#it literally ruined everything

[noisy-weasel]

Man how do you explain to your parents that no I don't have a future like stop pitching all these ideas to me because you sound insane. Like I guess they genuinely don't realize how close to death I am. I'd already be gone but there's no knives in the house Sharp enough. Like that's the ONLY reason I am alive. Period. And the fact I'm still here is so fucking stressful because every second I'm still alive is money and energy my family is wasting on me and I fucking hate hate hate it. Honest to god forcing people who are horribly suicidal to continue living is a crime like every year I'm still here increases how awful I feel tenfold and I should be able to buy pills that can kill myself just over the counter and there's just no excuses that I can't

[toastytrusty]

before i go to sleep need to talk about how insane the viktor as the mage that saved jayce as a child reveal was. at first i didn't really like it but it only makes sense. the mage was a perfect, benevolent, idealized version of the arcane. jayce spent his Whole damn life striving towards that mage, trying to recreate his talents and recreate his gift because he was so grateful for everything he did for him. and his whole dream for this began to revolve around viktor. his dream of hextech, his dream of magic. because it was always about viktor. because in the end he didn't want to give magic to the people, he just wanted his partner back. it was never about the arcane, not really. it was just about viktor. it was affection keeping them together. not to mention how viktor strays so drastically from this beautiful and altruistic version of magic as he gets obsessed with perfection and corrupted by the hexcore, and jayce is literally the only thing in any universe that can remind him what they were fighting for, not by bringing up anything to do with the arcane at all, but by talking about viktor himself; how he's beautiful, how he's perfect. by giving him back the stone that started his whole journey, and letting it end their journey together. like an exchanging of vows. because it was always about viktor. and the hextech doesn't matter as long as he has viktor, his motivation and energy and literal source of life for as long as he can remember. they saved each other's lives, more than once. to jayce, viktor is perfect and has always been perfect and always will be perfect. because they're literally soulmates i need to sit down

[mossiistars]

i started watching arcane the other day

[aroaceleovaldez]

The himbo, malewife, goofball -fication of percy jackson is such a crime by both the fans and riordan. It has made Mr not like percabeth as a couple because in all posts and in later books annabeth is such a girlboss, while Percy's dumb and can't fight his way out of a paperbag without her. All the posts are about how annabeth will be an architect and percy would love to be a trophy husband.

Even the humor in the books went from Percy's sharp wit and snark to 'my pancakes can't drown because I'm a son of poseidon.'

And now this recommendation letter bullshit.

Honestly now I'd wish percy just separated from annabeth (but they remain best friends.) He stays home with his family, becomes a camp counselor, helps young demigods, holds God's accountable and eventually becomes a social activist. (I also dislike him doing something marine biology related. It's clear he hates academics but he always wants to help people. Him helping demigods and mortals is such a wholesome profession for him.)

I fully agree with the first half of this, though I slightly disagree with part of the latter.

The later-series and fanon mischaracterization of Percy is at least a solid 50% ableism minimum, full stop. He's being warped into a very stereotyped ADHD character and the exact reason why he's being characterized as "dumb" is because of ableism. Percy is a very intelligent character! That's exactly why he's so in sync with Annabeth and they're such a strong duo! It's just generally Annabeth is more book/academically smart.

I disagree with where you say he hates academics - because that's one of the common misconceptions about his character. Percy doesn't hate learning or academic subjects! He's not even bad at them! We know explicitly that when he is in an accommodating environment he is interested in learning and gets significantly better grades! Percy only dislikes school because it is generally an environment that systematically he struggles with. It's literally just he has a learning disability (two, actually)! That's it! When his learning disability is accommodated for he does well! It's almost like that's what accommodations are all about! We know this from the first series! It's discussed pretty in-depth! Percy isn't a dumb character and he doesn't hate learning, he's just been let down by school systems so much that he's inherently distrustful of them. If they actually accommodate him though then he does just fine!

And that's exactly what CHB was all about and why New Rome University was supposed to be such a big thing for him! CHB is a learning environment geared for demigods. NRU is a demigod college. Both inherently imply an environment meant to cater to and accommodate students with ADHD and dyslexia! They are both systematically structured to be able to accommodate him! Heck, CHB and CJ even both address in the wider themes of the series a metaphor about how ADHD and dyslexia are commonly seen as childhood disabilities, and how it can be more difficult to find accommodations into adulthood because of that attitude but those disabilities don't just go away - that's why CHB is a summer camp but they talk about how demigods outside of CHB don't often fare well. The metaphor there is those who are not getting help or accommodations are struggling. Because that's how that works! This is a fully intentional metaphor from the first series! CHB is never framed as being perfect for demigods, because one of the entire central conflicts of the series is Percy and Luke going back and forth about this flawed system meant to help and support them but still letting people fall through the cracks. The "claim your kids by 13" thing is a metaphor about how acknowledging a child's disabilities (and possibly getting a diagnosis) earlier/as early as possible means they will have more time to learn and build up resources and support for themselves to be able to use later in life. One of CHB's major flaws is that it can accommodate demigods to a certain point, but it can only do so much before those demigods have to leave (the metaphor being accommodating school systems when those disabled students do not have any other forms of accommodations in their lives.)

And that's why Camp Jupiter was framed as being so revolutionary for Percy because it had an environment acknowledging that this is not just a childhood disability, adults with ADHD/dyslexia exist too and still need and deserve accommodations, AND is a place where those accommodations are available. That's why Camp Jupiter and NRU are treated as such special and important things to Percy, because it's essentially Percy being shown this type of thing can and does exist and it is available to him. It is an option he never thought was possible. Percy never thought he'd be able to go to college because he would not be able to go through school without accommodations, but NRU proves otherwise.

The part that's absolutely stupid is Rick then proceeded to retcon NRU so that apparently it's not a full college and Percy still has to take classes at normal mortal college which DEFEATS THE ENTIRE PURPOSE OF NRU EXISTING. Rick has fully retconned that demigods struggle past the ages of 16-18 when they're on their own (see above elaborated metaphors) and in doing so we have fully killed all symbolism in literally all of that. It's so stupid. And by having the plot of the CoTG trilogy entirely be that Percy is not actually allowed access to NRU in the first place because he is a son of Poseidon and has to do extra to even be accepted is stupid!

All that to say, I agree the marine biology feels like a huge cop-out and a disservice to his character by reducing him to just a son of Poseidon. The literal only reason why it's the default option people take for him is because oh, fish thing, fish guy. But I feel like everyone ignores the really obvious answer for what Percy would want to do which is - writing. Both his parents are writers/authors and he clearly admires that about them. Percy likes telling stories! He canonically is already a published author in-universe! That's what the books ARE in-universe! The first series fully exists in their universe and Percy is the author! This is explicit canonical information! Percy canonically has help physically writing it down (accommodations) but he is still the credited author! Percy is a writer! Already! Canonically! Why are we making him a marine biologist he already has a profession that ties into his character significantly more. Like you said, Percy likes helping people. That's what the books in-universe are supposed to be for! It's point blank at the beginning of the series! Book one! The thing everybody quotes all the time! The books exist because it is Percy trying to give advice to other demigods who don't know what's going on yet! It's Percy's writing down his experiences to help new demigods understand and contextualize their experiences so they can understand themselves better and figure out what's going on - WHICH IN ITSELF IS ALSO A METAPHOR ABOUT ADHD/DYSLEXIA! Because the core of the series has and always will be built around ADHD/dyslexia! Percy as a protagonist EXPLICITLY was created so that ADHD/dyslexic kids could see themselves as a hero!

Sorry that all was a very tangential rant but my point being: Absolutely. Percy in newer stuff in the franchise and in fanon is horrifically mischaracterized in ways that are functionally either fully ableist (shoutout TSATS for just outright claiming Percy is intentionally lazy and skips school out of disinterest, which is like the number one ableist attitude towards kids with learning disabilities) or a complete erasure of Percy's disabilities. Also I think he should be a writing major not a marine biologist.

[kacievvbbbb]

You do get the sense that the fallout of Roger's death and the Roger pirates disbanding not so much traumatized Buggy and Shanks indifferent ways but instead generated such drastically different reactions to the trauma.

While the trauma of everything seemed to push Shanks into the future, always constantly waiting for something, putting plans on hold and then later in place, for this great moment, this great coming that he sees on the Horizon. For Buggy it rooted him firmly in the past keeping him trapped in this grief masquerading as anger.

While Roger's death forced Shanks to grow up fast, it kind of arrested Buggy's development keeping him stuck in those same feelings, rooted int that same place.

You get the sense that Buggy's whole east blue schtick is just one long overdue rebellious phase one big fuck you to Roger and his ideals. He's rebelling against Roger's principles. One of their rules was don't steal from innocent people and Buggy was keeping a whole town in poverty. If Roger and Luffy's pirating styles are diametrically opposed to someone like Blackbeard, who might be the most literal pirate in the entire series, then buggy is the parody of that Blackbeard piratism. He is playing up cruelty, being the most piratey pirate possible, hell he's literally a clown on a stage. It's all a show! It's his own special way of trying to "get back at Roger" of trying to discard everything Roger taught him for this overacted, over exaggerated clownish cruelty. Mentally he never left that execution square. He is still 15, alone and scared.

Hell he literally never left either, while I'm pretty sure Shanks' booked it out of the east blue as fast as he could, Buggy never lef, might have never left, if not for Luffy. It's part of why Luffy bothers him so much, he's just like Roger everything that Buggy is trying hard to forget and here comes this kid, whose never even met the Captain but is wearing his hat, shoving it right back in his face.

It makes sense that he never leaves the east blue till Luffy literally forces him out of it (fucking with Luffy gets him captured and imprisoned) and it makes sense that it's Luffy that literally breaks him out of prison, literally sets him free, and on the path to greatness that maybe he was always meant to achieve (even if he trips his way into it). This boy that is tragically so much like his old captain but so beautifully unabashedly himself, is what Buggy needs to start letting go off the past, to start trying to move forward.

Maybe that's why Buggy, at what could arguably be described as his lowest moment, gets the strength to free himself from his own self imprisonment, realizing that even back then he was locking himself away and pinning his own dreams on Shanks. And, maybe for the first time ever, Buggy really own his dream. He declares to his tormentors and his crew and the entire world that; actually He wants to find the one piece, him, as captain of his own crew, this crew, not just a part of someone else's. That's his dream and he's willing to turn the world upside down to do it.

[mildarka]

The pain of not ruining your friend's first playthrough

[armandposting]

I can't think about armand's age/gender dysphoria without wanting to scream for a thousand years. how he's constantly seen as a young boy because he was turned at 17 but by that point even before he's lived a minute as a vampire he already hasn't felt like a boy for years. and all the men who see him this way want to use him like a man without treating him as one. he's constantly saying to their faces that he is a man with wants and desires and feelings and they're like hmm that's nice. not to me though. but not in a way that protects any of the child in him. they're not like, you're a boy and that means you should be kept safe. they're like, you're a boy and that means whatever I do to you is not real. because you're not real and now you're so frozen that no matter what you do you never will be. literally no wonder he has every problem.

[autisticaradiamegido]

day 169

this is it, the dynamic

[nounaarts]

S3EP10 'The Samadhi Fire'

[luminarytex]

rumbus grumbus | lowkey losing my hfx on them but i’m pushing through it bc im not ready yet

i can no longer push off this essay it’s due in 2 days :3!!!!

[silusvesuius]

nnnnnnnnnnnnno maa'am

[3-aem]

the shibuya arc is almost over, i still cant believe it started off with 5 episodes of teen gojo and suguru having the best and then the worst time of their lives all to the back drop of a slice of life setting. I think i will always chose to live in those first 5 episodes they dedicated an entire marketing campaign to.

[glittergoats]

its turtles all the way down

[honeypleasejustkillme]

"ok" just say you hate me and want me to die

[soap-ify]

simon can't be with you anymore.

cw gn!reader , angst , hurt / no comfort, simon doesn't know what he's doing.

notes streets said that it's angstmas !! didn't know that it existed until recently. anyways, since i'm having the worst week of my life, i'm gonna ruin it for simon too.

maybe simon was being stupid.

he probably was. not that he could think of any other options besides leaving you.

his work was too dangerous, and the next deployment was probably going to be his last. especially after the recent briefing he went to where the captain spoke about the upcoming mission — a highly risky one. in fact, even the most skilled like ‘ghost’ was bound to either get severely injured or just die. probably the latter. especially since he wouldn’t be with the rest of the taskforce 141 in the fucking warzone.

just a sacrifice for the better of the world, yeah? even though a part of him didn’t want to. fuck the world. you meant so much more to him. but he had chosen this job right. he had agreed to the mission.

and after all, he never considered himself deserving of you, deserving of this relationship he had with you. he knew he was somewhat of a distant boyfriend — barely opening up about his own feelings or past. at least he had shown you his face. you didn’t deserve someone as dangerous as him, someone so… damaged.

he didn’t want to die knowing that you’d be waiting home, all sad and lonely. he didn’t want to leave you like that, but at the same time, he didn’t want to stay and just watch this sweet bubble you two were in shatter. in both ways, he had to leave you. he had to somehow make this less painful, to make it easier for you to move on.

god, he was an asshole. he knew he was. he spent the week just distancing himself from you, responding to your words with nods and grunts while barely reciprocating to your affectionate touches. his heart was breaking more and more everyday, noticing the pained look in your eyes.

he couldn’t keep doing this for much longer. eventually, he had to end this, and he did.

“we can’t be together.”

his words hit you like a brick. literally on a random friday evening. not so random now, it seemed.

“what do you mean, si…?” your voice got quieter with each word, uncertainty towards your own state of mind flooding inside you while a lump formed in your throat, restraining you from properly even speaking out. your eyes stared at him in pure confusion and heart, noticing how he was cladded in his uniform, how he wore that damn skull mask balaclava — building up those walls again that you had managed to break so easily with your love.

simon hated this. he didn’t want to see you so confused and defeated. he had to stop himself mentally from doing something irrational. he was doing this for you, for your own good. though hearing you call him ‘si’ seemed to somewhat crack his composure.

“look, we can’t be together. s’too dangerous. too risky for you. you never know when i might die.” soon, but he held himself from saying that. you didn’t need to know about his deployment, not at all.

“w-why so sudden?” your voice cracked as you tried to properly make sense of his words, emotions taking off your being while you tried to hold in the tears that had begun to sting your eyes.

too dangerous, too risky — maybe somewhere in your heart, you had known that a day like this would come. simon riley was too careful about safety, too dedicated to his work while simultaneously being madly in love. suddenly, all of his sudden distant behavior made sense, and you felt somewhat stupid. stupid for, well, everything.

he was the plague that had infected you, and now he needed to leave so you could heal.

but you never thought of him like that. he was your rock, the anchor that held you from slipping away into loneliness that had always somehow stuck with you throughout your life, a sting that only simon could soothe. it was simon who would craddle you in his arks every night, it was simon who would listen to your rambles. it was simon who your heart was so willing to give love to.

and now he was going to leave.

simon had expected you to scream, to somehow target your anger and frustrations at him. he wanted you to yell at him, he deserved it.

but you didn’t. you sniffled, beads of tears beginning to roll down your cheeks as you took a wobbly step back, too exhausted to fight back or anything.

you didn’t blame simon. how could you? even now, you couldn’t find a flaw in him. too in love? maybe.

as silence filled the living room of the apartment you used to share with him, he slowly picked up his duffel bag and sighed, trying to keep his brown eyes cold and unfeeling, to make it look like he didn’t feel remorseful, to hide his heart was threatening to tear out of his own skin.

“i’ll always love you, simon…”

you said after a few seconds, causing his head to turn over to look back at you — your eyes teary and puffy while your cheeks were streaked with tears, his hands aching to wipe them away. your voice was weak, reluctantly defeated. you know that there was no point in stopping him.

i’ll always love you too, he mentally thought, though never said.

"one final kiss...?" simon froze at your request, knowing that if he were to look at your face any longer, he'd actually stay. he sighed and pressed a soft kiss on your forehead before pulling away, brown eyes hardening up.

he gave you a final nod and exited the apartment from the front door, leaving you alone all over again, your heart torn in pieces as you fell down on your knees, shattering into pieces that no one was going to bother picking up now. only simon could, but he was gone.

simon riley had died three months after that, and you never found out. for you, ge had just disappeared, leaving no traces behind.

just a memory that you were afraid you’d forget eventually, forget his touch and his voice, forget his face — just a memory that was going to bury itself no matter how hard you may try.

[ar1mas]

- a rant

no because ive watched this stupid show 5 years ago, and i only noticed this now?? how???

ok. some context first. this is about fox' gotham, a prequel series to batman. or at least a potential one with slight changes. one of those changes is the relationship between oswald cobblepot and edward nygma (spelled with a 'y' for mayhap legal reasons? idfk its silly). whats their relationship like in the show? well...

theyre gay af. idk what to tell you.

okay so oswalds gay as fuck. edwards... ambiguous. totally ambiguous. he had a girlfriend or 2 and a half (kristen kringle, the-woman-who-shall-not-be-named (aka kristen but... blonde? this show is weird), and lee. not comfy counting lee, but technically shes one, hence the 'and a half')! very straight, much hetero (on another side note how tf is oswald the gay one, like i know he wears make-up and shit but eddies all about theatrics and showmanship and flair and hOW IS OSWALD THE GAY ONE NEXT TO HIM?? ok anyway).

so oswald was (is. be real.) canonically in love with ed, ed was.........., and 'penguin in love' is a piece of music composed by david russo for season three in which the whole "im in love with my best friend" thing took place.

that song has been used all over season three, as far as i can tell not once in season four, and once in season five.

.....or so i thought.

because yesterday, while in another obsession phase (of which i get one a few times a year. ive only ever watched the show once, in 2019, when it ended. still dream about nygmobblepot though. i dont dream about media, like ever, but with them, its different), i saw 5x8 to satiate my never satisfied craving of nygmob scenes, obviously skipping the main story bc i dont care about that straight shit. i got to the scene where oswald kills mr. scarface and frees arthur penn from said mr. scarface, after which ed shoots him in the head because thats what one does in such a situation, thought "aw how cute", again, as one does, and then realised.

what was that background music just now? rewinds.... oh. oh haha, its 'penguin in love'. how fun.

WHAT.

WHY IS THAT IN THERE. WHY DID THEY INCLUDE IT.

correction. it wouldve made sense to have it here. they used it in 5x5 for the speech about not backstabbing each other (wedding vows for murderers fr fr), so using it again after their relationship has solidified wouldve made sense.

note how im saying 'would have'.

because it would have made sense, if they used it when ed said "i accept you for the person that you are, just as you accept me for the cold logician that i am. thats why this friendship is great." they didnt, though. they used another equally heartfelt song for that. dunno what its called, it sounds a bit like 'penguin in love' but isnt, not sure if that one has a specific meaning like 'penguin in love' does.

so when was the song used? at 36:08 – 36:17. barely ten seconds, right before eds lines, right before ed kills penn.

...right when penn was sitting in oswalds lap because theyd been fighting for the gun and os fell on the ground.

now. the most obvious answer to "why in the fucking hell" would be because ooh this dudes on his lap so sexy, but no. no. 'penguin in love' is about one specific thing: love. the pure kind. the kind that makes you giddy with butterflies in your stomach, kicking your legs, while youre on your bed, writing in your diary about this guy you have a crush on. and oswald and penn do have history, oswald was more or less fond of penn, but not in love (i mean where would he have found the room in his heart if it was already filled with EDWARD EDWARD EDWARD martin my sweet boy EDWARD EDWARD EDWA-). im also definitely not thinking that penn was so happy about being free from mr. scarfaces influence and not having to kill oswald (oh yeah, the horror. who would wanna kill oswald, the guy with the big ego, who never does anything for anyone without some kind of endgoal- well, unless your name is edward of course) that he instantly fell in love with the guy. i can deal with the homicidal kind of crazy, but that? no. thats where i draw the line.

the next most obvious answer is that it was about oswalds love for ed. more believable, since its what the song was made for, but more believable doesnt mean believable. or likely. because even if i 100% believe that hes been loving this dude for so long its not something he has to think about anymore for it to be true, im pretty sure that itd be very random to suddenly focus on that when oswald was just about to die. so no, even if its what the song is intrinsically about.

so next most obvious answer is- wait. thats it. huh? theres no obvious answer anymore? everything else is brainrot? oh. oh well. its been five years, im sure its too late to worry about it now. what the hell.

im sure you know where im going with this. or maybe not. honestly idk what the fuck im talking about-

youre smart. you know what im about to say. if it wasnt about what oswald was feeling because he was otherwise preoccupied, and it wasnt about penn because that makes no fucking sense, then who was this song used for? who else was in the room?

...oh.

YOU.

YOU FUCKING IMBECILE. YOU STUPID DENSE PIECE OF-

inhale, exhale. no. don’ get mad, you know he cant help it. you know hes totally helpless when it comes to emotions. just breathe. ok.

i hate him. i hate him so much.

if the song wasnt for oswalds sake, it was for his. because i know hes in love with oswald, but does ed? does the producers??

'penguin in love' is about oswalds love. its about his love for edward. its about their love, their relationship. its about edward just as much as it is about oswald.

a-fucking-PPARANTLY, I DIDNT KNOW THAT!! I JUST THOUGHT OH YEAH OZZY BE THE GAY ONE HAHA FUNNY, I DIDNT KNOW IT COULD BE ABOUT ED DIRECTLY!!!

(why am i like this? what is my life? i will never be normal.)

ed has always been the obsessive one. first kristen (and the woman who shall not be named is just an extention of that ofc), then oswald, then lee. and as weve seen with kristen, when hes obsessed with someone, he can become possessive. absolutely not on the scale oswald is on, but still. theres a wee bit of jelly there. oh you have a boyfriend? better get rid of him! oh you wanna run away from me bc i murdered your boyfriend? better keep you right in place and- oh shit did i kill you? ono D:

this is a huge oversimplification, but you get the point. its there. or at least it has to be there because why else do you get so angy that someone is sitting in the lap of your just friend because they were fighting and they ended up in that position totally accidentally? like thats not normal behaviour, for anyone, unless you have possessive tendencies.

i mean its not like penn was a threat in any way. "he wasnt the threat, the dummy was the-" like i understand ed told penn about the submarine which was supposed to be a secret, but come on, like they couldnt make sure penn wouldnt say anything. so why would ed shoot him? its not even like penn was a random dude where that type of thing would be very inconsequential, oswald knew him. hed worked for oswald, and like i said, oswald was more or less fond of the guy. penns just a poor little meow meow, y u kil him eddie? 🥺

unless this fondness was part of the problem. unless ed saw how happy oswald was to see him, got annoyed but let it slide, then used penn attacking os and knowing about the sub as an excuse to kill him. and why would oswald being happy to see penn be a problem to ed? it wouldnt be. it wouldnt be, unless ed thinks oswald is his.

which makes sense. i know im calling him names and calling him out, but like. oswald told him he loved him like 5 times 2 years prior, i dont blame him for believing that maybe theres something to it (especially since that was the point of 3x14, oswald really being in love with him and surprising himself with it). but i thought ed didnt feel the same way? because hes very hetero? because he had a full-on girlfriend before, twice, technically? because-

"the truth is oswald, you would sacrifice anyone to save your own neck. even me."

"like i said! you will always fail, because youll never change."

hm. i know this is a bit off topic, but i just got a war-flashback and... why did ed sound so hurt when he said that? "youll never change." "you would sacrifice anyone. even me." why does he care? they were friends, best friends, yes, but why does he sound like a heartbroken wife who just found out her husband cheated on her again? why does-

"honestly you deserve this. you are opportunistic, your loyalty is.. shaking, at best, and you will hurt anyone, anyone, to get what you want."

"and yes, i was not a good friend. to you or anyone. its why im alone. but i saw you for what you are and i valued that!"

...why would edward nygma, the man who literally said "i dont love you" to oswald, be jealous of even the idea that maybe penn could have something going on with oswald? and why would he act on it if hes usually so careful to not reveal his feelings (unless its about kristen. the original obsession, the american dream, the just be normal, show them you are normal, and people will accept you)? he wouldnt.

unless oswald just told him that he knows he messed up. that hes sorry for it.

and unless that made him think that maybe theres a chance.

"love is about sacrifice. its about putting someone elses needs and happiness before your own."

"you gave up your revenge for me?"

a chance... for what?

"life begins anew."

"shall we get to work?"

and if theres a chance, hes not about to risk losing it. not this time.

so maybe 'penguin in love' is about more than just oswalds feelings. maybe they were trying to tell us that, yes, we see you traumatised gay kid, were sorry this is all we can give you, but here you go, eds in love with him too, but don’t tell the channel. subtlely. just for barely ten seconds. and maybe it can be enough.

nope, it wont be. im gonna sit here crying about the injustice of not having them kiss on screen in the finale as was originally intended for the rest of my life. seriously though, what is this, nbc's hannibal, where im noticing something new details every single time i watch the show, causing me to spiral? no, i was already spiralling. the spiralling was the reason i rewatched the scene. the scene simply made it worse.

so yeah, im done freaking out about a mediocre show that was cancelled 5 years ago and is honestly not worth anyones time (like, its ok. it might even be better than i remember since its been so long. i doubt it. but its ok).

tl;dr: ive only now realised that a specific gay song plays in a specific episode of a show i watched 5 years ago and the only reason theyd include it in the episode is if the dude that was not canonically in love with the other dude was in fact gay, they just werent allowed to make it canon, so they added the gay song to subtlely tell us about it.

have a wonderful day, hellsite. dont do what i did and go crazy about fictional gay people. i know you will though, that’s why im here too. i hate gay people. these two make me homophobic so bad, i wanna gauge my eyes out and skin myself-