#it runs in my family and I've seen what it can do to a person's psyche and personality and it scares me to death

[canisalbus]

AU where there is some sort of zombie-like (maybe something like a rabid vampirism?)

Where one of the boys is bit/infected and desperately wants the other to join them, while also wanting to resist?

.

[omgthatdress]

Sooooo ummmmmmm this is something that's probably going to piss a lot of people off, but I feel like I really need to say it.

If you get a message from an account claiming to be a Palestinian fundraiser, it is a bot. It is a scam. You need to report & delete the message and encourage others to do the same.

I know because I get messages on this account DAILY. I have a very high follower count and I'm pretty active and I interact with my followers a lot, and apparently that all adds up to one big bot magnet.

Bots following and messaging this account was a MASSIVE problem before Tumblr fixed its new account policies. I used to spend literally hours blocking and reporting the hundreds of bots that I would get following me each day.

I learned a lot about bots and how to identify them. The easiest way is with no avatar, "untitled" in the blog description (BTW if your avatar is still set to default PLEASE FOR THE LOVE OF GOD change it because you run a substantial risk of being accidentally blocked & reported as a bot).

One of the dead give aways of a bot was what I call "word salad" names. Three seemingly random words strung together making no sense, always adjective, adjective or noun, noun. If you reported a lot of these bots, you'd notice the same words kept showing up.

Nowadays, I am bombarded with fundraiser requests and sometimes, they don't even bother to hide the fact that they're a bot. The avatar is default, the blog title is "untitled," and the blog name is a classic randomly-generated word salad.

However MOST of the requests I get come from at least semi-legit looking accounts. There are pictures, a name, a story. Never mind that I've gotten that message three times from different accounts.

Sometimes, they claim to be vetted, but the whole vetting system essentially adds up to "trust me bro." There is no way of guaranteeing that this account isn't just lying about being vetted, claiming to be vetted by a false person, or are using the identity of a real Palestinian to scam people.

Previously, I've seen a lot of people getting attacked for raising questions about these fundraisers and getting attacked for being racist or for harming Palestinian families in danger, like Tumblr isn't a website famous for its scams and the words "The Arkh Project" "All or Nothing" or "Miss Officer and Mr. Truffles" mean nothing to you.

I personally have been scammed by people claiming to be charities on Tumblr before, specifically, The Leelah Project which used the name of a trans teenager who died by suicide to swindle people out of their money.

Luckily, there are actual, respected charities out there you can give money to if you want to help the cause:

Palestinian Children's Relief Fund

Palestine Red Crescent Society

United Nations Relief Works Agency

Islamic Relief

World Central Kitchen

Médecins Sans Frontièrs

One of the hardest things to accept about the situation in Palestine is that realistically, there is very little that your average outsider can do to change it. However, these large, well-respected and trustworthy charities are out there doing the hard work to keep people alive, and should be where the donation money is going

These scam bots feed on people's naïvety and need to believe that they are making a difference, and even worse, feed on the fear that by ignoring them, it somehow makes you a racist doing direct harm to a refugee family, when in fact they are using the suffering of Palestinians to take away money from those in need.

As far as fundraisers that don't send out random asks for donations, I honestly don't know. You'll have to do the work yourself and approach with much caution.

Be careful out there.

[infiniteglitterfall]

know someone who enjoys horror stories? share this one! it's true!

hahahahahahahahahaha aarrggghhhhhhhhhh 3,000,000 deaths due to COVID-19 last year. Globally. Three million. Case rates higher than 90% of the rest of the pandemic. The reason people are still worried about COVID is because it has a way of quietly fucking up your body. And the risk is cumulative.

I'm going to say that again: the risk is cumulative.

It's not just that a lot of people get bad long-term effects from it. One in seven or so? Enough that it's kind of the Russian Roulette of diseases. It's also that the more times you get it, the higher that risk becomes. Like if each time you survived Russian Roulette, the empty chamber was removed from the gun entirely. The worst part is that, psychologically, we have the absolute opposite reaction. If we survive something with no ill effects, we assume it's pretty safe. It is really, really hard to override that sense of, "Ok, well, I got it and now I probably have a lot of immunity and also it wasn't that bad." It is not a respiratory disease. Airborne, yes. Respiratory disease, no: not a cold, not a flu, not RSV.

Like measles (or maybe chickenpox?), it starts with respiratory symptoms. And then it moves to other parts of your body. It seems to target the lungs, the digestive system, the heart, and the brain the most.

It also hits the immune system really hard - a lot of people are suddenly more susceptible to completely unrelated viruses. People get brain fog, migraines, forget things they used to know.

(I really, really hate that it can cross the blood-brain barrier. NOTHING SHOULD EVER CROSS THE BLOOD-BRAIN BARRIER IT IS THERE FOR A REASON.) Anecdotal examples of this shit are horrifying. I've seen people talk about coworkers who've had COVID five or more times, and now their work... just often doesn't make sense? They send emails that say things like, "Sorry, I didn't mean Los Angeles, I meant Los Angeles."

Or they insist they've never heard of some project that they were actually in charge of a year or two before.

Or their work is just kind of falling apart, and they don't seem to be aware of it.

People talk about how they don't want to get the person in trouble, so their team just works around it. Or they describe neighbors and relatives who had COVID repeatedly, were nearly hospitalized, talked about how incredibly sick they felt at the time... and now swear they've only had it once and it wasn't bad, they barely even noticed it.

(As someone who lived with severe dissociation for most of my life, this is a genuinely terrifying idea to me. I've already spent my whole life being like, "but what if I told them that already? but what if I did do that? what if that did happen to me and I just don't remember?") One of its known effects in the brain is to increase impulsivity and risk-taking, which is real fucking convenient honestly. What a fantastic fucking mutation. So happy for it on that one. Yes, please make it seem less important to wear a mask and get vaccinated. I'm not screaming internally at all now.

I saw a tweet from someone last year whose family hadn't had COVID yet, who were still masking in public, including school.

She said that her son was no kind of an athlete. Solidly bottom middle of the pack in gym.

And suddenly, this year, he was absolutely blowing past all the other kids who had to run the mile. He wasn't running any faster. His times weren't fantastic or anything. It's just that the rest of the kids were worse than him now. For some reason. I think about that a lot. (Like my incredibly active six-year-old getting a cold, and suddenly developing post-viral asthma that looked like pneumonia.

He went back to school the day before yesterday, after being home for a month and using preventative inhalers for almost week.

He told me that it was GREAT - except that he couldn't run as much at recess, because he immediately got really tired. Like how I went outside with him to do some yard work and felt like my body couldn't figure out how to increase breathing and heart rate.

I wasn't physically out of breath, but I felt like I was out of breath. That COVID feeling people describe, of "I'm not getting enough air." Except that I didn't have that problem when I had COVID.) Some people don't observe any long (or medium) term side effects after they have it.

But researchers have found viral reservoirs of COVID-19 in everyone they've studied who had it.

It just seems to hang out, dormant, for... well, longer than we've had an opportunity to observe it, so far.

(I definitely watched that literal horror movie. I think that's an entire genre. The alien dormant under ice in the Arctic.)

(oh hey I don't like that either!!!!!!!!!) All of which is to explain why we should still care about avoiding it, and how it manages to still cause excess deaths. Measuring excess deaths has been a standard tool in public health for a long time.

We know how many people usually die from all different causes, every year. So we can tell if, for example, deaths from heart disease have gone way up in the past three years, and look for reasons. Those are excess deaths: deaths that, four years ago, would not have happened. During the pandemic, excess death rates have been a really important tool. For all sorts of reasons. Like, sometimes people die from COVID without ever getting tested, and the official cause is listed as something else because nobody knows they had COVID. But also, people are dying from cardiovascular illness much younger now.

People are having strokes and heart attacks younger, and more often, than they did before the pandemic started. COVID causes a lot of problems. And some of those problems kill people. And some of them make it easier for other things to kill us. Lung damage from COVID leading to lungs collapsing, or to pneumonia, or to a pulmonary embolism, for example. The Economist built a machine-learning model with a 95% confidence interval that gauges excess death statistics around the world, to tell them what the true toll of the ongoing COVID pandemic has been so far.

Total excess deaths globally in 2023: Three million.

3,000,000.

Official COVID-19 deaths globally so far: Seven million. 7,000,000. Total excess deaths during COVID so far: Thirty-five point two million. 35,200,000.

Five times as many.

That's bad. I don't like that at all. I'm glad last year was less than a tenth of that. I'm not particularly confident about that continuing, though, because last year we started a period of really high COVID transmission. Case rates higher than 90% of the rest of the pandemic. Here's their data, and charts you can play with, and links to detailed information on how they did all of this:

Here's a non-paywalled link to it:

https://archive.vn/2024.01.26-012536/https://www.economist.com/graphic-detail/coronavirus-excess-deaths-estimates

Oh: here's a link to where you can buy comfy, effective N95 masks in all sizes:

Those ones are about a buck each after shipping - about $30 for a box of 30. They also have sample packs for a dollar, so you can try a couple of different sizes and styles.

You can wear an N95 mask for about 40 total hours before the effectiveness really drops, so that's like a dollar for a week of wear.

They're also family-owned and have cat-shaped masks and I really love them. These ones are cuter and in a much wider range of colors, prints, and styles, but they're also more expensive; they range from $1.80 to $3 for a mask. ($18-$30 for a box of ten.)

[a-b-riddle]

Part Five

Can't stop thinking about the attempt of reconciliation and reader ain't having it. Our girl is going to be wilddddd y'all. Also goodnight. See y'all tomorrow (maybe)

You call Meredith when you get home.

You. Are. Fuming. She's not sure she can ever remember a time you using so many swear words at one time.

How fucking dare them? Immature? You're the immature one? You were the one trying your best to salvage four failing relationship meanwhile none of those assholes could be bothered to try and keep one. They had one person to manage: you.

"I wanna go out this weekend." "Wear something tight and borderline risk indecent exposure."

"You know what I always say," Meredith begins. "The best way to get over someone-"

"is to get under someone else." You finish. You weren't exactly keen on the idea of bringing someone to your bed just yet, but a little attention would do you some good. "I don't want to fuck someone just yet." You admitted. "I'm more on the getting drunk and making out."

"I didn't know we resorted back secondary school heavy petting?" She teased.

"University, Dear." You corrected. "I didn't peak until after I graduated."

"No." She argued. "You didn't put your books down long enough to realize that boys actually wanted to fuck you." You were glad she couldn't see you roll your eyes. "Saturday work for you? I have a late night Friday and won't be up for it."

"That works."

"Sorry." She apologized. "I plan on getting you absolutely smashed so I need to be ready to play the nanny. I know how you love to get drunk and run off."

It was true. You had always found it hilarious when you were drunk to just run. Quite literally run away. It got to a point during university where Meredith would handcuff you to her so you didn't stray.

"I won't run." Your sober mind promised.

"Uh huh." Meredith's tone told you that she knew that was a load of shit. "I'll text Tabs. Let her know the plan."

The next day at the shop was pretty uneventful. No more unexpected visitors. You still had them all blocked. Not caring if now they decided to offer up some bullshit apology.

Months. This had been a steady decline for six months. A text or a simply sorry won't fix this. You weren't sure anything could.

But it didn't matter. You were done and they obviously were too.

You had picked up enough take out to feed a family, but you didn't plan on making your lunch before work or cooking when you got home. The rest of the week you planned on just going through the motions until you could go out Saturday and hopefully get everything out.

You weren't paying attention as you walked down the hallway to your flat. Fishing in your purse for keys. You were at almost at your door when you saw him.

Sitting next to your door was a familiar face. A face you felt you haven't seen in forever.

“What are you doing here, Kyle?" Your voice was flat as you continued to blindly try and find your keys with one hand. Fuck. You really need to clean out your purse...

“My key wouldn’t work.” He explained. "So I’m out here.”

"I'm aware why you're not in my apartment since I changed the locks," you said, trying to keep your irritation at bay. "What I am asking is why did you come here?"

"You won't return any of our messages."

"You're all blocked, so technically I didn't really get any messages." "Besides, you don't get to complain to me about not responding to texts, Kyle Garrick." Your fingers finally wraps around them. God bless. "If you're here for your things, it'll have to wait. I have to sort through everyone's shit and I don't know whose is whose."

"We need to talk." He explains as you put the key into the lock, opening the door.

"Nah," you say scrunching your nose in that way he used to adore. "I'm good. But you can swing by tomorrow and pick up your things if you'd like." You say before trying to shut the door on him. You were stupid in thinking you could be faster than him.

Dammit.

"I know things haven't been good and I've definitely could have been better,'' he admits. "But can you at least try and let us apologize? Let us try and work it out."

"No." You answered, trying to close the door. Not caring if you had to resort to kicking his shins to get him out.

"Why not?" He countered.

“Maybe because I've already tried, Kyle?” You gave up on trying to shut him out. You were strong, but he didn't have any issues in besting you. “Because I actually tried with you. With all of you. You didn’t need to come here giving me excuses about your life being hectic because I’ve made the excuses for you.” You didn't miss how he practically flinched. He had always blamed his busy life. Family. Work. You stopped caring about whatever excuse he gave you and realized it was just that. An excuse. “I’ve been telling myself for months that everything you guys didn’t do for me wasn’t because you didn’t care about me. It was because of the stress of your deployments is the reason none of you tell me when you get back from until it’s time to fuck. I tell myself it’s because of the fucked up situation of me being with all of you that makes it awkward to meet your families. Families you all have that I now know I’m not worthy of meeting.” He wanted to correct you. You were. You were worthy. He was an idiot. “It’s not that I need your excuses to make me feel like what you did was justified. No matter what it was, it was apparently to you because you did it.”

He took a step back, processing everything you had said. He had been selfish. You were the reliable constant in his life. Someone he believed he never disappointed. Someone he couldn't disappoint no matter how many times he fucked up.

You took the opportunity to slam the door. Quickly turning the lock before he had a chance to open it back up.

God...

That felt good.

You had spent that evening collecting their thing in case Kyle did show back up tomorrow. You wouldn't make their lives easier by sorting all their shit and organizing it. Everything. One box. Let them figure it out. You almost had a mind to add a shirt that you knew didn't belong to any of them just to have them argue over it. Or least make them think there was someone else...

You were almost tempted if not for the premise that you wanted them to realize this was their fault. Their fuck up. But now that you were officially all broken up, you were free game.

[whetstonefires]

One thing I don't think I've ever seen talked about is how post-apocalypse ideation is largely about homelessness.

Homelessness looms large in the American consciousness. Like, not that it's irrelevant elsewhere, but it's got a particular cultural place in the US that's reflected in Hollywood, and therefore relevant because what makes it into film and TV sets the terms of so many conversations.

We don't acknowledge it if we can help it, but I think most people know they're never more than a few very bad months from winding up there.

Even people who are sure it only happens to people who deserve it, who fuck up and put one foot in the morass of their own foolish volition. Even they know the quicksand is there, waiting to be walked into, and that the odds are stacked against ever climbing out on your own once you have. And that they, too, are capable of fucking up. Of trusting the wrong person. Of getting cancer incorrectly.

And those of us who know damn well we can't be sure we're safe even if we do everything right, we know it even better.

And in that sense it doesn't matter what the world would realistically look like after X kind of apocalypse, what people would do, how society would adapt. Because the anxiety that's being processed is about the reality that's in existence now.

About what if my world ends. And I lose access to the fruits of developed society, to clean clothes and new glasses and running water, to a safe place to sleep where I don't expect to be killed or robbed, or driven out by men with guns and dogs. To my home and work and family and everything I usually use to tell me who I am.

What if every man's hand is against me, and every meal is a small victory, and there's only my own dwindling strength between me and the long night?

Will I make it? Will I hold up under the strain? Will I retain my dignity? Will I be lucky? Will I be able to protect the people I love, in that world, the world where no one is protecting us anymore?

Is there a way to continue to live as a human person, when you're denied the prerogatives of one, and don't know if you'll ever get them back?

Putting this anxiety into the context of a massive apocalypse divorces this scenario from the burden of shame tied up in the idea of winding up in that sort of situation in the normal course of events, by having society vanish rather than expel you, personally, as a washout, and continue on around you.

It also allows you to rule out a priori the question of what resources might be offered but can't in an anticipatory context be counted on; shelters and programs and housed friends and family who may or may not help. And narrow the narrative to only the question of what you can survive, and often a fairy tale about surviving all of it and starting over.

Rehearsing for a loss in a mythologized format is a very normal anxiety processing behavior, and I think a lot of apocalypse scenario building is attached to the buried dread of that personal apocalypse. But I haven't seen that one make the list.

[syddsatyrn]

Omg your requests are open. I've seen some of your work and it's amazing❤️

Can you do a smut with Lucifer. He's become my new obsession.

⛧Idle Time is the Devil's Play⛧ By Sydd Satyrn

⛧Pairing: - Lucifer Morningstar x Reader

⛧Warnings: Shameless smut, fingering, swearing, fluff

⛧Words: 2.5k

⛧Notes: This was actually rather fun to write, thank you for the request! My head canon in this one is that Lucifer wears reading glasses.

The day started out on the wrong foot from the second you woke up. The dishes are piled up, laundry needs to be done, and how is there so much dust in here?! Nifty does her best to keep up but she's only one tiny person. You begin with the dishes, stack and stacks of plates and bowls, cups and flatware cover the counter. You let out a sigh of disappointment. After working for a short while, Angel Dust walks in with a surprised look on his face. “I thought you were dating the King of Hell, why are you wasting your time with chores?” The tall spider asks, holding a stack of dishes from his room. “Angel, I work here. I don't know how many times I have to tell you…” You reply with an eye roll. “Yeah, yeah, Charlie’s dreams, blah, blah, motherly nonsense. I’m just sayin’ you could totally slack off and get away with it.” He says, placing more dishes on the counter. You give him a side eye, and Angel laughs. “Chill out toots, I’m just playin’.” He says and heads back to his room. He’s right, you could slack off if you wanted to, but you felt the need to try for Charlie. You and Lucifer have been dating for a little over 6 months and within that time you’ve become rather fond of his sweet daughter and her dreams to rehabilitate sinners. So you took on a role at the hotel and did what you could to help make it possible. You wanted to impress Lucifer's daughter, maybe one day she might even see you as family, if you’re lucky.  You finally finish the dishes and take a step back and admire your handiwork. A clean sink, and counters, all the dirty dishes are now washed, dried and put away. It took a good chunk of the morning but it was worth it. The kitchen looks spotless and you decide to move onto the next chore. You tidied a few empty rooms and then delivered clean towels to each room with an occupant. You’re already running out of energy and it's only noon. “You look like you could use some coffee.” Husk says from behind the bar while wiping down the countertops. “You read my mind, Husker.” You say and take a seat at the bar. He pours you a cup of black coffee and sets it in front of you. “Thank you, you have no idea how much I need this.” “Don’t mention it” He says and returns to his countertops. Husk may seem grumpy all the time but you’ve come to know him as a rather genuine and helpful person.

You drink your coffee slowly and contemplate what you should do next. There are so many chores that need to be done, where should you even start? Nifty should be cleaning the bathrooms or taking out the trash by now. You decide to start dusting next, it shouldn't be too hard. 

After dusting the common areas, you begin on the hallways. You start at the top floor and work your way down. You hum quietly to yourself while wiping the window sills. As you turn a corner, you run into Angel Dust, and spill dusting spray all over his jacket. “Shit!” He says while wiping his jacked off with his hand, Angel looks frantic and upset, you’ve never seen him so scared. “I’m so sorry! Are you okay?!” You immediately apologize. “Y/N, I can't find Fat Nuggets anywhere! I took my eyes off of him for one second and he disappeared! My poor baby!” Angel says, clearly in a state. He looks like he might even cry. It’s gonna be okay, we just…need to split up! I’ll head downstairs and you stay up here.”You say, trying to remain calm. Angel nods, and you both go your separate ways.

You search all the rooms on the first and second floor, the lobby, the bar, and even the basement. There is no sign of the little pig. You were sure you would find him rooting around somewhere in the kitchen but still, no Fat Nuggets. You notice the back door is slightly ajar, you definitely didn’t use that door when you were down here earlier. You open it, expecting to have solved the mystery, but still nothing. You lean against the wall and let out a defeated sigh. “Dammit, Fat Nuggets, where are you?” You say out loud. Suddenly there is a rustlin noise inside a tipped over trash can. You lift the lid and inside is a very happy looking little pig. You scoop him up and give him a big hug, he must have gottens stuck out there looking for a snack. As you carry Fat Nuggets upstairs you hear a shriek of joy coming from Angel Dust. “My baby!” He cries as you hand him over. “Don't you ever leave my side again!” He says, baby talking to the little pig while giving him a snuggle. “I owe you one, Y/N.” Angel says with a smile. “Dont worry about it, I’m just happy we found the little guy.” You gently boop the little pig’s nose. —------------ As the sun dipped below the horizon, casting hues of pink and orange across the sky, a sense of tranquility settled over the hotel. The warm glow of the fading sunlight painted the walls in soft, golden hues made the place feel somewhat serene. Finding Fat Nuggets took up the rest of your afternoon and you were feeling unusually exhausted. 

 You head down to the lobby and see Nifty cleaning up the last of the dusting you did earlier.

She greets you as usual. “Good Evening, Miss Y/N! How was your day?” She pauses her cleaning and stares up at you with her single cyclops eye. “I am so worn out, Nifty. How are you?” You return, smiling down at her tiny figure.

“I’m okay. There aren't as many bugs in the hotel to squish anymore so I’m getting pretty bored.” You smile at her, Not entirely sure how to respond to that statement. She always says the wildest stuff, but you’re used to it. Alastor says she's always been pretty quirky. “You should go spend time with your boyfriend.” Nifty teases,”I’ll deal with the rest of the chores.” “Thank you, I could really use a break. Today was a mess.” You say with a sigh of relief. After walking down the long, lavish hallway to Lucifer's room. You open the door slowly, you don't want to wake him if he is asleep. The King is already in bed wearing nothing but a robe and his reading glasses. The lamp next on the bedside table is the only source of light in the room. The blonde haired man is reading a book and glances over at you when he hears you come in. “I was wondering when you’d be here.” He says with a smile on his face. He closes his book and sets it on the nightstand along with his gold rimmed glasses. “Sorry I’m late, I’ve had a really long day.” You admit as you sit on the edge of the bed. “Oh? What did you get up to today?” He asks and crawls toward you. “There was a lot to do around the hotel today, a mountain of dishes and so much cleaning. Like seriously, where does all this dust come from?! Then Angel lost Fat Nuggets and he was outside…” You ramble on and Lucifer listens intently. “Fat Nuggets?” Lucifer chuckles and cocks his head to the side. “His pet pig.” You remind him. “Oh, I see…” Lucifer places his hand on your cheek. His warm touch sends shivers down your spine. He pulls your face closer and kisses your lips gently. Your heart flutters and you kiss him back, blushing slightly.

“Well, I’m glad you’re here now.” Lucifer laughs, knowing exactly what he's doing to you. “Sounds like you need some time off. I notice you do a lot around here, you shouldn’t wear yourself out like that.” “I just want to show Charlie that I support her dream and believe in her.” Your words make Lucifer’s heart swell, the fact that you are trying so hard to impress his daughter is quite possibly the cutest thing he’s ever seen. He smiles at you, his expression full of love and admiration. You return his smile, your face bright red. He pulls you in for a tight hug, burying his face into your hair. “You’re doing just fine, my love. You can let up a little.” He whispers in your ear, “You should let me take care of you for a couple days.” Lucifer's voice is sticky sweet, you can see why Eve was so easily swayed. You melt into his arms and he kisses the top of your head. “I know exactly what you need…” Lucifer days, his voice laced with a mischievous tone. “Do you…?” You ask and giggle at his bold statement. He reluctantly lets go of you and takes off to the bathroom connected to his room. You can hear him turn on the faucet to fill up the tub. Lucifer walks out of the bathroom a few minutes later, he grabs your hand and pulls you close, his eyes half lidded. He kisses your cheek and wraps his arm around your shoulder. “Come with me, my dear.” He leads you to the bathroom, the tub is filled about half way with warm water. The room is filling with steam and the lights are low, a few candles are lit. The ambiance is warm and charming just like he is. Your eyes widen and you feel Lucifer hands tug at your clothes, silently telling you to take them off. Your face feels hot as you start to remove your clothing, piece by piece. You leave them in a pile on the floor, trying your best to keep your composure. “I have to admit I wasn’t expecting this…” You say, Lucifer smirks, pleased with himself and your reactions. He removes his robe, revealing his perfect body. He steps into the tub and turns to you.

"Well, are you coming or not?" He teases, you take his hand and slowly get in the tub with him. He sits behind you and wraps his arms around your waist, pulling you just a bit closer. Together, you both leaned back against the edge of the tub, letting the warmth of the water soothe your weary muscles. The stress of the day melted away, you could feel your muscles relax, you lean the back of your head on his shoulder, breathing him in.

"See? Isn't this much better?" Lucifer purrs in your ear.  

You nod and let your eyes close. You can feel him kiss your temple and you can't help but smile. “I definitely needed this…”You murmured, Lucifer's hands begin to roam your body, his hands trace down your arms. 

"You have the most beautiful skin...I can't help but touch it." He whispers and kisses your neck, you sigh softly. "And you always smell like vanilla, I adore that..."

“You flatter me, Lucifer.” You reply. He kisses the back of your neck, sending a shiver down your spine. His hands begin to massage your shoulders, "Are you cold?" He asks, noticing the goosebumps forming on your skin. With gentle hands, his fingertips traced delicate patterns along the contours of your skin. In the hushed ambiance, time seemed to slow, as if caught in the embrace of the moment. “No, I’m fine.” You assure him.” You’re just really good with your hands.” “Is that so?” Lucifer says with a playful tone. He can barely contain himself, the way your body responds to his touch is fascinating to him. Lucifer's hands travel lower down your torso and gently cup your breasts. You hum softly and push your body closer to his.

"My, you're a needy one tonight, aren't you?" He chuckles and runs his thumbs over your nipples. "I think I know exactly how to help you." His hands travel lower and lower until they reach your core. Your breath hitches and your face turns a bright shade of red and Lucifer notices. "Is that okay, my love?" He asks, making sure he's not overstepping his bounds.

"Y-yes, it's more than okay.”

Lucifer's fingers explore your folds, teasing and prodding. His movements are slow and deliberate, as if he's trying to memorize every inch of your body. You gasp as he enters a finger into you. You moan softly and your back slightly arches. "That's it, my love, just let go, let me take care of you." The King’s tone is lustful and alluring. Lucifer adds a second finger and starts thrusting in and out, his thumb rubs your clit. He moves his fingers faster and harder. “Luci…fuck…” You swear followed by another moan, the pleasure is overwhelming. You can feel him smile against your skin, his hand working wonders between your thighs. You bite your lip and whimper, gripping the edge of the tub. Lucifer bites the tip of your ear and quickens his pace. “That’s it my dear, are you gonna cum for me?” Lucifer groans and pushes his fingers deeper inside you. You let out a whimper, a feeling of warmth growing deep within your core. Between the steam from the bathtub and all the stimulation you start to feel a little dizzy. Lucifer groans and buries his face into the crook of your neck. He focuses back on your clit, his middle finger massaging little circles, picking up speed with each second that passes. You can't stop the moans from escaping your mouth, the pleasure is too much. You can't hold back any longer and your body is rocked with wave after wave of pleasure. Lucifer's fingers move slower, helping you ride out the waves of your orgasm. Your chest rises and falls rapidly, your face is bright red. Lucifer pulls his fingers out and wraps his arms around you, hugging you tight.

"Are you alright?" He asks, kissing your neck. You nod and completely relax into Lucifer's body. You lay in the bathtub together, his fingers caress your arm, he presses another kiss to your temple.

"I think it's time you got some rest." He says, barely above a whisper. You both get out of the tub and Lucifer wraps a towel around you.

"You're absolutely perfect." He says with a grin and kisses your nose. You smile at him, continue to dry off and wrap your hair in a towel. Lucifer loans you a pair of his silk pajamas, they are just slightly too big for you. But all that does is add to how comfortable they are. You lay in bed next to him, the covers pulled over your shoulders. He pulls you close and runs his fingers through your hair.

"So, tomorrow you will do no chores, no errands, just relax and take it easy.” He says, with a slightly demanding tone. You lay your head down on his bare chest and he picks up his book. “Yes sir…no chores…” You murmured against his skin. “He chuckles, "Good girl. That's what I like to hear.” He praises while putting his glasses back on. You're exhausted from the day and can barely keep your eyes open. Before long, you fall asleep in the arms of your love, ready for a trouble free day tomorrow. 

[hellenhighwater]

Can I ask what's your job when fostering kittens? And is it better or more complicated that you have your own cats?

Oh, I forgot to answer this earlier! (Just as a general apology to everyone--I get an anywhere from 5-20 asks a day and while I read all of them, I rarely have time to respond to most. Sorry! Still appreciated though!)

Cats, generally, can't be spayed or neutered until they're at least 3lb, which is typically around three months old. Most ethically run shelters and rescues will not adopt out any cat that isn't fixed, including kittens--so when kittens come in, they have to be raised until they're old enough to be spayed or neutered. Kittens are also pretty fragile, and need a bit of extra care and attention in those early months.

Fostering kittens does a number of good things! It gives the kittens a home-setting place to grow for those first three months, which means they'll acclimate to their adoptive homes better than a kitten that's only seen the inside of a shelter. Second, it frees up space in the shelter! When it's kitten season (aka any warm month), very nearly every shelter is overwhelmed with kittens and cats, and is desperate for space. Fostering opens up room in the shelter for cats who can be in and adopted out faster. Third, it socializes the kittens! A person or family fostering is able to pay more attention to a handful of kittens than even the most dedicated shelter staff or volunteers.

So my job is just to feed the kittens, clean up after them, and monitor their health as they grow. And play with them and handle them as much as I can! The shelter provides all the things they need in terms of food and meds, and I've made myself a firm rule that if a kitten needs more than can be done in a couple daily check-ins (like, say, bottle feeding) I can't foster that kitten. I usually am able to spend more time with them than that but I can't guarantee it, so generally I only take kittens who are feeding themselves, at least 4 weeks old, and generally doing well. I often take momma cats with litters, because then I have a built-in coparent.

The babies will gain about a pound per month, so I'm likely to have the current batch well into December. It's a ton of fun to have kittens around and I get to enjoy having them while also helping them succeed.

[vilnmelling]

Jon Matteson family tree headcanon, anyone?

Emma found out about each of Paul's relatives separately.

First Emma scratched someone's car, and while they were discussing what to do about it, Paul said, "If it comes down to it, I can get in contact with Gary." "Gary Goldstein? You're on a first name basis with the only lawyer in town?" "Yeah. He's my older brother."

A couple of weeks later, Emma's talking about the rare instances when she actually remembers something about the Beanie's customers, and she mentions a guy with really weird and greasy, anime-like hair. "Huh. I didn't know Richie liked Beanie's." "Who?" "Richie. My nephew. With the anime hair."

An ad for Camp Idontwannabang comes up on TV, and Emma recalls her horrible summer at Camp Idontwannabang as a teenager. Then Paul pulls out the, "I'm glad I never had to go. My cousin's one of the counselors — well, one of the directors now — so my parents decided I shouldn't have to spend an entire summer with him." "Boy Jerry's your fucking cousin?"

While on their way somewhere, they run into Daniel outside the Roller-rama. Emma's like, "God, I feel like I've seen that kid outside the Roller-rama ten times." "Yeah, Daniel goes there a lot." "Why the fuck do you know his name?" "He's my other nephew."

Finally, Paul brings Emma to a family gathering, where she spots the identical Lipschitz twins, who she's always assumed to be the same person when she's seen them separately. "There's TWO of them?" "Yeah, that's Trevor. My third nephew."

Skip forward another few weeks and there's something on the news about politics and so forth. "That secretary of defense looks a bit like you, Paul. What's he; another secret brother?" "No." "Yeah, I know, I'm just messing—" "Wallace is my cousin."

[tia-shay]

Astro Observations 2.0

Thank you all for 222 followers! <3

Take these observations for what they are: personal observations.

Super duper long because I love you all. :)

Aries moons tend to always be on the move. Often times, these natives have something energetically "off" at home which results in them not even wanting to be there. They're the type to always be at work or at their friend's place. May have parents they want to get away from. At least one of their parents leans toward a more masculine energy.

You cannot be in your feelings when you talk to a Virgo moon. Their love language is literally telling you all the ways you can improve yourself. It's not necessarily that they're trying to make you feel some type of way, they genuinely don't think there's anything offensive about it. They're naturally attracted to "fixer-uppers" and they love a good project. Only problem is, people are not your projects and your loved ones are allowed to be flawed.

On the note of Virgo moons, they also have a tendency to be permanently unimpressed. My mom has this placement and my sister and I always wanted grand reactions to the stuff we did as kids, but we never got them. Even to this day, my mom is the queen of giving absolutely nothing extra energetically lol. They literally look like this emoji --->😐. Unless they have fire placements, they tend to be the definition of stoicism.

I've been studying the relationship between Scorpio moons and their mothers for a while now because it is such an interesting dynamic. I noticed in the past, that Scorpio moon natives may experience a rather controlling mother figure, but I've recently noticed that this controlling nature goes both ways. Yes, their mother has control over them and their actions, but they have just as much control over her too. They're almost like puppets to each other. It's an incredibly intriguing dynamic that honestly leaves me speechless. Makes you wonder, in these specific situations, "Is anyone here truly the victim?"

We've talked about how moon signs can manifest and what your mother may have taught you, but what I have yet to touch on is how your moon sign reflects your mother's pregnancy experience. I've studied this a bit and I think my mom is the perfect example! My sister and I have opposing moon signs: Cancer and Capricorn. I've spoken to my mom in-depth about both her pregnancies and here is how she describes them:

-Pregnancy with Cancer moon: she was overweight, gained 50+ lbs during her pregnancy, used food to cope with her abusive relationship, was on bedrest, too depressed to do or go anywhere, spent most of her days in the house crying.

-Pregnancy with Capricorn moon: she was in amazing physical condition, gained less than 20 lbs during pregnancy (10 lbs of that was baby), had endless energy, worked out every day, worked overtime at her job, was broken up from my dad, lived alone, was in her bag.

Opposite moon signs and two completely different pregnancies!! Crazy, right?!

I've heard the theory that Capricorn moons are the eldest child, which is true in many cases. However, in my experience as a Capricorn moon, I'm the youngest and my eldest sister is a Cancer moon. But that doesn't debunk my "big sister" energy lol. My sister has always referred to me as her "big little sister" and when we were younger and my mom left us home alone, she always left me in charge. My Cancer moon sister was known for her big emotions and ability to quickly lose control. This dynamic has always been funny to me. Ex. We had a tornado watch (super rare where I live) and my sister was running around the house screaming and crying. While I was calmly in my bedroom playing dolls keeping it kosher. 🤣

God really did give his toughest battles to Virgo, Scorpio and Capricorn moons. No one else is doing it like us! We came equipped with everything we needed to handle ALL the bs in our families.

Don't scorch me fire moons, but where is the personal accountability? I've seen water signs talk their way out of some situations, but the way a fire moon will dance around the truth really needs to be studied. I made this observation before and a Sag moon came for me which is how you know it's true. 😭

Moon sign compatibility is so real y'all. As an earth moon, I mainly form deep connections and bonds with other earth moons and *some* water moons. The other elements just don't do it for me. Even with my fire placements & degrees, I still struggle to understand fire moons.

I've read before that Leo moons have a tendency to be selfish, which I concur depending on the situation. But I think the reason why some of them act like this is because often times, they are either the only child or the favorite child. So they literally don't know what it means to compromise or not get their way. I've only met 2 Leo moons (that I know of) years apart and they both had the same tendencies and personality. Let me know if you've had a more positive experience with this moon sign!

Fixed moons may have mothers who are very controlling over their lives. Their mothers have a “fixed” idea of what their child’s life should look like. They have a tendency to have a puppet & puppeteer relationship. I’ve noticed that because of this, these natives tend to have one area of their lives that their mother can’t control and they spiral out of control in that area. Kinda like a “look mom, you can’t control me in EVERY way” type thing. The most common areas I’ve noticed this in is their sex lives and drugs/alcohol use.

Of course the above note is based on personal experience. I’ve heard quite a few mothers of fixed moons say to other people: “I made them do this” “there was no way I was gonna let them not do this…” like the kid has no choice in the matter.

Okay, enough about moon signs. For now...

This may not be too popular with the astro girlies buttt I believe we have a tendency to attract the versions of signs we speak into existence. For example, when I first started studying astrology, I was sick to my stomach to see that I was a Sagittarius rising because I had back-to-back experiences with Sagittarius suns stabbing me in the back, so I told myself they were the worst. In time, I wanted to accept all of my chart which included my own Sag placements. I had to heal my understanding and perception of them to see them differently. Now, I attract the funniest and kindest Sag suns! It all started with me. This is your sign to heal your trauma with that placement. 🤍 (yes, this is also a message to myself). What you see won't change until you change what you see!

If there's anything a mutable rising is gonna do it's change their physical appearance.

Earth risings, rising at earth degree, or chart ruler in earth house: these people are less likely to take bold chances and risks with their appearances. Not really the type to dye their hair crazy colors, although they are quick to get visible tattoos.

Virgo in big 6 appears naturally put together. They don't really have to get ready because they stay ready. And they expect the same from you, especially if you're their romantic partner. This is amplified if they have Libra or Leo placements.

I’ve noticed Virgo suns and risings are much less likely to wear makeup. I see them with it maybe once a year and even then it’s like one coat of mascara and some highlighter. One thing I have heard a lot of Virgo women say is that they literally don’t know how to do their makeup which may factor into why they don’t wear it. Virgo moons however do tend to wear makeup.

Aries and Scorpio placements are very protective of their loved ones. One wrong look in their direction and they're ready to pounce.

Gemini-Sagittarius axis: if there's one thing these placements are gonna do it's laugh at absolutely nothing for an extended period of time.

Taurus and Libra placements, do you really need that new blouse? Or that new stationary knowing dang well you have more than enough? No, put it back. Aht! PUT IT BACK. And keep your receipts, so when you get home from that impulsive purchase, you can bring it right back where you got it from.

Something about Virgo, Scorpio, Sagittarius and Capricorn placements in dark academia that really does something to me chile...dark academia was made for us!

Saturn rules teeth. Saturn placements and aspects can describe your teeth’s appearance and health. Saturn aspecting Jupiter may have larger teeth. Aspecting Mercury may result in the native having smaller teeth or possibly getting veneers. Saturn aspecting Venus can manifest as the native receiving many compliments on their teeth/smiles. In the case of harsher aspects, the native can feel their teeth directly hinder their perceived beauty.

I’ve noticed people with prominent Gemini/Virgo/Mercury placements are much more likely to have gaps in between their front teeth. Often times, this is a result of their teeth being on the smaller side.

Virgo placements (esp. moons) can have naturally “perfect” teeth that don’t require braces. But upon closer inspection, you can see their teeth are not perfect, but rather, the imperfections are so minuscule you have to truly look to find them.

Libra Suns typically go for either the relaxed look (very natural appearance, not much makeup) or all the frills (makeup, couture, luxury). I have yet to see an in between. Libras with Scorpio/8th house influence enjoy darker colors and go for a much more relaxed look. More likely to portray a dark feminine embodiment of Venus or a more natural feminine. Especially if they have Virgo placements.

Aries suns (males and females) are the BIGGEST sweethearts and I don’t see enough people praise them for their pure hearts. 🥹

DO NOT under any circumstances copy, paste, reword, rewrite, translate, or repost my work.

All Rights Reserved to astro-enthusiast.

[homestylehughes]

shower sex

pairing(s): luke hughes x fem!reader

summary: after a terrible day, luke knows just what y/n needs. because what's a better relaxation than shower sex?

wc: 1.7k

warnings: smut 18+. little plot, mostly smut! pure filth, no use of y/n. cussing, pet names, dirty talk. oral, fem receiving. unprotected sex, p n v. hints of some angst, and cute fluffy boyfriend luke.

authors note: hiiiii!! luke smut! luke smut! luke smut! i loved writing this, i love luke, going through a luke phase rn badddd. i got this idea when i was writing the headcanons for him earlier. so here it isssss. i loved writing this. like and reblog if you enjoy<3 as always much love<3

happy reading<3

I've actually had the worst day ever. Everything. I mean everything is going wrong today. I was late for work today because I missed my alarm, even with me sprinting throughout our apartment, and speeding to the office. I was still late.

Then, I spilled my coffee all over me. That was my second straw. The worst part about it was that I had to work in my coffee-covered clothes the whole day, not being able to afford to leave work, which would cause me to be even more behind than I was.

I had so much work to do, i stayed 3 extra hours over, not pulling out of the parking lot until almost 8 p.m. everything hurt, each part of my body was exhausted. To make things worse, if they could get even worse, I haven't seen Luke in almost a week. 

The hockey season is wrapping up but Luke has been busy with spending time with his family, after Jack's surgery and training for the worlds. 

We both had hoped that I'd be able to get time off from work to spend time with him and his family, taking a little break for myself. That obviously didn't happen. 

So now, im driving back home to our apartment, in coffee cover clothes, with a pounding headache and empty stomach. The tears are threatening to fall over my waterline. 

Parking quickly in the lot, I get out and grab my things, making my way through the lobby to the elevator. The ride to the 8 floor feels like 30 years before the door opening signaling its floor. 

I slowly trudge down the hall to our door, pushing my key in and turning the lock, the refreshing smell and sense of being home felt in my body. Immediately I drop my things by the door, kicking off my shoes as I do. 

There's three things on my mind right now: shower, eat maybe, and bed. Luke is also on my mind but I'm so exhausted I can't even bring myself to message him back from earlier. 

Making my way to the bathroom, turning the water on to the highest it can go, wanting to burn and wash away the aftermath of the day. Peeling off my clothes, my body quickly relaxes as soon as the hot water hits my body. Leaning my head back letting it run all over my face. 

I can't tell if the wetness on my face is just water or a mix of tears, at this point I'm not sure I care. 

After five or so minutes of letting the water run along my body I reach for the shampoo, starting to wash my hair. The scrubbing on my scalp and the smell of my shampoo is enough to send me into a daze. Wash and rinse and wash and rinse again, the same action repeated with conditioner. 

As I'm rinsing the last bit of conditioner out of my hair, my back turned away to the door of the shower, my eyes closed in relaxation. I feel a hand slowly trail around my waist, my eyes quickly open in confusion, my body fast to move away from the person behind me.

“Hey baby its just me” luke chuckles from behind me, pulling me back into his body from behind, his hands circling my waist rubbing small circles on my hips. 

“You scared me '' I say as I lean back into his body, “sorry baby didn't mean to”, he says, breathing into my neck, his warmth on my neck is enough to make my knees weak. 

“How was your day?” he says, face still nuzzled in my neck. I sadly laugh before i speak “my day was terrible so fucking terrible.” I can feel my eyes begin to fill with tears again. 

Luke is quick to turn me around, grabbing my face in his hands holding it to look at his. “Hey baby, don't cry, it's okay. I'm here now, i'm sorry i haven't been here recently” he says while his eyes are locked with mine, wiping his fingers under my eyes where tears have now fallen. 

Feeling stupid for crying i mute out a small “sorry” to Luke, feeling bad he has to watch me cry like a baby. 

“Hey no, don't feel sorry. It's okay to cry". I don't deserve him, I say to myself. Not knowing what else to say, I push my face to his, locking our lips together. It's been almost a week since i've kissed luke, i missed the feeling of his lips, i've missed the feeling of him around me in general. 

Luke is quick to respond by pulling my hips closer to his body, his other hand on the back of my head. Taking control of the kiss by pushing my lips harder against his.

His tongue pressing against my lips, begging to be let in, opening my mouth slightly against his, lukes hot tongue slides into my mouth. I don't even try to fight for dominance, I just let him take control.

Our bodies moving together against the stream of hot water, the glass door fogging up around us. My body feels like it's on cloud nine just from that. Lukes the first to pull away, his pupils blown with lust, lips swollen and pink. 

“Fuck i missed that” he says, hes hands begin trailing up my body grabbing at my hips, tracing his hands along the under neath of my breasts, the action alone causing me to shutter. 

“Luke” I breathe out, now looking up at him, “what baby” he smirks down at me, now trailing one of his hands to my left nipple, rolling it in between two of fingers. 

“I need you now” I say quietly, “what do you need baby?” Luke says, bringing his face close to mine.

“I want you to fuck me, please” luke wastes no time smashing our lips back to together, walking us backwards and turning us around. My back hits the cold tile, the sensation causing me to moan into lukes mouth, our tongues began to move against each other again. 

Luke suddenly pulls away from me, I whine at the loss of contact. “Be patient baby” he says, as he tails his hand between my legs, pulling my thighs apart, caging me in by putting one of his legs between my thighs and the other on the outside of my other leg. 

I gasp as a feel his fingers slide in between my folds, “fuck baby, who got you this wet?” “you luke, you.” I say trying to push my hips to meet his fingers, my body craving some type of release. 

“Youre a needy little thing tonight arent you baby” he says to me in a teasing tone, “yes i am, and i need you to fuck me now please luke, stop teasing me” i say finally finding my voice. 

“You want me to fuck this little cunt huh?” Luke rasps back to me as he begins to slowly enter two fingers inside of me, I'm so wet, that they just slide right in. 

“I think i might just tease you for a little while longer baby” still slowly moving his fingers in and out of me. My body is rocking against the motion of my fingers thrusting in and out of me.

“Fuck i need more luke, please” i say moaning out to him, hoping he can see how desperate i am for him right now. 

  “Since you asked so nicely” he says, quickly removing his fingers from my pussy. Grabbing one of my legs pulling it up against his hip. 

I pull his face against mine, my hands finding his hair tugging and pushing his mouth against mine, our teeth and tongues clashing against another.

Luke takes a hold of his cock, giving it a few quick pulls before he pushes into me completely. “Oh fuck luke” i moan against his mouth, “you feel so good around me fuck baby” he groans out from above me pulling our lips apart, as he begins thrusting in and out of me.

Each roll of his hips feels like a gift sent from god, his grip on my things hurts so good. I begin to roll my hips to meet his thrusts. 

“Fuck yeah right there baby” luke moans out “keep fucking yourself against me” he says dropping his face into my neck leaving bites in his wake. 

Luke brings my leg higher against his hip, the new angle causing my vision to fog over. “Luke fuck. Oh my gosh,” “right there baby please”. My hands running over the landscape of his back, my nails definitely leaving a trail of red hot marks in their wake. 

The sound of the shower running, and the sound of our skin slapping together fills the shower. I can feel the sweat forming on my body, as luke continues to fuck me. His hand sliding inbetween our bodies, to my clit. 

“Fuck luke, yes right there” i moan out loudly. “That feels good baby, right there yeah? You want me to rub your pretty clit as i fuck you?”. Fuck him and that dirty mouth, “yes luke please, dont stop im close” my eyes falling shut in pleasure. “Fuck baby, i can feel you squeezing against me”

Luke's thrusts began to speed up, I can feel my high approaching. “Fuck luke, dont stop” “im almost there” i say, pulling our lips back together, moaning into each other mouths. 

One last snap of Luke's hips hits right against my clit, causing my whole body to start shaking. “Im coming fuck” i can barely get out as waves of pleasure taking over. My vision is completely white, as my climax racks through my body. 

Luke drops his face against mine, as he comes his moans filling my ears, his hips still snapping against mine, as we both ride out our highs. 

Luke's hips stop moving, trying to catch his breath, as he pulls his face from my neck, I open my eyes slowly to see Luke looking back at me with a slight smirk on his face, our chests still rapidly falling. 

“I think the shower is cold ”Luke says to me while smiling, “I don't care.” I whisper back, pulling our lips together once again in another kiss. Already forgetting about the terrible day, once his lips are back on mine. 

[fangsandfeels]

The vagueness of Astarion sleeping mechanics drives me mad sometimes

So, the game says that elves don't sleep - to the point where it's ironically stated that the only way for them to experience sleeping is to either drink a potion of Angelic Slumber or "get hit really hard with a chair".

Instead, they enter a semi-aware meditative state (Revery) where they experience memories from their past lives (usually most positive and emotional parts). Or they just sorting through their current memories.

Now, we've seen Astarion meditating if his way of lying on a bedroll is anything to go by. He is also immune to sleeping spells. We could also see him sleeping (in a Durge run). I know that devs technically recycle the same sleeping pose for all romanced companions, but still. Also, Astarion has nightmares, which is not typical for elves.

Of course, when I was going through the lore, I scratched the surface, but from what I understood, Revery is supposed to be a controlled state, and nightmares aren't exactly controlled.

But, I've found a very interesting bit that (so far) is still considered part of the official canon:

Elves can sleep and dream just like any human, but almost all surface elves avoid doing so. Dreams, as humans know them, are strange and confusing to elves. Unlike the actual memories of one’s primal soul, present life, or past lives, dreams are uncontrolled products of the subconscious, and perhaps the subconscious minds of those past lives or primal souls as well. An elf who dreams must always wonder whose mind these thoughts first arose from, and why. Priests of Sehanine Moonbow are an exception: they sleep and dream to receive signs from their god, and elves consult such priests to interpret their own dreams."

From: Mordenkainrn's Tome Of Foes, Chapter 2: Elves

And not only does this little bit explain a lot, but it also provides some food for your fic writing purposes.

Now, I'm entering the headcanon territory, so be warned.

Astarion's access to Revery got horribly fucked up after he had been Turned. Not only does he no longer have access to his previous lives since he is technically dead and plucked from the cycle, but he also can't even have his happy or good memories before he became a spawn. Even if they are still there, somewhere in the memory palace, getting to them requires going through the catalog of traumatic and painful memories he acquired after being enslaved by Cazador. It's like running through a burning house trying to rescue your family photo - and the hall gets longer each time. So, entering a trance means confronting the worst memories of his life over and over because there is nothing else there.

Due to this Astarion may resort to sleeping, which elves don't usually do. Elves don't like dreams because dreams are subconscious, and they can't be controlled, which scares them. For Astarion, however, it means there is a chance of him subconsciously dreaming of something nice or just being blissfully empty. However, it doesn't safeguard him from nightmares which (because they are the product of his unconsciousness) get even more twisted than simple memories.

Additionally, there can be a possibility that after becoming a spawn he got cut off from meditation and trances completely, relying on sleeping only: at least, the cut spawn epilogue by Withers mentions how while Astarion needs to sleep again, he doesn't sleep alone. While we don't know what that means exactly (and whether it will ever be implemented in the game), I assume that the tadpole gave him the ability to meditate back, but it was a small improvement because his memory headspace no longer holds happy memories capable of offering solace or refuge.

So, my personal headcanon is that he switches between meditating and sleeping depending on how aware he needs to be, and whatever option feels less torturous at the moment.

For instance, in his Origin run, when he remembers the moment of Cazador carving scars into him, he is in a trance. Which is why the memory is so horribly vivid, as if he is reliving it anew.

However, when he has a nightmare where Cazador finds him, he is sleeping and experiencing a memory affected by his subconsciousness. Which is why he jolts himself awake and desperate to know the limits of his freedom.

So, yes, the man literally can't catch a break.

On a happier note (and for your hurt/comfort fanfiction purposes), once Astarion starts traveling with Tav and the group, his memory bank gets updated with memories that are actually fun and nice, so he has something to linger upon when he is meditating. Sleeping gradually becomes a bit more pleasant experience because his subconsciousness got more material to work with, so the quality of his non-controlled dreams has to gradually improve.

[rendezvouz-fling]

Astro Observations #30

• I find that, most charming people tend to have their sun and rising in the same modality except squaring one another. E.g. Aries sun-Cap/Cancer rising, Pisces sun-Sag/Gem rising, Taurus sun-Leo/Aqua rising, etc..

• I've noticed some Aqua/Cap risings tend to start working from an early age. E.g. Luis Miguel (Cap rising), his career started when he was around 11 and Selena Quintanilla (Aqua rising), became the lead singer of Selena y Los Dinos when she was just 9! Michael Jackson (Sidereal Aqua rising), became the lead singer of the Jackson 5 at age 5.

• The house your moon is in, can be the things you find comfort in. E.x. A 2H moon might have a comfort food or like staying in bed, a 9H moon might like playfulness and words of reassurance, a 7H moon might like creative outlets, etc...

• 5H stelliums that include Venus/Mars, like big, dramatic, romantic gestures! The sign it's in gives more insight too. E.g. If it's in Taurus, they'll like spoiling their partners with expensive gifts and being really romantic.

• Earth/2H/6H/10H placements need constant reassurance when they're antsy/nervous!

• You know what's cute? Two people who's sun signs have the same ruler, can be born in the same hour but different times of the day and have the same rising! E.g. If a Pisces is born around 11 AM and a Sagittarius is born around 11 PM, they're both Gemini risings. If a Aries is born around 10 AM and a Scorpio is born around 10 PM, they're both Cancer risings. Etc...

• Having Pisces mars in composite can be so sweet! However, when it's platonic it could mean matters of the planet are hidden so, it could be that you both don't talk about sex, you can get frustrated/angry but don't want to talk about it. You could also know how to calm down/soothe the other when they're angry or you could be passive/dismissive when the other's angry.

• Libra/7H Jupiter in Composite could mean being very romantic together! Holding hands, soft kisses, going on dates, spoiling each other, being head over heels for each other, including each other in things, wanting to be together and shower each other with love and affection. Making it known to others that you're together and in love!!

• Pisces venus-Cap mars should open businesses related to vanity. I've noticed people with this combo often work in venusian fields, such as opening their own clothing boutiques, hair/nail salons, etc..

• Question for Capricorn mars people, are we all born with diplomas from business school? 😂 Because I swear business comes natural to Cap mars, wether having studied it or not.

• Virgo placements and Pisces placements can be very similar, especially venus. Because the amount of times I've seen Virgo Venuses stay with toxic men just because they love them.😭 But Pisces Venuses do that too! We just get the "delusional" rep which is so ridiculous.🤡

• Please don't lie to 8H mars, they're the paranoid types.

• Every time I have Chiron in Aries in my SR chart, I have to deal with controlling my anger and having to find calmer outlets to express angression.😭

• This might be a reach, but, have you guys noticed how when you have planets that are close, it can tell you things?? E.g. I know a celebrity who has their Uranus, Moon and Pluto close to each other and their mom (Moon) disappeared under weird circumstances (Uranus) and her whereabouts remain a mystery till this day (Pluto). I tested this theory on myself and it worked too.

• The house your Sun is in, can tell you so many things too! Say, if you have a 10H sun, your father could've been restrictive/controlling workaholic, so you may try to run away from responsibility. If your Sun is in the 4H, your father could've been emotionally manipulative and might've not been nurturing to you, so you might try to run away from family members or from having kids.

• 7H rising in synastry has the same, if not a slightly stronger effect than the Sun-Venus aspect. House person literally sees Rising person as the most gorgeous human being ever! They just seem so perfect, from theirs looks down to their personality!!

• 6H rising in synastry, for the house person, feels like the rising person is well composed/reserved. But there's something alluring about the rising person. Maybe their mannerisms or looks. Either way, the rising person is very physically attractive to the house person.

• You ever meet someone with your rising and mars signs as theirs but switched?? E.x. Gemini rising-Cap mars, meets Cap rising-Gemini mars, or Libra rising-Aqua mars meets Aqua rising-Libra mars, etc.. I swear we're inverted versions of each other.😭

• On the flip side, have you met someone with your Sun as their Mercury and your Mercury as their sun? E.x. Cancer Sun-Leo Mercury meets Leo sun-Cancer Mercury, etc.. That also feels inverted but you both get each other well.

• I love Leo women with Taurus/Libra/Virgo venus/mars, they're usually the sweetest!

• Virgo suns with Taurus moons are also very sweet!

• Men with Aries suns, Virgo moons, Taurus Venuses and an Air mars are my favvv!! They're usually very attractive, energetic, funny, loyal and have great taste in music!

• Virgo/6H Moons/Venuses can be health nuts. 😂 But that's a great thing, because they usually looks out for the health and wellbeing of those around them!

• They're the types to watch videos about foods with the most nutrition, what not to eat, diets and stuff like that.

• Aries Venuses with Gemini Mars would do great at aerobics or workout/dance classes given their energetic nature! (Bonus points if the chart ruler is in Aries)

• If you have a stellium in your chart ruler's persona chart, you'll most likely act it out. E.x. If your chart Ruler's in Aries, you'll search for the persona chart and you'll have Aries sun obviously, but say you have Aries mercury and Venus in that persona chart, you'll most likely exude that energy. The house it's in, also counts! Say it's in the 5H, you could get called dramatic a lot.😭

• Fire Mercuries and Venuses loveee teasing, taunting and chasing!

• Pisces suns with Libra moons are really fun to hangout with!! They're also very kind and nurturing!

[yuri-is-online]

Out of the Bag (Jamil, Ace, and Idia x Yuu)

"Oh can I help you? You seem to be lost." You attempt to cheerfully ask the vaguely familiar looking person in front of you. As if he is deliberately trying to rub salt in your wounds, Crowley ignored your request to leave campus for NRC parents day and is instead making you and Grim run errands. The person in front of you, blissfully ignorant to your inner turmoil perks up at your attention.

"Forgive me for asking, but are you the magicless prefect?" You and Grim exchange a confused glance. "You've got to be right?" They're practically glowing with how happy they are to see you. " Oh I'm sorry, I've just heard so much about you!" Wait, what?

notes: (so uhhhh Jamil and Ace were supposed to be a part of the original post but I cut them out because I had to go to bed but forgot to remove the tags, sorry </3) they/them pronouns used for Yuu, sibling snark (Jamil and Ace) vs light angst (the Shroud parents), light reference to certain events in Ch. 6, but nothing specific. If you liked this please check out the first version on my masterlist.

Jamil

"Oh yeah, you're Najma, right?" The younger girl looks pleasantly surprised you have remembered her from your visit to the Scalding Sands.

"Well that makes this a lot easier, do you know where Jamil is?" You internally cheer at how polite she is, some of the other families you have been dealing with today have really been testing your patience. "I've been looking everywhere for him, but couldn't seem to find a good opportunity to sneak up on him." Or maybe not, that doesn't sound like she hasn't seen him at all, why is she asking you?

"According to my schedule he's probably in the gym for the club activities program." You confirm with your clipboard and Najma sighs.

"Lame, he's gonna be all sweaty and gross." She checks her phone as you sneak a glance at Grim trying to figure out how much longer you have before you need to find something shiny to distract him. "Actually maybe I can just ask you." You turn your attention back to Najma who seems to be tapping her cheek with her phone and sizing you up. "Is there anywhere to get snacks on campus?"

"Now you're talkin!" Cheers Grim, bringing a really bright smile to Najma's face and a tentative one to yours. "Mr. S's Mystery Shop's got all the tuna you can ask for!"

"And other things to." You helpfully add and Najma happily begins to follow.

"So what do you like to do?" she asks almost ten seconds into your walk. "Like what fun stuff is there to do around campus?"

"Shouldn't you be asking your brother?" You ask, thankful Grim is too caught up in his tuna thoughts to make any snarky comments.

"About you?" Najma laughs and you feel a bit silly. "Nah he hates being honest about things like that."

"Well I don't have much free time..." but you manage to list off some things that you like as Najma nods, still tapping her phone on her chin for some reason.

"What about food?" she stops fiddling with her phone and just goes straight to texting on it as the Mystery Shop comes into view. "I know Jamil's food looks boring but it tastes super good."

"It sure does." Grim says, well more like whines. "He only ever gives it to Yuu and gets mad when I eat it though."

"That's because he asked for my opinion, not yours." It's a petty thing to say, but hey Jamil's a good cook. Najma seems to agree, giggling before you both jump ten feet backwards as a strangely shaped blur nearly knocks you over.

"NAJMA!" Jamil is indeed, sweaty and gross looking, his basketball jersey is practically drenched through, almost like he ran the entire way to here from the gymnasium. He's doubled over, hands on his knees as you fumble around looking for the water bottle Crewel made you bring with you earlier which he gratefully takes.

"Oh hey what are you doing here Jamil?" You don't know Najma super well, but she almost sounds disappointed to see her brother. "Prefect said you were at the gym."

"Don't start." Jamil passes you back the empty water bottle, hesitating just a bit before he lets you take it. "She didn't do anything weird, right? Hasn't said anything strange?" You blink in confusion.

"No? She's just been asking a bunch of questions about stuff. Jamil relaxes, letting you take the bottle with a genuine smile-

And gets cut off by a shutter sound effect making you both turn towards Najma, who doesn't bother looking up from her phone camera.

"Whoops thought I turned that off."

Ace

"Well, well, well, just what should I do with you?"  The ginger stranger is stroking his chin with an all too familiar look that puts you on edge, not because you think he is going to try anything illegal (yet) but because you can practically see the collar on this guy already.  There really is no beating around the bush about who this guy is, even if you really wished you had some plausible deniability.   "I could tell you about that time I told him if he kissed a frog it would turn into royalty and he actually did it-"  Too much information he technically just did.  "Or what about that time he only wanted to eat carrots so I freaked him out by saying he was turning into one because his hair was orange-"  So is yours big brother Trappola!  And where the hell is Grim he is supposed to be suffering through this with you.  "Nah those are too boring- oh I got it!"  Before you can break out in a dash for the mirror chamber, big brother Trappola claps an unintentionally (you hope) firm hand on your shoulder.  "Listen to this- wait I didn't introduce myself I-"

"Ace's brother."  He seems genuinely taken aback.  "He talks about you all the time." 

"Oh does he?"  Maybe you shouldn't have mentioned that, little Trappola's ego was insufferable already, older Trappola's has got to be worse right.  It's so obvious you can't even bring yourself to put the question mark on it.

"Funny you mention that, from my end it seems like all he ever talks about is Yuu."  He makes a big show of looking you over.  "Always talking about what a pain it is to look after you, but he never does stop."  He maneuvers himself to look directly into your eyes.  “You must be pretty special then, right?”

“Didn’t you used to go here?”  You ask, crossing your arms and fixing your best “not today Trappola” look onto your face.

“Sure did!  Also got put into Heartslabyul, must run in the family, we’re all a bit mad.”  Older Trappola breaks eye contact for just a second, something dancing on the tip of his tongue you have no desire to entertain at all.  You just want to ditch this overgrown root veg on his brother and then take a nap.

“So then, just to be clear, you don’t need me to show you around.”  You fumble around your clipboard looking for a map anyway.

“Oh no I absolutely need you to do that.”  You like it when Ace plays dumb better, at least it’s cute.  “Would be a really bad thing if you just left me all alone and I went somewhere I wasn’t supposed to.”  He stands up straight, looking off into the distance behind you with a dramatic sigh.  “Somewhere like Ramshackle Dorm maybe?  I hear that’s one of Ace’s-”

 A surprisingly strong pair of arms wraps you into an embrace from behind.

“Back off.” snaps Ace, a lot harsher than either of you have heard before “This one’s mine.”

Idia

"Dear! Dear! Come look it's the prefect!" A very excited very pink woman in a sundress and comically oversized sunglasses beckons to a very tall, very out place looking man who is... also wearing comically oversized sunglasses.

"The who?" he sheepishly walks over to his wife and gives you a little wave, clearly out of place but trying his best.

"The prefect! Ortho and Idia's friend." The realization seems to hit both you and Mr. Shroud at the same time, causing you both to retreat just a bit. You because you feel desperately dumb for not noticing the flaming hair and him because-

Well you hope it's because of the whole house thing but who knows.

"Oh sorry. Um we're Mr. and Mrs. Shroud but you probably already guessed that it's really nice to meet you." You awkwardly shake hands while Grim hides behind your legs.

"Do you have any plans for today?" Asks Mrs. Shroud. "I'd hate to interrupt things too much."

"Oh no that's not really an issue for me." You look down at Grim for half a second before adding. "For us."

"I'm sorry to hear that." whispers Mr. Shroud, gently taking his wife's hand and you stand around in silence for a little bit, trying to figure out how to walk the conversation from the ledge it's found itself on.

"Um if there isn't anything you need help with-"

"Idia speaks really highly of you." Mrs. Shroud says gently, and you have to keep yourself from fainting from shock. Idia speaking highly of- no forget that. Idia talks to his parents? And you were the conversation topic? If she had said it was Ortho that would make sense but Idia? "I know he can be a bit blunt, but he treasures your friendship. And as his mother, I am very grateful he has someone as kind as you in his life."

"We both are." whispers Mr. Shroud. "If you need help while you are here please don't hesitate to ask us." And with that they leave you and Grim

~~~

[Fullmetal] hey ortho said u ran into our parents irl

[Fullmetal] srry that had to be awkward

[yuu] it's cool

[yuu] I mean they spooked Grim but they were nice lol

[Fullmetal] UNACCEPTABLE

[Fullmetal] ...so do you think that he'd be cool to come over so I can like

[Fullmetal] apologize

[Fullmetal] u know for the stress

[yuu] and not for talking about me behind my back (￣ε￣)

[read at 6:57 pm]

[Fullmetal is typing... ... ...] [... ... ...] [... ... ...]

"I don't need to apologize if I said nice things... right?"

[mbsneur]

I want to show you something

Alessia Russo x Williamson!reader

Summary: Your big sister wins the European Championships and you think you can celebrate normally

Warnings: Fluff,angst?,maybe bad writing

My Masterlist

please read this text before going to the story

(it's probably poorly written it's not my best and it has a weird ending and it‘s a really short one)

request is from @gpcwsl

please don't be so strict with me but rather write to me what I can do better or what you wished were different. also tell me if you find the story too long or too short.. Also write to me if you liked it. My requests are always open (and English is not my first language so don't be mad at me) and if you have any ideas for the future about who I should write please tell me… the topics I will choose by myself unless you have a request for one or two people I will Read everything.. in the next survey I will take a few ideas from the old survey and new ones…. now read and I hope you like it <33

The final whistle sounds and the whole Wembley Stadium screams out everyone cheers and hugs. Your big sister has made history with her girls, becoming European champions for the very first time and in their own country

You jump into your brother Jacob's arms. Tears of joy run down your cheeks. Your emotions are going crazy. You're so happy for your sister

Leah falls into Millie's arms full of tears. Ella jumps into Alessia's arms. Everyone is happy in their own way. You haven't seen her so happy in a long time

After the first great joy was over, the girls went to stand for the German team so that they could pick up their silver medals. Then it was their turn. Each of the girls picked up their own gold medal. Leah went last, she carried the trophy

The girls waited eagerly for Leah. They all counted down and with a big jerk the girls jumped up and lifted the trophy

After Leah celebrated with her girls on the field, everyone went to their families to bring them to the field

Leah ran straight into your arms and lifted you from the stands to hug you tighter

“I’m so proud of you Lee” you tell her in your tight embrace

Leah couldn't say anything, tears just flowed down her cheeks and she hugged you tighter

She let go of you to hug your brother. You saw Nikita come up to you and give you a big hug. The rest of the team came to hug you but you were only waiting for one person

You looked around and looked for her but didn't find her. You felt Leah pull your arm and pull you into the middle of the field and then you saw the familiar face that you were looking for the whole time

alessia. She literally jumped on you and took you tightly in her arms and cut off your breath

"I'm so incredibly happy to see you here y/n"

she screams

"and so am I" You said laughing, squeezing her tighter

“Come with me, I want to show you something,” she moves away from you to take your head in her hands

She took your hand and pulled you towards the changing room

She pulled you down the long hallway until you got to the lionesses' cabins. She pulled you into the toilets

"lessi where are you taking me" you say smiling and tramp after her

“Just let yourself be surprised,” she says, her cleats echoing across the floor

She opened the door to the toilets, pulled you in and closed the door behind you

As soon as the door is closed she presses her lips to yours. Your eyebrows furrowed. You feel slightly confused about the kiss. You don't know if it's just the flood of her emotions

You pulled back slightly and she looked at you with her bright blue eyes. Never in your life had you seen Alessia so close to you and her eyes so bright

"lessi what will it be" you say shocked

"You know I once told you when I was drunk that I've had feelings for you for a long time we never talked about it again and it broke me that I never spoke to you about it again"

You couldn't answer. You just pressed your lips against hers again and pulled her into a painful kiss. You try to get control of the kiss but Alessia pushes you against the wall and her hands move up and down on your hips

She moans softly into your mouth, which gives you the opportunity to stick your tongue between her lips. Your head hits the wall and Alessia starts kissing you harder than before

"y/n where are you we want to go to the after party soon"

you hear your big sister screaming in the changing rooms

“fuck lessi shit stop leah is here” you said in a panic

"Calm down, she won't come in here" Alessia says and starts to push your head up to get access to your neck

You tilt your head back and groan

Leah comes to the toilets and opens the door

“What the fuck is going on here oh my god” she says almost screaming and her eyes widen

Keira and Lucy follow her

Lucy steps into the bathroom next to the shocked Leah Lucy starts laughing loudly

"Oh oh oh Keira come here" she says laughing loudly

"How long has this shit been going on with you guys? Did you plan on telling me at some point?" Leah says, visibly upset

"It's not long- it's nothing i- le-"

you say frozen, embarrassed that she caught you already

"I really don't have to give myself that" Leah says angrily and turns around and leaves

You wanted to go after her and stop her but Lucy steps in front of you and stops you

“Give her some time she’ll cool off” she says with a laugh and turns her back to you

You look at Alessia who just shrugs her shoulders

[vxsellie]

⋆ ˚｡⋆౨ৎ˚. GHOSTS OF SACRILEGE !

synopsis. fbi agent!ellie williams x nun!reader ; it's truly no shock that the entirety of west virginia is emerged by trepidation, considering hundreds of residents have gone missing within the past three months. as a form of consolation for those fearful, an esteemed fbi agent is sent to investigate. what she finds, however, is more than she could ever have expected.

notes. this piece is part of the mythologica challenge! i tried my absolute hardest to do the theme justice bc of how good it is. also pls note that every town mentioned is real & i did a decent amount of research on each one, but that doesn't at all mean that it's entirely accurate. i've been to some of the places, but not all also ! this is my first time ever writing detailed smut so i literally know none of the correct words to use or how to describe what's happening & it might turn out being literal dog shit,, if that's the case i apologize!

warnings. religious horror, an attempt at writing smut, angst, plot twists, horrible world building, major character death x2, possessive / obsessive romance, descriptive gore, blood, satanic rituals, human sacrifice, blood, oral (r! receiving), brief mentions of abuse & assault, murder as a metaphor, past animal death, long exposition i'm sorry, and - last but most important - the sweet release of desecrating salvation.

wc. 9.5k+

𝓝aught but unease filled the tiny town of bluefeild as yet another missing person is found to be reported in the newspaper. the sun begins to peer over the horizon, long shadows cast against the sidewalk that newsboys toss the papers from. they ride their bikes down the concrete with a fervor that should be rare. but it’s been rather common in bluefeild as of late. every since december. ever since the incidents first began.

nobody in town can be seen outside without a frantic expression and a fast pace. fear fuels their every step as they scurry outside to retrieve the news before burrowing back into the safety of their homes, hungry eyes skimming the article in search of who’s gone missing this time.

ellie hadn't expected much when traveling here. a small town of worrisome locals, a serial kidnapper hiding in plain sight. y'know, the usual for cases like these.

but something about this case stands out to her. there's a certain weight in her chest as each day passes without answers. in the beginning, she'd asked around town, hoping to find some common denominator among everyone's weariness. but there's nothing. the residents are closed off, thick boots and even thicker country drawls quick to kick the agent off their rotting porch at first glance. she's been here for a while now, not a single clue made evident. no loose ends, no muddy footprints, no witnesses. it's like these people just disappear into thin air.

ellie sits in her idled car, eyes scanning today's newspaper for slips of information. she can't help the way her interest piques, slowly going mad with lack of elucidation. she runs a hand through her hair, shoulders weighed with fatigue and dwindling hope.

see, over two-hundred people have gone missing in the past three months ⎯ which is a big deal in and of itself, but even more so considering bluefeild's population is well under five thousand.

her windows fog as rain patters gently against the steel of her vehicle, the whether cold and dreary in comparison to her car's heated temperature. she supposes it fits the mood, though, doesn't it?

after twenty minutes of analyzing each and every word given, ellie groans and stuffs the newspaper into her glove box, slamming it shut. evidently, the paper provided nothing of use to her. it has a picture of the man missing, his name inscribed under the image, and a few words of grief are quoted to have been said by the families. but that's it.

as of this morning, jason casey has been added to the long list of missing persons. and not a soul could say why nor how.

ellie pulls her phone from her coat pocket, clicking on her bosses contact before wedging it between her ear and shoulder. she listens to it ring as she puts her car into gear, pulling out of the parking space she'd been occupying. it's not like anyone here would dare to use their cars anyhow. most shops and businesses have been temporarily closed, owners fearing the possibility of suffering the same fate as those prior.

"ellie?" joel's voice comes through the tiny speakers, papers rustling in the background of the call as he speaks. "what're you callin' me for? i thought you were on the bluefeild case."

"there's nothin' to go off of." she tells him. one hand is rested on the wheel whilst the other holds her phone.

"you're our best investigator, williams, i'm sure you'll find somethin'." he says offhandedly, continuing to shuffle through whatever papers are of more interest to him than his alleged best employee.

she rolls her eyes at his dismissive tone. "hundreds are missing, joel. without a trace or a sign left behind. they're likely dead, if i were to guess. i don't— what the hell good does that do?"

"find the bodies." he says easily. "their corpses might point to their killer."

"no shit." ellie scoffs. "the issue isn't what to do next, it's how the fuck i'm supposed to do it. this has been goin' on for months and no bodies have turned up. where am i even supposed to look? like i said, there ain't a damn thing left behind."

she coasts down the streets of bluefeild, using this time to feel the layout of it and examine what she's working with. she's been here for a while now, but the town remains a mystery to her. and, from what she's seen, it's a bit of a mystery to everyone else as well.

she notices that many of the homes are old and shabby, paint flaking and wood rotting. in the yards, however, almost every resident has some form of a religious symbol. a cross, a statue of mary, a flag for something biblical. anything to show their faith.

to each their own, i guess. she thinks to herself with a shrug before turning her attention elsewhere.

the streets are empty, as expected. a few street lights are on, the yellow illumination flicking with worn age. even on the two-lane roads, there's not a car in sight. she narrows her eyes at this, a shiver tracing up her spine at the disturbing vastness.

"well," joel says, "search the papers some more."

"i've done that a thousand fuckin' times." ellie groans, eyes still scanning her surroundings with intent of committing it all to memory. just in case. "there's nothin' there. it's just all information on the missing people, half-assed sympathy for the victim's family, and a picture of 'em."

joel sighs, the sound of tapping resonating through the phone. ellie recognizes the sound, having worked for joel long enough to know that he always taps a pencil against his desk when he's thinking. it's a good sign, she thinks. it means he's at least giving her predicament some thought.

she's been in bluefeild for eight days now, spending her time interrogating random residents for informations; spending her nights rereading the stupid fucking newspapers. naught good has been of ramification.

the repetition of it all is driving her insane, especially considering none of her efforts have yet to pay off in any sort of way. she'd hoped that when the next person showed up missing, something would present itself. a clue would rear its ugly head at her and she'd grab it by the throat with fervor. but no. jason casey went missing and all heads remain hidden. so, after an hour of battling with her pride, she decided to make the call to joel and admit her being stuck.

"okay." he says, shuffling a bit as he finally gives ellie his full attention. "okay, pull over for a second, i'm gonna need you to do somethin' for me."

she instantly obliges, pulling off to the nearest backroad. gravel crunches under her tires as she drives along the thin path wedged between two decrepit buildings. the alley is small and a bit sketchy, but that's exactly what she needs. ellie puts her car in park, windows translucent in their heavily fogged blanket.

"how many newspapers do you have on you?" joel asks when he hears her car go into idle.

"um," she reaches over and opens her glove box, watching as yellowed papers fall from the newly opened door. they flutter to the floor and atop the passenger's seat. she hums, amused at the sight of her obsession making a tangible image in her head. "a lot."

"okay, good. perfect." joel mutters, the clacking of a keyboard sounding through the tiny speaker. "the first person who went missing was carl andrews. he was thirty-seven. his wife claims he was supposed to have been walking home from work but never showed up for dinner."

ellie scrambles through her messy stack of newspapers, searching for carl's report. she finally finds it, the paper dated to have been written near the beginning of december. she straightens out the wrinkles, examining his picture.

"looks like your average middle age man." ellie mutters, taking in his scruffy beard and wrinkled skin. "he was a carpenter. had two kids, both boys."

"yes, i have the paper pulled up on my computer." joel says. "but it doesn't show his address or nothin'. this shitty website only has half of the damn document."

ellie skims through the words, searching for the street or neighborhood he'd lived in. when she turns up empty-handed she groans, now well familiar with the feeling of disappointment regarding this case. "nope. no home address." she says with an evidently annoyed tone.

"what about his workplace?" joel asks. "if he'd been walkin' home, his work must be close enough for him to do so."

"oh shit," she mutters. she'd studied his article for hours — studied all of them — and she hadn't even thought to look there. her hands clutch the paper as she searches with a hungered gaze. her eyes widen at the address listed on the paper. "yes it's on fifth street."

more typing is heard through the phone, "says here that,, there's a neighborhood right by there. a few blocks down from the carpenters' building. must've been where he lived."

"perfect." ellie grins, adrenaline rushing through her.

oh, she feels on top of the world right now.

"okay, now i want you to look for addresses in all the other papers." joel says, flipping a switch in his tone — off to being ellie's friend and on to being her boss. a familiar change, but an unpleasant one nonetheless. "check 'n see if there's a link between where they'd been last spotted."

"okay."

ellie sets carl's paper aside and grabs another random one. she reads the heading briefly, recognizing it to be the article on bryan turner who'd gone missing in the middle of january. he'd allegedly been walking his dog and never returned to his apartment, according to his elderly female neighbor.

the address is actually listed this time. not his exact apartment number, but the building. ellie can't help the smile that tugs at her mouth again as she grabs a random notepad and scribbles both addresses onto the paper, reminding herself to compare their proximity when she gets back to her hotel later tonight.

"you're a goddan genius, joel." ellie mutters as she sets bryan's paper atop carl's and grabs another. sam cortez. late december.

"thanks, kid." joel chuckles into the phone. ellie has it set aside, call set to speaker as she flips through papers and continues to write down addresses into her notes. her movements are frantic and hurried, adrenaline refusing to wind down from its newly heightened state. joel speaks again, regaining her attention. "uh, sorry t' tell you this but i've gotta go. it's almost midnight and i've been at the building since ten o'clock this mornin'."

"yeah yeah, whatever." ellie replies off-handedly. "thanks for your help, old man. i think i can take it from here now, though. go get your beauty rest."

"promise to call me in the mornin'?" he asks. "i wanna hear what y' find."

"yes, i promise." she laughs. "i'll call you as soon as i wake up."

"okay good. don't overwork yourself either, you need to⎯"

"goodbye, joel!" she says, grabbing her phone and hanging up on him before she has to listen to him reprimand her for lack of rest. he's one to talk, too, seeing as he'd just admitted to having been at the building all damn day.

she sighs, deciding to put a pin in her address search and get back to her hotel to finish working in the comfort of a bed.

she sets her papers into two neat piles in the passenger's seat ⎯ one for those she'd already gone through and one for those she hasn't yet gotten to. then, she puts her key into the ignition and pulls out of the little road.

as she drives down the street, she examines her surroundings once again. still as impoverished as before.

she passes a small farm house, eyes drawn to the old lady sitting on the porch. she's rocking back and forth rather ominously, making direct eye contact with ellie through the windshield. slowly, the woman nods her head toward where a large cross is staked into the soil of her front yard. ellie looks away, a sudden uneasiness washing over her as she presses harder on the gas.

she reaches her hotel a few minutes later, stuffing her papers under each arm before entering the building and heading toward the elevator. by the time she reaches her room, she practically rips her heavy leather jacket off, the yellow 'fbi' label bright and bold against the black material as she tosses it onto her bed. she sits cross-legged in the center of her room, laying out all the newspapers in front of her.

she continues to sort through them all, eyebrows furrowing as she comes to realize that all the victims are men.

she hurriedly flips through the documents, certain she must he wrong. but she's not. they're all male. ellie writes this down on her notepad, handwriting rushed and nigh unintelligible. despite the sloppiness, she circles it, sure it'll prove to be of importance later on.

by the time ellie finishes going through what feels like hundreds of papers, she decides that's enough for her to be able to find a pattern if there is one. the digital clock atop the nightstand reads 2am, flashing bright red numbers at her. she ignores it, too high off the thrill of finally finding something in this priorly monotonous case.

she pulls her laptop from her bag and flips it open atop her crossed legs, quick to pull up a map and type in the coordinates of each address. they appear random at first, completely fucking unrelated to one another. a pang of dread hits ellie in the chest, worried this will have all been for naught.

but then she zooms out.

each dot for each address glows blue. when zoomed out, it forms something. ellie squints, tilting her head at the incoherent image she struggles to make out. seeing as many of the papers weren't analyzed, the picture is only half-complete.

but then it clicks. a pentacle. and at the very center of the shape, a church.

ellie's mind goes back to the old woman on the porch. the way she'd nodded to her cross. the way almost every family in bluefeild is outwardly religious. she can't believe she hadn't seen it sooner.

this isn't just some case where she can stare at newspapers and hope something pops up. it's an intricately weaved web of murders.

her chest heaves as her eyes dart across the screen, unable to believe it. she finds herself tapping her men against the floor, drumming it just as joel does. she curses herself, tossing the pen across the room as her mind reels. it lands in front of the door, ballpoint pointed toward the exit. ellie takes this as a sign from the universe. despite not having ever been a religious person, she can't help the pang of hope in her chest.

deciding to indulge the pen's sign, ellie writes the church's address into her notepad, shuts her laptop, pulls her jacket back on, then heads for the door. she steps over the pen on her way out.

𝓢he stares up at the church, checking to make sure she's absolutely certain she's in the right place. when she's proven to be correct, she stuffs her notepad into her pocket and walks toward the building.

ellie doubts anybody is inside due to the time, but she wants to search the place regardless.

the church is old, creaky wooden exterior painted in uneven shades of white. the roof is brown and dilapidated with wear. atop it, a large cross is seen standing tall, its tip pointed up at the starry sky. ellie wades through the overgrown grass, her breath coming out in white clouds. it's fucking freezing out here.

when she reaches the building, ellie cups her hands around her eyes before peeking through the windows. the glass is dusty and cracked in some places. she can't seem to see through it, transparency made opaque from lack of maintenance.

she leans back and wipes a hand across the dust, forming a wide arc to peer through. inside, the church looks brand new. wooden pews line the space, a long aisle between each formed column. the floor is white tile, cleaned to be spotless. she tilts her head, struggling to look toward the pulpit. it appears to be⎯

"what're you doing?"

ellie jumps, her head slamming against the top of the window frame. she ignores the ache and whips around to face the owner of the voice. a nun.

you stand behind her with a raised brow, your entire body covered by black and white robes. ellie blinks, something about you making her stomach lurch. she's instantly put on edge, shameless in the way she examines your features.

your brow is knit in distaste for the trespassing girl. your eyes are sharp and steady as you pin your gaze onto hers. your hands are clasped behind your back, formal and almost robotic. or at least, that's how ellie sees you.

ellie reaches under her jacket and pulls out her badge. "fbi."

"there's no fbi in bluefeild." you point out, voice steady and melodic. ellie's lips part at the sound but she shows no other form of sway. you eye her badge, ellie williams. noted to be a top agent in her line of work. your eyes narrow. "where exactly are you from?"

"richmond." she responds, eyes never leaving yours as she places her badge back into the interior pocket in her leather jacket.

you tilt your head, inquiring. "virginia?"

"yes." she confirms.

you hum, noting the four hour drive she's sure to have taken in order to get here. you looks out across the grass, seeing her car still running as it's parked on the side of the road, yellow headlights acting as a beacon against the dark night.

"it's late, miss williams." you tell her, turning back to her to find that ellie's eyes have yet to leave your face.

she analyzes each expression you make, contorting every detail to memory ⎯ from the way your eyes flick across her features to the way your shoulders shift slightly after having been standing in one position for so long. she memorizes you, allowing your very being to sink into her mind. for the case, of course. you're a suspect, after all. she needs to learn you and feel you out in order to get a proper read on whether you're innocent in all this. that's why she stares at you. that's why her pupils are blown and her lips are parted again. totally.

"do you want to come inside?" you offer, raising a brow at her strange, yet obvious sense of interest in you. "it's freezing out here and i happen to have just brewed some tea."

her eyes dart to the shabby church behind her. judging by the exterior of the building, imagining the place having ac and working electricity is shocking. but judging by what she'd seen of the inside, she's tempted to take you up on your offer. for the case.

"only if y' agree to answer some questions of mine." she says, deciding to set the terms and conditions early on.

your eyes narrow, "what type of questions?"

"the type i need in order to solve the case i'm workin' on." she replies, reminding herself of the large amount of missing men and boys who've disappeared in these past three months.

"mm," you hum.

you look her up and down, taking in the sight of her. it's rare to see any form of law enforcement out here. you'd lived in bluefeild all your life and never seen a cop or fbi agent outside of the television. her leather coat hangs heavy from her set shoulders. her chin is held high despite the way goosebumps trail across her skin due to the chill of the air. she's wearing baggy black pants and heavy combat boots. interesting.

"sure." you shrug. "i've nothing to hide."

"we'll see 'bout that."

her eyes rake over to where he car remains running. she leaves it, using it as a sign to you that she plans to make this quick. you understand the gesture and heed it with care, nodding as you shift around her and walk toward the entrance of the church. the large wooden doors are already unlocked as you push them open.

ellie draws her eyes across the foyer, noting the long hallway. to the left is a doorway leading to the sanctuary and chancel that she'd seen through the windows. to the right is a large door with a shiny golden handle, locked. the hall is lined with more doors, some locked whilst others are free to peer into.

you move about the space as though you'd lived here all your life. ellie supposes that might be true, actually.

you sweep down the hall before turning one of the corners down a branched passageway. ellie follows behind you, the hall illuminated by only a dim yellow light. on either side of the hall, more and more doors branch out to the side. ellie pays no mind to the building's layout anymore. instead, she finds herself more interesting in watching your habit billow behind you, your shoes clicking with each step against the tile.

eventually, you're both now in a kitchen area. ellie hasn't a clue when you'd gotten here, far too distracted by you to care much for the journey you'd taken her on.

the floor is tiled to mirror the sanctuary, counters made of marble. you flick a switch and the lights flutter on, a low hum sounding from the ceiling as the kitchen is illuminated by a yellow glow. on the counter, two cups of tea sit premade. you grab them, one in each hand.

with an amused expression, you pass one to ellie. she takes it, eyes the glass in her hand for a long moment. in the end, she decides against trusting it.

"uh," she clears her throat as she places the mug on the counter behind her, turning to you with an uneasy weariness. "you knew you'd have a guest?"

"hm?" you hum, tilting your head at her with an innocent curiosity.

"y' made two glasses." ellie points out. you continue to look at her, feigning confusion that urges her to continue her explanation. "it's just— well, i haven't seen anyone else here besides you."

"i hadn't priorly known of your arrival, if that's what you're suggesting." you inform her before taking a long sip from your mug, peering at her over the rim with an alluring twinkle to your eye. you lower it, keeping the glass poised between your hands as you lick your lips and continue. "i simply knew i wouldn't be drinking alone."

"what's that supposed to mean?" ellie inquires, those fbi instincts of hers lacing through her tone. her eyes glint with piqued interest, watching you with a steady sharpness. it weighs on your chest, heavy but enthralling.

"what i mean is," you place your mug on the counter with a light clink. "in this church, you're never alone. not really."

she raises a brow, back straightening. "someone else is here?"

"something." you correct, a smirk tugging at your lips. "a deity, spirit, ghost, demon. take your pick, miss williams. it hasn't a title just yet."

ellie has surely formed her doubts about whether or not you're mentally insane. she can't help but indulges you nonetheless. if she intends on puzzling out the mystery of the missing people, she can't outwardly state that you're crazy. so instead, she says, "are these,, things good? or are they evil?"

"mm," you shift, taking another long sip of tea. you ponder on her question while drinking, your mind deciding on exactly how much you wish to tell this governmental investigator. once your mind is made up, you place you mug back down and flash her an amused smile. "its morality varies. as i said, it doesn't much like the feel of being confined by the barbed wire of titles. plus, there's more than one. and none are a repeat of the other, each separated by individuality."

ellie bites back a scoff, trying her hardest not to just grab you by the shoulders and shake you senseless. she wants direct answers, not riddles. she hasn't the time to figure out what you're trying to get at.

"how many?" she asks. "like. are there lots of them or are they few and far between?"

your brow knits as you take a step closer. at your growing proximity, her breath hitches. you are more than just a nun, you're the embodiment of her obsession. all the care and time she'd poured into this case; you personify it.

you're a religious figure in and of yourself. something worthy of worship and praise. if you were to seen by the world as ellie sees you, historians would be studying you for eons to come. paintings and playwrights would be made in your honor, temples and statues forged in hopes that you'd bat the sculptor even a moment of your attention.

but, alas, that's not how the world works. instead, you're made to be a random nun who lives holed away in a ragged church in the middle of nowhere. perhaps the universe had been wise to hide you from the world, for fear of what your divinity would cause. a repeat of troy, no doubt. wars fought for your hand. lives lost for the pulpy beating heart caged behind your ribs.

"as many as i'd like." you tell her, face now mere inches away from her own.

your body is covered entirely by your habit, black fabrics hanging from your shoulders and arms as to keep your entire being shielded from sight. your hair is cast back and under your veil.

despite the coverage, ellie's enamor is unmoved. it's not your body or your hair that she's drawn to. it's the slope of your nose, the plush of your lips, the curve of your cheek, the arc of your brow, the color of your eyes. it's everything that makes you stand out like a brightly shining star in comparison to the dull darkness that is this church.

and stars like you ought to be admired.

"as many as—" she squeezes her eyes shut, knowing her only chance at regaining control of her head is to not face you. her mind is muddled by thoughts of you. she can't think straight. when she reopens her eyes, she could've sworn you've moved closer. "what're you sayin'? i don't—"

"don't understand?" you finish for her, tone pitched in regalement. your head tilts to the side, your noses brushing. "few people do."

"just tell me what y' mean." she utters, voice a whispered breath across your face in the form of a plea. "tell me without the riddles. tell me without trying to evade the truth. tell me with honesty. if you're straight forward with me, i'm sure i'll understand."

you sigh through your nose, leaning away from her. she follows you like a fish on a hook. you take a step back and she takes one forward. noticing, you hold a hand up to halt her movements and she instantly ceases, blinking at you with parted lips.

your head is downcast, palm against her chest. "you'd hate me."

"hate you?" she questions.

despite only just having met you, ellie is quite certain she'd never come to hate you. your very being is as much a wonder to her as life itself. you're a celestial beauty she cannot bear to tear her eyes from. hate is foreign when you're the context in which it's spoken.

"yes." you confirm, expression contorting into one of feigned guilt. and, had ellie not been in such blind awe of you, she'd have likely seen through your facade of deception. "i've made mistakes; plenty. i could never expect you to hear me speak of them and look past their malice."

"but i would." she whispers, taking a step nearer. she places a hand on your wrist, lowering your palm that had priorly been raised between the two of you. she looks down at where she touches you, albeit through the cloth of your gown. "i'd look past it. i'd see you as i do now regardless of what you'd done."

you shake your head, "you cannot mean that."

"i do." she brings your hand to her mouth, pressing her lips against the hills of your knuckles. she looks up at you through her lashes, her mouth remaining close to your skin as she whispers, "i do mean it."

you feel guilt settle deep within your chest, burrowing between your ribs and in the very tissue of your heart. an immoral darkness encompasses the organ ellie so desperately desires to obtain.

you'd lured people into your entrapment many times before. but something about ellie makes you feel bad for doing what you know you need to.

but it's too late now.

she's your last victim. the final sacrifice needed in order to finish what you'd started back in december. after taking her life, all will be well. all will be well. all will be well. well, well, well, well. you repeat this over and over in your mind as ellie kneels before you. she looks up at you as though you're an alter made for this. for worship.

your breath catches in your throat as you watch her sink to the tiled flooring, hands brought up to rest at your hips. her fingers fist the fabric of your habit as she speaks once more, "allow me to prove how much i mean it?"

your head is swimming, unsure on what to do. logically, you know you should stop this before it gets too far. you've already lured her in close enough to do what's needed. but, for some reason, there's a thick knot forming in your chest. as it grows, you come to realize it's not a knot at all. it's a fist. it's ellie's fist.

her eyes bore into your own, her hands remain gripping your hips. somehow, though, you feel as though they're managing to trace their way through you. they line your bones and caress your tendons before inevitably finding their way to your heart. she holds it in the palm of her figurative hands as her physical ones begin to hike up your habit, slowly pulling the cloak up from the floor.

still, despite the discernible desire in her eyes, she does nothing but wait for your response of consent.

it's inexorable, the way you give in. the slight nod of your head had been predestined from the moment you spotted her at that window; and it will continue to prove relevant until your respective faits are sealed.

to ellie, it felt as though you'd taken hours to reply despite it only having been a minute or less. but the moment you nod, she's moving eagerly. she's grabbing your hips and hoisting you up onto the counter whilst simultaneously struggling to pull up the skirts of your clothes. she's trying to do so many things at once that it's dizzying. for both parties.

you aid her, shifting atop the marble as you pull the habit up to reveal what lies beneath it.

ellie feels the world fall from beneath her knelt locale as she stares. a pair of black lace panties adorn you, the upper half of your body remaining covered by the bunched cloth of your habit. the time she takes to memorize you feels agonizing as you sit there, itching to feel her body on yours.

once she's confident that the image has been successfully engraved into her mind, she leans forward. your legs are already parted when her mouth makes contact with your clothed vulva. the wetness that soaks the material soon made into a mixture of your arousal and ellie's opened mouth.

her tongue traces light circles into your clit, a soft sigh escaping your lips as your grip on your habit begins to loosen. you toss your head back in pleasure, the sound of ellie's slurping and licking mixing with the mechanical hum of the lights.

"ohmygod," she says against you, the vibrations of her voice making your breath pick up its pace. "you're so fucking perfect."

one of your hands comes down to tangle in the auburn of her hair, tufts weaving between your shaky fingers. you tug on it, pulling a grunt form the back of ellie's throat as her scalp stings. despite her noise of pain, this only manages to make ellie more vehement in her actions.

she grabs the hem of your panties with her teeth, yanking them to the side. her eyes are shut as she licks a long strip through your wet muscle. you can’t help the way you stare down at her, watching as she puts her absolute all into making you feel good. and, as it turns out, she’s quite skilled at doing so.

ellie's mind is fogged over, mimicking the way her car's windows had been earlier. she supposes there’s no true difference there, however. the interior of her car had been warm in comparison to the cool outside air. swap the temperatures and there’s naught that varies. the warmth that you provide makes ellie feel cold in contrast, which ends in a fogged mind.

the taste of you is enough to make her lose whatever sanity remains intact. all that adrenaline that had flowed through her earlier is being poured into you.

after all, stars should be worshipped right? they should be admired from below, gawked up at. they should be mapped and studied by only the wisest of mankind. they should be doted on with a possessive sense of adoration, one only fit for something so celestial and untouchable as a star.

and that's what you are. to ellie, at least. you're a brightly shining nebula — a feathery cloud of vibrancy, visible only in the darkest of nights. only in the coldest of weathers. only in most decrepit of churches. only here, only now.

only when fate is carved in this exact way. had one thing been altered, none of this would have taken place. it was providence that brought you together. you weren't written in the stars or tethered your entire lives. in fact, the chance of your paths crossing was rather low. but, honestly, that only makes your acquaintance more deeply rooted in kismet. makes it more special.

"fuck," you pant, chest heaving as you squeeze your eyes shut. your head thuds against the cabinet as you tighten your grip on ellie's hair. she groans, fingers pressing deeply into the skin of your hips, hard enough to leave a bruise. your thighs tighten around her head, a coil of heat sitting heavily in the pit of your stomach. "ellie, i'm—"

she tilts her head up slightly, nose pressing into the bead of your clit. she watches through lidded eyes as you come undone onto her face.

she savors it, committing every little detail to memory. a habit this has become, watching you. your brows knit, your legs shake slightly, you breath hitches. and ellie retains all to it.

she made you see stars. made you look into a mirror and see yourself.

that feeling of blissful release is what she feels every time she's fortunate enough to gaze upon you. and now you've experienced it. and she cannot feel more accomplished than she does right now.

"this," you pant, tugging on her hair to bring her face up to your own. she does as you direct her, standing from the floor to press your foreheads together. "was a terrible idea."

"yeah?" she breathes out. "and why's that?"

you run your hands up and down her back, fingertips tracing the stitching of her leather jacket. you can feel the outlined letters of her 'fbi' label. that familiar twinge of guilt encircles you.

she's a good person — a woman who's to spend the rest of her life helping random people she doesn't know. and yet, here she is. made unfortunate enough to have succeeded in her endeavor.

she stares at you like you're a god, something heavenly. something seraphic. something worthy of her.

"i'm not a good person." you whisper, leaning away from her proximity. predictably, she follows, leaning closer with a desperation only fit for one in love.

the guilt of what you must do is eating you alive. it claws at your chest, snapping your ribs like twigs as it wedges between them to burrow deep within you. it's agonizing yet completely unavoidable.

and in a sickeningly poetic outturn, a random butcher knife is sat neatly atop the marble counter only a foot away from where you sit. just as ellie meets your eyes, the blade happens to catch the light and reflect yellow luminescence. a grotesque reminder of what you're unable to run from.

"nobody is innately good. and, as a nun, y' should know that better than anyone." ellie huffs out a laugh, eyes not daring to stray from you. "in other words, i don't care."

"but you should." you insist, voice teetering on the edge of plea.

"and yet, i don't." ellie counters, just as passionate in her solemnity. you suck in a breath, eyes glossing over. she looks at you with a fondness that feels foreign. she cups your cheeks between her palms, repeating, "i don't."

"i've done horrible things." you say.

"you're a nun." she points out with a light chuckle rumbling her chest. "how horrible could these things have been?"

part of you wants to open up to her, tell her everything that's been weighing on you for these past three months. but each time you get close to a confession, something inanimately symbolic taunts you. whether that be the butcher knife, the hum of electricity, the gun holster at her hip, the residual lust in your chest, or the bright yellow lettering on her jacket.

that gun is meant for you just as that butcher knife is meant for ellie. she'd been wise to bring a weapon, a clear sign that she'd intended on finding someone culpable enough to suspect. and you'd been wise to set the blade atop the counter on the off chance that you'd meet your final victim tonight.

you feel sick to your stomach.

"oh shit," ellie curses as she takes notice to the way you're visibly crumbling in front of her. "i— uh, i didn't mean to be, like, insensitive or anythin'. i'll still listen to you. and i promise to not hate you. promise to never hate you."

"ellie, stop." you sigh. "you can't promise something like that. you don't even know what i—"

"then tell me." she insists, your face still in her cupped hands. you look at her through blurred vision, naught but sincerity behind her pale green irises. "if y' tell me what it is that y' did, we can both carry the burden."

you're instantly shaking your head.

"you don't have to do this alone." ellie says. "plus, isn't a weight split a lighter load than one full?"

as you stare into her eyes, you can't stop yourself from what comes next. you're unable to keep your mouth shut when she's looking at you like that. you decide to tell her, opening your ribs and bearing your heart as though she hadn't already taken it from you. you truly feel more bare in this moment than you did when she'd literally been eating you out.

ellie put her entire trust into you when letting down her guard and abandoning the case she'd obsessed over for weeks. she dropped it like it were nothing, focusing entirely on you in its stead. the least you could do is be honest, right? plus, she's not leaving here anyway. you'd locked the door the moment you two entered the kitchen when she'd been too distracted by your beauty to notice. the trap is already set and she's sitting inside of it without a care. all you need to do now is pull the strings.

but first comes honesty.

for ellie, you'd peel off your clothes. you'd peel off your skin. you'd peel off your flesh. then, when you're naught but bones, you'd give yourself to her. you'd give your entire being to her. not because you think you're worthy of her possession, but because this is all you have. the only thing you're able to offer her as a symbol of your devotion, it's yourself.

though, while you're unable to strip yourself clean off your bones, you feel as though rendering yourself vulnerable and fragile is the next best thing you can offer. for her, you are willing to do the priorly unthinkable.

"you're here in search of the missing men, are you not?" you ask, beginning with baby steps. "in search of who's behind their absences?"

ellie straightens, "i am."

"well." you gesture down at yourself. at your crooked veil that shows stray hairs peeking from underneath; at your hiked up habit, just barely falling to cover your underwear; at your knees that rest on either side of ellie's waist; at your vulnerable state that you're offering up to her. at your bones. "you've found me."

ellie's heart stutters in her chest. not because of what you'd revealed to her, but because you trusted her enough to do so. she no longer cares an ounce for the missing people of bluefeild. all she wants is you. she may be a fool to be this way, but she's in far too deep to mind.

she gives you a weak smile, "i don't care."

"what?" you croak. you stare at her incredulously. there's no way she doesn't care. there's no fucking way. "yes you do."

"i don't."

you blink, looking her up and down. there must be something you're missing — her reaching for her gun, her taking a step backward, her eyes darting toward the knife. but she does none of that. she simply remains stood between your legs, keeps her hands on you, and stares directly into your eyes as you confess your gravest of sins.

"but—" you shake your head, stammering. "but i killed all those people. they're dead. all of them. over two hundred men are buried behind the church."

"i don't care." she repeats, noticing the way your voice raises with trepidation. she traces her hands down your arms, stopping only when they reach your own. she tangles your fingers together, feeling the way your body relaxes slightly to the feel of her touch.

"i killed them because i was paid to." you tell her, your mind reeling as you're unable to grasp her lack of care. you talk in a frantic quickness, rushing to get the truth out for fear that ellie will change her mind in the time it takes for you to speak. "their wives, neighbors, daughters. they— they'd come to me in the confession booths and tell me of the men's abuse o-or assault or misdeeds. and i'd kill them for them. i don't—"

ellie's face remains soft. "you did a good thing, then."

"you can't be serious." you huff, eyes watering with the sheer confusion building within you. "i don't understand how you can still look at me like that. i took their lives. these people, i— they had dreams, they had aspirations and goals and families and—"

"listen," ellie whispers, her hands squeezing yours. "they were horrible people that hurt women. they were abusers and rapists and i don't care what y' did to them or how. all i care about is whether or not y' feel better."

"what?" you ask, voice nigh a breath. "what do you mean feel better?"

"to have gotten that off your chest." she digresses.

you take a deep breath, grounding yourself. the adrenaline of the confession slowly dwindles and you're no longer spiraling. you stare at ellie, centering on her face as the world comes back into focus.

you count your senses one by one. the smell of tea, the sound of humming lights, the feel of a hard counter beneath you, the taste of a bitter truth, the sight of ellie's fond expression. your breathing levels out, slowly but surely. and ellie stares at you the entire time. memorizing you.

"yeah." you whisper. "yeah, i do."

"then that's all that matters."

a supernova; to watch a star combust and explode, a colossally significant occurrence that only the most fortunate are able to witness. ellie considers herself to be substantially fortunate. not only because of what she'd just seen, but because of who it was that did it.

to her, this is even better than a natural supernova. rather than watching a random gassy ball of light die, its you. someone she adores and treasures. and you didn't die. instead, you opens yourself willingly to her. you broke down your walls and bore yourself to her. for ellie, that is far more important than some star's death.

"but—" you say, bringing her attention back to your face. your brows are knitted, clearly struggling to get the words out. she watches you with an easy patience, pupils blown as she submits this to her memory alongside all other files in her brain saved under your name. "but there's more."

"let's hear it." she replies, raising a brow.

you suck in a deep breath, lowering your head as to not face ellie before speaking. "i didn't just start killing whatever men that these women were asking of me. it started smaller. i killed animals, put them in a circle of salt, drew and pentagram, the whole ordeal."

"you sacrificed them?" she asks, tone remaining laced with gentility.

"yes." you nod. "i felt my baptism wasn't enough. god never answered me anyway, he never aided me when i needed it most. he watched my suffering and did nothing. so, i resorted to a new deity of worship." you lift your gaze to meet ellie's. "satanism."

"i'm sorry, i don't—" she blinks a few times, confused. "i don't understand."

"as a child, i relied on god to do everything. my life was nothing without him in it to keep me going. but as i grew, i realized it was unrequited. he cared nothing for me, watching with regale as i sobbed and begged for his help." you explain. "so, as a teenager, i switched over to satanism — worship of someone who actually cared enough to save me."

ellie says nothing, staying silent as you confide in her. she continues to hold your hands, softly cradling them on either side of where you sit.

"but then he wished for payment." you continue. "sacrificial lives as a form of repent for all those years i'd spent as a baptist. i obliged, of course. i killed bunnies and deer, doing research to understand how exactly to offer the stolen lives to him. but as of late, he's wanted more."

"humans." ellie guesses.

"yeah." you confirm. "but i couldn't bring myself to kill random innocent people. so i became a nun and listened in on the confession booths. then, i'd ask the confessors if they wished for me to intervene. they'd concur, paying me to take the lives of their abusers." you recall the fear in the women's voices, the shakiness to their hands as they slipped money through the cracks of the door. "they never saw my face, only heard my voice. and, seeing as i live in the church, none of the recognized me. i soon became a symbol of hope for women and one of fear for men."

ellie's mind strays back to all the religious symbols staked in the yards. "that explains their heavy faith. they think you're some type of prophet."

"yeah, but there's more." you say. "i've researched many, many books to make sure i get this ritual right. and, as it turns out, my 250th victim has to be a martyr. someone who doesn't believe in anything. doing this seals the ritual, ending it."

"good luck finding someone here who meets that criteria." she chuckles.

"exactly." you say carefully. "everyone in bluefield is heavily religious. unless that someone has come from out of town."

"me."

"i wish it wasn't." you rush to explain. "i wish there was some other way i could do this. but it has to be today. i need to do it before another woman comes in asking for my help or the numbers will get thrown off. and if i decline her, i'll lose the faith of all the women in bluefeild."

"okay," ellie shrugs. "do it."

"...what?"

"i don't care." ellie says, the sentence becoming something of a catchphrase for her.

the world stops. again. it screeches to a halt and you almost slam forward at the speed of which it crashed down. you stare at ellie with wide eyes, made shocked by her for a second time. someone so hauntingly perfect cannot truly offer herself up to you like this. she can't seriously be holding out her hand, asking for death to take it.

but what you don't know is that ellie would deem it a gift to die by your hand. it'd be better than dying as a withered elder attached to a beeping machine, or as an agent amid a case who only got to see you in her dreams.

but, this way, she'd be with you always. her love for you would be immortalized; she would be tied down to the very threads that make up the the fabrications of your soul. oh a gift that would be.

"do it." she repeats.

"what?, i don't—" she silences you by leaning forward, pressing her lips against yours.

ellie had kissed you out of impulse, knowing no other way to silence that thundering uncertainty that rumbles your brain. but the moment she does it, she's positive she'll never be able to pull away.

your lips are a cathedral of which she cannot help but melt into, your body a temple she's knelt before and wouldn't hesitate to do again. she kisses you with devout piety, her body molding into yours with each touch that lingers on your skin. somehow, this measly kiss is far more intimate than all else before it.

a silent tear slips from your closed eye as you subtly reach your hand over to where you know the butcher knife lies in wait. ellie surely feels your movement, there's no way she doesn't. but she makes no move to stop kissing you, her lips moving with a vehement neediness.

you loathe the way your fingers find the hilt of the knife. even more so, you despise the way you wrap your hand around it and bring it toward ellie.

she knows. she knows what you're about to do.

and she allows it.

love isn't easy for ellie, never had been. but with you, everything falls into place as though it'd been predestined to do so her entire life. as she feels your body shift toward the knife, nothing runs through her mind aside from your name. on repeat, the singular word replays over and over. she wraps your name around her skull, weaving the letters between her thoughts and molding the syllables against her brain. she was born to love you. and so long as she was able to do so, she'd be okay.

just as the tip of the blade brushes her jacket, you pull away from the kiss and stare at her. the knife remains at her back, resting against leather but not daring to press any harder. ellie's pupils are blown, her lips wet from your own saliva.

"i can't." you utter. "i can't do this to you."

she sighs, "i already told you it's fine, angel. just— as long as i have you near me, i'm content with my decision."

"no." you shake your head. "no i know. it's—" knowing ellie wouldn't understand your explanation, you decide to show her what you mean. with your free hand, you place your palm against her gun holster. "whatever you go through, i want to be there with you."

her eyes widen at your words. she jolts away from you, appearing as though she'd been burned. she sets her jaw, turning her hip away from your reach. "no."

"ellie, please." you implore, tone beseeching. "i can't live on knowing i'd done this to you."

"it's unavoidable." she reminds you. "y' made a deal with the fuckin' devil, or, well— i'm honestly not too sure on the details, but— y' can't not follow through. i understand, okay? finish the damn ritual and live your life."

"i don't want to." you plead with her. "not without you."

she shakes her head, eyes glossing over. despite the evident distaste, her refusal is weak. she stands only a foot away from you, seeming as though she's physically incapable of moving any farther.

"ellie," you say, whispering her name like a prayer. she can't help but look up at you through watery eyes. "ellie, please."

"i don't want you to die." she says, voice nigh a whimper.

"we'll be together, ellie," you tell her, hopping down from the counter to approach her. the blade remains in your hand, long forgotten to the both of you as the sight of the other is far more appealing. "if we do this, we can be together for all of eternity. they'll find our fossils in a million years, bones entwined. they won't even know who's who."

she chokes out a laugh that sounds more like a sob. "god, how stupid would that be?"

you laugh with her, "so stupid."

you're both crying now, tears streaming down your faces as you stare at one another. slowly, ellie pulls the gun from her holster. she's unsure on how this will go down, but she's willing to try. for you.

to be loved is a horrific thing, you've found. it's to be swallowed whole by something so disgustingly beautiful that you're incapable of turning away.

ellie takes a step closer, the distance between the two of you closing. her left hand holds the gun, her right hand coming up to wrap an arm behind your neck. she pulls your toward her, pressing another kiss to your mouth.

your tears mingle, forming a salty sea on your touching cheeks. you sob against her, chest heaving as you pull her closer with one hand, the other holding the knife. she tastes of sacrilege, salvation, and sacrifice. the ghosts that will haunt this decrepit church until the end of time. together.

whatever string that pulled the two of you toward each other will be knotted, tying two lost souls in search of the other.

"ellie," you whisper between wet kisses, lifting the knife to rest at the nape of her neck, "it's time."

she lets out a sob, a convulsive gasp tearing from her throat. "okay,"

you count down, the two of you agreeing to do it at the same time. you'll drive the blade into her neck whilst she pulls the trigger. your bodies will fall in unison, clinging to one another.

when you reach one, you sink the blade into her with a sickening squelsh. she chokes, dropping the pistol to the floor. it lands with a loud clank moments before her body falls with a thud. your eyes widen, heart ceasing. blood pools onto the white tiles and only one thought runs through your mind: she didn't pull the trigger.

she didn't pull the trigger.

she

didn't

pull

the

trigger.

she didn't pull the trigger. she didn't pull the trigger. she didn't pull the trigger. she didn't pull the trigger. she didn't pull the trigger. she didn't pull the trigger. she didn't pull the trigger. she didn't pull the trigger. she didn't pull the trigger. she didn't pull the trigger. she didn't pull the trigger. she didn't pull the trigger. she didn't pull the trigger. she didn't—

you fall to your knees beside her, hands coming to cradle her bloodied face. you pull her head into your lap, rocking back and forth as crimson soaks into the black fabric of your habit. you clutch her tightly against you, pressing hard on her slit neck, willing the blood to go back inside.

death doesn't take her hand. instead, he grabs her by the shoulders and shakes her for the untimely demise she'd agreed to. the heart she'd taken from you rattles. the death rattle. you choke out a sob at the sound, everything aching.

you lean forward, pressing a kiss to her cold, dead lips. she doesn't kiss you back. you pull away, panting hard as your chest heaves and your eyes burn.

then, in the corner of your eye, you see the metal of ellie's pistol. you crawl across the kitchen toward the weapon, realizing she hadn't even cocked it. god, how had you been so stupid? you do it for her, loading the bullets into the chamber.

with the gun now in your possession, you crawl back over to ellie.

you position yourself atop her, entwining your legs and placing your head on her chest. it doesn't rise nor fall, no beating heard from beneath her ribs. you sob, placing the gun's barrel to the soft part of your chin.

then, without another thought, you pull the trigger. you pull it because ellie was unable. because ellie couldn't bear to do it for you. a part of you resents her for this, but another part can't feel anything for her aside from utmost love.

and there lie two bodies. lifeless.

ellie found what she'd been searching for all her life: something worthy of her devotion. something she can pour her all into. that had been why she became an fbi agent in the first place — in search something to worship whole heartedly. simultaneously, you'd found what you'd been searching for as well: peace.

in the end, however, it had all been for naught.

the ritual didn't work.

it needed someone faithless, someone who didn't care for religion, for god. but that wasn't ellie. not anymore, at least. because, after having met you, she'd finally found something worth her revere.

you were her religion.

⊹ ࣪ ˖𐙚 perm. taglist. @luvsturniolo @ilovewomenfr @zzombiegirl @elliessweetheart @kasqnxx @xlovla

⊹ ࣪ ˖𐙚 additional note. i want this to be said here because i know this piece is super fucking heavy. ellie and the reader's relationship is so fucking toxic. anyone who reads this, i hope you realize how absolutely horrific their love story truly is. there's a shit ton of symbolism weaved within this story that i didn't outwardly state (though most of it i blatantly explained). if u have any questions regarding this piece, i'd love to talk about it bc i put a lot of time into making it.

but, again, their relationship is TOXICCCCCCCCCC!!!!!! it's not meant to be idolized or romanticized in any way. if you didn't notice, i barely used the word 'love' and never made either of them say 'i love you'. that was for a reason!!!! because what they share isn't love. it's unhealthy obsession & i need that to be outwardly said before i post this

[artbyblastweave]

So, Wildbow pretty famously retconned Browbeat to death because he got sick of fan jokes about every new character secretly being Browbeat under a new identity. I've got mixed thoughts on that.

Unfortunately for all, my de facto reaction to that kind of meta-level contrarian stunt is "Power Move TBH," even if it was broadly comorbid with a proximity to the fandom that kind of blew out Ward's kneecaps with a .50 cal. Overlooking the fact that I think it was really sincerely funny, there's an argument to be made that it trims the fat; adding an additional heroic casualty for a grand total of seven out of twenty two named heroes operating in Brockton Bay at the time of arc 8. Browbeat is also specifically an independent hero who was headhunted for the Wards relatively soon after his debut- a distinct dynamic from the other wards who get pulverized, from the superheroic family business of New Wave, or the adult professional superheroes who bite it. This is a very Taylor shaped guy, the same kind of just-starting-out teenaged cape with an uncertain future. Him getting unceremoniously pulverized for the bad luck of having a front-line power therefore presents a bit of a "there but for the grace of god" moment for Skitter, if you choose to look at it like that. This is the kind of thing an editor would probably make him do anyway, if he wasn't cut entirely. But the thing is that I am kind of attached to the original outcome for Browbeat, which is that he dips. I think it actually adds some subtle verisimilitude to the story. The number of heroes we actually see is significantly lower than the alluded-to headcount in the early arcs; more indie heroes are alluded to then ever actually appear, and a combination of Leviathan casualties and departure during the ensuing civilian exodus is usually how I've seen that discrepancy squared. But it hits better if a named character cuts and runs. In the story as currently written, every hero who lives, remains in Brockton Bay to try and hold the line. I kind of liked the version of the story where that wasn't the case, where you can infer that at least one of these teenagers went, you know what, I'm not so completely committed to heroic altruism at the age of 16 that I'm gonna hang around to do it in a town without running water, I'm going to pursue a less horrible gig elsewhere. That's not really a thing that happens too often in Big-two comics, and if it were to happen it would likely be painted as a notable departure from expectations. But one of Worm's major themes is that unlike in the comics, there's a gigantic spread of motivations and personality types amongst the officially designated heroes, and it's a nice reminder that all those different personality types are going to have different thresholds for throwing in the towel and moving on to greener pastures. Or it was, until he just died instead