#it was just a random movie set in the ST universe
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#nu!trek walked so nu!star wars could trip and fall flat on its face
so true T__T
JJ Abrams showing naked disdain for Star Trek, and openly stating he really was only doing them in the hopes of getting to make Star Wars one day, only to get his chance to make Star Wars & making it even worse, so bad he killed off Disney's scheme to release a new Star War every year into eternity...truly iconic
#star trek#star wars#why are you like this#seriously he was not good at either#nothing against fans but the entire Kelvin timeline wasn't actually Star Trek#it was just a random movie set in the ST universe#much as the new Van Hellsing isn't vampire fiction#it's very specifically zombie fiction#they're just called vampires#but the type of story it is is a zombie story
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Ayo Angel who do I have to fight? 😡 😤 I can't stand when anons wanna talk mess instead of minding their actual business trying to police what people write! They do realize that writing is literally the safest way to explore certain "bad topics" without having to actually commit the deed right? If they love Marvel movies or detective dramas or basically anything that even showcases a smidgen of violence etc then they're a hypocrite cuz does that make the writers of ST fucked up for all the torture they put their underage characters through? S4 legit had a grown man slaughter lab kids and Hawkins teens but are they called sickos or deranged for writing it? S1 showed us El killing folks and she is like 12 years old but the writers aren't considered disturbed? Newsflash, horrific shit happens ALL THE TIME 24/7 and people shouldn't write about it like huh what make it make sense?
Anon truly doesn't fuck with horror movies then or crime detective TV shows cuz that always displays violence. It is a hard truth but violence doesn't discriminate no matter the age, gender, location. It is a universal experience and instead of targeting I dunno actual criminals that use violence to control and destroy - like war criminals, people getting trafficked, those that glamorize real life serial killers and demonize their real life victims - they choose this fake ass activism of silencing and policing a fanfic writer. Performantive moral high ground distraction cuz anon is choosing to focus on something that isn't a real issue cuz if you don't like keep scrolling. Internet etiquette 101. You aren't forcing folks to read unlike real violent people who exert power nonconsensually to others. You're tagging those that fuck with it and using the tags/keep reading button as last resort warnings if said anon chooses to engage with the triggering content. Just saying irl there is no trigger warning, you just gotta deal with that in real time.
Anyhoo keep doing you Angel my evil twin 😈 my angel 😇 and as my people say "must be doing something right cuz I got haters 😝😏🤪" and ofc the other slogan being "oh you mad? stay mad then" lol
hi lex ~ yay to everything you said ~!! most of the media we consume nowadays has some level of violence or amorality and that's all fine since it's fiction ! it is through fiction that we can all explore different facets of the human condition that are either too grim and depressing to think about in real contexts, or that hide some lessons about the things that truly matter and are often just taken for granted in our day-to-day lives.
so yeah, exploring violent, uncomfortable or heavy topics is important to fiction as a whole, and it is nigh impossible that anon (or anyone else) has never consumed any type of creation that showcases these stories to some degree.
ultimately, the perfect ethical piece of media doesn't exist and trying to force people (not even filmmakers, showrunners or published authors/artists; random internet people who create things for free) into abiding by some wacky, sanitised, morally upright set of rules made up by a conglomerate of people who lack media literacy is absolute madness and it only serves to destroy creativity and limit self-expression >.<
,,,anyway, thanks for the message lex !! ^-^ you don't have to fight anyone, don't worry. i get these messages twice a week so i've grown used to them and can handle them ~ ! hope you're doing fine and are having a great day !!!
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Code Geass: Akito the Exiled review:
The thing about Lelouch is that he is hyper competent to the point of being overpowered. Give him an army and he’s very hard pressed to lose. The writers in the original series had to throw curveballs left and right at him (mostly a Suzaku in a Lancelot, then it’s metaphysical Geass nonsense, then it’s nuclear warheads), just to curb Lelouch’s trajectory somewhat. We know what he’s capable of. He conquers the world by the end of the series for god’s sake. So when you put him into literally any prequel/sequel adjacent Code Geass plot-line that is not solely about him, you have to do some severe writing gymnastics to not have Lelouch bulldoze over the entire story.
Case in point: Julius Kingsley.
By the time Julius Kingsley is introduced in Akito the Exiled, we have already established our central conflict. On one side is Akito and the Euro-Universe and that rag tag group of soldiers, on the other is Shin Hyuga Shiang and Euro-Britannia. One side is good the other is bad. There’s angsty interpersonal relationships between the two sides, more metaphysical Geass nonsense is introduced, a lot of EU political intrigue is there too. We know our two sides, we know what they are capable of, game set go.
Except Lelouch and Suzaku gets airdropped right in the middle of it. Because fanservice. The creators are basically saying: “if you keep on watching this movie series about a bunch of random Europeans whom you’ve never met and don’t really care much about. We will give you: Lelouch being an absolute Magnificent Bastard. Suzaku as Knight of Seven but on Lelouch’s “side”. Lelouch fighting for Britannia because we know y’all have been writing a lot of “What if Lelouch remained a prince” fan-fictions and this should satisfy you at least a little. All done in newer animation and in High Definition. So watch the series please!” And we all went, yeah okay we’ll watch the series.
And the writers ran into a problem immediately as Julius Kingsley got going. A massive problem. Because if Julius Kingsley is going to be as brilliant as Lelouch, and he will, because he is Lelouch, then Kingsley is going to wipe the chessboard clean all by himself. Lelouch has proven himself to be Greatest Of All Time. He is going to defeat Akito and Leila’s forces, Akito has a Geass that makes him go berserk? Well Kingsley has Suzaku “I have the enemy battalion surrounded by my one Knightmare” Kururugi. Then, as Shin starts wilding with his whole kill-everyone-and-their-mom thing, stomp down his coup as well. Shin has a Geass that exclusively kills people well Julius also has a Geass that can kill people, and a brilliant strategic mind, and unilateral authority to do whatever the fuck he wants. He’s going to takeover Euro-Britannia and overhaul it’s entire bureaucracy just to wrap it up in a pretty little bow for the Emperor.
The story thus becomes useless. You’ve wasted two movies worth of character establishment and animation. Julius Kingsley will get out under your pen and he will make the world his.
And so the writers quickly nerfs him twenty minutes in. Y’all got a small sip of Lelouch being brilliant! That’s enough now! He’s going to have a mental breakdown due to mindfuckery bullshit and be taken out of the story! Because he’s too powerful otherwise! Thank you for your patronage! Goodbye! Which leaves the audience feeling cheated and unfulfilled and very very bewildered.
So we are in a double bind. I want to see exclusively Lelouch being the brilliant asshole he is. The creators want to tell a story with these new characters. No one is satisfied in the end.
(Side note 1: Same thing happened with the new Ressurection movie. Lelouch has Cornelia, both Suzaku and Kallen, Anya and Jeremiah and Sayoko and Llyod and Cecile. He can take over a nation half awake with those powerhouses behind him. And so the writers gave Shamna an overpowered Geass that can “see six hours into the future” just to even the playing field. Else the fight would’ve been over in twenty minutes.)
(Side note 2: Yeah I know that Julius can’t use his Geass, but hey, you could get Suzaku to jump in front of him if Shin orders Julius to die, taking the order. It would serve so many different narative purposes. 1. who’s absolute command is stronger, Lelouch’s live on or Shin’s die now. Battle of the Geass. 2. serves as a metaphor for Suzaku’s inner turmoil, he wants to die but everyone he loves wants him to live and how does he reconcile that. 3. shows that even when Suzaku hates Lelouch with his entire being, he would still die for him.)
(Side note 3: I mean, it’s not a bad story if Julius gets out under the writers and bulldoze over the entire story. It’s honestly a great way to show how brilliant a commander Leila could be. She could go underground to preserve her forces so our group of war orphan pilots survive, or orchestrate political turmoil in Euro-Britannia to keep Kingsley off her back, or divert his military forces away from her E.U. and into Africa. Kingsley is an unstoppable force but it does not mean it will be a bad ending.)
(Side note 4: how would this series end in this half meta half headcanon? Kingsley takes back Euro-Britannia from Shin and gets most of Northern Africa from the E.U., before the Emperor calls him off with a Zoom call. He is also informed that he is needed urgently back in Pendragon, and would be flying back the day before the victory parade in St. Petersburg. Julius is so excited to see the emperor he doesn’t even feel bumbed that he’s going to miss the chanting crowds he’s been promised. He goes into the throne room, and we are treated to a disturbingly heartwarming scene between Emperor Charles and Julius. Like, Charles going full “I’m glad you’ve returned safe and sound. I’m very proud of you. You’ve brought me honor” fond father mode. And Julius is almost deliriously happy to hear it. Then the emperor goes “your reward. The dukedom of [insert place name here]. And some rest. You’ve worked hard these past months Julius. You deserve both.” Then he activates his Geass, and Julius Kingsley collapses before he could get a word of protest out. Suzaku catches him. Last shot is Suzaku cradling Kingsley’s prone form, staring at his eyepatch. Credits.)
#akito the exiled#code geass#code geass akito the exiled#julius kingsley#Lelouch vi Britannia#lelouch lamperouge#suzaku kururugi#kururugi suzaku#my thing#I just want Julius to be an actual person goddamn it#such an interesting premise#it's like looking into a funhouse mirror#what if lelouch was socialized to believe wholeheartedly in britannia's imperialist ideologies#makes the audience go#wow I did not realize how progressive and good of a person actual lelouch is#raises angst level for Suzaku as well#if lelouch using geass to turn euphie into something she's not#is fundamentally bad#then the emperor using geass to turn lelouch into something he's not#is maybe perhaps definitely#equally bad
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i dont have much to say about this one!!! it’s just a story about carmina’s tenth birthday, and how the town of fall’s end is coping a decade after the collapse. uhhh there are some random children in it? bean is there! and of course john shows up, too, because that’s KIND OF THE POINT of mercyverse lol
technically there’s a story that comes before this, but i don’t have the vibe yet for it so i haven’t worked on it in a while. instead, i’ll probably just keep moving forward and throw up that one if the rest of the plot becomes at all relevant to the real main storyline. uhhh the next one will take place in the spring of 2029 and we’re going to start getting into some fun stuff that i’ve planned out for a while!!!
until then, uh, the usual: love you, please like/share/reblog/kudos/comment, whatever you feel good about doing, because i sure do love to share my universe with other people! hope you’re doing well and hopefully i’ll see you with another fic in a few weeks!
also as usual: the story text is below the cut for those of you who wanna stay on tumblr :)
It's Carmina's tenth birthday, and there's a party in town. The two things aren't exactly related, sure, but Carmina's used to sharing her birthday with the Collapse, and she's not about to turn down a bunch of free food. How can she not go to a real Hope County barbecue after her parents had hyped the experience up so much in the bunker? She'd hoped that her ninth birthday would have gotten a similar treatment, but the town just didn't have the food or people for it at the time. Her parents had told her that next year would be better; Carmina does her best to keep her imagination from blowing the whole thing out of proportion.
They leave a little bit after breakfast. Since John is coming along, mom has no excuse not to let Carmina ride in the back with him. He's not excited to be heading into town, but then again, the town isn't usually excited to see him, either. And considering what day it is, they're likely to be extra rude to him. Carmina doesn't get it, honestly, but she's just glad that she can ride in back without her mom grabbing onto her at every pothole and bump in the road.
The first surprise of the day comes as her dad parks just past the church, giving her a chance to stand up and look out over the town. She hasn't been here in a while, and so she's surprised to see that they've cleared out a lot of the dirt lot behind the usable buildings — and there are a lot of people hanging out there. Carmina's never seen so many people at once — she loses count around twenty and can easily guess double that. It's enough to rattle her nerves for just a second, before she catches the looks on her mom and dads' faces and realizes that this is probably a good thing. Sure, John looks like he wants to hop back in the truck and go home, but he always looks like that around strangers. Her parents, on the other hand, actually seem happy for once, and that's what matters to Carmina.
The second surprise is just how many of the adults seem to know her. Her parents move slowly through the mingling crowd, usually coming up with names for faces before Carmina's even looked at the strangers who call her by name. She gets lots of comments like, "I remember when your parents were expecting you!" and "I was wondering how the Rye's little girl turned out!" and even a few, "Glad to see you made it," comments that make her parents side-eye each other pretty fiercely. She doesn't need to introduce herself to anyone, not even people who her parents don't know so well — it's like everybody's always known her, and her family. It's kind of cool — but also kind of weird. Pastor Jerome always said that their family was a pillar in the community, but this is first-person evidence, right here in front of her.
Plenty of the adults wish her a happy birthday, too, but she knows their hearts aren't in it. It's one of the big drawbacks to sharing her birthday with the end of the world — nobody asks how old she is, nobody wants to know what she did on previous birthdays, and all of them have to make some kind of depressing comment. Like trying to get her to relate to birthdays before the Collapse: all they want to do is tell her about all the things she could be doing, or would be doing, if only the world hadn't ended. They want to share their birthdays from the past, but Carmina's never been to the movies, she doesn't know who Disney is, and she has no idea why they'd need a cake and candles for it all. Somebody tells her she should be graduating to the fourth grade, and she just stares back because what even is the fourth grade? What does that mean?
They mean well, so Carmina does her best not to upset anybody, but she knows that nobody appreciates how little she cares about life before the Collapse.
At least there are other kids in town today. Her mom had been telling her about some of them — kids who don't have families, who the town looks after — but Carmina's only ever met one of them, and that had been only for a few minutes. But Carmina can see them hanging out in the field, and as soon as her mom lets her, she heads right out to them. It's about time that she met people her age — she's getting tired of only ever talking to old people.
Of course, meeting strangers is still difficult for her, but she's saved from too much embarrassment as she recognizes the chicken brothers hanging out in the small group. She can't remember which one is Tom and which one is Matt, but they seemed really nice when they helped her pick out her chickens. She also recognizes the oldest boy in the group, although she can't remember his name at all. She's never seen the others before — two teenage girls, another boy her age, and a kid a couple years younger than her — but hopefully she won't make a total fool of herself.
"Hi," she says as she approaches, waving.
"Hey, Carmina," Matt-or-Tom says, stepping aside to make room for her in their makeshift circle. "I thought we would see you today."
"Yep," Carmina smiles, "Here I am!" She sees the teenagers' curious looks and tells them with little fanfare, "Today's my birthday."
"Oh," the oldest boy says. "That sucks."
One of the girls elbows him. "Don't be mean," she says.
"No, he's right," Carmina says. "It does suck."
"Well, happy birthday anyway. How old are you now?"
"Ten."
"Wow," the girl says. She looks at the boy, then back to Carmina, and says sympathetically, "You weren't kidding. That's rough."
Giggling with relief, Carmina waves once more. "It's okay. My name's Carmina, by the way. It's nice to meet you."
Being polite works like a charm, and the oldest boy is quick to go around with introductions. "Well, I'm Jason — this is Caroline, and this is Flower. The little kid there —"
"Hey!"
"— Is Bean, and... Sorry, man, what did you say your name was again?"
The other ten-year-old looking boy frowns and shoves his hands deeper into his pockets. "Luke," he says.
"Okay, Luke. And you know Tom and Matt."
"We were talking about the bison out in the field," Tom-or-Matt says. He points in the direction of home and asks, "Did you guys see the big one when you were coming into town?"
"The one that's all white?" Carmina asks, "With the big scar over its hump? We see that one all the time when we come out this way —"
"No, no," the other brother says, "Jason says there's a bigger one."
"I told you guys," Jason says, "I only saw it once, and it was late at night while I was up in the crow's nest. I don't think it comes out during the day."
Carmina frowns. "What big one? What do you mean?"
"Oh, boy," Caroline sighs, "Don't listen to him, Carmina, he's full of shit."
"Hey, language," Flower laughs.
"Look, I was pretty far away, but I had the sniper rifle and I wasn't sleeping on the job. Uh, so..." He points out over the field, towards a squat set of huts surrounding a tall, busted silo that's still standing. The view from up there must be great. "Jerome has me sit up in that tower sometimes, you know, to practice. So I was up there, looking around, and it was probably midnight or so... and I just see this glow out in the field. I think it's a fire, right? Maybe somebody made a camp out there on their way to town or something. So I look out through the scope — and it was a bison."
"A glowing bison?" Carmina asks skeptically.
"Yeah. Like, a monster bison. It was all dark and scaly looking, except for the way its belly glowed. I thought about shooting it, but..."
Caroline laughs. "He got scared. Or it wasn't real, and he's making it all up."
"I wasn't scared, and I'm not making it up! It's not like it could've hurt me up in the nest. It... just didn't feel right. You know, it was just grazing with the rest of the herd. And it moved off over the hill before I could change my mind or call anybody up to confirm it."
"Sure, Jason."
"I'm serious," Jason insists, "I really saw it, okay? I told Jerome about it and everything." He frowns at the dirt. "He said it might've been mutated after the bombs. Then he told me not to go looking for it."
"He's right," Flower says. "Even regular bison are pretty dangerous." She smiles. "That's why I like deer — they won't hurt you. If you sit really still, sometimes they'll even come up and lick your face."
"Oh," Carmina says. "I usually just shoot them. They eat all our vegetables otherwise."
"Yeah," Flower sighs, "Sometimes I do, too. But they're also nice to watch."
Tom-or-Matt looks to his brother. "I wonder if that's what we see outside at night?"
"What, deer?"
"No, dumbass." He turns to the group and explains, "Sometimes, when it's real late and I gotta use the bathroom, I'll see something glowing out in the woods. Dad's cut back a lot of space so it never gets very close, but... maybe it's another mutated animal."
"At least you'll see it coming when it tries to attack you," Carmina suggests.
"Gee, thanks."
Carmina knows he's probably teasing, but she still feels guilty for being so blunt about it. The least she can do is try to reassure him. "Well... most animals don't attack near houses, I don't think. When we first came out of the bunker, there were wild dogs and wolves that would watch us, and my dad was real worried about them — but now they mostly stay away from the property. I think it's because of the fence. You guys have a fence, right?"
"Yeah, plus a butt-load of chickens that freak out over anything out of the ordinary." Matt-or-Tom grins at her and asks, "Don't they wake you up with every little thing?"
Carmina briefly considers mentioning John being attacked, then decides against it. She also doesn't want to tell them that the chickens live mostly indoors at night now — the last thing she wants to do is kick off a whole big thing about the cult on her dang birthday! It's already hard enough pretending to care about them around her parents; she's not sure she could even force herself to bother here. And if she's not careful, the kids in town might start to think about her and her family the same way all the adults do.
"They're pretty docile, actually," she says, "And we only really see deer around our place... It's not like they eat chickens."
"Well.... maybe there's a mutant deer out there that wants to eat you," Tom-or-Matt teases.
Carmina rolls her eyes. "I'll shoot it before it gets past the hangar," she replies.
Of course, her dismissive confidence leads to a sprawling discussion on who might be the best shot out of the group. Carmina does her best to defend her skills, considering she can't prove any of it right now, but all three teens insist they're dead-eyes, and even Bean says he's "getting pretty good at the aiming part." On top of that, the kids from the town have gotten pointers from Aunt Grace herself, which means they might actually be better shots than Carmina expects.
"Maybe we should have a competition," Caroline suggests. "I bet Pastor Jerome and Aunt Grace would be okay with it."
"Sure," Jason laughs, "But you know they'd make us spend forty minutes disassembling and cleaning our rifles before and after. Like I don't know what I'm doing — I'm almost fifteen!"
"Have you guys been to Aunt Grace's?" Carmina asks. "She has a shooting range there."
"Maybe she'd let us use it!"
"I've never been to a real shooting range," Bean says.
"It's not a real shooting range," Jason points out, "Those all got blown up. Do you even know how to use a gun, Bean?"
"I just said I do! My dad taught me! I... just don't like the loud noises it makes."
Matt-or-Tom boasts, "We learned to shoot in our bunker. Mom collected Airsoft guns — they don't use bullets, so they can't kill you."
"What's the point of that?"
"I dunno, I guess practicing underground?"
Tom-or-Matt laughs. "Dad was convinced the Peggies were gonna get us, so he wanted us to know how to shoot."
The quiet kid, Luke, finally speaks up. "Lucky," he mutters, "Easier to learn underground, I bet."
"What about you?" Carmina asks. She tries not to cringe away when he stares back at her like he didn't expect anyone to hear him. Maybe he doesn't like people talking to him? "Um... my mom and dad had a bunch of gun magazines in the bunker, but I never got to shoot a real gun until we came outside. Mom and Aunt Grace have been teaching me, though, and I'm way better than my dad is."
Luke hesitates. "Kind of the same. We came up early, though. Had to."
"Me, too," Jason replies. "It was just me and my brother. I was five when we got stuck in the bunker — we went through our supplies in about three years, so we had to come back up."
"We... only stayed down until I could walk," Luke admits. "It was still really cold when we came up. And mom got real sick for a while."
"Yikes," Bean says, "That sucks!"
"Come on, bean," Jason snaps, "You don't say that."
"You just said it to her!" Bean shouts, pointing at Carmina.
"He's... right," Luke mumbles. "It sucked. It... still sucks. But things are getting better now." He looks up at them, then drops his eyes back to the dirt. "Sorry."
"Don't be," Carmina insists, "I asked first!"
"That's kind of the mood today," Caroline adds. "Don't worry. We can talk about something else."
The change in topic comes abruptly as Bean points towards the Church and asks, "Who is that with Pastor Jerome?"
Carmina doesn't need to look, but since the rest of the group does, she might as well too. John has his hat pulled low over his eyes, as usual, which makes him look suspicious, as usual. Knowing him, he probably didn't even leave the truck — just waited there for Jerome to come talk to him.
She can only hope that Tom and Matt keep their mouths shut since they're the only other kids who know what John looks like nowadays. Unfortunately for her, that hope is pretty quickly dashed.
"Oh," Matt-or-Tom says, like a jerk, "That's John, I think. Right, Carmina?"
"Wait," Jason says, "You're that Carmina?"
Carmina ducks her head. "Um... it depends, I guess?"
Flower, looking too sympathetic for Carmina's liking, tries to mediate. "He just means, well... Jerome talks about you sometimes."
"And he talks about that guy," Jason adds, pointing without any subtlety at all.
"Everyone talks about that guy," Caroline says with a sigh. She gives Carmina a sympathetic shrug as she does, as though she wishes she could stop the conversation from happening, too. That only makes Carmina worried that this isn't the first time the teenagers have sat around gossiping about John and the crazy people who decided to take him in.
"Wait," Bean gasps, way too loudly, "That's John Seed?"
"Oh my God," Matt-or-Tom sighs, "You gotta keep up with the conversation."
"Wait, what's he doing here? Why's he going into the church? I thought he wasn't supposed to come to town? I thought he was locked up!"
Carmina groans. "It's my birthday," she whines, "I don't wanna talk about John today!"
"We don't have to," Caroline says. "Guys, come on."
"I mean, he did kill a lot of people. Isn't he, like, a psychopath? Isn't it weird to live with a murderer?"
"Jason!"
Luke mutters, "I heard he used to cut off people's skin."
"That's true," Jason replies, "My brother has a huge scar from when it happened to him. Boy, I hope he doesn't see that jackass is here..."
Matt-or-Tom finally seems to realize what he's started, frowning as the conversation spirals crazily out of control. It's too late to stop it, though, and so he shuffles his feet and looks apologetically towards Carmina.
Fine. If she can't get around the subject, she's just going to have to tackle it head-on. Even if that sounds really scary. She doesn't think that these guys are going to flip out like the caravan last year did, but she's still a little worried that she might be in for a fight if she says the wrong thing about John.
"I know John used to be a bad guy," she says. "Like, really bad. My dad's got one of those scars, too. But he's not like that any more. All he does nowadays is help my parents with chores and stuff. And he's just like everybody else — he doesn't talk about what happened before the Collapse to me or anybody. So I really don't know anything more than you guys.
She probably knows less than them, honestly, but she's not about to say so and get a brutal lesson in everything John's ever done wrong.
"So he's just... different, now?" Jason asks, frowning unhappily at the church.
"I guess so," Carmina replies with a shrug. She looks over to make sure that John and Jerome are inside, just in case. "He's not... scary, or mean, or anything like that. Just quiet. Kind of... lonely, I guess. Ever since he found out his brother is alive but still crazy, he's been really beat up about it." He's also been literally beaten up over it, but now's not the time to try and make the others feel sorry for him. John would probably be irritated at the idea of a bunch of kids pitying him.
Matt-or-Tom is quick to help her out, which is nice. "She's right," he says. "The Father is still out there in the woods with all those crazies, but John's repented. Dad said he made amends with God, whatever that means. He... uh, still doesn't like us being around him, but when we helped him load the chickens in he seemed okay. Just real quiet."
"That's John, alright," Carmina sighs.
Bean looks seriously disappointed by the news. "You mean he doesn't talk about it at all?" he asks.
"No," Carmina says, snapping for good measure, "And he gets really upset when you ask about it, so don't."
"I'm not gonna go talk to him!" Bean gasps.
The idea that a kid might be scared of John is pretty funny, considering how uncomfortable he is around her, but Carmina's not about to say as much. John probably wouldn't like her sharing a weakness like that with a bunch of strangers, and she wouldn't want them using it against him later.
Flower slowly lifts her hand, looking embarrassed. "Some of the adults in town say the Bliss messed him up. Is that... true?"
Well, at least she's trying to be nice about it. "I dunno," Carmina admits. "He was super weird when he first started living with us, but that might've just been because he was stuck in his bunker for so long."
"Oh, that happened to a guy my dad knows!" Bean supplies helpfully. "Dad calls it bunker shock. Says living underground too long is bad for you when you're all alone!"
"Glad I didn't live in one long enough for that," Luke says. When everyone looks at him, he clams up for a second before continuing on. "A neighbor came up just this year. He's... real weird. I don't like him much. He still sleeps underground, hoping he'll wake up and it'll all be a dream." He scuffs his boot against the dirt, sniffing loudly. "That's what my mom says, anyway. I try not to be around when he comes by."
"He wouldn't be the first adult to be like that," Jason says. He gives the church one last look before nodding his head towards the party. "I mean, that's why we're all the way out here, instead of hanging out around the food. Right?"
"No," Bean replies, "I'm out here 'cos I can't eat another bite! I didn't know you could be this full."
Caroline laughs. "Yeah, the adults have been stockpiling for weeks, it looks like... I guess everyone was really looking forward to it — or, well, I guess that's what it is."
Flower gazes over at the gaggle of adults. Carmina recognizes her dreamy smile from the way her mom looks around the house sometimes, like she's getting a new, better look at the place.
"It feels like things are starting to look up," she says. "Maybe they can all be happier now."
"Hey, don't jinx it!" Tom-or-Matt laughs.
Bean looks around at the rest of them and for a second, Carmina is worried he's going to ask more about John and restart the whole ugly conversation. Thankfully, it looks like he's still a baby, so he's quickly distracted.
"So, what do we do now?" he asks, pushing his too-big glasses up his nose.
Carmina has never actually played with other kids before, so she doesn't have any good suggestions — especially when shooting is off-limits. Thankfully, she isn't the only one. The teenagers don't know where their soccer ball went, and Luke says he doesn't even know what soccer is. Bean says he usually plays word games by himself. When Tom-or-Matt suggests they play something called "capture the flag," it manages to make its way to the top of the list just because Jason and Caroline have both heard of it before.
Well, at least something is better than nothing. The older kids explain how capture the flag works, using Jason's shirt for their team's flag while the other kids band together around Matt-or-Tom's sweaty tank top. Carmina imagines that one of them should sit out for even teams, but the older kids seem confident that they can handle it. Too confident, in Carmina's opinion — maybe they need to be brought down a peg.
Capture the flag turns out to be more fun than Carmina had expected — and a lot harder, too. Trying to outmaneuver the older kids is tough work, but she and Tom-or-Matt figure out how to flank them pretty quick. There's nothing better than the moment when Carmina manages to dive out of the way when Jason tries to tackle her, and even if she gets dog-piled by Flower halfway back to Bean at home base, she holds Jason's shirt up for another teammate to take.
Unfortunately, the game ends without a winner as a sharp whistle pierces the air. Bean looks up and shouts, "That's my dad! I better go!"
He runs off at full tilt without so much as a goodbye, and Carmina has to squint against the setting sun to watch him go. She hadn't realized how late it had gotten.
"I should probably get going, too," Luke says, sweaty and almost smiling for once. "I want to get another plate of food before we go home."
"Ugh," Carmina sighs, "And the chickens need feeding."
"Just make John do it," Matt-or-Tom says, apparently not learning his lesson about mentioning John.
"It's supposed to be my job," she says. "And anyway, he already feeds them in the morning when I don't get up in time."
"They're gonna like him more than you," Tom-or-Matt laughs.
Jason frowns. "He feeds your chickens?"
"I mean... yeah. He does whatever we need him to." Carmina shrugs, glancing back towards the church. She hasn't seen Jerome or John leave — maybe she should go see them before she rounds up her parents? Nah, it's better to leave them alone until the very last minute.
"Just... didn't think you'd let him near livestock, that's all."
"What's he gonna do, poison the eggs?" Carmina huffs. "He's good with them. I think he likes them 'cos they aren't judgey."
Caroline frowns, which tells Carmina she might've been a little rude. But Jason's been rude about John all day, so she's not going to feel sorry about it!
"Well, I guess if your parents trust him..."
"Sure they do," Carmina replies, even if that's not... exactly right. She knows her parents trust John enough to help around the house, but she thinks they only want to trust him with all the other stuff.
"I really better go," she says, pointing towards town.
"Sure," Flower says. "It was nice to meet you, Carmina."
Carmina gives them her best grin, relieved when it's returned from the others. Jason even waves like there's no hard feelings. "It was nice meeting you guys," she says.
"Happy birthday again!" Matt-or-Tom says, "And be careful!"
"Yeah," his brother laughs, "Wouldn't want to have a glowing deer attack you in the outhouse tonight!"
Carmina laughs away the dumb attempt to scare her, waving goodbye before turning to head for the party. Halfway there, she glances over her shoulder and sees the group turned back to one-another in conversation. None of them are looking back, but as she continues on, she's chased by an unfamiliar sense of discomfort. She can't help but wonder if they're still talking about John in the church.... If they're talking about her.
At least she can distract herself while looking for her parents. There are plenty of adults who say hello; some of them even point her helpfully towards her mom's last known location, or towards the table with the cookies her dad really liked. Some of them check in to make sure her birthday has been going well, too, which is nice of them, but a lot of adults are pretty drunk and deep in their own conversations.
She eventually finds her mom and dad standing around a grill with Marjorie, one of the adults in charge around town. Carmina's met her a couple of times. She's nice, but she can talk a lot. There's no telling how long they've been talking for, and if Carmina doesn't interrupt, who knows when they'll finish. While she could probably grab some food for the road, first she has to make sure that they're actually going to be leaving sometime before the next Collapse.
Besides, it looks like her dad's already got a box of leftovers in his hands. If Carmina wants to eat, she's going to have to interrupt.
"Hey dad," she says as she comes up to them, "The chickens are going to need dinner soon."
Her dad grins at her before handing over the squat, open cardboard box. There's chicken, ribs, corn and roasted potatoes, and even a handful of cookies and flatbread; it takes everything in Carmina's power not to make a desperate grab for more food. She doesn't have to worry about going hungry tonight, so there's no need to eat everything put in front of her.
"Here," he tells her, "You take this, alright? My arms are gettin' tired."
Yeah, right. As soon as she takes the box, he uses one of those tired arms to grab one of the ribs. When Carmina frowns suspiciously at him, her dad only shrugs.
"I coughed on it."
"Uh-huh..."
Laughing, her mom reaches out to give Marjorie a hug. It might've run a little long, but her mom obviously enjoyed the talk. "We'll be back in a week or two with the tractor parts," she says. "You're going to get the fields back in shape in no time."
"Already got a good start," Marjorie replies. She shoots Carmina a warm smile. "Happy birthday, by the way! Don't think I got to see you much. Hope those kids weren't giving you a hard time."
"No," Carmina replies., "They're all really nice. We want to practice shooting together, maybe have a contest. Jason said he's better than anybody else."
"I bet you're gonna give him a run for his money!" Marjorie laughs. "Well, the better a shot you are, the better off you'll be. You won't see anybody here stop you kids."
"Yeah, but tonight, I have to feed the chickens," Carmina says, just in case her parents need another chance to get out of here.
"We've got a few other people to say goodbye to," her mom tells her. "Why don't you take the food back to the truck? We'll meet you there."
"Should I get John, too?"
As soon as she asks, Carmina decides she probably shouldn't have brought it up. Too late, though; by the look on Marjorie's face, there's no way to pretend she didn't hear it.
Her dad shrugs. "Probably oughta," he tells her, as if he doesn't see Marjorie staring at them like she is.
Marjorie definitely doesn't like that, judging by the way she squints, but she doesn't say anything about it. "Well, I hope you had a decent enough birthday for once," she says, "Hopefully we'll be having a party around this time every year from now on."
"That would be nice," mom says.
"Just you wait, we're gonna turn this ship around one way or another." Marjorie gestures with her hands and says, "Alright, you better go, before those chickens of yours eat each other."
Carmina frowns. "They don't do that, do they?"
"Uh, let's get moving," her dad says. "See you soon, Marg."
"Take care!"
Her mom and dad have to stop a few more times to say goodbye to people Carmina doesn't know, but she pushes on without them and nobody stops her for more than a quick birthday greeting. She catches sight of Luke packing up some food with his parents, but he's too distracted to notice her. At least she isn't the only one carrying a box of leftovers out of here; it would feel selfish of her if they weren't sending leftovers home with other people.
Her parents haven't caught up with her by the time she reaches the truck, and John is nowhere to be seen. She figures he's probably still in the church — he and Pastor Jerome always take forever when they're talking. They'll probably be there until dad goes in and breaks them up.
Eating by herself in the back of the truck doesn't feel right, especially not within walking distance of the church. Leaving the food tucked in the corner by the cab, Carmina heads for the building herself. Even if nobody was in there, she'd probably go wander inside for a few minutes; it's a comforting, quiet place in the dry, dusty town. But right now, she's pretty sure John is hanging around inside, and he probably hasn't eaten anything all day, either. She should at least let him have first pick.
She knows a lot of the adults dislike the church, but Carmina personally enjoys how its sun-bleached siding stands out against the sky. Besides the house, the church is one of the few places Carmina wishes she could have seen in one piece. She's seen old, faded pictures from ancient newspaper clippings, but it's just not the same.
The doors are open wide enough for Carmina to slip in without a sound. The air inside is cool, almost chilly, and it smells like dirt and grass. From the entrance, there's only a narrow gap keeping Jerome and John out of sight. She doesn't mean to hide, but she doesn't want to interrupt Jerome mid-sentence...
It's too late, she's eavesdropping.
"It might not be much, but it's something," Jerome's saying. "He even stayed a few nights, when the wind got bad and brought too much pollen over the river."
"It would be better for everyone if he stayed here permanently," John replies. "Wallace went further down the path than the rest of them, and they clearly don't know what they're doing."
"They're trying, John. And we don't have a say in the matter. It's got to be his choice. Remember?"
John grunts, clearly annoyed. Carmina doesn't think she's ever heard him say so much before. Does he talk to her mom and dad this much? Is he really only quiet around her?
"I don't like it," John says.
"For what it's worth, neither do I. But Sharky's taking things seriously — they all are. You're going to have to trust them."
"Trust isn't exactly one of my virtues," John grumpily admits.
Jerome chuckles. "You just need practice."
Well, Carmina definitely feels guilty now. She had only been waiting for an opening, but if she waits any longer, she's really going to be breaking John's trust. Pastor Jerome's, too, for that matter.
Thinking on her toes, Carmina pushes on the already open door as though she's just showing up. Of course, the hinges squeal in protest as soon as she does, so she stops before she breaks something.
"Are you guys still in here?" she calls. She's pretty convincing about it, in her opinion.
"Yes, Carmina," Jerome responds, apparently none-the-wiser, "We're here."
John regards her neutrally as she steps into view, but he's always wearing his poker face around her. She needs to get better at reading it.
"I guess it's time to go, then," he says.
"Yeah. Um — I mean, I can meet you back at the truck. Mom and dad will be here soon..."
Jerome speaks up before John can get the chance. "No, you two go on. I think we were just about done ourselves, and I'd like to sit here for a little while, before it gets too dark." He and John shake hands, and then he comes over to give Carmina a hug. "Happy birthday," he tells her. "You be good for another year, alright?"
"I'll try," she says.
"That'a girl," Jerome laughs. "Keep an eye on her, John."
Sometimes, it seems like Jerome is the only adult in Hope County that doesn't think John is a bad influence on her. Even her mom and dad, who are basically the only people on John's side, get uncomfortable if she tries to talk to him too much. But Jerome is a special case. He used to be weird about anything John-related, but nowadays? Honestly, Carmina's pretty sure he's John's only friend at this point — well, okay, other than mom and dad, but they don't count.
John waits until they've left the church to speak. He's chilly and dismissive, as usual.
"How long were you listening for?"
"I wasn't," Carmina begins — but she can't lie to him. Lying only ever makes things worse. So she corrects herself reluctantly and admits, "It was only a minute. I didn't mean to... it just sort of happened."
"Hm."
Normally, Carmina can't get a read on John's poker face, but... huh. She can't help but feel like she might've... hurt his feelings? She definitely wasn't being trustworthy, that's for sure. And now he's trying to casually out-pace her on the walk back to the truck.
"I'm sorry for eavesdropping," she says, picking up her pace to match his. "I promise, I won't do it again."
John glares at her, but she's pretty sure he's not angry. Maybe just confused? She's not sure, he's never looked at her longer than two seconds before.
"I... appreciate it," he replies instead, which makes it the first time he's ever accepted an apology of hers. Usually, he just tells her not to worry about it.
Carmina grins at him, but he's already looked away, so of course he doesn't see it. Instead, he looks to the field, where the three teens from town are still hanging out. Carmina can't tell if they're looking this way or not. She sure hopes they aren't; John would know immediately that they gossiped about him, and she's already messed up with him once today.
"Have you ever played capture the flag?" she asks, hoping to distract him. "The chicken brothers taught us the rules but I think they maybe made some of it up."
John cracks a small smile. Well, Carmina will pretend it's one, anyway.
"The chicken brothers," he repeats.
"You know, Tommy and Matt."
"Do they know that's what you call them?"
"I mean, I've never said it to their faces..."
"That's probably smart."
They reach the truck, which marks the invisible barrier that keeps John out of town. Of course, mom and dad still aren't here. If Carmina climbed up on top of the truck, she might be able to spot them, but it's not like she could get their attention from this far away. So, she's going to have to kill time until they get back.
"Did you eat?" she asks, climbing up into the truck bed.
"I'm fine, Carmina," John replies, a little wearily. Like she's not the first person to bug him about it today — or, maybe like he lacks energy from not eating all day.
She rolls her eyes, but John doesn't see. "Uh-huh." She sits down, pulling the box of food into her lap as she leans back against the cab. "Dad was surprised that there were cookies. Um, not exactly the same, I guess? But still really good." She's not going to give him a chance to turn it down, grabbing one and shoving it in his direction. "Here, try one!"
John, leaning against the side of the truck like he is, is clearly more interested in looking for her parents than humoring her. He definitely looks like he wants to say no. But to her surprise, he actually takes the offered food. It would be weird to stare at him while he eats, so she goes back to debating between a chicken leg or one of the last ribs in the box.
"Not bad," John comments, which is like, crazy, because Carmina definitely isn't goading him into talking.
"They're kind of crumbly," Carmina says, "I dunno if that's what it's supposed to be like. But all the food is really good." She counts the chicken legs out again, just to make sure there's one for each of them. "Um... hey, John? Uh... do chickens eat each other?"
John frowns, chewing the question over with the rest of the cookie. He swallows, then says, "Most animals cannibalize their own if they're desperate enough."
"Oh."
"They would need to be left alone for a lot longer than a few hours," he points out. "Or they would have to be sick. It's more likely a dog will get them before they turn on each other."
Well, at least Carmina can trust John to tell her the truth, even if it's probably not the way her parents would want him to do it. She doesn't even mind him being so blunt about it, either; she's just surprised he's willing to talk to her. She can't help but wonder if this is going to be a normal thing, now that she's ten — is he going to stop being so weird around her? Or is this just a special treat, because of the day? She sure hopes not. It'd be a lot less awkward if John didn't act so scared of her all the time.
Her parents finally join them at the truck. Her mom wrinkles her nose at Carmina sitting in the back again, but she doesn't say anything. Her dad doesn't seem to mind; once he spots the box in Carmina's lap, he reaches over to grab one of the shortbread cookies for himself.
"Sorry about that," he says, "We got held up a couple times. John, you try one of these yet?"
"I did."
"Crazy having home-baked goods again, right?" Her dad waggles the cookie in John's face; John rolls his eyes and circles back around to the tailgate, climbing up into the bed. "Here, Carmina, give me that box so the food doesn't get too cold on the way home."
"You're just gonna eat everything," Carmina objects, handing over the box anyway.
"Nah, come on. Here, you guys grab something for the ride home." He nudges Carmina's shoulder with the box. "You probably worked up an appetite bullying all the older kids out there — and I bet you didn't eat much of anything, either," he adds in John's direction.
"I had a cookie, didn't I?"
"Yeah, I'll bet nobody forced you into it, either."
Carmina grins as her dad winks at her. Her mom rolls her eyes, but doesn't keep dad from bullying John a little. "Grab something so we can get going," she tells John, "And make sure she doesn't stand up once we're in drive."
John reluctantly takes a towel-wrapped ear of corn and a single rib, while Carmina goes right for that piece of chicken she'd been eying from the start. That helps her make peace with sitting safely, at least this one time. Next year, she's definitely going to get to ride in back by herself, she can feel it, and she is going to do it standing up!
As Carmina watches the town shrink behind them, she congratulates herself on another successful birthday. It'd been better than she'd expected — she was a little uncomfortable around so many people at first, but now she's pretty sure she can say she's made some friends? And seeing the town full of food and laughter and music... It had been sort of what Carmina imagines Fall's End used to be like. Her parents probably wouldn't agree, but maybe that's okay. Maybe when she's older, she can try and prove to them that things can be just as good as they used to be — even if it's a different kind of good.
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Lucifer 5x09 - Family Dinner -Spoilers & Speculation
Written by Joe Henderson
Directed by Nathan Hope
Nathan Hope has directed
1x02 - Lucifer, Stay. Good Devil 1x13 - Take Me Back to Hell 2x01 - Everything's Coming Up Lucifer 2x07 - Trip to Stabby Town 2x10 - Quid Pro Ho 3x05 - Welcome Back, Charlotte Richards 3x19 - Orange Is the New Maze 5x07 - Our Mojo He will also direct Episode 2 or 3 of S6
Behind The Scenes Video
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Ignore the fact that I accidentally watermarked it with the number 519...
The Case & Deckerstar
Now we can start with the case of the week.
The murder happens at Golf n Stuff which is rather popular due to the scenes that were shot there for The Karate Kid. Rafferty was actually giddy over that.
So we have a murder. After over 70 episodes we know that the case of the week is somehow connected to the main plot and that it leads to a resolving of Lucifer’s issues or at least a small or big breakthrough.
The victim in this case was burned to death or at least he was… charred. A bit like how Mum ‘enlightened’ Jared in 2x17 but worse.
(In order to make sure most bts are included I have put them in the same file in their original resolution and you need to open the image and zoom. You can do it from your PC, MAC or mobile)
The mini golf has several fun statues like knights and pirates but what was not supposed to be there was the figure at the hole where nearby the victim was found. To be more You might have guessed it has many teeth by the photo and the answer is, it’s a reddish dragon head.
Back in December I came across the props building it and I thought it was cool but I wasn’t aware it was for Lucifer as the account is not affiliated with our crew or production. So imagine my surprise when a friend told me about what she had seen on the lot and going through the archived bts I found the victim photo as well.
You may have noticed it but in two particular episodes more dragons made their appearance. First it was at the second showrunner’s office in 503. There we see a dragon impelled by a sword, it seemed really out of place but I then correlated it with Baphament’s blade which is a representation of Azrael’s blade.
Later on I saw something else. In 508 Pete’s apartment had shelves dedicated to dragon figures as well as some knights. All along I was wondering can I even meta about that? What can it symbolise if it means anything at all? For some reason all I could think was the movie ‘Dragonheart’.
But let’s assume they have laid some hints, so far we have seen that they go very basic on bible and comic material so it’s funny how dragon-like Lucifer was presented in Series 3 of the black label of DC/ vertigo. But there are also more tidbits.
Now in 1x12 you all remember the Angel who was defeating a very Lucifer-looking Satan?
That was a prop. But it is derived by the work of Guido Reni ‘Michael and Satan’ (1636) Who was in turn influenced by Raphael’s painting ‘St. Michael Vanquishing Satan’ (1518) and if we go to Raphael’s early works... St. Michael (1504-1505)
Anyways!
The investigation of this ‘week’s’ case has its usual suspect chase which leads us to an arcade where we can spot some members of the crew doing rounds with the go-carts on that location. What I do know is that we are looking for someone young as far as guest posts go but other than that not much is known. The case seems to be progressing slowly but at some point the murderer appears to want to skip town so the leads bring us to L.A.’s train Union Station.
We also have scenes at the precinct during the case as we have seen from Aimee’s bts but not much is known there.
Now the suspect might be played by the elusive guest of this episode John Clover whose appearance was posted on Reddit and had sparked the first speculations over the title of the episode.
We should now wonder whether the theme of this episode’s case which takes us to gaming areas has anything to do with how Lucifer views his Father’s appearance in the mid-season finale and whether it will provide him with a resolution to not act in a rush way. The same after all happened with Mum.
Do not forget that Lucifer in Season 2 and especially at the beginning with Mum and when he thought Earl Johnson was his Father, Lucifer’s plans changed as his vengeance turned to a slow paced questioning over why their relationship deteriorated.
For an Angel who was ‘forced’ - not yet clarified so let’s not take that for granted- to punish the guilty Lucifer seems to be more merciful, understanding and open to explanations in the long run especially with the people who wronged him. Amenadiel, Michael, Uriel, Azrael, Mum, and Earl ‘God’ Johnson.
As Amenadiel said in the Pilot Lucifer away from Hell showed restrain and mercy… Perhaps it is true that we cannot escape from what we truly are. In any case that’s meta talk!
Back to the Union Station.
In the train station we have a bts where we can see Chloe and Lucifer chasing the suspect and from the photos and videos outside of it we can safely say they are successful on apprehending the murderer.
Now a funny incident was that during the shooting the area was closed to the actual travelers but somehow a Japanese tourist ended up sitting where the background actors were. No idea if it was her Pizza or it was given by the craft service but the girl was obviously bewildered on what was happening. It’s the little absurdities of life I guess…
It seems though as a lighthearted episode at first...
Do not be mistaken, the writers, cast and showrunners have revealed that in S5P2 we enter the emotional and equally dark (In P1 I missed the darkness aside from Pete of course) part of this season. It means that by the end of 5x09 as we roll on the last minutes of this episode, Lucifer is heavily conflicted and a resolution is needed, one that seems to be somewhat provided.
Since P1 I thought it would be weird to have Deckerstar break up for effect, in order to break us, especially since S5 was supposed to be the last season and S6 is effectively from what they imply (again cast and showrunners) an epilogue. So do not expect Deckerstar to break up but on the contrary as we saw Lucifer and Chloe in 507 they pull each other back up.
It is why I’m wondering what will be unraveled after the arrest of 5x09’s murderer.
The end of the episode takes us at night to L.A.’s Grand Park. The Grand Park is across the City Hall by the way, and for the Christmas season it was decorated with a Christmas tree made out of light bulbs.
In the bts the prominent colour of that tree is deep lilac. That’s where our next Deckerstar moment will unravel. We should also be ready for the Lucifer Universe to acknowledge yet another holiday of the human world, Christmas!
A tiny break here but you should remember that on each side of the elevator we have two bronze plates depicting the transfer of Christ after he was taken down dead from the Cross. So in the most discrete of ways Lucifer’s Universe has acknowledged Christ and perhaps it was because before the Sumerian text set Amenadiel as the favourite son, in Season 1 and for the majority of S2 we knew Lucifer as the favourite one.
On the cross Christ (no I didn’t write Lucifer at first :P) according to the scripts in a moment of lapsed faith “Father, Father why do you abandon me?”. In a way we might meta that for 516 but also for what Lucifer has experienced so far and has so eloquently expressed in 3x11 and in 1x09.
But back to the Deckerstar moment…
It takes place on the ‘balcony’ above the fountain as the purple Christmas tree is behind them. The setting happens at night and provides the place for our characters to talk, to open up and perhaps even express certain fears but also be urged to take advantage of the current circumstances.
From my perspective is the scene of a couple that talks a difficult matter but at the end of that talk they know each has the other’s back so they can step forward, take that chance and their partner will always be there to catch them if they fall. It is also how we will experience Lucifer finally opening up without Linda probing him. But whatever comes forward also gives space to truths and a realisation which will break our Devil as we have seen from the bts of the next episodes.
We might even have an understanding why ‘I love you’s’ are difficult for Lucifer and for Chloe to also realise that. We might even get Lucifer to say it. Here is to hoping…
On a final note. Maze in this episode seems to have gone MIA but many times we do not see the bts of every scene so all we have is Lesley-Ann’s bts from her trailer during that time. Also do not forget how things ended in 508. Maze did betray Lucifer and with God on Earth...
The Dinner
This episode is expected to open back to the precinct. The reason is because it is a mid-season finale which means that the in between scenes are not implied but also because of some spoilers we had back in December.
As you remember the actress who played officer Cacuzza had posted on Twitter that she and Lauren were in a ‘very small’ room which had just been painted. That room we can safely say is the ‘evidence room’ and that Cacuzza managed finally to find a way to close the surveillance in order to take a nap.
Now do remember that back in S4 Cacuzza was also the officer who let Lucifer ‘sample’ the drug busts… I’m not sure if that will come back somehow but we do know that Cacuzza will appear later this season, whether alive or not is yet to be seen.
What we do know is from the clues that were given by the actress.
1) She will be in the same room as Chloe meaning we will revisit the evidence room once Dad arrives and perhaps it will be a comic moment? Perhaps a random human will figure things out? But what was interesting is that according to the bts photo we see the actress and Lauren in their own clothes while Dennis is in his ‘Dad/God’ clothes.
2) Both Chloe and Officer Cacuzza were supposed to act distressed and shaken. If we take the ‘I love you’ element from that scene for Chloe let’s remember that the evidence is suddenly a bit of a mess. A glass has broken, the sound and effect will be heard once the time has started running again and they are two cops in a room with no idea of what is happening outside. So perhaps the shaken and distressed effect comes before they open the door (or walk out) and are sure there is no imminent threat.
3) In my opinion in this episode Cacuzza has some lines no matter how brief they might be.
Now the question here is how to proceed.
We obviously have a Family Dinner from which only two bts exist.
If we assume that the Family Dinner is arranged after the brothers have hid their wings and then Dad has met Linda then the dinner is set up by a very flabbergasted Linda.
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I do expect Linda to bow by the way and for this dinner to bring some elements from 1x10 Pops. For this speculation I’ll include the video of the scene from that episode and I’ll try to tie them up with 5x09.
All the episodes in P2 are meant to do a full circle and the writers have based most of their storytelling on the events of S1 and S2.
So first the spoilers of what we know from 5x09 and then the ties we may find with 1x10 and some more past episodes.
The 11 minutes are quite long but is it really all things concerning?
Henderson tweeted that there will be 5 actors but as we know know Ellis plays two characters which is why the dinner scene may have taken three days to shoot so we should count six people at the Dinner Table.
The location will be (most probably) at Linda’s house as we have seen from a bts that her main table is full of different varieties of fruits and food in an attempt to recreate an Olympian affluent meal. For Linda is only normal to be out of her element and try to impress God. So far she has been almost killed by his ex, has a child that can be snatched away to the Silver City if she is not deemed worthy perhaps or even because of Charlie’s half genetic code.
Remember there was a stand in actor for Michael
The problem Linda also faces is that she has supported Lucifer. Yes, he is her friend but how will God react to that? Having a human siding with His rebellious son? Linda as it has been written knows how far pissed off celestials can go and I’m sure she remembers Lucifer’s agony and fear over his Father where Chloe was concerned. So she tries, really tries to present a wonderful setting for the grandfather of her child.
So we do have Linda in the mix. Obviously God, Amenadiel, Lucifer and Michael. That makes us five characters and four actors. Little Charlie also makes an appearance as far as I’m aware as the twin babies were on set and that also contributes on why the scene took so long to be shot. However the babies do not count as the sixth character. Chloe though does.
In short we have:
Linda
God/Dad
Amenadiel
Lucifer
Michael
Chloe
and
Charlie
Another thing we should take into account for this scene is Rafferty’s posted script page of the midseason finale.
While Amenadiel and Lucifer appear shocked and in awe, Michael seems rather pleased. I mean he literally ‘Grins with excitement’.
Amenadiel in 5x03 said that the only one who was talking to the throne meanwhile Henderson as far as I remember in one of the post P1 interviews, revealed that God and Michael have a relationship that Lucifer wishes he had with Him. D.B on one of the virtual cons (or ET interview. I have issues with keeping track of them now) have said that the scene at the family dinner would be gut wrenching and absolutely fall down hilarious’.
So in this dinner we will get to know our characters more and as Ildy and Henderson have said Lucifer will go back being a 14 year old at the Thanksgiving table. That perhaps is the reason why the script episodes 510 and 511were reversed. The last time that had happened was in S1 in order for Lucifer’s vulnerability to not come too soon in the season. In the case of these two episodes I believe it has to do with Lucifer’s emotional state but also the constant collisions he will have with his father in the Family Dinner but also during the Musical episode.
Another aspect to consider is that if 5x09 reminds us a lot of 1x10 -Pops right now and 5x10 the Musical episode is directly influenced by 2x16 - God Johnson.
The next section will now be dedicated to a quick recap of 1x10 - Pops and the possible connection to Michael and his story.
Michael in 5x09 teases Chloe as she is kept captive that there is a bigger plan and ‘Spoiler Alert’ it will be EPIC. That can be left alone as a promise to see more of that plan in S5P2 but before we go forward we should also go back in 2x04 - Weaponiser.
Do you see the parallel? How far Uriel’s view of the ‘Patterns’ could go was always a meta I couldn’t crack. Sure Michael hinted as per one Anon hinted on Tumblr that Michael might have been the one to urge Uriel on Earth to kill Mum and hopefully Lucifer as well. It is also perhaps why we were reminded of Azrael’s Blade in 5x03 - Diablo with Baphament’s blade, the only blade that could kill the Devil. Perhaps that was Michael’s plan back then but it didn’t work out.
But is Michael the big villain? According to the showrunners no. There are more things happening but Michael has a reasoning, has a story, one that explains his deformity and is the hero of his own story as all the other season ‘villains’ so far were. Mum, Amenadiel, Malcolm, Kinley, even Cain.
What the Interviews say about Michael:
Beginning with the parallel between the dinner we had in 1x10’s dinner and plot, and in what may have in episode 5x09 I would like to remind you-
- at this point I have censored some spoilers, not speculations, spoilers for episodes of P2 that will not be added in the S&S -
I’ll return to this topic and explore it thoroughly as the S&S are written but for now remember that 1x10 might tell us more than what we think right now and it might take us as a point of reference even up to 5x16.
Between 1x10 and 5x09 we can also wonder what are God’s intentions, can we attribute them all to Michael’s manipulation or it goes beyond that because the showrunners have promised us an emotional P2. I do believe issues are addressed and Lucifer will have to come face to face with some hard truths without that meaning that Dad was always right.
In the Pilot - wait.. Pilot? Yes, 5x09 is an episode that slowly builds us to the very end. There are spoilers and references that need to be addressed from past and future episodes before and after 5x09.
We need to address that in the Pilot, Lucifer told Delilah the very truth he uttered to Linda where he was concerned in S4 (4x08). God has nothing to do with your mess. Like Delilah, Lucifer was putting the blame to others, circumstances and even questioned God. He was wasting his eternal life and his talent, which he eventually found in crime solving.
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On cue we get to the scene with Chloe asking God what she is doing to a bar with Lucifer. And what follows is Chloe telling Lucifer how she saw things differently from everyone and she paid for it. That story for me at least rings a bell.
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We still do not know why Lucifer was cast out, the actual reason. No matter the sexescapeding with Eve or the rebellion what was the core of all that acting out as Linda called it in season 2? Whatever it was if we go back to 3x11 we will see that Chloe in the Pilot is basically Lucifer in 3x11.
They feel alone, misjudged and while Chloe tries to move on and later in S1 finds what actually happened, in Lucifer’s case he gives up on waiting for forgiveness from his Father until Michael comes, and tells him that even his Fall was a manipulation.
In Pops Lucifer asked something very interesting what did the sous chef wanted? And the answer was to surpass Pops. I do wonder if that’s what Lucifer wanted in a way and of course Michael on Lucifer’s expense. Two ‘children’ fighting for attention but only one was groomed to take over.
Speaking of taking over at the end of the episode of 1x10 we learn that Pops despite what Junior had done still had his son in his mind for taking over the restaurant. Pops believed in his son but allowed him space to grow eventually when everything failed.
If you remember Zadkiel’s spoiler we see that in 5x15 for some reason Lucifer wants to re-join the Host. That aside from a reconciliation shows that like Junior, Lucifer for his own reasons - we do not know what has happened but we will go back to that in the S&S of 5x15 - wants what divine power has to offer.
What happens next is again interesting -censored-. I just want you to see how we do not deal with standalones but everything progresses towards a point, a familiar yet innovative point for the series.
In episode 2x01, Lucifer asks mockingly an offended Chloe who did she thought he took after, his Dad? That happened because Lucifer believed to have taken more after his mother but as we know genetics is a funny thing, Celestial genetics even more so.
God’s absence from Lucifer’s life shaped him. He did drove Lucifer to become something he wasn’t but after 4.5 seasons can we claim that Lucifer and God are nothing alike?
Maze I believe was spot on on the similarities God and Lucifer held.
Lucifer believes in justice, in truth and is able to love. He has been more of an Angel than any non fallen Angel has ever been so far.
Amenadiel tricked a dead human to kill Lucifer thus condemning him again in Hell however as we know from Charlotte’s case a redemption was not impossible.
Uriel wanted to kill his mother and wouldn’t hesitate to kill Chloe in the process. Azrael is basically a liar and manipulator, Remiel would gleefully cut open a human for their half-celestial baby while Michael is really-really messed up.
So what has happened?
Like with Junior, Lucifer was pushed by his Father to become the man he is today. And Lucifer likes what he is, who he is because he sees the change and is even afraid of not being real when that change is questioned or exposed to him.
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The same happened with Amenadiel, once he decided to embrace humanity and brotherhood. He changed for the better and became more ‘angelic’.
So yes, Junior’s story does apply to Lucifer on many levels. But Junior didn’t have that dinner with his Father, Lucifer will as they will do two more of his siblings. Some will be hurt, some will feel betrayed and some may walk out.
Which brings us to a very big question.
Was Mum truthful when she said to Lucifer, his Dad wanted to destroy him? If the answer is yes, how will both deal with that? Because Lucifer may have not totally believed Mum.
If that answer comes to play we should consider it as the common question children come forward to when they learn they were not planned or their parents had opted at first to have an abortion. The fact that they didn’t get on with the abortion or had willingly made a child does affect their feelings towards that child now? Do they regret it? Do they want what that child has become?
These are all tough questions and sometimes the answers are not easy either. Mainly because humans like celestials with human emotions as it seems, are secure and balanced only with the totality of a circumstance. Everything or nothing, the rest in between are not welcome and it’s bound to hurt.
Finally, on this 1x10 weird reminisce. Can we say that Lucifer will be allowed in the end to create something that represents him? I think he may but more about that in 5x16 S&S.
Probably the story will not end with redemption but with Lucifer finally becoming his own person one that resembles a lot of Dad and Dad may accept or even encourage that path. That does not mean he will start anew though
Which brings us back to the adversary of 1x10 - Pops. The sous chef believed that Junior was not worthy of his father’s tolerance and reward so she made sure to destroy his reputation and went as far as trying to kill him. That sounds a lot like Michael.
Michael’s speech towards Maze about what was happening in the Silver City in 5x02 did echo the sous chef words:
So we should wonder if Michael will succeed to a point to ruin Lucifer’s chances and leave Lucifer live with the consequences in the end as our hero learns to move on from whatever injustice happened or the writers will provide a catharsis.
And a final question here… Is Amenadiel really the favourite son? I somehow doubt that, perhaps I’ll be proved wrong as in many interviews Henderson has gone back to Amenadiel’s arc as he learns he is the ‘favourite’ and so far he has not said anything to contradict the belief 2x17 brought to us with so many translated Sumerian words.
But as we said teh Dinner will not be cathartic on the contrary so does that mean that Lucifer eventually walks away? Probably.
At the photos that were posted near Christmas we have two bts one crystal clear and the other more hazy which shows Lucifer at the Penthouse and Dad being there in his white cardigan. I do suspect that meeting at the penthouse happens after the dinner but it does not resolve things between Father and son. it is also possible that it’s why we need the very emotional scene from the musical to be moved forward and 511 script to become 5x10 aired episode.
Perhaps the comment on it’s not just Lucifer who hits the keys was referring to Dad and not Maze in 5x01.
Although we cannot be sure on what will happen in the penthouse and whether Scarlet was meant to join that scene or simply was on set for the day (highly probable) for another scene, we do know that in this episode we had a LUX night. A most perhaps unconventional one.
By this point you know that the writers are ready to address everything or at least make parallels and so somehow we have one with 1x09 - A Priest Walks Into A Bar. This time however it is seems like God Walks Into His Son’s Bar.
If the camera is clear enough we can see God (?) talking to a white person. I would have loved it if it was Dan but I cannot tell for sure.
Whether that visit happens before or after the family dinner I believe it may happen before as the clothes Dennis wore at the lot around that time were different from the white we saw him appear with in the end of 5x08. Of course that does not say much as we will see Dad in the same/similar white clothes in at least three different episodes in Part 2.
Therefore in the conclusion of this S&S we should speculate that the Dinner is placed at the middle of the episode and a resolution is reached for Deckerstar in the end of the episode but Lucifer’s turmoil did fit better through the musical episode hence the change.
#lucifer season 5#lucifer season 5 part 2#lucifer S5p2#Lucifer - Family Dinner#Family Dinner#Lucifer spoilers#lucifer speculation#lucifer S&S
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High School AUs
College/University AUs
⭐ A+ fics (imho) | All of the recs
High School AUs
High Scores by popfly ⭐
Kaner is a DDR master, Jonny is ultra-competitive. Bollig just wants to make out with Shawzy.
Dynamical Systems by jezziejay ⭐ - math geek patrick! jock jonny!
Jonny’s plenty smart, but there’s hockey practice just before a double math period every Tuesday and Wednesday morning. He gets to class on time. Physically, he’s there. But his mind is still on the ice. Throw in a kidney infection that keeps him home for two weeks, and Jonny’s struggling. Not failing, but that C is dragging his GPA down, and his mom is making clucking noises. The same noises that mean hockey time is coming up for review.
There’s a note on the student boards advertising tutoring.
promise i'm worthy (to hold in your arms) [One and Only series] - teenage angst and american douchebags ft. ryan kesler
"So come on and give me a chance to prove I am the one who can walk that mile."
love is a contact sport by hazel, mermaid ⭐ - high school soulmates!
"And the tragic reality of Patrick's life is that even though they broke up over a year ago, he and Johnny still play beautiful hockey together."
A high school AU, featuring dream-fish, bad movie dates, and a little bit of magic.
Movie Nights or Five Times Jonny Wanted Popcorn (and One Time He Didn’t) by CoffeeKristin
Patrick had only been working at the movie theater a few weeks when a noisy bunch of boys from his high school burst through the doors just before the last showing of Captain America: Civil War and come tumbling into the lobby, whooping it up. He sighed and put down the containers of popcorn he was counting, mentally preparing himself for the asshattery he was likely to endure.
“What can I get you?” he asked the crowd, and true to form, no one was listening so he waited another moment. Finally one of the boys got pushed to the front, stumbling into the counter. “Fuck, Duncs, not so hard,” he said, and oh. That was Jonathan Toews: Captain of the high school soccer team, president of the student council, son of the mayor. Basically, everything Patrick wasn’t.
do it how you want it done ⭐
(very vaguely) grease-inspired high school au.
yeah, i went there.
kissing your honeyed eyes by forochel
The one that's the British boarding school AU.
This Is What A Love Song Sounds Like by fourfreedoms ⭐ - reunion fic but god the flashbacks! the angst!
When he came out after his freshman year of college his mother said she’d always known, and he’d had to fight down the bizarre wave of paranoia that maybe everybody knew, maybe they’d all just been letting him sweat all those years. It was crazy of course, there was only one person who’d known, who had any idea.Patrick Kane.
Ten years after they fucked around in high school, Patrick and Jonny meet back up at their high school reunion.
roll with it by hazel ⭐
The one where a bunch of Blackhawks inexplicably go to boarding school, Tazer is the world's meanest DM, and Pat doesn't know why anyone would think cutting the head off a hydra was good idea.
Light Me Up by sahiya - where they both went to Shattuck!
Being serious about hockey always meant Patrick would have to leave home. For a long time he thought it would be for juniors and a billet family. But things don't go as planned, and he finds himself at Shattuck-St. Mary's.
His roommate's name is Jonathan Toews. He can't keep his water bottles on his side of the room, and he's unfortunately, stupidly hot. Because Patrick's life sucks.
boot theory by mentalistecbm - teen angst, break up
Everyone knows that they're broken up.
glory days by liketheroad ⭐ - soulmate, teen angst
He never expected his destiny to involve anything but hockey, never thought it would show up in flip flops, but when Patrick smiles at him across the locker room, quick and surprised, Johnny lets his priorities shift and change without a hint of reluctance or regret.
There's Only Blood Running In My Veins by mikarala - pwp
Patrick and Jonny are making out in Patrick’s bedroom when Jonny says it. “I--I,” he stutters out, in between a moan, “I want you to fuck me.”
Gold Seeking Ends by liveinfury - Flipped AU
“Wanna go on the tire swing with me after?” Jonny asks.
“No,” Patrick answers.
“Oh,” Jonny says, looking deflated. “What about the jungle gym?”
“Nope."
“Um, okay,” Jonny says, shrugging before walking away.Sam giggles some more. “I can’t believe Jonny, the dirt eater, likes you.”Patrick smirks at him. “Everyone likes me.”
(or Patrick and Jonny meet in the second grade. Jonny's instantly smitten, Patrick is...not. Ten years later, things start flipping.)
Keep Calm and Don't Think of Star Wars podfic by exmanhater ⭐ - A Clueless AU
After I once again assure Abby that Johnny and I are not, NOT related (by googling the difference between half-brother and stepbrother because jesus fucking christ am I am the only knowledgeable one around here?), she agrees to help.
but i can write a song
“We’re not going to be called Jonny and the Patricks,” Jonny says, sounding entirely too put upon about a name that’s clearly awesome.
[or; the high school band au you probably didn't ask for]
lost in brightness - pat, jon and a crowded train
“You’re gonna get caught one day,” Jonny sighs, herding Pat in front of him as they squeeze onto the train, the crowd thicker than usual. It’s been raining on and off, fall well and truly taking the city in its grasp. Jonny’s already looking forward to meeting Pat by his house every morning, red-cheeked and rugged up, his face barely visible between his toque and scarf.
you're mending what's broken - a stats nerd Patrick story
The guy who sits behind Jonny in AP Stats wants to know how many shots on goal he had last Tuesday. Or at least, that's how it starts.
A high school AU featuring stats nerd Kaner and his Tragic Hockey Backstory (TM), without much time or inclination toward actual tragedy. Instead there is discussion of Corsi. And kissing.
Examine Other Beauties by kiwoa - theater kids!
"I," Jonny says, and he slips his headset up from around his neck to nestle over his ears, "am not an actor."
"Good thing I don't need you to act."
"No."
"Jonny."
"Patrick."
"Please?" Kaner cants forward and tilts his face up to blink at Jonny. In the fluttering light that filters in from the stage, his eyes look unnaturally pale. "Just read the lines, okay? I want to see how well I've memorized them."
Jonny scrubs a hand over his face. The motion knocks his mike askew. "One scene."
A/S/L ⭐ - 90s teenaged kids meeting on webcam omg
The internet is a dangerous place, or:
Patrick and Jonny meet, lie through their teeth, and fall in love. Mostly that last part.
Actual Prom King Brandon Saad by popfly ⭐
Patrick might be a little jealous of the new kid.
Sure Brandon is basically the prom king from every feel-good teenage movie Patrick’s sisters have made him watch, but that doesn’t mean Jonny wants that.
Sign it with your heart by tictactoews + podfic by exmanhater ⭐
Patrick loses a bet and is dared to plant an anonymous love letter into a random locker. It just so happens that the locker belongs to one Jonathan Toews, captain of the school hockey team.Meanwhile, Jonny finds himself in need of a math tutor, and following the advice of his teacher, he asks the new kid, Patrick Kane, for help.
a complicated kindness by liketheroad - young and figuring out d/s ⭐
Patrick still remembers how scared Sharpy looked, just for a second there. He remembers not understanding why anyone would back away from Johnny when he was like that, why they wouldn’t want to strain closer, pushing to see how much further he’d go.
What Comes Easy by impertinence - summer camp of angst
Kaner's determined to never grow up; Tazer's determined to grow up as quickly as possible. Over eleven years of summer camp, they learn to meet in the middle. Set in stlkrchk's Camp Quaquanantuck universe.
mathletes are totally athletes by ukiyo91, yukonecho
Mathlete Patrick Kane never thought that when he was assigned to tutor hockey jock Jonathan Toews that he would be swept up into a new sport...or into Captain Serious.
Toews was like the guild leader Patrick had always aspired to be in WoW, but more of an asshole.
i'll be the embrace that keeps you warm by longtime_lurker - huddling for warmth
It is like death, but it is not death; lovelier. / Cold, inconvenienced, late, what will you do now / with the gift of your left life?
Clumsy by CoffeeKristin - a short first kiss fic uwu
“Knock it off,” she hissed at him. “He’s looking at you!”
“Who?” Patrick said, his head swiveling around, resulting in Erica smacking him again. “Hey! Quit hitting me!”
“Then quit being an idiot,” she huffed. “Jonny Toews, you dunce. He’s looking over here, and you’re biting on the string of your hoodie like a moron.”
look around once in a while by achilleees
One man’s struggle to take it easy.
Based off of “Ferris Bueller’s Day Off,” but instead of girlfriends and daddy issues, there’s hockey and pining. And daddy issues.
Summer Lovin' by CoffeeKristin - est. relationship insecurities
Patrick's home from summer camp, and Jonny's first on his list of to-do's. Somehow a little actual angst/plot worked it's way in. But mostly it's just porn.
Ninety-Nine Point Three Percent by jimtiberiuskirk - best friends mutually pining
The problem is, is that Patrick is 99.3% sure that Jonny knows all about his giant, embarrassing man-crush on him.
bring it if you really want it by staraflur - harry potter AU
It starts like this:
Well, okay, Patrick has no idea how it actually starts. But as pertains to him (in other words, the important part), it goes a little something like so:
America, being a nation composed in large part of a melting pot of immigrants who may or may not have taken over land already owned by others using less-than-savory means, doesn’t have much of a magical national identity. Much less a magical continental identity. There’s no grand heritage going back thousands of years. Magical families home-schooled all their kids until, like, the 1800’s, and tough for the muggle-born, apparently. Hopefully you got noticed by someone who knew what to do with you before you got burned at the stake. Since you probably can’t control your powers, sport.
(if you're feeling down) i can feel you up by hawkeytime
"Hey," Patrick said appreciatively from behind where Jonny stood, stoic as always, by the side of the pool. "Did you sit in a pile of sugar? Because you have a sweet ass.”Or: How Patrick Kane spent his summer hitting on the hot lifeguard with the help of some inspired (read: awful) pickup lines.
kiss and tell by hawkeytime
“Trust me,” Sharpy says, “this will be good for you.”And then, he shoves Jonny into what appears to be a mostly empty coat closet and slams the door shut behind him.
“What the fuck, Sharp!” Jonny calls, pounding at the door which is, of course, locked.
“Enjoy your seven minutes in heaven, Tazer,” Sharpy singsongs.Then, the bare bulb mounted on the ceiling flares to life, illuminating one Patrick Kane.
Fuck.
i know you are (but what am i) by booktubelover7 - always a girl!pat
Pat throws up her arms in celebration after Toews makes a beautiful goal off of Pat’s assist. She crows in celebration as Toews slams into her, shouting in her ear.
Pat’s playing, she’s playing, she’s playing. Not just that, but she’s winning too.When her line gets back to the bench, Pat leans over to speak into Toews’ ear. “Thank you,” she says. Her teammate just turns his head to look at her, a grin spreading across his face.
Love or Torture - a/b/o
Patrick Kane is too short, too Omega, and his heat too delayed for him to play hockey. Jonathan Toews has a plan to bring glory to both of them.
keep buying the stars by medusacascade22- teacher!Jonny
“Fuck,” Jonny groans. He props his elbows up on his desk and lets his head fall into his hands. It’s going to be a long fucking year.
(or, in which Jonathan Toews is Patrick Kane's teacher, and shit gets real.)
College/Uni AUs
cello suite no. 1 - THIS IS ONE IS A CLASSIC 👌
The first time Jonathan meets Patrick Kane is because he hits him with a lacrosse ball.
In Jonathan's defense, he threw a perfect pass to Seabs, who failed to just reach the one or two feet above his head to catch it.
"Oh shit," Jonathan says when he watched the ball arc across the lawn and whack a blond kid squarely between his shoulder blades.
"Heads up!" he calls belatedly.
this is how we do it series by staraflur ⭐ - frat bros AU!!!
He doesn’t think Zeus is supposed to have a sword, but their Zeus does. So now Jonny does, because of course he’s in charge. He looks, Patrick is drunk enough to acknowledge, far better than anyone has a right to in a grody old Halloween costume that’s probably soaked up the butt sweat of dozens, if not hundreds, of Theta-presidents past. Jonny wears it, Patrick gets the sword. Win-win.
AKA that time there was a frat AU (of course).
This Heart Is Not For Wasting by fourfreedoms - oblivious best friends
Patrick puts his head in his hands. “How could this get any worse?”
“Wait, it’s not like, a big deal is it?” Duncs asks, looking at him and Jonny in turn. “The way you and Jonny are weird about each other? She’s gotta have made her peace with it ages ago.”
A college AU.
love song for love songs by boodreaus ⭐ - angst, internalized homophobia
“Right,” Jonny says. “Cool.” He seems to hesitate, pausing when Patrick goes for the door handle, and then, right as Patrick’s bracing himself to run for the house, Jonny says, “You should come.”
Patrick turns back at him and is handed a piece of paper. “To our next show, I mean,” Jonny is saying as Patrick examines what turns out to be a flyer, thick black lettering taking up every square inch of space on the brilliant sunshine-colored surface. “It’s tomorrow night, at the showcase. Feel free to say yes or no or whatever. If you don’t know, it’s cool.”
“I’ll,” Patrick starts, and then stops, blinking up at him. Jonny’s just watching him, kind of, elbow resting on the steering wheel. “Maybe,” he finally says, and Jonny smiles.
yet we will make him run - some more angst, except more erudite
Kaner the English Lit major AU.
Sigma Chi series by hatrickane - frat bros hook up and then angst about it
Jonny and Patrick run into each other at a frat party. Patrick proposes a way to pass the time.
Can't Wait by LouLa - first time pwp
Pat's on a hair trigger.
when you flex like that - hookup in a frat party
Johnny isn’t drunk, but he does let Sharpy and a couple of frat-looking guys he doesn’t even know talk him into a contest of shots. It’s Sharpy’s fault — he appeals to the competitive side he knows Johnny can’t let go of at the best of times, and one of the guys, blonde curls, a lazy smirk of a grin, picks up on it pretty fast too.
Hope you don't mind by haroldslouis
“Oh, sorry, man,” the guy says, giving him a quick grin. “Thought you were someone else.” He taps the visor of Patrick’s snapback and just like that, he turns around and disappears into the crowd.Patrick doesn’t know how long he stands there, just looking at the general direction he disappeared in.
or, 5 times Jonny mistook Patrick for someone else + 1 time he definitely didn't
Room 4 Rent
Patrick stares at the ad for a while, clicking back and forth between the Craigslist page and his fantasy hockey league, chewing on his bottom lip.
3 bedroom apartment near Loyola. One room available, others occupied by two male students. Shared living room and kitchen. Two bathrooms. Rent split three ways. Email [email protected] or call 773-639-7812 for more info. No texts please.
are you buying what i'm selling? - frat party buddies
The Sigma Chi Halloween Bash is in a week, Jonny’s holding two tickets, and he has nobody to go with.
He had a somebody to go with, until that somebody decided Jonny’s student athlete life wasn’t worth hanging around for. Their relationship was already tanking anyway; Jonny’s more upset about potentially wasting a $40 ticket than that shit ending. Whatever.
Just A Spark by heartstrings ⭐ - magical realism!
In a desperate attempt to hide his feelings from the object of his affections, Patrick accidentally drinks a love potion that causes the people around him to fall for him. Too bad it seems to work on everyone but Jonny.
do you know who you are? by liveinfury - frat bros
“Sure, Cap. I’ll try to keep it quiet.” Patrick winks at Jonny. “But be honest, you like the noises I make, huh?”
“What? Of course not!" Jonny sputters. "I’m not gay!”
(or where Jonny can't figure out why he feels so uneasy when Patrick brings guys home to their frat house).
The Great Desk Assembly Project - they were roommates
“I’m going to nail some shit,” he says. “Jonny, come watch me nail some shit.”
“We share a room, I don’t need to watch you nail anything else.”
“That’s not what you were saying last night,” Pat says with a laugh in his voice. He reaches back behind him and punches Jonny in the shoulder for good measure.
No, It's Not A Secret by SimoneClouseau ⭐ - always a girl Jonny
Hey, hey, you, you, I don't like your boyfriend. No way, no way. I think you need a new one.
Jehanne Toews is dating a loser. Sometimes it takes a ridiculous awesome young star on the Blackhawks to see the light.
good form - always a girl Pat! ⭐
“Best head of your life?”
“Yes, he was better than you, you competitive motherfucker.” Hayds says it like it’s a joke, like it’s funny, like it’s not the single most devastating thing a girl could say to Pat.
“A hockey bro gave you the best head of your goddamn life? Am I in the fucking Upside Down?”
“Believe it, baby. Jonathan Toews: hockey bro and magical pussy-eating wizard.”
forever i'll try for you and i by staraflur - always girls Jon and Pat!
It’s extra great—whenever Jo’s losing, she always makes like their running point tally competition isn’t real. Tonight’s true to form: when Trish holds up three fingers and points at herself, then two before pointing at Jo, Jo actually scoffs as she pokes at a couple chicken breasts with the tongs, trying to find the best one.
remedial at love - jonny ‘i'm great at math but the math tutor's really hot so i'm gonna pretend i'm not' toews
There have been a lot of things Kaner’s done that could be considered suspect. He chose the Backstreet Boys over Nsync for the Kane Dance-Off Championship when he was 15. He opted to go to Disneyland instead of Disney World for his high school graduation present. He frosted his tips after coming out in 12th grade because he thought that was like, the obvious thing to do until he realized this was not, in actuality, the 90s.
But this one. Calling up ‘Jtoews’ and requesting tutelage in math when he was a fucking wiz at math was -- the most highly suspect of all.
Drink yourself under, fuck yourself over by Mythisea
Jonathan Toews is the sophomore captain of the college hockey team. Patrick Kane recently quit hockey before coming to college.
Jonny thinks Patrick would be perfect on his wing. Patrick would rather be drinking. Jonny does not approve.
Make The Moves Up As I Go by agirlnamedfia - tutor!Jonny with a dash of angst and pining
Patrick has his first Econ 202 class on the second day of the spring semester. It doesn’t exactly go well.
how to make boys-next-door out of assholes series by bessyboo, thisissirius - textfic
Yo man, Sharpy's having a party tonight. You up for it or you gonna be a boring shit and study???
it's only you and me by crystaljules - graduation blues
"We're so fucking stupid."
Overdosed on Confidence by runphoebe ⭐ - fwb, internalized homophobia
“Someone could -,” Jonny starts, breaking off when Patrick ducks down to draw Jonny’s lips against his, kissing him fever-hot and wet and desperate. Jonny’d be embarrassed by how hungrily he responds, but he knows Pat’s into it, moaning unashamedly into Jonny’s mouth when he tightens a hand around Pat’s neck. “Someone could see,” he finally gets out, voice rough, when Patrick pulls back, as if Patrick’s supposed to believe that that’s any sort of protest.
Patrick licks his lips, the hint of a smirk playing at the corners of them in that familiar way like when Patrick's got a particularly bad idea on his mind. “Guess you better be quick then, huh?” he says cryptically, waggling his eyebrows at Jonny. Jonny’s a second away from rolling his eyes and asking what he means when Patrick slithers off Jonny’s lap and onto his knees on the floor beneath Jonny’s table and - oh. Oh.
Silence Gives You Space by liveinfury - pining, misunderstandings
“Have you been avoiding me?”
“’Course not,” Patrick says. “I’m just letting you do your own thing.”
“My own thing?”
“Yeah, didn’t want to crowd your space,” Patrick blurts out. Fuck, he didn’t mean to actually say that.“You’re not…”
“Cool.”
tuck you in - getting together
“You sexiled again?" He smirks and stuffs down the fondness that rolls through him at theway Jonny’s hair is rumpled and a little bit wavy.
Jonny sits up slowly, groaning. “Yeah. Fuck, this is the third time in a week and a half.”
obvious from the start - radio DJs Pat and Jon!
It’s not like Patrick even likes radio, because he hasn’t really listened to anything that’s not on his iPod or his Pandora stations in years, but when he notices the red and white flyer advertising the student radio station on the ground, he picks it up with the excuse that he’s trying to be environmentally friendly.When he played hockey they told Patrick that he was too small, too short to be a hockeyplayer; that he’d never make it because of his size. Hockey is, was, his heart and soul, and he’d put years and years of his life into the one thing he knew he was good at; threw his very being into the best he could be to prove that he can do it, be the best, even if he was small.
Patrick supposes maybe he'll find something else that he’s just as good at.
stupid college boys series by 19trash88 - Jonny is the cute guy from Econ class
Patrick’s not one to wax poetic about a penis, but if ever there was a reason to, Jonathan Toews’ cock would be at the top of the list.
Green Light by heartstrings - friends to lovers
Patrick knows two things: he likes sex and he likes Jonny. If Jonny's newly single there's no reason not to combine the two. Right?
Everybody Wants to Touch Some(body Paragraphs) by Kerfluffle ⭐
Wherein Jonny writes the worst essay ever, and weirdness abounds.
Motivation by somethingnerdythiswaycomes ⭐ - pwp
Only Jonny could keep working on his LIT-110 paper while Patrick was getting himself off next to him. Fuck, but Patrick loved him so much.
Muse series by by somethingnerdythiswaycomes
So Jonny had applied for every damn job he was qualified for, even the "life model" one TJ goaded him into.So Jonny had received an email the next day asking for his availability to come in for a session.So, as it turned out, it wasn’t some random chick that was going to draw him. It was some random dude.
So "life model" apparently meant "nude model."
You Love Me, I Love You Harder So by leyley09 - overly competitive boys on the hockey team
Patrick circles around him at center ice. “Jonathan, my team is going to kick your team’s ass so hard your parents will be embarrassed without even knowing why.”“I’m gonna give you a lesson in goal scoring you’ll never forget.”“Toews, you couldn’t give me a lesson in long distance spitting. Anything you can do, I can do better.”“Oh yeah?”“I can do anything better than you.”
Jonathan Toews is used to be being the best. He has zero clue what to do with competition.
Especially when the competition is cute.
middle ground by boodreaus - college road trip, friends to lovers
Jonny, Patrick, and an excellent adventure.
Who Knew by themistrollsin
Jonathan and Patrick meet after they're forced to go to a party by their best friends (Adam and Brent respectively).
Night Moves by heartstrings - meetcute
After a series of unfortunate drunk events that lead him from falling into a snowbank to being laughed at by the police, Jonny meets Patrick in an elevator.
Ignite My Fire, Object Of My Desire by ThalassicThedes ⭐- theater boys!!!
A good ol' fashioned College Au in which the college itself is hardly even mentioned. Just... make of this what you will.
absolute beginners by heartstrings, thundersquall
That time Jonny walked into a diner and accidentally got himself a temporary fake boyfriend.
Like A Classic - royalty!Jonny
So: due to a series of complicated and improbable events involving some sort of life debt and signed promise from two generations ago, it was decreed that Patrick had to marry the Crown Prince of Canada.
Captain Oblivious by wantstothrill - royalty!Pat
Why would Jonny care about the American royal family visiting his university? He's Canadian. He hasn't paid any attention to Prince Patrick since he was a teenager. He's more concerned with the very hot guy he's just run into, who's name also happens to be Patrick. What a coincidence.
+
check out the high school AUs tag aaand the college AUs tag @ 1988rebloggedfic!
#patrick kane#jonathan toews#hockey rpf#blackhawks#chicago blackhawks#1988#1988 fic rec#for any corrections and suggestions DM ME!!!#i think the best part of making these reclists for me is thinking up cheesy names for a theme and creating the banner lol
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Get To Know Me:
Tagged by @dreams-for-spring to answer 30 questions + tag 20 blogs to get to know them better! Thank you <3 <3 <3
{I’ll just be cutting out the questions I don’t want to answer lol so if I tag you maybe go back to Katharine’s one for all the right questions :) }
Name/nickname: always just Lydia
Gender: female
Height: like 172cm last time I checked
Time: not long till midnight!!
Favourite bands: Florence and the Machine, Daughter, The Lumineers, Sleeping at Last
Favourite solo artists: Billie Eilish, Hozier, George Ezra, Birdy, Lorde
Song stuck in my head: All I Wanted - Daughter & Fine Line - Harry Styles
Last movie: The Holiday :)
Last show: Hannibal (and it’s lowkey making me go insane)
When did I create this blog: 2019
What I post: whatever I’m into at the time, but mainly Jonsa, period dramas like Pride and Prejudice and The Musketeers, pretty quotes and gif sets, and Hannibal/His Dark Materials atm
Last thing I googled: how to format a bibliography in MHRA (I get to use hanging indents so that’s a win for me)
Other blogs: just this one massive messy one, I should probably start a tagging system but it’s been a year, it’s too late :’)
Following: mostly Jonsa blogs, as well as enough period drama/random/Hannibal blogs that I see enough different things to reblog :)
Average hours of sleep: um like 6 and a half hours of actual sleep, before my million alarms start going off (Katharine’s answer was 6 which makes me feel much much better)
Lucky number: 7
Instruments: none properly, piano a long time ago and I love singing
What I am wearing: comfy clothes and my big scarf wrapped around my shoulders
Dream job: nothing, living by the sea and just vibing, researching early modern women writers and watching movies
Dream trip: hmmm Lapland to see the Northern Lights and I’d love to go to St Petersburg one day
Favourite food: garlic bread, chocolate chocolate chocolate, the cake my sister used to make for our birthdays which had lots of chocolate ganache on it, tiramisu
Favourite song: I can’t pick! Dog Days are Over - Florence and the Machine, Everything I Wanted - Billie Eilish, Fortress - Bear’s Den, Smother - Daughter, Work Song - Hozier, I Hope - Rebecca Ferguson etc. etc. etc.
Last book I read: honestly I don’t read books anymore, but I have been reading a lot of Hannibal fanfic and the Richard Siken poetry books I got for christmas, so you can imagine how I am going through it right now
Top 3 fictional universes I would like to live in: Harry Potter (but not JKR’s version, the better version in my head) or His Dark Materials so I could have a daemon!!
Tagging if you feel like it:
@sunbeamsandmoonrays @sibella-mysibella @metalpalace @sweetaprilbutterfly @jangleprojet @winterrose527 @lordlykisses @starksnsa @that-plo-koon @annawoodhull @marieispink @milasole :)))))
#personal#tag game#the questions are a lot so I'm tagging you as a way of waving to you basically#waving and saying happy new year!!
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Ribbons of Scarlet: A predictably terrible novel on the French Revolution (part 4)
Parts 1, 2, 3 and 5.
Inaccuracies: the minor, the inconsistent, the fuck no and the unintentionally hilarious
I have no intention of detailing every historical inaccuracy in this book. I’d say we’d be here all day, but we’ve already been here all day, so maybe all week?
The book is riddled with minor errors, oversimplifications and dubious interpretations — some of which could be chalked up in theory to writing from a limited POV, but this is not a book that allows for that kind of complexity. Opinions may be those of the characters, but explanations for events and who belongs to what group and so on tend to be those of the authors regardless of which character is speaking.
Given the level of detail of this book, I would count things like Condorcet’s being made a member of the Constituent Assembly or the Revolutionary Tribunal being founded by September 1792 minor errors. They might even have been deliberate (combining the Constituent and the Legislative Assemblies or the Tribunal of 27 August and the Revolutionary Tribunal, for “simplicity”’s sake).
“Les Enragés” is also an official group and that’s their official self-designation in the world of this novel. Um. Ok.
Also things like the complete lack of self-awareness revealed by the assumption that because 21st century Americans consider omelettes a breakfast food this must be a universal constant.
Anyway, I find that kind of thing irritating but pretty inevitable. Errare humanum est and all that.
Other minor errors are forgivable in and of themselves, I suppose, but indicative of a larger lack of understanding, similar to some of the implausible scenarios the authors set up (cf. Manon Roland’s random trip to Caen).
There’s a moment, for example, when one of the figures on trial for “conspiracy” in the red shirt affair appeals to the crowd by saying “I am suspected merely because I am an émigré.” (p. 490) which is hilarious when you realize the fact of being an émigré and returning to France after the cut-off date was already punishable by execution — a law pushed among others by our friends the reasonable, moderate “Girondins.” And I say this not to condemn them (on this point, at least) — there were actual, serious arguments in support of such a law — but to highlight a trend. The authors have decided that certain figures are reasonable, so they give them what they consider to be reasonable opinions, whether or not those opinions line up with those they actually held and, as we’ll see, they’ve decided others are dangerous extremists, so likewise they only get to do things the authors consider extreme, or at best hypocritical.
Usually there’s at least some consistency to the errors — too much in fact, as noted. But the fanciful claim that the guillotine was painted red and that everyone who was executed was dressed in red to hide the blood is repeated more than once, before being replaced with the accurate assertion that dressing the condemned in red was reserved for assassins (also arsonists and poisoners, in accordance with the penal code of 1791).
More serious are the “errors” that serve a certain narrative, like the repeated assertion that Louis XVI abolished torture and notably execution by breaking on the wheel. Er… no he didn’t. I’m going to charitably assume that the authors just confused torture for the purposes of obtaining a confession with torture as a punishment. Louis XVI abolished the former, not the latter. That may seem like a nitpick, but they make a very big fuss about it.
People were still being broken on the wheel until the implementation of the Constituent Assembly’s penal code which provided that all executions should be equal and as quick and painless as possible — ultimately leading to the adoption of the guillotine. The first execution by guillotine is apparently such a crucial event that we have to implausibly have Louis XVI’s sister sneak out and witness it, but we’ll just ignore the fact that the “hero” La Fayette’s cousin bloodily repressed the mutiny of Swiss soldiers in Nancy resulting in a number of hangings and one man being broken on the wheel — repression that La Fayette applauded — in 1790, because 1790 is a year in which nothing happened.
Besides, as is well known, La Fayette never did anything wrong (Sophie de Grouchy forgives him for firing on her when she was petitioning for a republic in 1791 (p. 509-510) so you should too, I guess. Though while we’re here, her signing the Champ de Mars petition is a pretty unlikely scenario, actually, given that only the Cordeliers petition remained after the Assembly’s 15 July decree and that even before that Condorcet didn’t dare to sign his articles in favor of a much less democratic republic than the Cordeliers were advocating for Le Républicain (which prudently stopped publication after 15 July).)
The abolition of torture thing is merely one of a number of errors or exaggeratedly charitable interpretations of Louis XVI’s actions to fit the myth of the fundamentally well-meaning, soft-hearted reformer who was just in over his head. Mme Élisabeth’s violence, while I commend it for its accuracy, serves to highlight her brother’s pacifism. We’re meant to believe that of course it was nothing but revolutionary slander/conspiracy theories to think he was actually intending to use foreign troops to restore himself to absolute power, despite the overwhelming evidence to the contrary. Mme Élisabeth asserts that she would like that to happen but her brother would never and Manon Roland confirms it from her point of view too.
On a similar note, Condorcet gets his usual “consensual figure” treatment. We’re unsurprisingly fed the myth of Condorcet as the paragon of democracy and feminism, with nary a touch of ambiguity. Even Pauline Léon can only reproach him with being ineffectual. That’s par for the course, as is framing the people’s fears of grain speculation as a conspiracy theory at least from Sophie de Grouchy’s point of view, though nothing in the text contradicts her at any point (p. 61), but framing Condorcet’s pre-revolutionary math lectures at the Lycée as him and his wife opening a school for popular education and Sophie de Grouchy personally teaching Reine Audu to read at her husband’s invitation… That’s pretty disingenuous.
On the other hand, nothing is too awful to be believed without question of the “radical” revolutionaries, whether it comes from dubious sources (as regards the myths about Lamballe being stripped naked and/or raped before or — depending on the “source” — after being massacred, or about Charlotte Corday’s head being slapped by the executioner and her body examined for evidence of virginity, or Robespierre’s lusting over Émilie de Sainte-Amaranthe and personally participating in Catherine Théot’s rituals) or is just made up. Surely the September Massacres were bad enough without imagining that random bystanders — including children — were being raped and massacred in the streets? Since calling for the execution of adult royals based on their actual actions doesn’t sound sinister enough, let’s have Pauline Léon demand the massacre of Louis XVI’s underage children too!
On that note, I have to wonder whether part of the problem is that we’re so used to hearing about atrocities on a scale that dwarfs anything that happened in the 1790s that what the sources suggest — which could still be pretty ugly, don’t get me wrong — doesn’t live up to the hype. The French Revolution is built up in reactionary propaganda like it’s one of the periods of the worst violence in history. I suspect that it’s like with a scary movie: your imagination will conjure up something far scarier than what they could show you on screen. So, expecting to find horrors, you readily believe whichever sources (or “sources”) have the most of them and fill in the blanks when the sources don’t match up to your image of what terror, chaos and violence look like.
It’s basically just deductive reasoning: they say there was horrific violence, so I’m going to depict what must have happened according to my mental image of horrific violence. It’s no different really from deciding a character is reasonable and therefore giving them the opinions you find reasonable. But not only is this poor methodology (which perhaps you don’t care about, as a novelist), it sucks out everything that’s nuanced or complicated or surprising about history for the sake of flattering your own prejudices. And that’s a shame.
Anyway, as for the red shirt affair, it’s generally believed by historians to be a cynical maneuver on the part of the Committee of General Security* to make Robespierre look like a tyrant by executing a large group of supposed co-conspirators with would-be assassins Ladmirat/Ladmiral and Cécile Renault but needless to say — and following G. Lenotre’s lead — that’s not at all how it’s portrayed here. Robespierre is of course personally involved for his own (necessarily hypocritical) reasons. He wants Émilie de Sainte-Amaranthe but in this telling she and her family have reason to believe he’s cozying up to royalists like them for personal political gain too. Oh, also, Saint-Just and Fouquier-Tinville are lusting over Émilie de Sainte-Amaranthe too, because why the fuck not?
*To use the misleading standard translation (sûreté ≠ sécurité)
Particularly ludicrous is the insinuation that not only did the Convention abolish slavery entirely as an expedient — which, to be fair, some historians argue, though there’s ample evidence that proves there was more to it than that — but that they had to because otherwise the British and Spanish would come to the slaves’ aid first. As if the plantation owners were not doing their level best to deliver their colonies over to the British precisely to preserve slavery. That bit was just insulting.
But you know, why let a little thing like reality interfere with dividing the world into reasonable people and hypocritical demagogues and the mobs that they incite, am I right?
And it’s often the absence of certain realities that poses the greatest problem. Like, counterrevolutionaries aren’t a real threat, that’s all a figment of the revolutionaries’ imagination... but as usual this idea coexists uncomfortably with the existence of actual counterrevolutionaries in the narrative.
The war, which dominated everyone’s reality from 1792 onward, is barely mentioned. Manon Roland is made to treat the idea that the Prussians were well positioned to march on Paris after the surrender of Verdun as an absurd rumor (p. 268-269) and we’re meant to agree. (This was very much not an imaginary threat, if you didn’t know.)
Also! Get ready because I’m going to cite Serna favorably for once:
Il est frappant de noter combien l’historiographie s’est de suite intéressée aux massacres de Paris et aux prisonniers d’Orléans, sans vraiment porter son intérêt sur les morts civils sur le front et la mise à sac des villes et villages à la frontière, deux poids deux mesures qui ne peuvent qu’interroger.
– Pierre Serna, « « La France est république » : Comment est né le Nouveau Régime dans le Patriote français de Brissot » dans Michel Biard, Philippe Bourdin, Hervé Leuwers et Pierre Serna, dir., 1792. Entrer en République, Paris, A. Colin, 2013, NP, note 37.
(Translation: “It’s striking to note how the historiography took an immediate interest in the massacres in Paris and the prisoners of Orléans, without really getting interested in the civilian deaths at the front and the sacking of cities and towns along the border, a double standard that we can’t help but question.”)
I mean, we know why: military violence, up to and including every kind of war crime, is normal and expected as long as it’s a proper war conducted between two foreign powers (though the various foyers of civil war also don’t really come up in this book). But yeah, that is a pretty big fucking hypocritical double standard, isn’t it? And one that this particular novel reflects rather than invents (as is also true of many of its other flaws, to be entirely fair).
It’s also particularly ironic, for a book that touts itself as feminist, that the real gains made by women regarding inheritance, marriage redefined as a contract between equal partners dissolvable by divorce, the rights of single mothers and illegitimate children and so on — even if the periods of Reaction that followed reversed them — are nowhere to be seen. Nor do we see women voting on the constitution of 1793 or fighting in the army or any of a number of things real women did. I concede that no one novel can be expected to show everything, but given the things they bent over backward to include, would it have been so difficult to include things that are thematically relevant?
This wouldn’t even piss me off so much except for the way Pauline Léon’s storyline ends. Her arc consists of her being convinced of the folly of those of her beliefs that the author doesn’t approve of so that she can be used as a mouthpiece for the moral the author wants us to take from all this and then being forced into marriage because she gets pregnant. And I cite (p. 433):
They would silence us all.
One woman at a time.
First the Angel of Assassination. Then Widow Capet, who had once been queen. Olympe de Gouges five days ago. Now proud Manon Roland.
A professed Girondin, Manon was still against tyranny and had been an advocate for the republic since the dawn of the Terror. Once, I wouldn’t have been able to admit that, but I could admit it now. Now that it’s too late.
And, when she tells Théophile Leclerc he got her pregnant, he replies (p. 435):
“‘We must marry. You’ve no other choice,’” he continued when I didn’t respond. […]
We had wanted liberty in France. But what freedom was there now? I had none. Théo would possess me utterly. I knew it, because the look her gave me had me wanting to crumble to the ground. All the choices I’d fought years for had been stripped away.
And now, I was nothing.
If there’s one point in history before the last 50 years or so that that’s not true it’s in 1793, when this scene is set. Will she be more comfortably off if she marries? Yes, and that would unfortunately be true pregnant or not. But there’s nothing forcing her to marry him if she doesn’t want to and even if she does he doesn’t own or control her under revolutionary marriage law. Were things perfect for women in 1793? Of course not, but given that they were a lot worse both before and especially after, I’m more than a little sick of 1793 being portrayed as the most misogynist of all the misogynist eras.
Ironically though, they omit Amar’s report and the closing of women’s political societies* which is a far more relevant and accurate point if you’re trying to make the case for revolutionary misogyny. Not to mention, it’s kind of baffling to leave it out of Pauline Léon’s storyline as it was targeted against the society she led in particular. (Her section ends instead with Manon Roland’s execution.) But I guess that would require introducing Amar and we can’t have people believing that Robespierre, Danton and Marat weren’t the only Montagnards; they might get confused otherwise. Maybe at this point I should just be glad they didn’t give Robespierre Amar’s speech in the name of consolidation of characters?
*NB, mixed societies were never closed (until the Thermidorian Reaction shut down all political clubs), so the result is a bit more ambiguous than is often claimed.
Anyway. We’ll finally conclude this mess in the next part…
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okay so I’m alone in my dorm @ uni and I’m bored as all hell & i’ve has a recent fascination w old movies??? & u reblog stuff about old movies all the time so I’m just wondering if u have any suggestions?? I wanna watch some good/fun ones but I have no idea how to find the ones that don’t suck!! always a sucker for the ones that have gay subtext but like. any suggestions at all would be so appreciated thank u queen
oooooh yes!!!!!!! you came to just the place! im just gonna list some of my faves, hang on cause this is gonna be a LONG one (im not sure what your cutoff for Old is so i just went with 1960)
silent:
wings: really well done visually, also features the first gay kiss in history (ofc the context is different, but it’s there!)
nosferatu: the legendary spongebob character’s origin story! the music is wonderful in this, it’s very Artsy, just one of the greatest horror movies ever (it’s a bit slow at times but most silent films are)
the cabinet of dr caligari: REALLY cool from an art perspective, the sets are incredible, i love german expressionism, another great one for when you’re in the mood to get Spooky
steamboat bill, jr: buster keaton is a legend for a reason, this is my personal favorite of his. theres also something very unique and charming about silent film slapstick that i just adore, and this is a wonderful showcase of it!
the gold rush: basically the same reasoning as above, but with charlie chaplin. also this movie has a lot of genuine emotion you dont often get from silent comedies!
sunrise: a song of two humans: a must-see for silent films, it has super intriguing visual effects that really give a dreamlike quality to it, as well as great acting for the limited medium
show people: a really sweet classic romance that also gives you a nice (if not totally accurate) taste of The Movie Biz @ the time
metropolis: one of the first sci fi movies ever. visually STUNNING like nothing ive ever seen, also a bit of a workers of the world unite moment
noir/drama/general Serious Stuff:
the big sleep: SEXY! the plot is hard to follow but it’s worth it for the characters and also just all i can say is. hot - it’s about a murder or two!
the maltese falcon: actually makes sense and like. Says Stuff abt humanity. gripping plot and nuanced characters -about a bird statue and the knights templar also human nature but also who could forget a murder or two!
sunset boulevard: absolutely enthralling characters, script, plot, performances, all of it! - it’s about a murder!
rebel without a cause: HUGE gay subtext with this one, one of the original Teen Movies
kiss me deadly: interesting!!!!! i was intrigued from start to finish w this one and you probably will be too
strangers on a train: one o those Psychological Thrillers, interesting n well acted - it’s about The Concept of Murder
north by northwest: super fast paced spy action movie that also #makes you think
murder, my sweet: another classic phillip marlowe story with that fast talkin detective dialogue i love so much - it’s about a murder! (my sweet)
double indemnity: the height of Cynicism in noir, not even any detectives in this just bad deeds and Tension -it’s about a murder or two!
key largo: just a hotel full of intriguing characters all At Odds with each other and the concept of heroism
random harvest: kinda cheesy amnesia plot but comes across well with good acting and dialogue
the lady vanishes: about a lady. who vanishes. funny at times and has that Classic hitchcock tension before he really landed on his final style
casablanca: “here’s lookin at you kid” “i think this is the beginning of a beautiful friendship” just. one of the most iconic movies of the whole Classic Era and for good reason!
to have and have not: basically casablanca BUT consider this- i love Them (them being humphrey bogart and lauren bacall)
comedy/romance/general Light Stuff:
the thin man series: one of my absolute all time favorites! it’s just a story about two rich people who only love each other and alcohol getting dragged into solving various mysteries. my favorite thing about this is how much you can tell they love each other, like they’ve been married for years and just banter back and forth in a way founded on mutual respect n adoration which is So refreshing to see in classic movies!
it happened one night: i ADORE this movie! it’s a classic road trip comedy with a ton of bizarre side characters and hijinks, and also basically Invented the rom com genre. they’re also genuinely in love in a very cute way! it’s just sweet and fun and one of my fav movies of all time
arsenic and old lace: a dark comedy about old lady serial killers, brothers who think theyre theodore roosevelt and frankenstein (respectively), and Love. it’s super bizarre but a real joy to watch!
it’s a wonderful life: makes me sob every single time and leaves ya with that fuzzy warm feeling inside (recommended for christmas/winter viewing)
duck soup: i mean it’s the most iconic marx brothers movie, what more can i say!
bringing up baby: just a real wacky romp where it’s the lady and the tiger, with a whole lot of silly comedy
my man godfrey: makes fun of rich people n has a big loud ensemble cast (also romance)
the shop around the corner: they fall in love through letters but hate each other in real life! :0! bonus points for jimmy stewart’s voice
abbott and costello meet frankenstein: the title says it all. completely joyfully stupid movies like these are a big reason why i love old movies!
roman holiday: audrey hepburn’s debut movie. really sweet, has an ending that makes me cry
death takes a holiday: super interesting experimental concept not seen often in this era - Death literally takes a holiday and has to deal w life n love n all that
sabrina: a very nice and well acted little romance/cinderalla story w sprinkle of comedy
the philadelphia story: another Classique rom com with a love triangle n some nice fast-paced witty dialogue
musicals:
singin in the rain: one of the first classic movies i ever remember loving. every second of it is just. ah chef kiss
guys and dolls: very fun!!! just emblematic of good ol showtunesy musicals as a whole
top hat: fred astaire and ginger rogers!! need i say more?
on the town: really fun music n choreography, generally engaging to watch
cabin in the sky: an all black cast with a ton of great songs n talent!
the great ziegfeld: a really lovely period piece about 20s live shows with stunning costumes/choreography
gentlemen prefer blondes: it’s classic baby!
meet me in st louis: very sweet very fun lots to love
an american in paris: kinda ran out of juice near the end here and realized Musicals is the Same. anyways watch it gene kelly is charming and can click his heels together
horror/sci fi
dracula: sexy. iconic. what more do you need
frankenstein: really has a Heart unlike a lot of these, also Iconic
bride of frankenstein: made me cry! see above but like, More
just realized im listing all the universal monster movies, so just, watch Any of those for a good and cheesy classic horror time
the day the earth stood still: a real cold war era movie about aliens and morality
plan 9 from outer space: a HILARIOUS so-bad-it’s-good old sci fi movie, highly recommend
them!: giant radiation ants babey! really good effects for the time n well done suspense
honorable mention: this is past the cut off date but watch santa claus conquers the martians oh my gosh it’s the epitome of old b list sci fi and it never fails to send me n pals into a regular Laugh Riot
#dont feel obligated to read all this#also! i dont feel entirely qualified to speak on gay subtext n didnt wanna come across wrong so it's pretty limited in here#bc a lot of them are like. Problematic coded villains and stuff of that nature#ok i realize this is much more than you asked for but you cant just hit me w an ask abt my hyperfixations n expect anything less#ok fiona#movin pictures
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How Pacing Fucked Steven Universe
Note: this is anonymous because I know what will happen!
Steven Universe is without a doubt one of the best shows I've ever seen. It's certainly the best cartoon series I've ever watched. The first four series, and a large amount of the fifth, are truly wonderful.
So, I'm going to be entitled and complain about the last little bit that didn't work for me. I got all those hundreds of episodes, and I’m just going to take a moment to really honk about the stuff I don't like.
Because we live in an age where Nazis are back, feminists think trans woman are the biggest threat they face and the world is burning - at this point, a bit of a moan about Steven Universe/Future will get lost I think.
Bear in mind: this comes from a place of love. I care about Steven and the characters because they took me on an amazing journey that really had an emotional impact on me. Then they tripped me right at the end, and now they're fuck-twaddling around taking up space in my brain that should be used for thinking about how great the show is.
This is about how the inability to wrap Steven Universe properly sucks and undermines all the amazing work the creators put into it. Now, that work hasn't gone anywhere: I can, and will, re-watch the series to reminisce about it. About what could have happened. Nobody has taken that away from me.
But still, there's nothing worse than a story that buggers up the ending. Worse yet, that ending is still going in Steven Universe: Future.
So what's the problem? Let's start.
Pacing, pathos and atmosphere
Things used to be teased, hinted and slowly revealed. Steven Universe used to a slow-burn that really built things up with the even-hand of a masterful storyteller. Remember that long shot at the end of 'On the Road', after the characters leave? We see just the empty, sinister kindergarten whilst a discordant note builds in the background before... bang, credits. It builds atmosphere and tension.
What happened to that? Slowly building a feeling, weaving a narrative, and taking us on an emotional journey? We got a very rushed pay-off to all this with Series 5. The crew thought the show wouldn't be renewed, so they made the executive decision to wrap it all up.
· Everyone’s fixed now. Pearl, Garnet, Amethyst, Steven.
· Diamonds are friendly now. Blue got sad, Yellow got angry and White got… put in her place by a comeback?
· The bubbled gems/corrupted monsters are all fixed.
· The Off-Colours and Lars just got home. No further adventures, they just got home.
Bits got missed out. Things got rushed. Homeworld, the Diamonds and five series of build-up got dealt with in the space of 40 minutes. For comparison, just Series 1 alone was 8 hours long.
Yeah, the network created that situation. You're cancelled! They seemed to say. No you're not! HA! They continued. But it still sucks, narratively, and the creators are now compounding that problem by trying to go back and add in the bits they missed.
Worse, there's no pacing now because there’s no more overall story. No atmosphere. Fundamentally, post Change Your Mind, everything is done. The series was wrapped up. All we have left now is some loose-ends and Steven being moody.
It came back mostly just to tie up random ends. But more of something isn't always good: Series 1-4 and about half of Series 5 are amazing. We shouldn't clap and applaud we get more just because it's more for its own sake, we should cheer things for being good in their own right.
I don't just want more meep morp, I want the morp to have something to say and to mean something. Victory laps and adding unnecessary lore is pointless: characters and emotion are what drive stories.
This isn't about 'filler' episodes as such, nor is it about breaks and hiatuses. It's about spreading the story arc (and the individual elements within that arc) correctly over the allotted time. A story that takes 700 pages to set up, only to be resolved in 3 pages feels badly unbalanced - I'm looking at you, Stephen King. And that's exactly the problem Steven Universe has. The set-up is incredible, and the payoff is badly disappointing. That's pacing.
Being the Underdog
This was covered nicely, if ironically in hindsight, with the episode ‘Historical Friction’. The play about olde-time mayor William Dewey was utterly uninteresting until Pearl rewrote the play’s script to make him an underdog. This is part of pacing. It's dull to watch a winner win constantly. The characters need to be in situations where they're facing actual threats, otherwise we're just watching a series of foregone conclusions unfold.
What would Lord of the Rings look like if the Hobbits just marched from The Shire to Orodruin, with no setbacks or problems, and then just lobbed the One Ring into the fire? What's the point of the story? It'd be like a grand-scale version of watching someone go out for groceries. Nobody wants to watch that, not really: you can go to the supermarket and see it if you’re that interested!
This couples with suspension of disbelief. Usually, the good guys win. We know they're going to win. We need to be able to suspend our disbelief, and that's something that the pacing and storytelling need to enable. We need to be able to get caught in the story, even though we know everything will probably work out by the end.
When you get it just right, even the creators don’t know for sure everything will be alright. Remember when Picard was assimilated by The Borg? Even the writers weren’t 100% sure how it would play out, because Patrick Stewart was playing hardball with the studio at the time over his contract. There was a chance this could have been the end of his character.
But Steven isn't an underdog anymore. He's a bossy, self-important grump with a martyr complex. He wins all the time, not least of all because of the pacing problems. By this point:
· Steven has healing powers that can literally bring people back to life
· He has all the powers of a Diamond
· He has the backing of the three other diamonds
· He now has an army of friends who will fight at his side
So where is the story to tell? Consider, in Steven Universe: The Movie, Greg's arm gets hurt by the injector. There's no danger, no worry. We know Steven has healing powers. So why bother showing it? It's about as relevant or interesting as watching Greg brush his hair.
There’s no danger. There’s no suspension of disbelief because the hero is now so super-powered.
This is even worse when coupled with the uneven pacing: when something takes so long to be painstakingly set up, only to be knocked down in a heartbeat, then why get invested in it? The 21st Century reboot of Doctor Who falls into this trap a lot: multipart episodes about a Dalek (or whatever) invasion… but luckily their Evil Machine has a ‘reverse’ switch that fixes everything. Dust hands, job done. All that build-up utterly squandered on an almost supernaturally fast resolution.
You Need a Story to Tell
The first five series have a definite story. It gets rushed, badly, come series 5 but there is still a story. That is done now: there's no grand, overarching tale now. We're very much into 'oh, what if...' territory.
What's the problem with that? Things get missed, because they don't need to fit into a cohesive whole. They just happen because they're cool.
Consider The Movie:
· Spinel goes from a cuddly, professional buddy to a would-be mass-murderer
· Spinel knows where to find a stupidly powerful injector
· She knows how to work it
· It is tuned to work to her 'trumpet' sound
· It is shaped like her gemstone
· She knows specifically where Earth is
· She knows how to fly a massive injector, with no obvious engines, to Earth
· This all happens in an afternoon
And the explanation we're given, after the event in a Q&A session? It's because Spinel and Pink Diamond were close. That is supposed to explain the entirety of those bullet points. It rankles me because it's not truthful. Those questions aren't answered by that, they're answered by 'because we thought it would be cool'. It's an unsatisfying explanation, but it's true and they’ve tried to handwave it into something else.
It's also what happens when you run out of proper story. Sure, you can still come up with little adventures but there's no big narrative anymore. There is no large picture for everything to fit into.
That’s dangerous territory. Not only does it lead to weird scenarios, but it also starts generating new lore at a maddening amount. The fans don't help this, it seems to me that some people purely watch Steven Universe to demand moar fusions, moar songs and moar lore. Even when that’s all they get, it’s not enough.
It's like demanding more swimming pools in your home because you're bored with foundations. Sooner or later the whole structure falls down because swimming pools can’t hold a house up. Neither can lore hold a story up: stories are about characters.
Similarly, the concept of 'fusion' relies on characters otherwise it's nothing more than the character dumps we used to get in toy-driven franchises back in the 80s. Songs have to have an emotional resonance otherwise they're just empty pop.
Remember the X-Files? How they got into a rut just generating series after series with no pay-off, but lots more wrinkles to an already convoluted story? Then it got to the end and... you can't end it. It's too sprawling, too stupid and too contradictory. That's where lore without a story takes you. Lore has to serve a vision, not the other way around.
Filler
Not filler the way it's come to mean to SU fans. I like the 'boardie' episodes - they're full of interesting characters and ground Steven's world in something resembling ours. No, I mean filler in terms of stories that don't mean anything: the characters don't learn anything, the world isn't made any more interesting. Things just happen in a self-contained bubble with no payoff or consequence.
In itself, that's fine. Some episodes are like that. If that were the only aspect to 'filler' episodes in SU, then who cares? The problem is the pacing. After glacial teasing, hinting and laying down groundwork... things get wrapped up so fast it'll make your head spin.
· The cluster? We talked it into staying bubbled.
· The Diamonds? They're fine now.
· Bismuth? Steven chatted to her.
· Lapis? She's sort-of fine, but not really.
· Spinel? Sent to live on a farm.
These are all things that took many, many lines of dialogue and building to create and were knocked down in the space of a couple of sentences.
This is where the 'filler' comes in. Instead of another story about Onion being weird, why not devote it to tying up the plot in a way that feels paced properly? Instead of answering questions about Watermelon Stevens, why not draw-out a little more the actual conclusion to a big story point?
Why do I think Onion and Watermelon Stevens should be singled out for Calvary? Simple: they have no explanation and don't matter. They don't matter to the day-to-day lives of the characters or the world. They serve no narrative purpose. They don't advance other characters' arcs. They don't ground the world they inhabit. They turn up, do 'stuff' in a little bubble and then go back into the toybox until the next Onion episode.
As a side note, I would lay a lot of money that Onion will never get any sort of pay-off. He doesn't age. He's deeply bizarre. He's apparently a wanted criminal. He's terrifying. And I don't think for an instant he will ever get a reason for being any of those things: he'll just carry on as a quirky in-joke and take up episode space because apparently that is a story-telling priority now.
Songs
Songs are sung when something is too important for the characters to just say it. The song needs an emotional resonance, to show what a character feels effectively. Contrast 'That Distant Shore' to 'Independent Together': one is about a deep longing and sadness for a home the character has never had. The other is a soft-rock ballad about how great stuff is when you can be your own self but also be with other people... or something.
See the resonance that the former has, and that the latter lacks? Whether you like Lapis or Steg, or the songs, is irrelevant to the story and the characters. One song has something to say, the other is there for the sake of giving fanservice. Independent Together isn't something so important to say that the characters feel they need to sing it.
This really kicks off around the middle of Series 5. Previously, songs were a special event. Now, they're commonplace. Even in Mr. Greg, a fully musical episode back in Series 3, the songs have so much emotion. Plus, Mr. Greg is an experiment: 11 minutes, mostly held together by 6 solid songs:
· Don't Cost Nothing: how much Greg and Steven just love one another.
· Empire City: how excited they are to go on a trip together
· Mr. Greg: Pearl almost lets her guard down, then realises and shuts down.
· It's Over Isn't It? : A heartbroken character sings for a life they never had.
· Both of You: A child shows the two adults they have something special in common.
· Don't Cost Nothing: reprised as a coda.
I won't pretend that all those songs have a huge emotional impact, but they do all serve part of the story arc. You can see it there: the status quo, the trigger, the choice, the quest, the showdown, the resolution and the new status quo. Couple that with the fact that at least 4 of those songs (counting Don't Cost Nothing and its reprise) do have a very real emotional punch, you've got a great episode.
All in 11 minutes.
That's the level of truly amazing, genius storytelling we're working with. Now contrast that to the 1hr 20m of Steven Universe The Movie:
· The Tale of Steven: A prelude to a re-cap song
· Once Upon a Time: a re-cap song
· Let Us Adore You: The Diamonds are emotionally disturbed and co-dependent! How adorable!
· Happily Ever After: The status quo. Also another bloody re-cap.
· Other Friends: The trigger! Not huge emotional resonance, but up-beat and plot-relevant.
· system/BOOT.PearlFinal(3): The quest.
· Who We Are: NICE. This one has emotional impact and says something important.
· Isn't It Love?: A Garnet re-cap. So at this point we're recapping what we re-capped when we recapped the re-cap. Lost yet?
· No Matter What: Again, NICE. Emotional relevance and says something about Amethyst and Steven.
· Disobedient: Kate Micucci hadn't been given anything to do yet?
· Independent Together: Aimee Mann brought a friend! Can he have a job and some dollarydoos?
· Drift Away: CHARACTER. PUNCH. PATHOS. It's here, folks. They can do it!
and so on.
See the pattern? For every one song that brings what we saw in Mr. Greg, there are at least four that are there just because. Because we thought it'd be cool. Because we needed more tunes to fill the runtime. Mr. Greg achieved more in 11 minutes than Steven Universe: The Movie achieved in over 80 minutes.
What's the reason? The Movie doesn't really have a story to tell. It's a victory lap. It's not bad: it's fine. Bits of it are simply excellent. But this is what happens when you stop having a big, cohesive narrative arc that you're trying to bring together.
Characters
Characters grow and evolve. Specifically, they have arcs. Just like the plot as a whole, and just like the subplots that compose it. Generally, the stages are:
· A status quo (Luke on Tattoine)
· A trigger (his Aunt and Uncle die)
· A critical choice (he leaves to become a Jedi)
· A quest (the adventure)
· A climax (the fight at the Death Star)
· A turnaround (the Death Star is destroyed!)
· A new status quo (the Rebels are ready to take on the next challenge)
SU gave most of its characters arcs broadly representative of this. The problem is, once those arcs were done the characters got put back in their boxes. They were 'fixed' and that was it. Amethyst's arc probably worked best: it spread over most of the first five series and felt like a real progression. Hence her fusion with Steven (Smokey Quartz) felt 'earnt'.
Pearl doesn't really grow or evolve much at all until Series 5. Ditto Garnet. Lapis is basically the same throughout the show: she broods, runs away and then comes back because of Steven's coaxing.
So, it’s back to my main drumbeat: its pacing is badly off. Some things take their good time and evolve naturally, others are wrapped up quickly and cast aside. Examples:
· Peridot worked to become friends with the CG. She had a character arc that took half a series.
· The Diamonds: it mostly turned on a sixpence in the 2nd half of Change Your Mind. Off-screen they then became annoying relatives, rather than murderous galactic tyrants.
Why does this matter? Well, most of the characters are now 'done'. Pearl is no longer co-dependent. Ruby and Sapphire know they're together (as Garnet) for love. Amethyst no longer hates herself. Peridot is a sweet (albeit socially clumsy) sidekick. Lapis is... well, the same as she's always been but seems happier with it now?
How do you tell more stories when your characters are already done? When the veg is cooked, you can't put it back on the hob because you've decided you want dinner prep to take longer.
SU keeps wrapping things up, believing they're 'done', then getting more time and needing to draw it out. This means either dawdling around with characters not going anywhere (which feels like either a smug victory lap or just something for its own sake) or actively unpicking their development.
Scrubs, in my view, is the poster child for the latter option: the show's cancelled, quick wrap up JD; Elliot; Dr. Cox; Carla; Turk etc! Oh no, we got another series! Undo the happily-ever-after so we can do more stuff!
That's why the pacing, particularly around characters and where they're going, matters.
Fusion
Fusion is the absolute biggest muddle of a metaphor. Is it friendship? Understanding? Sex? All? None? In any case, it used to be meaningful. Fusion meant something, even if that something would vary depending on the characters and the circumstance.
It took special effort to do: characters had to synchronise themselves through dance, to bring their thoughts together to fuse.
Now? It happens at the drop of a hat. No synching, no dancing. Fanwank it away any way you like: the characters are all 'fixed' now, they all trust each other, whatever. Fusion now doesn't mean anything because it takes no effort: pop here's Sunstone, pop here's Smokey, pop here's Opal. The fusions have just become like alter-egos that take no more effort than a quick-change in a phone booth.
And then there's Steg. Yeah, I get it: he represents the familial love between father and son. But why is he so built? Why does he look like some sort of sex-god? I'm a long way from a prude - it's just weird is all. A 16 year old boy + his middle aged father + the memory of the mother/wife shouldn't create a weird Adonis! But let me set that aside: the true problem with Steg is we had no build-up. Greg and Steven didn't talk about it, Steven just suggests fusing (through whispered dialogue we don't hear) and then it just happens.
Steg also isn't saved by being an interesting exploration of either Steven or Greg. He's fanservice. Fans wanted more fusions and more 'what if so-and-so fused!!' so they got it. He has 0 character. Just like Sunstone has no character beyond being an 'after school special'. Rainbow Quartz 2.0 has no character, aside from being chipper and cockney.
Contrast that to Smokey Quartz. Smokey is a delightful, self-deprecating scamp. She has a definite personality and stood up to a full interview with Sardonyx. Smokey has enough of a character that it would be possible for her to act out-of-character. What would out-of-character look like for Rainbow or Sunstone? Provided it was cartoon-English and early 90s cartoon dialogue (respectively) it could be anything.
What happened? Fusions used to be characters, they used to have personalities that couldn't be written down on a postage stamp in luggage marker.
The answer is the story ran-out. The characters are all fixed now - so there's no emotional or narrative drive for their relationships. Hence the concept of fusion is now just serving fans who want to see 'what if' combinations of characters.
Too Many Endings
I’ve touched on this already, but here it is again.
The problem with wrapping up a show is you put all the pieces away as well as you can, and implicitly make work for yourself if it is not the end. You've just set up a load of strawmen you need to kick over if you decide you've got more story to tell.
That's what happened here. Change Your Mind ended it. Except it didn't, so we went back and unpicked what we could. Even though everyone is basically fixed now and the characters have no real growth or underdog-fight. Then The Movie ended it. Except it didn't, so we went back and unpicked what we could. Even though everyone is still basically fixed.
Will Future be the end? Probably not.
That's why Steven is now a moody little jackass with a hero complex - we needed some conflict to drive what little plot there is, which exists only as a vehicle for tying up loose plot threads (Jasper!) we left out because of how rushed the first ending was.
It's a bit like when you misspell something, then you go back over it with your biro. But now it looks unclear. So you go over it a few more times to make sure it's clear. But now it looks like someone took a biro and leaked half the ink onto the page. The very act of trying to tidy it has made it less clear.
A Special Note About Garnet
This isn't about pacing, but whilst I'm on the moan I'll leave this here.
I feel wicked for this. Garnet is a brilliant character. I love Estelle: she brings Garnet so well to life. Any LGBT representation in a cartoon is rare and amazing, and we need more. But Garnet also sucks.
Why?
She's a metaphor. She's a metaphor for being gay and together in love. She is a symbol of a same-sex relationship. On a side-note: yes Gems don't have gender technically, but let’s not be wilful here: they have female-coded designs and the subtext is so obvious as to barely be subtext.
It's nearly 2020. We're now 20 years into the 21st Century. 2001 A Space Odyssey was set 20 years ago. First contact between Zephram Cochrane and the Vulcans is now only 43 years away. And we can still only talk about gay (or, God forbid, bi or transgender) characters in children’s' media through metaphor. I cannot emphasise enough how utterly shitty that is, and how glacial progress has been.
Now, that isn't SU's fault. However, what is SU fault is their clever (and I mean that genuinely) ploy to sneak a same-sex couple into the show means that we don't see them as a same-sex couple 95% of the time. They're hidden. Ruby and Sapphire's love and relationship literally lives under a disguise called Garnet.
And that sucks. It makes sense as a plan. It's great we have Garnet. Garnet is still amazing. But she also sucks, because she acts as invisibility for the lesbian couple she represents. Yeah, that’s some tough mental gymnastics to work that cognitive dissonance but I managed it.
My God, I Get It: You're a Cat Person
This is also nothing to do with pacing, it's just a creator conceit that bugs me. I freely admit it's also piddly and petty.
So: I'm not a cat person. And no, it's not because I haven't met your adorable little Tiddles or whatever. I don't hate cats, it’s just that most of the cats I've ever met are simply ghastly little shits. Their owners, through some mental blind spot; ancient Egyptian curse or brain parasite have become convinced that these hairball-gobbing, furniture-shredding, wildlife-destroying little cunts are angels. Somehow they've convinced themselves everything they do is adorable.
No amount of murdered birds or small mammals change their minds.
I've met, officially, two nice cats in my life and I treasure their memories. The rest can go to hell.
Why does this matter to SU? Cat Steven. Lion. Peridot and Amethyst doing little kitty-mouths when they're being cute. My God, crew, you love cats. I got the memo.
Why does that work me up? Well, do you know what I'd like instead? If a tiny amount of that 'cats are brilliant!' energy went into a proper wrap for Pumpkin. Created by Jessie Zuke and obviously a puppy metaphor... what happened to her? The crew don't care, because they won't tell us. If they cared even a jot it would have a story around it. Instead, we got some half-arsed bullshit from Joe Johnston about 'pumpkins don't last forever' and... scene. That's it.
But Cat Steven, OMG, yes we have to make sure to include him. Whenever we're at the Beach House. Especially if Garnet is there. Because... lesbians all love cats? Or something? Just... CATS. MOAR CATS.
Couldn't you show a little more respect for a character, albeit a not particularly important one, rather than worrying about how much airtime the various cats all get?
In Conclusion
It bears restating, this is mostly ire directed at Series 5 onwards. The other series are all still there, and I can watch them to reminisce. I can still enjoy some truly wonderful episodes of just about the best cartoon I've ever seen. This show is incredible... but the endings kinda suck. And that's down, mostly, to pacing. And how it kinda fucked Steven Universe.
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What I’ll Write/Requests
(as of 9/20/19)
Since this is currently on my commission page and I’m no longer doing fic commissions, I figured I should copy it & update it with the new fandoms I do? So here it is.
Requests are currently CLOSED until I catch up on the hundreds of prompts I have at both my blogs. The only exception is if I reblog a prompt/prompt list here.
The following is a list of fandoms I write and characters/ships I feel most comfortable writing:
Sherlock I’ll write just about any ship you can throw at me. I write F/F fic (with the exception of NC-17 fic), M/M fic (with the exceptions of NC-17 fic and anything other than Mystrade, Sheriarty and MorMor, and Johnlock for special friends), M/F fic (almost any ship, NC-17 rating only for Sherlock Holmes/Female Character pairing fics) and select OT3s (Sherlock/Mary/John, Sherlock/Molly/Irene, Lestrade/Mycroft/Anthea and Molly/Moriarty/Moran). No Mrs. Hudson pairing fics except the canon one and Wilf from DW; no Magnussen or other bad guys not already mentioned above.
Doctor Who Generally I only write Eleventh Doctor era and some of Twelfth Doctor era (I am not current with Rose, Martha, Donna, Bill and The Fam eras yet, but I have all the box sets by Doctor save Thirteen). At the moment I mostly can write Eleven, River, Amy, Rory, Martha and Mickey, and can kind of write Clara, Vastra, Jenny, Strax, Jack and a few other recurring ones…ship wise I write Rory/Amy, Eleven/River and Vastra/Jenny (though I can possibly be persuaded to write Twelve/Clara, maybe, depending on the prompt). No NC-17 fic.
Elementary I’m much better at Joan, Marcus, Gregson and Alfredo than Sherlock. My only real ship for this show that I’ve written is Marcus/Joan though I’d love to try Jamie and Sherlock/Jamie in a twisted sense or Jamie/Joan. Also, fair warning: I’m mostly familiar with season 1 and the Kitty arc in season 3, but I have access to all the season save the last one via my library..
Star Trek: Alternate Original Series I do not do a whole lot of ships for this verse aside from Spock/Uhura, Sulu/Ben and a kind of biased Kirk/Uhura (I RP that ship in one of my games) personally but I am willing to write any ship except Bones/Carol (I have issues with that one). I do write slash ships for this series; just ask and I’ll see what I can do. I do not really write Scotty or Chekov with their accents often though I will through in Chekov using Russian occasionally. I will also acknowledge aspects of the Discovery verse (ie, usually Michael Burnham on her own, but occasionally Tilly and other Discovery characters as they might be in the AOS series). No NC-17 for any ship except Kirk/Uhura, and then only in my RP verse fics.
Marvel Cinematic Universe Ship wise I’m pretty open amongst Captain America characters, as well my personal OT5 is any combination of Steve/Sam/Bucky/Nat/Clint with a dash of either Peggy or Sharon given the situation. AoS I’m pretty much either Coulson/May or Daisy/Jemma at the moment (though I will write a few other ships for both, like Jemma/Fitz, but NOT Skyward). I am familiar with Thor characters, Peter Parker, Iron Man characters, Stephen Strange, Wong, and Shuri. Anything else, please ask and I’ll see what I can do. I do have access to the entire MCU to watch, but prefer to avoid certain movies. Will write NC-17, but it depends on the characters/ships.
Miss Fisher’s Murder Mysteries I’m pretty much primarily a Jack/Phryne writer in this fandom. I can do a decent Dot and Hugh but I haven’t attempted anyone else. Also, shorter stories are best. Will not write NC-17 for this fandom. Am planning to add “Crypt of Tears” to the list of what I’m familiar with when it comes out.
Star Wars Movieverse I’m still refamiliarizing myself with this series (so far I’m current/mostly current on the original trilogy sequel trilogy so far and “Rogue One”) but I’m pretty fair game as to characters and ships I will write for those three sections of it. However, I will only write brother/sister Luke & Leia stories, and when it comes to Rogue One I’m iffy on just who I can write since all I’ve written so far is a Jyn POV piece. Other than that, feel free to toss an idea at me prior to requesting and I’ll give a more resolute yes or no answer. No NC-17 for this fandom
NEW FANDOM - Good Omens So I am vastly more familiar with the book than the miniseries, but I do have access to the miniseries and plan on watching it soon. I will probably end up writing Aziraphale/Crowley and Gabriel/Beelzebub because that’s what my enabler writes, but feel free to toss other ideas at me. No NC-17 for this fandom, and would actually prefer a ton of gen prompts if given prompts for this fandom.
NEW FANDOM - DCCU So I’m limited in this one, as the only one I’ve attempted is Wondertrev fic, but I’ve seen “Batman vs Superman” and “Wonder Woman” and am planning on watching the rest at some point. Would probably feel most comfortable with Wondertrev, Clois and Wonderbat. No NC-17 for now.
NEW FANDOM - Legends Of Tomorrow I am much much more familiar with this show than the rest of the DCTV shows, having seen the first season and following various developments since here on Tumblr. As I am still in Series 1, will probably focus on Captain Canary for a while until I get used to the newer characters. Potentially will write Avalance, Constagreen, Zari/Amaya and Constantine/Sara as I get more into the show. No NC-17 so far.
NEW FANDOM - DCAU Very very familiar with the random DCAU shows (minus Superman: TAS and The Zeta Project). Big Harley/Ivy fan, big Wonderbat fan, Big Question/Huntress fan, big Green Arrow/Black Canary fan, big Batcat fan, big Terry/Dana fan. Don’t know how well I can write all of the above except I know I can write Harley/Ivy, as I already have. No NC-17. For other characters in DCAU (excluding The Zeta Project, Superman: TAS and Static Shock for the moment) ask and we’ll see what I can do.
NEW FANDOM - Midsomer Murders So this one…I’ve watched pretty much every episode up to Winters at least once, if not more? I’m willing to give any character and implied/hinted at/”will they or won’t they?” ship a chance. Send me Jones prompts and I may give you a longer fic (he’s my fave). No NC-17 for now, nothing probably over 500 words for most fics until I get more comfortable in this fandom.
CROSSOVER SHIPS I do write crossover ships as well! Most of them are Sherlock oriented, but I ship McCoy/Molly (Star Trek AOS/Sherlock), Khan/Molly (Star Trek AOS/Sherlock), Sherlock/Amy (Sherlock/Doctor Who), Lestrade/Donna (Sherlock/Doctor Who), Eleven/Molly (Doctor Who/Sherlock), Rory/Molly (Doctor Who/Sherlock), Martin/Molly (Cabin Pressure/Sherlock), Bucky/Clara (MCU/Doctor Who) and McCoy/Donna (Star Trek AOS/Doctor Who). Other potential crossovers are welcome, just run the ship and a prompt by me and we’ll see if I can make it work.
Also old fandoms I could be persuaded to do again (but under very limited and probably non-shippy circumstances, and not for anything long unless it’s for a special present) would include Bleach, St. Trinians movies, CSIverse and early season Supernatural.
#fanfic#sherlock#star trek aos#dc comics#mcu#elementary#mfmm#midsomer murders#good omens#fanfiction#requests
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Longer Than I Thought - part 1
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Who: Calum x Female OC
Inspiration: the song Longer Than I Thought ft. Joe Jonas by Loote.
Series Content: Swearing, drinking, mostly angst with some fluff, mentions of sex but not smut
Word Count (this part): 1,094
A/N: This is the first thing I’ve posted on here, so let me know what you think or if there are any discrepancies or mistakes! So in this, 5SOS isn’t famous (they are a band though) and it’s based in Boston, because why not :). It’s going to be a six part series.. 🍻
Chapter 1 - Chapter 2 - Chapter 3 - Chapter 4 - Chapter 5 - Chapter 6
“The next train to Oak Grove will arrive in 15 minutes.”
Calum groaned to himself as he stepped onto the platform. He watched the Orange Line train that he just missed pull away from the station as he leaned against a nearby wall to catch his breath. He had just sprinted from band practice at Luke’s place near Fenway to the Green Line to get off at Park St. to run to connect to the Orange Line at Downtown Crossing in order to get back to his place in Somerville to catch his landlord before said landlord went off to his night job as a bartender and Calum’s rent check would be late again.
Calum glanced at his watch: 4:52. The platform was already crowded and when the nearby businesses let out at 5:00, the trains would be packed. Calum just prayed that there would be no issues or delays and he could make it back in time. Not likely.
Being in a band that barely made enough to cover the cost of performing meant Calum had to scramble like this before the first of every month, trying to piece pennies together to cover his half of the rent.
Ashton, his roommate and drummer in the band, usually did the same thing, but this month Ashton had lucked into a film crew gig for a friend-of-a-friend who was an aspiring actress. Ashton had said the short film about a lost love was complete shit, but he got paid, so he didn’t care. Calum on the other hand, spent a few days dog sitting for their downstairs neighbor, but was still scrounging at the last second.
These two, and the rest of the band, weren’t like their local friends, who had wealthy parents paying rent, or buying groceries, or funding some gap year. Calum, Ashton, Luke and Michael had moved to Boston from Australia with the hope of finding a better industry here. Boston was an underrated music city with a huge appreciation for local bands and live music. Bands like Boston or the Mighty Mighty Bostones got their start in this city, obviously, and who could forget Marky Mark and the Funky Bunch. But other bands like Boys Like Girls, the Pixies, Dropkick Murphys, New Kids on the Block, and even Aerosmith got their start in Boston.
So, when their band, 5 Seconds of Summer, decided to fully pursue music, they settled on Boston as their target location. It’s a small city with less competition and an amazing, and frankly underappreciated, arts culture.
“The next train to Oak Grove is now arriving.”
Calum was jostled by impatient commuters as he stood at the front of the crowd trying to push their way onto this next train. The doors opened and, after the stream of people exited the car, Calum stepped onto the train, grabbing onto a nearby pole for support. Various professionals in business suits, young workers in slacks and blouses, college students their university paraphernalia, and other random stragglers filed in behind Calum, taking up all available space.
This is why I don’t ride the T at rush hour, Calum thought. Only five stops, he reminded himself. He glanced around the car, seeing mostly annoyed Bostonians, eyes glued to their phones, actively trying to avoid as much human interaction as possible. One guy in the corner seat was yelling loudly into his phone about some missing file.
Then he saw her.
There was no question that at the other end of the subway car was Faye. Calum would know that crazy messy bun anywhere. She always put her hair up when commuting home from work and, when she used to come straight to Calum’s, he always loved the way she’d take it out, running her fingers through her hair in an attempt to straighten it because she knew Calum liked when she wore her hair down.
Not today.
Today, Calum was completely captivated by her bun. He couldn’t tear his eyes away, even when the train lurched and they proceeded towards State St. But at that second, Faye grabbed onto the torso of the guy standing in front of her, the two laughing as her eyes widened from her clumsiness. She said something to him that Calum wished he was close enough to hear. He knew it was probably a new boyfriend, but he couldn’t dismiss the small sliver of hope that it wasn’t. I mean, he wasn't sure it was a boyfriend; they didn’t kiss or anything.
Calum would be lying if he said he wasn’t trying to figure out some sort of path to that side of the train. A way to maneuver through the crowd, jostling between work bags, backpacks, and random, outstretched limbs, just in the hope that Faye might see him.
They hadn’t spoken in six months. Not since she walked out and Calum didn’t do anything. He didn’t call. He meant to call. He wanted to call. Now it was too late.
It didn’t matter that she was the only thing Calum thought about. That every girl at the bar, or random hookup, or blind date his friends set him up with, could only compare to Faye.
He had tried to get over Faye. He really did. The weekend after the break-up, Calum brought home a stranger from the bar. He doesn’t remember her name; honestly, he wasn’t sure he ever knew that girl’s name.
But it didn’t work.
The next morning, when that girl was still in his bed, all he could think about was Faye. How that girl’s touch didn’t feel like Faye’s, how her lips didn’t move like Faye’s, how she didn’t respond to Calum in the same way. Calum couldn’t shake the memories of his nights with Faye. Even now. It was taking him a lot longer to get over her than he thought.
“Now approaching Assembly.”
The doors opened and Faye and the guy exited the train. It was at that moment that Calum realized he had missed his stop. He was too lost in thought over seeing Faye. He rushed past the people now filing onto the train, pushing, elbowing through the crowd.
Spinning around on the platform, he tried to catch a glimpse of her, but she had disappeared. He knew the way to her apartment--he could walk there right now if he wanted to--but following her down the street is a lot different than casually running into her on the train.
So, Calum reluctantly set off towards his own apartment, forced to take the long way home.
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Next part preview: “Calum had never felt like his life was a movie as much as he had in that moment.”
---
Chapter 1 - Chapter 2 - Chapter 3 - Chapter 4 - Chapter 5 - Chapter 6
#5sos#5 seconds of summer#5sos imagine#5sos fic#calum hood#calum 5sos#calum x oc#calum imagine#calum fic#5sos fanfic
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@vengefulnoob , I am sorry, I was trying to post the reply to your ask and tumblr deleted the whole thing. It was “All the tea questions!”, right?
Wow. Thank you for asking. If you want and whenever you have time,feel free to answer these questions too. A fair exchange, isn’t it? Besides, I am curious xD
earl grey:how do you take your tea?
Most days I drink Earl Grey and I like to add some milk and even a bit of cinnamon. I think it goes well with it. Any other tea I drink unaltered: I want to savour it, to absorb every flavour and aroma. I even take notes about it! @nevernotlikelove got me a book that contains a “Guide to tea tasting” and I try to make the best possible use of it.Tea is a gift to mankind, and I take every opportunity to try new blends.
lady grey:favourite outfit?
I mostly dress in jeans and button up shirts with maybe a jacket on top. However my favourite item of clothing is a wide, long, copper- coloured skirt that makes me feel like I’m floating whenever I wear it.
black tea: where are you from?
A town between Rome and Naples
irish breakfast:what country do you want to visit?
Canada, to meet my girlfriend in her country.
Besides that, there are two places I have always wanted to visit: Paris, because of all the books I love that are set there, and St Petersburg, for the same reason. I drem of walking up and down the Nevskij Prospekt while reading Dostoevsky’s “White nights”
turkish tea: where have you travelled?
Outside of Italy? Slovenia when I was a child. Vienna, a couple of times, staying at a family friend’s house. London on a school trip. Greece, more specifically a tour of Peloponnesus with a tent. Southern France. Barcelona. Berlin.
white tea:occupation/career aspirations
I want to be a translator, one day.
rooiboos: 3 facts about my family
1) We have extended family all over Italy, from North to South
2) We have Hungarian and Croatian origins
3) My little brother studies Japanese and he managed to get scholarship for a year in a university in Kobe (proud big sister moment) The first thing literally everyone in my family said was, in true italian fashion, “But what are you going to eat????”
matcha: favourite book?
This is an evil, evil question. The answer changes over time. Right now, I think it’s the collection of Shelley and Keats’s poems I got at the “Keats and Shelley Museum” in Rome.
blooming tea: favourite flower?
Poppy
chamomile:comfort movie?
“The Curse of the Black Pearl”. It has everything I need to cheer me up: pirates, ancient curses, laughter, adventure, sword fights, and Orlando Bloom and Keira Knightly to warm my bisexual heart.
peppermint:what’s your favourite holiday and why?
Christmas. I just love the atmosphere.
milk:do you have any allergies?
Nope
sugar:tell me about your first crush
He was a boy named Andrea, who was in my class in elementary school. He had these really nice eyes, halfway between green and blue, and huge fornt teeth. He always made me laugh. I never told him I liked him, I was too shy for that, and besides I wasn’t interested in playing at relationships. There where more exciting things to do, like digging in search of earthworms. (It’s funny. I am an incurable romantic now, but when I was younger I really couldn’t care less.)
honey:type out the last text you sent
“I LOVE this picture. It might be my favourite picture of myself” (It really was)
ginger: favourite colour(s)?
Green
green tea:where do you feel most at peace?
Standing underneath my favourite willow tree
bubble tea:what ride would you pick at an amusement park?
Something that isn’t scary...
mug:when/where do you normally drink tea?
At 5 or 6 in the afternoon, sitting at the kitchen table or on my bed.
teacup: last tea party?
A few months ago I made scones for my family and we had them with tea for dinner.
teapot: music preference?
I listen to a little bit of everything. I like rock and ballads most of all.
chai:what do you order at starbucks?
I have only been at Starbucks once, when I was in London, and I had hot chocolate with whipped cream.
oolong: ideal romantic partner?
Soft but tough, sensitive and strong, brave, not afraid of being themself or of being vulnerable, funny,patient (I am not an easy person to love. Then again, is anyone?)
So basically @nevernotlikelove . I got very lucky.
darjeeling: a hobby?
Baking. I love creating things with my hands that make other people happy.
pu-erh: 3 random facts about myself
1) I am vegetarian
2) I have been in a long distance relationship for almost three years
3) I have a cat called Faramir
herbal:post a selfie
coffee:surprise coffee ask! how do you take your coffee?
Espresso, black or with a splash of milk, no sugar. But as long as it isn’t too sweet I’ll drink any kind of coffee. I am not picky.
This was fun. Thanks again for your ask!
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Flower Asks
@december-girl06 Thank you so much for asking me! *sending a bear hug*
Alisons: Sexuality? - Heterosexual.
Amaranth: Pronouns/Gender? - Sher/Her. Female
Amaryllis: Birthday? - 29th august
Anemone: Favorite flower? - Cala lily and white rose.
Angelonia: Favorite t.v. show? - BBC Sherlock, Hawaii Five-0, MacGyver, Hannibal
Arum-Lily: What’s the farthest you’d go for a stranger? - I don’t trust people so pointing the right direction 😁
Aster: What’s one of your favorite quotes?
Aubrieta: Favorite drink? - Coke, sparkling water.
Baby’s Breath: Would you kiss the last person you kissed again? - Umm, I’ve probably kissed Mom so yes.
Balsam Fir: Have you ever been in love? - I had crushes but nothing more than that.
Baneberries: Favorite song? - The Point of No Return from The Phantom of The Opera
Basket of Gold: Describe your family. - Pretty ordinary with the occasional dosage of drama.
Beebalm: Do you have a best friend? Who is it? - That’s classified.
Begonia: Favorite color? - Black.
Bellflower: Favorite animal? - Wolves.
Bergenia: Are you a morning or night person? - Definetly a morning person.
Black-Eyed Susan: If you could be any animal for a day, what would it be? - A raven so I would what flying feels like.
Bloodroots: When you were a kid, what did you want to be when you grew up? - (That’s embarrasing) Michael Schumacher or Batman or an astronaut.
Bluemink: What are your thoughts on children? - Little monsters, I don’t like them.
Blazing Stars: What are you afraid of? Is there a reason why? - I’m afraid of snakes. Just look at them! Do I need a reason?
Borage: Give a random fact about your childhood. - I made plans with best friend to run away from my parents. He was suppossed to get a job as a cooker. And, yes, we were 10 years old then.
Bugleherb: How would you spend your last day on Earth? - Reading, I guess.
Buttercup: Relationship Status? - Forever single.
Camelia: If you could visit anywhere, where would you want to go? - Hogwarts or the set of Hawaii Five-0
Candytufts: When do you feel most loved? - When people show me that they trust me.
Canna: Do you have any tattoos? - No, I don’t like tattoos.
Canterbury Bells: Do you have any piercings? - No, I don’t like piercing either.
California Poppy: Height? - 158 cm or 5′2
Cardinal Flower: Do you believe in ghosts? - That’s complicated. Let’s say I can’t simply ignore all the stories about people seeing ghosts.
Carnation: What are you currently wearing? - My home clothes: a track suit.
Catnip: Have you ever slept with a nightlight? - I can’t remember for sure but I don’t think I have.
Chives: Who was the last person you hugged? - Mom.
Chrysanthemum: Who’s the last person you kissed? - Mom.
Cock’s Comb: Favorite font? - All the academia made me like Times New Roman. I also like Gothic fonts.
Columbine: Are you tired? - Yes.
Common Boneset: What are you looking forward to? - The next semester.
Coneflower: Dream job? - University professor, editor and writer.
Crane’s-Bill: Introvert or extrovert? - MAJOR introvert.
Crocus: Have you ever been in love? - Nope.
Crown Imperial: What’s the farthest you would go for someone you care about? - Protecting them at all costs.
Cyclamen: Did you have a favorite stuffed animal as a child? What was it? - I still have that animal! A small pink monkey, I love it too much.
Daffodil: What’s your zodiac sign? - Virgo.
Dahlia: Have you done anything worth remembering? - I don’t think I’ve done something that special.
Daisy: What do you feel is your greatest accomplishment? - Getting a place in a PhD programme.
Daylily: What would you do if your parents didn’t like your partner(s)? - I’ll answer this when (if) I have a partner because I honestly don’t know how to answer this.
Dendrobium: Who is the last person that you said “I love you” to? - Don’t know.
False Goat’s Beard: What is something you are good at? - Trapping over my own feet 😁😄
Foxgloves: What’s something you’re bad at? - Singing, drawing.
Freesia: What are three good things that have happened in the past month? - Getting the news about my lecturing, seeing Venom and Bohemian Rhapsody, starting learning basic linguistics.
Garden Cosmos: How was your day today? - It’s 11 in the morning!
Gardenia: Are you happy with where you’re at in your life? - Not so much.
Gladiolus: What is something you hope to do in the next year or two? - Writing the first two chapters of my PhD thesis and feeling more confident in academia.
Glory-of-the-Snow: What are ten things that make you happy/you’re grateful to have in your life? - Mom Friends My supervisor Books Movies TV Shows The pigeons on my balcony Music ... I can’t think of more
Heliotropium: What helps you calm down when you feel stressed? - Reading.
Hellebore: How do you show affection? - I’m very clumsy at this. Taking extra care. Telling stupid jokes.
Hoary Stock: What are you proudest of? - Winning my supervisor’s trust.
Hollyhock: Describe your ideal day. - Meeting with friends, going to the cinema, reading.
Hyacinth: What do you like to do in your free time? - Reading or watching a movie/a TV show.
Hydrangea: How long have you known your best friend? How did you meet them? - I met her 15 years ago when she was transfered to my class in 5th grade.
Irises: Who can you talk to about (almost) everything? - Mom and my friends.
Laceleaf: How many friends do you have? - Few but I love them very much.
Lantanas: What’s the best compliment you’ve ever received? - That people liked my writing.
Larkspur: What do you think of yourself? - *censoring self hate* Not much actually. I know I could do better.
Lavender: What’s your favorite thing about yourself? - My kindness and intelligence (if such a thing exists).
Leather Flower: What’s your least favorite thing about yourself? - My looks.
Lilac: What’s something you liked to do as a child? - Colouring books!
Lily: Who was your best friend when you were a kid? - A boy with whom I’m still friends though we are not that close.
Lily of the Incas: What is something you still feel guilty for? - That I never got the courage to talk to my biggest crush at high school.
Lily of the Nile: What is something you feel guilty for that you shouldn’t feel guilty about? - Being rude to toxic friends.
Lupine: What does your name mean? Why is that your name? - It comes from the word for flower in Bulgarian. I was named after one of my grandmothers.
Marigold: Where did you grow up? Tell us about it. - I grow up in the same city I’m still living - Sofia.
Morning Glory: What was your bedroom like growing up? - Full with stuffed toys.
Mugworts: What was it like for you as a teenager? Did you enjoy your teenage years? - Not at all. I don’t like my teenage self, I cared too much about people’s opinion.
Norwegian Angelica: Tell us about your mom. - She’s the greatest person inhabiting this world, my best friend. I love her sooo much!
Onions: Tell about your dad. - A normal person.
Orchid: Tell about your grandparents. - I only know one of my grandmothers, unfortunately. But she was great when I was a kid, now she’s too old to have normal relationship with her.
Pansy: What was your most memorable birthday? What made it be so memorable? - Going to the cinema with all my school friends on my 15th birthday. Before the group feel apart.
Peony: What was your first job? - I was an intern at the Ministry Of Foreign Affairs
Petunia: If you’re in a relationship, how did you meet your partner(s)? If you’re not in a relationship, how did you meet your crush/how do you hope to meet your future partner(s), if you want any? - I want to meet him suddenly, just starting to talk about different things.
Pincushion: How do you deal with pain? - I try to distract my mind.
Pink: Where is home? - Where the heart is.
Plantain Lilies: If you could go back in time, what is one thing you would stop/change? - World War II
Prairie Gentian: Who is someone you look up to? Describe them. - Scientists like Alan Turing, Albert Einstein. Shakesperare, too.
Primrose: Describe your ideal life. - Having a stable partner whom I love and who loves me and who doesn’t want children. Being a professor with major works in her field who travels the world to read lectures.
Rhodendron: What is something you used to believe in as a child? - The kindness of people.
Ricinus: Who’s the most important in your life? - Mom.
Rose: What’s your favorite sound? - The atmosphere of a library. Quietude with the occassional hushed talks.
Rosemallows: What’s your favorite memory? - Every time when I’m with my best friend.
Sage: What’s your least favorite memory? - Visiting the Museum of Natural History and and all the snakes surrounding me.
Snapdragon: At this moment, what do you want? - To finish my PhD successfully
St. John’s Wort: Is it easy or difficult for you to express how you feel about things? - Rather difficult.
Sunflower: What is something you don’t want to imagine life without? - My favourite people.
Sweet Pea: How much sleep did you get last night? - 7 or 8 hours.
Tickseed: What’s your main reason to get up every morning? - Achieving my goals.
Touch-Me-Not: How do you feel about your current job? - I don’t have a job.
Transvaal Daisy: What’s your favorite item of clothing? - T-shirts.
Tropical White Morning Glory: Describe your aesthetic. - Books, autumn, quietude, stationary, dim light.
Tulip: What would be the best present to get you? - A rare book.
Vervain: What’s stressing you out most right now? - The upcoming conference at which I had to make a presentation about a report I’ve written.
Wisteria: How many books have you read in the past few months? What were they called? - Too many, I can’t count them. But there are two kinds: 1) Literature that I enjoy and read for pleasure (I’ve read mostly Joanne Harris books during this time); 2) Literature for my thesis which includes many books on psychoanlysis, feminist thought and linguistics.
Wolf’s Bane: Where do you want to be in life this time next year? - Having a job and a confident lecturer.
Yarrow: Do you know what vore is? - No, I don’t.
Zinnia: Give a random fact about yourself. - I hate to be the center of attention.
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21 Questions!
I was going to take a break from this website but @surrealistwaltz tagged me for this 21 questions quiz, thank you!! This is gonna take me back to those 2005 Myspace days, these are fun.
Nicknames: My names Philip so a lot of family and even a few coworkers call me Philly which is nice, it's comforting and endearing. Also one of my friends mom called me Philomena and another friends Dad would call me Philbert which made me laugh. Also probably some bad ones lol.
Zodiac: I don't really put a lot of stock in zodiac signs but I'm a Leo
Height: I'm 6 feet or 1.82 (omg) meters tall.
Amount of sleep: I dunno what this is asking but I got like 4 hours last night?
Last movie I saw: I just recently watched deadman, its one of my favorites. It's kinda like an artsy, psychadellic, like, I dont wanna say western because that genre has an lot of tropes and cliches that this movie doesn't really have but it's set when industrialzation was starting to spread towards the west, more specifically to the film, the Pacific northwest of the US. It's a good movie to watch on a rainy, chilly night.
Last thing I googled: what 6 feet is in meters ¯\_(ツ)_/¯ I suck at math.
Favorite musician: I'm taking this question as favorite single musician and I have lots but the first 2 that come to my head are Chopin and Klaus Flouride (one of my fav bassists)
Song stuck in my head: literally Voices Carry by 'Til Tuesday. I was in the market today and it was playing and I was singing it to myself, then I noticed a lot of people were doing the same and they were all different age groups and genders, it was cute. Damn that song is catchy... ~oooooooooh shush...
Other blogs: This is my only blog!
Do I get asks: Lol I actually haven't had an ask yet. Wish I did though, I can be fun sometimes.
Blogs following: I like following lots of different stuff. This is a place I like, try to expose myself to art, music, and other things that put my heart in a nice place. It can backfire sometimes though, whether its something that puts me into feelings or seeing people being stupid in comments or you know, the fact racist blogs can exist on here. I'm happy I made this though, it's been more positive than negative for sure.
Lucky numbers: 4, 33, and 44
What I'm wearing: I'm wearing some sort of cardigan like sweater that doesnt open up or have buttons and its burgundy (my fav color) with black jeans and socks tbh. Also my glasses.
Dream trip: Prague would be interesting, theres a lot of cool art and architecture there. I'm not religious or anything but I feel like visiting St. Peter's Square would be really surreal and kind of creepy? Going to a place like Australia or what @surrealistwaltz said, Greenland would be neat. I feel like those places could make you feel as though you're on a completely different planet.
Dream Job: I wanna teach history! Preferably high school, then if I cant stand how kids act I'll work my way up to the collegiate level. I wanna teach history because looking back at what we learn in schools here in America is watered down, especially when it comes to the bad that Americans have done and the negative impact its had on groups of parole and honestly, bug chunks of the globe.I believe there needs to be at least on teacher in a students k-12 scholastic career who calls out the borderline history revisonment that is being taught to kids so wrecklessly. The United States definitely needs to do what they do in Germany when it comes to teaching about atrocities committed in the past. Whomever is on the winning side of history should NOT MATTER. If theres a group of people that has been suppressed or continues to be suppressed, there needs to be at least ONE person who introduces the brutal hard truth of what happened. Here in the states you get the "I didn't participate in slavery or the genocide of Native Americans, it's not something I need to hear in detail" and it literally pisses me off, it misses the whole point of education. This fires me up, sorry.....
Favorite food: literally any type of pasta or noodles. It doesnt matter if it's in soup, if its Italian, Chinese, Japanese, vietnamese, if it has noodles and doesn't have meat then I'm so happy to just demolish whatever is in front of me. Also chips and salsa is refreshing and satisfying. I'm half Mexican so any type of Mexican food that doesn't use anything from animals is always a go to. My fav fruits are cherries, tangerines, and pears. My favorite veggies are asparagus, green beans, broccoli, and Brussels sprouts. I can make some v good Brussels sprouts.
Languages: ehh I speak pretty bad Spanish but the foundation is there so when I decide to take it back up when I go to a university, I should be able to learn a lot easier than I did in high school. If not because I have foundation and basic understanding of the language then its because I actually WANT to learn it as opposed to when I was a teenager. German would be really cool too because if I teach and I get upset I can just yell in German and people would think I'm actually insane and hopefully would cut out whatever nonsense they were doing.
Play any instruments: I play Bass off and on. I first got my bass when I was 12, I would just mess around until I was like 14, then I taught myself how to read bass tabs so if there was a song I really liked, I could look up the tablatures and teach myself how to play it and still do that. I wish I would've taken lessons though.
Favorite songs: I have a lot but I'll give a top 5 that I listen to regularly and/or have a special connection with:
Joe Lies by the Bouncing souls
Happy When it Rains by The Jesus and Mary Chain
Bad by U2
When You Sleep by My Bloody Valentine
Oh me, Oh my by Streetlight Manifesto
*bonus guilty pleasure* The One by Backstreet Boys
Random Fact: I can pop my knuckles by just clinching my fist tightly? Also I'm really into ceramics so if I have some clay, kiln, and some glaze I can make stuff on a pottery wheel or hand build it. Mmmmmm also I'm like, really into quoting spongebob. It's kind of gotten out of hand. Also I'm using this question to give a shoutout to my dog, ABBY I LOVE YOU!! I love my dog, she's a ham.
Describe your aesthetic: ...Artsy and rebellious dad... who's cool with you smoking weed as long as you keep your grades up.....
THAT WAS FUN AND MADE ME GENUINELY HAPPY THANK YOU FOR TAGGING ME!!!!
Since I brought up Myspace I'm not tagging anyone, we're doing this the 2005 way. If you follow me and are bored or wanna talk PLEASE do this, I wanna read your answers :)
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🎅 secret santa 🎅
Seres sobrenaturales, intuimos que ya han escuchado acerca la actividad llamada Santa Secreto. Por ello deseamos incluirla una vez más en esta época del año. ¡Esperamos que se diviertan! Si tienen dudas, pueden comunicarse al ask o chat del main.
¿De qué va esta actividad?
El Santa Secreto consistirá en el envío de mensajes forma anónima a una persona designada para conocer más de ella.
Instrucciones:
Los participantes, o santas, deberán enviar al menos un mensaje diario a la persona que les tocó. Pueden preguntar por sus intereses, sus personajes en broken, su vida en el rol, sus gustos, disgustos, etc.
Sin embargo, no pueden preguntar aspectos personales. Nos referimos a develar su nombre de algún modo. Nos regimos bajo un seudónimo para la seguridad de nuestros usuarios.
Deberán abrir sus anónimos durante los días de actividad, al igual que activar el submit. No obstante, si existen inconvenientes, les pedimos que nos avisen de inmediato al main.
El último día de la actividad la identidad de los santas secretos serán reveladas, acompañadas de un gráfico hecho por ustedes acerca del personaje que rolea el usuario. Ejemplo: Kol es el santa secreto de Genevieve, el último día envía a su sumit un gráfico de Genevieve más un mensaje revelando que se trataba de él, el cual pueden enviar al submit de cada personaje o subir a su blog y etiquetarlos. Recuerden etiquetarlo como #brokenedits.
Estaremos enviando los mensajes de manera privada durante el día de mañana. A partir de recibir su nombre, pueden comenzar a enviar sus preguntas.
Modo de envío: Este año hemos decidido implementar preguntas estructuras que pueden utilizar. Sin embargo, si alguien prefiere una interacción coloquial, puede hacerlo. La primera parte contiene preguntas para el usuario; mientras que la segunda parte son sobre tu personaje.
¿Debo enviar desde el primer mensaje los ask sugeridos?
No, pueden presentarse primero si lo desean.
¿Es obligatorio utilizarlos?
No, son para hacer más ameno y diferente esta versión. Pero pueden preguntar lo que deseen mientras cumpla lo mencionado anteriormente.
Actividad realizada del día 13 al 21 de diciembre.
Preguntas sugeridas bajo read more.
Preguntas para el usuario.
Playlist. ( x )
1- Best/your fav playlist you have listened to so far?
2- Your favorite playlist soundtrack?
3- Fav sci-fi playlist?
4- Fav D&D/Actual Play playlist?
6- Playlist that makes you laugh the most?
7- Favorite horror/thriller playlist?
10- Which playlist do you listen to the most?
11- Have you listened to any YouTuber’s playlist? If so, who’s was it?
13- How many playlist do you have in your library?
15- Favorite playlist genre?
16- If you could magically travel to the world of one playlist, which one would it be and why?
17- If you had to be one playlist character for a week which one would you be and why?
18- (Random playlist Character) vs. (Other Random playlist Charactet): who would win in a fight?
21- Playlist you are currently listening to?
80′s movies ask. ( x )
bill and ted’s excellent adventure: are you more of an optimist or pessimist?
back to the future: which decade in the last century would you most have liked to live in?
the breakfast club: which high school stereotype do you fit into best?
ferris bueller’s day off: what’s your guilty pleasure?
the goonies: what was the last thing to make you laugh?
the outsiders: why is your best friend your best friend?
the lost boys: would you rather be immortal or objectively beautiful to everyone?
stand by me: why did you last go on a road trip?
pretty in pink: what’s your signature ‘look’?
drugstore cowboy: which historical figure most spikes your interest?
ghostbusters: where were you when you watched your favourite movie for the first time?
sixteen candles: at which age do you consider a person to be mature?
dirty dancing: where were you when you first heard your favourite song?
better off dead: why did you last laugh so hard it reduced you to tears?
heathers: did you apologise the last time you were unreasonably mean?
parenthood: is there anyone you’re not biologically related to that you consider ‘family’?
permanent record: where were you the last time you told someone you loved them?
st. elmo’s fire: what’s one piece advice you would give to someone two years younger than yourself?
dangerous liaisons: which language would you most like to learn?
rumble fish: who do you look to for guidance in times of need?
e.t.: what’s one ‘weird’ feature that you love about yourself?
young guns: what’s one style that you love on others, but would never try yourself?
oxford blues: why did you last pretend to be something you’re not?
dead poet’s society: the last time you made a decision that everyone around you told you not to make, how did it work out?
Ships. ( x )
A - Ships that you currently like a lot. (They don’t have to be OTPs because not everyone has OTPs.) Friendships, pairings, threesomes, etc. are allowed.
B - A pairing–platonic, romantic or sexual–that you initially didn’t consider, but someone changed your mind.
C - A ship you have never liked and probably never will.
D - A pairing you wish you liked but just can’t.
E - Have you added anything cracky/hilarious to your fandom? If so, what?
F - What’s the longest you’ve ever been in a fandom?
G - Have you ever had an OTP? If so, do you remember your first one? Who was in it?
H - What is your favorite source text for fandom stuff (e.g., TV shows, movies, books, anime, Western animation, etc.)?
I - Has Tumblr caused you to stop liking any fandoms, if so, which and why?
J - Name a fandom you didn’t think about until you saw it all over Tumblr. (You don’t have to care about it or follow it; it just has to be something that Tumblr made you aware of.)
K - What character has your favorite development arc/the best development arc?
L - Say something genuinely nice about a character who isn’t one of your faves. (Characters you’re neutral about are fair game, as are characters you merely dislike. Characters that you absolutely loathe with the fire of ten thousand suns are exempt, as there is no point in giving yourself an aneurysm over a character that you hate.)
M - Name a character that you’d like to have for a friend.
N - Name three things you wish you saw more or in your main fandom (or a fandom of choice).
O - Choose a song at random. Which ship or character does it remind you of?
P - Invent a random AU for any fandom (we always need more ideas).
Q - A fandom you’ve abandoned and why.
R - Which friendship/platonic relationship is your favorite in fandom?
S - Show us an example of your personal headcanon (prompts optional but encouraged)
T - Do you have any hard and fast headcanons that you will die defending?
U - Three favorite characters from three different fandoms, and why they’re your favorites.
V - Which character do you relate to most?
W - A trope which you are virtually certain to hate in any fandom.
X - A trope which you are almost certain to love in any fandom.
Y - What are your secondhand fandoms (i.e., fandoms you aren’t in personally but are tangentially familiar with because your friends/people on your dash are in them)?
give me a character (from anything ever) in my ask and I’ll rate:
looks: somewhat attractive | eh | not really my type | pretty | handsome | beautiful | stud | gorgeous | SWEET LORD MERCY
can you relate to this character on a personal level?: no | not really | somewhat | yes | they are me
would you date/be friends with this character in real life if they were real?: total bros | friends | best friends | date | become their steady boyfriend/ girlfriend | neither | i don’t know
Give me 6 characters and I’ll tell you who i would: ( x )
Push off a cliff
Kiss
Marry
Set on Fire
Wrap a Blanket around
Be Roommates with
Send me a fandom and i’ll tell you:
adarkling:
the character i least understand
interactions i enjoyed the most
the character who scares me the most
the character who is mostly like me
hottest looks character
one thing i dislike about my fave character
one thing i like about my hated character
a quote or scene that haunts me
a death that left me indifferent
a character i wish died but didn’t
Curiosity
death-is-legion:
Deep Red - I’m in love with you.
Red - I love you.
Pink - I think you’re cute.
Blue - You’re amazing.
Rose - You’re pretty
Purple - You’re hot.
Violet - I would date you.
Aqua - I could stay on your blog for hours.
Lavender - You are my tumblr crush.
Orange - I want to get to know you.
Tangerine - We have a lot in common.
Amber - I wish you would notice me.
Cream - I don’t talk to you but I really love your blog.
Anon or not, make me choose between (and i’ll gif it):
Show: _______ or ________ ?
Character: ________ or _________ ?
Pairing: _________ or _________ ?
Anything: ________ or _________ ?
Preguntas acerca de tu personaje:
Let’s try this
red: seven insecurities
orange: six fears
yellow: five turn ons
green: four life goals
blue: three fears
indigo: two weaknesses
violet: one thing you love
20 asks for writers.
Some of these can also be used for canon muses. ( x )
When did you create your muse?
Where did you find inspiration for your muse?
Tell us something about the world/universe in which your muse lives.
What’s your favourite headcanon about your muse?
What’s something only very few people know about your muse?
Are there parts of your muse that resemble parts of yourself?
How many face claims do you have or have you had for your muse?
How did you choose the name for your muse?
If your muse could be a canon character in any fandom, which fandom would you choose?
Do you ship your muse with any canon characters?
Do you ship your muse with any other original characters?
Share a song that matches with your muse!
If your muse were the main character in a movie/book/show/game/…, what would it be called? What would it be about?
Do you have any NPCs for your muse’s world or story? If yes, can you tell us something about them?
Share a random headcanon about your muse!
Is your muse religious?
What is something about your muse’s background story that you’ve always wanted to have a thread about?
Give us one thing from your muse’s wishlist that you really want to write in a thread!
List some of your muse’s favourites! (eg. food, movie, book, song, drink, place, celeb, etc.)
This or that according to your muse: morning or evening? Marvel or DC? Mayonnaise or ketchup? Books or movies? Red or blue? Black or white? Halloween or Christmas?
For each “ 💐 “ I receive, my muse will tell you one thing about their ideal dream wedding
Headcanons: ( x )
✿: What is your muses favourite scent?
☼: What is your muses favourite kind of weather?
☤: Is your muse allergic to anything?
♫: Does your muse like music? What kind?
✉: What is something your muse would write about?
✈: How far has your muse travelled away from their home?
💕: Does your muse have any crushes?
★: What is your muse’s zodiac?
✞: Does your muse have an religious beliefs? What are they?
∞: Is there something about your muse that has been constant throughout their life?
✘: What are your muses pet peeves?
💲: What is your muse like with their money? What’s their financial situation?
⚽: What’s your muse’s favourite sport?
✔: What is your muse’s sexuality?
✋: Is your muse left or right handed?
👓: Does your muse need reading aids? Contacts or glasses?
🎒: What does your muse normally keep in their bag?
🚑: Does your muse have any disabilities/impairments?
👕: What is your muse’s fashion sense like?
🎲: Does your muse like to gamble?
🍕: What’s your muses favourite food?
🍸: Does your muse like to consume alcohol? What’s their favourite kind?
💉: Does your muse have a substance addiction? To what?
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