#it needs to be driven by MAIN character

[genericpuff]

y'all have no clue how wild it is to live in my timeline, because 12 years ago i was a huge fan of these cute lil' zelda strips and at the time i found out through the grapevine that the creator apparently stopped making these comics because they had started drawing NSFW content-

and at the time i was like "oh ok that's wild but respect"

and now in the present the artist who's making the OMORI manga adaption is under fire for being a shota fetishist and it's putting the spotlight back on the OMORI creator themselves for ALSO being a shota fetishist and oh my god the omocat who made those zelda comics over a decade ago is the same omocat who went on to make OMORI holy shit-

[meatgrinder-0]

does anyone have gen/non shipping gf fic recommendations specifically ford focused ones . that actually write him well. i literally cannot find any more good ones. the well is empty.

[helldritch6211]

If i re wrote red hood outlaws + arsenal n red would you want to see snippets of that or would you roast me on a pike?

[barbieaiden]

rememberwhen he. remember. when. when.when. he

[rearranging-deck-chairs]

the doctor isnt neurodivergent or autistic or adhd or nonbinary or genderqueer or asexual. what the doctor is, is Not From Here

[icewindandboringhorror]

sneeping with his legs up over his head for some reason... weird boye

[longagoitwastuesday]

I am liking Jujutsu Kaisen, way more than I imagined I would, but I foresee it will let me down and it's keeping me from enjoying this as much as I could haha

I think the characters and dynamics are well set, and I think many of them have an incredibly good and deep potential, but I would be willing to bet they'll not get a proper development, enough for them to really hit. A well assembled set of gears is not enough to make the movement go, you have to wind the clockwork.

I think Gojo and Megumi have a fascinating and very complex dynamic, but I doubt it will be given the time and care that imo it needs to actually work. And it is going well enough for now! One could see the intimacy between them was deeper than the one Gojo had with, say, Yuji and Nobara ever since the very first few episodes despite the fact Fushiguro too was a first year. But the pieces forming what they have are extremely complex, and it just wouldn't be realistic if it doesn't show, even if in a not showing way, or if it doesn't have consequences or implications.

It's one of those dynamics that shape one's life, the way one regards the world, the way one establishes or not relationships with other people. It's one of those dynamics that could be full of fondness, gratitude, resentment, admiration, trust, and that imply intimacy, the good kind or the bad, even if in just the knowledge of someone who's been a constant through your life. It could, and would, imply a myriad of feelings, and probably in such a mix it could imply contradictory feelings too. Even the nothingness would weight, even the nothingness would be significant and meaningful.

Gojo took Megumi and his sister under his wing, the son of a man who murdered him, because of both selfish and selfless reasons. Megumi looks like Toji. What does Gojo feel about this? How does Gojo deal with this? How does Gojo go about taking care of Megumi? Would he walk him to school? Make him breakfast? Celebrate his birthdays making him blow candles? Did he take him to the zoo? Does the relationship between them feel professional or is it something more? Gojo appreciates his students, but is Megumi to him just another student? When Gojo faces Sukuna in Megumi's body, did he see the kid he raised, or does he just see Sukuna in one of his students' body? Did he have one faint wavering instant? And how does Megumi feel about this? Is he resentful of him? Resentful of the situation? Of the selfishness behind his actions? Does he feel like a pawn? Is he grateful? Does he resent feeling grateful? Would he rather not? Does he love Gojo? Does he feel nothing about him other than what he could feel about a teacher that sort of annoys him but knows he's reliable in his strength? Does he think it unfair, cruel or unfeeling that Gojo is close, closer perhaps, with Yuuji or Yuta, considering their story? When Sukuna slices Gojo in two, does the remnants of Megumi's soul tremble?

And not just Megumi and Gojo. Yuuji and Nanami, Gojo and Nanami, Yuuji and Fushiguro, Nobara and the boys, or Nobara and Maki, Todo and Yuuji or Yuta, Gojo and Yuta, Megumi and his sister. Gojo and Geto, even! If the pieces are well set, the dynamics are intriguing, interesting, and have potential to be deep, but then the characters have like two plot relevant scenes that punch you hard, but little more, it's not nearly enough. Especially not nearly enough for the enormity that is shonen dynamics and situations. And the potential existing at all, and then not delivering, makes it all the more frustrating when you're left with something mediocre that could have been so good.

The development of dynamics through not only a few plot relevant gut wrenching moving scenes, but also the smallness of life, is important. The friend who recommended this to me said that those things were just unnecessary filler, but I disagree. I think there's a big difference between a large amount of anime-only filler episodes whose existence is based on the fact they had run out of manga chapters to animate, and moments of quietness. The low stakes character-driven moments of quietness can be so telling and so insightful, and they are so satisfactory when brought back later in higher stakes situations. My friend teased me there was no scene of Gojo making breakfast to Megumi, that it would be an idiotic idea, but it would be so telling. How he makes breakfast, what they eat, if he tries hard or if it's all mechanised, if they have personal bowls or if they use whatever, if he just buys them some pastry on the way to school, if the way they have breakfast changes through the years, or if he doesn't make them breakfast at all! All that would be very insightful on their dynamic and its evolution. All that would give a glimpse on how they regard each other and why, even in the present. All that could become meaningful in tense situations and high stakes scenes.

These moments also let the plot breath; if a lot is happening all the time, if every character is always experiencing trauma after trauma, the entire story is so emotionally draining that at some point you don't even care all that much. Besides, these nothing moments or low stakes plot arcs, besides deepening and developing dynamics, also let some in-world time pass, which would make the intimacy and bond between characters more believable imo; between Yuuji eating Sukuna's finger and their last confrontation in December how much time has passed? A few months? Am I truly to believe these characters are so everything to each other in only a few months?

Without some smallness, some repetition, some daily life, some low stakes not plot-centric development, the dynamics don't hit, they don't truly feel fleshed out, and dynamics as complex as the ones Megumi and Gojo have, or as supposedly meaningful as the one Megumi has with Yuuji or his sister, should be fleshed out if they're going to exist at all. Otherwise they'd risk making the writing feel awkward and fake. Besides, if the dynamics felt well fleshed out and realistic, they would shape the way the characters interact and act, and how they deal with situations, thus being plot relevant.

The shonen genre has so much happening all the time, the stakes are so high, the dynamics are so rooted in big events and the relationships carry enormous weight and implications. Yet they barely get developed, and it feels so stupid, so plain, the absence of something so important noticeable like a constant void, a shapeless nothingness present in every scene. It makes the characters feel like cardboard figures. Jujutsu Kaisen is already getting a better job than many, but I doubt it will do enough for what I've heard, and I fear I am bound to feel let down, and bound to feel unmoved.

After all, if not enough time and care has been given to develop a dynamic, I am not going to feel pressured by the high stakes; if not enough time and care has been given to develop the dynamic between Megumi and Yuuji, as good potential as it has I am bound to feel little for this last confrontation between Sukuna and Itadori, and his effort in getting Megumi back.

[lith-myathar]

.

[plutojester]

Sometimes I honestly don't know what led me into Spider-Man because as someone who is big on stories with a clear goal that know when to end and prioritizes characters in any piece of fiction, there is something truly masochistic about getting emotionally invested in an infinitely ongoing, clumsily paced franchise written by thousands of different people where development, no matter how good, is periodically tossed out the window and every adaptation is a different bad take on your fav that has little to nothing in common with why you came to love them in the source material in the first place

[oflgtfol]

the mandalorian should have been a planet-of-the-week style project showcasing different unseen backwoods parts of the star wars galaxy, with the overarching narrative being the development of din and grogu’s relationship, and moff gideon is occasionally there to add tension

they genuinely could have gotten so much out of this show this way because [noun] of the week styles really facilitate making more content. because theres so much more you can do with that. so if they wanted forever amount of seasons out of the mandalorian then this is how they should have kept it

BUT NO!! they needed endless cameos and they needed to push this stupid high stakes plot and just ruin what they had built. for what? now they want a bazillion mando seasons when its a plot driven show, not a character driven show like it had started out as, but you cant make endless content out of a plot driven show. as always they wrote themselves into a hole and ruined the potential it had and now we’re left with whatever the fuck the “Mandoverse” is supposed to be

[bejeweledmp3]

the more i think about last night's tlou the more i like it ngl

[translucio]

thimking about the scavengers reign inspired game prototype i wanna build.....

[phantomrose96]

I don't get into media that often as an adult because I no longer have the 14-year-old naivety that lets Naruto blow my mind. I still absolutely like getting into media! But my bar is significantly higher. And even the things I genuinely enjoy come with a sort of measured assessment of what areas are maybe a little weak in my opinion, or what aspects don't completely appeal to me.

So actually, I a little bit don't know what to do with myself over the fact that The Silt Verses is just so good. I don't have my usual mental folder of measured critiques. Like at most maybe a one-off plotline here or there that I was only mildly interested in. But that's nothing when I mean like, assessing the over-arching characters, their development, their self-driven character motivation, the evolving dynamics between them, the intricacies of the plot, the way the world breathes, the horrible and ironic and compelling concepts that come to life here, the incredible voice acting, the sound production, the astounding writing--the untouchable quality of the writing.

When I say "The Silt Verses gets better the longer it goes" that's because it's so good at developing its characters and their dynamics and the plot and the stakes. Something exceptional should get better the longer it goes if it's doing these things well.

I listen while cooking and time and time again I need to stop what I'm doing to just... soak in what I've heard. I rewind lines. I'm on episode 40 and every single ongoing character plot compels me. I'm invested in everyone. The dimension to each of the main characters is undoing me. I listen and I go "I cannot imagine writing something this good." What do I do with this. I don't know.

[moiraimyths]

The Good People (Na Daoine Maithe) | Official Trailer

The Good People (Na Daoine Maithe) is a lore-rich and choice-driven historical fantasy visual novel inspired by Irish mythology and Celtic folklore. Play as a tenant farmer from mid-19th century Ireland, whose path becomes inexplicably entwined in fairy affairs after getting robbed by the roadside and lured into the mythic and war-torn world of Tír na nÓg: A once unified land, now divided into the Seelie and Unseelie Courts. Will you escape and return home with your stolen belongings? Or does fate have something else in mind?

🍃 STEAM 🍂 ITCH.IO 🍃PATREON 🍂DISCORD 🍃

Eager to play? Certain route content is available NOW in early access on Steam and Itch.io! For more information, click below👇

Meet the Cast

Facts & Questions: The Game

🍃 The Good People (Na Daoine Maithe) is a Kickstarter-funded project currently in development. Due to the scope of the story, we will be releasing it serially over several years to Steam and Itch.io, and discounting it while in early access. The earlier it's bought, the cheaper it will be overall, and you'll only need to buy the game once!

🍂 Not all routes are currently available! As of Nov. 1, 2024, you can play half of Shae and Maeve's routes; both approximately 50k words. If you're not sure about paying for an unfinished game, feel free to check out our free demo first. It consists of Vol. 1, Book of the Traveller (the pre-route content). Differences between the demo's Vol. 1 and the paid game's Vol. 1 are marginal following our August 1, 2024 re-release of the demo.

🍃 The Good People (Na Daoine Maithe) has a recommended reading order (Vol. 1, then 2, then 3, etc.), which will correspond to the release order of the routes. For more information on our reasoning behind this, click here.

🍂 Due to its setting, The Good People (Na Daoine Maithe) will occasionally feature instances of characters speaking in Gaeilge, i.e. the Irish language. All instances of Gaeilge are linked to an internal translation tool, which is voiced by Nigel McKeon, a Gaeilgeoir.

🍃 The main character is yours to shape. At minimum, you must choose a nickname, pronouns, and one of four default appearances, the last of which can be your own artwork (instructions are included in the game's files). You may also choose to discard the True Name…

🍂 All routes, both current and upcoming, will have both romantic and platonic choice options. If you're uninterested in romance, feel free to make friends instead! No matter the nature of your relationship, you will still be able to reach the good end. (Want to learn more? Refer to this post!)

🍃 Our cast consists of two men, two women, and two non-binary characters. All are romancable no matter the MC, but some characters are asexual or on the aromantic spectrum, which may impact aspects of their romances.

🍂 If you are a Mac user and are having issues launching the game via the Itch direct download, refer to this guide for troubleshooting before sending us an ask. We strongly recommend purchasing the game through Steam instead of Itch if you are a Mac user; it is the best way to avoid issues with launching the game.

🍃 NDM is very intentionally set just prior to the onset of the Great Famine, which is both thematically and textually relevant to the leftist, anti-imperialist story we're aiming to tell. If you would like more insight into this, refer to this post.

🐎 There are secrets to be found in this game, with more yet to come. Prepare yourself for a lot of horse related shenanigans. 🐎

Facts & Questions: The Company

🧵 Moirai Myths is a five-person company based out of Canada. The core devs/founders go by Clotho, Lachesis, and Atropos. All writing and programming are done by this collective, i.e. the Fates.

🪡 Moirai Myths has a two person in-house artist team consisting of Kazane, our Character/UI Designer, and Melinoe, our Environmental Designer. In addition to them, though, we have had a number of guest artists assist us with the creation of sprites, CGs, and an assortment of other materials. If you'd like to meet them, check out our about page on our website!

✂️ Moirai Myths stands with the people of Palestine 🇵🇸

Disclaimer: This description will be updated periodically. If you're reading this in a reblog, you may want to check our current pinned post for potential changes.

[writers-potion]

Storyediting Questions to Ask

As You Read the First Draft:

Are there place that surprised you as you read your first draft? - Why do you suppose that is? - Is there material there you'd like to expand?

What are the character really doing in this story? - Might they have issues you haven't explored fully yet?

Look to the places that drag. - These might be scenes where you have avoided dealing with something deeper. - What are the characters really thinking in these places? - What are their passions, frustrations, and desires?

Imagine alternative plotlines. - How might your plot be different if ti headed off on another tangent from various points in the story? - You don't have to follow them, but they might suggest other streams that can flow into the main plot.

Think About Structure:

Does you story play out naturally in three acts?

Is there an immediate disturbance to the Lead's world?

Does the first doorway of no return occur before the one-fifth mark?

Are the stakes being raised sufficiently?

Does the second doorway of no return put the Lead on the path to the climax?

Does the rhythm of the sotyr match your intent? If this is an action novel, does the plot move relentlessly forward? If this is a character-driven novel, do the scenes delve deeply enough?

Are there strongly motivated characters?

Have coincidence been established?

Is something happeing immediately at the beginning? Did you establish a person in a setting with a problem, onfronted with change or threat?

Is the timeline logical?

Is the story too predictable in terms of sequence? Should it be rearranged?

About Your Lead Character:

Is the character memorable? Compelling? Enough to carry a reader all the way through the plot?

A lead character has to jump off the page. Does yours?

Does this character avoid cliches? Is he capable of surprising us?

What's unique about the character?

Is the character's objective strong enough?

How does the character grow over the course of the story?

How does the character demonstrate inner strength?

About Your Opposition:

Is your oppositing character interesting?

Is he fully realized, not just a cardboard cutout?

Is he justified (at least in his own mind) in his actions?

Is he believable?

Is he strong as or stronger than the Lead?

About Your Story's Adhesive Nature:

Is the conflcit between the Lead and opposition crucial for both?

Why can't they just walk away? What holds them together?

About Your Scene:

Are the big scenes big enough? Surprising enough? Can you make them more original, unanticipated, and draw them out for all they are worth?

Is there enough conflict in the scenes?

What is the least memorable scene? Cut it!

What else can be cut in order to move the story relentlessly forward?

Does the climactic scene come too fast (through a writer fatigue)? Can you make it more, write it for all it's worth?

Does we need a new minor subplot to build up a saggin midsection?

About Your Minor Characters:

What is their purpose in the plot?

Are they unique and colorful?

Polishing Questions:

Are you hooking the reader from the beginning?

Are suspenseful scenes drawn out for the ultimate tension?

Can any information be delayed? This creates tension in the reader, always a good thing.

Are there enough surprises?

Are character-reaction scenes deep and interesting?

Read chapter ending for read-on prompts

Are there places you can replace describing how a character feels with actions?

Do I use visual, sensory-laden words?

For a Dialogue Read-Through:

Dialogue is almost always strengthened by cutting words within the lines.

In dialogue, be fair to both sides. Don't give one character all the good lines.

Greate dialogue surprises the reader and creates tension. View it like a game, where the players are trying to outfox each other.

Can you get more conflict into dialogue, even emong allies?

If you like my blog, buy me a coffee☕ and find me on instagram! 📸

[tinyfantasminha]

Thoughts on Jack's dream(MASSIVE main story spoilers ahead)

JACKS DREAM got me by the thROAT bc the more I analyze it the more angsty it feels and I alreadfy sobbed n cried and I must SCREAAAAAAAAMMMMMMMMM He's dreaming of the magift tournament but basically if..... if Leona's plan never took place....... If Leona actually WERE the hero Jack has idolized...... 😭

First I gotta take note dosodkgkfdgjdfkghfdjk hOW JACK YEARNS FOR HIS SENPAI'S PRAISE AND AFFECTION 🥺🥺truly the epitome of loyal, puppy-like behavior..... It doesn't take much for him to be happy… He yearns for the respect and acknowledgement of those he admires. He craves respect and recognition, but not only that—he genuinely wants to see those he admires thrive.

Seems to me that what Jack longs for most is a sense of belonging within a pack. He’s not just devoted to those he holds in high regard; he also desires to be cared for in return (This becomes even more apparent when he asks Ruggie to act as a mentor or older-brother figure in his dorm uniform vignette.) Jack's actions reflect his innate wolf nature—a being built for connection, loyalty, and mutual protection. No matter how much he tells himself or others how he prefers to handle things on his own… We can clearly see that Jack is happier when he’s part of a team, fighting alongside companions who’ve got his back. It’s the dynamic balance of trust: to protect and be protected, to rely on others and let them rely on him in return. It deeply resonates with the essence of wolves.

We often hear the phrase “lone wolf,” an expression of grudging admiration. A lone wolf is often viewed as a rugged individualist, uncompromising and independent, driven to forge his own path, unfettered by the sentimental need for companionship. In reality, few people would ever want to live this way—and, as it turns out, few wolves would either. Wolves, males and females alike, may go through periods alone, but they’re not interested in lives of solitude. A lone wolf is a wolf that is searching, and what it seeks is another wolf. Everything in a wolf’s nature tells it to belong to something greater than itself: a pack. Like us, wolves form friendships and maintain lifelong bonds. They succeed by cooperating, and they struggle when they’re alone. Like us, wolves need one another. (source)

Which is why the factual reality cuts so deeply.

After Ortho wakes Jack up (in oUTER SPACE DKJGDSDKFJGKJS that was so adventitious but so cool.....) and Jack falls down like a meteorite (ALSO SUPER COOL BUT WTF.....) Fake!Leona and Fake!Ruggie rush to his side, Leona softly reassures him, saying it’s a relief he’s uninjured and advising him not to be so reckless while Ruggie says ''You're a promising rookie. Our treasure.'' (I started crying here.)

Jack breaks into a bitter, despairing laugh as the truth crashes down on him. The sincerity and warmth his “upperclassmen” showed in that moment? It wasn’t real. It never actually happened. Jack recounts his excitement when he first joined Savanaclaw, eager to fight alongside the dormmates he admired so much. He talks about how he had watched Leona’s play three years ago—over and over again, captivated by it. He reveals the painful truth of discovering their wicked plan, the frustration of being unable to snap them out of it, and the overwhelming helplessness that consumed him.

I gotta say, I'm SO HAPPY that Jack's feelings on the events of book 2 were finally properly addressed now (cause let's be real, book 2 uhh... did kinda a shitty job at this 💀 Neither the narrative nor the fandom really took the time to explore the emotional impact it had on him, which is such a disservice to his character.)

Think about it from Jack’s perspective. He was obsessed with Leona's play 3 years ago, watching it over and over again. In his eyes, Leona was a hero, someone worth idolizing to the point of projecting an idealized image of him: an earnest, hardworking, honorable leader. When Jack finally had the chance to join Savanaclaw and be part of the dorm he had admired so deeply, what was his reality? Ostracization, bullying and even physical violence from some of his dorm mates (as shown in Leona's dorm uniform vignette) And worst of all? Jack was met with his idol’s true, treacherous side—dirty tactics, underhanded schemes, and a willingness to harm others to achieve his goals. When Jack tried to confront them about it, he wasn’t met with understanding or respect. Instead, he was called a “filthy traitor” and a “spoiled brat”—by the very person he admired most. It’s a complete dismantling of everything Jack believed in, everything he worked for.

It's a shame the game and manga did not give enough weight to Jack’s feelings, (the novel seems to do a better job at it though) but now it’s clear just how much this hurt him. It wasn’t just a setback; it was a deep, personal betrayal that shook him to his core.

He’s only a first-year. Beneath his gruff demeanor and physical strength, Jack is still a boy—pure-hearted, earnest, and full of hope. All he wanted was to stand beside those he respected most but what he got instead was disappointment, betrayal, and rejection. To idolize someone so deeply, only to have that image crushed in the most personal, gut-wrenching way........ Savanaclaw doesn't deserve him 💔

.

,,,,okay forgive me to break the essay to talk about this but I'm going insane over the fact fake Ruggie ominously coos, ''Hey puppy-chan you're a good boy so come here.....'' UGHGHHHDSHNGDSHNDGSHHHnnnnhhHHHH HE IS BASICALLY SAVANACLAW'S UNOFFICIAL MASCOT,,,,,,, their loyal little puppy 🥺🥺🥺😭😭

fake ruggie and fake leona try to lure him in to sleep again, but Jack says he has no intention of fighting alongside fakes and defeats them 😌

And we get this utterly precious moment where Jack praises Yuu and Grim for having guts and persevering through everything and he PETS GRIM'S HEAD............ HE DIDN'T NEED TO COMFORT THEM BUT AWWAAHBBBAYYAWYWYHAWWABYWAWAYAA

I can't wait to see what role he'll play in Leona's dream 😌 Jack’s arc feels like it’s finally getting the weight it deserves… 🙏🙏🙏