dynamic that is anything beside perfect sweet innocent sexless uwu and you're likely to get eaten alive for being "fetishistic". And frankly, even the perfect sweet innocent sexless uwu is likely to get you accused of some shit.

If you want more femslash or just female characters to be explored more in general, you guys have GOT to start being real fucking normal about people who DO write it, and also writing more of it all yourselves. You have to start letting people do badly at it. You have to start letting people be fucked up about it. You have to start actually helping others write sex between two women. You have to start being normal about female characters, yourselves.

And you gotta accept that if you're not willing to do the work yourself, you can't get upset that no one else is willing to, either.

👆👆👆👆

[goresuki]

my thoughts on Charlastor and Alastor calling Charlie "the daughter he never had"

this will be a very long rant/vent/whatever. also, a kind of... agressive one. if u wanna read, read it, if u don't, don't, idc and idm. I don't know if some antis take things for convenience (that way) or if they really are naive, because the fact that a manipulative guy like Alastor, whose intentions are unknown, tells Charlie that he sees her as "the daughter he never had" DOES NOT SOUND as CUTE to me as many DO seem to think it does.

I don't know if they don't realize the relationship Charlie has with her parents and how Alastor seems to take advantage of her.

From the pilot we realize that Charlie has no contact with her mother. In the series it is established that they have not seen each other for 7 years.

The first episode JUST talks about Charlie having so called "daddy issues" as her father, Lucifer, is an absentee father.

Charlie appears to NOT have had a close relationship with ANY of the two for some time (or quite some time).

The only person Charlie has is Vaggie, to protect and care for her (here's why Vaggie is so "boring", as some people call her, as she is acting as a guide/parental figure for Charlie, even though their relationship is romantic).

Where am I going with these points? That I think it's complete nonsense for people to take super-literally what Alastor has said: "you're like the daughter I always wanted to have".

Isn't it convenient for the most feared overlord (not the strongest) to approach Charlie and find that she's not as vulnerable as he thought (because Vaggie is there)? Isn't it convenient for Alastor to make a very absolute polarity between Vaggie and him in the pilot, where Vaggie comes off as the "bitter one" and he as the "fun guy"? Isn't it convenient for Alastor to PROVE to Charlie over and over again that HE knows what SHE NEEDS by pulling his tricks? And, oh, surprise… Isn't it even more convenient that when Lucifer arrives, who has a lousy relationship with his daughter, Charlie, Alastor rubs it in his face that he is doing everything that he (Lucifer) is responsible for, and furthermore, hits him right where it hurts, manipulating Charlie so that she seriously BELIEVES that Alastor REALLY sees her that way, and thus making her STILL not have a GUIDE other than HIMSELF?

I'll make it simple for you. You know how narcissists work? They will make you believe that YOU are special, and at the same time, they will ALIENATE you from your loved ones to keep gaining whatever they need from you. Charlie is, literally, his supply.

Alastor is a psychopath and narcissist. Do you really think that someone who can't genuinely empathize and love is literally going to feel affection for a grown woman who is very naive and doesn't even have power over her kingdom because she is so immature? Don't you think it is VERY OBVIOUS that he has literally said to her face: "I'm going to manipulate you in my favor because thanks to me you have all these upgrades in your stupid hotel"?

Alastor hasn't as such made a deal with Charlie, but he's winning her over in HIS way.

And I don't know who's crazier: charlastor shippers like me, who don't give a damn about canon and want to enjoy shipping WITHOUT bothering ANYONE (and don't come out with the stupidity that it's a "proship". Proshipper doesn't even mean "problematic ship", it means that you are FOR shipping whatever you want, living and letting live, without HARASSING others. Let's remember that Hazbin Hotel characters DON'T. FUCKING. EXIST. Alastor is not going to come out of the screen to say: "omg, user, thanks for defending me from those evil shippers uwu", or Charlie to say: "thanks for defending me, you're so good, user…. You're such a good person". Pro: "in favor of", shipper: "shipper, ship", however you want to call it. Don't modify terms to suit yourselves because you can tell that many don't even know how suffixes and prefixes work in words. Neither Charlie nor Alastor are going to die because someone shipped them. They are FICTITIOUS characters. The FANON is not going to change the CANON. Learn to sepparate stuff, ffs. Go out and touch grass once in a while) or antis who put on a pedestal what Alastor said, believing it as a justification to ATTACK people in the fandom who shipped something different, according to them, "problematic".

There they do forget that Alastor is a manipulator, that he is a person with a LOT of arsenal to get his way. There they forget that he IS a guy Charlie should NOT trust. There it DOES count because IT CONVENIENTS THEM. That's when the canon MATTERS to them. There it COUNTS. It doesn't matter if Charlie gets hurt because of trusting Alastor, they only see what they want to see. If you guys are going to humanize this fucking characters, at least be a little bit logical. Got me? Remember what Viv said?: "ship whatever you want, JUST DON'T HARASS ANYONE". These people say: "fuck what Viv says", but on this occasion, since she DID say something convenient for them, it DOES matter what Viv says now, doesn't it? Hypocrites.

Charlie has no one beyond Alastor, and I don't remember where I read that theory, whether it was here or elsewhere, where they talked about Alastor looking for a way to alienate the hotel itself in one way or another. That's why he doesn't use very flashy technology (Vox can travel through the latest electronics, and the hotel has an old box TV), nor does he go out of his way to provide anything of good quality (like the video camera). The hotel has its own power supply (we see this when the blackout occurs during the song between Alastor and Vox).

Alastor DOES NOT WANT Charlie as his daughter, he's just taking advantage of her to get whatever he needs to get out of her.

Charlie doesn't even seem to know exactly how her powers work, and the only person who can teach her is Lucifer, her father. And if Lucifer is out of the equation, Alastor can do whatever he wants.

He's hit Lucifer right in the jugular, and Lucifer knows that all the power in the world can't make up for the wrong he did to Charlie.

Anyway, if a real anti thinks Charlastor is problematic because "AlASTor AlreADy SaiD hE sEES hEr As a DauGhtER," I remind them that they are not dealing with a character who cares about others beyond maintaining his own status, and ffs... they're not even real. KEEP SHIPPING. KEEP DRAWING. KEEP MAKING FANFICS. FUCK THESE PEOPLE THAT TRY TO HARASS YOU, FUCK THESE PEOPLE THAT TRY TO MAKE EVERYTHING "PURE" ON A SHOW ABOUT DEMONS AND HELL. FUCK THESE PEOPLE TRYING TO MAKE A FANDOM THEIR OWN FUCKING WAY BECAUSE THEY CAN'T HANDLE THERE'S A LOT OF DIFFERENT VIEWS. FUCK THEIR SAVIOR COMPLEX, JUST COMING AROUND WHEN IT'S ALL ABOUT CHARACTERS THAT DON'T EXIST, FEEL, OR THINK FOR THEMSELVES, BUT DISAPPEARS ANYTIME SOMEONE REAL COMES, HARASSING AND SENDING DEATH THREATS TO THEM. FUCK THESE PEOPLE, GIVING PSYCHOLOGICAL DIAGNOSES OVER A FUCKING TIKTOK VIDEO OTHER ANTI MADE JUST BASING THEIR THEORIES ON THEIR FIST RESULT ON GOOGLE. FUCK YALL, CAUSE YOU'RE THE REASON YOU WHINE ABOUT THIS FANDOM. JUST AS WE SAY IN SPANISH: O LA BEBES, O LA DERRAMAS.

[mylonelylittlestar]

My little star

Characters: Xavier Summary: random relationship headcanons with Xavier Warnings: None A/N: I've completely fallen in love with Love and Deepspace, especially with Xavier. It's truly hopeless

the type of boyfriend to get you matching pyjamas

he gets you so many that they slowly start to replace all of your own

likes to match with you even if you don't live together, so sometimes he just texts you to ask which pyjamas you're wearing so he can change into the matching one after he showered

if you ever gift him slippers, blankets, or pillows, he will keep them forever (even if it's something goofy like those big fluffy bunny slippers)

the best person to ask for good midnight snacks. He can recommend fantastic instant noodles, chips, crackers, or other snacks that are light and won't give you stomach aches late at night or negatively impact your sleep in any other way

very interested in your skincare routine (if you have one) and will try out any mask or cream that you give him

if you come up with a routine for him (a simple one, maybe, like the basic cleanser > toner > moisturizer), he will follow it diligently, dragging himself out of bed before he sleeps every day to do it because you were the one to pick those products for him and he doesn't want to waste that

he feels like it connects you to him, even if your routine is completely different and a bit more complicated

never cries during movies, no matter how sad they might be, but he does (on very rare occasions) get a bit teary-eyed

he will hold you if you cry during a movie, and he would never even think about making fun of you for it

he does secretly think that it's cute that you get so worked up about a movie

can sleep through anything. a bomb could go off in his house and he wouldn't know that it happened until he woke up

has seen every single episode of any shitty sitcom you can think of at least three times because he occasionally watches them while he sleeps

sometimes he quotes them but because he knows each of these shows so well now he always quotes the lesser known scenes and no one gets what he's talking about

you start to understand his references after a while, so sometimes he will quote some obscure scene from a super unpopular sitcom that got cancelled after one season and you're the only one laughing

secretly sneaks to the arcade sometimes to practice the claw machine game because he wants to get you the plushies you don't have yet (and to impress you)

he ends up getting dozens of repeats of plushies that you already own. he collects in a small storage room in his apartment that used to be empty

he ends up giving them away when the collection gets out of control, donating them to a children's hospital nearby

gets all shy when you find out about it, blushing bright red like a tomato (or a wasabi octopus)

knows about every single 24 hour store in the city because of his odd sleeping habits and always knows what to do no matter what time it is

you can't sleep and want to go on a date at 3:27 am? he knows a place

if someone is mean to you he will try his hardest to deescalate the situation, but he's also fully willing to fight the person if that doesn't work

I mean have you read his Anecdotes 2? He doesn't give a fuck. He'd prefer not to fight, sure, but if it's unavoidable? What is he gonna do? Not fight and defend you? Ridiculous.

The fandom has already started turning him into this soft uwu stereotype, but the thing is that that's... just not him? He's sweet and kind, yes, but that's not all he is. He's complicated! He has layers!

if he ever falls asleep during a date he would feel awful about it for days, even if you reassure him that it's fine and that you're glad that he feels safe enough around you to fall asleep

he tries to make it up to you with a different date and he falls asleep again, which starts a vicious, endless cycle

when he finally does get over his guilt it's only because you fall asleep during a date after you had a long day at work

knows when you cheat in kitty cards, but sometimes he just lets you get away with it, especially if he knows you had a stressful day at work. He hopes that the win will cheer you up

his good night kisses are forehead kisses while his good morning kisses are on top of your head if you didn't sleep over or on the cheek if you did