#it was actually a lot better than I was expecting

[clockwayswrites]

The Birdritch's Nest part 25

masterpost

“That is a lot of plants,” Jason said. He swept his eyes over the space as he slipped his lock picks back into their little pouch.

“He has a botanist friend, apparently, and she keeps giving him plants,” Dick explained as he squeezed past Jason and into the apartment.

“Why are you here again?”

“Because I have a car which is better to carry all of Danny’s stuff in than your bike,” Dick explained. He went over to the wall of plants in front of the windowed corner and squinted down at something on his phone.

Jason pulled out his own phone to glance at what Tim had sent. “You say ‘all Danny’s stuff’ like the list was long. The guy hasn’t exactly been demanding.”

“The ‘guy’ expects to actually go home in a few days,” Dick pointed out.

“And is an adult and so can, you know, actually go home,” Jason retorted.

“Damian’s attached.”

“…I concede to your point,” Jason said once that thought sunk in. “Double the clothing asked for?”

“Basically. Make sure that he has a weeks worth, Alfred can always do laundry,” Dick said before letting out a little noise of triumph and doing something over by the plants. “There, watering system turned on.”

“Congratulations, you’re a genius,” Jason drawled. “Now go get his medication gathered up and snoop a little while you’re at it.”

“I thought we weren’t supposed to be snooping,” Dick, words a teasing sing-song as he passed by.

Jason flicked him off. “Like you wouldn’t anyways. I just want to know what you find.”

“Only if you tell me what you find in the bedroom.”

“Deal.”

The bedroom was almost startlingly normal after the plant filled living main room. It didn’t look like Danny really spent much time in it beyond sleeping. The bed was absentmindedly fixed, a black down comforter over pale blue sheets. There was a paperback on the nightstand next to a lamp and a pocket sized notebook with a pen clipped onto the bent and battered cover.

It was the first thing that Jason picked up.

The notebook was obviously where Danny made notes when he was already settled in bed. As Jason flipped through the pages there was everything from to-do lists to invention ideas to… a lot of thought about wings. Jason turned the notebook in his hands. That page wasn’t in English. The language felt like it was on the tip of Jason’s tongue but he just couldn’t get it out.

Maybe some sort of dialect?

Jason couldn’t actually read it, but there was enough to piece together from similarities that tugged on his memory. Enough to understand it was about the wings. Something about the process of change? Aging?

“Hey Jay?” Dick interrupted, scattering Jason’s thoughts. “Can you read the label on these bottles? There’s some serious printing issues happening, I can’t even tell what language it’s in.”

The pill bottle felt oddly cold in Jason’s hand when he took it from Dick, but maybe the bathroom just had shit heating in this place. It would be just like Gotham builders to mess that up.

“Oh, that’s the same thing Danny is writing in here,” Jason said passing the notebook to Dick. “It’s something about wings and getting old, I think, but I can’t really read it.”

“Read it? I don’t even know what it is. Gives me a headache just to look at it,” Dick grumbled as he flipped through the notebook. “The whole bird thing has really been on his mind, hasn’t it?”

Jason gave a little huff. “Do you blame him? The guy has wings now. It would be on my mind too.”

“Yeah… guess I really can’t,” Dick said and snapped a picture of the page with the unknown writing to send to the group chat. “Any idea what it is?”

“Nope. It’s like it’s a distant dialect or that it uses some of the same alphabet of something I learned some of once. Like how Chinese and Japanese use some of the same characters, you know?” Jason explained as he opened the side table drawer and then quickly closed it again. That was more than he needed to know about Danny. “Maybe something from when I was catatonic in the league, who knows. There were a lot of languages in that place.”

“Cass or Damian might now it then,” Dick said as he eyed the drawer Jason had now moved away from.

“Don’t, trust me,” Jason said. “Did you get the medications you needed to grab?”

“Yeah, they’re in the bag. Just a standard bathroom, really. Though he keeps his toothbrush in this old mug with a hero I don’t recognize on it, someone called Phantom.”

“Doesn’t ring a bell, but it sure sounds like a hero name. Add it to the list,” Jason said as he started on gathering up the requested clothing and extra enough to last a week. “Check the closet to see if there are any shits in there that work around wings.”

Jason rolled his eyes as Dick threw the closet doors open dramatically and focused on his task. Jeans, sweatpants, underwear, what he guessed was pajamas were all added to the bag.

“So, nothing that looks like it was made for wings,” Dick said and tossed some normal shirts and a few sweaters into the bag. Jason sighed and folded them neatly. “Maybe he hasn’t had time to find any yet? It hasn’t been that long since the bird thing and seems it all started there. Or maybe he’s just always home when he’s had then?”

“Better let Alfred know then. He’ll want to get something as soon as possible.”

“Yeah, good point,” Dick agreed.

While Dick stepped out of the bedroom to call Alfred, Jason took the time to double check the list. It really was pretty basic. Jason didn’t know if Danny was just trying to not be demanding or if the guy didn’t need much, but Jason went ahead and put the bedside paperback and notebook in the bad too. Jason slung the duffel bag Dick had brought over his shoulder (he totally could have ridden his bike like this) and took a little bit of time to snoop through Danny’s bookcase while Dick finished the call. Sci-fi, horror, old text books, and a ton of notebooks filled the shelf with knickknacks and a few figures. Jason at least had to give Danny points for having some of the sci-fi classics, even if the range of works was pretty limited.

“Okay, Alfred is on it,” Dick said. “Anything else we need to do?”

“Nah, I think we’re good,” Jason said. Something made him not want to look through the notebooks, like they had already done enough snooping. It was an odd feeling. “Let’s get going, I’m hungry for whatever dinner is.”

“You’re always hungry,” Dick said.

Jason shrugged rather than dealing with how true that statement was. “I’m a growing boy.”

“You’re a trash pit.”

“Yeah, you want to go there, cereal boy?”

“Leave my cereal out of it!”

---

AN: I do love writing Dick & Jason so much. Can you tell I have an older brother? Also sorry for the mistakes I'm sure are abounding. Guess who turns out to be anemic? This critter! Maybe getting that fixed will help...

[hasufin]

FR though, it is too expensive!

Some friends got me a food dehydrator a while back, and I use it to make turkey jerky all the time.

Now, a big issue is, it's pretty hard to get turkey jerky. I can't eat beef, but with inflation up, a lot of companies are cutting their secondary products. That's why you can't find that awesome niche flavor of soda or whatever lately.

Now, I'd have to go dig up my notes and I'm not going to, but it turns out making jerky is actually really easy if you have a dehydrator. Mind, some toaster ovens can work as a dehydrator, but I'd check their manual. A food dehydrator does two things: it gently warms, and it circulates air. That's pretty much it.

So how do you make jerky?

You get the meat. You want lean meat. Fat and gristle are right out. Bear in mind that the resultant jerky will be about 1/4 to 1/3 the weight of the meat. If you're using game meat like deer, you'll want to freeze your meat at 0°F for at least 60 days before you use it, to kill parasites.

Cut the meat. First, trim as much fat and gristle as you can. Then you want to cut across the grain to make thin strips of meat. The thinner it is, the better. Remember to cut across rather than with the grain like you would normally. This is important to keep the resultant jerky from being too tough.

Marinade the meat. Now, I don't have a good set marinade to offer here. There are some online, and you can buy a pre-made marinade. This is really where you can get super creative if you want. Personally I have been experimenting with a slightly sweet curry-based one. You might imagine that the salt in the marinade is important to preservation, but it really isn't; the drying is what matters. So you're going to take your meat and marinade it for about 24 hours to let the flavors soak in. (Most marinades are some combination of salt, sugar, onion and garlic power, pepper, chili powder, soy sauce, and Worchestershire sauce. But there are no rules here.)

Dry the meat. This is where that dehydrator comes into play. You're going to lay your meat on the dehydrator trays and run it at one of the higher settings, probably about 160°F. You'll want to flip it about once an hour, and use a paper towel to blot off any excess fat which gets squeezed out. This will take somewhere between 4 and 16 hours to dry, depending on the meat and how you cut it. You're looking for it to be tough and dry but still very slightly pliable - basically the texture you expect with jerky. This is pretty much the step when it goes from being "meat" to "jerky". But! You're not done. The next step is absolutely crucial.

Sterilize the meat! Note that up to this point it's still uncooked meat. So, heat up your oven to 165°F and bake your jerky for at least 30 minutes.

Store your meat. Jerky will last a pretty long time.. if you keep it cool and dry. I keep it in airtight containers with some dessicant packets, and I haven't had it mold yet. This being online, I'm going to say you can probably store it for about three months.

And that's it. Jerky in the store is painfully expensive, but - once you get a dehydrator - it's quite cheap at home.

[gravegoer]

Do you write for Grayson by any chance? I really wished we got see more of her before her unfortunate demise

Sevika, Ambessa, Grayson

i write for anyone! and you can request a separate thing for grayson if you'd like but I decided to do the 3 butches in 1 so here's some random stuff for them <3 (this is needed after the pain of act 3)

my masterlist

Ambessa doesn't love often, but when she does, she loves HARD.

Since you're close to her, she is constantly worried people about hurting you to get to her.

You might have enforcers on you 24/7 unless you tell her to stop and if that's the case. She will follow you around herself. Making sure people know you are always under a close watch by her.

When you walk in public together, she likes you to have your arms wrapped around her bicep/forearm, keeping you as close as possible.

If that's not in your taste she will sling a heavy arm over your shoulder, careful not to weigh you down.

She is always buying you expensive and lavish clothing. If your gaze lingers on anything for too long, you'll see it at your doorstep the next day.

When you see a nice shop you like she's going to take you in and make you try on clothes for her. Putting her hand on your waist as she spins you around. Inviting you to stand between her spread legs so she can see the details better.

If you like to wear heels and your feet start to get tired, she will sit you down and take them off your feet herself, opting to carry you around for the next few hours.

When she carries you, you can see all the scars on her arms and face in full detail. She doesn't seem to mind your staring and might even take pride in herself.

As you're cuddling, she loves it when you trace your fingers over her scars, admiring every bump and edge. She will tell you dramatic stories about how she got them. (Definitely exaggerating some details.)

You could talk together for ages, bringing up random stories and irrelevant details. Her rough hands combing through your hair, or massaging your shoulders.

This was a weekly thing in the hot springs. She sits on the ledge above you while your shoulders slot themselves between her thick, scarred thighs.

She will take care of you without expecting anything back, but she definitely loves it when you return the favor. She will rest her head on your thighs and groan in pleasure when you massage her temples or scalp.

Grayson is a romantic, she will be showing up at your door with flowers in hand.

If she met you in Zaun, she will insist on taking you out on a fancy dinner date at her favorite Piltover resteraunt.

If you refuse, that's okay too. She's fine with eating at any of Zaun's resteraunts. (Just not seafood, please.)

She's asking you what your favorite flower is so she can bring you those instead next time.

And if you are a Zaunite, she isn't ashamed of your relationship, showing you off proudly. After all, all the enforcers do look up to her. What are they going to do?

If you don't know how to shoot, she will be more than pleased to teach you. Your back is pressed against her warm chest as she wraps her arms around you to hold the gun steady.

Her rough voice firmly commands you on where to put your hands and which parts do what.

Speaking of her voice, she knows you love it when she whispers sweet nothings in your ear before you drift off to sleep. Her muscled arm cushioning your head and cradling you close to her chest.

It's easy for her to fall asleep once she knows you're safe and comfortable. (That's why she insists on moving in together.

Actually, she insists on doing a lot of things together. For example, she appreciates when you work out with her, sitting on her back while she does pushups, or maybe spotting her while she presses some weight. (Not that she needs it. She just wants you close)

She instructs you on what workouts you can do and where to place her hands, maybe placing hers on yours for a bit too long.

You can see the sweat gleam on her forehead and the veins in her forearm after every set she completes. This is a sight you can grow to appreciate.

She definitely subtlety flexes when you touch her arm or basically anywhere else she can possibly bring herself to flex. (You notice)

Sevika is the gentlest giant. At first, you might assume her tone is rough and condescending. But after some time, you start to see through her facade.

Her tone around is more firm and calm. It's more around you than anyone else. She tries not to get aggressive or angry with you.

And if she does, she's immediately making it up to you in every way but saying "sorry"

She's bringing you your favroite foods, giving you a little more affection than usual, reluctantly letting you fidget with her mechanical arm.

She does take you out to places, albeit not the fanciest. She makes do with what Zaun has to offer. Buying you a drink at the bar or a trip across the city.

Although she's not really a big fan of PDA, she will let you hold her arm while walking around Zaun. She swears it's a safety precaution to make sure no creeps get close.

When she plays cards at the bar, you are always beside her, no arguements. She doesn't want you sitting by any of the other shady men that play with her.

Maybe if there is few enough people you can sit in her lap and light her cigarillo for her.

What you don't do in public is definitely made up for in private.

She lays on your lap after a long day, taking deep inhales into your stomach to calm down. Grabbing your hand, she'll encourage you to run your fingers through her hair.

Let's you hold her face in your hands and trace her intricate scar while her eyes are closed, completely letting her guard down.

Her large hand engulfs your own as she cradles your hand close to her face, imprinting this memory in her mind.

Just know she is extremely touch starved. Most of the touching she gets all day is punches and kicks, nothing close to the gentle sweep of your fingers on her exposed skin.

She isn't a big gift giver, but if you give her a neat suprise, like an expensive zippo or a new shirt (God knows she needs one) you swear you see a small tear in the corner of her eye. Maybe its just the light.

But who cares because her lips will immediately be on yours, engulfed in a hot kiss.

i feel like sevika needed more screen time in the last act but its okay as long as she didn't die...

[katboykirby]

Going to play Devil's Advocate (ha) here for a moment, as someone who has experience working in the industry & game development:

Remember, every single time that any new feature is added to the game (even if that new feature is "just a new artwork and phone call") it means that Solmare is -

Paying artists for the new artwork

Paying writers for the new scripts

Paying the voice actors to record the new voice lines

Paying the game devs, coders, debuggers, etc, to actually implement the new feature into the game without breaking anything

Paying for QA

Paying the translators for all the different language versions (Obey Me is currently available in 4 different languages)

Paying the localisers for all different language versions

Etc, etc

This is all on top of the monthly costs of keeping a live service mobage like OM running smoothly. Anything that isn't paid for by the players is being operated at a loss. This isn't a flaw with OM itself, this is a fact that exists on an industry-wide level.

Secondly, while any concerns about the price are entirely valid, I think that a lot of people are glossing over an important point - Solmare is not charging you $30 for a Date Ticket. Solmare is charging $30 for a BUNDLE, which includes the Date Ticket as well as 300 DP. So this is similar to all the other sales bundles that have been rolled out in the past.

And the price is consistent with the standard price for DP in Akuzon. It has always been about $30 for 300 DP, so the price has not actually changed or been increased. This is an optional, $30 bundle for 300 DP that essentially includes the Date Ticket as a bonus for free.

You're totally justified if you don't want to spend $30 on this. I'm definitely not arguing that. While I think that this feature isn't as bad as some people are saying (I never would have expected any new features to be totally free) I do think that Solmare could have rolled this out in a better way than they did.

I think that most, if not all, of the complaints would disappear if they simply offered different bundles for different price tiers. This is something they've already done in the past, even! Just give people alternatives, like...

$1.39 for the Date Ticket by itself

$10 for 100 DP + Date Ticket

$20 for 200 DP + Date Ticket

$30 for 300 DP + Date Ticket

And so on. I think this probably would have alleviated many people's concerns, and would have made the new feature more accessible for more players.

Now, I don't think that harassing the official Twitter account is the way to go about communicating your thoughts. There's a difference between genuine constructive criticism/feedback given in good faith, and needlessly rude hate comments. "Fuck you, hope your game goes broke" doesn't help anybody, and will only make Solmare less likely to listen to the EN fandom. They've dealt with a lot of harassment from Western fans before, including death threats, and you aren't communicating anything useful or constructive by sending hate to the EN social media account.

Solmare has a Support team that you can email, if you have feedback and you actually want to reach the JP game devs. If you want to let them know that you want other/more affordable options for the new Date Ticket feature, this is the best way to do that. Just remember to be civil, since harassment and hate mail are extremely likely to simply be thrown out before it reaches the hands of anyone in charge.

[littlespoonevan]

Would love to hear more about the Miss Congeniality Au!

ahhh miss congeniality au, my beloved!!!! 💖💗💞💕🩷❤️ truly, truly, truly i feel like this au could be so much FUN if i could find the discipline and motivation to just sit down and write it lmao. but i will say i v much enjoyed fitting all the pieces together for this snippet so here's hoping it awakens something in me askdjhf

i hope you like it 🥰

~

Eddie never imagined becoming a special agent. Then again, he never imagined becoming a single dad either.

But FBI work actually keeps him chained to a desk a hell of a lot more than regular police work used to and the pay’s better.

He’s regretting that decision right about now.

“Eddie, it has to be you.”

He pinches the bridge of his nose, quickening his step even as Chimney continues to keep pace with him.

“It absolutely doesn’t, Chim.”

“The whole office agrees-“

Eddie stops short, whirling around. “Just because the little simulation version of me you drew up on the computer had an eight-pack-“

“My computer does not lie, Diaz-“

“I don’t have time,” Eddie cuts in. “I can’t be away from Chris that long.”

“It’s one week. Less, if you do your job right.”

Eddie makes a face.

It’s the stupidest thing he’s ever heard. A charity firefighter competition that he really thinks sounds a hell of a lot like a beauty pageant. Sure, there’s obstacle courses and stuff to complete but he’s not sure what a speedo competition has to do with being a competent firefighter. The cause is noble, he guesses, but there has to be a better way to raise money than deciding who’s the most specialist firefighter in all of Los Angeles.

Especially when the host – Captain Bobby Nash – is the target of a bomb threat.

It wouldn’t even have landed on their desk if not for the fact that three people with ties to Bobby Nash and the LAFD had received bombs in the mail over the last two weeks.

Athena thinks their best chance to take down the mail bomber is to have someone on the inside, to infiltrate the competition and investigate the contestants while also being the FBI’s eyes and ears throughout the week.

Hen and Chim, of course, volunteered Eddie for the job.

“I don’t like undercover work.” It’s an oversimplified version of the truth – that Eddie hates having to perform for an extended period of time and that this competition sounds like his own personal version of hell. Also, as much as he knows he’s in good shape, he doesn’t actually want people ogling his body for a week straight.

Chim gives him an incredibly unsympathetic clap on the shoulder. “Just use those big, brown eyes of yours and wow the judges with your salsa skills and no one will be any the wiser.”

Eddie opens his mouth to argue back when another voice cuts through their conversation.

“She said yes!”

He and Chimney both look up to find Hen running towards them, a beaming grin on her face. “Athena said yes! Better start practicing your poses, Firefighter Diaz.”

Well, shit.

-

Captain Bobby Nash has got a made-for-TV smile that has Eddie understanding why he got the hosting gig over every other fire captain in LA.

“Special Agent Grant,” he says, shaking Athena’s hand with a warmth to his expression that Eddie doesn’t expect.

Athena clearly doesn’t expect it either because she clears her throat as she pulls her hand back. “Captain Nash. This is Agent Diaz.”

Nash redirects his attention to Eddie, extending his hand once again. “Great to meet you. And please, call me Bobby.”

“You too,” Eddie says, flashing a polite smile and following Athena’s lead to take a seat in front of Bobby’s desk.

“So I take it there’s been some progress in the case?” Bobby asks, settling into his chair.

Athena purses her lips, exchanging a look with Eddie. “Not as much as we’d like. Given that we still don’t have a trace on the letter the bomber sent and the LAFD’s reluctance to cancel the competition, we’ve decided to send one of our agents in undercover.”

Bobby’s eyes immediately flick to Eddie and Eddie feels the ridiculous urge to straighten his posture. “I’m guessing that’s where you come in, Agent Diaz?”

“Not that we want to undermine the integrity of the competition but it will be imperative that Eddie makes it to the final,” Athena says. “It’s the best chance we have of catching the bomber if we can’t determine a suspect before then.”

Bobby leans back in his chair, regarding them both with an unreadable expression. Finally, he cracks a smile. “Well, he certainly looks the part.”

“He gets that a lot,” Athena snorts and Eddie ducks his head to hide the heat in his cheeks. It’s bad enough when it’s Hen and Chim ribbing him; he didn’t actually think Athena ever overheard them.

“Which firehouse is he representing though?” Bobby asks. “All of the contestants have already been chosen.”

Without missing a beat, Athena hands over a file that Eddie knows contains the fake details of his new identity. “Apparently the 133’s entry came down with an awful bout of food poisoning.”

Bobby accepts the manila folder with a faint smirk. “Well, that’s a shame.”

-

“Diaz. Diaz, do you read me? Over.”

Eddie rolls his eyes as he steps onto the bus ready to ship the contestants to the opening luncheon. “Yes, Chim,” he mutters under his breath. “I can hear you; stop yelling.”

“Remember to smile, Eddie.” That’s Hen.

How Athena thought they were the two best suited to oversee this, he’ll never understand.

He scans the length of the bus, looking for an empty seat. The whole place is overrun with burly men in too tight t-shirts talking animatedly to each other. It takes him a second to realise one of the men in question is waving at him.

He’s got curly hair and a golden retriever-esque eagerness to his smile. “Edmundo?” he asks. “From the 133, right?”

Eddie clears his throat and rearranges his face into a smile as he makes his way to the empty seat. Though calling it an empty seat feels generous when the firefighter all but shoves himself against the window to make room.

“How’d you know who I was?” he asks, genuinely curious. They only finalised the details of Eddie’s position in the competition yesterday and they made sure to leave any of his information off the official competition website.

“Oh I did a little deep dive on the other contestants but you were the only one who didn’t have a picture so I figured it had to be you.” He shrugs with an affable charm before offering Eddie a hand. “I’m Evan Buckley, with the 118. Everyone calls me Buck though.”

“He’s cute,” Hen says in his ear.

“Like a puppy,” Chim adds.

Eddie ignores them and shakes his hand. “Uh, you can call me Eddie,” he greets. Changing his last name was necessary; he refuses to go by Edmundo for the next week. It’s only then that he clocks the station number Buck said. “You’re part of Nash’s team.”

“Yeah,” Buck says, beaming with pride. “Bobby’s the best captain ever. You know some of these guys have it out for me because they think he’s gonna play favourites even though he’s not a judge. He’s just the host. But whatever, it’s not a big deal.”

The dejected look that creeps onto Buck’s face suggests it very much is a big deal even if he won’t admit it. Eddie feels a pang of sympathy. The guy seems harmless, even with all the rippling muscles. Then again, he’s not surprised a competition this testosterone-fuelled has people acting territorial.

“They just want an excuse for when you beat them in the first round,” Eddie says, mostly to fill the silence but also to get this Buck guy to stop looking so downtrodden.

He definitely doesn’t expect the way Buck’s whole face lights up in awe.

“You think I’ve got a shot at making it to the finals?”

The earnest hopefulness in Buck’s voice catches Eddie off guard and Hen and Chimney in his ear don’t help.

“Aww Eddie’s making friends!”

“Forget friends! Eddie, he’s cute; keep flirting with him.”

Eddie bites down on the urge to tell them to fuck off and makes himself smile at Buck instead. “’Course you do. Some of these guys are lucky they even made it this far.”

Truthfully, Eddie hasn’t even taken the time to look at anyone else on the bus all that much yet but the words tumble out of his mouth without permission. And in the face of Buck’s delighted grin, he can’t find it in himself to take them back.

“Thanks, man,” Buck says bashfully. “Hey, you have anyone to share a room with at the hotel yet?”

“Please tell me there’s only gonna be one bed,” Hen squawks gleefully in his ear.

“Uh I don’t know. Are they assigned or-?”

“They figured since most of us know each other we could pair up however we want but- um…” Buck trails off, making it clear no one has offered to share with him and well, it seems like he knows a lot about the other contestants. That could be good for Eddie. To get information and close the case. Obviously.

“Yeah, man. We can share.”

“Awesome!” Buck declares, slumping more comfortably in his seat and bumping his shoulder –probably accidentally – against Eddie’s. The bus gets moving then and Eddie takes the opportunity to scope out some of the other contestants.

It’s unlikely their suspect is another firefighter but not impossible.

“So how come I’ve never seen you at a scene before?”

Eddie blinks, redirecting his attention to Buck who’s looking at him curiously.

“Oh uh, I just transferred in the last couple of months.”

“From where?” Buck’s expression doesn’t look suspicious and Eddie has to remind himself not every conversation with a stranger needs to be an interrogation.

“Um, El Paso,” he says, immediately cringing on the inside. This man does not need to know any of his real life personal details.

But Buck only smiles again. “Cool. I’ll have to look out for you on calls from now on.”

And it’s not said flirtatiously or anything like that but Buck looks bashful again and Chimney is cackling his ear about how, “Eddie’s got a fan,” and Eddie’s stomach does a strange, traitorous flip.

But this is fine.

Everything is fine.

It’s just-

It’s going to be a long week.

-

[animezinglife]

I understand it, too.

I genuinely do find Solas attractive, albeit in a different way. I would love to romance him with a different character someday---I just wish we got Solas for who he truly was from the start of that romance or that the truth had come out earlier. I'm good at avoiding spoilers, and I hadn't known he would betray the Inquisitor, nor had I even known you couldn't romance him as a human. I had actually gone in fully expecting Mira to flirt with him a little (I knew nothing about Cullen's romance at the time and had always heard Solas was the way to go), but that's simply not how their dynamic played out anyway.

I have no doubt his and Lavellan's is an enthralling story in DA:I, and I would at some point like to experience it. I fully understand the appeal. I would fully be there myself with the right character and mindset.

Solas is captivating. He's someone you could talk with for hours on end about the most abstract concepts, but there's always that small sense of him keeping his distance (even before the topic ever comes up). Even I knew there was more he wasn't saying by the way he dodged questions and some of the dialogue between him and other companions. Though for someone who didn't know better, that could've simply meant he was far more powerful than he let on, knew more than he let on, likely older than he seemed, and wanted to protect himself. The whole, "elven god of lies" thing was a bit more of a twist than I'd anticipated. A secret, ancient elf hiding some things I can do, especially if those layers get peeled back over time. I'm less sure about elven Loki.

I think it truly would've been interesting had it gone a bit more in the direction of Children of Fallen Gods/Mother of Death and Dawn (which, some have noticed, draws some considerable parallels to Solavellan in ways that can't be considered coincidence). Without bringing too many spoilers to the forefront of the conversation, there is some...mutual awareness and corruption that occurs between Totally-Not-Solas and Totally-Not-Lavellan. The power dynamic's more balanced and decision making more...comparable to some degree.

(I am not, by the way, blaming Solas or pointing any fingers at anyone regarding their power dynamics in DA:I).

Solas is the guy whose beauty (if you lean that way at all) isn't quite as noticeable until you get into a really deep discussion with him and realize your heart's beating a little too quickly and you're definitely sitting closer to him now than you were before. He draws you in. He piques your curiosity a bit too much.

I truly do not factor in looks at all (within reason---I'm blatantly partial to humans, elves, fae, vampires, etc.) when I play games with romance options. Solas (in theory; I played as a human, which negates the option) would've been every bit as high up on my to-romance list as Cullen. In truth, he was higher just because he was the one I knew so many were obsessed with. Just because Cullen caught my eye faster didn't mean he and my Inquisitor would've been a good match.

But wow, were they.

I easily lean more towards the "Solas-is-attractive" camp in general. Honestly, I love the fact that the romance options in DA:I were so different and unique from each other. Any players who chose to pursue a romance could find one that suited their characters perfectly. I like that there are a range of personalities, dynamics, and looks, and that there's good variety.

For me personally, nothing in that particular game will ever top Cullen's just because it's so incredibly hyper-specific to every little thing I love and value most even in real life. It's perfect for Mira's story; she is, admittedly, a lot like me. I couldn't believe a romance like that even existed in a game (and you already know why/the many layers I'm referring to).

Yet I also know there are plenty who wouldn't like his romance at all and vastly prefer Solas (or someone else in general).

That's the beauty of it, though.

But, yeah..."ugly?" That's not even a word I'd consider for Solas at all.

Dragon Age: The Veilguard | ▶ dev. Bioware

[thecrowroad]

An assortment of Crow and Spite headcanons:

Zevran’s working over of House Arainai triggered the succession crisis that claimed Lucanis and Illario’s families. The deaths of six 8th Talons in short order caused a lot of instability within Crow society. That instability opened up a lot of opportunity for advancement for both the smaller Crow Houses and the Talon houses. Which lead to a lot of murder.

As heir of House Dellamorte and the presumptive next First Talon, Lucanis did the full syllabus of Crow training, in exhaustive detail. Including the seduction training. While it’s not his forte, he can turn it on for contracts - but he absolutely shuts down when he uses those techniques on someone he actually cares for. It wasn’t (just) Spite that made him need to clear his head after the almost-kiss, it was nearly using moves he associates with targets on Rook.

The things Lucanis finds normal are a source of perpetual morbid fascination for everyone else who didn’t grow up at the sharp end of a crime syndicate. He was first recorded as assisting on a contract at 5 years old - no one looks twice at a tired parent dealing with a fractious kid, or expects the kid to be tasked with dripping the poison in the right glass. The Crows have never shied away from using children.

Post-game, the first thing Lucanis does, once he’s back in Treviso and the dust has settled is to sit down with Viago and Teia and work out how they’re going to manage one of them taking over as First Talon without Caterina having them all assassinated with extreme prejudice. Because while the Seat of First Talon has been Delamorte for generations and almost his entire family died to make sure it stayed in the family… It’s not important to Lucanis. He can do the job and do it well (Caterina is a lot of things, but a woman who didn’t bend to the death of all her children is not a misty-eyed sentimentalist). He just doesn’t want it, and after what he’s been through, he just wants to retire quietly to a cafe somewhere sunny and take the occasional contract his negotiator has convinced to pay his god-killer rates.

As part of the negotiations, Lucanis and Teia make Viago swear an oath to not freelance his way back into the succession. It’s just not worth it, and Teia has better things to do with her life than queening.

I’m not convinced Spite is actually a demon. He’s a bitchy spirit of Determination. Firstly - he doesn’t actually do anything spiteful. Fucking up Zara’s plans for Lucanis isn’t spiteful, nor is losing his rag at Illario for kill-stealing - that’s determination to survive, and determination thwarted. Secondly - just about everyone who addresses Spite personally calls him a spirit of determination. If a demon is a corrupted spirit, it seems that Spite is as most a little twisted.

On the positive effects of spirit possession, Anders says “I cannot tell you how good it feels for a spirit to fulfill its function. The waiting is over. I am finally seeking justice. And he is exultant. There is no ecstasy humankind can feel to match." And Wynne describes her possession by a spirit of faith as comforting "It is like being held close, cradled...". At the most minor level, possession by a contented Spite when he’s crossing stuff off his personal to-do list has to be a glorious cascade of dopamine rushes. Just imagine what achieving the big goals feels like.

[youcouldmakealife]

SOTM: Luke/Andreas; wined and dined

For the prompt: Andreas and Luke meeting/hooking up the second time

I literally finished this before I realised you guys probably meant like, the second time they hooked up, not the whole second time 'round. Mea culpa, everybody. And for those who interpreted it the same way I did...you're welcome?

Andreas can’t remember the last time he was wined and dined.

Though maybe that isn’t the best way to describe it — Andreas has dinner meetings all the time, has sat beside clients at the best restaurants in almost every NHL city, sampled from the menus of half of New York's most exclusive restaurants. Always on the agency’s dime, of course, or his multi-millionaire client’s, or the teams they play for, or the teams who want to sign them.

There’s plenty of wine involved — though Andreas always restricts himself to a glass when it's business — plenty of dining. But a meeting’s a meeting, whether it’s in a conference room, patiently waiting for a GM who’s been around since there were still six teams in the league to figure out how to unmute his mic, or eating something exceptional at a Michelin Star restaurant.

So obviously that’s not what he means. It’s not that he hasn’t been dating either, though admittedly, he had less and less time to spare for it as he got older. And not that he hasn’t gone on dinner dates specifically, where he allows himself a second glass of wine, orders what he’d like, rather than ‘what he’s having sounds good’, unless, Andreas supposes, it truly does sound good. So there has been wining and dining, in fact. Possibly even a surplus of it.

And yet.

At a certain point Andreas thinks he just stopped expecting romance. It wasn’t any sort of resigned, jaded disappointment at the dating scene. Not that it isn't a shitshow, but it's probably better here than just about anywhere else. More an acknowledgment that most guys didn’t seem to be looking for romance, at least the ones Andreas was dating.

And that was fine, because Andreas wasn’t really looking for it either. Romance was undeniably nice, but he worked long hours, put almost all of himself into his job, and what he had left didn’t require much more than good conversation and some companionship, a spark of attraction, mediocre or better sex. Romance might have come along down the line, but things didn’t tend to last long even when he did find someone who met his simple — yet almost impossible to find — criteria.

That one, he thinks has more to do with him than it does with them. Andreas’ career is one of those things that’s attractive in theory, but significantly less endearing when he’s slipping in and out of bed at all hours, constantly checking his email or ducking out to make a call, flying off to who knows where, sometimes with plenty of notice, sometimes with none at all.

Maybe his life just isn’t conducive to romance. He doesn’t like to think that, but there would be worse things, wouldn’t there? He has a job that he finds fascinating, a job that offers something different every day, a job that, incidentally, pays him more money than he has the time to spend. He could retire tomorrow if he wanted to, live the rest of his life in comfort, dedicate all his time to searching for true love, but why would he want to? It sounds excruciatingly boring.

So he works — he works a lot, works more than he should, at least according to everyone he knows, including Dave, the giant hypocrite — and he — well, he works. But it’s fine. Most people have to search for meaning in his life, but he has his. If anyone asks about it — and they all ask, except Dave, that gem of a fucking man — he says he doesn’t feel like he’s lacking anything. He’s not lying, either.

That doesn’t mean something doesn’t squeeze tight when Luke conveniently ‘happens to be in town’ — though if there’s any town that actually applies to, it’s New York — when he figures they should ‘catch up’. Even as he tells himself that he’s just catching up with an old flame, one who doesn’t even live in the same country as him anymore. Even as he tells himself once for old time’s sake, and then twice doesn’t hurt considering they’ve still got chemistry, then when it’s been three, four, half a dozen, and if Luke’s got a return ticket Andreas doesn’t know when it’s for, but it doesn’t feel like it’s any time soon.

Luke has always been a romantic. He’d deny it up and down if Andreas said it, and it wouldn’t even be a kneejerk macho shit — Andreas doesn’t think Luke even knows he does anything out of the ordinary. Andreas doubts he was thinking ‘I’m going to woo Andreas’ as he asked him out to dinner, not the first time, or the second, not when he came with a bag of groceries and a bottle of wine from a vineyard Andreas mentioned in passing, said he’d cook for him, laughing as he fought with Andreas’ temperamental bottle opener, scoffing when Andreas impatiently intervened before he could ruin a good bottle of wine.

Technically, he doesn’t even know if 'wooing' is Luke’s aim at all. He could just need the change of pace, miss the city, the speed of it, the convenience, and while he was here, Andreas was just as convenient as the rest of it — good conversation, good companionship, Luke more attractive than ever, the sex still fantastic. And they didn’t even have to get to know one another. What could be easier?

But Andreas doesn’t think so, at least not judging by the way Luke’s started looking at him.

Andreas doesn’t think anyone has ever looked at him like Luke does, the complete focus of it. Looking isn’t a strong enough word — it’s more like he’s taking him in, trying make sure that he gets every single detail correct, the way Andreas imagines a painter would gaze at their subject, a poet at their lover. Luke’s no poet, but, well — maybe he is, a little, minus the words. There’s something about the way Luke looks at the world. Something about the way Luke looks at him.

It used to unnerve Andreas, a little, especially because Luke wasn’t only looking at him like that over romantic candlelit dinners and endorphin fueled pillow talk, but also during the most mundane moments. Andreas would be scowling at his phone, pecking out an answer to a client who decided he urgently needed to discuss his contract on a Sunday morning, a full season before it expired, and he’d look up and there Luke was, visibly taking him in. Sometimes there’d be a little smile on his face — the moments Andreas let himself be a little cranky there often was — but often there wasn’t, just Luke’s eyes on him, taking him in like he was never going to see him again.

It was — a lot. Luke was a lot, almost from the very beginning. Andreas thought he was going to get a regrettable hook up out of things, and then he thought it was going to be a few of them, and it was like a switch was flipped, and Luke went from the hot, fun, surprisingly good in bed client Andreas had completely unprofessionally fucked — and not just once, but a few times, and then a handful — to even more surprisingly good company outside of bed, to something Andreas didn’t quite have a name for. Someone who was gone even more than Andreas was, someone Andreas started to miss when he was gone. Andreas was the one staying put, most of the time, but Luke was the one always watching him like he’d disappear the moment he closed his eyes.

The look hasn’t changed, and Andreas imagines it means the same thing now as it did then, Luke who doesn’t blink, Luke who jumps both feet first, Luke the romantic.

It doesn’t feel as overwhelming now, though Andreas suspects he’ll be spending some time thinking about just how quickly Luke was on board. How quick they both were — Andreas can’t pretend he doesn’t know what’s coming, what’s already here, can’t pretend that isn’t something he wants, when he could end things with a word.

But he doesn’t. This time Andreas lets himself look back, and when Luke catches him at it, he doesn’t let himself look away.

[arc852]

Gosh, I have no idea how I'm going to put this into words but I'm gonna try my best.

I have a lot of feelings about Jimmy's canary status and such.

For four seasons he has been the first out, he's the canary. He signals the start of the end and for four seasons that was very true. And Jimmy hated it. He hated being out first everytime. Everyone around him either pitied him or made fun of him for being out first and Jimmy started to hate himself for how bad he was at the game.

And then came Secret Life.

As we all know, he wasn't the first out. And he was ecstatic. Even after dying second not ten minutes later, he cared more about the fact that he wasn't out first. He claimed the curse was broken and now we continue to see this into Wild Life.

Now, where am I going with this?

I think the Watchers are doing this on purpose.

There has always been something about Jimmy that the Watchers have clung on to. And up until this point, I thought the Watchers despised him. I mean, being the one cursed to always be out first, to be the one that warns your friends of their deaths, that's not fun. That's straight up torture.

But now, I don't think they despise him. I think they see to use him.

Think about it! The Watchers, for four seasons, have pummeled Jimmy's self confidence into the ground. Has made everyone see him as a loser. He started getting hopeless, started feeling like nothing was ever going to change.

And then it did change, in Secret Life, and he wasn't out first. Now, being out second is really not any better but it wasn't about that. Jimmy was starting to feel like, maybe he could actually do this! Maybe he could even win.

And then session 3 of Wild Life happened.

The Watchers did this on purpose. They gave him hope by not being out first in Secret Life and then let things get crazy in session 3 of Wild Life for Jimmy. Jimmy had it pretty bad in session 3 and I know a lot of us didn't have a lot of hope for him after that. Of course, session 4 went a different way than we were all expecting but again, that kind of plays into things.

The Watchers have torn Jimmy down, given him a little hope, and then tore him down again. And they did this to get Jimmy right where they wanted him.

Because Jimmy, before session 5, prayed to the Watchers. He asked them, begged them to please not let him be out first. To please let the canary curse well and truly die.

And they answered.

And Jimmy wasn't out first.

And now Jimmy is putty in their hands.

[thatdisasterauthor]

I do indeed have much I can say on all of this! I don’t have time for a full breakdown, but let’s hit some key points.

🌪The Milton evacuation and changing the direction highways.

This is called “contraflow” and it is indeed a thing that is frequently used in evacuations. However, from what I understand, Florida might have laws against this? At least that’s what I’ve heard, or maybe just laws that do indeed make it very difficult. I haven’t had a chance to look into it too closely. And it is a tricky thing to do safely just off the cuff without a known procedure in place, which you wouldn’t have if it’s against the law in your area. You’ve gotta shut down all the exits/entrances accordingly so you don’t have issues with head-on traffic, you’ve gotta make sure you have effective alternate routes for emergency traffic, you’ve gotta have a space to reintegrate traffic into the proper lanes once the contraflow segment has ended, etc. etc.

You’re right that this isn’t a police problem, it’s a LAW problem. Maybe also a police problem in the sense of what trainings are available to them, what procedures they have in these situations, etc., but not an ACAB style police problem. Plenty of places DO use it, like I said. (Also, sometimes you’ll get spontaneous contraflow, where people just start doing on their own, but that’s a whole different can of worms.)

🚗 Over dependence on cars.

America is indeed super car dependent, but that’s not exactly the issue here, at least not in the way you’d think. First off, evacuations are just HARD. That’s a lot of people to move. Even if you took every large transport vehicle in a given area (so all the buses of any sort, any trains, any planes), you’re not going to get the entire population moved out in a timely manner, even if every seat is taken. It just isn’t feasible for so many reasons. People DO need to be able to evacuate via car. It’s also very dependent on the disaster in question. An evacuation for a hurricane is very different than most other evacuations due to the amount of time you, usually, have.

Now, one thing that happens and causes problems during evacuations is that people take ALL their cars instead of just one. Mom takes one car with the kids and as much stuff as possible stuffed in the back, and Dad takes his truck with the dogs and the bed piled high. A lot of evacuation planning doesn’t account for this. They see a four person family and think, “ah yes, the family sedan has six seats, they’ll just take that and go, we don’t need to plan for them to put both their cars on the road and at all the gas stations along the way.” But then they do take both cars, and so does every other family on the road, and suddenly you’ve got a shit ton more cars doing something that you expected a lot less cars to be doing. I have a lot more thoughts on this I can share later, if people are interested, but for now we shall move on.

(There’s also definitely an element of poor city planning and infrastructure in some places, but that’s very much a case by case thing.)

👩🏻‍🚒 We need a better emergency management system.

Yes! Though, actually, we already have a pretty good one as compared to other countries. Not great, by any means, but something like FEMA is pretty rare. Most countries just kind of ad hoc disaster response on a case by case basis, which is also what we did until we created FEMA in the 70s.

I have A LOT of thoughts about how we could improve the system as it currently stands, which is a big part of why I want to do a PhD in emergency management.

🔥 When to evacuate.

You mentioned this in relation to the Camp Fire, and that one is…yeah, that one was so bad. There’s a lot that goes into making evacuation decisions, and unfortunately studies have shown that a lot of emergency officials still believe the myth that people will panic if you give them too much information about a disaster. This leads to delays in evacuations, among other things. Also, evacuations are expensive, and that makes officials hold back. Plus, there’s the “cried wolf” effect where if it turns out the evacuation WASN’T needed, the next time it IS needed, people will be less likely to go, which again makes officials hold back.

With the Camp Fire, though, I don’t know if any of that specifically was what was at play. That thing just moved FAST. Also, this was a small mountain town. There were not a lot of ways out, just thin mountain roads. I guarantee those officials who made the evacuation call hesitated because they knew people WOULD get stuck on the few potential roads to safety. They weren’t making a choice about evacuation, they were making a choice on where they wanted people to be when the fire DID hit. Because it was going to hit. So do they concentrate people all in one spot, on a road that itself won’t burn but will be completely surrounded, or do they keep people spaced out all over town hoping that pockets of it might be safe? And they had to make that decision at the drop of a hat, knowing people were likely to die either way.

Fires are, in my opinion, the most terrifying thing to have to manage an evacuation for. They are both incredibly quick, but also potentially long lasting. They can shift direction at a moment’s notice. They can do things you never knew they could do. They can consume absolutely massive areas. They can die down and pop back up when you least expect it. And to be the person making the decision on how to handle that must be a very, very heavy weight.

👋🏻 People in positions of power just waving their hands.

Some do, some don’t. There are so, so many amazing people out there who care about this stuff and are doing their best to address these issues. But they need support. Taking over the department of transportation isn’t the answer, your local emergency management department is. Check out what their emergency plans look like, they should be on your county and state websites. Read through them, find the holes, go to meetings, contact your representatives. Be a nuisance to Congress RIGHT NOW.

🎓 Disaster education

Lastly, to @kyraneko’s point about needing better disaster education, yes! Yes we do! I think one of FEMA’s weakest points is its lack of addressing and helping individuals directly prior to a disaster, rather than in large groups. I’m working on it. Got a big project in the works that will, hopefully, start addressing this issue. And that’s not including the PhD.

Sooooooo….yeah! :D That ended up a lot longer than I thought, lol. Hope some of it was interesting to those of you who have made it to the end.

So I have a friend from high school who is a cop. (Yes, I KNOW.) I shared a photo on Facebook of a packed highway of people attempting to evacuate from Hurricane Milton, all while the lanes going in the opposite direction were open and empty. And my Facebook post was basically me screaming, “Open the other side of the highway and reverse it so that people can GET OUT.”

His response was essentially, “Yeah, that is *really* difficult for us to do.” Not in a condescending way, because he genuinely isn’t a huge asshole. (Yes, I KNOW.)

And then I may have vented in my response, in which I tried not to imply that the police were a problem. Because to be honest, I don’t see this as a police problem. I see this as how we have fucked ourselves as a nation by making ourselves so dependent on cars.

There is that poll on this site – or multiple polls, at this point – asking how long people can tolerate being in their cars. And the thing is, Americans (and Canadians as well, I am imagining) have almost no other options. We have to be used to spending a good 12 hours in a car without breaking a sweat. Everything in this country is built around being in a car. There’s a reason when you ask us how far away a place is from somewhere else, we normally give that distance in hours and not miles.

Air travel sucks. It sucks for a multitude of reasons – cost, the hassle of dealing with security, the time suck, etc. – and in an emergency, only a select few are going to be able to use it to get away from a hurricane. And that’s one of the few disasters where air travel is an optional escape.

Train travel sucks. Amtrak is not something you’re gonna be complaining about if you’re trying to get away from whatever disaster you need to evacuate from. But next to so many other countries, Amtrak looks like we’ve been receiving other countries’s leftover railway systems from the 70s. It also doesn’t go everywhere. I live in northeastern Pennsylvania near Scranton, which prides itself on its history in the train industry. We have a museum and everything. We have multiple things named after that museum, including the Steamtown marathon which is happening tomorrow.

Can you get on a passenger train in Scranton? Nope.

(The main argument against this always seems to be that people will come here from New York City and commit crimes, which is hilarious considering if somebody wanted to come here from New York City and commit crimes it’s only a 2.5-hour drive.)

Anyway, disasters.

If the only option you’re gonna give most people to get out of areas of Florida that are being targeted by hurricanes or areas of California that suffer from wildfires or places in the Midwest that face flooding are cars, then we need a better fucking emergency management system regarding transportation in this country. You can’t just sit there and mock people for not evacuating because they can’t or won’t when getting away from Milton meant sitting on highway for hours with absolutely no gas stations whatsoever nearby having any gas at all. (It just makes me think of those photos of people stranded on the highway in their cars in blizzards where people are like, “Now imagine imagine how bad it would be if all of those cars were electric!“ Well, all of those cars in that photo in that blizzard run on gas and they’re fucking stranded, sooooooo.)

Look, we can change the transportation system in this country. we did it before and we can do it again. We used to have more train options, fewer highways. My small hometown had a fucking trolley in the 40s. Now, if you don’t have a car here, you’re stuck. You can’t even get Uber here. if a wildfire started here and surrounded the town, it would be a clusterfuck.

Regardless of how you feel about the police, if police and fire departments in this country cannot organize an evacuation on a highway in a way that will reduce the backup so that tens of thousands of people aren’t sitting in their cars when a hurricane hits, that’s a problem – not just for those people, but for the police, and the fire department, and emergency management in general.

The people in charge of emergency management are just people, just human. I’m researching the Camp Fire in 2018 right now, and you had a bunch of people calling 911 saying, “I can see a huge fire off to the east. Are we safe? Should we evacuate?” The 911 operators could only work off the information they had. They could have told people to evacuate earlier, but Cal Fire didn’t anticipate the strength of the fire. Which is understandable. Nobody could anticipate the strength of that fire. But the 911 operators were sitting in an office with no windows, and they had no idea what was going on the east. They couldn’t look out and see exactly what was happening. If they could have, they probably would have told people to leave as soon as possible much sooner than they were told to. Instead, they waited for official confirmation, and when they did start telling people to evacuate, traffic managed to back up in a small town of 25,000 people until many of them were trapped in an unimaginable hellscape.

When people need to evacuate from a disaster, and they stay instead, far too many people - including those in positions of power – just kind of wave their hands and say, “Well, we tried.” No, we didn’t. This country made not trying its watchword, and now we’re at a point where unless you own a car, which is a luxury a lot of people cannot afford in this economy, escaping from disaster is impossible. So you can get in your car or somebody else’s car and go sit on a highway and hope your gas doesn’t run out, since none of the gas stations for 100 miles have any gas to give you, or you can stay in your house and hope you don’t die.

Sometimes, I really wish somebody would make me the head of the department of transportation. I would demand an absurd amount of money to build a better train system, to provide better transportation options for smaller towns, to provide extensive training for rescue personnel in managing evacuations like the clusterfuck in Florida this week. I would become an absolute fucking nuisance to Congress. I would be asking for money left and right to make it so that our only options as Americans weren’t to get into cars we can barely afford these days and attempt to organize our own evacuations from the growing number of natural disasters in this country.

Y’all keep posting these polls about how long you can tolerate being in a car at the same time that tens of thousands of Floridians were sitting on highways trying to get away from Tampa so they wouldn’t die in a hurricane.

We can tolerate being in a car all goddamn day. It’s because we don’t have a fucking choice, even when it’s life or death.

[90stvqueen]

Before I read any reviews and let what other, smarter people have to say about Wicked (part 1) cloud my thoughts, I will get some of them down:

It was better than I thought it would be in a lot of ways, and exactly what I expected in others.

The biggest issue is that the movie fundamentally does not trust its audience to be able to think for themselves and put the pieces together. All the jokes are explained. All the important plot beats are drawn out to the point where they lose momentum in their effort to make sure everyone is on the same page. Every emotional beat is its own movie, and it was to the production's detriment in almost every case.

An example of this (and a spoiler) - toward the end of "Defying Gravity," the song fully STOPS so that Elphaba can start to fall, continue to fall, oh no, she's falling, now time slows, and she catches her reflection in a window, and it's the reflection of her child self, and now she's emboldened to act on her own behalf and save herself and in doing so, save the helpless, unloved child she once was, but we didn't NEED any of that, and in my opinion it didn't ADD anything of real substance. I thought it was corny, tbh, and I say this as a lover of corniness, cheesiness, kitsch, and camp.

The sets were beautiful. When the first trailers dropped, I was very afraid that it would all be CGI. But the sets were real and they looked real and I loved them. EXCEPT FOR the random stone Jeff Goldblum Elphaba finds in a cave during "The Wizard and I." Speaking of...

It felt like Elphaba's solo songs, rather than being a driving force, slowed the movie to a halt. During the ensemble numbers, duets, and Galinda's songs, there's movement. Choreo, montage, a sense of direction. Both "The Wizard and I" and "I'm Not That Girl" spent long periods of time just sitting in one place. Maybe that's not a fair assessment; INTG is a contained music-box kind of song, and TWAI had some movement - we see Elphaba hopping over stones with some CGI frogs and eventually breaking out of the Wizard cave and running through a field to look over all of Oz at a cliff's edge. But why make a movie if you're not going to play around a little bit? She has a vision midway through the song, and we don't see it. We see a different vision of hers later, but her "vision almost like a prophecy" in TWAI is just some rippling colorful lights on a giant stone carving of Jeff Goldblum's head. Maybe there was an image in there, actually. I was too distracted by the giant Jeff Goldblum tbh. Someone had to sculpt that. Wild

All of the performances were fantastic. I went in ready to be a hater, but credit where credit is due: Ariana Grande was great as Galinda. Cynthia Erivo knocked it out of the park, too, but I was less worried about her

I have so many more thoughts but it's way past my bedtime and this post is already so long, so I'll say one last critical thing:

In the Broadway production, the costume design progresses through the play as Ozians wear more feathers and furs, as a way to show how attitudes toward Animals are shifting. I felt this was really missing in the movie. The designs were beautiful, but they were missing that additional thoughtful layer.

[ryomaandgundhamkin]

MASM SUN… YOU RUINED ME THIS EPISOde

okay you know what, I know nothing about masm so you can prove me wrong on anything I say, this is JUST based off todays episode.

I FEEL SO BAD FOR MOON NOW. But I’m not too disappointed about the whole thing, because that’s Sun’s choice. But it was so obvious how Moon was trying to prove his love for the first multiple minutes and Sun was STILL in denial. Like I get it- okay, yeah, he bullies you and hits you a lot, ok. I HAVE PERSONALLY NEVER BEEN IN LOVE SO. I can understand Sun’s perspective. And I don’t know what to think about Freddy’s advice… I don’t think Moon should continue to express his love by… well, hurting Sun.

Im glad that Moon confessed. But after all Sun had been through with him, he was just totally in denial, basically just trying to come up with excuses to prove to himself, and/or Moon, that he WASN’T truly in love, although he insisted. I can’t blame Sun, but I felt like Moon should’ve at least been believed the first/second time he confessed. He shouldn’t have to prove he’s in love with Sun if he really is. But I get Sun’s denial- I mean, Moon isn’t really the nicest to him, and him actually going and confessing after all that’s happened would definitely seem a bit suspicious.

Sun wanting to stay friends with Moon is valid. I’m guessing he’s mostly just wanting nothing more chaotic than what’s already happening- being that confession (or at least, he’s a bit stunned). But Sun believed what Freddy said- he really was in love, and had been for a while. Sun probably felt a little uncomfortable by the whole experience, seeing how the love is one-sided. “There’s nothing wrong with that, we’re still friends”; from what I can put together, he’s fine and has finally accepted the fact that Moon really is in love. I don’t think he wants to take their relationship any further than it is though. He doesn’t necessarily or intentionally try to make Moon sad, even if his INITIAL words are totally rude. I don’t think Sun understands Moon’s attempts at showing affection/love in the episode.

Sun totally has a fair reason for not liking Moon back, but I feel like he could have handled the situation (and his wording) in a better way than he did. I feel bad for Moon since he’s new to romance, I’m sure they both are. I hope Moon is nicer from now on though- I never expected to see this side of him that we saw in this episode.

[ebenelephant]

Look, I think you're misconstruing some of my points and since this is reaching way farther than I wanted I would like to clarify for a second. This was kind of a bit of a rant post which I didn't expect people other than like 4 mutuals to... see? So as you can imagine I wasn't exactly my best articulated. Some of my points have definitely come across wrong, so to try and explain what I mean a little better:

I'm not saying we should see more flashbacks to Tom's life. This is a criticism I have of this plot point not being thought through, more than anything. It tells us something other that what was probably intended because you get the impression that Rowling didn't really consider the wider implications of what she was saying in the time period it was set. I'm not suggesting this should be delved deeper into, I'm just suggesting that it wasnt the best thought through.

With the Weasleys I just messed up the timeline on this one. I do genuinely have issues with some of the portrayal of the Weasleys which I won't get into, but this one is my mistake.

The Snape one is more of a personal gripe. My tongue in cheek remark about being "surprised you caught onto that" is in reference to the fact that I have heard/seen multiple people just glossing over that context to his life entirely - either because they missed it of because it was too minor for them to care.

My issue with the Hermione thing isn't actually that she obliviated her parents – as you say, this makes sense with her character – but rather how underutilised they are. We meet the parents and guardians of other, less important characters when they're thematically and narratively relevant, and given how important Hermione's status as a muggleborn is in the books you would think they would be both. It always seemed a weird choice to me that her parents are practically non-entities, spoken of occasionally but never seen. It's the show-don't-tell thing: we are told that Hermione loves her parent a lot, and of course we know this to be true, but the biggest time they are really relevant is when she obliviates them. Even if Harry had just seen them once, maybe sending Hermione to platform 9¾, and had seen them in contrast to the Dursleys this would have given them more weight. Hermione is distraught, but we as the reader are much less emotionally involved because we have no idea who these people are.

The Lily point honestly feels like a bad faith arguement, because she was never just 'the main character's long dead mum', she was the person who saved him, who made him the chosen one, who is referenced throughout the series, and who is directly related to the actions of multiple characters. I would literally just like consistent characterisation for her, because the way she is spoken about doesn't align with the ways we see her acting in the few scenes she has, and even in those scenes she is somewhat contradictory. This is never addressed by Harry the way it's addressed when he learns the negative qualities of his father – though in a book targeted at a 9-12 audience you would certainly expect it to be. This makes me think, again: oversight. Kids books have to guide the reader somewhat, and this aspect doesn't really do that. Could've been a great addition to that "nobody's perfect" theme JKR had going, but wasn't executed in a way properly accessible to a nine year old as opposed to other points in the series.

thinking again about jk rowling being a bad writer. like, we all know about the massive flaws in her worldbuilding and i hope by now it's clear she's a bigot on basically every front. (hello, regular reminder that she doesn't even actually like women.) but like. she's especially good at dropping bits of lore and then those not being relevant in the fucking slightest. riddle was told to go home to his orphanage in london during what would have very much been the blitz? whatever. the weasley's are so strapped for cash that they're sending their son to school with a potentially dangerous broken wand? of course they're spending their lottery winnings on visiting their adult son in egypt, what else would they do. snape grew up in what was likely a dying northern industrial town with abusive/neglectful parents, largely cut off from the magical world? almost impressed you caught on to that, with how little it's expanded on. yes hermione has a supposedly good relationship with both her parents, no we're not going to show you it at all, yes she's going to wipe they're memories like it's nothing. lily evans is the moral compass of james and basically the most important person in the series but fuck you if you want to actually know anything about her lmao. even what little we see is wildly inconsistent.

[crossdressingdeath]

One thing I will say for the ending of DAV is that it's made one thing from Trespasser that always confused me a bit finally make sense: the fact that Solas spares even low approval Quiz. Like, the fact that he does that means that affection clearly doesn't come into that decision! He may be nicer about it if he likes Quiz, but he's not sparing them because he likes them. But it makes a lot more sense in the context of him making an enemy of Rook and then leaving them alive when he meets them in Minrathous, just assuming that they'll do what he wants and not get in his way and being completely blindsided by them tricking him even though they have no reason to just go along with what he says. At the end of the day Solas just... doesn't respect either Rook or Quiz enough as equals to see them as a potential threat, and that both explains him sparing Quiz and ultimately leads to his downfall.

I mean, think about it. He killed Mythal. He killed Felassan. Clearly he is not above killing even the people he loves best, the very last remnants of the world he's supposedly in this to save at that, if their survival might get in the way of his plans! You can talk about how much he cares for high approval Quiz, or even how much he loves Lavellan in a Sol@vellan (censored to keep it out of the tags) worldstate, but love demonstrably would not stop him if he determined Quiz to be a threat! He does not love them more than Mythal (he really, really doesn't love them more than he loves Mythal, Christ on a bike the amount of shit he does for Mythal and then refuses to accept her culpability for the fallout of is insane), he does not love them more than Felassan, he does not have more reason to spare them when they say they're going to stop him (whether peacefully or by force) than he did those two, but he still does even if he hates them. Now Solas doesn't like killing (he just has no concept of what counts as actual necessity or willingness to stop when he's going to kill most of Thedas), so it makes sense he wouldn't want them dead if he could avoid it, but if he saw them as a threat he would not spare Quiz where he didn't spare Mythal or Felassan. He's not going to spare a Quiz he hates who's vowing to stop him at all costs where he killed the last remnants of the world he wants to save... unless of course he doesn't think they actually can stop him.

And him not thinking they can stop him makes sense when you his response to Rook, who breaks out of a prison Solas thought was inescapable and by Solas's own admission gets further in dealing with the Evanuris than Solas ever could have himself; he still just completely dismisses them as a real threat, takes no steps to prevent them from turning on him, has no plan for if they find out what killing Elgar'nan will do, and is caught completely off-guard if they trick him with a fake dagger. He sees Rook surpass his every expectation and do better than he himself ever could have, and he still completely fails to realize that they do in fact pose a threat! I do believe that he on at least some level can grow to respect and even care for Quiz and Rook as people who exist, but he always thinks he is ultimately above them. He totally fails to see them as potential threats, and that's what ultimately leads to his downfall: if he'd preemptively killed Quiz at the end of Trespasser, or killed Rook the second Elgar'nan fell and they were no longer needed, or even just made any sort of plan for what to do if either or both of them were in fact the threats they made it clear they intended to be he might very well have won! But his unbridled arrogance and refusal to accept that a mortal could ever outdo the Dread Wolf ultimately gets him locked in the Fade (including the ending where he goes willingly, which only happens because Rook faces down yet another god to make it work). It's a very fitting end for someone who muses about the parallels between him and Elgar'nan and him and Rook and fails to consider what it might mean for him when Rook fully steps into his place in the narrative.

[signedaiko]

Hiiii! May I request some platonic headcanons for MTMTE? I was thinking about a g/n human reader pulling some pranks on some bots on the LL (Ratchet, Rodimus, Rewind) and what their reactions would be.

Ratchet | Rewind | Rodimus [MTMTE]

In which you try pulling a prank on some of your friends aboard the Lost Light.

Reader is: Gender Neutral | Human | Autobot. Platonic.

Ratchet

Your friendship started with you making teasing comments, which eventually led to jokes and seemed to be verging towards pranks

Ratchet was a grumpy one, so while your jokes are welcome, there is a time and place for them

One of those times is not the first thing in the morning, especially when he's preparing to get into a surgery

And yet, as he went to enter his office, he was surprised to run into some kind of thin, transparent film that forced him back onto his aft

You'd spent the whole night lining the door of the medbay with several rolls of plastic wrap, knowing his optics would still be woken up

It came to bite you in the ass; he wakes you up from your sleep after the all-nighter by yelling your name and banging at your door

He's pissy, and now he's making you sit on his desk all day, watching the surgery, and banging his fist on the table every time you start to doze off

You can sleep when he's done and when he feels you've learned your lesson for startling him so early

Rewind

You were the life of the party, in many ways

A lot of Rewind's best recordings come from you

Were all humans this fun? Or were you some rarity?

Either way, he's a big fan, and he's always got his camera rolling if you're there

You also make him feel special because none of your jokes or pranks are aimed at him

In fact, you usually request his help with pranks, be it as small as catching it on tape or something like replaying someone's voice to lure another of the crew

That's what made your plan against him so effective; he never expected himself to be a target of your genius

Until one late evening, he enters the habsuite to get some rest and-

Wait

Why is everything on the wrong side?

Chromedome is there resting, and Rewind wakes him up to ask what's going on

"What are you talking about? Are you feeling okay?"

Chromedome fully convinces Rewind he may have something wrong until he pulls up a clip of the room

"Fuck." He hears your small voice come from somewhere behind Chromedome, and he's running at you

"Both of you! Traitors!"

Rodimus

Rodimus knew you better than most others, and while he pretended to scold you in front of Ultra Magnus all the time, he liked the energy you brought

Besides, he was always pulling small pranks of his own, usually on Ultra Magnus, which was cheap and easy, but pranks nonetheless

That meant he presented a challenge, though

Rodimus was very good at telling you were up to something and had caught many of your pranks before

Unfortunately for him, most is not all, and he'd once again been fooled by your trickery

You'd mixed powdered sugar into his paint polish, which made it look shiny at first, but once dried, it left him very sticky and matte and made his paint look uneven

Oh, he knew who'd done it the moment someone pointed it out, and he wasn't going to let you get away with it so easily

Next thing you know, Siren is over the ship's comms claiming there's an emergency and that Rodimus is severely injured in the med bay

Of course you go racing to see him, unaware the announcement was only to your hab suite

He sat there, Rewind by his side, recording as you burst in with emotions evident on your face, only to realize what he'd done

Asshole

Authors Note - I am actually, secretly, the least funny person in the universe so I hope these parnks were realistic in some shape or form! Thank you for requiesting 🩵

[lefteagleblizzard]

𝔙𝔯𝔬𝔱𝔥𝔢𝔯𝔩𝔶 𝔰𝔲𝔭𝔭𝔬𝔯𝔱

Mike munroe x male reader

A request that I received from a really nice person here on tumblr: a small idea I liked for a fic if you like the idea as well. Nothing too big, just a fic about Reader and Chris being brothers and constantly nagging each other about their crushes on Ashley and Mike.

I expanded the request a bit, sorry if I went overboard with it. Hope you enjoyed it.

Tags: set before the event of the game. Male reader. He/him pronouns are used towards the reader. Chris and the reader are brothers. Some very quick shifts of pov between characters. Jealousy. Mike and Jess/ Emily are not together in this. Friends to lovers. Mike is a flirt.

Words count: 4000

Can also be found on wattpad and ao3

𝔉𝔦𝔯𝔰𝔱 𝔱𝔦𝔪𝔢'𝔰 𝔞 𝔠𝔥𝔞𝔯𝔪

𝔗𝔴𝔬 𝔥𝔢𝔞𝔯𝔱𝔰 𝔥𝔢𝔞𝔩𝔦𝔫𝔤 𝔱𝔬𝔤𝔢𝔱𝔥𝔢𝔯

𝔄 𝔱𝔬𝔲𝔠𝔥 𝔴𝔞𝔯𝔪𝔢𝔯 𝔱𝔥𝔞𝔫 𝔣𝔦𝔯𝔢

ℌ𝔬𝔩𝔡𝔦𝔫𝔤 𝔬𝔫 𝔱𝔬 𝔶𝔬𝔲

𝔍𝔢𝔞𝔩𝔬𝔲𝔰𝔶 𝔞𝔱 𝔅𝔩𝔞𝔠𝔨𝔴𝔬𝔬𝔡 𝔐𝔬𝔲𝔫𝔱𝔞𝔦𝔫

𝔗𝔥𝔢 𝔰𝔢𝔩𝔣𝔦𝔰𝔥 𝔭𝔞𝔱𝔥 Part 2 of it

For anyone interested, I took inspiration from this clue that you can find while playing as Chris.

The music thumps in the background, a mix of bass-heavy beats and voices blending into a dull roar. You and Chris sit at a small, round table near the back, well out of the action but with a good view of everyone mingling.

"So," Chris says, taking a long, dramatic sip. "You actually spent the whole night staring at Mike. Dude, seriously, you're lucky your eyes didn't burn a hole in the back of his head."

You scoff, leaning back in your chair with a mock sigh. "Like you're any better. When are you actually gonna talk to Ashley? She's cool, she's cute, she's well, out of your league but hey, a guy can dream.”

"Hey, I do talk to her," Chris retorts, feigning offense.

"Uh-huh," you say, raising an eyebrow. "It’s a lot if you can manage to squeak out a sentence before turning red.”

Chris chuckles, crossing his arms. "Fine. Why don't you go up to Mike and tell him what you think? 'Hey, by the way, I've been thinking about how perfect your jawline is all night!’ I'm sure that'll go over great." He did a horrible interpretation of your voice to mock you even further.

You roll your eyes, feeling your cheeks flush just a bit. "First of all, I would never phrase it like that. And second, at least I actually know things about him beyond his favorite book."

"Oh, really? Let's see who knows more about their crush. No cheating. No wimping out. Winner gets bragging rights." Chris leans forward, a wicked grin spreading across his face.

"Bragging rights? How about you admit I'm objectively hotter than you when I win?" you echoed, folding your arms.

"Sure. Whatever fantasy helps you sleep at night," Chris said, grinning as he dramatically cracked his knuckles. “I'll go first since I know you're just dying to hear all the juicy Ashley knowledge."

You chuckle. "Go with your in-depth research, Sherlock."

Chris clears his throat, sitting up straighter. "Fine. For starters, her favorite color is purple."

You make a face, unimpressed. "That's it? You think knowing her favorite color makes you the expert here?"

"Let me finish, smartass. She loves thriller movies. She also has this little habit of chewing on her nails when she's nervous."

You raise an eyebrow, genuinely impressed but unwilling to give him the satisfaction. "Okay, okay, not bad. But that's kid stuff. Let me show you how it's done."

Chris rolls his eyes, clearly not expecting much. "Alright, hotshot. Give me your best Mike trivia."

You sit forward, lowering your voice like you're letting him in on a secret. You have always been good at noticing things. Maybe it was a result of growing up with Chris and when it came to Mike Munroe, your crush, the small things were more than just interesting, they were revealing.

For one, every morning, without fail, he was up before the sun. He’d go for a quick run to stay in shape. You’d always catch glimpses of him at college heading back to his room in a tank top, earbuds in, eyes focused ahead and glimpses of sweat on his forehead.

He had this tough, confident exterior. He wasn’t loud like some of the others in the group. He had a way of using humor to deflect, to keep people from getting too close. You saw it when he’d brush off any talk about specific topics.

And then there were his tastes.

He likes his coffee black. Pretends it's macho. He had a surprising amount of nostalgia in his preferences. You couldn’t forget the time you’ve talked together casually on the lodge, his face lighting up as he talked about his love for old action movies.

Chris raises an eyebrow. "Alright. Maybe you’re better equipped than me. But, let's be real, you wouldn't even know where to start."

"Better than starting with nothing," you counter. "Besides, I could charm him if I wanted to."

Chris raises an eyebrow. "What would you even say?"

You grin, leaning in like you're revealing a grand plan. "I'd just walk up and ask him about his football season. Mention that time he scored the winning touchdown. You instead are hopeless"

Chris nods, pretending to take you seriously. "Oh, sure, because that'll definitely make him swoon. Hopeless? Me?" Chris laughs, leaning back with a smirk. "At least I don't have to worry about being mistaken for a stalker."

You both burst into laughter. For all the banter, you know neither of you would really judge the other for these harmless crushes. It's what makes the night so much fun.

From across the room, you caught sight of Ashley standing awkwardly near a table stacked with half-empty snack bowls and crumpled napkins. She shifted from foot to foot, clearly trying to blend into the background.

"Hey, Romeo. This is your chance," you said, leaning closer and nudging Chris with your elbow.

Chris snapped out of his trance, his head swiveling toward Ashley. His brows furrowed slightly, the corners of his mouth tugging upward in amusement before settling back into a more thoughtful expression.

Chris groaned, dragging a hand down his face. "What am I supposed to do? Walk up and make everything even more embarrassing?"

"News flash: she knows you're a loser," but she clearly likes you anyway. Stop overthinking it. Just go talk to her. Be romantic for once. She loves that whole 'awkward and sincere' thing you've got going on."

"First of all," Chris said, pointing a finger at you, "I'm not awkward. I'm, uh, charmingly self-aware. Second, what if I say something dumb? Or worse, nothing at all? I can't just walk up to her and-"

"You're a coward," you interrupted, shaking your head in mock disappointment.

"Yep," he said, popping the "p" and lifting his cup in mock toast.

You were scanning the room until your gaze landed on Mike Munroe.

He was leaning casually against the wall, drink in hand, chatting with a girl you vaguely recognized from English class. His tuxedo fit him perfectly, tailored in all the right places, the dark fabric catching the light just enough to highlight his athletic build. The black foulard tied loosely around his neck was an elegant touch, a little different from the usual bow ties and neckties most guys wore. His hair was perfectly tousled, like he hadn't even tried but still managed to look effortlessly handsome.

You felt your chest tighten. For a moment, your imagination betrayed you, painting a picture of Mike turning toward you, smiling like he did when he told one of his dumb jokes when he got elected class president. You could almost hear his laugh, warm and inviting, as if it were just for you. But reality snapped back into focus when the girl he was talking to leaned closer.

"Mike would never look twice at me like that." You mumble more to yourself without thinking, unable to keep the disappointment from your voice.

Chris, placed a hand on your shoulder. His touch was light but reassuring. "Don't do that to yourself. You're a catch. If Mike doesn't see that, he's an idiot."

You looked up at him, grateful but unconvinced. Chris stood up, brushing imaginary lint off his jacket. "I'm getting us drinks. Let's make it through the rest of this night together, yeah?"

You nodded, watching as he made his way to the bar. You glance around, your gaze landing once more on Ashley and an idea strikes you. Chris is now far away from your position. It’s your chance to do something.

You stride over to her, flashing a friendly smile, keeping your movements casual so you wouldn't startle her. Her eyes widened slightly when she noticed you, but she relaxed as you softly took her arm.

"Hey," you said, grinning playfully as you gently guided her away from the corner.

Ashley laughed, the sound light and genuine. "What are you doing?" she asked, her voice tinged with amusement but no resistance as you led her toward your table.

"Come on, you can't let Chris and I have all the fun sitting in the corner judging everyone." you replied, glancing over your shoulder with a mock-serious expression.

"That's what you two have been doing all night? Very productive." She scanned the place as you reached the table and she managed to spot Chris at the bar, meticulously mixing something with an unusual level of focus. But then her gaze shifted, catching Mike watching the two of you.

Jaw set, lips pressed into a firm line, eyes tracked the way you gently tugged Ashley along. His gaze lingered on your hand before flicking back up to your face. Lips pressed together in a faint, almost imperceptible scowl, as though something about the sight of the two of you together unsettled him. There was a slight tension in his posture, the way his shoulders seemed just a bit too stiff for someone casually enjoying a party.

Chris returned with two drinks in hand. "Okay, I've done it," he announced dramatically. "The ultimate drink. If you don't like it, I'm never speaking to you ag-" He cut himself off mid-sentence when he saw Ashley sitting at the table, smiling up at him.

"I... uh..." Chris stammered, turning an impressive shade of pink.

"You made this for me?” Ashley asked sweetly, taking the drink from his hand before he could respond. “Thank you, Mr. Bartender."

Chris blinks and he lets out a nervous laugh, giving you a quick glare as he hands the drink to Ashley.

She giggles, taking a sip and you watch as Chris visibly relaxes. They share a smile and there's a warm, unspoken understanding between them, a quiet moment that you can't help but feel a bit envious of.

The music shifts, slowing into a softer, more romantic melody. Couples move onto the dance floor, swaying together in a slow embrace. Ashley’s eyes light up as she turns to Chris, her cheeks flushed with a faint rosy tint from the slight inebriation she feels. "Come on, Chris," she says, tugging at his hand. "Want to go there for a bit?"

Chris's eyes dart to you, searching your face for reassurance, his expression almost apologetic. He's asking, without words, if you'll be okay.

You manage a smile, giving him a nod.

Chris lets out a laugh, his tension melting away as he lets Ashley pull him onto the dance floor. They disappear into the crowd, leaving you alone at the table. You watch them go, feeling a bittersweet pang in your chest as you take in the sight of them together, laughing and smiling, fitting together so effortlessly. Chris fumbling his way through the first few steps before finding his rhythm.

They looked so happy.

And you were here instead, alone at the table, your thoughts inevitably drifting back to Mike.

Chris feels his heart race as he stands on the dance floor, his hands resting lightly on Ashley's waist, her arms draped over his shoulders as they sway to the gentle rhythm of the music. Her gaze meets his every so often, a smile warm and genuine, making him feel like the only person in the room.

"I didn't know you had these moves." she teases, her eyes twinkling.

Chris chuckles, shaking his head. "Oh, trust me, I don't. I'm just doing my best not to crush your toes."

Ashley laughs, her grip tightening on his shoulders as she rolls her eyes. "You're doing just fine. I don't mind if you, you know, relax a little."

"Relax? Yeah, I can... I can do that," he says, voice faltering as he tries to ease into the rhythm, matching her movements as the song continues.

His focus wavers after a while, gaze drifting over her shoulder as he catches sight of his brother sitting across the room at one of the tables with Matt nearby.

There's something off about the way you're holding yourself. You're smiling, sure, even laughing at something Matt is saying, but Chris can tell that the smile doesn't quite reach your eyes. It's the kind of forced expression he's seen on you before, usually when you're trying to act like everything's fine when it really isn't.

Matt, on the other hand, seems entirely oblivious, leaning in a bit too close, his face lit up with that typical over-eager grin. He's almost leaning into your personal space as he chats away, looking way too thrilled to have your undivided attention, his eyes never leaving yours. The proximity feels a bit too familiar, too comfortable, with his arm casually resting on the back of your chair.

Chris feels a pang of protectiveness twist in his gut. He glances around the room, half-expecting Emily to appear and pull Matt back to the dance floor, but there's no sign of her. Instead, he spots her on the far side of the room, tipsy and laughing as she spins around with some stranger she's apparently mistaken for Matt. She's caught up in the music, oblivious to the fact that her boyfriend is practically glued to your side.

Ashley notices his distraction, her gaze softening as she studies him. "Chris?" she asks, her voice gentle, bringing him back to the moment. "Is everything okay?"

He blinks, snapping his attention back to her, guilt creeping in as he realizes he's been distracted. "Yeah, yeah, sorry," he says, rubbing the back of his neck awkwardly. "Just... got a lot on my mind."

Ashley smiles, tilting her head as she searches his face. "You sure? You can tell me, you know."

Chris hesitates, glancing around the room one more time. His gaze lands on Mike, who's slow-dancing with the girl in glittering dress. She's leaning against him, her head resting on his chest, but Mike's attention isn't on her.

His eyes are locked in your direction, his brow furrowed and his jaw set in a subtle scowl that's hard to miss. There's a tension in his gaze as he watches you and Matt together. There's a faint scowl tugging at his mouth, a subtle clenching of his jaw that makes it look like he's holding back the urge to step in but doesn't quite know how to act on it. His brows are drawn together and his eyes flick between you and Matt with a guarded intensity.

Chris frowns, glancing back at you. It's clear now that something is brewing beneath the surface, something he doesn't fully understand but can sense all the same. He looks down at Ashley, his expression softening as he makes up his mind.

"Hey, Ash?" he asks quietly, feeling a bit awkward but determined. "Would you mind helping me out with something real quick? I, uh... I owe someone a favor.”

You were mid-laugh at something Matt had said about his latest sports practice when a shadow loomed over the table. You looked up to find Mike standing there, holding his drink loosely in one hand and the other casually tucked in his pocket.

"Hey, Matt," Mike said, his tone light but carrying a subtle edge like he's asking for a favor he already expects to be granted. "Mind if I steal him for a bit?"

Matt's smile falters, and he glances at you, a bit reluctant, as if he doesn't quite want to let go of the moment he's carved out. "Uh... well, we were just-"

"Looks like Emily's about to make out with that guy," Mike interrupted, tilting his head toward the dance floor. "You might wanna handle that before it gets messy."

Matt whipped his head around, his face paling slightly as he spotted Emily drunkenly giggling and leaning far too close to the stranger. "Shit," he muttered, scrambling to his feet. "I'll, uh, catch you later." he says to you, giving you a quick nod before he disappears into the crowd.

"Yeah, sure," Mike said smoothly, his smirk widening as Matt hurried off. You glance back at him just in time to catch a wicked grin flash across his face as he watches Matt weave his way toward Emily.

He turns back to you and without a moment's hesitation, he slides into Matt's now-empty chair, shifting it even closer to yours with an obnoxiously loud scrap of wood against the floor. He dropped into the seat with a satisfied sigh. His arm resting along the back of your chair but soon sliding fully around your shoulders, pulling you closer to him.

The warmth of his body, the faint scent of his cologne, earthy with a hint of spice, made your thoughts scattered like leaves in the wind. From this close, you could see every detail of his face: the light beard perfectly trimmed along his jaw, the sharp angle of his cheekbones, the infuriatingly perfect way his smirk tugged at one corner of his mouth. He was leaning into his persona, that cocky, playful charm cranked up to eleven and it was doing things to your brain you weren't sure you were ready to admit.

"Well, this is cozy," Mike said, his voice low and smooth. "Didn't think Matt was ever gonna leave. Guy's got some stamina for talking, huh?"

You blinked, struggling to form words. "Uh, yeah. He's chatty"

Mike chuckled, the sound warm and teasing "Chatty? That's the nicest way to put it. Bet he's been boring you to death, huh?"

"Not entirely," you said, though your voice was far too shaky to be convincing. "He's enthusiastic."

Mike raised an eyebrow, clearly enjoying how flustered you were. "You're too nice, you know that? If I had to sit through more than five minutes of that guy's rambling, I'd be asleep in my chair."

You laughed, though it came out a little too breathy. "Maybe I'm just better at pretending to be interested."

"Pretending, huh?" Mike's smirk widened. "So, what about me? Are you pretending to enjoy this little moment we're having?"

Your brain short-circuited. "I... I mean, no. I-uh... you're not boring. Definitely not boring."

"Good to know," Mike said, his voice dipping slightly as he leaned in just a fraction closer. "I'd hate to think I was putting you to sleep."

"You're not," you managed to say, your face burning.

Mike grinned, clearly reveling in your flustered state. "You're cute when you're nervous, you know that?"

“I’m not nervous,” you said quickly, though your gaze flickered away from his, betraying you.

“Sure you’re not,” Mike murmured, his fingers brushing just a little too close against your shoulder, the touch lingering for a beat longer than necessary. “What were you and Matt talking about? You looked a little bored." His tone was smooth but there was a faint edge to it now, like he was testing the air.

You noticed the subtle shift in his expression. His jaw tightening just slightly, his eyes narrowing for a fraction of a second as if he didn’t quite like the idea of you and Matt sharing a private moment.

You shrugged, trying to sound casual. "Just sport stuff and his latest victory for his team. He was just being friendly,” you added, trying to sound indifferent.

You didn’t miss the slight tightening of his jaw, the way his eyes flickered just briefly toward the ground before locking onto yours again.

Mike’s lips quirked into a knowing smile, but it didn’t reach his eyes. “Yeah, he looked real friendly.” The smirk that followed didn’t help, pulling at the corner of his mouth as if he was more amused than you thought he should be.

You raised an eyebrow, narrowing your eyes at him. “What’s that supposed to mean?”

For a moment, Mike just stared at you, his expression unreadable. “Nothing,” he said too quickly, the innocence in his voice so forced that you could almost feel the tension cracking around him. The grin stretched wider, like a challenge. “Just saying, if I didn’t know better, I’d think Matt was hitting on you.”

Your breath caught in your throat and a flush of heat spread across your cheeks. You tried to play it off, but there was no denying the way your heart stuttered in your chest. “He wasn’t,” you said quickly, your voice coming out a little more defensively than you intended.

"Either way. Figured I'd come over and I don't know... make the night more interesting for you. Prom only happens once, right? Gotta make the most of it. Besides—” His voice softens, his gaze locking onto yours with a sincerity that takes you off guard. "—I've been waiting for an excuse to spend some time with you."

You swallow, feeling the heat rise to your face as his words sink in. "You have?"

"Yeah," he murmurs, his thumb grazing your shoulder in a slow, deliberate motion. "I mean, I could've come over sooner but you were busy with your brother. Then you were with Matt and I figured, maybe it's time I got a little selfish."

The intensity in his gaze makes it hard to breathe and for a moment, all you can do is stare at him, caught between disbelief and exhilaration. "I... didn't think you noticed me like that," you admit, your voice barely above a whisper.

Mike's grin softens, his hand moving from your shoulder to gently rest on your waist, pulling you even closer. "I notice a lot more than you think," he murmurs, his voice low and husky. "Like how you always look away when you think I'm watching, or how you get that little crease in your forehead when you're trying not to smile too much."

Mike makes a silent note to himself to later thank Chris for the insights he’d shared minutes ago.

You laugh, feeling both embarrassed and overjoyed. "Okay, now you're just showing off."

He chuckles, his arm tightening around your waist as he dips his head a bit closer, his voice a soft murmur. "Can't help it. You’ve got me so close to losing it and you don’t even realize it." His fingers press gently into your side.

“Dance with me,” he murmurs, his voice low and laced with a tenderness that surprises you. There’s a quiet intensity in his eyes, a vulnerability that makes your heart race. “Let me be the happiest guy in this place tonight.”

You feel your pulse race at the invitation, your mind whirling with both excitement and uncertainty. "What about that girl you were with?" you ask, your voice quiet and hesitant, unable to stop yourself from wondering.

Mike's smirk returns, his hold on your waist tightening slightly as he leans in, his voice a soft, almost possessive murmur. "She's not you. You’re the only one I can’t get out of my head.” His voice is rough, coated in something darker.

You meet his gaze, feeling your breath hitch as you search his face, trying to process the weight of his words.

He takes his chance to lean in, his lips brushing softly against yours in a kiss that leaves your heart racing. His lips crashing into yours with a desperate urgency that leaves you reeling. His hand slides around your waist, fingers tightening as he pulls you against him. The heat of his body sears through your clothes, and his thumb traces a slow, deliberate line along your cheek, sending jolts of pleasure straight to your core.

When he finally pulls back, his lips are swollen, a smirk tugging at the corners of his mouth, that familiar cocky edge in his eyes. His eyes burn with that familiar, dangerous gleam-a challenge, a promise. His breath is ragged, as if he's barely holding back.

"Still up for that dance? Because I've got this new boyfriend I'd really like to show off." he whispers, his voice low and teasing. His breath brushes your skin, sending a shiver down your spine. He looks at you with that trademark mischievous grin, the one that could melt anyone’s defenses.

A rush of warmth floods your chest at his words, a mixture of giddiness and disbelief. Your heart skips, caught between the sweetness of the moment and the thrill of his presence. The corners of your mouth twitch up as you meet his gaze, and though you can barely keep your composure, you nod.

Mike's grin widens and as he takes your hand, guiding you to the dance floor, you feel as if you're floating, lost in the warmth of his gaze and the excitement of being his.

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