#it kept the other alive

[motherfuckingmaneater]

Bellatrix: so… how are things?

Sirius, in the cell next to her: shut up Bella.

[starsonablackboard]

are you sure?

[janglingargot]

something something two nickels

[annasofthe11thdimension]

Alright, so this is basically...an art dump for all the pics i drew when i was trying to draft the ending i wanted my Odile looping Au 'Like a Wheel Ever Turning' which...is not even SLIGHTLY how this fic is going to end now, but while figuring that out i still like draw all this and had to do SOMETHING with it.

So figured I'd post it and be like 'hey! fun Odile looping act 5 boss fight vibes not connected to anything else!' since like...that basic IS what they are at this point lol.

The one cool idea i loved that i think is now FIRMLY ditched is the act 5 boss fight starts when Odile uses wish craft to splinter herself into two halves.

The 'old/current' her that is meant to be her coldly logical side, and a younger 'copy' version, which is meant to be the childish irrational side...that is what's stopping her just shutting down the time loop because she can't figure out how to be happy with her friends leaving.

I mean, if you murder the part of you that WANTS the wish to come true, that's basically a 'get out of time loop free card' right? Right! Totally sound logic!

Yes the 'young' version of her firmly believes that she's real, and also also got memories going up to about age 21, and also that she ought to be in Ka Bue not HERE among these french weirdos.

Also yes again, a 'young' Odile is EXACTLY as unhinged about this as you'd expect a 21 year old to be upon finding out that apparently the 'real' her think murdering her is the correct solution to this problem!

The shift of the fight was meant to have the inverse 'colors' shift from one version to the other by the end, wrapping up with the point where the 'original' Odile is forced to have a heart to heart with the personification of her perceived 'worst' qualities.

Pretty sure the vibes for this ending was a lot more focused on the resolution of having deeply complex feeling about EXPRESSING emotion directly to other people. That along with a side helping of how isolating it is to be perceived as a 'real' adult such that you can't be weak enough to ask anyone for help. Because really if you can't even be that then why are you any different then when you were irritating mess of a youth?

Not saying any of that isn't still present in the story, but like...there is a LOT of other stuff going on, and those themes are now linked into many other ones too, and that's not even TOUCHING on how Loop's been...somewhat complicating my redrafting lol.

...Also I might have drawn/plotted this version before i knew about two-hats lol. THAT also is a factor.

Anyway! Still liked all of these enough to want to do SOMETHING with them, and figured this worked, so i could like map out my thoughts on them, even if i never got to write this.

[s0fter-sin]

god the way ghost’s voice drops when he tells soap, “you’ll need to improvise to survive”

before that, everything he says is steady but when he acknowledges that soap’ll have to do something outside his skill set, something he intimately knows to be difficult, his voice wavers. he does the same when he says, “welcome to guerrilla warfare”; it’s sombre and serious in a way he doesn’t act for the rest of the mission. if you read into it enough, he almost sounds apologetic; like he knows exactly what soap’s about to go through and wishes he didn’t have to

he keeps soap going; poking at him and making jokes, giving him tips and asking about his progress. he never lets him stop and take a second to think bc he knows the moment he does is the moment it'll all hit him; the betrayal, the pain, the fear, the deaths, all of it will drown him and if that happens, soap won't make it

he needs him to be a soldier through and through and he knows this is one of the worst kinds of battlefields you could end up on

and the only times he slips is when he acknowledges that fact

it happens again when he says, "tryin' to get you here alive and in one piece". his jovial dark humour facade drops for just a moment when he has to face the potential reality of losing soap. then he tries to pick it back up again with, "one of us has to survive to tell the tale"; completely discounting himself as a survivor to try and rally soap and make him think it’s all down to him

and soap does the same thing

when he's calling out for ghost on the radio, he's tentative, testing the frequency, then when he doesn’t get a response, he grows desperate; "ghost, this is 7-1, do you copy?"

then when ghost answers, he smooths out his voice; he hides the pain, the fear, and no matter what response you give to ghost asking if he’s injured, soap brushes it off (“i’m good”, “what’s the difference?”, “i’m not a medic”). soap decides it’s in ghost’s best interest to hide the extent of his injuries

he doesn’t know where ghost is, if he’s secure, if he has any weapons; he doesn’t even know if he’s in las almas until he says, “there’s a church, i’m headed to it”. for all he knows, he could’ve run in the complete opposite direction. if ghost knows he’s hurt, then his attention would be split between his own survival and soap’s

and soap, who lets himself be poked and prodded towards the church, needs to hide his own doubts. maybe he needs ghost to believe he'll make it so he himself can believe it ("what are my odds?" "don't make me bet against you", "think i'll live that long?" "probably not")

he all but begs ghost to tell him he'll get through it and if he knows just how bad off he is, maybe he'll change his mind. maybe he'll think he won't make it to the church

maybe he'll leave him alone for good

"you injured?"

"i’m good"

"let's find out how good you are"

[momentomori24]

Soooo to celebrate and cope with finishing Chapter 1, here's Golfgang crashed out on the sofa after a Christmas Party. They seem to have had fun, at least.

This will be my last drawing for the year. Merry Christmas, y'all :3

[potato-lord-but-not]

okay, first of all your Lily design is GORGEOUS SHE IS SO BEAUTIFUL AND AMAZING AND IS SHE SINGLE ASKING FOR A FRIEND

And second, with Noel(or Charlie) actually knowing Lily does that mean sometimes in the future she and John can meet? Lily trying to shake John’s hand while John is trying not to cry, because IT’S LILY OURTHUR LILY IS HERE

but then Lily’s reaction to Arthur?? That weird coma patient that just up and left?? That would be a fun conversation

that’s all if she stays alive during holy ghosts plot line, women in this podcast are really unlucky T-T

GAHHHHSJSJS TYSMMM (she is ;) )

and honestly! more likely than you think! and the likelihood of her understanding the situation they were in is pretty high!! like omg!! there were two of you there?? you heard everything I said??? you decided to name yourself John because of how much you liked me calling you that??? she’s usually more out together but I think she would start sobbing.

and (assuming Arthur didn’t tell Noel about going to Harper’s Hill, which I think can deduced from the way Noel talks about his past to Arthur tbh) Oscar and Noel learning about what Arthur got up to in Harper’s Hill…….. him being responsible for Sarah getting killed….. ouch. the Holy Ghosts au is crazy bc you really get to explore Arthur’s impact on the world thru a different perspective, and it makes me go INSANE

ALSO I SWEAR BY MY MOTHER SHE WILL NOT DIE NOT ON MY WATCH

[triglycercule]

can the mtt commit more crimes that just murder please i know theyre the MURDER time trio but ppppleasse,,,, please,,,,,,

they'd be terrible to be next to on the highway. horror's going 160 mph amd has long past gone over the speed limit. dust's out for BLOOD and by blood i mean your tires. he's somehow sniping those round rubber wheels from the high moving vehicle with the precision of a master fruit ninja player. if your car explodes or flips over in the process that's not his fault. and then to make matters worse for everyone on the highway killer's in the backseat scratching up the doors and windows of your car with a knife everytime horror gets close to another car and oops he accidentally just disfigured your face also did i mention theyre all drunk during this

ok so theyve all got the classic face WHY DONT THEY ABUSE IT!!!! horror gets to do a little paper mache to cover up his head hole and then wearing glasses. killer i dont know what the FUCK he can do to get rid of his perpetual tears but let's just pretend that theyre conveniently gone for now. and then all dust has to do is put down his hood! anyways identity theft is cool. imagine how much they could totally fuck up classic's reputation with this. set up fake tinder profiles and then scam people for their credit card info/free dates (while ordering every expensive thing) and stealing wallets. walking into various grillby's's around the multiverse and telling terrible jokes. like ACTUALLY bad jokes. and then of course just being a huge piece of shit at the bar. god theres so many things they could do pretending to be classic. which one of us is hikaru looking ahh except the only difference between the three is the color of the stains on their clothes (either gray (dust) black (killer) or red. well faded red (horror))

ROBBERY!!!! ROBBERIES PLURAL!!!??? train robbery gas station robbery bank robbery GOVERNMENT robbery (what would you rob the government for?? documents??? idk) anyways. mtt robbing a train except its just a really shitty plan and they dont know jackshit about what theyre doing. killer's taken over the conductor's cabin and now he is booking it. how fast are trains allowed to go idk but the maximum. anyways meanwhile horror's on the tracks fucking up the rails with his strength or whatever (listen i know he's weak but picking and choosing what hcs i believe in is my art) and dust is there to teleport him away before the train crashes into him and turns him into a trolley problem victim. and then of course that shit doesnt fucking work and the train just ends up flipping over and catching on fire or something (killer survives because of course he does he's killer). and then in the end dust just has to flip the entire train over and they just stroll into the part that actually HAS the money

and then they go out and get ice cream. sometimes the murderers need to take a break from murdering and just do NORMAL crime yk???

[astrocorvus]

Who gave the Tallest swords!?!

(I did!)

[okdesk]

the fallen angel // the birth of pride

[bidokja]

every time i see a post saying that kim dokja exists only in the "third" round because he dies on the subway in all the other rounds i want to scream. he doesn't die on the subway. SP cannot find him there because in every other timeline kim dokja does not make it to the subway at all.

[findoesstuf]

It’s been a while, but here’s some Combo Virus (not official name) doodles! Here’s Spike and Pinkie!

[fawnheartedly]

I'm watching Tericho's latest theory video and it got me thinking about the Prototype's true intention towards the player, and maybe why he killed Catnap.

Neither Huggy Wuggy, Mommy Long Leg nor Catnap attacked us right away. They lurked around. Well Mommy was more directly present. But all three starts off not being a danger. I guess Catnap putting us in the trash compactor was dangerous but seeing how he loves to play cat and mouse and can immediatly be seen lurking around, I think he knew we'd get away anyways.

Added to that, Catnap tells us to leave constantly through the chapter. Not just once, not twice. He wrote everywhere that we had to leave.

We know how eagerly he obeys tye Prototype, so we can assume most of the things he does, the Prototype asked him to. Probably same for Huggy. And Mommy could have been an outlier in following the Prototype but she seemed to be scared of him enough to at least not go against him.

So my theory is that the Prototype doesn't want us dead. He just wants us to leave the factory. He had two occasions to kill us himself, yet he didn't. All three main antagonists eventually tried to kill us in the end of each chapter but Huggy ended up seemingly dead (we know he's not tho), Mommy killed by us and then retrieved by him. He didn't had the time to punish them for trying to kill us. But he did for Catnap. And i think that's why he ended up killing him. Either Catnap wasn't supposed to end us or it was punishment for failing to drive us away without coming to harm.

Poppy and the Prototype are on opposed sides, that much is clear. Poppy wants us to uncover the full truth behind Playtime Co, the Prototype wants us to leave and forget about it all.

So that means there is far more to discover down that damned Factory. Things the Prototype doesn't want us to discover.

[wonder-worker]

Thinking about Elizabeth Woodville as a gothic heroine is making me go insane. She entered the story by overturning existing social structures, provoking both ire and fascination. She married into a dynasty doomed to eat itself alive. She was repeatedly associated with the supernatural, both in terms of love and death. Her life was shaped entirely by uncanny repetitions - two marriages, two widowhoods, two depositions, two flights to sanctuary, two ultimate reclamations - all paralleling and ricocheting off each other. Her plight after 1483 exposed the true rot at the heart of the monarchy - the trappings of royalty pulled away to reveal nothing, a never-ending cycle of betrayal and war, the price of power being the (literal) blood of children. She lived past the end of her family name, she lived past the end of her myth. She ended her life in a deeply anomalous position, half-in and half-out of royal society. She was both a haunting tragedy and the ultimate survivor who was finally free.

[domokunrainbowkinz]

shipping yhk not in a romantic or platonic way but a secret third way (⬛️⬛️)

[riddlerosehearts]

i'm so casually/vaguely interested in good omens that i was sad about "season 3" basically just being a movie for about 10 minutes before i moved on. but i can't stop thinking that if people really cared that much about terry pratchett and his legacy, they might wonder if he would've even wanted a good omens seasons 2 or season 3... considering the book did not have a sequel and he literally had his hard drives destroyed with a steamroller as one of his last wishes when he died because he didn't want other people to capitalize on trying to complete and publish his unfinished novels... or they might also be more upset on terry's behalf that neil gaiman spent decades of friendship with him hiding what a rotten person he really was, and that if anyone or anything is damaging terry's legacy it's entirely neil's fault. also, terry's legacy consists of dozens upon dozens of other books that have nothing to do with that guy anyway!