#it was a bad love triangle

[fake-married-my-dead-fiance]

Went through The Forbidden Marriage tag and so many people don't like that the king has been pining for his murdered wife for seven years and want the Guard to win the love triangle instead.

You know, the Guard who has been pining after a woman he didn't even meet for seven years 🤦🏼‍♀️

(and yes, I know it was the female lead, I don't care. He's been looking for her for seven years and he didn't ever meet her. He saw her from the side ONCE. That is just as off-putting as still being in love with your wife, who was murdered! If that's something that off-puts you)

(also pretty clear the King has some complex and unhealthy grief because his wife was murdered, no one believes that, and he wasn't allowed to mourn her properly, not to mention the ongoing psychological torture. It's not like he's just hung up on some woman 🙄)

[paintedcrows]

Biting you. Biting you. Biting-

[alliluyevas]

"i hate love triangles" "i hate cheating" "stop writing about love triangles and cheating" people write about love triangles and cheating because complex emotions and romantic conflict are deeply compelling themes. get good.

[hamletthedane]

look, sometimes a relationship can be a high femme mean lesbian, her comphet/beard pansexual boyfriend, and their terrifying domestic terrorist goth girlfriend on the run from the police

[altruistark]

watching dofp & i love that future charles is so vague w his warning to logan like. tf u mean “be patient w me” u were a DEPRESSED DIVORCED DRUG ADDICT with a DRINKING PROBLEM i think bro deserved a little more of a heads up

[tubesock86]

the girls

[libralita]

The funniest thing about cosmere reddit is that they've somehow gaslit themselves into thinking that Brandon's early work is bad. They basically treat Elantris and even Era 1 like they're really subpar compared to his newer works. What's even funnier is that they're doing this with the Way of Kings now. People are constantly saying it's bloated.

Also I'm sorry but if this is your first time reading TWoK, I do not care about your opinion on whether it's bloated or not. I don't believe that you know what is actually foreshadowing and what is "bloat".

I'm not going to be surprised when the narrative in like 10 years is going to be "Arc 1 is really not that great."

[krysmcscience]

Don't mind me, just slacking on a big Billford comic by making other far more ridiculous Billford comics and also some AU art (please excuse my slapdash human!Bill thank you please, also before anyone asks the art style is messy and all over the place because idgaf LOL)

This started out as an excuse to design a Bill Cipher-inspired "wedding" dress, but then spiraled wildly out of control. Various rambles and a bunch more human!Bill arts under the cut, including another silly little comic at the end! (Feel free to skip the rambles, I won't be offended. I know I'm bad at shutting up. XD)

I may or may not write some comedy stuff for this AU, which I'm calling 'For Better Or Worse (But Mostly Worse)'. While Ford DOES remember getting sloshed enough for one thing to lead to making out with another after karaoke, neither he nor Bill remember this wedding, At All. The Love God did nothing to dissuade them from going hog wild on their marriage spending, either, so it got...uh. Exorbitantly Expensive. As in, the grand total could probably buy the entire fucking MOON sort of expensive. (It's fine, don't worry, Bill's good enough at crime to be able to afford it.) Also, because the logic of this AU is mostly dictated by Rule of Funny, the Love God's powers are close to unlimited when it comes to matters of romance, but ONLY when it comes to matters of romance. (Like weddings!)

Want an empty human vessel to smash the soul of a triangle into for date nights or when it's convenient, or perhaps even when it's NOT convenient? Easy peasy! Want the marriage to be recognized in every corner of the multiverse from now until the end of time, thus making any potential future divorce nigh-on impossible? Can do! Want to buy an entire beach for the ceremony and honeymoon and in general, and totally not at all because it would be Super Hilarious to prevent any specific movies from being made on that very same beach in the future? Fine, whatever, it's not his finances he's ruining!

Does the Love God also provide special rings that just so happen to turn incorporeal as long as the "happy couple" doesn't remember that they barged into his dreams to bully him into presiding over their marriage? ...No comment!

He spends the next thirty years trying and failing to get in touch with either of them for payment. This is why you should always demand half the money up front, my guy!

Also it's absolutely a traditional Jewish wedding, because I like the idea of Bill demanding all the keepsakes from the marriage that he paid for, and being completely confused when one of the things he's handed is a fancy container full of broken glass. He gets it later, but in the moment, he thinks the Love God is just fucking with him some more.

Ramble over! Here's the full dress that caused the comic to happen, along with what Ford wound up wearing at the wedding (and begrudgingly agreeing to put on again later for Reasons), aaaaand also a close-up of Bill's ring:

I may have forgotten to draw Bill's hair floofier when drawing the back of the dress, lmao

Since double ring ceremonies have been leaking over into Jewish wedding customs for a while now, Ford also has a ring, but his is the much more traditional plain gold band. There's definitely a message engraved on the inside - embarrassing, cringe, or incriminating somehow - but I haven't decided what it is yet, so use your imagination for now. XD Bill, on the other hand, saw the phrase 'traditional plain gold band' and said "No Thank You" before proceeding to embellish his ring to his liking. And because he's a secret sap who adores Ford's extra fingers, the triangle points add up to twelve, as do the engraved stars. Yes, they're stars, not dots, I just got lazy. There's also six lashes on the eye gem, and probably an eye engraving on the inside with another six lashes. (Bill's got it BAD, okay? We all know this.)

Here are the initial scribbles of Bill's custom vessel in more casual attire, please ignore the wonky anatomy and the fact that I flat out refuse to ever draw him with a proper top hat:

He does actually need a cane in this vessel; since Bill tends to possess men and especially Ford more often than not, he's used to having a higher center of gravity when in a human body, so his ability to balance is pretty garbage. (He may or may not topple over with concerning regularity.) As for his empty eye socket, his bangs don't do much to hide it since he's so high-energy (dude is constantly on the move), and he also refuses to wear a patch over it, because 1.) why bother, and 2.) it's more fun to freak people out.

To better align with Ford's attraction towards the strange, the vessel was designed with super minor shapeshifting ability - Bill can look like a perfectly normal human, but he can also make the teeth and fingers sharper whenever he likes (which is mostly just when he's angry or being more of a menace than usual), as well as slit down the pupils or outright ditch the irises altogether. He can also have whatever he wants in the downstairs department, just because I'm an indecisive bitch on that front, lmao. Maybe he can have boobs if he wants them, too, but I ain't drawin' tits on no triangle, nuh-uh, no sir. His powers are otherwise limited down to what humans can do, because for some reason, the Love God doesn't trust Bill to not snap into Immediate Apocalypse Mode if he's given a physical form that's actually all his and no one else's.

Due to the body being all his and no one else's, it's also not really a standard possession so much as it is just...Bill being temporarily human. He's a lot more aware of and in tune with his human body's senses than he ever was with his "puppets", which makes things like pain a lot more intense. (He is mostly fine with this, because he's a fukken masochist.)

A bit more fashion stuff, including beach and party attire~

The beach outfit was mostly me trying and failing to nail down his body shape, which is still not bottom-heavy enough. I then decided to slap a bikini on it, before making it supremely unsexy with a pair of fugly shorts, because Bill's fashion choices are not allowed to be conventionally attractive. Meanwhile, the party outfit was mostly me looking at the casual attire I designed, asking 'how would Bill make this Worse', and then drawing the result. The mismatched thigh-highs are killing me inside! :D

No, his vessel can't actually summon fire, I just drew it for funzies before I decided on said vessel's limitations. Yes, the gold brick tattoos are absolutely a reference to the fic 'Knowing Me, Knowing You' - I simply could not resist.

I also HAD to draw Bill in one of his canonical(?) shirts, just made tank-top'd:

He is absolutely about to over-correct and fall backwards after this. USE YOUR CANE, GOOFBALL!!! (I meant to draw Bill closer to this degree of bottom-heavy in the other images, but. Alas. I am bad at anatomy, LOL)

And, last but not least before More Comic Time, I attempted to draw him closer to Gravity Falls style:

Jury's out on whether or not I succeeded, but - hey. I tried. Now have some Handyman Bill AU, but with my goofy human design, instead:

Hey, it's a 'mystery snack', and the guy wanted A BITE to eat - the joke was right there, guys!!! (Based on this post, because it just screamed BILL CIPHER to me.)

whoops i forgor bills ring and cracks ahaha too late now

I WILL SHUT UP AND STOP RAMBLING NOW K THX BYYYYYE

[physalian]

7 Misused Tropes (And How to Improve Them)

Tropes in isolation aren’t inherently bad, but a lot of them are prone to poor execution. Each one of these probably could have a whole post by themselves. A few of these used to be good but have since fallen by the wayside as their original meaning has been lost.

7. Dramatic Miscommunication

You know the ones. I think it’s worse when the story is otherwise good, the writers just could not come up with a better way to get X alone or send Y off on the necessary side quest than the lowest of low hanging fruit.

Two essential ingredients for fixing this trope: Precedent and consequences

Precedent–have the character doing the missassuming already be prone to jumping to conclusions, already suspicious or insecure, or misled by a third party so this looks inevitable, instead of pulled out of your ass.

Consequences–usually these are big blow up fights that fizzle out without any impact on the plot once they fulfill their purpose, but if it’s a nasty enough fight, characters shouldn’t just forgive and forget. While they might not completely ruin relationships, it should have characters taking a step back and either second guessing where they stand, or using this blowup to fix an underlying issue in said relationship.

6. Love Triangles

Good Love Triangle for the first 3 seasons: Elena/Stefan/Damon (TVD).

Bad Love Triangle for the entire series: Bella/Edward/Jacob (Twilight).

The difference between them (besides time to flesh out both candidates) is that both brothers brought valid pros and cons to Elena’s life, both got the chance to be with her, and Elena’s whole arc wasn’t solely focused on the agonizing choice of which brother she should pick. Regardless of which camp you’re in, Stefan brought stability, that classic cliché high school romance, mostly all good vibes. He never challenged her or talked down to her or got aggressive with her. Damon did the opposite, for better or for worse, and we know which direction the show went.

On the other hand, Jacob never for one second stood a chance with Bella and the narrative wasn’t kidding anyone. They never so much as went on one date (unless you count the motorcycle ride) and it seemed like Bella was only letting him hang on for pity’s sake. Theoretically he brought pros to the table that Edward couldn’t (like, idk, being alive), but the narrative never explored what could be done with him. He just ended up being the Nice Guy friend who then decided it’d be hot to lust after an infant.

5. Agency-less Chosen Ones

These tend to be wish fulfillment characters that bring nothing to the story and have no discernible skills, yet are constantly in the middle of the action, have all the love interests fawning over them, and are Important and Critical to saving the world… because the narrative said so. They don’t make a single choice the entire plot except to move forward or stagnate, chosen by the gods or a prophecy or fate and destiny.

The problem: These characters walk with the crutch of “I’m the chosen one thus I don’t need a reason to exist in the story” and that’s just not a satisfying narrative shortcut. So? Give them agency. Even if they’re chosen by some ancient prophecy, you still have to convince the reader why the Universe wasn’t just talking out of its ass.

Good example: Emmet from Lego Movie literally says he’s useless and has no skills and cannot think outside the Lego box. He’s supposed to be as generic as painfully possible and when he does have creative ideas, they’re supposed to be asinine and stupid. And yet. He might be physically dragged around by the other characters, but he has plenty of choices, plenty of opposition to what’s happening, plenty to say about the state of his world, and his ideas do matter and his intimate knowledge of the instructions and playing by the rules is how they win.

4. Bad Boy Love Interests

These guys were supposed to be counter-culture icons, standing up to The Man for the little guy because he knows the system is broken and rigged. He’s an affront to the stereotypical nuclear lifestyle, he resents a robotic and soulless office job and wants to create art or music or in some way benefit his world and isn’t going to play nice just to get his way. He exists in contrast to the nuclear female protagonist: Conservative, demure, rule-following caged bird who falls in love with him because he shows her that life isn’t meant to be lived in The Man’s cage. He respects the authority that deserves respect, the teachers who actually give a shit, the janitors, the librarians, but probably not the principal or the police or the local politicians, because he knows they don’t respect him and respect is a two-way street. He’s probably a mama’s boy or at the very least loves his parents (if they’re alive) and while he might engage in a little property damage like graffiti, it’s for a good cause.

This dude is NOT SUPPOSED TO BE: Abusive, controlling, aggressive, or condescending to his love interest. He’s not supposed to be an overprotective stalker or plagued by insecure jealousy over any other man in his love interest’s life. He’s not rude to his friends or arrogant about his own smarts and doesn’t think he knows best about every little thing in the world. He’s not sexist or racist just to make himself feel better and he doesn’t pressure his love interest into sex because she owes him or whatever.

Ahem.

Please bring back classic bad boys. That is all.

3. Major Character Death (for shock value)

I remember the implosion of the Walking Dead fandom after they killed Carl, one of the very few characters who was supposed to make it to the end, for… various sketchy reasons and I could never figure out what was true. Some theorized that his actor was aging out of the ‘child actor’ payscale and they didn’t want to pay him as an adult and while I have no proof, it wouldn’t surprise me at all.

Carl died after getting bit in just one of those hectic moments where he got unlucky, while doing something noble and stupid. In isolation, it fits the nature of the “anyone can die” show but man did it just come across in poor taste.

Obviously “for shock value” shouldn’t be the reason you do anything in your story but there is still a way to pull it off without it causing a riot: Make sure they get killed in a non-contrived way. If you plan on killing off one of your heroes suddenly, either make it bitterly ironic, or make it a situation that this character would absolutely get themselves into. The more it “fits” the less likely audiences will see the hand of the author coming in just to break the character’s fictional contract.

2. The Power Inside You All Along

This trope is usually disappointing because it tends to melt a character’s whole arc down into something pointless—this whole adventure was apparently useless if they didn’t actually need to grow or change or challenge their conceptions of the world. They could have got up off the couch as joe shmoe and beat the villain day one.

While that’s probably not what their creator intends, ‘it was inside you all along *wink*’ tends to feel that way, as it discourages internal conflict. Usually, their creator is likely trying to convey the message that one need not change, that it’s what’s inside them already that makes them special.

I present to you once again Kung Fu Panda’s “there is no secret ingredient” i.e. “the power inside you”. The difference is. Po still has plenty of internal conflict: his own self-confidence. He begins the movie eager but inexperienced and a bit oblivious, fanboying it up around his heroes. He and Shifu both insult his weight and his lacking kung fu skills, and his arc is learning self-confidence, learning how to use his weight and the body he has to fight in a way that the villain isn’t prepared for, to where Po can shit-talk him to his face during the final fight.

Most failures of this trope don’t bother exercising their protagonist. They’re pissy and resistant for the entire story and only win when the narrative agrees they were right all along. Therefore, no change, no conflict, no resolution.

1. Strong Female Characters

So many of these read like "slapped boops on a male character". They don’t work for many reasons (usually being very preachy with their agendas), but they especially don’t work when by trying to be pro-feminist, they’re still reinforcing masculine standards. A lot of people, when Captain Marvel came out, said “you didn’t have any issues with Tony Stark being an asshole but now you do when he’s a woman” which. No.

Tony was an asshole, but being an asshole was the whole point of his character, and he got humbled right quick by getting blown up and held hostage. “Proof that Tony Stark Has a Heart” and all that.

Carol was an asshole with nothing to substantiate it, and never got a reality check. She had amnesia so we didn’t get insight into who she was before to understand this transition into dickishness and was so OP, she wasn’t ever physically or emotionally challenged like Tony was.

But the other thing is this: Slapping boobs on a male character with a slew of toxic masculine traits also says that to be a successful woman, you must behave like a man. It swings so far from the femme fatale sexy leg lamp that it comes around and eats its own tail. These characters are just mean and insecure and build themselves up by tearing down the men around them.

So. Calhoun from Wreck it Ralph is this exact trope done extremely well. She’s aggressive, arrogant, loud, rude, and cynical. For about 10% of her arc. The movie immediately throws her into a situation where her strengths are basically useless—she’s stuck in Candy Land and has to rely on someone who is the antithesis of her game and character to make it out. The movie also shows you why she’s cynical via her tragic backstory.

Not only that, she’s more than just a heap of toxic masculinity in a pixie cut. She laughs, she cries, she admits when she’s wrong, she has a soft side, a gentle side, a caring side, and remains a badass through and through.

Or, once again rolling out Tigress from Kung Fu Panda: Proud, aggressive, the snubbed chosen one, cynical, mean, and overconfident in her abilities. Tigress nearly gets her entire team killed in her arrogance. She’s allowed to be wrong, very wrong. She also has her soft moments and, like Calhoun, has a very valid reason for being jaded, and is still shown to be capable of softness and nurturing during the evacuation.

Third example to hammer home that I don’t hate badass women: Andromache. Jaded, overconfident, short-tempered, aggressive, and a little mean-spirited. Tragic explanatory backstory? Check. She is also caring and loyal to her team, allowed to get emotional, allowed to be wrong and fail and lose, and kind of the surrogate mom of the team, who can also laugh and joke around and have light-hearted moments.

Whether the character is a man or a woman, being an arrogant asshole who takes zero accountability and refuses to admit when they’re wrong and never loses, audiences aren’t going to like them.

[firephoenix23]

The Final Color Code

Okay here is the final color code. I will be honest I didn't solve it all but here is what it says

TWO DIMENSIONS TO AND FRO / YOU ALWAYS NO WHICH WAY TO GO / IF YOURE LOST DONT BE AFRAID IN EUCLYDIA / YOUVE GOT IT MADE / RUN TOO FAR RIGHT OF FRAME YOULL APPEAR ON LEFT AGAIN / JUMP TOO HIGH DONT CRY OR FRET / YOULL POP UP FROM THE GROUND I BET / IN THIS PLACE THERE IS NO FEAR LOVED ONES WILL NEVER NEAR / ROLES AND RULES ALWAYS CLEAR / EUCLYDIA WE HOLD YOU DEAR

[namtanlovesfilm]

offgundew height differences in real life... vs the burnout syndrome poster LMAO

[bylrlve]

Warning! Spoilers for Stranger Things 5 mentioned,

Rewatching episode 2, and I’m genuinely staggered by how many times Mike peeks at Will. It’s very clear his mind is on Will, in fact. I am also staggered by just how many small byler details are in here.

His whole face drops after no. 4 too, as @starbylers observed here.

I also want to include these @chirpsythismorning gifs from the roller rink scene, as they’re brilliant:

Mike watching Will get out of the van, and seemingly offering a hand to him.

Mike openly watching Will as they take their skates.

(X) (X)

These are very deliberate acting choices from Finn Wolfhard, and he was certainly doing it on instruction.

Some other notes on 402:

The transition from Mike and El being fake -> Murray looking up looking like he’s experiencing his Seeing Clearly -> Robin talking about Vickie laughing ‘and not like a cheap, fake laugh, but a real, genuine laugh’, right after we saw Mike hiding his genuine disgust at burritos for breakfast behind a tone of fake laughter.

Mike’s whole face just drops into an unhappy, spaced-out espression when it zooms in on El - this is after Will ignored his sock joke (video here by @buckybxarnes)

As many have observed, Mike and El look genuinely miserable when viewed from Angela’s perspective, as opposed to the shot of them skating with Will miserable behind them

It’s occurred to me that in s2, 3, and 4, the byler plot really takes off in episode 2. I’m wondering if that’s also the case with s5 - I’ve reconsidered my theory that the Mike + El rooftop scene takes place after the hospital plot in ep 2, as I’ve heard that the paparazzi at the filming site were told it was in episode 1.

The door slam/open transition between Joyce going to the bank to get the 40k random for Hopper, utterly singleminded, and Mike barging into the womens’ bathroom, being kicked out, and subsequently starting an argy-bargy with Will as opposed to continuing to prioritise El… well!

The disparity in time is so interesting. El counts off 185 days since she last saw Mike - which is roughly six months, as is canon within the show (Sept-Oct 1985-March 1986). And here Mike is, saying ‘you knew she was having trouble for, like, a year’ and Will saying ‘it’s been a year, Mike’ and, in 404, Mike saying ‘the last year has been weird.’ It’s pretty obvious the last one is Mike referring to their fight nine months earlier, plus the time prior that Mike had spent pulling away from the rest of the Party to focus on El. The second one is Will potentially referencing the time that elapsed since their fight - even if it’s moreso subtext from the writers. What, then, to make of Mike saying Will knew El was having trouble for, like, a year? What subtext could be meant by this? I’d love to hear your guys’ thoughts because u can’t quite deduce this.

Mike listing off everything Will did is so hilarious given the surveillance he carried out all day on the boy, and given the fact that poor El being humiliated publicly and assaulted with liquid before she skated off bawling did not, apparently, ruin the day. On second thoughts, I understand what Will meant… she’s in trouble having Mike’s gay ass for a boyfriend.

What’s striking me now is that this fight + El’s iconic roller skate moment, are the real emotional climaxes of this episode’s M/E/W plot. It could have been Mike finding El and comforting her before she lashed out at Angela. It could have been him talking to her afterwards. It could have been at the house - him following her up to her room and silently comforting her until she fell asleep. No, no. Mike and Will airing out their grievances (and Mike betraying which of the two truly emotionally affects him more) + El handling her own shit, while Mike thoroughly disapproves.

The way that Will just wants to be Mike’s friend, but it’s Mike making it so deeply weird.

The way, also, that they stick together at the rink even after the fight, and Mike openly is more preoccupied by Will in the van. I’ve seen it observed before: the parallel between El and Will staring out the same window in the van crying: Mike looks at Will in the shot. He does not look at El in the shot.

I think it’s hilarious that Mike ends the fight by feigning concern for El - he offered her no comfort whatsoever, actively stood away from her when she was waiting for Jonathan and Argyle to arrive, ignored her crying in the van, and of course:

She didn’t look fine.

Mike and Will are blocked together, not Mike and El

The sincerity of Mike’s concern over El juxtaposed with the rank falseness of ‘no, that’s…that’s not true, maybe I was a little upset in the moment’ etc really sticks out - the defensiveness is reminiscent of the tone he took with Will during the fight, but even then he was more sincere-sounding because he was more emotionally affected.

Bylers don’t talk enough about the insanity of ‘who… who said that I didn’t?’ In context, thinking logically, Mike is very likely referring to Will here (the bullies were shouting at her, he could hear what they were saying)- and why would his mind immediately go to ‘Will thinks I don’t love El, and has told her his suspicions?’ Why would he take a defensive tone?

Seriously, 402-403 M/W/E may well be the plot that (potentially) spells out byler endgame the most.

[mike-milkyway]

Zoro not falling in love usually and then getting the biggest most gut wrenching crushes on an stretchy guy with a special interest on pirates and almost immediately after on a cook with self-esteem issues.

[aztarion]

can i be sensitive and real with you

[mrkgrl]

Can I still tag it with TW movie--- or uh... TW movie The Aftermath, maybe. I have so many more of these doodles/comics.

[celestie0]

does anyone wanna be on taglist for this choso x reader fic? 🧚‍♀️✨

edit: hellooo if you're seeing this now, i already uploaded the first chapter here!! you can comment under the chapter post if you would like to be added to the taglist :)

HI BABES i’m starting a new choso fic series :””) here’s a bit of info about it:

ᰔ title. in another life

ᰔ pairing. rock band au - punk rock!choso x fem!reader ft. fiancé!nanami

ᰔ genres. smut, fluff, angst, second chance romance, time skips, love triangle, bad boy choso, slight age gap (five yrs), longterm pining, messy decisions, jealousy, etc.

ᰔ summary. you and choso were lovers in college when him and his rock band were just nobodies with nothing but a dream, but when his band strikes a deal with an up-and-coming record label in tokyo, you make the tough decision to break up with him since you couldn’t go with him to the city. flash forward seven years, his band is the biggest rock band in the world, n you move from the countryside to tokyo with your fiancé nanami to start your new life together. but in the heart of the city, home to many, there’s one person there that still has the power to turn your whole life upside down. and when you run into him again after all those years, feelings you didn’t know were still haunting you come crashing back all at once, and you’re not sure what it is you want from your life anymore.

inspired by a lot of things lol but mostly the anime nana, the movie past lives, the book before we were strangers, and the song about you by the 1975 (aka angst galore)

here is a little teaser:

lol i literally couldn’t choose which part to tease but i feel like this part kinda fits the vibe

the first chapter is already done! it’s 11k words and will be posted tomorrow apr 4th @ 2pm PST :)) very exciteeeddd for it hehe

but anyway, if you’d like to be on taglist for it, please leave a comment under this post!!

thank u to anyone who supports the fic 🥺💕