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PRICE OF FAME | MYG ★ 01

✧ PAIRING: yoongi x fem!reader

✧ SERIES SUMMARY: You were about ready to give up, your career nowhere near what you dreamed it’d be when you started at eighteen, bright-eyed and naive. Reality for you these past few years has consisted of pouting at a camera, ignoring whispers of your name at company events, and ensuring that the stupid, tiny designer purses they keep forcing on you can at least carry a flask. But now, you’re helping a friend in need. For the first time in a long time, it feels like you’re doing something worthwhile with your life. Too bad Min Yoongi, the newest thorn in your side, seems insistent on stopping you.

✧ SERIES TAGS: enemies to lovers, slow burn, angst, smut, fake/pretend relationship (not main couple), rockstar!yoongi, model!reader, guitarist yoongi, singer jungkook, bassist taehyung, drummer jimin, manager namjoon, yoongi & maknae line are in a rock band, reader & seokjin are best friends, yoongi & hoseok are best friends (sope duo ftw), yoongi has a tongue piercing, reader is a brat

✧ CHAPTER WARNINGS: recreational drinking, yoongi is an asshole (see series masterlist for series warnings)

✧ CHAPTER WORDCOUNT: 6.1k words

✧ AUTHOR’S NOTE: NEW ERA NEW ERA NEW ERA! whew!!! i’m excited for this one! this is going to be a loooong ride, so buckle up and enjoy! please note the slow burn tag on this one, because i’m not joking around with it. trust me, it’s going to hurt me just as much as it hurts you.

a HUGE thank you to tanni @yooniivrse for continuing to beta read for me <3 your commentary never fails to make me laugh and your edits save my life.

P.S. everything i know about the korean music industry is informed by my years as a kpop fan. i don’t know much about the rock scene there, so expect inaccuracies galore going forward. i do my due diligence where i can, but that can only help so much.

CH. 01: ALL YOU PEOPLE ARE VAMPIRES!

You aren’t entirely sure when you stopped feeling at home in places like this. There has to be some kind of defining event, some kind of indicator of The Before and The After, but every time you try and figure it out you come up short.

In The Before, not all that long ago, you would be scrounging for the bus fare rattling around in your pockets to get to a place like this as soon as you punched out from your shift at the Speedy Mart.

During your short stint in college, your friends didn’t understand your obsession. Music venues, to them, were fun for a weekend’s night out. The thrill of flashing a fake ID, of flirting with the musicians after their set, of getting said musicians to buy them drinks—it was a satisfying rebellion, a fun story to tell people at school and hide from their parents.

But you were there every day, even after classes and graveyard shifts under fluorescent lights, always racing to the nearest show without even changing out of your polo. It was never a rebellion to you. The lights, the thumping bass, the secondhand smoke—it made every nerve ending in your body light up.

You were born in this smoke, as far as you’re concerned.

Maybe it’s different now because it’s work to be here. But what isn’t work, these days? Your life is micromanaged down to the minutiae—the meals you eat, the products you use in your hair, your goddamn piss breaks. There’s no clocking out for you, no gasp of relief that comes after. Such is life for one of Seoul’s many playthings.

Even in the dead of winter, your stylist, Hyerin, has you in a dress that begs to be pulled down every five minutes like clockwork.

You learned a long time ago to bite your tongue on matters like this. The brands you work for pay you for the exposure you give them, after all. The chill that settles in your bones from the ten steps you take from your paid car to the venue door will be well worth it next time you count the zeroes in your bank account. At least, that’s what Hyerin told you as she pushed you out of the car and into the cold.

Wasteland looks the same as it did the very first night you ever stepped foot inside. Same red, glowing guitar sign above the entrance. Same shitty overpriced drinks. Same sticky floors. It’s nice that some things never change even when you do.

You’ve never been on the balcony, though. You’ve gotta hand it to Jeongguk—he’s really pulling out all the stops. To your knowledge, the balcony is normally reserved for VIPs. Close friends and family of the band, other celebrities, lucky and well-connected fans. Significant others. You suppose you fall under more than one of those categories now.

The crowd gathered on this side of the stage buzzes incessantly around you, waiting for the set to start. The excitement is palpable, and you understand why. It’s the very last show of Burn The Stage’s very first world tour following the release of their third studio album, and they’re ending it here: in Seoul. At Wasteland no less, the venue that housed the show that got them signed in the first place. Of course people are excited.

If you were the same person you were in The Before, you would be, too.

Instead, as the stage lights go down and the crowd roars around you, you down the rest of your drink and pray it’ll do its job and calm your fidgeting. For a split second, the thought that maybe you shouldn’t be drunk tonight passes through your brain, but it disappears as quickly as it comes. Your hopes of making a good first impression were squandered as soon as Hyerin zipped up your dress.

Besides, it’s not as if Jeongguk picked you for your shining reputation. More like the opposite.

With a flash of lights and a cacophony of sound, Burn The Stage launches into their first song on the setlist. The crowd roars around you, but you’re not here as a fan, so you try to remember everything Jeongguk taught you in preparation for tonight.

If you weren’t already close, most everything there is to learn about Jeon Jeongguk himself could easily be found with a simple Naver search.

Not only is Jeongguk the lead vocalist and rhythm guitarist of Burn The Stage, but he’s also the de facto face of the band, and he couldn’t be better suited for the job. He’s beautiful. Like, seriously beautiful. Well-built and knows it, sings songs about love and sex and anger with the sweetest voice known to man, covered in tattoos and piercings that eommas everywhere pretend to disapprove of when they’re actually ogling just as much as their daughters. He’s a teenage girl’s wet dream, and with that comes hordes of them using the deductive skills of the NIS to figure out the last time he took a shit. Very little in his life is a secret, whether he likes it or not.

The rest of the band, in turn, gets the luxury of a little bit of mystery.

Park Jimin, the drummer, and Kim Taehyung, the bassist. Jeongguk’s best friends in the world. You’ve met them both in passing before, at industry events here and there, and they both seemed nice enough.

Jimin has a bit of a reputation for being temperamental, angry, but the way Jeongguk describes him paints him as something gentle. Childhood friends who’ve known each other since scraped knees and runny noses.

It’s public knowledge that Jimin wanted to be a dancer, before this—that when he was in college, he suffered an injury that ended his dancing career before it even started. One moment he was one of the most promising ballet students in Seoul, and the next he was retired at nineteen. He doesn’t like to talk about it, but every time the band is interviewed the question is inevitably asked. Do you have any regrets? You’ve watched the videos, seen the way he shakes with anger even as he answers with a saccharine smile. You have a feeling getting along with Jimin won’t pose any challenges for you. You know a thing or two about regrets.

Taehyung is a bit harder to figure out, but not in any way that sparks concern. He’s just an interesting guy that way.

He was the last to join the band, the first to answer a ‘BASS PLAYER NEEDED’ ad posted around the city. Apparently, he was so good that they didn’t feel the need to call anyone else.

He lives in his own world, does his own thing. Posts very artistic photo dumps on his Instagram with concerningly cryptic captions. He’s quiet when he’s around people he doesn’t know, but when he’s put in a room with Jimin and Jeongguk he becomes the loudest person there. He’s kind, caring, always seems to know the right thing to say even if it’s delivered in the strangest manner possible.

Jimin and Taehyung won’t cause any problems for you. Jeongguk assured you that they’d be easy to win over, that as long as Jeongguk likes you, you’re in with them.

The real wild card is the guitarist. Min Yoongi.

According to Jeongguk, Burn The Stage wouldn’t even exist if it weren’t for Yoongi. When the band formed, they were just dumb kids with a shared dream, but Yoongi was the one to set it all in motion.

When they didn’t have anywhere to practice, Yoongi convinced the ajumma he worked for to let him cram as much equipment as he could fit into a tiny noraebang room. When venues wouldn’t book them without the guarantee that they would draw a crowd, Yoongi burned hundreds of CDs and stood on the streets of Hongdae begging people to listen. When shady entertainment companies started offering them laughable contracts, Yoongi found Namjoon and somehow convinced him to manage them for dirt cheap. When they finally got an offer worth taking, Yoongi made them mull it over for as long as they possibly could. Weigh the pros and cons and decide if it was what they really wanted.

If Jeongguk is the face of the band, Yoongi is the heart. Unfortunately for you, this particular heart is very well-guarded.

Yoongi takes his privacy seriously. He refuses to answer interview questions he deems too personal, he doesn’t use social media. When asked why, his answer is always that he wants the music to speak for him.

Because that’s another thing: every single song that Burn The Stage has ever released has been penned by Yoongi. To his credit, it’s kind of what they’re known for. His lyrics have a raw honesty to them that’s gotten the band into trouble more than once.

You finally tune into the show that’s unfolded below you, the words spilling from Jeongguk’s lips loud and clear in your ears now that you’re paying attention.

Well, I ain't got no dollar signs in my eyes That might be a surprise but it's true Said, "I'm not like you and I don't want your advice Or your praise or to move in the ways you do and I never will" 'Cause all you people are vampires And all your stories are stale And though you pretend to stand by us I know you're certain we'll fail

It’s rock music. It’s polarizing, controversial, edgy. Biting the hand that feeds them—especially in the eyes of the executives lining the band’s pockets, you’re sure. And yet everyone eats it up.

Still, Yoongi wouldn’t get away with half of it if he wasn’t attractive, you’re sure of it.

Because he is. Attractive. They all are, and he’s no exception. He checks all of the boxes annoyingly well. The long hair, the signature smirk, the little silver barbell on a tongue that he seems all too happy to flash at a moment’s notice. Too bad he seems like one of those pretentious, tortured artist types that take themselves way too seriously. That’s never done it for you.

Jeongguk is the one singing Yoongi’s words, and he might as well be Korea’s sweetheart—if it weren’t for all the tattoos. He conveys the message of Yoongi’s songs exactly as intended, but he doesn’t have to act like an egotistical gatekeeper to do it.

Maybe it’s a preference on your part. You’ve always had a thing for sweetness.

★ ★ ★

After the concert, you’re ushered off of the balcony by one of the band’s security guards. It’s the same guy who escorted you up when you arrived, and you note to yourself that he’s very polite. Eunwoo, according to his nametag.

It tracks, given Burn The Stage’s reputation for making sure the women at their concerts feel comfortable in the crowd. You’ve heard stories about them stopping mid-song to have handsy men kicked out, and it’s nice to know their commitment extends to the people they employ for themselves.

Eunwoo offers you his hand palm-up as you descend down the balcony stairs, and you take it with a grateful smile. You’re feeling wobbly in these shoes, and the drinks you’ve downed since your arrival aren’t helping matters. Even with the assistance, you still feel like a baby giraffe as you step down, but thanks to Eunwoo, you don’t eat shit.

Eunwoo dutifully guides you backstage, to a grimy, graffitied hallway housing the dressing rooms for Wasteland’s talent of the night. Jeongguk waits outside of one of them, guzzling down a bottle of water as a female staff member dabs sweat off of his forehead with a pristine white towel. She’s only there for a moment before slipping back through the dressing room door. Finally noticing your approach, Jeongguk turns his head and grins at you, and you feel your nerves ebb away instantly. He’s good at that.

As you get closer to Jeongguk, you turn to smile and nod at Eunwoo in thanks. He smiles back politely, wordlessly falling back to give you some privacy.

“Daaaamn, YN-ah,” Jeongguk says, whistling lowly as you reach him. “You’re going to cause a bloodbath in there.” He nods his head towards the dressing room door, and you roll your eyes despite the heat building in your cheeks.

“I know, I know,” you say, smoothing your hands over your dress. “It’s not exactly a meet-the-family outfit, but I didn’t have a choice.”

“Nah, it’s cool. You look hot,” he says, grabbing your hand and making you do a spin, forcing a surprised laugh out of you as you try not to trip over yourself. Jeongguk keeps you steady, though, with a hand on your shoulder. “You good?”

“Yeah,” you say, although you’re sure your face gives away how terrified you are of what awaits you on the other side of the door. “Maybe you should’ve picked an actress for this, though.”

“I trust you,” he says softly, squeezing your shoulder. “It’s not too late to back out, though. I’ll understand…”

You believe him, of course. Those doe eyes don’t lie, and even so, he’s already told you over and over how bad he feels for asking this of you. But you don’t want to back out. Jeongguk has given you so much since you’ve met—it’s only right to try and repay him for it.

“I want to do this,” you assure him, reaching up to squeeze his hand on your shoulder. “I’m just worried I won’t be able to pull it off.”

“You will,” Jeongguk says, smiling down at you warmly. “Don’t sweat it too much, okay? We’ve got this. It’s not like I have to pretend to like you.”

Right. You wish Jeongguk’s words did what they were meant to and instilled some kind of confidence in you, but what they actually do is make your chest ache uncomfortably. Pull yourself together, you think. Now’s not the time.

You smile good-naturedly, hoping Jeongguk doesn’t notice the way it doesn’t quite meet your eyes. “Let’s get this over with,” you mumble.

“That’s the spirit!” he laughs, sliding the hand on your shoulder around to the other one so his arm is slung around you. You hate the way your heart flutters, despite the fact that you’d prepared for this. Dumb bitch.

Jeongguk cracks the dressing room door open just enough to ensure that all of the men inside are decent, and then he’s guiding you inside, your hands flying down to smooth your dress over again, just in case.

The dressing room is bustling with more people than you expected, people you recognize from the balcony and staff alike. There’s a fast-paced rock song playing over a bluetooth speaker, almost loud enough to drown out the chatter.

Everyone seems to be in celebration mode after the last show of the tour. There’s a large sheet cake on a cart in the middle of the room emblazoned with the band members’ faces in frosting, plastic champagne flutes littered around the room in varying states of fullness. Judging by the bottle in his hand and the way staff members wipe at his face fussily, it seems like Taehyung took the liberty of pouring champagne over his head to cool off.

You’re used to having lots of eyes on you—it comes with the job—but something about the way Jeongguk’s bandmates immediately stop what they’re doing and take notice of your presence startles you, puts you on edge.

“Jeonggukie! You missed the cake,” Jimin calls, standing up from where he sat on the couch. He holds out a slice of the sheet cake to Jeongguk, tilting his head at you as he approaches. “Where do I know you from?”

Jeongguk removes his arm from your shoulders to take the plate, snorting at the image of his decapitated cake-head staring up at him. “Hyungs,” he says, grabbing a plastic fork and digging into the slice. “This is YLN YN.”

“Oh, we’ve met before! The model, right?” Taehyung pipes up from where he’s still being wiped down, and you nod politely. “I saw your Innisfree campaign last month. I couldn’t remember whether your skin was really that nice in person.”

You watch as he extricates himself from the staff, ignoring their protests as he walks away from them.

Taehyung gets close to you, close enough to inspect your pores like he clearly intends to, and you fight the urge to instantly recoil. Jeongguk seems too busy stuffing his face with cake to interfere, and you want to make a good first impression. So much for your personal bubble.

“It is,” he says, nodding sagely to himself.

“Th-thank you?” you stammer. Beside you, Jeongguk finally tunes back in.

“Jeez, hyung,” he says around a mouthful of cake. He chews for a moment, swallowing thickly before continuing. “Let her breathe.”

“Sorry,” Taehyung says sheepishly, backing out of your personal space, and you let go of a breath you hadn’t realized you’d been holding, shaking your head.

“It’s fine,” you say, mustering a polite smile.

You note that despite his initial (albeit subtle) acknowledgement of your existence when you walked in the door, Yoongi now seems entirely disinterested in interacting with you. He hasn’t moved from where he’s planted on the couch, focused intently on strumming his guitar. How he can even hear what he’s playing over the noise is beyond you. It’s not even plugged into an amp.

You’d be a little annoyed that he hasn’t even bothered to greet you, but you reason that he must be pretty worn out from all of the fanfare surrounding the show tonight. Introvert recognizes introvert. You try not to take it personally.

“Do you know Jeongguk-ah well?” Jimin asks, drawing your attention back to him. His eyes bounce between you and his bandmate. He seems to be putting the pieces together, so you glance at Jeongguk, wordlessly passing the question his way.

Thankfully, Jeongguk seems to get the hint. He tosses his plate in the nearest trash can before sliding over to you again, his arm slipping around your waist easily, betraying nothing.

“Hyungs,” he starts, glancing at you and nodding once. Let the show begin. “YN-ah is actually, um… my girlfriend.”

Out of the corner of your eye, you see Yoongi sit up. That got his attention, it seems.

A hush falls over the room, even the eyes of the staff members within earshot widening in response to Jeongguk’s announcement. Oh shit, you think. Please let this go well.

“Since when?” Taehyung asks, curiosity piqued. Thankfully, though, he doesn’t seem upset by the new information. At least, not as far as you can tell.

“Well, um,” Jeongguk starts, tonguing nervously at his lip ring. He pulls you closer so you’re practically curled against his chest now, and you silently pray that the way you’re looking at him reads as sweet and not like you’re about to jump out of your skin. “It’s actually been a few months now… Since right before the tour, actually.”

“Right before the tour?” Jimin asks, his brow furrowing in obvious confusion. “So you’ve been doing long distance?”

Jeongguk glances at you, a soft smile pulling at the corners of his mouth. “Yeah, it was bad timing on my part,” he says, his eyes fixed on yours. Damn. If he didn’t have such great pipes, you’d say he should’ve gone into acting. He’s male lead material. “I just couldn’t leave without telling her how I felt.”

You wish that you could do or say literally anything useful instead of just clinging to Jeongguk’s side like a barnacle. This is supposed to be a joint effort, but you feel frozen in place, unable to find your voice. It’s a good thing Jeongguk seems to be pulling it off all on his own.

“So cute,” Taehyung coos, bumping his shoulder against Jimin’s conspiratorially. “Our Jeonggukie’s all grown up and in love.”

“He’s always been a romantic,” Jimin joins in, miming at wiping fake tears as if he’s a proud parent. He reaches out and grabs your hands, startling you. “Please take care of him.”

“Hyuuuungs,” Jeongguk whines, tearing his arm away from you to whack Jimin and Taehyung on their heads simultaneously. “You’re going to scare her away!”

“Doubtful,” Yoongi says from where he’s still seated on the couch. Oh, so he does speak. It’s the first time you’ve heard his voice all night. It’s low, raspier in person than in the videos you’ve seen online. His words are directed at Jeongguk, but when you turn your head to look at him you find that his gaze is fixed on you. Your pulse spikes at the discovery. “I don’t think anything could scare her away from you, Guk-ah.”

The words themselves are innocuous, even supportive, but something about the way he says them makes your gut twist. Nobody else seems put off by it, but you can tell something’s not right. You have to say something, to open your mouth and speak. You have to pull this off, for Jeongguk.

“I’m not going anywhere,” you say, forcing a smile. You manage to tear your gaze away from Yoongi, looking back at Jeongguk. He’s grinning down at you, and it’s real, even if the pretense of it isn’t. Your smile becomes a little less forced in return.

★ ★ ★

Jimin and Taehyung are insistent that you stick around and celebrate for a while, so you do. You end up enjoying yourself, despite the weird moment with Yoongi.

Jimin and Taehyung are fun to be around, just like Jeongguk said they would be, although conversation between the three of them becomes a little hard for you to follow sometimes. They just talk so fast.

They ask you questions about your job, your friends, your family. They also tease Jeongguk relentlessly in front of you and seem all too thrilled to find out that you’re their noona. You find it surprising how easily you open up to them, but it just… happens. Just like it did with Jeongguk when you first met.

You relax enough to convince yourself that your perceived pointed nature of Yoongi’s words earlier was all in your head. Surely, he couldn’t have a problem with you when he doesn’t even know you. Jeongguk told you himself that Yoongi’s a quiet guy. Maybe that was his own way of telling you he approves of you. He hasn’t said or done anything since to make you think otherwise. Granted, he hasn’t said or done anything, period.

Once he arrives, you meet Namjoon, Burn The Stage’s manager. Jeongguk told you a little bit about him, but it was mostly just thinly-veiled thirsting. Now you see why.

He clarifies right off the bat that he already knows who you are, which saves you the anxiety of having to go through the whole routine again, and then he apologizes for being late.

“I was talking to reporters. I wanted the guys to be able to celebrate without having to do any interviews,” he explains as he shakes your hand with a dimpled smile. Damn. Yeah, you don’t blame Jeongguk one bit.

After a while, the champagne catches up with you and you have to excuse yourself to the bathroom.

The staff member that was dabbing Jeongguk’s sweat earlier—Minji, you learn—directs you out of the dressing room and to the nearest women’s bathroom further down the hallway.

You try to make it as quick as possible, much tipsier than you thought and all the more unstable in these shoes because of it. After one last check of your hair and makeup in the mirror, you make your exit, focusing down at your feet as you go.

Unfortunately, you run headfirst into someone’s chest in the process. Hands come up to grab your elbows, steadying you before you fall flat on your face. For a second, you think maybe Minji had been waiting to escort you back to the dressing room, but these are not a woman’s hands holding you up. Wait a second, you think. You definitely saw these ring-clad fingers displayed on a huge screen earlier. Strumming at a guitar, perhaps?

In a moment of amazing mental clarity on your part considering the state you’re in, you realize that these are Min Yoongi’s hands, and your head snaps up to look up at him.

“Yoongi-ssi! I’m so sorry!” You quickly right yourself to the best of your ability, pressing your hand to the wall next to you for support.

Once he’s sure you can hold yourself up without his help, Yoongi instantly retracts his hands, crossing his arms over his chest. “I should’ve been looking where I was going,” you add, doing your best to bow in apology without losing your balance again.

Yoongi tilts his head at you as if he’s assessing you, his gaze inscrutable. Man, for a lyricist this guy isn’t big on words. You’re just about to politely say goodbye and head back to the dressing room when he finally speaks.

“I’ve spent the past hour trying to figure out what your angle could possibly be, but I’m coming up short.”

Um. What?

“Huh?” you manage, blinking at Yoongi like he’s suddenly grown a second head.

“It’s not like your career’s in any trouble. Nobody thinks you're Korea’s angel or anything, but your shit reputation hasn’t stopped you from getting brand deals,” Yoongi continues, scoffing to himself. “Are you just bored? Is this what you do to amuse yourself?”

Uh oh. He knows. He knows for sure, and even worse, he thinks that you’re the mastermind.

“I seriously have no idea what you’re talking about,” you say, forcing your voice to remain level. You don’t even try to defend your reputation. It’s not like he’s wrong.

“Right,” Yoongi says, leaning in a little closer, like he’s about to tell you a secret. “Well, a word of advice. If you want people to buy that you’re really in love with Jeongguk, you could try to look less like you’re going to throw up when he touches you.”

FUCK. You thought you pulled it off. You thought you pulled it off, and now here’s Jeongguk’s goddamn hero telling you point-blank that you didn’t. You wrack your brain trying to think of anything you could possibly say to defend yourself, to get this guy off your ass, because this cannot be your fault. You’d never forgive yourself.

“I—”

“Or,” Yoongi starts, cutting you off. “You could just cut the bullshit and leave Jeongguk alone.” He pauses, rubbing his chin as if he’s pretending to think about it and then nodding once. “Yeah, let’s go with that one.”

Jesus Christ he’s a piece of work. You feel your fists clench at your sides, your nails digging painfully into your palms. You just got your nails done, and there’s a strong possibility you’ll draw blood, but it’s all you can do not to strangle this asshole right here and leave Burn The Stage without a guitarist.

“Yoongi-ssi,” you say, your words dripping with fake politeness. Fuck this guy, actually. “I don’t know what I’ve done to give you such a bad impression of me, but I assure you that Jeongguk and I are very much in love.”

“How many times do I have to tell you I don’t buy it?” Yoongi asks, voice tinged with impatience. “You may have everyone else in that room fooled, but not me, and if you hurt Jeongguk I can guarantee it won’t end well for you.”

“You don’t know anything about me,” you snap. “Again, I don’t know what the fuck I’ve done to make you think so poorly of me, but I meant what I said in there. I’m not going anywhere.”

You need to remove yourself from this interaction right now before you do something stupid like burst into tears. You take the opportunity to push past Yoongi before he gets a chance to say anything else, making sure to essentially shoulder check him in the process because again, fuck this guy.

You stalk down the hallway, feeling much more sober now. It’s as if all of the alcohol got forcibly drained from your system in the face of total fucking disaster, and you’re honestly thankful for it, because the last thing you need is this asshole seeing you actually fall.

For a moment, you’re fooled into thinking you’d successfully ended the conversation, but of course he needs the last word.

“I know more about you than you think, dollface.”

Dollface? The fuck?

You chance a glance behind you and you immediately regret it. Yoongi leans against the wall where you left him, an amused smirk spread over his face, and the sight immediately fills you with dread, a type of primal panic you haven’t felt in four years flooding your senses.

He doesn’t… He couldn’t know about that. There’s no possible way. Jeongguk doesn’t even know about that. Nobody does, because you’ve done everything in your meager power to keep it that way.

You whip your head back around to face front, your heels clacking on the crusty linoleum beneath them as you continue down the hallway. Don’t look back, you think. He doesn’t know.

You’re thankful that you brought your bag with you to the bathroom, because you’re very much not in the mood for a party now. Once you’re safely outside, you call your car and send a text to Jeongguk explaining your sudden escape. You felt sick, you tell him.

It’s not like it’s a lie.

Yoongi loves being on stage.

Over the past few years, there’s been a noticeable change in his demeanor. He’s become passive, apathetic to the normal day-to-day that comes with being a celebrity. Nothing really wows him anymore.

He remembers the way he reacted to the accommodations the band received when they first got signed. He was way too scared to ask for things at first, but the label gave it all to him anyway.

For instance, Yoongi’s always been particular about his stationery. The first time he filled a notebook after getting signed, he didn’t even think to consider it a company expense. Why would he? He was fully capable of buying his own shit, even if he had to save up for it. Sure, every time he had to write a lyric down on the back of a receipt his eye would twitch, but it wasn’t anything he hadn’t done before.

But the label guys noticed. Before he even had a chance to buy his next batch of notebooks and pens, he was sat down in a spacious meeting room and asked point-blank what he needed. When Yoongi gave them specifics—Leuchtturm 1917 unlined hardcover pocket journals and a fuckton of Uni-Ball Jetstream Premier pens—they didn’t even bat an eye. When he—rightfully—warned them that he might strangle someone if he’s handed a gel pen instead of a ballpoint, they just assured him that wouldn’t happen.

Ever since then, there’s been an endless supply of exactly what he needs, always within reach. He’s still grateful for that, of course, because he goes through those fuckers fast. But it’s just a fact of his life now. It’s not special to get his fucking Leuchtturms anymore, not when he could douse his entire supply with gasoline and burn it on a whim and still have a fresh one in his hand within mere minutes.

And it’s not just journals and pens.

Namjoon is the band’s representative. Yoongi picked him personally long before there was any contract, or even hope for one, and if everything were to go to shit tomorrow, Namjoon would still be there. But after the single from their second album charted on the Billboard Hot 100, a label-equivalent to Namjoon was hired, as if anybody could ever be equivalent to Namjoon. Park Hyunseok. Park Hyunseok, whose sole duty is to buzz around Yoongi and his bandmates like a pesky fly and “make sure they’re happy.” They quite literally want for nothing.

Yoongi remembers when his skin used to buzz with the emotions simmering just under the surface. He was fiery in his youth, pissed off and ready to prove a point. He felt everything strongly, fully.

Not so much these days. Anger is only marketable for so long, or so he’s been told.

For the past year, Yoongi’s felt numb to the world. And he’s dealt with it, of course. That’s what he does. The album did great, the tour sold out, the boys are happy. That’s really all that matters. He just doesn’t know how he’s going to write another fucking album if he’s got nothing to write about anymore.

Still, he loves being on stage. There’s nothing like it. It never gets old, never gets boring. He still hasn’t gotten used to the feeling of stepping onstage and feeling a crowd scream his name, scream his lyrics right back at him. Lyrics to songs that he wrote in his shoebox apartment when he was eighteen and it felt like nobody gave a fuck about him. Funny how things change.

Nobody can take that feeling away from him, even if they’ve taken all the other ones.

It’s been a good night. It feels good to be back in Seoul after being away for months, feels even better to be on this particular stage again. Yoongi always feels keyed up after a good show, itching to do something with all of the energy thrumming through his body, and tonight is no different. He’s almost giddy with the opportunity to celebrate this tour with his bandmates and Namjoon and then go home and crash. Home. Fuck, it’s a good night. He has a hot date with his king size bed.

But then you.

It’s been years since you’ve even been a thought in Yoongi’s brain, and he liked it that way. Unfortunately, it’s apparently true what they say: all good things must come to an end.

Yoongi sees right through you. He's met so many of your type in his life that even if he hadn’t met you before he would’ve been able to sniff you out the second you walked backstage. Users. Social climbers. The bored and braindead looking for their next toy. The exact kind of person he’s been trying to protect Jeongguk from this whole time, and now you’re on his arm.

And whatever, a hookup is one thing. Yoongi frankly doesn’t give a fuck where Jeongguk decides to stick his dick. The less he knows the better on that front. But a relationship? No, it isn’t real. Yoongi knows that much. Maybe it is for Jeongguk, but not for you. He's never even heard Jeongguk, hopeless romantic extraordinaire, talk about you.

Jeongguk introduces you as his girlfriend, and suddenly it’s like Yoongi’s watching a car crash in slow motion. He prays that he’s not alone, that Jimin and Taehyung have caught on to your piss-poor acting skills—seriously, you look like you’re about to pass out—but it looks like Yoongi’s entirely alone on this one. You have them wrapped around your little finger with minimal effort. He has a feeling that comes as naturally to you as breathing.

Of course, Yoongi has the added displeasure of having met you before, way back when. When you had the chance to be somebody, before you pissed it away, to what? To pout in front of a camera for a living? He thought he’d run out of ways to be wrong about you four years ago, but clearly you just can’t help yourself.

And of course you don’t remember him. Why would you?

Yoongi knows Jeongguk better than anybody. He also knows that thing people say about teenagers is true. If you tell them not to do something, they’ll only want to do it more. Jeongguk may be a grown man now, but he’s stubborn as fuck, and he never grew out of that. If he goes to Jeongguk and flat-out tells him that his girlfriend is a piece of human garbage, Jeongguk will only date her harder.

He tries to control the infection at the source by confronting you directly, but it’s clear the fire that he thought you lacked is, in fact, there, if only to piss Yoongi off.

“I’m not going anywhere,” you say.

Okay.

If that’s how you want to play, Yoongi can fucking play. He’s going to make you wish you’d left Jeongguk alone when he gave you the chance.

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thingsidrawgohere · 1 day ago

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I just finished my first run of DA4 and let me say- I probably got my money's worth. If one wants to view the experience via a purely mercantile lens. I found many bits of cheese and touched the insides of many angry creatures. But if one wishes to frame the thing as Art- Hell, if one wants to solely discuss it as the Fourth in a series of lore-dense, narrative RPGs, then, Cousin, We've Got Problems. Three interconnected niggling ideas that kinda all lead to the conclusion- for me, at least- that modern design practices simply do not trust the player. News flash, right?

Anyways, I think I'm going to have some thoughts on this subject to avoid other thoughts, thank you.

Full-Throated Spoilers Beyond. And a lot of them. It's long.

Idea 1: DA2 is my favorite of the series. That's not the problem; it's the setup. I know what I'm about and it's interesting characters interacting over time. Flawed characters. Abrasive, opinionated, STUPID ASS ANDERS characters. The story was scaled well for a handful of total losers and it was political. The most humanly political of all the games, I think. That's a very low bar, particularly for AAA, but it felt better to stand in a street, to be personally effected by events, than to look at a literal map of icons and notes and distant decisions as in DA3. It's important, I think, for DA to be about Being, Getting Dirty. You aren't a king. You shouldn't be.

Side Note 1: DA2 is a fucking miracle. The old gag that FO New Vegas, blessed be, was made in 18 months is trotted out to display Can-Do Attitude and DEEPLY unethical labor practices. DA2 got less time, fewer reusable assets (due to a different art style), and had to rebuild most of the engine. A. Miracle.

DA4, on the other hand, has a series of supportive, well-adapted people who have all worked very hard on themselves in therapy and know all the fucking right words to say. They chat with one another with kindness and sober fondness. In the One Instance of interpersonal friction, it is resolved with grace and speed. I find this Horrid. They fucking forgot to give these people negative traits. It's likability slurry. They experience no hard growth, hold no horseshit ideas, suffer no lingering doubts. It's not only unnatural but it's lifeless. It becomes Written. I can see the fucking author waving at me. I've got a note from my run that reads 'Rook told the man who is forcibly living inside his head "Thank you sharing that" and I want to scream.'

And that would be bad enough except the ideas are there. You've got a reluctant father story. Someone trapped between two cultures. A older man, already terrified of aging, of death, taking a Much Younger lover. That's Fucking Meat. I can see the writers straining against something but what they deliver is still person-shaped missed opportunities that repeat, that repeat, that repeat. It's So Frustrating. There's flashes of Good Writing. Of good character beats. But Also- from my notes, a character had just held her brother as he died, inexplicably for a second time, and Rook gives her a little pep talk that ends with him asking "You good?"

And the fucking woman says "I'm good" in response. She seemed to mean it.

How does one- react to that as a viewer? I told a man who wanted to be a lich more than anything to Not and he was cool with it. He never brought up being a lich again. He wasn't even upset. I let a man's city die and he's like I Get It, Bro. No Harsh Vibes. It rings hollow.

Talking over Solas' memories, collectively pulling out the meaning behind them- that was some of the best characters-interacting writing in the whole thing. And it's HOURS into the game. A shame.

Side Note 2: A lot of a loved-one death as motivation in this old refrigerator. If you get a name and one line, Oh Boy Brother, you are prolly gonna die bad. Lazy.

If I'm going to talk about Emmrich, let's talk about his romance. I honestly thought it was bugged. I Am playing through another run as a comparative but Wow. Larian and BG3 absolutely reconfigured what's acceptable in these types of story beats. This particular romance felt regressive, in a sense. Like a last minute addition. The very definition of love coins. No charisma or honest affection between the characters. Nothing allowed to percolate (more on that in a second). Just- now you are ROMANCED. Which means on the Blue Moon instance he has anything to say regarding being in a relationship, the best you can get is a 'dearest' at the end of a sentence. I was Excited by the idea of Emmrich really struggling with a May/December situation but he Doesn't. He has a few lines implying that he Could but it leads nowhere.

And they fuck in a coffin (???) and it's not even hot (!!!). Unforgivable. Double Unforgivable. I heard there was spice in this game? This is baking soda.

Related, a few lines awkwardly dodged the question of Emmrich's previous relationships and I have an inkling, without experiencing the other romances, that this is the world's largest case of gun-shy after the backlash with DA3's non-playersexual romances. This man can not be confirmed to be Anything but Into Rook, whatever they might be. There was also a throwaway line with Taash how she prefers women and that's as much as I saw of explicit preferences. I don't envy anyone trying to address the rabidity of fandom but it feels like unnecessary acrobatics.

Side Oh No: It's so bad that I'm honestly thinking of doing a fixit fic regarding the romance/character writing. And God, I can't right now. I have to finish my other project first.

Idea 2: The pacing. That's what ruins so much. There was a scene of a gnarled, fucked-up gate, torn from its hinges. And my guy says "Something Big must have torn apart that gate" all ominous, building a sense of- Nope. The very big darkspawn is standing ten feet away on the other side. I hadn't even swung the camera around the hall to see it before my guy goes "That big darkspawn must have torn apart the gate!"

Yes, I know there's an issue in open world games these days wherein devs are allergic to a player's millisecond of not knowing where to go but this feels applicable across the whole game. A problem isn't allowed to fester. It is brought to attention and then swiftly dealt with. If there's a locked door, a difficult decision, a feeling beyond Protestant determination, it will be dealt with, Post Fucking Haste. It's like the game doesn't trust the player to hold tension.

This happens not just in barks or small set pieces. Whole arcs work this way. Like Harding's longterm personal quest. She gets a handful of lines about feeling vaguely angry or perhaps thinking she Should be More angry about Lore Dump Retcon and then at her culmination, she's fighting her own anger. A vicious, hot, searing thing- and it wasn't earned. At all. There was room to telegraph this theme, bury it in the dirt to let grow roots. They didn't. One Line was given about her people pleasing tendencies And she's not really shown to be people pleasing to her own detriment. This is Chekhov's Gun in running shoes. It doesn't work. It feels like it comes out of left field.

Hell, there was a mission that was like SURVIVE IF YOU CAN and it was like- literally a long hallway. The Pacing is all Off.

Idea 3: I don't like that I must do this but DA4 doesn't understand its own flavor. The One Thing you Cannot Do is have Minrathous, the city of slaves and blood mages, seem nice. Particularly in the poor parts of town. You Cannot have the Crows be a lovely dovey band of scamps. You Cannot have the Blight be reversible. You Cannot CANNOT say "elves have it pretty good" as my Elvish Rook said with his face flaps. No. NO. You Cannot side-step the politics of this setting. These are the bones on which these characters are hung. To lessen the world is to lessen, to decomplexify them.

You know what my elf didn't hear in the town that canonically trades in bodies that look his? Knife ear. Eh to fantasy slurs but my point is no one said a cross word to my guy. The Qunari living in the town that had been warring with the Qunari for Centuries seemed totes fine. There were no alienages. There were no proper templars- even from other regions. No Mage Circles. No mage issues at all. Hardly anything whatsoever regarding the Chantry or Andrastianism, even as the game takes place in the Super Anti-Pope town. I had a literal demon-possessed man in my party and the world did not react.

I had a friend describe this Thedas as feeling smoothed out and Yeah. It feels like all the nasty bumps have been deemed undesirable. I don't know what to make of it. Is this simply taking the world in a different direction? Is it a mandate to tone down the unpleasantness, for sales? A shift in design ethos? Is this a sign of a very troubled project as it was with Andromeda?

I don't know. Is this still a Dragon Age game without its politics? There's enough here for me to wonder if Bioware is even Bioware anymore. There's a TREMENDOUS amount of work, of skill in DA4. Just Absurd. The environments are thick, Thicc. But work alone is not a virtue. Have we ship of Theseus'd so far that the people- the real people, not the logos- who have interests aligned with what made DA1 special are no longer there? Something went wrong with this project, narratively. Something I don't know how to fix without addressing basement level assumptions I'm clearly not privy to. I hope they can.

Final Thoughts: Game development is a fucking hole into which one pours one's relationships, time, and health, physical, mental both. It gives satisfaction very rarely. They shipped. In that way, huge success. It's not even, fundamentally, a 'bad game'. But it is a victim of a modern philosophy of pre-chewed ideas and player distrust. VGs are ultimately a business and, in these last few years, there's been a unimaginable devastation to the workers in the industry- even as the money flows ever upward. The desire to sell well has morphed into a NEED to sell well, even among the 'kept' studios. Big studios, Grand Dame Studios sitting on top of past critical and financial successes, been killed by their overlords recently. No one is safe. It's suddenly quite dangerous for large studios to make anything remotely niche, remotely unclear and Bioware has both Andromeda And Anthem under its belt. They're probably feeling the pinch. They needed a hit and hits, these days, are increasingly smooth. And DA4 is very smooth.

That's just my feeling on the matter. I'll see what a second run yields.

Smaller thoughts:

I don't care about the combat but that was- odd. The illusion of depth with all the skill trees and types of damage and subsystems of attack- all boiling down to a one button push. It's odd. I played rogue on PC so perhaps it's different for other classes, on console. But I pressed the button at the man and when I got a halo, I pressed another button and then pressed the first button again. No matter where I was on the skill tree, it never changed, never felt different. I don't know. It felt. Odd?

There was a Honest To God "It's quiet- Too quiet" and it just Happened. I would have pulled out every one of my teeth to avoid that. I get the jokey-okey but fuck, man.

Where's the chest hair? WHERE? Body hair? ANYTHING? Davrin has plastic chest. It's freaky.

Gloom Howler Gloom Howler Gloom Howler. Frankly, that whole storyline had a large gulg of the farcical. I laughed my ass entirely off when, upon her defeat, the Gloom Howler said "I'm sorry" and took a nap so hard that the scene wiped to 'some time later'. That was insane editing. PACING. And- naming. Gloom Howler. Gloom. Howler.

Teeth. Dear God, the teeth.

The devs were in a real pickle here, no doubt. My great sympathies. There's an Overwhelming abundance of world states that DA3 could have left on the board and I understand the balancing act between acknowledging the events of older games and staying generic enough DA4 could apply to All of them. Is Cassandra the White Divine? Or is Leliana? It's a nightmare of choices. Any of the people that Could be Divine can not be mentioned without lore issues. Who's on the throne in Orlais? Ferelden? Where's beloved so-and-so? Dorian canonically did return to Minrathous so he can 'safely' appear in game- but he fucking can't talk about Iron Bull, who may or may not be alive. Isabela canonically goes back to piracy but she can't talk about events in Kirkwall because she may not have been there for them. Oof. That's not a lot you are Allowed to acknowledge. The Poor Bastards.

Watched a braid slip off a person's shoulder, organically, as they were talking. Started at the bottom and look where we're at, technologically. And speaking on the technical, a lot of textures didn't load right. For the entire game, my guy's left shoulder armour thing had a much lower rez texture than the rest. Three hard crashes, which isn't the worst. One Wonderful mission wherein Lucanis' hair and his knives were the only bits of him to render.

I'm not touching the non-binary storyline. It was clunky, for sure, but the greatest sin was using Our words. There is canonical words for NGC/NB people in fiction and to not use them shows a fundamental distrust towards the source material and the players both. It's the linguistic version of the quest marker or the barks telling you where to go.

I still don't know how I feel about the dead Varric twist. Feels goofball but he got to hang out in his little pajamas. I wish I was in little pajamas.

Solas was pretty fucking tight but I think a lot of that was due to his VA. Something about the voice direction, in general, felt- flat? But old Solas was doing it good.

Ending. God, I get it. People are tired and satisfying endings are hard. And DLC exists, more cynically. But Hells Bells, I'm getting to the point wherein even the slideshow is annoying. Give me a fucking Ending to the Choice Game. Don't you fucking 'Spider-Man Will Return' at me, you bastard. I'm a child of fucking god.

Yes, I got the secret ending. I know. That was Also bullshit.

I feel better getting that all out of my system. Thank you for sharing that.

#dragon age

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