#it maybe can be viewed as Ozai going “so you want to be treated like an adult? then I'll treat like one.”

[zuko-always-lies]

It's fascinating how pre-exile Zuko (13 or even 14, according to some sources) is basically implied to act like and be treated like a child, while Azula (14) largely acts like and is treated like an adult by those around her.

[seyaryminamoto]

Do you have any particular thoughts on Netflix Avatar Season 1? I haven't watched it myself but I would be curious to hear what you have to say.

I do indeed! I didn't watch it right away, but I have watched it indeed. I think there are merits to certain changes they did, I can see the sense in many of them, that doesn't mean EVERYTHING they changed was good, but it does feel like they were engaging with the original content in a far more creative way than a lot of people are willing to acknowledge or try themselves. No, it isn't a perfect remake of ATLA, but being the critic that I have been of the original show, nobody could ever convince me that the original was perfect, just as this new show isn't perfect.

I want to make a big post on the subject one day and try to get to everything it brought up... once I have more time on my hands, I'll try to do that. But, to give you a bit to chew on... I'll try to do one good vs. one bad on my part, of whatever I can remember right now.

GOOD: I actually do not mind the multiple prologues in the first episode, even though I don't think the changes were handled perfectly. I do believe that showing the genocide is not nearly as bad a choice as a lot of people pretend it is (the way it was portrayed is questionable mostly from a tactical point of view but that's just me being a freak about that... studying basic warfare really fucks up your suspension of disbelief when it comes to war scenes). Mainly, I think it IS important to show it due to the amount of people who are still convinced that Aang didn't suffer nearly as much as most other popular characters did -- that soooo many people have made these claims without a care in the world throughout the twenty years since ATLA first aired proves that the genocide was not treated with the severity it should have been by the OG show. I'm not even sorry to say it. It doesn't feel like a trivialization of violence, it feels like actually setting straight the degree of violence a genocide entails. People asking for a less intense version of genocide basically appear to be asking for the actual gravity of such events to be sanitized so they can chew on them more easily... and that's exactly what leads to it being trivialized, minimized and not taken seriously, if you ask me.

BAD: I don't particularly like the way Fire Lords are so... casual with commoners. Both Ozai and Sozin stood on the same level as a rebel/spy right before setting them on fire, no doubt it's meant to be some sort of flex, but... men of their ideologies and pride would not want to be up close and personal with anyone they consider that far beneath them. Odd choice there, imo.

MOSTLY GOOD: Aang does feel way more serious and has much more dramatic gravitas in everything he does. And this is not a bad choice, in essence. I don't particularly love that they tried to lessen it with occasional "Aang's a silly kid!" verbal reminders that don't actually have any proper visual evidence, because most the silly things he's up for are things the two older kids (Sokka and Katara) are perfectly fine with doing too, hence, he doesn't feel childish at all and it comes off out of place for him to talk about being more childish than he actually is. So... they really didn't need dialogue to try to emphasize his childhood if they weren't going to write him being a goofball. It's fine if he isn't one. He always could be a more serious character, it's only a problem when there's no further substance to him than just brooding (which is what I remember from the Shyamalan movie...).

WEIRD: Aang and Katara both had weird scenes of standing around doing nothing but smiling at their hometowns in episode 1. Maybe it was done as a parallel between them, but it felt a bit... overly theatric? If that makes sense? Like... I know we need to see their daily lives and the context in which they've lived... but it doesn't feel entirely logical for that to happen with them just standing in place and smiling fondly at their world. Most people do not do that in their daily lives...?

GOOD: ... Contrary to what a lot of the fandom seems to think, I actually like the suuuuuper slowburn Kataang here because any potential romantic payoff those two might get isn't nearly as in-your-face as it was in canon. The way their friendship is growing feels far more organic. And some of my favorite character moments in the show were actually between them. Which is not something I'd EVER say about the original show. There's a different sense of maturity for the characters here, and I like that.

BAD: I... do not like Sokka's changes. No, it's not about the sexism. It makes sense to me that this aspect of his character would be changed, updated in a sense: you can even still read him as sexist in some regards! It just isn't as simplistic and straightforward as it was before. But that's... not what bugs me the most. The show genuinely surprised me by taking him far more seriously as a character than I anticipated they would, but they absolutely picked weird choices with him in stuff like his family issues (... the Hakoda changes are just straight-up cringe for me, there's no justification for making him some sort of bitchy soccer mom who congratulates his son but then shits on him behind his back??), his insecurities as a warrior and the frequent remarks about how maybe that's not his path in life even though he does just fine at it, and... his romantic relationships. It's wild, because I actually think they did Sukka a thousand times better than it is in canon, and yet in doing so, they absolutely deadlocked themselves into a whole other problem: Sokka bonding that much with Suki and then hitting on a random Fire Nation soldier like two episodes later?? Then having the romance of his lifetime with Yue by the end of the season?? Ngl, it feels like we're watching one of those sitcoms where characters switch love interests in the blink of an eye. Changing this element of his character this way, when Suki's romance in particular was given new qualities and way more substance... may not have been a great call since it makes him come off insanely shallow, ready to get with any girl he comes across, and frankly, he didn't feel like that in the original show to me. He's also not really funny when he's supposed to be? Part of what made Sokka funny originally was his role as a voice of reason while everyone else ignored him. They occasionally tried to mimic that here... but in ways that didn't really work? Also, the Ron-Weasley-In-HP-Movies brand of comedy of "watch this guy scream, it's soooo funny" is... so trite at this point. Please, don't. Personally, this really feels like a whole other character who isn't Sokka. And some people might think that's great... I'm not one of them. Maybe I'm just experiencing the crisis a lot of people are over Katara with Sokka? But where changes with her do seem to go for things I actually wasn't fond of in her character, I don't really feel like they did better with Sokka in the least.

GOOD: ... "Katara learned waterbending too fast", they say: she did in canon too. A month of training under Pakku is not nearly enough time to justify her being deemed a master in canon. Complaining about how she didn't get that training at all here and still got deemed a master gets a "meh" out of me because I frankly do not see it being remotely as different from what canon did as people want to think it is. Katara was fighting Pakku with way too much power in the OG show for a kid who never got formal training to begin with, and somehow nobody minds that. I don't think someone who was on that level of power in the OG show was nearly as inferior to a seasoned master as a bunch of people want to believe. So... outrage about how they sped up her learning process when we in fact see a LOT more internal growth for Katara, and a lot more depth to her bending source here, makes no sense to me.

Along with that: bending has always been connected with a bender's internal energy, which is related to their peace of mind and internal balance. This show did not invent that. Firebenders are the ones who are most explicitly shown to be connected to their feelings that way, sure, but if you needed ATLA or LOK to non-stop feature characters talking about how a person's chakras had to be cleansed and their hearts clear and their every spiritual thread cleaned up in order to reach their best possible shapes as benders? You probably have bigger problems in analyzing this show than just whining over whatever the liveaction did. A straightforward connection for Katara with her emotions and bending isn't a negative choice in the slightest to me, more so with a character who has constantly been characterized as deeply connected to her emotions: it makes sense that her bending works and evolves the way it does in the liveaction to me. Sorry not sorry.

BAD: Zhao. Uh... I've seen people say they like him here? I felt like I was watching a con artist. It's not the actor's fault, clearly he was given this concept to work with and he did the best he could with it, but the idea of removing Zhao from all prior connection to the Royal Family, making him a total unknown who came out of nowhere and rises to prominence through conniving and scheming feels like they decided to merge him with Long Feng, maybe? And it might even backfire if they DO have Long Feng next season (... they should???) and he has a very similar profile to what they did with Zhao. I didn't enjoy his characterization at all, he was just... weird. So, not a change I was big on.

GOOD: Iroh. My god. I hate the fact that I'm saying this. But I will say it was insanely cathartic to watch that EK soldier beating him up. And that's not all: Iroh actually seems to be struggling actively with right and wrong here, showing hesitation over the war, and most importantly... HAVING A PERSONAL DYNAMIC WITH AANG??!!! I never imagined I would be that happy to see that, but I was. The few moments those two had together were damn solid, some of the best in the show (and the best for Iroh, sorry not sorry, I have never ever been an Iroh-Zuko obsessive fan and I genuinely find myself more intrigued by Iroh's potential bonding with other people, never thought about it with Aang but this show 100% blindsided me with it in a good way). It seriously made me mad that the OG basically never gave them that chance besides... that one scene in the catacombs that was very much just Iroh being a fortune cookie? Aang actually being an element that basically waters the seeds of doubt in Iroh's head is a GREAT change. I said it and I'll stand by it.

BAD: Hahn and not because of the usual reasons: their characterization rework of Hahn was fine. More than fine. The actor they cast was also very pretty! All of which makes it EXTREMELY questionable that Yue somehow has this perfectly decent guy and... uh... chooses the reworked Sokka instead? Like, I know that's how the OG story went, but when you turn Hahn from an opportunistic dick to a perfectly admirable warrior and individual, and feature Yue saying he's great but he's "not the boy of her dreams" (you... dreamt about him ONE TIME?? He's never been in the Spirit World besides that, so wuuuut...??), it makes her choice in romantic interests feel extremely questionable and weird. I'm all for Yue being given more to work with, but this seriously feels like she's... a little crazy. Hahn comes off waaaaaaay too decent for her not to be interested in him... ofc, as long as she's someone attracted to men, which, considering she picked ANOTHER GUY, it's to be assumed that she is?? Ergo nothing makes sense to me. Come to think of it, a lesbian Yue rejecting Hahn is probably the only way her rejection of Hahn would make sense... and it would also not cast such a questionable light on reworked Sokka if he and Yue weren't romantic at all, right after he had that big connection with Suki back when the show began?? So, heh, maybe lesbian Yue is the only thing that would've made sense if Hahn gets reworked for the better like this, sorry not sorry....

GOOD: The full-blown, outright display of Ozai's abuse on Azula rather than subtleties and insinuations. Again, much like in Aang's case with the genocide: PEOPLE DENY AZULA WAS A VICTIM OF ABUSE ALL THE TIME. People pretend Ozai actually loved her on some weird level or that she FELT loved, ergo she was fine and Zuko's the one who was abused. This is not new. We've been dealing with people barking that kind of nonsense since almost twenty years ago. And the backlash from that exact crowd when this show made it evident proves that they refuse to accept Azula as a victim of abuse to this day. Ergo, sorry not sorry: I'm glad they handled it as they did here because it makes it undeniable that Ozai is pushing Azula to extremes and she's pressured to deliver and become the weapon he wants her to be.

BAD: ... the Mother of Faces. That may have been the most egregious offensive and bullshit moments in the entire show. I was so mad when she was brought up at all. It was awful. I hated it. It really must be my most hated moment in the whole thing. UGH.

GOOD: Katara apologized to Sokka once. You know. One time. That, I think, marks the single time in any official Avatar content where she has done that. Call me a salty asshole, but I'm genuinely impressed that they did that, so they get a point for it.

BAD: Bumi. I know some people think the rework for Bumi is great... I could not disagree more. His treatment of Aang is really unacceptable, his behavior is very irresponsible but this time in a vindictive way... I was even reasoning with the fact that he knows Aang is the Avatar, which ALSO happens in the OG, without having known it in the past! The difference? It feels too arbitrary and random that he'd know that here, whereas in the OG show, he IS random and arbitrary, yet somewhere amid so many nonsensical ramblings, he shows insight and intelligence that makes you think there's more to him than meets the eye. I may need to rewatch episode 5 of the OG show in order to confirm this, but I also think that most of the implications there regarding his challenges is that they were actually harmless even if it doesn't look that way all along. Here? They're not harmless at all, he's basically vindictively trying to get Aang to either die for his "sins" or get himself killed through him and neither thing sits well with me at all with this character.

GOOD: Gyatso, expanding on his character and making him a much more straightforward equivalent to Iroh for Aang actually is really helpful, it makes him less of a "stock character" victim to the Fire Nation, it gave him more depth and it makes Aang's bond with him feel much more real. I am very sorry to all OG apologists, but I continue to believe Aang's cheerful behavior was written primarily to appeal to the children demographic that Nickelodeon was aiming for as their audience, which meant he could not be particularly human and truly grieve for everything he had lost. This show doesn't hide that pain at all, and it's particularly good that it does that by showing what a constant presence Gyatso was in Aang's life and by letting them have a manner of final farewell in that episode (... even if I didn't particularly like the episode, but still, it wasn't a bad idea to do that).

BAD: ... call me a consistency freak if you will, but I did not spend all these years obsessively trying to make sense out of the wobbly worldbuilding of the Avatarverse to be told that the entrance to the Cave of Two Lovers is within Omashu and that it leads into the arena within Bumi's Palace. Sorry. I can't accept that. I can't. I legit laughed throughout that whole situation because that's not where the cave of two lovers was, the badgermoles would be causing earthquakes non-stop through the city, and the sewers system would not even work because they'd constantly get fucked up by the creatures (as we know, there's a scene in Book 2 of the kids climbing out of the sewers, so either they won't do the pentapox or they'll forget about the badgermoles conveniently by then...). So. No. Sorry but no. Also, why did they kill Oma??? I know they turned both lovers into women, but... precisely because they did that, why exactly was there any need to change which one died?? Either one you kill is a woman now anyway so... what's the difference? WHY the difference?? Odd.

GOOD: ... Zuko keeps a notebook on his research and investigations into the Avatar. There were many changes to his character but that's the one that stood out the most to me. He actually seems a little bit more methodical, if not smarter, but you know? Kinda smarter anyway for at LEAST thinking that keeping a book with the results of his investigations could help?? Feels like he's actually trying rather than just whining about how rude the world is and how hard he has it. Which, in the end, might ALSO come down to him actually having some hope that Ozai didn't hate him irremediably... which, too, is a good change. I've talked about it before, other people have too: a firstborn firebending male prince has no business being discarded because of incompetence unless he's just THAT pathetic, and even in canon, Zuko wasn't as bad as to justify pushing him out and treating him as shittily as Ozai did without an actual, THOROUGH, exploration of Ozai's motives. You can elaborate, but the show never really did it, and if anything, it offered a bunch of conflictive information about why Zuko thought his father liked him. Here, it makes more sense that he thinks Ozai isn't as much of a bitch as he really is: the Agni Kai is a lot more interesting because they merged both Zuko vs. Zhao and Zuko vs. Ozai into one. The fact that Ozai actually burns Zuko and defeats him BECAUSE he was punishing him for not taking advantage of an enemy's weakness? It's a million times more telling about Zuko's character than what we saw in canon, where he was down to fight an old man out of hybris and then shat himself as soon as his father stepped up instead. So... I don't like this Zuko, which tells you they're doing him right anyway x'DDDD but I find there are a few elements about him that make him at LEAST a little more respectable than he was in the OG show. Among them? He's not constantly ranting about honor but actually lashing out at dishonorable choices out of principle, which makes it sound like he has a WAY better grasp on that concept than he does in canon :'D sue me. This is a Zuko rework too, and fortunately, not ONLY geared towards sanitizing him (even though there IS a fair amount of sanitizing too... which annoys me, but what else could we expect in the era of political correction).

BAD: ... Why the fuck did they decide the way to fix Iroh harassing June was to make her horny for him? Please? Of all things??? All they had to do was just... not make any romantic/sexual implications there. At all. Was that so hard to achieve? This is probably the second worst thing for me in the entire show, ngl. I do not understand the need for it at all. Most of all when they CLEARLY changed it due to knowing Iroh absolutely was a bastard in the OG with his behavior towards her. Isn't it easier to just NOT put any implications of attraction in there? I mean, I should be happy June didn't fully harass Iroh but the way they presented it, it felt like he wasn't even comfortable with it either! This... is not the way you take revenge for a character sexually harassing another one. Bad, bad take, I don't know what made them do this but they absolutely did not "fix" this, they overcorrected it and made it gross as fuck to me anyhow, most of all with the context of knowing that Iroh was the one being inappropriate as fuck back in the OG.

ALRIGHT. I know there's bound to be more, and I probably could think of more soon but I think I'm giving you this for now or else I'll end up making my major post here x'D

All in all, I don't think this show is unwatchable, I absolutely understand people who think it was fun, I also understand people who couldn't get used to the changes and outright dropped it. What I can't understand/accept is either pretending this show is the greatest thing ever (much like I don't think the OG ATLA is...), or pretending that it's the worst one either. This show engaged with a lot of elements in different ways than the original did: not all of it was a miss, not all of it was a hit. And I feel like it's a matter of fundamental, human decency and respect not to go completely berserk taking a ten-ton dump on this show, which to this date is the biggest production in Hollywood with a primarily Asian cast and crew of all time, from what I know, by pretending it has destroyed this franchise completely and that any support for it must come from brainwashed idiots or "not true fans". The gate-keepy attitude comes as absolutely no surprise in this fandom, ofc, but it's still disgusting to see. You CAN be critical of this show with dignity. You CAN do it while respecting other people who enjoyed it completely. It's not too much to ask. I may have learned that lesson the hard way with the ATLA comics, but even then, it wasn't my M.O. to jump into every single comics-positive post to tell people why they sucked and how dumb they were for enjoying them.

That's what I've got for the time being :'D hope it's enough for now.

[leafykat]

ATLA LIVE ACTION RANT/MANIFESTO

After watching it I started typing and couldn't stop. Sorry it's really really long and probably not very coherent.

(Since I wrote this, Big Joel put up a vid on his side channel talking about his thoughts on the first episode and he had a lot of points I agree with so watch that too if you’re interested) <- eta: ok jk sorry it already got taken off youtube it's only on his patreon now

I really dislike starting the story with the beginning of the war. It's like they don’t trust the audience enough to care about the protagonists without laying out all the Big Important World Context out right at the start, or they don’t trust us enough to understand non-linear storytelling. I’m trying really hard not to just hate on changes simply for being different than the show I grew up with, because god knows I have my own issues with it. There are scenes that are nearly shot-for-shot, line-for-line remakes of the original, which makes the parts they change really jarring and frustrating. I don't mind the way they combined some episodes or storylines or changed some details, like, June being the one who hits on Iroh instead of the other way around, but other changes just feel like they either miss something fundamental (to me) about the characters or the story or are just… arbitrary, which is almost worse.

One thing that REALLY frustrated me right from the start was that Aang wasn’t actually trying to run away. He goes flying to “clear his head” and gets caught in a storm coincidentally right as he says “ok Appa let’s head home”. Why? Everyone treats him like a coward anyway. Everyone is way meaner to him than in the cartoon about something that, in this version of the story, objectively was not his fault. Why? In the cartoon, he feels intense shame that he wasn’t there for everyone, even though he was twelve and about to be taken from the only person that wanted him to have a childhood, and he got so overwhelmed and scared by what the world expected from him that he tried to run away from it. In the live action, he gets to reunite with the spirit of Gyatso, who says, “you couldn’t have done anything if you had stayed. You just would have died,” (paraphrasing bc I can’t be bothered to give it more views just to get exact quotes) which is fine, I don’t think he needed a spirit world reunion with Gyatso but I can accept it. But if that’s what that gives Aang closure, what is the point of changing him to be less responsible for disappearing? In the cartoon Katara is the one who reassures Aang and helps him process his guilt, representing the people of the present who he can still help. The live action has the voice of the past, the people that he’s ‘failed’, reaching forward in time to absolve him of any sins. And remember that in this version he literally was trying to go home. It just feels like they’re trying to remove moral complexity from his character.

Less importantly (except to me maybe) I think that showing us the Air Temple pre-genocide removes impact of seeing it for the first time in the cartoon. I loved Aang hyping it up to Katara and Sokka, unwilling to believe that it could have fallen. It almost makes the viewer think maybe some of them could have survived in secret. Then, the contrast between his idyllic memories and reality start to sink in. It was an incredibly hard-hitting moment, dulled in live action by the audience having seen exactly what happened to the temple already (including an incredibly hamfisted “you can’t beat us while we have the power of the comet!” line from who I think was Sozin.) I think Momo is pretty cute though.

Another thing that pissed me off was the way they handled the Agni Kai: They combine Zuko's duels with Zhao and Ozai into one, where Zuko not only fights back against his father but gets an opportunity to deliver (presumably) a winning blow and hesitates. This choice weakens important aspects of his backstory and, to me, flattens his relationship with Ozai: 1) That he was never a prodigy firebender like Azula, feeding the inferiority complex that Ozai fostered 2) The Agni Kai was meant to be public humiliation, meant to teach Zuko ‘respect’. It was in front of hundreds of people, and it was a thirteen-year-old child against a full grown firebending master. Zuko prostrates himself and begs his father for mercy. His refusal to even fight embarrasses Ozai by exemplifying the 'weakness' Zuko's mother 'instilled' in him. In his duel with Zhao, Zuko makes a conscious choice to be merciful despite Zhao telling him to ��do it” and kill him. Despite knowing how the fire nation views it as weakness, as cowardice, especially in this specific setting. It foreshadows his later choices, and shows his innate kindness. Combining the two duels doesn't allow us to see that parallel nor that growth. Reducing his act of mercy to a mere hesitation in the moment of victory, furthermore, reduces his agency.

In fact, the adaptation softens a lot of Zuko's role as an antagonist, giving most of his actually villainous actions from the cartoon to other characters. They keep him capturing Aang in the South Pole, but Zhao leads the attack on Kyoshi village, they remove the episode with the pirates (s1e9), combine aspects of episode s1e15 ‘Bato of the Water Tribe’ with ‘the Blue Spirit’ (s1e13) and ‘the winter solstice’ (s1e7/8) removing three instances of Zuko capturing or attacking Aang in favor of one with Zhao capturing and Zuko rescuing him. But I guess they add a fight in Omashu. Look, this is inevitable as a result of combining 20 episodes into 8. I don’t really mind streamlining a lot of these episodes, nor removing others (having episodes like ‘the great divide’ and ‘the fortuneteller�� only referenced as rumors Zuko hears in a bar is cute, to be honest), though the change to the Bato episode where Sokka merely has a flashback of his father implying he thinks Sokka is an incompetent warrior is a really unnecessary and bad change, to me. But they took out almost every instance of Zuko posing an actual threat to Aang and replaced it with one fight scene in Omashu. To me, what it feels like is the show runners know Zuko is going to become a Good Guy and thus they don’t want to make him act too Bad.

On the topic of Kyoshi island: giving Aang a reason to go there aside from wanting to ride the giant Koi, whatever. Removing Sokka’s chauvinism, okay, I guess. But it ends up replaced with extremely awkward flirting between him and Suki that feels motivated by nothing beyond each being the first non-relative young adult of their preferred gender either one has ever met. Whether or not you want to have Sokka start off sexist, and that could be a whole conversation on its own, him humbling himself enough to ask Suki for instruction was an important moment of growth for him that he doesn’t really have in this version. And they don’t even put Sokka in the dress and makeup!!! BOO! Also minor moment but I think it’s also sus for the show to have Suki remove her makeup as soon as it’s time for her to be a love interest and then just not wear it again. BOO!! She looked really cool though. It’s not like I think her first appearance in the cartoon is full of depth or whatever, and I think the cartoon turned her into a cardboard cutout as soon as she became a love interest, but it’s like the live action clipped through a wall straight to my least favorite parts of s3 Suki. It’s just disappointing. I also don’t like Aang being able to just talk to Kyoshi and his other past lives so easily but that might just be my cartoon-purist talking.

I didn’t mind putting Jet and Teo into Omashu, even though I think Danny Pudi’s ‘I had no choice’ justification for working for the Fire Nation holds up less well when he’s in a position of privilege in an Earth Kingdom stronghold as opposed to protecting a community of refugees in an isolated air temple. I don’t think they needed to add the Cave of Lovers plot from season 2 into the mix though. Not only that, but to rework that plotline so that 1) Aang isn’t even there, 2) it’s Sokka’s idea to put out their lights and follow the crystals, 3) that’s not actually The Solution 4) badgermoles can sense…. Emotions???????? Sorry that’s so fucking stupid it makes me angry. They include the legend where Oma and Shu learned earthbending from the badgermoles, so why would these giant creatures have learned to sense human emotion instead of the pre-existing explanation from the cartoon: sensing the world through the earth. You know, the thing that connects them to Toph’s earthbending. I guess setting up stuff as far away as… next season… isn’t important. They used the stuff from the season 2 episode “the swamp” for aspects of the winter solstice plot anyway, which is where Aang originally had a vision of Toph and thus was able to identify her as an earthbender in spite of her appearance. I guess they can come up with something else, but it’s just a decision that feels arbitrary. Sokka could have had his flashback without the spirit vision, but since this is before he meets and loses Yue they needed something, I guess. At this point I’m describing these changes not necessarily because I think they’re inherently bad but because I want to describe how fragile this jenga tower is getting, and how unnecessary they feel.

Ultimately it’s like… the things they’re the most faithful to are all the most surface-level easter egg references, while missing or changing the actual soul of the source material. Gran Gran gives the opening monologue word-for-word because Fans Will Get It. They include Bumi’s rock candy trick and lettuce leaf joke but make him resentful and angry at Aang for no reason I can understand. Sokka isn’t sexist anymore, he just has issues where his dad apparently thinks he ‘shouldn’t have lives in his hands’. Ozai is… wait- is he tearing up while he scars Zuko’s face?

I know we all love Daniel Dae Kim but we did not need Ozai so much this season, let alone Azula, let alone Mai and Ty Lee. We especially didn’t need a scene where Ozai praises Zuko to Azula while belittling her. For the record, because people defending this scene seem to think the issue is that the rest of us fail to understand that Ozai is playing his children against each other: That is not the issue. It’s that he did not play his children against each other in this specific way. He uses Azula to show Zuko how much he fails to measure up and threaten his position as heir, and he uses the example of Zuko’s failure to keep Azula in line. If she’s good enough and Zuko is bad enough maybe she’ll become heir. After all, that’s what happened to Ozai and Iroh. They are allowed to change this dynamic in adaptation but personally I think it’s a change for the worse, and the shot of tears in his eyes as he abuses his son lends credibility to an interpretation that maybe he does want Zuko to succeed. Lol. The cartoon focuses on Iroh’s reaction, his inability to watch, instead of Ozai’s… emotional conflict? Or whatever.

Katara and Sokka getting stuck in the spirit world as a replacement for their fever in The Blue Spirit is fine, I think condensing that plot and the winter solstice works decently. It’s fine that they changed Aang’s motivation for finding Roku to be getting info on how to save his friends instead of getting crucial info about Sozin’s Comet. After all, they clumsily introduced that in episode 1. It’s honestly fine (Read with as much cope in my voice as you want.) Combining that with Zuko’s half of The Storm is also…. Okay, even if I’ve already described why I don’t like how they adapted Zuko’s backstory. What frustrates me is that The Storm parallels Aang and Zuko’s backstories in a way that works really well with the events in The Blue Spirit. In fact, they’re back-to-back episodes. But the live action has moved Aang’s backstory to the beginning of the first episode. So instead of getting to see how they’re both constrained by the roles and times they were born into, and how heavily others’ expectations weigh on both of them, we have to have Aang explicitly spell it out for us. Rewatching these two episodes of the cartoon I was just really struck by how efficient the storytelling is. All Aang has to say after he’s saved Zuko is that he misses his friend from the Fire Nation, and that he wonders if he and Zuko could have been friends if they’d been born into a different time. All Zuko has to do is attack him in response. Because we’ve just seen why they can’t be friends in this time, in this world. The live action has to create some plot point about Aang having stolen Zuko’s diary, and Zuko having researched Airbender culture or something. They bond a little bit over brushes before Aang goes like ‘why don’t you turn against your family?’ The conversation (before that part) is cute, just like, not a good replacement for trusting the audience.

I guess once we’ve gotten this far it doesn’t matter much that Katara and Sokka have been captured by Koh, because of course they were. Yeah, they changed how it works, yeah, now he steals your face once you’ve succumbed to despair or something. Whatever. At this point it feels like nitpicking to point out that what made Koh so scary was that he would steal your face if you showed him any emotion at all. Who cares anymore.

^ok I wrote most of that before having seen the last two episodes, which cover the last three episodes of the first season of the cartoon. Dude it got even worse somehow. It’s been a couple days and my friends and I rewatched all of s1 of the original show in the meantime.

First of all, the changes to the dynamic between Hahn, Sokka, and Yue were completely inexplicable to me. Yue gets nominally ‘empowered’ in the sense that she’s no longer trapped in an arranged marriage to a total shithead, but at the same time they made Hahn seem like a… genuinely good guy? He’s humble, asks Sokka for his expertise, and nobly accepts that Yue broke up with him. When asked about it, Yue says ‘he’s great, he’s just not the guy of my dreams’, before kissing Sokka. (They also reveal that she was the sexy fox spirit that flirted with Sokka in the spirit world —I didn’t mention it before because I didn’t think it mattered at the time— so I guess we are meant to believe that Sokka is the boy of her dreams. Which we know from these two and a half conversations that manage to be way less cute than the awkward/shy flirting from the original show.) Even if they wanted to completely change Hahn’s character, Yue’s conflict in the original show was between her heart and what she saw as her responsibility to her people. They could just as easily have kept that element: that she isn’t in love with Hahn, but that for Political Reasons can’t just break things off. That’s way more interesting! But I do love a forbidden romance, so maybe that’s just me. The adaptation does say that they were at one point betrothed, which raises more questions than it answers. If both of their parents were anticipating this marriage so much that they set it up years in advance, why were they okay with her just breaking things off because she didn’t like him like that? Are arranged marriages in the Northern Water Tribe (I’m so sorry I forgot the name they gave it in this adaptation) purely meant to be love matches? There’s no financial or political element at all? Even for a princess? Whatever. Hahn still dies, this time it’s just offscreen. This time I’m actually a little sad for him, if just for his wasted potential.

They actually take out the engagement necklace stuff altogether, including the history between Pakku and Katara’s grandma, and the story of how and why she fled. I don’t really know why but maybe they thought “you lost the so-called love of your life to backward practices” was a weak reason to change his mind. So instead they have it that he doesn’t change his mind but it turns out Katara doesn’t need a master anyway because she’s already good enough to be a master! Despite not having been able to waterbend ‘more than a thimbleful’ before meeting Aang, and us not really getting to see her train at all. Gran Gran gave her the waterbending scroll she stole from the pirates in the cartoon, so I guess we can assume that contained everything you’d ever need to know. She loses the fight but wins the hearts and minds of the people. The women of the tribe support her when she goes against Pakku and go “we want to fight too!” Oh, did I mention this is all after they realize the Fire Navy is at their doorstep, so it’s less a fight about the right to learn waterbending than about the right to fight in war. And then again the issue of Katara needing to learn from Pakku is sidestepped by her magically being good enough now on her own. I don’t actually mind the change to include other women from the North standing up against sexism but to be honest I don’t understand taking out the betrothal stuff. It was a deliberate parallel in the cartoon- women trapped in loveless arranged marriages and also forbidden from learning any waterbending aside from healing. But whatever, it’s a choice. I can live with it.

What I don’t like is the way they’ve undermined Katara’s journey in season 1. Aang teaches Katara how to waterbend at first, and she also doesn’t learn to heal on her own before an elder shows her how to do it. In the cartoon, she’s been trying and figuring things out on her own all her life. Her hunger to find someone to teach her is a major motivator for why she wants to go to the North Pole. We see her struggle, get intensely frustrated and jealous that Aang picks up waterbending more naturally than she does, and work really hard at it. Her dedication and hard work are what Pakku eventually praises about her when he teaches her. He compares her to Aang, who is naturally talented but distracted. This is after an indeterminate amount of time, but whatever, condensed timeline, 8 episodes, whatever. We don’t even see Aang waterbend at all this season, which is kind of wild to me. I guess if you take out the Summer Solstice Comet deadline to master all four elements (which they did) Aang doesn’t really need to rush. Instead they kind of just have Aang have a thing of like “I have my friends to help me” which is….. ok….. Oh wait, is this why they don’t care that much about foreshadowing Toph? Are they just not gonna bother having Aang learn the elements and just have her show up and join them for whatever reason? Is that why they just totally removed ‘The Deserter’? Wait sorry, I’m assuming they’re planning that far in advance at all, my bad.

Okay also like I have to talk about this because it bothers me so much. Zhao was handled so badly. Whatever, have a Fire sage just give him the moon/ocean spirit exposition in a flashback instead of the way it unfolded in the cartoon (I guess we’re already not bothering to set up the great library since the gaang already met wan shi tong, I guess that’s… fine… Appa can get captured a different way, if they’re even going to bother with that plotline in season 2. If they’re even going to do a season 2.) Sure, the moon and ocean spirits are only in the physical realm and vulnerable for ‘only one night’ now as opposed to permanently. Zhao knows this but not that they’re fish. Okay. Whatever. Blah blah blah. Those are personal nitpicks. But what really gets me is that in the end, Iroh and Zuko kill Zhao. Or rather, Zuko doesn’t finish him off, Zhao tries to attack when his back is turned, and Iroh finishes him off (similar to the way their Agni Kai in the cartoon plays out.) In the cartoon, Zhao and Zuko are fighting, Aang-as-Ocean-Spirit grabs Zhao, and Zuko reaches out to try and help Zhao, which Zhao refuses. He chooses to meet his fate at the hands of the spirits he provoked rather than swallow his pride. This is such a good conclusion to Zhao’s character! The live action also fails to set Zhao up as a formidable firebender, which is also not strictly necessary but I think complements other elements of his character well. His first episode in the cartoon includes the Agni Kai between him and Zuko, establishing Zhao both as a firebending master and as someone who values his ambition and pride above all else. In s1e16, ‘the deserter’ we see him as the embodiment of fire’s destructive hunger: he is baited into destroying his own ships in his desire to “win” his fight with Aang. He gloats of how his siege of the North Pole will earn him a place in the history books, and to win he is willing to kill the moon, against Iroh’s exhortations. In the live action, we get a weird revelation that he was working with Azula, and she was the mastermind behind a lot of his plans? Huh? He also “reveals” that Ozai was only ever using Zuko to “motivate his sister”, which is both incredibly heavy-handed and completely redundant. I guess I should mention that the finale has a couple scenes thrown in where Azula is doing firebending training to pass some kind of arbitrary Test Ozai has set for her, while Mai and Ty Lee watch and tell her that her dad is like, being way too hard on her and she knows he’s manipulating her right? Thanks girls!

Anyway, I guess since the live-action completely removed the golden child/failure dynamic between Azula and Zuko we needed something to replace it. The “my father always said Azula was born lucky. He said I was lucky to be born” line summed up that relationship dynamic nicely. Oh well, who needs it. Instead Zuko is good enough to have beaten Ozai in a duel at 13, but Ozai decided he was weak for hesitating. Meanwhile Azula is struggling to meet his expectations. He banished his heir on a mission that, for the last hundred years, was considered a complete dead-end, so that he could, uhhhhh, Motivate her when he miraculously started succeeding. Masterful gambit, sir. Okay sorry to harp on that again. Back to Zhao. Actually, what else is there to say. He has a couple funny lines but he’s just not the same guy at all on either a superficial or deeper level. It’s so disappointing. It’s also just a really weak choice to make Iroh and Zuko responsible for his death. Maybe they couldn’t figure out how to make the special effects look good when the ocean spirit picked him up. It just misses the point of Zhao’s ultimate tragedy, to me. The man so lacking in self-control, so ambitious, so assured in his own superiority, that he saw the spirits themselves as his prey. To be destroyed by the forces he tried to destroy is so poetic! Instead let’s water down Zuko’s mercy and Iroh’s pacifism.

This is all I can remember at this point aside from nitpicks. Do I think the Koh vs Kuruk backstory needed to be spelled out like that? No. Did we need to almost have Momo DIE to get Sokka and Yue to the oasis? Not really. I don’t think the way Zhao “assassinated” Zuko in the live action made as much sense, but we took out the pirates so oh well.

When you get to a certain point I guess the question becomes ‘how much can you change in an adaptation and still call it an adaptation’. What do adaptations owe to their source material? Where does the spirit of a story reside? If the same plot beats happen, does it matter if characters are different? If the characters are faithful, does it matter if events are moved around? If the destination is the same, how much does it matter how you get there? What do I personally want to see in a ‘live-action’ adaptation of Avatar, this show that I loved so much growing up? Well, assuming that “don’t make one” isn’t a possibility, I would have preferred they follow more in One Piece’s footsteps. That adaptation wasn’t perfect either, and it condensed around 100 chapters of manga into 8 hours, but it really felt like it got the characters right. Avatar had a tough job too, but it condensed 7 hours 40 minutes of cartoon into 8 hours of- wait. No. Well at least we got the cabbage merchant.

[waterfire1848]

What if Ursa had accompanied Zuko in his hunt for Aang?

Ohh! Very interesting!

Do you mean Ursa instead of Iroh? If everything else up to that point is relatively the same (Ursa kills Azulon, Lu Ten dies, Ozai burns Zuko, etc) then this would have a few repercussions.

For one, Zuko probably wouldn't treat his mom as bad as he did Iroh (I mean that I don't think Ursa would tolerate her son snapping at her like he did Iroh). Also she'd know his past with Ozai and would understand where his anger and pain is coming from a bit more. Ursa would still be kind to the sailors.

Azula would act like this is everything she ever wanted (her weak mother and brother are gone) but would be heartbroken at the fact that they left her alone (especially if Ursa chose to go with Zuko). Ozai wouldn't care about Zuko, but he might care a bit that Ursa goes with him (depending on how you view their relationship).

Ursa herself would never have gotten Iroh's off screen realization about how awful the Fire Nation is (his Spirit World journey) and would probably still believe in a lot of the Fire Nation's propaganda. Her views might come undone though the longer she's out at sea. She also has some kind of weapon (maybe a sword?). If they still go to Ba Sing Se, Ursa probably wouldn't want to return because she knows how awful Ozai is.

I can also see Katara and Sokka having separate moments with Ursa because she sees these two kids (younger than Zuko) fighting in a war who have lost their mother and is torn between believing in Fire Nation propaganda or helping these two kids who really need an adult figure in their lives.

Aang would be so polite. He'd still fight her though when he has to and accepts her advice like he accepted Iroh's.

[sokkastyles]

i'm slowly rewatching atla and i wasn't very active the fandom before so i don't really know but it seems like blaming iroh for not reaching out to azula the same way he did zuko feels more common? and something about that doesn't sit right with me like yeah he could of but it feels more complicated then that?

I didn't watch the show until it came on netflix, so I don't know what people were saying back then, but I feel like this is a common phenomena for people who watched the show as kids and maybe didn't understand all the nuances involved, who are now picking up on things they missed before, and that colors their interpretation on rewatch so that it skews too far in the other direction. I see a lot of criticisms of Iroh that go "everyone thinks he's perfect, but..." and it's like, lol, no, everyone doesn't think he's perfect. What's happened is that you thought he was perfect when you watched the show as a kid, and now you're seeing a more human side to the character, and that leads you to have a negative view. It's something that I've seen a lot in different fandoms because of people being unable to understand narrative complexity or unwilling to engage with it. A lot of people also don’t want to admit that they missed things before, so they blame the narrative or the characters for things being more complex than they seemed on first watch.

I'm not just talking about character flaws, either, because I see a lot of discussion of Iroh's "flaws" which aren't actually flaws. By the same token, just because Azula is more complex than maybe you interpreted her as when you watched the show as a kid doesn't actually make her virtuous. I think a lot of people only think of complexity in terms of morality and that's a mistake because just because a character is complex doesn't mean their actions are good or bad. Complexity can also be a character who acts full of themselves because of a deep insecurity, or a character who smiles all the time to make up for the sadness they feel inside. There's no moral judgement in those statements. They might lead you to feel more sympathy for the characters, but they are neither flaws nor virtues.

As far as Iroh not reaching out to Azula in the same way that he did Zuko, there are a couple of different things that need to be addressed. First is that Azula and Zuko are not the same character. They have different personalities, and although they have some similarities in their personalities, they also have some differences, because they aren't the same person. They have the same abuser, but they were not abused in the same way. Even if they were, they would still have different reactions to abuse, because not everyone responds in the same way. But as it is, they were treated very differently by their father. I've seen a lot of people trying to claim that they were treated the same or that Ozai wanted them to have a "mutual rivalry" with each other, but that's easily disproven by the actual text. Ozai favored Azula and treated Zuko like a scapegoat, and of course both treatments are abusive, however because Azula was the favored child, it also means that she was allowed to get away with and encouraged to treat Zuko however badly she wanted, and he was not allowed or encouraged to get away with the same thing. That's evident merely in the way they talk to each other. Azula had clear power over Zuko because of this, and you can't argue for equal treatment of two siblings when there is an unequal power dynamic between them to begin with. Equal treatment =/= fair treatment when there’s an existing power imbalance.

Also, let's define what "reaching out" means. First of all, I'd say that we don't have any evidence that Iroh didn't reach out, because we have so little of what his relationship with Azula was like. We know almost next to nothing, and nothing at all of what it was like before Zuko's banishment. We know that he got her a doll and Zuko a knife. We know that she didn't like the doll, but that's not evidence of Iroh being at fault or not trying hard enough. Especially since the scene shows him writing about the doll, which shows that he did put thought into the gift. It might be different if Zuko's gift was something especially unique to him, but a knife is not really a particularly unique gift for a prince of the royal family, and we aren't shown that Zuko has any particular interest in knives beforehand. So the idea that he should have gotten Azula something that she was especially interested in, and that not doing so is evidence of dislike, disinterest, or even hatred of her, is just ridiculous.

What else do we know in the series of Iroh and Azula's relationship before the series began? Or Zuko and Iroh's, for comparison? Zuko has the scene where he begs Iroh to let him in during the war meeting, but is that really a sign that Iroh "reached out" to Zuko? Zuko was the one reaching out to Iroh there. It's evidence that Zuko felt positively towards Iroh, or at least felt that Iroh would listen to him if he asked to be let in, but it doesn't necessarily tell us how Iroh felt. With Azula, we see her insulting Iroh and mocking his son's death, which, again, tells us how she feels about Iroh, but not how he feels about her.

So we don't necessarily see Iroh reaching out to either sibling before Zuko's banishment. After Zuko's banishment, he would have needed immediate medical care, which I suspect was the main reason Iroh went with Zuko initially. We don't know how soon after being burned Zuko was shipped off, but I think it's a pretty good indication that he was still in recovery, since the flashback at the Western Air Temple shows him with a bandage on his face. That's also not an indication that he reached out to Zuko more, because again, Zuko and Azula are not the same character. Azula did not need immediate medical care and she had not been kicked out of her home and sent on a dangerous mission.

After that, the next time Iroh sees Azula is when she is tasked with capturing him and Zuko. Iroh knows immediately why she’s there, mostly because he isn’t stupid. He might not know Azula as well, since he hasn’t seen her for three years, but he knows his brother, and knows immediately that Azula is lying when she says that Ozai regrets Zuko’s banishment, and tells Zuko as much: “I’ve never known my brother to regret anything.”

I’m not sure how people expected Iroh to “reach out” to Azula there, since, as I said, Iroh knows she is there with hostile intentions. She’s pretty quick to utilize manipulation and veiled threats in their conversation, and Iroh knows this because Iroh has experience dealing with manipulators. Iroh has experience dealing with the very manipulator that Azula learned it from, of course he recognizes Ozai’s words coming out of her mouth and has absolutely no patience for it.

I guess what people wanted is for him to try and talk her out of it? But as I said here, you can’t reason with someone who has been conditioned to see their abuser as right and good, and you can’t just tell them that they were abused and expect them to take it well. For someone who is that deep in, it takes a lot of psychological deprogramming that doesn’t happen overnight, and Iroh doesn’t have that kind of time since Azula is an immediate danger to Zuko.

Let’s say he did try, though. Something like this:

“Azula, I know you’re doing this because your father ordered you to, but you don’t have to. You can come with us. What he’s offering you is not what you need. I can help you.”

How do you think Azula would react? How do you think Zuko would react? Zuko already is in denial about Ozai and reacts with hostility to Iroh’s attempts to get him not to go with Azula, and Zuko is much less hostile than Azula would be to being told the truth. Azula has even less reason to listen to Iroh not just because she loves her father and believes that what he does is right, and does not know that she has been abused, but also, from her perspective, why would she think she needed Iroh’s help? Iroh at this point has almost no power, no ship, no crew, and has been officially declared an enemy of the Fire Nation. From Azula’s perspective, not only does she have no reason to listen to him, but joining Zuko and Iroh would basically be suicide. She has more to lose by accepting Iroh’s help than Zuko does at this point, even if she wanted it. Which, by the way, she very much does not.

Iroh would definitely be aware that he wouldn’t be able to get through to Azula that way, because he’s already been there. He’s been the star of the show, and the only thing that made him believe that he needed to change was when he lost everything.

At this point, if Iroh tried to convince Azula to turn against Ozai, he risks turning both her and Zuko against him and driving them further into Ozai’s arms, to boot. And, remember, Azula knows how to get her brother on her side, and he’s already halfway there.

The next time Iroh sees Azula, she pretends to surrender and then shoots him with fire and grievously injures him. His reaction to her is because of that, plus seeing Zuko blame himself for “not getting along with her.” Remember that Iroh, while he didn’t grow up as the disfavored child, does know what it feels like to grow up with a manipulative sibling who will constantly blame you for everything and never admit fault themselves. It’s not even him projecting that onto Azula because Azula has shown nothing else. Never did she show that she was receptive to Iroh in any way. Never did she show that she wasn’t perfectly willing to hurt Zuko. Iroh is not at fault for trying to keep Azula away from Zuko, and he doesn’t have to put himself or Zuko in danger to save Azula.

And Iroh was never willing to do this, not even with Zuko. When it looked like Zuko had turned away from Iroh, Iroh let him. Iroh only reached out to Zuko when Zuko came back to him. Iroh was never willing to be a punching bag for either of Ozai’s kids.

[nothing-more-than-hot-leaf-juice]

We don’t talk enough about “The Beach” in terms of Azula (long essay) 

Okay so, I have not stopped thinking about this episode and how it reveals Azula’s entire self image and how it foreshadows her breakdown. So here’s a deep dive: 

We start the episode off with this premise: for the first time in the series we get to see Azula as a normal teenager. We’ve seen her in combat, we’ve seen her as a political force to be reckoned with, and we’ve seen her within her messed-up family. But in this episode we’re seeing her on vacation. From the beginning of the episode, we think that it’s going to be Zuko on edge (”doing nothing is a waste of time, we’re being sent away on a forced vacation”) and Azula enjoying her time off (”lighten up, so dad wants to meet with his advisors alone, without anyone else around. Don’t take it so personally”). But that doesn’t exactly happen. While by no means does Zuko have an easy time on their ‘forced vacation,’ the episode reveals Azula’s weakness and hidden insecurities and foreshadows her breakdown in the series finale. 

The first thing to consider is what we already know about Azula: we know she’s dangerous, a protegee at firebending, politically charismatic, and ruthless. We know that people will side with her if she wants them to (Ty Lee chooses her over the circus, Mai chooses her over her family, the Dai Li choose her over Long Feng, and Zuko chooses her over Iroh). From her introduction, we know she’s the preferred sibling under Ozai and that she knows that. She’s confident because of that. She knows that she’s chosen over Zuko because she wasn’t banished or burned. And in season 3, she’s still winning because if the Avatar’s alive, then Zuko will be the one to suffer the consequences. She’s playing the game of Fire Nation politics and she’s winning. 

But in The Beach, all fire nation politics are cast aside from the first minute of the episode. While we think that Azula will be competent and charismatic here as she is everywhere else, that ends up not being the case and it reveals her hidden vulnerabilities. 

Another thing we know about Azula is that she’s competitive. Her whole life she was conditioned to think in these terms as her father schemed his way onto the throne and constantly compared her and Zuko (and when Zuko got banished it signified to her that she had firmly won that competition and she was worthy of her father’s ‘love’). And in previous episodes, this competitive streak has  worked in her favor. Her ‘eyes on the prize’ approach let her conquer Ba Sing Se, defeat Aang, and convince Zuko to side with her. But The Beach offers a new territory: one entirely dependent on her personality. And she still views it as a competition, but this time she’s not the clear winner. 

They arrive at the beach and for the first time in the series, people aren’t praising her as royalty or fearing her as an adversary, instead she’s treated like a normal person. We saw this with Zuko in season 2 when he was masquerading as an anonymous Earth Kingdom refugee in The Cave of Two Lovers or Zuko Alone (where people offered him their home and food when all they knew him for was his actions) and when he was masquerading as Lee/Li (where he was offered a position as a Freedom Fighter, treated as a normal tea shop worker, and went on a date with a girl all on the basis of his personality), but we’ve never seen this with Azula. In this episode, she’s relying entirely on her personality to navigate this teenage social world and she doesn’t get the results she expects. 

From her perspective, her friends and brother are succeeding in this environment way more than she is and that makes her extremely uncomfortable. From her perpsecive, Mai and Zuko are completely fine spending time with each other and Ty Lee is getting the attention of half a dozen guys at once. But Azula doesn’t fit in. She sees this whole ‘Being a Teenager Thing’ as a competition that she’s loosing.Ty Lee and Mai are invited to a party and she’s cast aside. Ty Lee attracts the attention of half a dozen guys and the guy she complimented just ignores her. People at the party leave her alone when in reality, she wanted to come in order to see what it would be like for people to treat them as normal. And in a normal setting, she’s rejected. 

Azula has her comfort zone and that comfort zone is winning. There are four instances in the episode where we see her comfortable and confident that reveal how she depends on her combat and political skills for her self image. The first is when she’s being ignore while her friends acclimate to the beach social scene. She demands that they play in a game of volleyball because one, she needs to be in charge in order to feel in control of the situation and two, she thinks that there’s a clear path from winning the volleyball game to gaining social acceptance. This is a thing she can do. She knows she’s physically capable and thinks if she can do this, then she’s succeeding at the whole ‘Being a Teenager’ thing. And she does succeed. We see the victory make her feel better about herself because she winning (”yes, we have defeated you for all time, you will never rise from the ashes of your shame and humiliation... well that was fun”).

The second time we see her comfortable is after she kisses Chan. From her perspective, part of succeeding at the whole ‘Being a Teenager Thing’ is attracting guys, like Ty Lee, and being in a relationship, like Mai and Zuko. This isn’t necessarily something she actually wants, but it’s something that she perceives as an element of winning. So she plays the part of ‘pretty girl who laughs at unfunny jokes’ and kisses the guy she wants to kiss. This is a win in her books and she has her moment of comfort: 

“Together, you and I will be the strongest couple in Fire Nation history. We will dominate the earth!” 

From the offset, this is just a joke at Azula’s expense like the previous one was, but it says a lot about how she views her self-worth. Her default comfort zone is ambitious, political, militaristic. This is her ‘normal’ and when she thinks she’s finally figured out this whole ‘Being a Teenager Thing’ by kissing this guy, she tries to branch over this false persona she’s constructed to please this guy to her actual self and when that happens, she’s rejected and it hurts her. 

The third moment of comfort is during the campfire scene where Azula sees that, no, unlike what she originally thought, her friends are actually dealing with their own issues and aren’t doing so well. What this means to her is that maybe she is winning. Maybe they’re better at the whole ‘Being a Teenager Thing,’ but they have these other issues: neglect, insecurity, and self-hatred and she tells herself ‘I don’t have those problems, so clearly I’m the one winning here.’ She drags out the issues of her friends because she wants to know that no, they aren’t doing as well as she thought they were. She slow claps and says “well, those were wonderful performances everyone” and we see that she feels better in this small group where she’s the one not screaming and crying about her problems. And this is mean, but it’s undeniably rooted in insecurity. Azula needs to feel like the most competent person in the room. She needs to feel in control because she’s grown up in an environment where being the ‘weak one’ meant getting your face burned off and banished. Azula can’t afford vulnerability. She’s never been able to afford vulnerability, so she surrounds herself by people she can control. And so long as she holds the reigns, so long as she’s perceived as the strong one, it means she’s okay. 

But the thing is she does have those problems. Because after those first two moments of comfort, she gets rejected for who she is. She’s not invited to the party because people think she’s intimidating and weird. Chan leaves after he kisses her because she reveals her true colors. There’s only one other episode where we’ve seen someone actively reject Azula’s personality and there’s a moment of vulnerability where she reveals how that rejection shaped her self-image: 

“I could sit here and complain about how our mom liked Zuko more than me, but I don’t really care. My own mother thought I was a monster. She was right of course, but it still hurt.” 

Azula hasn’t had to think of herself in terms of her personality in years because the last person who valued her as a person, not as royalty or a weapon, was her mother. And her mother saw faults in her. Her mother wondered aloud what was wrong with her. Her mother didn’t like her as much as she liked Zuko and that’s something Azula internalized, even if she was able to mask it up with apathy and cruelty. After Ursa left, she was the unequivocal favorite child. She was the talented one. She wasn’t dishonored or banished like Zuko and she held onto that victory because ‘winning’ the competition of ‘favored sibling’ was the closest thing to love that she got. It didn’t matter who she was as a person, it only mattered that she got results, so she focused all her energy there and came out victorious. Her friends stayed loyal to her out of fear for the most part and she knew it, that’s why she had the circus set Ty Lee’s net on fire and why she guilted Mai into not trading her brother for Bumi. She’s convinced herself that “fear is the only reliable way” because she’s never been shown that people can love her for herself. 

The fourth moment of comfort is when she’s commanding the destruction of Chan’s party. In this moment she said ‘screw these people, I’m superior and I know it. I’m the princess of the Fire Nation, I’m stronger, and they are nothing in comparison to me.” 

This is the mentality she’s been conditioned with for years and by the end of the episode, she defaults to it because it makes her feel strong whereas in reality, she failed at the whole ‘Being a Teenager Thing.’ People didn’t like her. She was rejected for the first time in a long time.

And her greatest fear is this rejection. We see it in the Zuko Alone flashbacks, we see it when Mai and Ty Lee betray her in The Boiling Rock, and we see it when she banishes everyone closest to her in Sozin’s Comet. She anticipates rejection and she acts to snip out the people who can reject her before it happens. 

And the tragedy is, it ends up not being enough. Mai and Ty Lee don’t choose her. Ozai decides to leave her out of the invasion. Zuko takes the throne. There’s no longer her father there to please and no more commands to give. For years she was confident and charismatic because she was in control and in the game of Fire Nation politics, she was winning. For Azula’s entire life, winning that game meant you were worth something and losing it meant that you were thrown away. While she was in control of those around her, while they feared and worshiped her, it meant she was winning. 

But the rejection she faces in The Beach foreshadowed her ultimate downfall because when all her influence and control was stripped away, she was all alone. 

[azucanela]

Hi! i’d like to request a Zuko x Reader oneshot please and it takes place a few years after he’s crowned as the Fire Lord: Zuko is entering suitable age for marriage and yet he has no one that he likes enough to take as his queen, what if Uncle Iroh hired the reader whom is a famous matchmaker that usually arranges the courting & marriage between nobles, but instead of all these ladies that she threw at him he ended up falling for her instead but he’s just so awkward and inexperienced Thank u

INAMORATA | ZUKO X READER

SUMMARY: after a few years of being Fire Lord, Zuko still hasn’t found a companion. so naturally, when Iroh comes upon a matchmaker, he does what he does best and helps Zuko out by hiring her to help him find someone. and inadvertently... iroh ends up playing matchmaker himself. 

WORD COUNT: 12.6k

WARNINGS: mentions of death, death threats, kissing, pining, very mild innuendos, blood, injuries, crying

A/N: this is literally art omg i feel kinda honored to be seeing this ngl and i ended up researching matchmaking and they’re basically therapists that help you find love?? kinda. the profile thing is something that some matchmakers do and idk i have fun analyzing zuko so

in·am·o·ra·ta/iˌnaməˈrädə/

noun

a woman with whom one is in love or has intimate relations.

ATTEMPT ZERO

After years of being the Fire Lord, Zuko had come to realize the job was pretty basic if you thought about it long enough. There were just a few major things to deal with. First, there’s the internal relations, like the civil wars and uprising he deal with at the start of his reign because people disliked his ways. Then there’s the external relations, Zuko worked alongside Aang to repair those, helping the Southern Water Tribe rebuild itself from the ground up, and hosting meetings between the nations, friendly and work related. Those are the more diplomatic aspects of the job, and sadly, even as a ruler who sought to end a war, there was still violence in the world. 

When Aang and the rest of Team Avatar ended the One Hundred Year War, that only exposed a variety of other problems within the world, problems that the team seeked to end. There were people out there who disliked this line of thinking, and similarly wanted it to end, but ending the lives of Team Avatar.

Zuko was used to the death threats, and the assassination attempts. He’d had a security detail in place to ensure he lived to rule his nation, this was especially necessary since he lacked an heir and the only other people eligible for the throne were an old man who ran a tea shop and a psychopathic teenage girl in a mental institution. This is where the social aspect of the job came in, the part that Zuko had never been good at. The Galas and the girls who threw themselves at him, the nobility of all nations that approached him offering their children’s hand in marriage. Zuko was an enigma, a young and powerful bachelor, and now all the nobles with children were lining up for a minute alone with him to try and sell their own kids.

It disgusted him. The way they treated their children like cattle reminded Zuko of his own father, how willing he was to get rid of Zuko since he had a replacement on standby. Though, Zuko sincerely doubted he ever would’ve gotten the throne if Ozai had a choice, even if he hadn’t been banished. 

Alas, even Zuko could recognize the urgency of it, the death threats weren’t letting up, and the assassination attempts were only getting more and more elaborate, leaving Zuko wondering when they’d no longer be attempts. He needed and heir, or at least a wife who could rule alongside him and take over entirely in the event of his death.

The problem was, he didn’t want this.

He was in a unique position, where the person he married would have an immense effect on society, on politics. If it was an Earth Kingdom girl, then maybe the years of violence against their people could be mended sooner, and they could begin working together to combat a variety of issues. If he ends up with a Fire Nation girl, it could be viewed as strengthening the traditional ideals of Fire Nation independence and sovereignty because the Fire Nation is “supreme.”

Dating was political now and he hated it. It wasn’t like Zuko wanted to be alone, it’s just that now everything mattered far more than it used to. Of course, even as a prince it had been the same, but now that he was the Fire Lord, things seemed to be ten times worse. Perhaps it was excessive but Zuko couldn’t help but feel paranoid whenever a new person entered his life, he couldn’t help but assume that they were just using him for some other agenda.

Of course, his friends had tried to assure him this wasn’t always the case, and they’d even made attempts to set him up with girls. All of which had failed. Zuko knew he wasn’t an easy person, much less an easy person to date. As Fire Lord, a lot of his time was taken up by meetings, and diplomatic missions, and not-so-diplomatic missions alongside Team Avatar. That and he was rather awkward when it came down to most social interactions, though he’d improved over time, especially as the ruler of a nation, his speeches were elegant and so was the way he negotiated with other kingdoms. 

And yet he struggled to talk to strangers.

Iroh seemed to be tired of this as well, he’d sent Zuko several letters in regards to his lack of romance, insisting that he was a “handsome young man” that had “lots of potential” and he was “wasting” his prime with so much work. Zuko didn’t consider managing a country as a waste, though he understood where Iroh was coming from, Zuko probably should’ve been spending time with friends, going to clubs. Not saving the world.

Regardless, there wasn’t much he could do about, he didn’t have time for dating, and Zuko wasn’t willing to compromise his morals and beliefs just for an heir in the event that he got brutally murdered. He refused to raise a child just for that purpose. He learnt the hard way that you should only have kids if you intend to cherish them. And the idea of marrying someone just to strengthen his nation felt wrong, though he could see the benefits.

God, he hated being Fire Lord sometimes.

On the other hand, Y/N L/N liked her job. Amongst the nobility of the Earth Kingdom, she was a rather famous woman, Y/N had brought together some of the most powerful couples in the country. A lot of people owed her favors, and the money that came with the job was more than satisfactory. If Y/N had to guess, she was one of the richest people in the kingdom, considering how much people were willing to pay to fine “the one.” Her business had been rather successful since she’d gotten renowned in the inner ring of the city, and now, Y/N was considering expansion, to the Fire Nation. The borders had long since reopened, when the new Fire Lord came into power.

A whole new set of nobles for her to profit from. 

She’d decided to head to a high end tea shop in celebration of her choice to expand her business. Y/N had heard it was only for the best, since the tea shop served the best. One of her clients had insisted that someone of her esteem try the tea there, given that she was the best in her own profession.

So, here she was. It was a nice place, she wouldn’t deny, and Y/N had heard of the shop before. The Jasmine Dragon, run by some old guy who’d appeared in Ba Sing Se just before the war ended with some major talent when it came to brewing tea. The interior was fancy, but not excessive, several people were already seated within. Y/N even recognized one of the couples there, who waved at her enthusiastically, “hello! Lady L/N, how lovely to see you!” One of them called out.

Y/N smiled at them, “how are you two?”

The other beamed at her as she responded, “oh we’re just lovely! Preparing our wedding invitations and one of them has your name on it.” This wasn’t abnormal, most of the couples she’d brought together attributed their love to her. In actuality, Y/N found that if you found two people with compatible personalities, then they’d work things out on their own. All she did was introduce them. 

“I’m excited!” Y/N assured, moving past their table, “now if you’ll excuse me, I’d like to try this famous tea. But, I’m looking forward to the invite.” 

The pair nodded, before returning their attention the friends seated across from them, and Y/N made her way to the front of the shop, bag of coins in hand. An older man stood behind the counter, a smile on his face as he brought his attention to her, “what can I get you today Miss...”

“Y/N. Y/N L/N.” She replied, small smile on her face as she looked at the menu, “what’s your name?” Y/N asked, meeting his eyes to see the flicker of recognition within them before returning her gaze to the menu.

He nods slowly, “I’m Iroh, and you’re a matchmaker, no?” He’d recognized the name, her business had begun gaining traction amongst the nobility of the Earth Kingdom shortly after the war, and she was one of the most sought after matchmakers in the nation. Iroh himself had looked into her business, seeing as his nephew was yet to find love in his chaotic lifetstyle. 

Y/N smiled at him as she nodded, “indeed.” She placed the menu down, “any suggestions?”

“Perhaps, Jasmine tea?” He suggested.

Y/N nodded, “sounds good.” She places extends a hand with coins, dropping them into his palm, “so are you looking for love?” Though she was certainly famous for her skills, Y/N tended to work behind the scenes, and she was surprised to find this man recognized her.

A small laughed escaped him at her words as he shook his head, “no. I believe it is a little too late for that.” He was working on her tea beyond the counter, and Y/N began to wonder how he was steaming the tea pot when she noticed there was no stove beside him.

“Don’t say that! You seem like a fine man that anyone woman would want.” Y/N assured, though she now wondered why exactly this man knew who she was in the first place. It was rare for those outside of nobility to know who she was.

Turning around, his hand pressed to the pot that Y/N was positive had to have been burning his hand in some way, “oh, you’re too kind.” He replies, a small smile on his face as he poured a bit into a cup, “I was looking to help my nephew find love actually.” 

“Really, now?” Firebending, that was the only explanation for the way this man was handling the tea. “I was looking to expand my business to the Fire Nation, perhaps I could help him out.” He didn’t hold himself the way most Earth Kingdom citizens did, and coupled with the possible Firebending, he was likely from the Fire Nation.

Iroh raises a brow at this, “what gave me away?” He stirs the tea a few times, before placing it on the counter for her to take. 

Y/N shrugs, “it’s my job to know people well enough that I can find them a match.” Taking a sip of her tea, she smiles, “so this nephew of yours. He wouldn’t happen to nobility, would he?”

He laughs at this, pouring himself a cup of tea as well as he sighs, “actually, he is nobility. In a way.”

Now Y/N did not expect the nobility Iroh spoke of the be the nobility. As in the Fire Lord, the actual ruler of the entire nation, though this would certainly be great for business. Once the world hears of how Y/N found the Fire Lord, someone who had been notably difficult to woo apparently, a match, her business will be set. 

“Isn’t this exciting, guys?” Y/N exclaimed, looking to her assistants, they were both on the younger side, Marcella and Evelyn. She’d brought them along since this would definitely be a valuable learning experience, and Y/N figured she’d need a lot of help if the Fire Lord was as difficult as they made him out to be. That and Y/N didn’t want to leave them alone in the Earth Kingdom, both of them had been orphaned at a young age. Y/N couldn’t help but relate to them, so when she’d come upon her newfound wealth, brought about by her job as a matchmaker, she’d taken the pair under her wing. 

With a bag thrown over her shoulder, Evelyn simply nodded while Marcella exclaimed, “yes! I’ve always wanted to see the Fire Nation. Do you think we could find a client in one of the Water Tribes next?” 

Y/N couldn’t help but smile at the young girl’s excitement, “if this goes well? We’ll be able to find clients anywhere.” She wasn’t wrong, Y/N had never had the opportunity to work with the actual Earth King, the true ruler of the nation. Now she was working with the ruler of a nation she’d never stepped foot in, entirely new customs and traditions to research, a new social structure, new everything.

What a fun challenge.

With a smile on her face, Y/N followed closely behind Iroh, the palace was stunning, she couldn’t deny it. And compared to the crumbling infrastructure of the lower rings of cities like Ba Sing Se, Fire Nation cities were prospering Fire Lord Zuko’s rule. From what she’d heard, things weren’t always this way.

“Y/N and I are going to wait here,” he gestured to the open space before them, dozens of paintings within it, “these two will take you to your rooms.” He explained to the pair of young girls, nodding to the servants beside them, who began to guide the young girls away.

Y/N’s eyes found their way to the paintings, the newest one being of the current Fire Lord, Zuko himself. She wondered how accurate the painting was, and seeing as she would be meeting him soon, Y/N figured she’d find out as she sighed, turning to Iroh, “so how does the original heir to the throne become the owner of an infamous tea shop?” 

Iroh smiles to himself at her words, “age brings wisdom. And tea is a nice substitute for alcohol.” He jokes, though Y/N can see the pain in his eyes, along with admiration as he stares at Zuko’s portrait alongside her.

“Uncle!” A voice exclaimed, joy clear in his voice as he called out. Y/N watched as Iroh spun around, a broad smile on his face as he moved forwards to embrace the person.

He looked better in person, Y/N quickly decided, though the portrait did its job just as well. She wouldn’t deny he was attractive, but she already knew looks weren’t the issue. Iroh had informed her of the situation, Zuko’s constant rejection of any and every single person that approached him, and the stress he experienced because of the politics of it all.

“Nephew, it is good to see you,” Iroh said, releasing him from the hug, “how are you?” Initially he seemed fairly comfortable at the sight of just his Uncle, but as the Fire Lord’s body seemed to stiffen, Y/N realized she’d been spotted.

So, he wasn’t comfortable with strangers, “I’m alright Uncle... who is this?” He asked. There was an edge to his voice as he spoke, sizing Y/N up, not in the way you did for someone you were attracted to, but for an enemy.

Uncomfortable with new people, clear trust issues, and his mind was always alert. She’d have to write these things down and take them into consideration prior to finding him a potential partner. Though it was starting to look like he was completely unaware of her purpose there as she extended her hand out to him, “Y/N L/N. Professional matchmaker.” She explained with a bright smile, though, based off his personality, that would likely ward him off more.

He was polite though, shaking her hand despite his clear suspicions of her, “Zuko.” Y/N couldn’t help but raise a brow at this, he hadn’t mentioned his title in his introduction. Zuko turned to his Uncle, brows furrowing as he said, “you hired a professional matchmaker?”

With a shrug Iroh responded, “we met by chance! So, it must be destiny.”

Zuko gives him a tight lipped smile, nodding slowly before returning his attention to Y/N who stood away from the pair, examining the decor of the palace. It was minimalistic, truly basic if she was honest, despite the clear amount of riches they possessed, it lacked evidence of them. Bringing her eyes back to him, he spoke, “you don’t need to be here. You can receive your pay, but I personally see no purpose for a matchmaker.”

Iroh frowned at his words, “Zuko, you need to give it a chance! Unlike all those ladies who keep throwing themselves at you. Besides, she seems rather good at her job.” His gaze was on his nephew as he sighed, giving Y/N an apologetic look that she simply waved off.

“Oh, it’s fine. It just won’t be for long.” Zuko raised a brow at her words, and Y/N watched his feet shifted, “no need to prepare for a fight, your majesty.” She hummed, rolling her neck, in the corner of her eye she could see shock flash in his own. “You see, as a matchmaker I do several things, including developing a little... profile of my clients. Now we just met but I can already tell you a variety of things about you that’s making your love life rather trivial.” Even before she had to develop the profiles professionally, in the lower rings of Ba Sing Se, being capable of reading others was a necessary skill.

Zuko’s eyes narrowed at her, “and what have you determined, in the very short time we’ve known each other.”

A small laugh escaped her as she extended her arms and cracked her knuckles, “well. You have major trust issues, which is why you are desperately trying to keep me at arms length. That’s one reason why you have yet to find someone.” Turning her attention to the decor of the large room, Y/N closed her eyes and inhaled deeply. “Given the lack of interior design, I would say you’re struggling with social aspects of your job, and you need a partner. One that I can help you find.” 

“See! I told you she’s good at what she does.” Iroh exclaimed, moving forward to clap a hand onto Y/N’s shoulder, much to Zuko’s dismay. 

Y/N gave the older man a small smile before looking back to Zuko, who eyed her wearily, “you keep avoiding the portrait of your father. But you can’t bring yourself to take it down.” She said, and Y/N could practically feel the tension building with each word. “He’s one of the reasons you’ve yet to find a lover-”

“Because he gave me the scar?” 

Y/N paused, brows furrowing at his words, her eyes found his, “I’m sorry, was that a joke?” She asked, and Iroh stared between the two, amused. “You’re actually rather attractive, which is why I know this is a personality thing. Probably tired of the whole fancy court thing they have going on here, which I’m going to need to research...” Y/N pursed her lips, failing to notice the clear shock on Zuko’s face at her comment, and red flushing his cheeks. Waving off her thoughts, she looked back to him, “anyways. My assistants should’ve already cleared out about an hour in your schedule each day for our sessions. I’m going to be asking you some very personal questions. So, be ready!” 

And with that, Y/N waved to the two, bowing rather questionably shortly after, before heading off in the direction she’d seen Marcella and Evelyn go in. Effectively leaving behind a baffled Zuko, and a rather satisfied Iroh, who began to laugh at Zuko’s reaction. “I really like her, quite the character she has.” 

“Yeah, quite the character.” He brought a hand to his temple, “is this really necessary, Uncle?” 

Iroh simply sighed, looking to his nephew, “whether you want to admit it or not, she was right. Ruling a nation is difficult, and ruling it alone is even harder.” A small huff of laughter escaped Iroh, “and she figured that out by your lack of interior design!” 

Exhaling deeply, Zuko reminded himself that this was all part of the job, the job that consumed his entire life. The life that this girl had analyzed in a matter of moments. 

Yeah, he wasn’t looking forward to their meetings.

Though his morals and his disagreement with practically selling your own child were a major factor in his lack of a love life. There was also the simple fact that there was no love in many of the interactions he had with potential suitors, much less genuine interest. They all wanted the power he could give them should they get married.

There was also the fact that Zuko had very little relationship experience, a fact he was trying to ignore. At the end of the day, he couldn’t bring himself to approach anyone, and if he did, he wouldn’t know what to do. Zuko also doubted that people would act... genuine around him, especially if they knew who he was. And all he really wanted was something real, considering his entire day was surrounded by fake smiles that belonged to both him and others.

It seemed that Y/N wasn’t prepared to ignore this piece of information though, since the following morning she’d seated him down and begun to speak of it, “so. You’ve been in two relationships.”

His brows furrowed, “one actually.” He and Mai had broken up about six months into his work as Fire Lord, “Mai.”

Raising a brow at him, she leaned back in the seat. Zuko couldn’t help but wonder how she managed to decorate the place in such a short period of time, as he could’ve sworn there hadn’t been a desk here the previous day. Then again, he couldn’t remember the last time he’d toured his own palace. “Well, I’ve heard rumors of you and a Southern Water Tribe member, but I’m not sure which one so I just-”

“Okay! That’s enough.” His cheeks were flushed red as he looked away.

Y/N grinned at him, leaning forwards, “then let’s discuss Mai. You two were pretty on and off, right?” 

Zuko grimaced at the thought, they were. He wouldn’t deny that he’d gone back to her a few times during his time as Fire Lord, “yeah.” 

Y/N began to write into her notebook, “tell me about her.”

“I don’t see why that’s important.” Came his response, looking at her quizzically as he frowned.

Tilting her head at him, Y/N gave Zuko a look, “come on. Let me do my job, I need to know about her to gauge what types of personalities you like while also determining why the two of you broke it off entirely.” She placed the book down, and Zuko could very clearly see the words ‘commitment issues’ underlined. “The goal isn’t just to find you a suitable wife that can help you rule, but someone you can be happy with.”

He’s silent for a moment, eyes on Y/N, her words seem honest. And this was her job, “she was blunt. Honest. Kind of mean at times, but she could be sweet as well. Pretty stoic, expressing her emotions was always... difficult for her.” 

Y/N nodded slowly, scribbling a few more things down, “okay. And what’s your favorite color?” 

“What type of question is that?” Zuko asked, brows furrowing in confusion. 

Crossing her arms, Y/N shrugged, “well. Favorite colors can tell you a lot about a person.” Came her response, “mine is green. Maybe that’s because I associate green with the Earth Kingdom, where I lived. Or maybe it’s because I happen to like nature quite a bit.” Looking around, Zuko could see that she’d already gotten a variety of plants native to the Fire Nation, most were succulents due to the almost year round heat.

At the mention of colors, his mind immediately went back to his first experience with the dragons, when their fire encircled him and Aang. “I.. don’t know how to describe the color- colors?” Zuko’s brows drew together in thought, and Y/N looked at him.

“How would I not understand a color?” The confusion is clear in her voice as she looks at him. Y/N can practically see the nostalgia in his eyes as he looks to the balcony.

Sighing, Zuko shifted in his seat, “these dragons I met ended up making a circle of fire around me and there were just... so many colors. But together it was just,” he paused, searching for the right word, “beautiful.”

Y/N’s mouth gaped open for a moment, “you met dragons?” She exclaimed, nearly throwing her notebook aside. Y/N had never seen such creatures, in fact, the general consensus was that they were still extinct

Zuko seemed to forget about this fact as he straightened himself, eyes meeting hers, “you can’t tell anyone about them!” He exclaimed, “they were hunted to extinction, though I intend to outlaw such things it’s just...” 

She nodded in understanding, “people break laws.” Y/N leaned back into her seat once more, “you owe me a dragon story.” She said, before crossing her legs in her seat and continuing, “favorite food?”

“Well, Aang took me to Avatar Day, and they had these weird Avatar shaped dough things.” He explained, recalling the time he’d gone with Aang and the others. Apparently they used to burn his statue, but now they worship him for some reason.

Y/N brought a hand under her chin, “I have no idea what that is.” She began to scribble something down on her notepad, “but okay.”

“What about you?”

Y/N hummed in response, “what do you mean?” 

Zuko felt his cheeks warm, “this just feels like an interview.”

“Probably because it is an interview.” Y/N said, gesturing for him to elaborate.

Looking away, Zuko frowned, “it’s weird.” Sighing, he spoke once more, “so, what’s your favorite food?” 

Y/N was silent for a moment, staring at Zuko, who was trying his hardest to avoid her gaze. This was a rare occurrence, seeing as most nobles were rather self-centered and liked talking about themselves. She’d never had a client who felt uncomfortable with this portion because it was basically a one-sided conversation. “Jennamite is a good rock candy.”

Zuko turns back to her, a small laugh escaping him, “my friends were nearly killed in Jennamite by the King of Omashu once.” 

“I’m sorry, what?”

ATTEMPT ONE

Y/N wouldn’t deny how odd it was, to be sharing as much information as she was learning about Zuko. She’d never really considered just how personal some of the questions were until she found herself answering them. But, after about a month, she had assembled a pretty good array of potential suitors for Zuko. Along with a few of her own clients, Y/N had found some girls that from the Fire Nation that seemed pretty acceptable.

That’s what she had thought at least.

“What do you mean, you already rejected her?” 

Turns out, Zuko had met half the women, and rejected them. The other half were either from the Earth Kingdom, or yet to attend one of few Galas that Zuko hosted. Seeing as he handed off most of that work to his advisors, it was rare for him to remain at Galas for an extended period of time. 

He grimaced at Y/N’s words nonetheless, his Uncle had informed her of his situation, but clearly not the extent of it. “She was more interested in her guard than me. It was a power grab her parents likely forced her into.” He remembered the girl, she’d been kind to him, but she clearly didn’t want him as much as her parents did.

His words brought about a new level of understanding for Y/N, who nodded slowly, of course it was the parents that Zuko had a problem with. It wasn’t uncommon for nobles to practically throw their children at potential suitors as though they’re a bag of coins. It was something that disgusted her as well, her job found people companions that they liked while these people simply wished for an addition to their power.

Zuko was the ultimate power grab. Y/N could only imagine how many times this had happened to him, random people he’d never met approaching him, offering their child’s hand in marriage. 

Bringing a hand to her temple, Y/N sighed, “but the rest are fine?” 

He nodded slowly, flipping through the pages he had yet to remove, Zuko skimmed what Y/N had written. Taking note of her handwriting, he wondered if she’d written his profile like this. “Yeah...” Y/N narrowed her eyes at him, and Zuko sighed, removing a few more pages from the binder she’d presented him with. 

Exhaling deeply, Y/N brought a hand to Zuko’s shoulder, “be honest with me. I’m not gonna yell at you for removing them Zuko, this is for you.”

Sometimes he forgot it was her job to be nice to him. 

“Right.” He mumbled, trying to shake off the feeling he got as she removed her hand. “That’s still... a lot of people. Some of which aren’t even in this nation.” Zuko pointed out, a queasy feeling within him as he looked at her.

Y/N plopped down onto the couch in the common room they’d met in, sprawling her body across it, “you’re right, there is a lot. But,” She twisted her body so that she could see him, wiggling her brows suggestively, “it’s been a while since you hosted a Gala.” 

Zuko’s face dropped at her words, in his years of being Fire Lord, he’d had about three total, and hated every single one. But given how rare the Galas were, people got pretty excited when he threw them. “I hate planning those, it’s a waste of time and-” 

A small smile was on her face as she interrupted him, “and you suck at planning them? I can tell by the decor of your palace.” Glaring at her, Zuko watched as she shifted so that her head hung off the couch upside down, “well. This will be the best Gala yet, you’ll impress all the ladies that you can’t meet in the immediate future in about...” Y/N looked to the watch on her wrist, brows furrowing, “eight months. And I’ll help you plan it, since you desperately need help-”

“Alright, I get it, I’m horrible.” He grumbled, crossing his arms as he leaned back against his seat across from her after placing the binder on the coffee table between them. “Eight months isn’t a lot of time,” traditionally, Gala’s took at least a year’s worth of planning and preparation, especially since Zuko was so busy he barely had the time to assist in the process. Eight months was no where near enough.

Y/N was still frowning at his words, “no self-deprecation.” She ordered, taking Zuko by surprise, before continuing, “regardless. I’ve planned Gala in less time with less resources. It’ll be fine.” Pursing her lips Y/N sighed, “now we need to discuss your inability to talk to people in general due to your immense trust issues and constant battle field mentality.” 

Zuko’s mouth gaped open at her words, “excuse me?”

Bringing her hands to rest on her stomach as she laid upside down, Y/N spoke, “when we first met you looked like you contemplated attacking me. And when you met Marcella and Evelyn, I’ve never seen someone so awkward.” Zuko is silent and looks away, only proving her point as Y/N continued, “so we need to practice your people skills, and flirting for future reference, seeing as your first date is in about a week-”

Almost immediately, Zuko straightened his posture, sitting up and looking to her as though she’d thrown a bucket of ice cold water onto him. “A week?” He winced at the way his voice cracked.

“Yeah, I spoke with one of the girls, not her parents, and asked her to meet with you later in the week.” Y/N explained, “her name is Elara, she’s in there.”

Frowning, Zuko reached for the binder and began to flip through the pages, “how’d you know I wasn’t going to get rid of her page?” Only to find the girl’s page, details on her personality, skills, hobbies and more on them.

A smirk spread across Y/N’s face, “she was one of few I was sure you’d keep.” With a sigh, Zuko looked back to Y/N, who still sat upside down, “now. You need to practice your romance skills, so come on.” She twisted her body, her legs falling to the side of the couch, and then moving onto the floor, Y/N stood. As the blood rushed to her head, a wave of dizziness came over her, and Y/N found herself stumbling slightly.

A hand came to her back and forearm, steadying her, “you need to practice walking.” Zuko laughed slightly, a nervous edge in his voice as he eyed her. 

Y/N brought a hand to her head as she laughed as well, “oh my...” Y/N blinked several times as the wave of dizziness passed, her hand gripping Zuko’s arm as she grounded herself. Looking up to him, she quickly realized how close they were and cleared her throat, releasing his arm.

He followed suit, removing his hands from her, “sorry-”

“You didn’t do anything wrong, Zuko.” 

The look her gives her almost hurts. Because Y/N can see the shock within his eyes as he nods slowly in response. She wonders what he’s thinking of as he she gives him a tight lipped smile, clapping her hands together as she turns back to him, “practice.” She repeated, mostly for herself.

And maybe offering to be the person he practiced on was her first mistake. 

ATTEMPT FIVE

Y/N had learnt a lot about Zuko in the past four dates he’d been on. One of these things being the fact that Zuko was a wild card when it came to dates, and they seemed to either go very well with the girls contacting Y/N to let her know they wished for a second date, only for Zuko to reject the possibility. Or, they went very bad. And Zuko returned with some sort of drink splattered onto his clothing.

So, Y/N decided that the best course of action was to discover what exactly Zuko wasn’t mentioning, and to follow him with a disguise. Evelyn had suggested it, Iroh supported the idea full-heartedly, though Marcella had believed it would be a huge invasion of privacy, Y/N didn’t really care, seeing as it was her job to be involved in Zuko’s love life. She was getting paid to ensure he found love. 

And she was curious.

That’s how Y/N ended up dressed in some very suspicious Fire Nation clothing alongside her assistants and the apparent Dragon of the West, famous tea shop owner, and member of the royal family. 

What a wonderful assortment of people.

Marcella and Evelyn had separated from Iroh and Y/N, sitting in another booth across from them, it was a feeble attempt to keep them from sticking out. The girl had chosen a rather upscale restaurant, so dressing appropriately while also maintaining a look that prevented Zuko from recognizing them. 

Y/N pulled her hat further down on her face as she looked to Iroh, who was browsing the menu. She wouldn’t be shocked if he entered the kitchen just to make himself a ‘decent’ cup of tea. He’d been rather helpful during the whole process, anything she didn’t find out from Zuko, Y/N had learnt from Iroh. “See anything you like, Iroh?”

He smiled at her, nodding slowly, “I think I’ll just take some tea.” 

Looking to Marcella and Evelyn, Y/N smiles, the two are speaking with one another like they aren’t supposed to be spying on the Fire Lord. But Y/N doesn’t mind, this was more of a recreational activity anyways, and she was glad they were having fun. Since they’d gotten to the Fire Nation two months ago there had been an... adjustment period to put it simply.

Y/N nodded at Iroh’s statement, and her eyes fell back onto Zuko and his newest date, Amaya, she was a simple girl. She’d possessed organizational skills that Zuko lacked, planned dozens of events, had the expressive qualities that Zuko yearned for in a partner. Amaya was one of few that Y/N was sure Zuko would take a liking to. Especially since she also had training in a variety of fighting styles, and was quite the Firebender. She’d been a little skeptical when she first contacted Amaya, the girl seemed hesitant, but she agreed.

And from the looks of it, he had. The pair was laughing along with each other, but Y/N could see the way Zuko stiffened at any physical contact, in general he’d yet to relax. If Y/N was honest, it was basically like any first date, awkward.

Zuko didn’t really know how to feel about Amaya, she was what he should be looking for in a girl, everything he needed if he was honest. She had an interest in the art, something Zuko had never taken to and the main reason his palace looked, ‘dull’ as Y/N had put it. And she was expressive, the main issue he’d had with Mai was her lack of expression. But, for some reason, Zuko just couldn’t see her as anything more than a good friend. There was something... off about her.

“When that Earth Kingdom girl approached me, I was skeptical.” Amaya explained, taking a sip from her glass, “you know how most Earth Kingdom folk are...” She gave him a look as Zuko listened in confusion. “The Fire Nation citizens simply have more class.” Amaya settled for with a shrug.

Oh.

Zuko laughed nervously, “I’m not sure I understand. I find Earth Kingdom citizens pretty pleasant actually, and Y/N, the one you met, she’s actually very resourceful and kind.” His mind went to Toph as well, who had invented an entirely new type of bending. She was an impressive young woman from the Earth Kingdom, and Y/N was as well, she’d started her own business at a young age and turned it into something incredible.

“Really? She didn’t seem too smart when I met her, but who can say no to a meeting with the Fire Lord?” 

Zuko was pretty sure her words were meant to be taken as a joke. But Amaya wasn’t the first person Zuko had encountered with this mindset, she was just more subtle about it. The supremacy of the Fire Nation was still an idea that ran rampant in some people’s minds, though Zuko had dealt with most disputes regarding his peaceful relations with other nations. Many still missed the time when the Fire Nation practically owned the world, where Fire Nation citizens could treat the people who had their homes taken from them however they pleased.

It was a dark time in his nation’s history, nonetheless, several people missed it. This was something rather prevalent amongst Nobles though, they were the ones who lost an immense amount of land when the war had ended. Many of them were bitter about what had happened. 

If Zuko was honest, she’d probably had these ideas drilled into her since birth, and simply hadn’t grown out of them, which was a shame. But as the ruler of a nation, he couldn’t rule beside someone who looked down on others simply because they weren’t from the Fire Nation.

Zuko shook his head, “Y/N built her business from the ground up. And now she’s helping the Fire Lord get dates.” He knows he sounds defensive, as though he’s prepared to fight her, something his Uncle would likely scold him for, but he doesn’t care at the moment.

“All she does is set you up with people.” 

Zuko’s brows furrowed at this comment, and he raised a hand to get the attention of the waiter, “excuse me, could I get the check please?” The young man nodded, heading off to get the check, and Amaya looked at him incredulously. 

Y/N had done far more than set him up with people, she’d helped him begin planning a Gala, she’d tried her best to find a good assortment of people that would fit both Zuko’s needs and the Fire Nation’s, and that list was probably very difficult to narrow down. Zuko had seen the work she put in for formulating profiles of the potential suitors, and throughout all of it she had done nothing but support him. 

“What are you doing?” Amaya asked, shifting in her seat as she stared at Zuko quizzically.

The waiter came over and handed Zuko the check, and Zuko placed a pouch of money on the table, “thanks. Keep the change.” He explained, nodding to the boy, who’s mouth gaped open in surprise as he took the pouch of money, bowing to Zuko repetitively, though Zuko wasn’t paying much attention to him as he spoke to Amaya. “I don’t think this is going to work out, I’m sorry.”

Amaya is still seated in shock as Zuko rises from his table, and Y/N can’t help it when her mouth gapes open at the sight of him simply abandoning his date. She makes eye contact with Iroh, who raises a brow, and they both sit up. She moves to follow Zuko, only to bump into someone. 

“I’m so sorry!” Y/N exclaims, moving down to help them pick up their hat, that had fallen when they collided.

“No, that was my fault entirely!” He responds, shaking his head as they both leaned town to pick it up.

“Aang, come on! He’s leaving.” The woman behind him exclaims.

Y/N’s brows furrow in recognition as she looks up to see a blue arrow tattooed on the man’s head, and her eyes widen in realization. Zuko had described Aang several times during their conversations, he and the rest of his friends came up often. But Y/N did not expect the first time she met the Avatar and his friends to be when they were both following Zuko on his date.

ATTEMPT FOURTEEN

Y/N simply sighs as she opens her door to see Zuko, in the outfit she’d helped him pick out. “What was it this time?” He’d been on thirteen dates thus far, and Y/N was slowly realizing that Zuko was likely one of her most difficult clients. This was purely because he’d yet to get a second date, though there had been offers, Zuko had declined all of them. 

“She was just-” His hands gestured rather broadly, he was practically throwing them into the air, “she was so rude to the waiter.” This had always been a dealbreaker for him, since he’d worked as a waiter in two different tea shops, Zuko had come to understand the importance of treating a waiter with kindness and how difficult the work could be. 

His eyes dart between Y/N and her door, she’s rubbing her eyes due to the exhaustion and Zuko can’t help the guilt that floods him. Nonetheless, she opens the door wider, heading inside her room and signaling for him to close it as she falls back onto her bed. “You were a waiter once, yeah?” He’d told her a fair share about his life in the Earth Kingdom, she’d inquired quite a bit about that part of his life. 

He asked about her life in the Earth Kingdom too, and she’d told him how poor life could be the in the outer rings, something he’d experienced for himself. Zuko listened as she describe living after her parents had died, working for a matchmaker only to discover she was actually good at the job, making a name for herself in the outer rings and then making her way inwards until she was one of the most sought after matchmakers in the kingdom. Y/N spoke of how she’d met Marcella and Evelyn, and how she’d taken them in when she’d discovered they were both orphans, living on the streets as pickpockets.

Zuko wouldn’t help but laugh at this, he could imagine Evelyn as a pickpocket, but Marcella? She was a sweet girl, he couldn’t imagine her in a life of crime. Of course, desperation made people do questionable things. Zuko knew that much from experience. 

“Yeah, I was.” Came his response, taking a seat in the chair by her desk. 

Y/N sat up in her bed, bracing herself with her elbows as she raised a brow at him, “what are you doing?”

Zuko frowned, shifting in the chair, “sitting...?” He moved to get up but Y/N waved him off.

“Just lay with me, idiot.” She allowed her head to fall back onto the bed, patting the spot beside her. Clearly, her suggestion wasn’t bothering her, but Zuko felt his face flush at the possibility.

If he’s honest, he’s not even trying anymore when it comes to dates and women and love. There were three reasons for this, one of which was the fact that he simply wasn’t connecting with any of the women he had met thus far. Sure they were nice, and they probably would be his type has it not been for reason two. The fact that Zuko had realized he had feelings for Y/N, what feelings? He wasn’t sure, but they sure as hell weren’t platonic, if they were he would not be blushing this much. He wouldn’t get that weird feeling in his stomach whenever he spoke to her.

Then there was was reason three, if Zuko succeeded in finding love, then Y/N would leave. It was selfish, but he already knew he wouldn’t find anyone considering he pretty sure he loved someone else already. So now, Zuko was basically procrastinating letting Y/N know that this just wasn’t going to work out, mostly because he didn’t have a plan.

He was debating just firing her, but that likely wouldn’t go over well, and he wanted to see her business succeed. If you get fired by the Fire Lord, that just looks bad. Now Zuko wondered what the best way to go about this was, since there was no point in working for him, even if she was getting paid. He was a waste of time. 

He couldn’t help the smile graced his lips as his own thoughts reminded him of the time she’d scolded him, telling him to quit being self-deprecating. 

Zuko sat up from the chair, making his way over to her bed, Zuko found himself simply plopping down onto it face first, earning a laugh from Y/N.

He rolled over onto his back, turning to look at Y/N, only to find her eyes were already on him, bringing a blush to his cheeks as he mumbled, “what?”

“I’m just trying to figure out why you haven’t gotten a second date yet.” Came her response, propping herself up on her forearm. “You have a nice personality, you’re attractive, I’m sure at least one of the girls caught your eye.” Y/N sighed, running a hand through her hair as she began to wonder if she’d incidentally allowed her own feelings to get in the way of her work. Maybe that’s why this was going so badly.

This was a problem. 

Zuko simply shook his head, his face on fire as he listened to her words, though he couldn’t help the hand he brought to the scar on his face. Y/N had pointed out before that he was allowing his Father to control his actions even now that he was imprisoned, and Zuko was beginning to see what she meant. 

Removing his hand from his face, Zuko sighed. Though he didn’t have much time to dwell on his thoughts as her hand hesitantly came to his face, placing a hand on his cheek and allowing her thumb to brush against the scar. Zuko jumped at the sudden contact, and Y/N moved to withdraw her hand almost instantly, but Zuko’s hand came to hers and held it there. Looking to her, he couldn’t read the look in her eyes as she gazed at him, and suddenly he wished he was as good at reading people as she was. 

“No self-deprecating thoughts.” Y/N mumbled, “bad Zuko.” She removed her hand from his to flick his head, causing his brows to furrow.

He pouted, and Y/N let out a laugh as he spoke, “how come you haven’t found someone?” Zuko looked to her, “you’re beautiful, and smart, and just... perfect.” He didn’t notice when her cheeks warmed, “you’re a literal matchmaker, surely you’ve considered who your perfect person is.” 

Y/N fell onto her back, running her hands over her face as she shook her head, “how have you not gotten a second date?” A sigh escaped her, “I haven’t had time for love before, and I just haven’t found that,” looking to him, she pursed her lips, “perfect person.” Growing up in the lower rings, she didn’t have time for an actual relationship, and her business as a matchmaker grew incredibly quickly. At the end of the day, long term just didn’t work out, Y/N barely had for herself, much less another person.

“I guess we both suck at love.” Zuko said, his tone was serious and Y/N couldn’t help but burst out into laughter as she swatted at his chest.

Too bad they couldn’t suck at love together. 

ATTEMPT SEVENTEEN THROUGH TWENTY EIGHT

Smoothing over her green dress, a sign of her citizenship in the Earth Kingdom, Y/N moved to answer the knock on her bedroom door. Given how long she’d been in the Fire Nation, Y/N wondered if the Earth Kingdom would still feel like home when she returned. The idea of going back felt odd, and though that time likely wasn’t soon unless Zuko met the love of his life tonight, it was inevitable.

And it horrified her. 

Holding the edge of the dress slightly to make it easier to walk, Y/N sighed and opened the door, seeing Zuko. A small smile on her face as she eyed his Fire Nation robes, “you look nice.” She complimented, tilting her head at him as she allowed her eyes to travel over his figure.

Zuko nodded, a blush coming over her cheeks, his mouth gaping open as he looked at Y/N. “You look beautiful.” She did, the dress looked amazing on her, her hair styled just right, and bracelets adorning her wrists.

“Thank you, Fire Lord Zuko.” His nose crinkled at the use of his title, coming from her it felt even weirder, wrong almost. But she continued, “mind helping me out?” She asked, moving back to her desk and taking a necklace in hand. Y/N had been struggling to put it on for the past few minutes, and now she had someone to do it for her.

He nodded, closing the door behind him, he took the necklace from her hand, and when Y/N ensured her hair was out of his way, Zuko brought the necklace around her neck. He secured the clasp, hands lingering as he adjusted it to the center of her neck. Zuko couldn’t help but notice a small scar on her shoulder, hand brushing over it.

Y/N looked over her shoulder and to him, brow raised, “how’d you get this?” He asked, brows drawn together. His hand traced the raised skin gently, Y/n could feel her cheeks warming at his touch, inhaling deeply. 

She grimaced, “a knife fight I almost lost my life to.” Was her explanation. Y/N didn’t like to think back to the days when she’d resorted to several... questionable actions to stay alive. But she pushed those thoughts away as she turned to face him. “You ready?” Y/N asked, they had to get to the Gala soon, considering the fact that Zuko was the host, Y/N was shocked he’d even stopped by her room in the first place.

Zuko was silent, simply nodding as he extended his arm for her to take. And Y/N did, looping her arm around his as she smiled, “you are gonna woo so many Earth Kingdom women tonight!” Y/N exclaimed, more confidence in her voice than Zuko had.

Shame the only Earth Kingdom girl he wanted to ‘woo’ was her.

When they’d arrived at the Gala, descending the stairs together, they were greeted with the claps of the other guests. Zuko would feel the anxiety flood him, but he paid it no mind. Though Y/N could feel the way he stiffened as he ended his speech to the diplomats of all nations, “let this be a peaceful, and joyous night!” 

They all burst out into cheers before the party continued, the music starting once more, and everyone returning to feasting upon the buffet, dancing along the ballroom floor or speaking with one another. All while Y/N led Zuko down the stairs, dragging him by the hand, “come on. Enjoy your own party, meet some girls.” She winked, and Zuko swore his face heated up even more than it already had. 

Y/N wasn’t a fool, she knew that if she’d stuck by his side the entire night, she would serve as a repellant of any potential suitors. So naturally, much to Zuko and Y/N’s dismay, she removed herself from him, playfully shoving him towards a group of Earth Kingdom girls she’d mentioned earlier. Though there were several other clusters in the ballroom.

Zuko simply sighed, giving Y/N a small smile before making his way to the group of girls. If he was honest, he would rather be spending the Gala by her side, but he had to put in some effort. He owed Y/N that much. Besides, this was an entirely new group of girls, maybe he would find someone tonight. 

“Hi there.” Zuko greeted, waving awkwardly at the girls. 

This action earned him a few laughs, and he was unsure if they actually found it funny or felt the need to laugh since he was the Fire Lord. Shortly after they began introducing themselves, speaking like there was no tomorrow. 

If Zuko was honest, the number of women here was overwhelming. So, as he excused himself from the conversation, much to their chagrin, he placed his cup down on the platter of one of many waiters. Making his way outside, Zuko couldn’t help but feel relieved at the fresh air that hit him on the balcony. Though he contemplated heading back inside when he noticed another girl was already there, eyes shut as she faced the sky, she turned to see him, eyes widening a fraction. “I’m sorry, I can go-”

“No!” She exclaimed, cheeks flushing in embarrassment due to her outburst, “no... it’s fine.” She turned back to look at the sky, hand clasped together, fidgeting.

Zuko stepped forward, finding himself situated across from her, leaning against the railing, “so why are you out here?”

A small laugh escaped the girl, and she ran a hand through her hair, “it’s rather stress relieving. You have a lovely view in your palace.” 

He couldn’t help but feel disappointed when he realized she recognized him, though Zuko nodded along, “what’s your name? If you don’t mind me asking?” It was a stupid question, and Zuko nearly facepalmed as he pursed his lips.

“Aileen.” Came her response, and Zuko realized he recognized her name as well. She was the child of one of the more well known members of Fire Nation nobility, her parents had approached him in the past in hopes of arranging a marriage between the two of them. He had declined almost immediately. And now that Aileen turned to him, he had a feeling he made the right decision, “you’re Zuko, right?” 

He exhaled deeply, nodding, “that’s me.” Sometimes, Zuko wondered what his life would’ve been like if he wasn’t Zuko, perhaps things would’ve been simpler. No, things definitely would’ve been simpler. There would be no diplomatic meetings, no wars, no idiots trying to hurt other people, no more assassination attempts, no more fake smiles and no more Galas. Of course, if he wasn’t Zuko, he never would’ve met Y/N.

“I heard you’re looking for a partner in crime.” Aileen prompted, “why aren’t you in there finding that future love of your life?” 

Shrugging, Zuko looked up at the sky, “I found her. She just doesn’t want me.”

He can feel Aileen stare at him, she’s silent for a moment, and Zuko wonders what she’s thinking. Though he doesn’t need to wait long to find out as she responds, “I understand.” Aileen focuses her gaze on the glass she’d placed on the thick railing of the balcony, “the person I love probably doesn’t love me back. And even if they did, my parents disapprove.”

“Did you ask?” He felt hypocritical, Zuko himself had never spoken with Y/N in regards to his feelings, and he likely never would, but he wanted to know. “If they love you?”

Aileen laughs slightly, shaking her head, “I couldn’t bring myself to. I’m scared.” She replied, looking back to him curiously, “did you?”

“No.” He responded lamely, tapping his fingers against the railing with a sigh.

Aileen laughed at this, “I guess we are both cowards then.” She pursed her lips, “I didn’t ask because I was scared, why didn’t you?”

And then the words come spilling out, “whoever I end up with will greatly impact the whole world, whether I want to acknowledge it or not. And she doesn’t deserve that burden, nobody does.” He laughs bitterly as he continues, “she’s also the person that was hired to help me find love in the first place.” Zuko pauses, looking away from Aileen, “and I guess I’m scared too.”

“Ironic.” Aileen mumbles, bringing her eyes back to the sky, “let’s make a deal, Your Majesty.” 

Zuko cringes at the use of that title, almost asking her to simply refer to him by his name, though he simply responds, “what deal?”

“We both confess. And if it goes horribly wrong, we can get married.” 

Y/N can’t see the shock on Zuko’s face, but she can see how comfortable he feels with this girl, Y/N hadn’t seen her before, but she was just happy Zuko was connecting with someone. Except she also wasn’t, a bitter feeling enveloping her as she turned away, looking for something else to focus her attention on, something that didn’t hurt. 

She turned to see Marcella and Evelyn in the distance, speaking with each other. Y/N supposed if she wouldn’t be finding love tonight, then at least they would. She was no fool, she saw the way they looked at each other, the glances when the other wasn’t looking. Maybe it was dumb, but Y/N found herself feeling jealous as she moved over to the buffet with a sigh. Food solved everything in her experience, after a client had a particularly bad day, food made things better.

“Perhaps some tea?” Iroh stood beside her, a kettle in his hand, he had insisted he serve tea at the Gala, though Zuko had assured him it would be just as easy to find someone else to do the job.

Y/N smiled at him, nodding as she took a cup from the array of them within the buffet, allowing Iroh to pour her some tea. “Thank you, Iroh.” Her voice is quieter than normal, and it’s clear that Iroh can tell something is wrong.

“You know, you deserve to be happy to Y/N.” His words catch her by surprise, though she doesn’t have much time to consider their meaning before flames lighting the room begin to move erratically, causing her brows to furrow.

Something was wrong. 

Iroh nods to her, placing the tea kettle down as his brow furrow and she nods back, Iroh disappearing into the crowd of people. Y/N’s eyes fall back to Marcella and Evelyn, and she quickly moves to their side of the room, ignoring the hush that had fallen over the room, panicked gasps amongst them. Her hands fall onto both girl’s arms as she nods to them, “Y/N, whats going-”

Y/N is already dragging them in the direction of the exit, “get out of here, find the guards. I’m going to find Zuko.” The girls didn’t have much time to argue, as Y/N was already working her way through the panicked crowd, back to the balcony where she’d last seen Zuko. But, people were already pushing against her movements, making it difficult. Raising her head above the crowd in an attempt to see what’s going on, Y/N realizes whats happening. 

Firebenders were trying to force them together, and Y/N couldn’t help but panic as she wondered if Marcella and Evelyn managed to escape and find the guards. 

This was an ambush.

No, this was an assassination attempt. Zuko already knew as he watched the atmosphere of the party begin to shift, that and the person who stood before him in all black, brandishing several weapons. Alongside four others who stood by her side. 

“You know, it wasn’t until I met you that I realized how bad it had gotten.” Aileen stood beside Zuko, eyes meeting his in horror as they exchanged looks. Zuko simply hoped the nod he gave her provided some semblance of comfort as he returned his attention to the person before him. “I mean, defending some lowly Earth Kingdom matchmaker? What type of career even is that?” 

Her voice is almost maniacal, and Zuko can’t help but wince as he feels reminded of his sister. But he recognizes it nonetheless, Amaya. It had been months since he’d seen her, but he could still remember her voice. Her face was covered by a mask, and she wielded a sword, and if Zuko remembered correctly, she had been trained in dozens of fighting styles and was a talented bender herself. Alongside the four other men, Zuko couldn’t help but panic internally as he spoke, “Amaya, why don’t you put the swords down, and we talk about this.”

She laughs in response, ripping the mask that covered her face off and throwing it aside, “people have tried to talk to you about this. Your-” She grappled for the word, a hand yanking at her hair as she gestured to him with a sword, “your radical ideas!” 

Zuko didn’t find having morals radical, but he wasn’t going to say that, not while Aileen’s life was on the line. Zuko suddenly realized why having an heir was important as he shook his head, “Amaya, look. Why don’t you let Aileen here leave, and then you and I can talk.” 

Aileen looks like she’s going to protest, but Amaya glances at her red robes, a sign of her Fire Nation citizenship, and gestures for her to leave. “Get out. My problem isn’t with you.” 

When Aileen doesn’t move, Amaya quickly grows frustrated, calling out to one of the guards she’d brought along that lied inside, “take this fool away.” 

There’s no response, and Zuko can see panic flood Amaya’s face. And looking behind her, he quickly realizes that most of the guards have been subdued, Y/N holding one of them in her arms as she knocks them to the ground. Moving towards the balcony stealthily as Amaya’s hands begin to shake, fire sparking in her palms as she focused her attention onto Zuko. “You’re going to pay for what you’ve done to our nation.” 

But Zuko wasn’t looking at her as he shook his head, hoping Y/N would understand. There was no way she could overpower Amaya, not with her bending. Y/N didn’t even have a weapon.

Now, Y/N knew for a fact that no matter how talented Zuko was, he wouldn’t put the girl beside him in danger. His priority would be keeping her alive, and given the training Amaya had as a noble, in both Firebending and fighting, she might even be as good as Zuko in a fight.

Meaning she had to be taken out of the fight.

Everything happened pretty fast after that. Zuko was shielding body coming forward to shield Aileens as he extended his freehand to Firebend at the people who’d surrounded them, only for Amaya to move out of the way. The girl was practically screaming bloody murder as she lunged at him, now wielding her sword. 

Zuko didn’t have to figure out what to do next because Y/N moved faster than Amaya did, tackling the girl over the railing and down below as he began to scream. 

THE FINAL ATTEMPT

Zuko’s knee is bouncing rapidly as he sits beside Iroh, who knits a scarf of some sort despite the blistering heat of the Fire Nation. He’s insisted that when Y/N returned to the Earth Kingdom she’d need it, and Zuko didn’t have the heart to disagree. Iroh had started stress-knitting about four hours ago, when Y/N had entered the room they all sat before, anxiously awaiting news of her condition.

Marcella and Evelyn are to Zuko’s left, Marcella’s sobs had quieted down, but Zuko wouldn’t be shocked if he looked over and saw tears silently streaming down her face. The girl hadn’t taken it well. Evelyn remained composed, doing her best to comfort Marcella, but the wait was clearly getting to her as well as she fidgeted with Marcella’s hands.

Seeing as Y/N had fallen from several stories up off the balcony and into the water below, Zuko didn’t really think it was possible to take the news well. But he was trying. 

A pang sounded from inside the room, and Zuko practically shot up onto his feet, moving to knock on the door to discover was was wrong, only for Iroh to grab his wrist, shaking his head. Zuko exhaled deeply, beginning to pace across the hall. He found himself wishing that Katara hadn’t been busy with Water Tribe business, she was an excellent healer. Alas, Katara wasn’t there, and Zuko had to settle for one of the skilled Water Tribe diplomats instead, alongside a few others skilled in medicine. 

As he paced, Zuko could feel Evelyn’s eyes on him, and it became clear she was itching to speak and he sighed, “what’s wrong?” There were dozens of answers to this question, the main one being the fact that Y/N could die today, so he hoped she understood what he meant.

The girl is glaring at him, and Zuko can’t help but feel uneasy. Because maybe she blames him for this as much as he blames himself, and maybe she’s going to tell him off, blame him for everything. Because if Y/N dies, she and Marcella will have no one again. 

Not that Zuko would allow that. He’d grown attached to the girls as well, they were kind, and helpful. They’d help improve the interior decor of the palace, and if he was honest, it looked better than anything he ever could’ve done.

“You better tell her how you feel after this.”

Zuko’s mouth gapes open at the girl’s words, and he swears the breath leaves his longs, and its as though everything hits him then. 

He would never get to tell Y/N how he felt if she died. He’d never get to listen to her try and tell a story just to go off on dozens of tangents, he’d never get to watch as she attempted to cook again, and he’d never get to hold her in his arms once more. There would be no more late night talks, and he wouldn’t hear her laugh, she wouldn’t tease him anymore and they wouldn’t walk through the courtyard feeding turtleducks again.

She’d never know he loved her.

Zuko finds himself nodding to Evelyn’s words, frozen in place as he looks to her and asks, “was I that obvious?” His voice is hoarse, and its probably because he didn’t stop screaming, even when Y/N’s body hit the water. 

Marcella is laughing at his words, blowing her nose into a tissue that Evelyn hands her before she speaks, “painfully obvious.”

“For someone who’s job revolves around love, Y/N is one of the most oblivious people I’ve ever met.” Evelyn grumbles out, rubbing her eyes as she yawns.

It was late, Zuko knew that much, the guests of the party had gone to the infirmary in the palace, being tended to by doctors and any other available healers if injured. Otherwise, they’d all returned to their rooms to sleep, or more likely stay up in fear of another attack. Zuko surely would.

“Go to bed guys, it’s getting late.” 

Evelyn looks at him like he’s one of the dumbest people she’s met, and if Zuko was honest, he probably was. But he simply nodded to Marcella, who had started leaning her head against Evelyn’s shoulder, eyes fluttering shut. “Uncle, why don’t you take them back to their rooms?”

Considering the fact that Zuko’s guards were around the corner, he wasn’t scared for his safety, but their presence just made him want to remain awake. 

“Nephew, you should sleep as well.” His Uncle replied, though he rose from his seat, bringing the yarn and the start of the scarf under his arm. 

Zuko gave his Uncle a smile, “I will. But if anything happens before then, I’ll be sure to alert you all.” He assured, nodding to Evelyn, who eyed him wearily. But she relented, shaking Marcella gently before standing up alongside her and Iroh. 

When they were out of sight, Zuko plopped back down in the seat, his elbows resting on his knees as he brought his hands to his face.

And for the first time in the night he cried, his body racked with sobs as tears streamed down his face and he struggled to breathe. The pain of all that had happened felt almost unbearable. She had to live. Y/N had to live. Because Zuko was going to confess. 

His fear of losing her outweighed his fear of rejection.

Wiping his tears away, Zuko suddenly felt grateful that Evelyn had left the box of tissues as he blew his nose. He sighed, his eyes piercing the door, hoping that something would happen.

As though his stare had willed her to exit the room, the healer came out, a grimace on her face as she looked to Zuko, likely because of his bloodshot eyes. The woman simply sighed, the grimace becoming a more sympathetic look. “Miss L/N lost a lot of blood... several of her bones were broken when she hit the water, especially her ribs. Her internal organs were damaged as well and... well it wasn’t very likely for her to survive.”

She’s dead.

Y/N is dead.

Oh.

“Wow, you look like a mess.” 

Zuko’s head whips up, his eyes meeting Y/N’s, she’s leaning against a wooden crutch, grinning lazily at him. The healer beside her looks rather apologetic as she frantically explains, “she woke up far quicker than we anticipated and only agreed to rest if we participated in her rather cruel prank.”

So, she wasn’t a ghost.

Zuko launches himself up from the chair, nearly tackling Y/N, but the wooden crutch she uses for support serves as a reminder of her fragile state as he asks, “can I hug you?”

Her smile falters at the sound of his voice, hoarse and jagged, so she simply extends are free arm outward. Zuko takes this as an invitation for a hug, gently wrapping his arms around her waist and burying his head in her neck, Y/N wrapped her free arm around his neck, hand finding its way to the hair at the nape of his neck. “Im s-”

“It’s not your fault Zuko. I swear if you say its your fault I will throw myself over the balcony again.” She threatened, hand tightening in his hair.

Zuko laughs quietly, inhaling deeply before he speaks again, “please never do that again.” 

“I make no promises.”

Sighing, Zuko releases her, “I hate you so much.” 

Y/N scoffed, “you love me.” She was limping over to the bed in the middle of the room, blood coating the surrounding area. Though the doctors in the room were moving across the room that they’d placed Y/N on, and dealt with her injuries on, Zuko couldn’t help but feel sick at the sight.

She could’ve died.

“Yeah, I do.”

Y/N pauses, turning to look back at him, her mouth gapes open. Zuko’s looking away, eyes on anything but her as he inhales deeply.

The healer simply sighs, “before we do this, I should inform the two of you that Miss Y/N cannot do any... strenuous activities for at least one month.”

Zuko’s cheeks are flushing red as he shakes his head rapidly, “ma’am-”

“We’ll be taking our leave. Have fun, but not too much fun. Please.” The woman closes the door behind her once the other doctors are out of the room, and Y/N can’t stop laughing at the mortified expression on Zuko’s face, despite the sharp pain she feels in her ribs.

Taking a seat on the fresh sheets of the bed, Y/N sighs, “so you love me?” She’s picking at the sheets, “as a friend?”

Zuko suddenly realizes just how right Evelyn was as he slowly shakes his head, “no. More than a friend. I think I inadvertently sabotaged half of the dates you sent me on because of it.”

Y/N laughs quietly, eyes falling on Zuko only to see he’s looking anywhere but her, she calls out to him quietly, “Zuko. Look at me.”

He doesn’t hesitate to bring his gaze to her, eyes meeting hers as he begins to fidget with his hand. Y/N simply reaches her hand out, and he takes it. “I love you too, idiot.” She mumbles, pulling him closer and wrapping her arms around his waist. “I just wish you had told me sooner so I didn’t waste so much time trying to set you up with other women.” 

A small laugh escapes him as he brings his hand to her hair, “how do I know you weren’t purposely giving me bad matches because you were in love with me?” 

Y/N removes her head from his stomach, looking up at him, her nose crinkles, “unlike you, I am a professional.” Zuko flicks her forehead, and Y/N pouts at him, hand coming up to his face, “can I kiss you?”

She can feel his face warm, but he nods rather enthusiastically nonetheless, and Y/N finds herself smiling at his as she uses her hands to pull his face downward towards her. His lips meet hers, and Zuko finds himself feeling complete, hands coming to Y/N’s face in an attempt to pull her closer while hers move to his ball up his robes that he’d yet to change.

 Zuko pulls away first, forehead resting on hers, “you need to sleep.” 

Y/N scoffed, eyes narrowing at him, “you need to sleep.” Looking to the bed, she raises a brow at him, “wanna lay with me?”

“I don’t think that’s a good idea, I could accidentally injure you or-”

Rolling her eyes, Y/N yanks him onto the bed, making her way to the other side and getting comfortable, “I’ll be fine.”

Yeah, everything would be fine. Maybe not for the Fire Nation, seeing as Y/N would potentially help rule a nation but...

Everything would be fine.

in·am·o·ra·ta/iˌnaməˈrädə/

noun

a woman with whom one is in love or has intimate relations.

A/N: i hope this was good enough!!! i tried!!! and idk how it ended up over 12k... that’s crazy man um kjhdsajfhjkah omg i really liked this concept though i hope i did it justice

TAGLISTS [lmk if you want to be added or removed via askbox or replies]

ATLA: @bubblebars​ @jada-cleo​ @Art-flirt @the-deli-meat​ @wemissyou3000​ @ajediherowitchrunner​

ZUKO: @outerxorbit @shawkneecaps @lil-lex1 @boxofteenageideas @izzieserra @eridanuswave @bigbuckyenergy @celamoon @savemesteeb @shephard17895 @ijustwannabecanadian @duh-dobrik @anime-simp @lammello  

[phoukanamedpookie]

Unpopular opinion: Bonding with Team Avatar would be good for Azula.

Ironically, Team Avatar is really good at bringing out the best in people. Each member of the group has a personality trait, perspective, or life experience that Azula can connect to and learn from.

Aang would bring out the kid in Azula who's very much still in there, although deeply repressed. He'd understand what it's like to be forced into a role that demands too much from a kid. Maybe Azula thought about running away too.

Katara is who Azula would be if she were brought up in a loving environment. Beneath the surface, they're more alike than they are different. I'm dead serious about this.

Sokka can match wits with her, one of the few people in the world capable of doing that. Azula's so used to running circles around most people that she'd love having some actual competition. He'd also get her wry, dark sense of humor.

Toph is who Azula would be if her ambition and competitive streak had a healthy outlet. They both share a craving for freedom after living in a gilded cage. They each use an unusual bending style, reflecting a more refined and advanced understanding of their elements.

Suki knows what it's like to be a young person charged with commanding others in wartime. She and Azula would understand what it's like to be under pressure for responsibilities that have serious stakes.

Zuko would—enough about Zuko for now. Truly.

This would require her to allow herself to be vulnerable and human with them, which would be really tough for her because she'd still be sort of stuck in the wartime mindset of viewing Team Avatar as enemies and targets. But people keep forgetting that Azula is very smart. She would figure out on her own that if it weren't for the war, these people she was taught to treat as enemies could've been her friends, and her childhood would've been a lot less lonely.

"But what about how they'd feel about her?"

Outside of the wartime context, Team Avatar would be a lot more inclined to view Azula as a human being*, yet another kid who's been messed up by the things the war forced upon them. Besides, after what Zuko said about his home life, they'd surmise that anyone who has Ozai for a father deserves all the compassion they can get.

Would they have some issues to work through and boundaries to establish? Yes.

Would it go the way it did in the comics? I don't think so.

Honestly, I think it would depend on Azula. If she takes the initiative to reach out, Team Avatar would do what they can to help her.

"Is she capable of that, though?"

Uh, yeah. That moment when she asks Ty Lee for advice with flirting in "The Beach" was played for laughs, but think about what it says about her: Azula is willing to ask for help learning to connect with others in a healthier way. Azula is willing to do the work, even if it seems "shallow and stupid." She's willing to change the way she typically interacts with people. She doesn't want to use fear to control people. But she doesn't know any other way to keep people from abandoning, betraying, or hurting her.

By the end of the show, she's desperate enough to try asking for help. That's the biggest and most important step she can take. Given the target audience of the show, "Being strong means asking for help when you need it" is a vital lesson for kids and teens.

Azula wants to change. She just needs someone to show her the way, be patient with her, and encourage her to keep trying.

*Aang was fully prepared to try baby pictures and happy memories to make Ozai good again. I don't doubt for a second that he'd extend an offer of friendship to Azula.

[whentheynameyoujoy]

Hey:) have you read the ATLA comic Love is a Battlefield? I'd love to hear your thoughts on it !

The comic makes me seriously wonder what the person who okayed it was drinking.

For one, it’s the single best demonstration anyone might need that the conflict the ship is based on isn’t one you want to have in your romance under any circumstances—that between a girl who’s just not that into a guy and said guy who won’t take no for an answer.

It single-handedly validates every anti-cataanger out there—Aang’s portrayed as entitled, selfish, and utterly delusional about his relationship with Katara who is supposed to have no voice in it and quietly conform to his idea of her and their bond instead of functioning as a separate being with her own wants and notions.

But let’s bring the receipts, shall we?

So the story begins innocuously enough, with Aang drawing the air and water symbols in the sand and adding a heart around them. Cute and innocent so far, I like. Katara appears, acting as though she wants to talk to him, and Aang concludes it’s about the invasion kiss. Why would he think that is beyond me but let’s roll with it. But instead of delving into that particular can of worms, Katara splashes Aang with some water in an attempt to get him to practice.

He doesn’t take it well.

Notice the bold “finally”. What this says to me is that in Aang’s mind, it’s Katara’s job to come to him and report as his girlfriend, just by virtue of being kissed, and it’s been mighty upsetting to him that she “failed” to do so.

After all, consider The Ember Island Players:

“We kissed at the Invasion, and I thought we were gonna be together.”

Aang doing a thing means that Aang & Katara did a thing mutually.

In his view, he isn’t supposed to be the one who approaches her and explains why he saw fit to plant one on her; who opens up about his feelings and initiates a frank conversation. No, that was a claiming kiss at the invasion and Katara can only acknowledge it as such and reciprocate.

Our Every RomCom Guy Ever doesn’t realize that Katara not talking to him about it is the answer to where they stand.

This is the third time in as many pages, btw, that Katara tries to get Aang to practice. And for a good reason because we’re a short while removed from The Western Air Temple where he yet again refused to face up to an unpleasant truth and instead had to be literally chased around like an unruly child. Katara’s fully in a sifu mode here, not even perceiving the opportunity to talk about their relationship. And if an assertive fourteen-year old doesn’t think to talk about her second ever kiss with the guy who gave it to her, that should tell you all you need to know about how much she appreciated it.

Aand that’s fourth time. Katara really seems to think that taking down this Fire Lord dude is important or something and that Aang is once again failing to prepare for it. Look, she even has a nickname for it at this point. Yet for some reason, Nice Guy Aang reframes the situation—WHILE HIDING IN A LITERAL ROCK—as a role reversal where it’s Katara running away from confrontation and having to face the truth, even though he revealed in this very scene that he didn’t think it was his job to be open about his feelings with the girl he believes he loves.

At last, Katara realizes Aang’s hinting at the invasion kiss and reacts like any girl who’s harbouring a secret crush would—by visibly cringing and pretending she doesn’t know what he’s talking about and the wind’s really strong for her to hear what he’s saying anyway so maybe it’d be a good idea for Aang to come out and practice? (fifth time)

Finally, supreme gentleman Aang does the one thing he’s not supposed to do—he loses control and depending on how charitable you are either puts Katara in harm’s way (by firebending, weird how that keeps happening), or outright assaults her in blind rage.

Luckily, Katara’s just glad that Zuko’s training is yielding results and maybe the world won’t end in an Ozai-induced inferno by the end of the summer.

Scorned LoverBoi couldn’t give less of a shit, though.

And there you have it, explicitly in the text. Katara, despite showing no signs of attraction and not encouraging Aang’s advances in any way, is perceived by him as someone who’s cruelly toying with his feelings—simply because her reactions don’t conform to what he wants them to be. The relationship is utterly about him and it’s so mean of Katara that she doesn’t feel like playing the demure cut-out in his hero-gets-the-girl routine.

Let’s not mince words, this is some prime incel logic Aang’s operating on.

And the creators don’t seem to realize this. Which is why they never challenge him on his behaviour in the show, reward it in the finale, and go on reaffirming it in every single post-canon material there is.

And I find it sort of infuriatingly hilarious that someone not only conceived of the ship this way, but thought it was a good idea to present it to the world as a basic vanilla romance.

Which makes me wonder.

Because as strange as this might sound, there is a universe where this story is not only perfectly okay, but absolutely crucial to the overall narrative.

That is if the show actually followed up on The Guru and culminated in Aang letting go of Katara to unlock the Avatar state.

From start to finish, the comic proves Pathik completely and utterly right—what Aang feels for Katara isn’t selfless love, it’s selfish attachment. But instead of it being cloaked in vague religious language, we see it manifest in a painfully tangible way. The story’s kinda unintentionally brilliant if you read it like this—it’s show to Pathik’s tell. Aang is too wrapped up in what he feels to see the signs and runs away from having to acknowledge the painful reality that’s clearly evident, i.e. that Katara doesn’t love him. And because he’s so invested in his delusions, he blows up whenever challenged on them, acting on entitlement and baseless expectations and going so far as to slowly kill the beautiful relationship they actually do have—a lifelong bromance.

If this story foreshadowed that Aang needed to let go of his attachment not only to save the world, but to even keep Katara in his life, I’d be fully on board.

But for that to happen, the creators would have to take a step back, start considering perspectives beyond Aang’s, and stop treating him like an infallible bringer of truths who deserves human prizes just for doing his job.

And if they were able to do that then we wouldn’t be here in the first place.

[a-master-procrastinator]

Long ass post about the Eternal family not being a copy-paste from ATLA (aka I like the memes but my god can you please stop)

Because some people truly think that Vaylin is off-brand Azula, Arcann is Zuko and so on.

It's. Called. A. Trope. (I mean how often do we come across abusive manipulative fathers in media? Mothers who couldn't much to change anything? Children, desperately looking for their parent's approval no matter what?)

Of course, you have to consider the fact that the writing of ATLA is simply better than of KotFE/ET, so this might have been one of the reasons why people say that.

Spoilers for Avatar: The Last Airbender, Knights of the Fallen Empire and Knights of the Eternal Throne expansions!

Okay, so here's my unprofessional, maybe biased, not super deep take.

(not going to mention that all of them are members of royal, ruling family, kinda obvious)

What roles do they play in their stories? Well, both Valkorion and Ozai are main antagonists, but their presence throughout the story is very different. Ozai is rarely shown in first two seasons, we don't even see his face until season 3. He doesn't have a direct connection to the protagonist, they only meet at the very end of the show, and Ozai's role is to pose a threat to the world, while Aang's is to save it. Valkorion, on the other hand, is constantly on the screen, interacting with the main character, challenging their viewpoint and influencing them directly. His end goal is similar to Ozai's (destroy everything and be the only ruler of the his nation), but with one major difference - he's trapped in Outlander's mind, so to achieve his goal Valkorion attempts to take control of the main character. Their interactions play important role in the story, and we spend a lot of time with Valkorion.

In addition to that, their relationship with children are also not exactly the same. It seems like Azula is Ozai's favorite and Zuko is a failure in his eyes until he meets his expectations, and the same goes with Vaylin, Arcann and Valkorion, right? Well, partially. Indeed, Valkorion and Ozai's treat their sons in similar ways (are disappointed in them until they meet their expectation by doing something that goes against their morals), but when it comes to Vaylin and Azula, it's not that easy. See, Valkorion claims that Vaylin was always his favorite creation (even though we know it's actually his empire), and he certainly seems to take pride in her potential in the Force. But her power is the very reason he's afraid of his own daughter, and in this fear Valkorion literally locks Vaylin away and allows to put her through physical and mental torture just to make sure she won't become a threat, won't overpower him. Maybe he thought of her better than of Arcann, but she wasn't his favored child for sure. I don't want to say that Azula hasn't experienced abuse from Ozai, but for the most part he clearly favored her over Zuko. He has never shown fear of Azula's power and abilities (or at least I haven't noticed), quite the opposite - allowed her to do a lot, as long as she brings results.

I could also mention their slightly different characterization (mostly that we get more characterization of Valkorion, get to learn his motivations, views, philosophy and all that, also he's portrayed as more nuanced, even if he not really is) and role in their respective governments (ozai is one of many Fire Lords and arguably not the greatest, while Valkorion is a god to citizens of Zakuul, their only Immortal Emperor), but those are details, and I think you get the point.

What's similar: role of the main antagonist, manipulative and abusive father, goal of destruction of everything that isn't their nation/empire, relationship with disgraced son.

What's different: presence in the overall narrative, relationship with the main character, relationship with daughter, role in their societies.

Senya and Ursa are even less similar. Yes, they both are mothers who love their children, but have to leave them, but these are probably the only things they have in common. Just as with Ozai and Valkorion's presence throughout the story, Ursa is only shown in flashbacks (for obvious reasons), and Senya is one of major characters in KotFE and (a bit less major) in KotET. Ursa leaves because she has to kill Azulon in order to save Zuko, and later isn't present in the story (I'm aware that her fate is told in comics, but we aren't talking about it). Senya leaves because when she tries to take children with her, they refuse, and she understands that she can't force them to, nor she can help them to break free from Valkorion's manipulations. For a long time she's absent from Arcann ad Vaylin's lives, but at the time of game events she attempts to save her children and stop the madness and destruction they've caused, and it isn't a small part of the story.

I also want to add that their relationship with Ozai and Valkorion are also different, but can't say much about Ursa. I heard that she didn't choose this marriage and suffered emotional (and maybe physical???) abuse from Ozai. I can say with confidence, though, that Senya genuinely loved Valkorion, and strangely enough, he seems to at very least respect her. But, of course, this wasn't the best marriage either.

Plus, we see more of Senya's relationship with Vaylin than Arcann or Thexan, but with Ursa we see her more with Zuko than Azula. Just a detail to remember.

(also Senya is simply a better character but that besides the point, moving on. in this house we stand Senya)

What's similar: role of loving and caring mother, abandoning their family at some point.

What's different: presence in the overall narrative, relationship with husband, characterization in general.

Boy, where do I even begin. Vaylin and Azula are similar in that they are both extremely powerful (one is firebending prodigy, the other is potentially stronger than Valkorion), both are cruel "craaaaazy" (i hate that cliché), both are younger sisters, have serious mother issues (seemingly more so than father issues), both go through betrayal of people they could always rely on, which eventually leads to their downfall. But when I took a look at their personal arcs, it became clear that they aren't the same (unfortunately, Vaylin's arc is very rushed and underdeveloped, but we'll have to go with what we have and my personal view, sorry).

There's a really good video about writing corruption and madness, and I'm going to base my thoughts on it. To summarise it: a good corruption arc should have 4 components:

- the character has a specific goal (or a goal and subgoals);

- in pursuit of said goal they become the cause of a significant event that brings serious consequences;

- as the result of these consequences, character abandons their morals, ideals or a code in pursuit of goal;

- character either will not achieve their goal or will succeed, but it won't be enough to satisfy them.

And then the author brings Azula's arc as one of the best examples of compelling story of corruption (so basically, she represents it perfectly). In short, Azula's main goals are perfection and control, and subgoals help achieve the main ones. In pursuit of these goals, Azula causes Mai and Ty Lee to betray her (by pushing them too far to do something they wouldn't do), which then causes her to become paranoid, which makes her to attempt controlling everything and everyone around her, *breathes* which makes her lose control over herself and ....

Now, I thought if Vaylin's arc could fit into a corruption one, and next part will be based a lot on my assumptions and personal view of her character (plus rushed writing doesn't help), but I think yes (or at least mostly). The difference is in goals, ideals and details.

While the story strongly makes us think that Vaylin's goal is freedom (or control over her life and everything around her) or power and destruction, I think it's actually self-determination (which was said by Tenebrae in 6.2) and feeling safe. Let me explain (and here I thought this would be a short comparison). Sure, when Valkorion caged Vaylin on Nathema, he took choices and control over her life from his daughter. But let's not forget whom Vaylin blames for this (even more than Valkorion): her own mother, and I think this details tell us that the most important thing that Vaylin lost on Nathema is feeling safe. Then, after Arcann brought her home, I assume Vaylin still didn't feel safe enough under Valkorion's rule, still too afraid that he'd simply send her back to that hellish place.

It's when Valkorion is struck down Vaylin finally has a feeling of personal safety, even if she isn't the one on the throne. Why? Because back on Nathema there were two people who haven't turned on her - Arcann and Thexan (yes, this is also a huge assumption, bc the game states that only Thexan visited her, but it doesn't make much sense).

I've always noticed (and I'm not alone in this) that her behavior in Fallen Empire is different from the way she acted in Eternal Throne. Most likely bc of rushed writing, but I see a character driven reason here. In first of these expansions, Vaylin is the second person in power on Zakuul, and with Arcann being in charge, person she can trust more than any other living being, she feels safe - she can test her power, and now Valkorion won't prevent it, she can do pretty much everything she wishes, and the most Arcann will do about this is mildly complain (without blaming her). Really would be nice if we got to see any normal hobbies of Vaylin (like wasn't there something about books or art?), but I digress. She might have some questions about Arcann's tactics, but they get along just fine. The important thing to note is Vaylin not seeking to hunt the Outlander personally, to rule or conquer the rest of the galaxy, or trying to achieve absolute freedom or power. She's kinda there.

This, however, changes when Arcann doesn't allow Vaylin to kill Senya. Their relationship was getting somewhat worse towards the end of KotFE, but this is a turning event Vaylin caused by attempting to strike her mother. By saving the person Vaylin blames for all the trauma from sending her to Nathema, Arcann threatened her feeling of safety. And now Vaylin starts to believing that to achieve safety she now needs to kill people who hurt her (that's why she's so determined to find Senya and Arcann), take the throne and hunt down Outlander (she was manipulated by SCORPIO to these subgoals).

(The following is the weakest, I'll admit, but I hope I can at least express what I see). So, in trying to achieve goals she didn't want before Vaylin loses in self-determination, being either driven by overwhelming anger or manipulated by others (SCORPIO or Commander on Odessen), desperately trying to accomplish anything, or even goes against her morals (like by erasing GEMINI's free will protocols, when earlier she agreed that freedom to choose is important; or breaking the deal on Odessen). All of these result in her downfall.

But even this isn't the end. The key difference between arcs of Azula Vaylin lies in it's resolution, or that Vaylin have a chance to overcome corruption in the main narrative (and Azula doesn't. again, not including comics here, sorry). After death, Vaylin is again controlled by Valkorion in Outlander's mind. First time physically (she can't resist it), second time mentally. This is where Vaylin has to choose - kill brother who betrayed her and Commander who killed her, or go against Valkorion, person responsible for almost all of her pain and trauma. She has t choose by herself, and I think it's a good start.

Now, before 6.2 we all thought Vaylin was dead for good, but that story update hinted at possibility of her coming back to life. What I like to think is that now that she dealt with people responsible for her trauma (helped defeat Valkorion and actually for once listened to Senya), Vaylin can now have a different life, finding herself with support of someone she doesn't hold a grudge against and who treats her well (Satele, I mean).

I'm so sorry for going into details, but I needed this long explanation to present the point (and I suck at explanations). As said before, this is my version of her arc, and most likely wrong interpretation, but even with personal freedom of choice, Vaylin character differs from Azula a lot.

Need I mention that Vaylin relationship with Arcann and Valkorion are drastically different from those between Azula, Zuko and Ozai?

(Also a little detail - with royal family of Fire Nation, Azula is the golden child, while with Tiralls it's actually Thexan, not Vaylin).

What's similar: role of extremely powerful, emotionally damaged daughter with little to no regard towards others, close people betraying them, resulting in their downfall.

What's different: characterization, role in the narrative, relationship with father and brother.

Arcann and Zuko is the most difficult part, but I still believe that calling Arcann just a cheap copy of Zuko is incorrect.

So, they fall into role of less successful son, always getting disapproval from father, being in shadow of more talented sibling, both obsessed with capturing the main character but ending up helping them end the war after going through a redemption arc with help of caring family member. Even both have scars on left side of face. Yeah, seems similar. I still think they are different characters.

Let's start with their relationships with family. In Valkorion section I said that his attitude towards Arcann is similar to that of Ozai towards Zuko, so not going to spend too much time here. However, there's slight difference - Zuko didn't kill his father even he had a perfect opportunity (bc it wasn't his goal), Arcann did (bc it was one of his goals), which says something about their characterizations.

Zuko and Ursa were shown to have a good mother-son relationship, and it played a role in Zuko's character. With Arcann and Senya, we don't really know (not much was shown in expansions). We know Arcann didn't hate his mother, but possibly didn't have warm memories of her either. The reason is most likely, like Senya said, her children wanted nothing to do with her (which is a bit untrue about Vaylin, but okay) and leaned more towards Valkorion. We need to remember that on Zakuul Valkorion isn't just one of many great leaders, he's the greatest, and seen as a god by most citizens, so safe to assume the same would apply to his children as well.

Zuko and Azula's siblingship (i'm out of words) is a bit similar to Arcann and Vaylin's in way of brother knowing that his sister isn't good, but still caring about them (even if not showing). At least it's what I saw. What's different is how Azula treats Zuko, compared to how Vaylin treats Arcann. I think Azula showed compassion or concern for Zuko maybe twice, but I'm not entirely convinced that it was 100% sincere. Vaylin, on the other hand, seems to trust and care about Arcann (with bits of sass and questioning his life choices), and switching to complete opposite after him saving Senya. Also, I don't she ever called Arcann a failure in their father's eyes.

Now I want to say that their roles in stories aren't the same either. Sure, both are introduced to us as antagonists, but in reality, Zuko was never a true antagonist (we get to learn this somewhere mid-season 1), when Arcann remains the main antagonist for whole of KotFE. Zuko didn't start a war and didn't participate in conquest of other nations too much, his main goal was to capture the Avatar so to restore his honor (and deserve his father's forgiveness). Honestly, I think it's safe to say the Zuko is one of two main protagonists of ATLA. Why does Arcann want to capture the Outlander? Solely because his father's spirit still lives inside this person's mind, and the best solution to keep Valkorion away from the galaxy is not letting the Outlander free (hence the carbonite freezing). And Arcann doesn't want or need Valkorion's forgiveness when he attempts to kill him (or kills him, depending on your choice. anyway, his action directly leads to Valkorion's "death"). And right after that he becomes a ruler of Zakuul and begins the conquest of Republic, Sith Empire and everything he can reach (the reasoning behind this is still unclear to me though; maybe because he was raised with ruling Zakuul in mind and he didn't anything else, idk). Point is, he's responsible for war and main's character imprisonment, which makes him the main antagonist of KotFE. They have it the opposite ways - Zuko starts as disgraced prince, supported by a little group of people, and in the end he's recognized and appreciated by his nation, and Arcann starts as respected by his empire, later becoming less and less loved, until some groups start rebelling his rule, and in the end he doesn't get to rule Zakuul again.

This leads me to their morals. See, Zuko didn't have the worst morals in Fire Nation, even more, he expressed care for loyals soldiers of his nation before getting punished by Ozai. During first season (and about a half of second one) his views on other nations are what he was taught before. However, these views are challenged by travelling in Earth Kingdom, witnessing people suffering from war Fire Nation started and hating its people (you already know all of this), and with this he comes through final stage of redemption when he's back home. Unfortunately, Arcann doesn't go through this, and he's shown to be more ruthless.

Alright, when it comes to their redemption arcs, well let's say they are different (both in quality and the way they go through it), I'm just a bit tired of long explanations at this point. Zuko's arc is one of the best ever put on television, and Arcann's... well, it definitely has potential, but is criminally underdeveloped (there are other people who will explain it better than I ever could).

What's similar: role of disgraced son, living in shadow of their sibling, serious injuries on the left side of face (though with different meanings), obsession with capturing the main character, having a redemption arc.

What's different: role in the narrative, role in their society, characterization, relationship with sister and mother, different end goals (before redemption), paths to redemption.

[captain-azoren]

"the writers went so hard on making her this seed of evil since she was born" (I am playing Devil's Advocate). Maybe the reason why Iroh & Ursa treat Azula like she was born evil is due to the circumstances of her birth. For the comics explain that Azulon forced Ozai to marry Ursa so they could produce super-powered benders that would ensure the security of his line. But when Zuko failed to show the spark, Ozai almost killed Zuko in anger, with only Ursa's pleadings saving the boy . 1/3

"But what probably happened is that Ozai waited a year until Ursa recovered from pregnancy (and so Zuko would be weaned off by the time another baby arrived) and then forced her to have another baby to "replace" the failure. And so Iroh and Ursa, despite trying otherwise, view Azula as born evil since she literally exists to be Ozai's perfect daughter and Azulon's weapon. Especially since Azula was born with the spark and quickly took after Ozai. 2/3

But in effect creating a self-fulfilling prophecy since their neglect of Azula basically pushed Azula into Ozai's arms and gave her no means to push back against Ozai's indoctrination and grooming. And yes, Ozai groomed his daughter into becoming an emotionally/socially stunned, ruthless, genocidal, murderous, colonizing child general/solider by the tender age of 14 just so he could become supreme ruler of the world. 3/3"

That is one way of looking at it. Still, the backstory for the comics had not been thought of yet when the show was being written, so from a meta standpoint, I'm inclined to ignore the whole eugenics plot.

It's just that, what gets me is, the narrative never challenges Iroh, Ursa, or Zuko or anyone's view of Azula. Not in any substantial way. The most sympathy for Azula comes from Azula herself. We don't get to really see a moment where Azula gets to connect with anyone on a very meaningful level. Zuko, Mai, and Ty Lee don't comfort her at all during The Beach, and the mirror scene is all in her mind. The closest we get is when Zuko shows concern while Azula is falling, but that gets snuffed out pretty quick when she saves herself.

The major issue is that when characters say things like "She's crazy and needs to go down" or "What is wrong with that child?" we as the audience are never asked to question this, we're expected to accept this as the correct viewpoint because Iroh and Ursa are both framed as these scions of goodness that are beyond reproach.

It's not until the comics that Azula gets some acknowledgment as having been groomed and abused to be what she is, but the writing is such a mixed, messy bag. It still portrays Azula as having been a bad seed from birth because of this vague "spark" she had that Zuko didn't, and can't seem to decide if she herself is to blame for her own evil actions.

Again, the issue is that when Azula was being set up, so much focus was put on her having the aesthetics of evil that it ended up undermining her character when it was time to take a closer look. Instead of getting a story of a child soldier who was emotionally abused and groomed to be what she is, the narrative frames her as just being a smug, evil royal who is overwhelmingly powerful and threatening with an undercurrent of sadism.

This ended up working so well that people got way too attached to Azula being the absolute height of villainy to the point that they actively discourage giving her sympathy, despite all the ingredients for a sympathetic and tragic character arc all being ripe for the picking, which is why the comics are so mixed, because they just can't let go of Azula as a villain.

This is how Azula ended up being flanderized from a villain who was highly competent and smug to being a crazed madwoman who is constantly being portrayed as a sadist who tortures and rapes everyone. On that note, it's also why there's this huge glut of really unsavory rape/revenge stories centered around Azula.

Azula as a character exemplifies what is the biggest failing of what is otherwise a masterpiece of children's media; for all the themes of redemption and forgiveness, Azula ends up being seen as the one exception who can never and should never be given a second chance. Maybe at most a bit of sympathy, but only to make the protagonists look good, all because they wanted to create the most badass villain they could.

Azula not being given a chance undermines everything that The Last Airbender supposedly stands for. Aang and Zuko gave Ozai a chance. Jet got a chance, even Zhao of all characters was given a chance by Zuko. Azula is never extended a hand, never tried to reason with, at least not in the show.

I'm hesitant to hold out hope that Azula will get a real chance in the comics. I don't know if the franchise will ever challenge Zuko and Iroh's animosity towards her. When you really get right down to it, the worst thing Azula did was doing her best to survive living with an abusive parent, pushing her to succeed because failure was not an option for her.

I just want this franchise to acknowledge that Azula was a victim, and despite all the wrong she did, deserves to be helped because it's the right thing to do. I want it to stop treating her as irredeemably evil for being superior to Zuko, especially after Zuko disowns their father and has no reason to resent her anymore. I want the fandom to stop thinking that Azula is someone who needs to be torn down and humiliated for striving to be the best in an environment where coming up short meant being burned and banished. It doesn't matter how she was born, she still ended up suffering and no child deserves that.

[ultranos]

(1/3) Do you think zuko and azula could mend their relationship in canon? I’ve been thinking about it a lot and can’t come to a decision. I think that for starters zuko would have to be willing to see and understand things from azulas point of view, and acknowledge that both of them were abused by their father, but zuko has the challenge of acknowledging that his mother and uncle played a part in azulas abuse as well and I think that would be difficult for him.

(2/3)  He also seems to have a pretty negative perception of azula that he would have to break away from. And azula would obviously have a lot to work on as well. She would have to essentially rebuild herself away from the image of perfection that Ozai had her become. And she would have to acknowledge that she did bad things and apologize for them. Hopefully by deconstructing the ideas Ozai planted in her she would also stop viewing her brother as weak. 

(3/3)  And that’s a lot to work on and I don’t know if they could achieve it. Because azula and zuko both could decide that keeping a distance between eachother is the best for their mental health and self improvement and that’s also valid. 

So like you, I do think this issue is Highly Complicated. I’m also coming to the idea that maybe “mend” is the wrong way to look at it. In a lot of ways, the relationship between the Fire Siblings is fundamentally flawed and broken.

It’s easier to see where Azula’s fault lies in this. Her actions to her brother when they were younger often crossed the line from “typical sibling antagonism”, and even if that was mostly driven by Ozai’s influence, Zuko is still allowed to be hurt by that. She might have been taught wrong, but that doesn’t mean things hurt less or that she doesn’t need to take accountability for it.

(Fandom likes to point out that she tried to kill him multiple times in the show. I would like to point out that this is generally what happens with two people on opposite sides in a war, and where one of them explicitly is aligning themselves with a party trying to kill the other’s parent. There are multiple instances where even Aang and Katara come within millimeters of nailing Azula with a lethal attack. Feelings about this are allowed to be hostile and complicated, but we really shouldn’t treat it the same as cold-blooded murder)

Azula also needs to stop using Zuko as a measuring stick for her own life and worth and learn to exist independently of him. I wonder if people forget that, as the younger sibling, Zuko has always been present from Azula’s perspective, and she has been measured against him since before she took her first breath. I don’t think she actually knows how define herself outside of Zuko, which is a huge problem and she’s not going to make any progress until she can let that go.

At the same time, I don’t think Zuko really understands that. I love him to pieces, but Zuko’s got a self-centered view of the dynamics in his own family and of himself as the only victim. This is fine. This was a survival mechanism for him as a child, and being able to be selfish and put himself first is something he needed to do to find his own self-worth. But if he wants to actually have a positive relationship with his sister, he has to break out of this black-and-white view.

Both Azula and Zuko need to acknowledge the hurt they did each other - because contrary to what Zuko probably thinks, he did hurt his sister deeply as well. He left her behind without looking back twice; once was not his choice. The second absolutely was, and this was after he knew what a piece of shit his father was. If Zuko is allowed to feel hurt from her words/actions as a child, Azula is also allowed to feel hurt from his lack of, well, giving a shit about her. Trust is a two-way street and honestly? Neither of them has given the other a good reason to trust the other.

And as you said, Zuko has to acknowledge that he has always been lying to himself to convince himself that Azula had it easy. That Ozai encouraged this hostile view of his younger sister, and that the adults he trusted - specifically Iroh - fed into Ozai’s narrative. Ozai would never have been as successful at driving the two siblings apart if Ursa and Iroh, unwittingly or not, by their actions and inactions didn’t reinforce his efforts.

Zuko really does need to hold all the adults in his family accountable. Azula needs to hold Ozai, but she knows the other two aren’t perfect. The Fire Siblings are children; the adults had the responsibility to step in and try to fix shit. Instead, Ozai used Azula as a tool to enforce the abuse on Zuko. Conversely, Ozai and Iroh textually and Ursa subtextually used Zuko to enforce the emotional mindscrew on Azula that she isn’t really a person (a perfect tool, a monster to defeat/slay, a victory point in the game of Zuko’s life). Ultimately, it’s the adults (mostly Ozai) who are at the root of the problems, but the children have to live with the consequences.

So I don’t think “mend” is the correct word. Mending implies something was good to begin with. “Rebuild” is better. So is “start over”. And arguably, healthier if they can come to a middle as more or less equals. And a relationship that’s “we care about each other but it’s really better if we only see each other sparingly” is still a healthy and good one. Sometimes, that kind of honest distance is much better than a closeness that hides all the ugly problems underneath.

[butwhatifidothis]

I think Edelgard would've been a more compelling villain that's as iconic as Sephiroth if developers just made her as evil and villainous as possible in the game.

She has all of Sephiroth's story beats but the game constantly simping for her and her detractors being treated as bad guys just hurt her character.

I mean Sephiroth is pretty and hot with a heartwrenching backstory. Yet, the game does not sugarcoat the fact that he's mad and evil. AVALANCHE and Zack were never painted as bad. We were just compelled to feel sorry for Sephiroth but he must still be taken down.

The same case can be applied to Azula from ATLA, Misa Amane & Light Yagami from Death Note, and Darth Vader drom Star Wars.

It's such a same. We could've had Edelgard as a nightmare fuel female villain. But what we got is just a bootleg uwu version of it.

TLDR: Evil is cool and sexy but Edelgard is a halfhearted attempt at it which made her lesser than what she could have been.

Oh definitely. They tried to have it both ways - Edelgard is this ruthless villainess who’s willing to “sacrifice” (kill) anyone who stands up against her, who’s willing to use regicide and genocide as stepping stones to her pathway to power, willing to betray people who thought of her as friends, willing to kill off the rest of an endangered race of people, all so that she can gain unmatched power within the land she lives... but also she’s totally not that bad of a person. Look at how she acts around Byleth! And don’t you feel so sad when you have to kill her in VW and SS? 

They try to portray her as though she’s this morally gray character who’s shown she wouldn’t go too far for her goals, when she’s... literally not. Edelgard is the closest among the 3H cast, outside of the literal murder cult and her evil butler, to being the most morally black character in the game. She’s self-centered, arrogant, she endangers and ends the lives of countless innocent people to further her own goals, she’s a hypocrite and a liar, she’s an opportunist, she literally wants to commit genocide, she’s uncaring for the lives of those that ought to be close to her (Whobert?), she’s narrow-minded and racist, among any other number of flaws that I can’t think of off the top of my head,

Sure, a character can a one of these traits, or even maybe a few of them, and still be a relatively good person - or at least, not a monster (being self-centered and hypocritical for example, while certainly bad, doesn’t inherently make someone evil), but to have all of these traits while not growing out of the most egregious of them (she never stops being racist and wanting to kill all of the Children of the Goddess, she never stops being willing to endanger the lives of innocents) is a staple point of being a villain. Villains don’t have to grow out of their horrible flaws! Many of them don’t, to the betterment of the story they’re in (like Ozai from ATLA)! But the game wants to behave as though Edelgard either doesn’t have these traits or they go away with Byleth’s influence, when neither of these things are true. 

They either should have had Edelgard recognize and try to rectify the horrible decisions she’s made and mindsets she held, or embrace her villainous nature and ran with it (the closest we see of this happening is AM). Like I’ve said before, I almost like CF due to my personal viewing of it (the rose-tinted glasses of Edelgard’s side with undertones of reality seeping through the nice empowering words), but if we’re being more realistic it’s trying to prop Edelgard up as just as morally gray as the other lords + Rhea when she’s just worst

[ljf613]

As the resident Azula expert I was wondering if you had any thoughts on how Azula would view Zuko if he was born a nonbender (but still defected to the avatar’s group)?

He obviously wouldn’t get his scar through an Agni Kai, which would probably make the way he does get his scar seem less honourable to Azula?

I’m the resident Azula expert now? I’m flattered. (I tend to think of @ultranos​, @eshusplayground​, @seyaryminamoto​, @bellatrixobsessed1​, @wingsfreedom​, @likeabxrdinflight, and @cobra-diamond​ as the experts, so I’ll try not to let this go to my head.) 

Zuko without his firebending, huh? 

Well, there would be at least one huge difference right from the get go-- nonbenders aren’t eligible for the throne (not confirmed canon, just my personal headcanon). Which means Zuko would never have been Crown Prince, never have gone to that war meeting, etc, etc. 

In this universe, Ozai would just straight up not even bother pretending to care about Zuko in any way, shape or form. He doesn’t even hate Zuko, not really, he just finds him a complete and total waste of space. He doesn’t taunt or torment Zuko the way he did in canon-- he basically just ignores him and more or less just acts like he doesn’t exist. 

Zuko, of course, hates this. He hates that he’s treated like he’s worthless, that his father doesn’t seem to care in the slightest bit about him-- but unlike canon Zuko, he’s not delusional enough to think that maybe, if I try hard enough, I can make Dad love me. No, in this universe, his thought process is more along the lines of I’ll show him. I’ll show all of them! 

And so he hones his skills. He trains in various forms of combat-- swords, archery, knife throwing, chi-blocking, the works-- as well as history, strategy, and anything else he might need for a military career. He hopes to eventually become a general, or perhaps an admiral-- he’s a fighter, a natural leader, and someday, they’re going to regret casting him aside. 

He still resents Azula-- the perfect princess, everyone adores her just because she was lucky enough to be born with firebending. But he doesn’t hate her. He can’t hate her. For one very simple reason: 

Azula is the only one who doesn’t look down on him. 

In this universe, where Ozai doesn’t even seem to really acknowledge that Zuko exists, he never tries to pit the two of them against each other. 

And since they’re not competing-- not for the throne, or for Ozai’s affection-- and their skill sets are completely different, Azula doesn’t see Zuko as a threat or even a nuisance; she sees him as useful. 

Azula can see the value in Zuko’s talents, can see how hard he tries and how relentless he is in his goals, and sometimes, she even finds herself admiring his drive. 

(What would it feel like to have that much passion for something? She doesn’t know. At least he has something he wants, something he needs, and just goes for it. She doesn’t really need anything. All she could ever want and more has been handed to her. She pushes herself to excel in her firebending, but that’s more a matter of personal pride and Ozai’s pushing than anything else.) 

Does she care about him? Love him? Of course not. (Azula doesn’t know what love feels like, not really. The last time she let herself care about someone, he died at war. She won’t allow herself to make that mistake again, not when her brother is all-too-likely to face the same unfortunate end as their cousin did.) 

As for the scar… in this universe it was Azula who gave it to him. Not on purpose, of course. It happened when they were younger, and she had just started to use her firebending. She was showing Zuko a new trick she had learnt, he leaned in a little too close, she made her flames just a little too hot, and, well… (without a firebender’s resistance to heat, it only took seconds. Too quick for him to even scream-- one second he was staring enviously at the flame cradled in her palm, the next he was lying on the ground, passed out from the pain.) (He doesn’t remember it at all, but Azula doesn’t think she’ll ever forget. The smell of burning flesh, her brother’s motionless form on the ground… for a few moments, she’d thought he was dead.) 

This, of course, has nothing to do with why she’s so precise with her bending, why she’s so careful to never have so much as a hair out of place. (It doesn’t.) 

(Dad had been proud of her. His prodigy princess, able to make flames so hot as to burn flesh to a crisp so quickly. He’d praised her, but none of that had soothed the queasy feeling she’d had in her stomach-- one that returned, however muted, everytime she caught a glimpse of Zuko’s permanently marred face.) (It wasn’t guilt. It wasn’t. She had no reason to feel guilty. It was the dumb-dumb’s fault for not being careful enough, everyone knew flames burned!) 

(Mom had stared at her in horror. Azula had expected her to yell, to scream, maybe even cry-- any of those might have been expected. But instead, the woman had just gaped, eventually shaking her head sadly. “Oh, Azula,” she’d said. “How could you?”) (That’s the last time Azula can remember her mother really looking at her. Ursa never scolded her again, but she never smiled at her, either, if she’d ever smiled much before. She’d reply if Azula spoke to her, but she never initiated, never reached out, never gave any sort of sign that she’d care whether Azula lived or died.) 

(But Azula had known that their mother cared about Zuko. Which was why, after overhearing a conversation between Dad and Grandfather that spelled a near end for her stupid brother, she went straight to Mom. Azula never found out just what happened that night, or where her mother had disappeared to, but Azulon was dead.) (Good. He deserved it after what he’d tried to do. No one threatened what was hers and got away with it.) 

On his sixteenth birthday, Zuko joins the military, and Ozai, glad to get his worthless child out of the way, has him deployed to the most useless and far-off place he can think of-- a tiny, barely manned post near the South Pole. 

(Azula is fuming. Here they have a talented, loyal soldier who would have made a perfect division head or even possibly a lieutenant, and the Fire Lord just dismisses him like that because of his own foolish biases.) 

(There has to be something she can do about it, and there’s only one person she can trust to help her, much as she loathes the thought. She’s always found the man fairly useless before, but at least she knows he won’t dismiss her request out of hand, or write her brother off as a failure for something beyond his control.) 

(Iroh is surprised to receive an invitation to tea from his niece. She’s never seemed to like him, although he’s not quite sure why. What does she want from him now?) (He comes anyways, curious, and finds himself both baffled and pleased by the results.) (Iroh’s spent so long seeing all the way the ways she’s like her father that he managed to miss the ways she’s different from him. And he’s certainly underestimated just how important her brother is to her.) (He wonders what that must feel like, to have a sibling who cares, or to be a sibling who cares.) (It’s too late for that now. But it’s not too late for Zuko-- or for Azula.) 

Katara and Sokka rescue Aang from the iceberg, and start heading for the North Pole. Their progress is impeded by a young Fire Nation soldier with a strange burn on his face, who seems more determined to capture the Avatar than any other. (They don’t know that he’s a prince, because Zuko is set on proving his worth without using his title.) 

(Azula is incredibly frustrated at this point. All that effort she and Uncle have been putting in to try and get the dumb-dumb transferred, and he throws it all out the window in favor of going after the Avatar? Seriously?) 

It takes Zuko a while to realize that he’s fighting on the wrong side, but not quite as long as in canon. He’s loyal to his country and loves his people, but he’s seen for himself that the Fire Lord’s ways are unjust, the evidence of the suffering that the other nations are experiencing is before him, and he’s heard enough from the other soldiers in his unit to realize that conditions aren’t much better in most of the Fire Nation, either. (The men and women unlucky enough to be stationed at such a useless base had been dumped there for a reason after all.) 

Eventually, he switches sides and joins with the Avatar’s group, set on taking down Ozai and returning the Fire Nation to its true glory. (He pushes aside all thoughts of what this will mean for his sister. He can’t afford to start worrying about her now.) 

(News reaches the capital quickly. Ozai is furious-- the first real emotion he’s ever shown towards his son, and it’s rage. Azula wonders what Zuzu would think about that.) (He sends Azula to collect her wayward brother.) 

Zuko can feel a pang in his heart when he and his new… allies (friends?) are cornered by two girls he’d once thought of as almost-friends, especially when they’re joined by a princess who wields blue fire. 

That feeling quickly morphs into confusion when his uncle, of all people, arrives, clearly in company with the other three. (Since when did Azula and Uncle so much as speak to each other, let alone work together?) 

And things get even stranger when the four of them reveal that they’re not actually here to capture Zuko and the Avatar-- they’re here to join them. 

(Azula can’t remember what it feels like to want something. But Zuko has always been driven, has been focused on the same goal for as long as she can remember. If he’s changed his mind now, it must be important.) (She doesn’t know how she feels about the war, not really. But taking down Ozai-- useless Fire Lord that he is, who can’t even make proper use of the assets he has-- that she can get behind.) 

(Cue Zuko being forced to admit to Aang and co that he’s actually the prince. Cue much angst, drama, and friendship/found family feels between the various members of this combined dream team.) 

Of course, with all of them working together, Ozai’s downfall is only a matter of time. 

Before long, the war has ended, and Azula is crowned Fire Lord. 

But she doesn’t keep the throne for long. As soon as possible, she has the law changed so nonbenders can rule and abdicates in favor of Zuko. (He’s a good leader. He cares about his people. And Azula… Azula is tired of the royal court, of the capital city, of everything her life has been up until now. She wants to want something, to find a passion that really drives her, the way the other people in her life have.) 

After this second coronation, Azula travels. Maybe she spends time as an ambassador. Maybe she trains with the Kyoshi warriors. Maybe she rides hog monkeys or dances with dragons or goes sledding on penguins. Maybe she sails the high seas or explores secret tunnels. Maybe she falls in love. Maybe she does all of these things, or none of them at all. 

But the war is over, and she has her whole life ahead of her-- there’s plenty of time to figure out what comes next.

[sokkastyles]

“Tell Me What Happened:” Zutara and the Female Gaze

I’ve seen some discourse about the male and female gaze, and I think some people misunderstand what these terms actually mean. So let’s go back a bit to the origins.

The term “the male gaze” was popularized by feminist film critic Laura Mulvey. In her essay, “Visual Pleasure in Narrative Cinema,” Mulvey uses the Hitchcock film Rear Window, which is a story that is entirely framed around the voyeurism of the main male character. There’s a point in the movie where the protagonist’s girlfriend, who had previously doubted the events the protagonist claimed to view out of his apartment window, which make up most of the action of the story, finally comes around to his way of seeing things, and delivers the very effective and famous line “Tell me exactly what you saw, and what you think it means.”

Most of the time when people talk about the male gaze, they refer to female characters being displayed as objects for an assumed male viewer. Mulvey argues that the way the character Lisa is portrayed in this movie does subject her to this voyeuristic interpretation, but it goes deeper than that. When Lisa is not the object being viewed, she is asked to see things through the perspective of the main male character. She originally doubts him, but eventually she is forced to view things from his perspective. Later in the movie, she becomes subject to the protagonist’s gaze as we see her on the other side of the binoculars. Her boyfriend, the character through which the movie establishes its viewpoint, watches her be threatened by another man and eventually she is saved.

The movie both invites the assumed male viewer to view Lisa as an object AND asks her, as the movie’s female protagonist, to view things through the lens of the male protagonist.

And that’s what most of the critiques I see of Katara and Aang’s relationship are about. Take “The Fortune Teller,” for example.

Many people have already talked about how "The Fortuneteller" treats Aang's crush on Katara vs Meng's crush on Aang, but I would like to point out what I think is a particularly egregious example of the male gaze in this episode.

This is Aang looking at Katara. We get the pan over her body with emphasis on how attractive Aang finds her to be. The lighting makes her look practically angelic.

Then, later in the episode, when we see Meng crush on Aang, we get a similar pan.

The joke is meant to contrast Katara's desirability with Aang's, yet we are supposed to root for Aang as he worries that Katara does not return his feelings.

The show is also making fun of Aang's crush on Katara by showing Aang's exaggerated perspective, but she still remains desirable in his view and to the camera. There is no undercutting of Aang's view of Katara the way the camera subverts Meng’s view of Aang. We are not asked to see Aang as desirable from a female perspective, which begs the question of what Katara should see in him if female desire is so, well...undesirable.

This is one of several places where the show is self aware enough to poke fun at the way Aang sees Katara, but still in the end totally validates him and the male gaze by only subverting it when the genders are flipped. Which isn't actually a subversion at all.

This is an example of the camera framing a female character as object of the male gaze, but it goes deeper than that. The male gaze isn’t just framing women as objects to be looked at, but inviting women to view themselves through the filter of the male gaze as well.

And therein, I would argue, is the appeal of zutara.

You could make a case that one of the reasons zutara is so popular is because the show does occasionally present Zuko as an object for the gaze of a female audience. The creators were aware at a certain point that there was a not insignificant portion of the fandom that was into Zuko.

But Zuko is never framed as an object of desirability for Katara.

What the show does do, though, is switch up the lens through which we are supposed to view the narrative. And the way this happens is directly tied to Katara’s relationship with Zuko.

Katara is, in a lot of ways, our narrator from the beginning. Her words are the first ones heard from episode one, telling us about the world and the war and the Avatar. Her narration is focused on Aang and his story. “I believe that Aang can save the world.”

Katara also has her own story, though, one she talks about throughout the series but mostly in relation to others. And it’s this story that she confronts Zuko with in the crystal caves, when she tells him that he has “no idea” what she has suffered, and she tells him about the death of her mother.

Zuko does something she doesn’t expect by apologizing and relating it to the loss of his own mother, but he still can’t fully commit to her side and ends up betraying their tentative truce. It’s when she confronts him with it again in “The Southern Raiders” that things start to shift.

Before that, Katara had used the death of her mother to empathize with other’s loss, and many times this is a male character. We’ve heard the story told many times. Sokka tells it to Toph to explain Katara to her.

When Zuko seeks out Sokka in “The Southern Raiders,” though, it is the first time that another character has asked to hear the story.

Zuko: I want you to tell me what happened to your mother.

Sokka tells Zuko the story and tells Zuko that it’s not something he likes to think about. This relates to how Katara and Sokka differently view what happened to their mother, and partially contributes to why Katara told Sokka that maybe he didn’t love her enough. For Sokka, the day of his mother’s murder is not something he wants to relive, but Katara is constantly forced to relive it.

“The Southern Raiders” contains three full flashbacks to Kya’s murder. First from Sokka’s viewpoint, then Katara herself as she is telling the story to Zuko. The last time we see the story play out, it is as Katara is standing in front of Yon Rha and confronting him with it, while Zuko looks on passively.

Here, the dynamic has shifted so that Katara is not only the one telling the story, but in the end she is also the one who gets to rewrite it, to define how it ends, and Zuko is the observer, much like Lisa in “Rear Window.” Tell me what you saw and what you think it means.

Zuko knows the importance of letting Katara give shape and meaning to this story because he himself tried to do the same with Ozai, who is the only one left to speak about what happened to Ursa.

Ozai: Don’t you want to know what happened to your mother?

That both of these narratives involve women being silenced emphasizes the reclamation of them as the shifting from a male gaze to a female one. That Zuko’s redemption is tied to such a shift is very interesting, especially given the elemental symbolism of fire = male and water = female. That “The Southern Raiders,” one of the most shippy episodes, involves Katara ignoring Aang’s attempts to define the situation and, in the episode’s climax, forcing two male characters to observe as she describes what happened to her mother, a woman she is so connected with, is significant. Katara directs both the gazes of Zuko and Yon Rha, and by extension the audience, just as she effortlessly directs the rain itself. The last time we see the memory retold it is Katara revealing the truth to Yon Rha, who thought he had killed the last waterbender. The fact that this episode was penned by a woman also emphasizes the power of reclaiming narratives with a female gaze.

[nothing-more-than-hot-leaf-juice]

So I was thinking about Zuko and Azula's dynamic and I realized that maybe if he had given Azula the love she was missing from their parents, she wouldn't have turned out a total sociopath. What do you think?

Some of my thoughts on this are related to personal experiences and I want to get that out of the way, but I don’t think it’s right to lay the responsibility of raising and providing all emotional support for a child on a sibling. Just because she endured emotional abuse just like he did doesn’t make Zuko responsible for her well being. Nor do I think him showing her love would have helped her because simple emotional neglect wasn’t the forefront of Azula’s trauma. Zuko was dealing with as much abuse as Azula and part of his journey to healing was cutting himself off from the people that hurt him. Azula happened to be one of the people that hurt him and just because they had the same abuser doesn’t mean that she didn’t hurt him in major ways. That doesn’t mean she wasn’t sympathetic or eventually redeemable, but their relationship was poisoned in a way where I don’t think him offering her love and support would have helped her. 

The problem with Zuko and Azula’s upbringing over anything else was the concept instilled in them that love was conditional over anything else. Ozai’s approval, or what they considered to be ‘love’, was entirely conditional on how well they performed bending-wise. In this case, one of them was always going to be better than the other even by marginal degrees. The fact that Azula was a prodigy just meant that Zuko was falling behind even further in Ozai’s eyes and he was shamed for coming in second (see the backstory scenes from Zuko Alone). They were taught that in order to get father’s ‘love’ they had to be better than the other. Only one of them could be good enough (this is also how Ozai considered himself in comparison to Iroh). Thus sparked a competition between the two that Zuko was firmly losing and it wasn’t until he cut himself off was he able to gain some self-confidence and self-esteem. That scene where we see Azula smiling at the Agni Kai? We think that she would be horrified of what her father was doing to her brother, but no. Seeing Zuko getting publically burned and banished meant that she won and she was better. It meant that their father had picked her. 

But it’s not just Ozai. We also see this to an extent with Ursa. We see just how Ursa damaged Azula’s self esteem with the finale mirror scene. Azula has harbored this idea that there’s something inherently wrong with her. That she’s a “monster” undeserving of love. Ozai treated her as a weapon and valued her for being useful over anything else, and since she was firmly his preferred child, I wonder where she got that idea from? (”what is wrong with that child?”) There is a painful difference in the way that Ursa treated Zuko versus how she treated Azula, and it’s not just reacting to bad stuff Azula said/did. We saw Zuko throw rocks at the turtleducks and Ursa was still comforting and gentle towards him, but she didn’t understand her daughter’s lack of empathy or her fixation on perfection and she didn’t attempt to help her. Ursa just reprimanded Azula for how she was rather than try to help her develop empathy. In this case, Ursa picked Zuko and Azula was the one who was losing. She couldn’t win this conditional love. 

So here we have a teenage girl who thinks the only thing she’s good for is her military and combat ability because, again, Ozai used her as a weapon. And she wasn’t sweet or kind enough for Ursa, so she rejected the notion that she even cared what her mother thought about her. She looked at her situation and determined some things: their mother had left them and now there was only one parent she had to win the love of; she was better at bending than Zuko so she was firmly winning at being the preferred child; because she was the preferred child, a firebending master, and the next in line for the throne as long as Zuko was out of the picture, that meant she was okay. She convinced herself that as long as those things were true, she was okay. But those things eventually weren’t true anymore. Zuko learned to redirect her lightning. Ozai determined that he didn’t want her at the invasion anymore. She lost her crown. 

Azula and Zuko’s relationship was fractured and she was ultimately broken because her entire self-worth was based around being useful to her father because that’s what she was valued for. That’s kind of how she ended up viewing other people too (Mai and Ty Lee) and with their betrayal, it was just a confirmation to her that she wasn’t good for anything but being useful to people and the second they determined that she wasn’t good enough to keep around, they would leave her. This is what Ursa did. This is what her friends did. This is what Ozai did. The whole series she’s trying desperately to prove that she’s better than Zuko. That she’s the one who can successfully capture the Avatar and lock him away for being the failure. But along the way everything she does is rooted in her need to please her father: imprisoning the Kiyoshi warriors, keeping Bumi imprisoned in Omashu, and conquering Ba Sing Se. And in the end, she’s still desperate she’s desperate to prove to her father that she can “be the greatest Firelord in history”. She challenged Zuko to one last Agni Kai to prove to herself that she deserves the crown because she was better. That she had been better the whole time. And the reason Zuko providing her emotional support wouldn’t have meant anything to her because of her view of herself was based around the idea that as long as she was superior, she was worth something. She had to view him as weaker because as long as she was the better bender and Ozai’s preferred child, it meant she was okay.

But in the end, she did lose, and her entire self-worth broke at the seams because of it. Azula’s entire self-image was warped by how she was used as a weapon and simple ‘emotional support’ or ‘love’ from the person she was desperately trying to prove she was better than wouldn’t have gotten through to her.