#it has been pointed out I should also tag

[dreamsteddie]

Can't Take My Eyes Off You

Written for the @stmarchmm day one prompt “courting rituals” | Tags: Alpha/Beta/Omega Dynamics, Courting Rituals, Alpha Eddie Munson, Omega Steve Harrington - Also on Ao3

Bat divider -@popmilky | Diamond divider - @inklore

Eddie knows he doesn’t have much going for him in terms of mating material.

Despite presenting as an Alpha early at age twelve, something that should have given him some kind of status in a town like Hawkins, there’s always been something about him that makes people turn their noses up at him, close doors in his face. He’s kind of wishy-washy when it comes to the things he’s not passionate about, he smells like wet pavement and cigarette smoke, and can’t for the life of him seem to graduate high school.

He also can’t grow a beard, can’t remember to separate the darks from the lights, can’t tie his shoes without using the bunny ears method, can’t hop in place and rub his tummy, can’t- 

Well the point is, there are a lot of “can’t”s in his life and never a whole lot of “can”s

The one thing Eddie can do without a shadow of a doubt is pursue delusions of grandeur with a single-minded determination. No matter how hard this shit-hole town and all its designation-obsessed inhabitants have tried to beat him into the dirt over the years, he’s never let go of his dreams. Some day, he’s going to play songs for the entire goddamn planet, making millions of dollars off lyrics inspired by all the games and books that have gotten his head shoved in the Hawkin’s High toilets over the years, and Mayor Kline will have to give him a key to the city while Eddie Munson, town freak, gives him the middle finger.

And, if all the stars align and the Big Guy upstairs he doesn’t believe in does him several solids, he’ll be doing it with Steve Harrington standing by his side.

The guys think he’s crazy—Eddie thinks he’s crazy—but Eddie is determined to give his all into courting Steve Harrington before their shared senior year ends. He’s, by and large, the most eligible Omega in all of Hawkins, even with his recent breakup with Nancy Wheeler under his belt. No amount of ditching the popular crowd, adopting a bunch of children, and becoming best friends with band geek Robin Buckley has been enough to deter the Alphas of Hawkins High, even if some of them won’t admit it.

Eddie takes great pleasure in watching every failed courting offer. Steve has always been picky about who he lets take him out, but he hasn’t taken up a single Alpha’s offer since Nancy and the rejections are getting more brutal by the day. Eddie suspects it’s Robin’s influence and if that is the case he needs to thank her profusely because Eddie goes a little weak in the knees every time he sees Steve literally turn up his perfect nose at an offer.

So, the odds aren’t looking good. Steve is picky and Eddie is famously a poor, nobody freak, not the kind of guy with the resources to properly woo a guy like Steve, but what Eddie does have is a lot of passion and a strong desire to prove himself. 

So Eddie has a capital P Plan.

“Hey Buckley,” Eddie says sliding up to the girl where she’s packing up at the bleachers after practice. She gives him a scrutinizing look and clearly finds him lacking, squinting her eyes at him like he’s a little bug landed on her shoulder. Irritating and suspicious. Which, rude. “I was wondering if a fine lady like yourself would happen to know what one Steve Harrington might be hoping for in a courting” Robin clearly wasn’t expecting him to come right out and ask, her blue eyes going wide.

“What the fuck, Munson!” She crows, clearly embarrassed by his lack of tact.

“What!?” He fires back, not understanding what the big deal is. He wants to court Steve and Robin is the best source of information on how to go about it.

“You can’t just ask that, you doofus,” she hisses, lavender scent going smokey like brush fire.

“Why not? I want to court him, like, publicly. Everyone’s gonna know in a couple weeks anyway. Shouldn’t you be glad you’re the first to know?” He huffs. He knows it’s not exactly the done thing to go around telling people you’re going to court someone. You’re supposed to be delicate. Hint at it and build up little courting gifts and don’t look anyone in the eye. It’s dumb as hell and Eddie wants no part of it. Besides, so far as Eddie has seen, that method hasn’t worked on Steve anyway. Eddie may as well go about this in his own way, which includes getting insider information.

Still clearly not impressed, Robin says “You? You want to court Steve? Resident anti-conformist, jock-hating, Eddie Munson wants to court Steve Harrington. Why?” Her tone is clearly disbelieving, which, again, rude.

“Uh, I mean, have you seen him with those kids? He’s wicked hot with that whole mom thing he’s got going on.” At that, Robin gags. “And, I mean, I know he’s a jock but he’s also an Omega and he pretty much said fuck it to Hawkin’s High when he presented and refused to give up his position as captain. That was super fucking metal,” he says all earnest.

“And I like the way he smells, like a fresh cinnamon roll. And we shared an English class once and he asked me about the doodle of a Beholder I worked on instead of taking notes. And I know I’m not exactly a prime Alpha but I don’t think that really matters. At least not to me. I want to kiss him and make sweet love to him and have babies with him and -” Robin cuts him off with a hand over his mouth.

“Ok, I get it. You like him.” She says that, but she’s still looking at him like she can’t figure him out. “Alright…I don’t know if I like you Eddie but I’ll throw you a bone. Just one, got it? And if you fuck it up, I’m not helping you again.” She says, waiting for him to nod before removing her hand from his mouth.

Eddie takes a deep, overdramatic breath in like he’s just breached water. “Got it.”

Robin takes a deep breath of her own. “Steve’s been propositioned for courting 19 times since he presented and he’s only said yes to one. One-off dates not included.” She hasn’t stopped looking him straight in the eye, making sure he pays attention. “Nancy gave him a set of handwritten notes for history because she noticed he was struggling. All the other Alphas got him fancy jewelry, useless house stuff, and generic valentine's day crap.” With that, she gives him one last, long look before grabbing her trumpet and leaving, the sound of metal clanging under her feet following in her wake.

“Thanks, Buckey!” He calls out, waving his hand wildly at her retreating back. She ignores him.

Well, no matter. He’s got a courting to plan.

The thing about courting when you have $3.45 to your name after rent and gas is that you have to get creative. Which isn’t a problem, Eddie breathes creativity. If he wasn't already “The Freak” he’s sure he would be Eddie “The Creative” Munson. Really, it has a nice ring to it.

The problem comes with making something with $3.45 that is also a worthy courting gift for Steve Harrington. Which, given Robin’s tip, might not be as big a concern as he would have thought. But even if Steve would be happy with a heartfelt love letter and those peanut butter brownies Eddie knows he likes, there’s a part of him that wants to blow every other Alpha and Beta that came before him completely out of the water. Maybe especially Nancy Wheeler.

Sue him, he wants to be the best.

Which leaves him with the option of a gesture. Eddie loves a gesture, but this one is going to require some help. Luckily, Eddie knows where every gang of geeks in Hawkin’s makes their dens, even if they’re not his gang of geeks. It comes with being Head Freak. It’s his responsibility, really.

Which is how he finds himself in the Hawkins Middle AV club room being stared down by a bunch of beady-eyed thirteen year olds on the verge of presenting. Jesus, these kids are intense.

“So yeah, that’s what I’m planning,” he finishes explaining. Would it kill them to look a little impressed? He’s pretty proud of it himself. Instead of sharing looks of awe, the six of them share looks of judgement between them, obviously having a silent conversation between them like some kind of hive mind. Eddie will never admit it makes him sweat a little bit.

“You want to ask to court Steve. Steve Harrington?” the tall, skinny one asks like he can’t believe it. Eddie doesn’t know if the disgust is for him or for the Omega. Either way, ouch.

“Yes,” he replies, sweating a little more. They all share more looks, the redhead in particular is looking at him like he’s gum stuck on the bottom of her shoes. 

“Why?” The curly one asks, firm and more seriously than any kid that dorky looking should have any right to speak. Seriously, he looks like a poodle in a Star Wars shirt and a trucker hat. But, Eddie knows enough about Steve to know that these are his kids, his pups, and despite how much it chafes him to have people continually asking why he wants to court Steve, like it isn’t obvious, he knows these pups are just looking out for their pack Omega.

With a deep sigh, Eddie explains for the second time in less than a week, everything he loves about Steve Harrington. At the end of his speech, the pups stare at him for a long moment before simultaneously turning their back on him to form an honest to God huddle. Seriously, the hive mind thing is looking more and more likely. Maybe he should use this for a campaign. Very Children of the Corn.

While Eddie is lost in his musing, they seem to come to some kind of conclusion, breaking up and returning to one solid, unbreakable line. It’s the other girl, hair short and at that awkward growing out length that Eddie knows all too well that steps forward. All these kids are intense, but there’s something especially severe about her, something Eddie only half recognizes.

“We will help you,” she says, quiet and solemn. 

This is going to fucking fantastic, Eddie thinks, wild grin splitting across his face.

It’s embarrassingly easy to sneak a band of six middle schoolers and one elementary schooler into the school after hours. The kids met him outside the building just at exactly 4:00 PM the Friday after their meeting in the AV room just as they planned. The addition of the feisty ten year old was unexpected, but she proved herself invaluable in charming the one teacher that stopped them on their way to the radio room, spinning some tale about being so excited for higher learning that they wanted to explore the high school. Eddie thinks Erica Sinclair should run the world.

The kids are a well oiled, if slightly annoying, machine. As soon as Eddie pops the door open they’re getting to work figuring out how the PA system works and how long the range is. Dustin and Lucas insist that they move the entire unit closer to the field, and Max and Will are quick to source a cart for the whole thing. In record time they’re all piling into the coaches office, the one with a clear view of the basketball court where the team is running their Friday drills. Honestly, it feels a little like they’re highjacking Eddie’s plan, but the smiles on their face and their puppy sweet excitement softens the blow a little.

“You ready?” The curly haired one, Dustin, asks while offering him the mic.

“I was born for this, Dusty,” he says, snatching the mic out of his hand and taking his place outside the main gym doors.

Despite what he said, Eddie is nervous. He shakes his hands and bounces in place, trying to shake it off. Before he’s ready, he hears the slightly crackly jazzy intro pouring through the speakers. He counts his beats, waiting for his que. He spent hours planning this, recording the background music with the band, turning the lyrics over and over in his head, even practicing his grand entrance. He’s as ready as he can be.

God, he hopes this works.

And there’s his que, that little pause in the music just enough time for him to push open the doors to the main gym with all his strength, relishing in the dramatic banging sound.

All eyes are on him. Steve’s eyes are on him.

You're just too good to be true,

Can't take my eyes off of you,

He sings as he walks. All the activity in the gym has come to a halt, everyone too confused and curious to stop it. He’s looking right at Steve, who turns his head like he’s expecting to see someone else behind him. He’s so cute, Eddie wants to eat him alive.

At long last love has arrived,

And I thank God I'm alive,

You're just too good to be true

Eddie knows he doesn’t have a lot of time, any moment now principle Higgins and his one security lackey are going to bust through the doors to find out who stole the announcement equipment. This is the moment, the one that needs to count. Eddie saunters right up to Steve like his heart isn’t trying to beat out of his chest and kneels down like a knight to their king. He takes his hand, and Steve lets him as he sings the next line looking right up into those beautiful hazel eyes.

Can't take my eyes off of you.

He turns the hand in his own over to expose the Omega’s wrist just as the music pauses and presses a soft, lingering kiss to the gland there. A courting kiss.

Almost like he planned it, the doors burst open a second time revealing the fuming face of Principle Higgins and his goon. He turns a manic grin Steve’s way just as the music picks back up, cutting straight to the chorus. He presses one last kiss to Steve’s wrist and takes in the way his pretty, pink lips are parted in disbelief, eyes wide and then he’s running.

I love you baby,

And if it's quite alright,

I need you baby,

To warm the lonely nights

Let it never be said that Eddie Munson, for all the ways he fails to be the ideal Alpha, doesn’t have a hell of a lot of stamina. He’s been a proud runner all his life, and he’s using it to his advantage today to put on a show. He’s singing and he’s running as Higgins and Officer Jerry chase his tail like they have any hope of catching him when he doesn’t want to be caught, when he can see the most beautiful boy in the world laughing at him in disbelief as he ducks and dodges around the court.

But even Eddie has his limits and, like he said, he planned this to a T. He can feel himself running out of breath but he refuses to call it before the climax. He’s stomping his way up the bleachers, making a show of going between the rows dancing like he’s in an old hollywood musical. Higgin’s is closing in, but there’s now way he’s getting caught. Not today. He puts in a burst of speed, leaving them in the dust and putting himself right at the top of the wooden stands, singing directly to Steve who is absolutely glowing on the court.

And let me love you,

Baby let me love you…

The music gives one last swell, the Corroded Coffin of two days ago pouring their heart out for the Eddie of today. The music comes to an abrupt halt, the gym very quickly filling with laughter and applause. The kids are screaming their heads off in the office, loud enough to draw Steve’s attention to where they can be seen through the large window. The joy and disbelief on Steve’s face makes all of this worth it, no matter what happens next.

Eddie wishes he could relish in it longer, but the goon squad is gaining ground fast and he has one last message to give before he hauls ass into the next phase of his plan. He starts inching his way toward the exit, not taking his eyes off Steve as he goes. He needs him to hear this.

“Steve Harrington, it would be the honor of my life to court you with the intention of mating. Meet me at the lake at seven if you’ll hear me out.” And with that, he’s gone. He wishes he could stay to see his reaction, but he’s out of time.

He pushes through the emergency exit to the sound of hollering and clapping, all he can do now is commence with phase two.

Phase two mainly consists of picking everything up from the trailer, changing into his nice clothes, and heading toward Lover’s Lake to set everything up.

Eddie thinks this is the most nerve wracking part of the whole plan. In many ways, the whole big performance was the easy part. Eddie loves to perform, eats up the attention like a cat laps up milk. This, the full bearing of his heart to the Omega he wants to spend his life with, is far scarier than anything else. Here in the back of his van, the paper hearts and pillar candles, hand-picked daisies and hand-made peanut butter brownies, leave him completely exposed.

He wonders if Steve will show up.

He wishes he didn’t set up so god damn early. The waiting is excruciating.

The Alpha paces around, adjusts the blankets on the bottom of the van and then decides they were better before, and checks his watch every half minute like it will make time move faster. He sits and watches the hands turn from 6:59 to 7:00. Maybe Steve won’t come. Maybe this was all for nothing and he’ll have to go back to school on Monday and pretend like he isn’t heartbroken.

His watch continues to tick. 7:03, 7:07, 7:10. He’s getting ready to pick it all back up when he hears the muffled sound of tires on soft dirt. Suddenly, his heart is in his throat as he watches the distinct headlights of his favorite Beamer turn into the clearing.

Eddie scrambles to his feet, he has a plan to carry out.

He watches, heart in his throat as Steve parks. Watches as the door opens and Steve emerges, a sweet, sheepish smile on his face.

“Sorry I’m late.” Steve looks like a dream. He clearly went home and had a shower and a change of clothes. He’s wearing light wash jeans that hug his thighs and a soft looking, deep red sweater, the collar of a white dress shirt peeking out from underneath. He’s dressed up for Eddie.

There’s a long pause where Eddie forgets how to speak and Steve just stands there, clearly waiting for Eddie to make a move. Eddie comes back to himself all at one, shaking his head hard like a dog, making Steve let out a startled laugh. “What the hell?” He asks, not mean, but bemused. 

“My deepest apologies my liege, I was simply stunned by your beauty,” he says with a half bow, extending his arm for Steve to take. “It is my pleasure to welcome you to Cafe Munson, the finest pop up restaurant this side of Indiana.” It’s goofy and a little ridiculous but Steve takes the offered arm with a little smile, sending a pleasant jolt through his body. 

Eddie leads Steve toward the open back of the van, watching him intently as he takes it in. He gets to see as the Omega’s eyes go wide, mouth parting in a little gasp. When he turns to look at Eddie, he’s already looking back. “You did this for me?” He asks, wonder coloring his voice. All of a sudden Eddie feels a little shy, a little sheepish.

“I know it’s not much, I’m not exactly liquid at the moment, but I wanted to do something nice for you,” he says, unoccupied arm reaching up to tug a piece of hair over his mouth. Steve looks at him for a long moment before turning back to the van. There are blankets everywhere, pretty much every one from the house plus a couple he nicked from Gareth’s house after practice. The emergency pillar lights from the pantry give the space a soft glow, paper hearts hang from string from the metal roof, and a repurposed laundry basket full of tupperwares and miller lites sits in the center.

“It’s perfect” Steve says, and Eddie can’t help but believe him. Not when his scent is blooming, cinnamon roll sweet, right under Eddie’s nose.

Eddie leads him to the van, gives him his hand to help him into the back. He takes a moment to take it all in, Steve Harrington settling into a date with Eddie Munson. It’s his biggest dream come true. 

He climbs in after the other boy and starts pulling out tupperwares. Steve has settled in to lean on the wall of pillows Eddie constructed for just this reason, pulling a blanket over the both of them when Eddie settles in next to him. Steve laughs with every overly dramatic introduction he makes for the food, and Eddie doesn’t think he’s ever been this warm. Neither of them brings up why they’re here, the underlying meaning behind it all. They dance around it, laughing about the kids, Steve’s sports and Eddie’s games, the look on Principle Higgin’s face when he burst into the gym earlier that day. The whole place smells like cinnamon and smoke, Eddie doesn’t think there’s a better smell in the whole world.

They don’t say a thing about courting or mating or scents until they polish off their cold pasta, courtesy of Wayne, and Eddie pulls out the last tupperware from the bottom of the laundry basket. “And for dessert, may I have a drumroll please….” Steve rolls his eyes but smiles as he complies, drumming a little beat with fingers on the side of the van. Eddie pulls out the container with a flourish, “The finest peanut butter brownies $3.15 worth of ingredients from Melvald’s can get you.” He expects laughter, maybe some light teasing as Steve has been shown to enjoy throughout the night, but all he gets is silence. 

He worries, for a moment, that he got it wrong. Maybe Steve doesn’t like peanut butter brownies. Jesus H Christ, maybe he’s allergic to peanuts and Eddie has just massively fucked this up. He’s getting ready to spiral and try to fix it when Steve speaks, voice soft in a way Eddie can’t place.

“Those are my favorites,” he says. When Eddie is brave enough to look at his face again, he’s met with wet, adoring eyes. Eddie doesn't know if anyone has ever looked at him like that before. Like he was something magical. Something special just for them.

Eddie clears his throat when Steve doesn’t say anything else. Just keeps staring at him like he’s waiting for something big. “Yeah, yeah I know,” he says, bracing himself for what comes next. “I uh, I saw you buy some at the club fair last year. You bought three of them and then came back for one more before they closed the booth.” It shouldn’t be such a big admission, but it feels like he’s just handed Steve his heart on a silver platter.

“Eddie?” Steve asks, turning toward him fully.

“Yeah?” Eddie asks, sitting up so they’re eye to eye.

“What you said, on the basketball court, will you ask me again?” He’s looking at him with so much hope in his eyes, Eddie almost feels like he could choke on it. Instead, he focuses in on the perfect scent of the man next to him, breathes steadily in and out.

“It would be the honor of my life to court you with the intention of mating, Steve Harrington.” As he says it, he reaches into his pocket for his last offering, his hail mary pass, his death saving throw. It’s a silly thing, cost his last 30 cents at the stationary store, but he was listening to Robin on those bleachers that day. Knows that the gesture and the picnic are all well and good, but what Steve has been missing with all those other Alphas is someone who notices the small details and holds them close. Someone who cares about his C+ in History, someone who knows his favorite brownies are swirled with peanut butter.

Someone who notices that he lost his eraser last week and has been meaning to pick up a new one.

Eddie holds out his heart one last time, it’s shaped like a 30 cent eraser. White and covered with a paper band. The best one on the market.

Steve stares at the little eraser like it contains the answers to the universe, and then he’s plucking it, oh so gently, out of his hands and cradling it in his own. Eddie waits, the ball is completely in Steve’s court now, Eddie has played all his cards.

Suddenly, Steve scent starts to bloom, even more than it did when he first saw the van. The smell of sugar, cinnamon, and yeast so strong it makes Eddie feel light headed. Eddie gets a glimpse of the most beautiful smile in the world just before Steve is throwing his arm around his neck, nudging his way into his lap to notch his head right at Eddie’s scent gland. Eddie’s arms instinctually wrap around his back, keeping him close.

“Yes,” Steve says, the sound of it muffled by the soft skin of Eddie’s neck. Eddie squeezes him tight, knows he needs to ask, just to make sure but worried he’s hallucinating. Scared to believe he’s getting everything he’s ever wanted.

“Yes?” He asks, lips trembling where they’ve found their own place at Steve’s neck, wanting to be as close as possible, just in case.

“Yes.” And Steve is pulling back, which Eddie hates, and cupping his face in is hands. “It would be the honor of my life to accept your courting offer, Eddie Munson,” he says, sure and steady and full to the brim of hope.

“Holy shit.” Eddie can’t believe this is happening. Despite all the planing and the performing and the putting his heart on the line he never actually let himself think that this would happen. Never let himself think about how it would end.

Without much though Eddie barrels forward to bury his head back into the Omega’s neck, his Omega’s neck, peppering him with fervent little kisses until Steve is giggling so hard he tips them over into the pile of pillows behind him. Eddie is full to the brim with joy, happier than he’s ever been and all of a sudden he needs to move. Needs to let the whole world know what he’s got in the palm of his hands.

He jolts up with one last kiss to Steve’s cheek, managing a quick “be right back!” before he launching himself out of the van. He hears Steve calling out in confusion, but it quickly turns into more joyous laughter as Eddie steps out of the van and starts jumping in place, punching the air and whooping into the night sky.

“Fuck you Hawkins! I’m courting Steve Harrington! I’m on top of the God Damn world!” He gets in one last double bird in the general direction of Main Street before Steve is calling him back in.

“Ok, you’ve had your moment. Now get your ass back in here and kiss me for real, you dumb Alpha,” he says, laughter still caught in his throat. And really? Who is Eddie do deny a request like that?

So excited for MMM, guys! I won't be doing every day, but I will be doing at lest a couple of full one shots and some of my normal ramblings. (Also, this is the longest thing I've ever written that wasn't an academic paper and I am low key very proud of myself)

[cappulcino]

The Shape of Us

Read on AO3

Words: 6,440

Pairing: Larissa Weems x Wife!Reader

Summary: You and Larissa are on a “break”. When you agree to meet for coffee at the Weathervane, you finally get to begin healing.

Tags: established relationship, angst with a happy ending, some fluff (flangst if you will), emotional hurt/comfort, eventual smut (skippable, but maybe minors dni), maternal Larissa, character development, no Y/N

Trigger warnings: non-graphic mention of G!P (tell me if I should add more)

A/N: Quite a change of style with this one. I had the idea and just wanted to use it to practice instinctive writing, kind of. It’s also the first time I try to write present tense. Very experimental overall, not as thought out as usual, Larissa might not even be characterised the way I like her to be. Also, no beta, we die like Phasma. I hope you still enjoy it.

Eight months. That's how long you haven't seen Larissa.

You're not divorced –not yet anyway. But after four years of marriage, six years total of a seemingly perfect romance, Larissa had asked for a 'break'. You had agreed to it, and perhaps it had been the right decision, too.

You and Larissa had been constantly fighting over trivialities. And since you had been barely having any, not even sex could have saved your relationship at that point. The main argument often revolved around Elias, your son from your previous spouse.

You had met Larissa when you were seven months pregnant after a particularly hard divorce, and it had never discouraged her. She had courted you all the same, made you feel loved and beautiful like your abusive ex never had –or any other partner, for that matter–, and she had sworn to stay by your side forever.

Elias' birth had propelled your relationship into something terribly concrete in very little time. It had not been easy. But Larissa had helped you raise your little boy as her own without complaining once.

That was until your somewhat divergent views on Elias' upbringing got in the way, amongst other things, leading to endless arguments late at night, trying to keep your voice hushed so as not to wake Elias, but gesticulating and pacing furiously until you were both too tired to say another word.

And then one night, Larissa had said, "I think we should take a break."

Out of anger, you had asked her to be the one to pack her stuff and leave. You had bought your house together –she could have claimed the right to stay, too. But you had Elias and nowhere else to go. She had her quarters at Nevermore. So she had packed and left that very same night without even putting up a fight.

Eight months ago, then.

The break had hurt, kept hurting month after month, and to this day it still hasn't stopped hurting. It might even be worse.

Today, however, you and Larissa have agreed to meet for coffee at the Weathervane –just to see each other and talk, nothing more–, and you are desperate for this pseudo-date to mark the end of that damned break.

But while Larissa had been the one to initiate it, you had been the one to be a bitch about it, so you know you can't expect Larissa to jump for joy when you bring yourself to step inside the Weathervane.

Yet, you're filled with hope, and when you finally push that door, you realise it's not the chilly wind making you shiver, it's the anticipation.

With faked determination in your stance, you head towards the counter. But then you catch the shy wave of a hand with perfectly manicured red nails from the corner of your eye and stop abruptly.

Larissa is already here –of course she is– and slides a cup of coffee across the table she is sitting at. She knows she is always ten minutes early to everything and you, ten minutes late, and has ordered accordingly so your cardamom and sea salt vanilla latte is waiting for you, still steaming.

You want to run to her –you almost do. But you have to take a second to compose yourself. There is a whole range of emotions on her face, from bitterness to sadness and hurt. But she flashes you a weak smile and you are pleased to find out that there is still love underneath it all.

Slowly, with less determination than before, you walk up to the booth she has chosen and sit across from her.

"Hey…"

"Hey…"

There is a slight hesitation in Larissa's attitude and tone as you take off your coat and put your bag down, and you wonder if she's excited to see you or scared –or both, like you are.

"I took the liberty to order for you. I hope that's okay," she says tentatively, as if worried your tastes might have changed in the past eight months.

"More than okay. Thank you."

Your eyes start a game of roaming all over each other's bodies without ever meeting, and you notice how Larissa unclasps her hands and her fingers start reaching out before she changes her mind to pull away and fidget under the table instead. It makes your heart clench.

"You look good," she suddenly blurts out.

It's game over for you as your eyes snap back up, boring into hers. You tell her that you think she looks even better. You mean it. But you are pained to see the weary look on her face, the hint of exhaustion no amount of makeup can hide.

You also notice the dress she is wearing, the same one she was wearing the day Elias was born. She had complained time and time again that it didn't fit her anymore, and the thought of her losing so much weight it does again almost brings tears to your eyes. Guilt is consuming you.

Larissa clears her throat in that particular way you know she does when she is struggling to stay calm, and you know it's your cue to pretend you haven't seen anything and start an actual conversation.

"How have you been?" you ask before taking a sip of your latte.

Larissa shrugs, trying to appear nonchalant, even though she is anything but.

"Oh, you know… Busy. With Nevermore, mostly. The new term is approaching, so there's a lot to take care of. What about you? And… Elias?"

You purposely ignore the first question. You feel anything but good and don't have the strength to pretend like Larissa does. You don't want to admit you have been obsessively thinking about her every single day for the past eight months either. But when she mentions your son, you can't help but let your heart speak before your brain can reason it anyway, your tone clipped and cold.

"Let's not pretend you don't know how he's doing. I know you've been calling his school, and that you 'casually dropped by' Clarisse's house right when Elias was there for Timothy's birthday."

Feeling caught, Larissa pinches her lips and looks away. But she quickly recovers, her expression slightly hardening.

"You cannot expect a mother to stay away from her child for months on end without any news. Elias is my son, too." 

"He's my son."

As soon as the words leave your mouth, you feel like dying inside, drowning in instant regret.

Larissa feels punched in the gut –so hard that it makes her gasp audibly. You notice the way her nostrils quiver and her eyes immediately water. But she clenches her jaw, forcing herself to remain cordial.

"Now you're just being cruel."

"I know. I'm sorry."

"Are you?" 

"Yes."

"Then why did you say that?"

"I don't know!"

And it's true. The worst part in all this is that you never mean any of the poison you spit at your wife. It just comes out and you're not even sure why.

An awkward silence sets in for a moment, and you bring your cup to your lips with trembling hands before speaking again.

"He barely talks to me now. And when he does, it's only to ask, 'When is Mummy coming back?'"

"What do you tell him?" Seeing your lack of response, Larissa presses further. "He deserves answers."

"But I don't have them, do I? Just like I don't know what to tell him when he comes home from school and tells me that little Lisa's parents are getting divorced and her father is now with another woman, and asks me if his mummy is, too."

"What do you mean, you don't know what to tell him?" Larissa asks, briskly bringing her hands back on the table to better lean forward.

"Well, are you?"

"Am I what?" 

"With another woman."

Larissa scoffs loudly, visibly shocked by your question.

"Heavens, no! I'm still wearing my ring."

"It doesn't mean anything."

"No?"

Once again, Larissa visibly aches at your reaction, and you hate yourself for it. Thing is, the fact that she is still wearing her wedding ring does mean a lot to you. It means everything. But you're too scared to get your hopes up, and before you can do anything about it, your heart decides it's best to kill that hope in the womb.

"So… You haven't seen anyone else? At all?" you ask nonetheless, still needing to make sure Larissa remains yours.

You have always felt like she was the most attractive of the two, and have always had this fear she would go look for someone better than you whenever she got the chance.

Larissa glares at you as she sips her own coffee, debating whether to indulge your jealousy or not. Eventually, she decides to be entirely honest.

"Someone did ask me out." Your eyes instantly darken while she continues. "Hannah, the florist. But–"

"But what?" you cut her off, feeling yourself turning green. You can't bear the thought of her with anyone else.

"But I said no, of course! Gosh, who do you think I am? I was never interested in her."

There is another pause and, seeing your eyes dart away, Larissa suddenly worries you might have been trying to tell her something. You notice her gaze quickly scanning your left hand to check your wedding ring is still there.

"Have you been seeing anybody else?"

"Absolutely not."

"Good."

The relief that washes over Larissa's face is undeniable. You find it almost cute, but mostly you feel a weight lifting from your own shoulder, reassured by the notion that you both remained fiercely faithful, no matter what.

Impulsively, Larissa stops fumbling with her napkin, cup, and whatever is in front of her, and gives in to her desire to touch you again, snatching your left hand. She squeezes it, presses it to her cheek. Her thumb traces loving circles on your skin, her lips pepper your knuckles with urgent kisses. Her breath is heavy as she relishes the familiar touch.

"I still love you, you know," she finally blurts out in a desperate whisper. "So much."

You can't help but gasp. Larissa wants to see you. She is wearing the same dress she wore for your son's birth. She hasn't taken her wedding ring off. She doesn't want Hannah the pretty florist. She still loves you.

It has been way too long since you last heard these words, and they make your eyes instantly well up, tears threatening to fall over your waterline like a dam bursting open.

Seeing that, Larissa brings a hand to cup your cheek without letting go of your left one, which she still kisses now and then. The movement is barely there, but you see her shake her head as well, and you can tell she hates seeing you like this and wonders if this break was truly a good idea after all. You're both more miserable than you care to admit.

Eventually, she dares express her doubt.

"Was this break beneficial to you at all?"

You can't say that a little distance wasn't needed. But God knows you can't live without Larissa either, and raising a six-year-old on your own is just too difficult.

"Was it to you?" you ask, once again eluding her question.

Larissa looks up, both forcing herself to swallow her own unshed tears and trying to come up with an answer. But for the first time since you sat at that table, she seems not to have any.

"All I know is that I miss you," she confesses instead. "And I miss our son."

"I miss you, too. We both do."

Your voice cracks at these last words.

"I want to see him. I need to see him," Larissa practically begs. "You can't keep me away from him forever."

You nod slowly and snuffle. You know that's fair –you had no right to forbid her to see Elias. Worse than that, you had no right to forbid your son to see his mother.

After a moment, you carefully pull away and grab your napkin to wipe your tears and blow your nose rather disgracefully. Larissa can't help the faint smile tugging at the corners of her lips as she hears that sound and sees how red the tip of your nose has turned.

"Do you, uh… Do you want to come home for dinner?" you ask then. "I think Elias would be delighted to see you."

Larissa's heart skips a beat at your invitation. The idea of going home, spending some time with you, with your son… It's everything she has secretly been yearning for. Yet, you sense a slight hesitation. Larissa is still wary of how the evening could go –rightfully so, considering all the arguments you've had in the past.

"Are you sure?"

You don't want to imagine anything negative right now, so you just nod.

"Be there at eight?"

"I'll be there."

That evening, at eight, when the bell rings, you send your son to open the door.

"Elias, honey, I think you might want to answer that."

Your son turns away from the cartoon he is watching to glare at you darkly, but you insist, jerking your head towards the door, and he finally complies, sliding off the couch to go answer it.

When he does, you can see Larissa standing rather awkwardly by the doorway from where you are. The realisation of how uncomfortable she must feel to have to be invited into her own home truly tugs at your heartstrings. But then you see her eyes land on Elias, and her demeanour changes immediately.

"Hello, sunshine!"

Elias gasps loudly.

"Mummy!" he shouts, bouncing excitedly on his legs.

But just when you expect him to jump into Larissa's arms and squeal like he has just seen Santa, he freezes on the spot and a noisy whine escapes his mouth, quickly turning into full, ugly cries –the only way for him to express all those big emotions he had apparently kept bottled up all these months.

"Oh, oh, oh… Baby, no…"

With practised ease, Larissa picks Elias up, even though one of her hands is already full with the bouquet of roses she has bought for you on her way here. Hearing your son cry so desperately is killing you. But your heart breaks even further when you notice his short hair turning platinum blonde.

Elias has inherited your shapeshifting abilities but is too young to control them, of course –and you've never been too keen on teaching him how to, either. When a young, inexperienced shapeshifter feels strong emotions, it is not uncommon for their powers to go haywire. Quite often, the youngest partially shapeshift into someone they feel close to, usually a parent. For Elias, it's Larissa. Always Larissa.

"Mummy…"

"Oh, I know, sweetheart. Mummy missed you, too. More than you can imagine."

As you lean against the wall of your entrance, your hand on your chest to prevent yourself from choking on your guilt, Larissa glances at you, silently communicating her own mixture of sadness, guilt and affection.

Seeing Elias won't let go of her anytime soon, your wife invites herself inside. You come closer, closing the door behind her, while your son struggles to calm down.

"I… brought you these," Larissa says, bending at a weird angle to hand you the flowers without letting go of the little boy in her arms.

You take them, a small smile on your lips until you realise whom she must have bought the roses from.

"Did you buy them–"

"From Hannah? Yes." Larissa notices your jealousy flaring, but she quickly tames it. "I asked her for the most beautiful roses she had so I could gift them to my wife."

The pride in her eyes and her slight possessiveness make your heart soar and the smile returns to your lips.

"They're beautiful. Let me find a vase for them."

As you go find a vase for the roses, you can hear Larissa struggle to get out of her coat and then walk into the living room without ever putting Elias down.

"It's okay, sunshine. Oh… What's that you were watching? Is that Pokémon?"

"Mmh."

"You like Squirtle, don't you?"

"No. My favourite is Lucario."

"I'm sorry," you hear Larissa reply with a melancholic tone. "Of course, it's Lucario."

That simple exchange makes you realise just how fast things can change in a child's life, and therefore how much Larissa has missed because of you. You wonder if she will ever find it in her heart to forgive you. You know you won't.

Throughout dinner, Elias simply cannot stay still. Every time Larissa so much as shifts on her chair, his little hands reach for her to make sure she won't leave without him. Despite your instructions to eat his food –especially his vegetables–, he also keeps wiggling free, running back and forth between the table and his bedroom upstairs to go fetch his new toys and latest drawings and show them to Larissa. He speaks fast and loud, as if scared to give even the tiniest opportunity to either of you to say something negative and ruin the night for him.

Larissa, for her part, seems overwhelmed but far from unhappy. She holds each drawing carefully, murmuring praises as she flips through them, her smile never leaving her lips. Still, she regularly sneaks glances at you, and you understand she is waiting to be finally alone with you for a moment. You're waiting for this, too. You also both can't stop your eyes from darting to each other's lips, and it definitely doesn't help with the tension that has been building up since your coffee date at the Weathervane.

Thankfully, with all those emotions and that energy spent, Elias is quick to collapse on Larissa's lap, his thumb stuck in his mouth. You reach for his tiny wrist –you have successfully started weaning him off that habit over the past months and don't want him to pick it up again. But Larissa gently pushes your hand away.

"Leave him," she says, her voice not unkind but firm. "He needs it."

You sigh but give in. Tonight is not a night to argue about anything.

"You should go tuck him in," you offer after observing your sleepy child for a moment. By now, even his nose has shapeshifted into Larissa's.

Your wife smiles at the proposal and excuses herself, cradling Elias close to her chest as she brings him upstairs. Your gaze follows them fondly until you can't see them anymore and you decide to get up to clean the table a little bit.

But you quickly stop to go upstairs instead and see how things are going. You can't help it. Not necessarily because you want to control your wife, no. It's more because you find the sight of her with Elias comforting and absolutely heartwarming, and you need that right now.

As you arrive in front of your son's bedroom and peek through the crack of the door, you hear Larissa trying to explain to Elias how "mommies can still love each other very much and not be together for a while". You find her courageous. You've never had the balls to attempt such a difficult explanation, despite Elias' incessant questioning.

"I want you to be with me and Mommy again," you hear him plead sleepily.

"Oh, sweetheart…" Larissa coos, her fingers delicately brushing his still-platinum hair away from his forehead. "I want that, too. I really do. But Mommy and I… we're working on some things, okay? We're trying to make things better, I promise."

"I hate her."

The brutal honesty of your own child as he thinks you're not looking makes you want to scream, throw up, and bang your head against the wall. The pain burning in your chest is indescribable, and you have to cover your mouth so your inevitable sobs don't ruin the moment for Elias and his other mother.

Still, through it all, you are glad to find out Larissa has your back.

"Don't say that, Elias. I know you're sad, but Mommy loves you very much."

"But she doesn't want me to see you."

"I know, beautiful. I know. But Mommy is just… She's hurting, too. And sometimes, when people hurt, they say and do things they don't mean."

There is a moment of silence only broken by the constant stroking of Larissa's hand on your son's face. Then Elias speaks up again, his voice still weakened by the fatigue.

"Mummy?"

"What is it?"

"Is it my fault you and Mommy don't talk anymore?"

You can hear Larissa's heart break from the hallway.

"Oh, no, no, no, angel… No. Never. You have nothing wrong, you hear me? Nothing wrong. Adults disagree and need some alone time sometimes, but sweethearts like you are never the reason why, alright? Now, close those pretty eyes. You need to rest."

"But you won't be here when I wake up," Elias whines.

"I know. I'm so sorry, baby. But we'll see each other soon, I promise. Mommy will let me see you now."

You haven't even really talked about this with Larissa yet, but there is no point in denying it –Elias needs both his mothers with him and you can't prevent Larissa from loving him and wanting to take care of him.

There is a pause, and you can hear in Elias' lack of response that he is contemplating accusing his mother of lying. But thankfully, he is too tired to put up a fight and settles for a "Goodnight" instead.

You watch as Larissa tucks the covers around his tiny body and leans in to kiss his forehead, then step aside to rest your back on the wall next to the door so Larissa doesn't feel too overwhelmed by your presence when she comes out.

Still, she stops in her tracks when she spots you waiting outside. She looks at you, you look at her, and you both notice the tears in each other's eyes as you both ache deeply for your little boy.

"Do you want to say goodnight?"

You shake your head slowly. Deep down, you want to. But you figure Elias is halfway in the arms of Morpheus –if not already there– and might not want to see you anyway. With a small nod of understanding, Larissa closes the door.

"I haven't seen him so happy in a long time," you tell her as she moves to lean against the wall opposite you. "I shouldn't have kept you away from him. He misses you too much."

"You shouldn't have. But I think I understand why you did."

"He doesn't," you reply with a jerk of your head towards Elias' bedroom.

"He's just a child caught in the middle of our problems. It's not fair to him, we have to make things better one way or another."

You nod, your heart heavy with profound sadness, but say nothing because what is there to add? Larissa is right through and through –she always is. You're the one who keeps making the wrong decisions.

"You didn't answer my question earlier," Larissa eventually says, her voice soft and quiet like it always is after she has spent some time with Elias.

"Which one?"

"How are you?"

Your eyes meet hers, but only for a fleeting moment. You miss her, you long for her, you crave her, her touch, her lips, her scent… You feel like if you look at her for too long you're either going to pass out or do yet another regrettable thing.

Larissa calls your name, asks you to look at her. You don't answer. You can't. And then, in one swift motion, she is only inches away from you, tugging at your shoulders to pull you into a hug.

You don't resist, of course, and lean against her with your whole weight. But you don't have the strength to lift your arms to hug her back and instead just start crying, your face buried in her chest.

If there was any word stronger than miserable, that's what you would be.

"I know, I know," she says tenderly as if reading your thoughts. "Me too."

Her voice cracks and she finally lets her emotions fully show, too. Her silent cries pierce your heart, and only then do you feel strong enough to wrap your arms around her and clutch.

Now both crying, you hold each other like you're trying to mend the pieces of each other's broken mind. It feels so painful and so terribly good at the same time. Her body feels nice and comforting, you had almost forgotten just how much.

When you both finally start calming down, you realise you're scared of pulling away. But Larissa keeps you close, only shifting slightly to rest her forehead against yours. Her skin is warm, but as always, the tip of her nose is cold on your cheek. You don't mind it, it's one of Larissa's little things you often find yourself missing the most at night.

Your eyelids flutter open, and, inevitably, you make the mistake of staring not at her eyes but at her lips. The faint aroma of wine coming out of her mouth in hot puffs makes your skin tingle, and you know that you have to look away or you won't be able to refrain from kissing her. And if you kiss her, you won't be able to stop.

But Larissa cups your face with both hands before you have a chance to move and before your brain can formulate a single thought, her lips capture yours in a slow, loving kiss. You can feel the yearning and despair that have pent up in the past eight months in the way she moves her mouth against yours, and it makes you weak at the knees.

You reply to her kiss with a whimper and she deepens it, her tongue seeking entry into your mouth with a mix of hunger and fear. You welcome it without hesitation and move your arms up to wrap them around her neck, carding your fingers through her perfect hair bun. Meanwhile, her hands slide down to your waist, pulling you impossibly closer. You had missed this and obviously can't prevent your hips from bucking against hers, begging for more.

Larissa responds to your silent plea with a low groan and a hand moving further down to grip your butt. The air catches violently in your throat at the intimate contact and you throw your head back with a moan.

"We shouldn't be doing this," Larissa says. "Not like that."

But there is no conviction in her words, and she still has a hand on your rear and her mouth on your neck, gently sucking and nipping at your sensitive spots before soothing them with her tongue.

The noises you make are so needy that it becomes fairly evident you haven't taken much care of your own needs over the past months. The realisation makes your wife growl possessively, and her resolve crumbles. She needs to have you. Now.

"Bed?"

"God, yes."

Larissa doesn't pull away even once as she pushes you towards your bedroom. Her hands move urgently, her kisses become hungrier, her breathing accelerates.

"I love you."

You both repeat those words so much that it is unclear whose mouth they're coming from.

Larissa is quick to take off your clothes, revealing the skin she has longed to touch again for so long. You, on the other hand, try to take your time. Larissa had changed before coming home for dinner, and you've been wondering all evening if there is any fine lingerie under that burgundy dress. But it's Larissa –of course there is. You just like to torture yourself by unwrapping her like a priceless present. Besides, you don't want to look too desperate, nor do you want to make her feel like she isn't in charge. You want her to be now.

Unlike you, Larissa is not afraid to show how much she desires you. As soon as you're both naked, she pushes you onto your marriage bed, covers your body with hers and starts making up for lost time in every way possible. Fingers, vibrator, tongue… Nothing is off-limits tonight.

Then something different, something you haven't done in a very long time. Larissa shapeshifts, and you feel it –the size, the weight of it against you. Your wife looks down at you expectantly, hoping for your consent. It's something you've never downright refused, but have always felt conflicted about. It often reminds you of a past you'd rather forget and tends to make you question your sexuality in ways you don't want to think about while having sex –even though Larissa has reassured you countless times already that it didn't make you any less of a lesbian.

Not tonight, though. Tonight you nod eagerly and spread your thighs a little further to welcome her shapeshifted appendage, needing that special connection. In the faint orange glow coming from that one lamp post at the end end of your street, you see Larissa smiling brightly.

"Thank you," she whispers against your skin as she pushes into you.

She loves this, you know it, and the obscene moan she lets out as she stretches you only confirms it. It feels good, too good, and you meet her sensual thrusts with deliberate rolls of your hips, the way she moves, gasps your name, and loses herself completely to the moment only spurring you on.

She takes you twice like this. In a row. The first time, deep and slow, then rough and frenzied, until you're shaking and can't even call her name coherently. And by the time your final climax hits, you're so sensitive you feel like you're going to faint.

Larissa keeps moving, chasing her own release, her thrusts messy, uneven. And then with one last push, she spills over the edge, burying her face in the crook of your neck with a broken, "You’re mine. Mine."

You've always loved that possessive side she works so hard to mask under heavy decorum. The way she calls you hers reminds you of your wedding night and makes your chest burn with love. So when she collapses on top of you, panting in your ear, you just have to squeeze her tight in your arms and kiss every inch of skin you can reach.

You keep her close even long after she has pulled out of you, simply enjoying the warmth of her body and the scent that floats in the room in the aftermath of your passionate lovemaking.

It's about two in the morning now, but neither of you is sleeping. You're both just basking in the intimacy of the moment, exchanging gentle kisses and caresses until you break the silence.

"Come home."

Larissa shifts then, and you're suddenly scared you've ruined it all and she is going to leave. But she just props herself on her elbow to look into your eyes with a blend of vulnerability and longing.

"I want to. More than anything. I need you to know that. But…" She sighs. "There are things we need to talk about and settle, compromises to make."

"Like what?"

The way Larissa takes a deep breath before answering lets you know whatever she says won't be up for debate if you want this to work.

"We need to find common ground about our parenting styles. And I want you to try therapy."

"Are you saying I don't know how to raise my own son?"

Larissa sighs in frustration at the defensiveness in your tone.

"No, that's not what I'm saying. I'm saying we have different ways of doing it, and we need to find a way to reconcile them for Elias' sake."

"You want him to explore his shapeshifting abilities," you mumble as you roll onto your back, an arm on your forehead.

"Yes, I do," Larissa replies with a kind but firm voice. "He is a shapeshifter. It's part of who he is, and it's a part we need to let him embrace, not suppress."

"The world is a terrible place for Outcasts."

"That's why there are places like–"

"If you're going to say Nevermore, I swear–"

"Yes, I am going to say Nevermore. It would be the safest place on earth for him, and he would still get to evolve around Normies. You know I've even hired a Normie teacher this year."

"And I don't trust her."

"You don't trust many people."

Touché. You sigh heavily, letting your arm fall to cover your eyes as if trying to shield yourself from Larissa's truths –or rather, from how much you hate being wrong when it comes to making choices for Elias. But Larissa pushes your arm away and tilts your chin with a finger so you look at her again.

"I know you're scared. I am, too. But what scares me the most is the thought of Elias thinking he has to hide a part of himself, even around us, or that he can only move through life safely if he denies every fundamental aspect of who he is."

If you were to be completely honest –even if only to yourself–, you would admit Larissa has already convinced you. It's hypocritical to expect Elias to repress his abilities when both his mothers are exactly like him and free to use them, or to deny him an education at Nevermore when you have spent your own childhood hoping there was a place for people like you. What would be next? He'll come out as gay, and you'll tell him it's wrong? No, this is preposterous.

But you know this is not where the problem truly lies, and it's high time you communicated with your wife to treat it at the root.

"You're his model," you finally say, your voice too hoarse for your liking. So you clear your throat and start again. "You're his model, the one he instinctively shapeshifts into when he's not doing it on purpose. Look at how quickly his hair turned like yours when you arrived. It's you, always you. Never me. I'm his mother, his birth mother. I made him. But it's always you."

Larissa doesn't like it too much when you're this possessive over Elias because it throws her lack of biological connection to him back in her face, and it is something she has always struggled with. Still, her voice remains calm and understanding.

"Yes, you brought him into this world. But I've been a part of his life since he was in your womb, I was there when he was born, I fed him, changed him, taught him how to read, and let myself be vomited on more times than I can count. I have as much an impact on the person he is as you do."

"But shapeshifters are supposed to take on the traits of their closest parent the first time, and he took yours," you protest, your voice cracking. "Why not me? What have I done wrong?"

"Oh, darling…"

Larissa sits up, pulling you up with her so she can hug you properly and draw slow, soothing circles on your naked back.

"You have done nothing wrong. Sometimes, it doesn't work like it usually does and it's nobody's fault."

"My baby hates me…"

Larissa gasps and brings her hands to your face, clasping your jaw tightly while you start weeping again.

"No. Absolutely not. Elias does not hate you. Why would you ever think that?"

"That's what he told you earlier."

Larissa presses her lips into a thin line, feeling pained that you've heard these words.

"He's only six… He's in pain and doesn't have any better way to express himself," she says, pulling you back against her chest. She stays quiet for a moment, and then continues, "It's… It's the reason why you kept him away from me all these months, isn't it? You wanted to feel him closer to you."

You realise how ridiculous this sounds and can't even begin to explain just how hard you blame yourself.

"I'm so sorry…"

"It's okay," Larissa coos, rocking you back and forth, even though you know it's all but 'okay'. "We just… We need to communicate. I understand your fears, I do. I have my own. But we need to do better for Elias. I don't want him to suffer because of our problems anymore."

"I know, I know," you say with a weak nod. Then after a moment, you add, "Therapy, then."

"Yes, therapy. Please. But we're in this together, I'm not letting you go. We're a team, aren't we?"

"'Til death do us part'."

Larissa chuckles softly at your choice of words.

"Mmh, that's right. You, my love, are absolutely stuck with me. So we're going to work as a team for our son. No more isolating each other."

"But you're not coming home yet, are you?"

"No, not yet. But if we do this right, I might come back sooner than we both expected."

You untangle yourself from Larissa's embrace and let yourself fall back on your bed with a sigh. You're getting tired, and aren't sure what to feel anymore. And then you feel your wife's hand coming to rest lovingly on your belly, and it definitely doesn't help your weariness, both physical and mental.

"If you want me to leave now, I can," Larissa ends up offering, sensing your fatigue and disappointment and not wanting to cause you more pain by leaving in the morning after a whole night together.

Your eyes snap to her, wide with confusion.

"Are you serious? I'm asking you to come home, we've just had the best sex we've had in over a year… No, I don't want you to go. Stay. Elias will be so happy to see you at breakfast."

Your decision and the mention of your son's name make Larissa smile brightly, and she lies back next to you with a tiny, excited squeal before leaning in to press her swollen lips against yours one last time.

"I want to be better, Larissa," you whisper when she pulls back and makes herself comfortable on her pillow. "For both of you."

"I know, darling. I know. I believe in you."

"I love you."

Before Larissa can even reply, you're already drifting, your breath evening out and your body melting into hers.

Eight months. That's how long you hadn't seen Larissa. But you figure once you've spent your whole life with her –because you will–, it won't matter anymore.

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[thisapplepielife]

Written for @stobinmonth.

Tell Me Everything

Prompt #1: Gossip | Word Count: 910 | Rating: T | POV: Robin | CW: Weed Mention, Gossiping About Someone's Sexuality | Relationship(s): Platonic Stobin, Background Pre-Steddie | Tags: Scoops Ahoy, Missing Scenes: S3 & S4, Steve's Bisexual Awakening

"I'm so bored!" Robin complains. If she has to be stuck here with Steve Harrington, he can at least entertain her. Scoops Ahoy has been beyond slow all day. Those damn assholes over at Orange Julius have been working hard to steal all their customers. Free samples, without her snarky commentary? Ugh. 

Not that Robin wants more customers. But she also doesn't like to lose, and right now, they're losing.

"Entertain me!" she demands. 

"Well, uh, I guess I have gossip," Steve says, peeling a banana, wandering around the backroom.

"Oh, I'm so sure I'll care about any gossip you might know," Robin says, elbow resting on the table, face in her hand, "But go ahead. Tell me everything."

Steve rolls his eyes, plopping in the chair across from her. He takes a big bite of the banana, and it's disgusting.

"So. You know Eddie "The Freak" Munson? From school?" Steve asks, pointing his surely stolen banana at her. Inventory day is going to be interesting, that's for sure.

"I'm familiar, yes," she says, playing it cool. She's in band with Eddie, and will get to be again next year if the gossip mill is right and he didn't graduate, again. But she doesn't need to advertise that she's in the band to Steve Harrington. He might already know, he should if he pays any attention to anybody else in the world. But she doesn't need to point it out if he doesn't.

"He didn't graduate. I know," she says. This is lame gossip. 

"No, well, yes. I think. But that's not it. Uh, last night I was meeting him out at Skull Rock—"

"Why were you meeting Eddie Munson at Skull Rock?" she asks, raising a pointed eyebrow. She knows why. Pot. But she's needling him, just for fun.

"I wanted to join his shitty band," he says sarcastically, rolling his eyes, "I was buying weed. Duh. It's the only thing getting me through his summer. But, get this. I get out there, and I hear him having an argument with another guy. Real heated. Up close and personal."

Robin's stomach flip-flops, and she sits back in her chair. She doesn't want him to finish his thought. Because she can see it in his eyes, she knows what he's about to say. Because she can see herself in Eddie Munson, but she definitely doesn't want Steve Harrington seeing it, too.

Steve leans over the table, trying to whisper, but still chewing, "Turns out he's gay, did you know that?"

Robin feels the blood drain from her face, but is determined to power through it, "What makes…what makes you think that?" she asks.

Steve rolls his eyes, taking another big, phallic bite. 

"I just said I saw him. Out at Skull Rock," Steve says, chewing like a cow. How do girls find this attractive? Steve Harrington is a gross boy, not a king.

"You said he was fighting, that's not exactly damning evidence."

He grins, then twists the dagger, "Like, I moved closer. In case I had to help."

"You were gonna help? Who? Eddie? Or the guy he was fighting with?"

Steve doesn't answer, "But then the guy kissed him. Like, kissed, kissed. Eddie pushed him back. But not right away or anything. He liked it."

Robin squeezes her hands together under the table. It's okay. She expected this. It's Steve Harrington. 

"Who was the other—no, nevermind," she says. She doesn't want him adding to this story. He can't just tell everybody about this. He can't. "You're not, like, telling other people this, are you? Just me?"

But there's no further discussion, a customer rings the bell out front, and Steve tosses his banana peel on the table, and picks up the ice cream scoop, twirling it in his hand as he pushes through the swinging door.

"Hi, I'm Steve Harrington. I'll be your Custard Captain."

His lines are getting worse by the shift. 

Robin leans forward and rests her forehead on the table.

She'll just pretend this never happened. 

Not even a year later, Eddie Munson has Steve pinned to the wall of the boat house, broken bottle to his neck, and Robin has eyes. Steve's enjoying it.

Which, gross. 

But also: Well, well, well. 

Steve turned out to be cool with her, of course, and he's her best friend. One drugged bathroom confession, and she has replayed that 'Eddie Munson's gay' gossip session in her head over and over. Steve hadn't actually ever said anything negative. She'd inferred that, for sure, but he hadn't actually condemned Eddie.

Or her. 

He was just stating facts. 

She's the one that assumed the worst. She knows Steve now, and this reaction he's having to Eddie is brand new information. For her, definitely, and maybe even for Steve by the look in his eyes.

Once the dust had settled, she steered him away from all the prying ears.

"Well, that was interesting," she says.

"Yup," he croaks, still looking a bit shaken. 

"Now you wish you'd had a different experience out at Skull Rock last summer, don't ya?"

And he nods, fervently, and she can't wait to see how this bisexual awakening plays out. If she thought he was embarrassing himself like a fool in front of girls at Scoops Ahoy, she can't even imagine how dumb he'll make himself look in front of Eddie Munson.

She just knows she wants a front row seat, and a fresh dry erase marker.

If you want to write your own, or see more entries for this challenge, pop on over to @stobinmonth to follow along with the platonic soulmate fun!

[fadelbison]

I don't know who started this first don't go out unless with khao recently cause I have seen him tagging along with satang to play or karaoke without khao being there at least 2 times. We really don't know who they are friends with cause why did I even think they were not still friends with ciize only for them to be at her exclusive bd party

And Khaotung plays football with Prem, I don't even know that he knew Prem was going to be there. These people have lives and I don't understand why fans need to be convinced that so much of the CP content is just straight up staged even when the intentions behind it might be genuine. does it ultimately even matter? like if you wanted every moment between them to be filled with genuine over the top gay emotions start following footballers not actors. what I do want to talk about is what I think might be happening to FK and it is by the way full delulu hat because I do NOT know how CP marketing operations go. I just have ADHD and match patterns I notice like that its always sunny meme.

but I've been obsessing a little with how first seems pretty subdued here whereas whenever this has come up before he sounds a lot more...whiny, more lovesick?? (how else to put it?). He says all the right things obviously and it could be just that these questions are so beaten to death that they are now practiced to death.

Except that they had an extremely flirtatious exchange over this Khaotung is moving on thing at the LOL EMFKJD interview.

I'm sorry that I not only have insane thoughts but also the desire to voice them - but I think First is codeswitching between his CP and solo events. This is unprecedented FK behavior but extremely common CP behavior in general. Obviously, even at solo events you can't just deny the existence of your partner lol but I think there's a general effort made to minimize the time spent talking about the other person. And lbr we've seen their Live House eps, this is not an effort either F or Kt have ever made before 😂 Anyway, this could mean absolutely jack other than that First was just tired during that ONE particular event. But I do find it interesting that FKs CP rankings keep going up. THK was obviously an enormous hit. And now First has bulked up to look like Adonis and we are suddenly discovering that he might be in Force Book and Pond Phuwin's tier of International brand model after all.

Khaotung is, unfortunately not, and is unlikely to be interested in striving for it (I think we should not underestimate how much this man loathes the gym). It's interesting to see them perhaps at a crossroads where they could potentially be professionally pulled into separate directions. Offgun handles this just fine, I'm really not worried about their ability to remain a pair or friends.

But it certainly seems to be a point that keeps coming up, Khaotung acting with other people. Which, if you come to think of it, is an insane thing to even bring up now when they are going into filming their next series??? First will see so much of Khaotung in the next few months and vice versa that they could emerge freshly divorced (then magically reunited of course EM trajectory). And as is typical we will barely see anything of either of them unless Joong hands Satang that mantle (which I trust him to, if I can divinate anything about this man its that he wants FK updates).

[dumbfilmschoolkid]

​hope this doesn’t reawaken anything in me!

[nekoyin]

so I saw this at class, did it, thought I posted it, turns out I didnt so TAKE TWO

ty for the tag <3 I'm gonna do my husband of almost a decade now Poe Dameron

1. Was there any specific point / any specific moment that suddenly made them your Blorbo, or did you slowly grow to love them more and more until they became a Blorbo to you? lowkey fell in love with that pretty ass face from the start THEN HE OPENED HIS MOUTH AND WAS SASSY??? also love me a man who'd punch a person in power that's hot 

2. What’s the thing you love the most about your Blorbo? uh uh uh yes (if I had to choose, his passion and want to free people from the First Order/the fact he's a revolutionary)

3. What's the thing you dislike the most about your Blorbo? the fact he's not real and kissing me rn :( (and that he risks his life a lot of the time to try and save as people as he can, it's noble, but it worries me ;;;;)

4. If you could talk to your Blorbo, what would you say to them? I love you. I'll always support you no matter what UNLESS YOU GO ONE SOME STUPID SUICIDE MISSION DON'T DIE I'LL CRY :(((

5. What's the one thing the fandom gets wrong about your Blorbo? I think that Poe being a flirt is a thing, but I don't see him being like this fuckboy that lays with people and doesn't care/forgets names afterwards. He seems the type to remember everyone's names, whether or not he is friends with them enough to sleep with them if that makes sense. 

6. Is your Blorbo an introvert or extrovert? Extrovert 

7. Describe your Blorbo in 3 words. pretty, brave, dumb (affectionate)

8. If your Blorbo were real, would you trust them with your life? Yes. Absolutely. He seems the protective type so I am SAFE

9. Do you talk to your family or in-real-life friends about your Blorbo? THEY ARE SO FED UP WITH ME YAPPING ABOUT HOW MUCH I LOVE HIM LMFAO 

10. Is there any crime, any wrongdoing your Blorbo could commit that would make you stop loving them and remove them from your hyperfixation entirely? Nah bro i lowkey like my men a lil insane so

11. Do you like seeing your Blorbo suffer? Mixed. Cuz I like angst, but I need a happy ending. 

12. Do you ship your Blorbo with any character? ME DUH (and kinda Finn but I relate to Finn a lot so what that say bout us)

13. If your Blorbo is from a live-action media, are you also a fan of the actor who plays them?  YAH he was my introduction to Oscar Isaac

14. Would you still love your Blorbo if they were real? YOU DO NOT UNDERSTAND. HOW BAD. I AM TRYING TO GET A REAL LIFE POE DAMERON TO DATE. PLEASE UNIVERSE ONE CHANCE ONE-

15. Is your Blorbo a victim of badly written script / bad plot / character assassination in the hands of canon? Yes imo and it makes me so so sad :(

16. If you could change one canonical thing about your Blorbo, what would it be? I think I'd change the fact that he tried to get back with Zorii, I don't mind her existence, but she was literally abusive POE BABY WHY ARE YOU ASKING TO KISS HER YOU SHOULD BE KISSING ME :(((

17. When you first discovered your Blorbo, did you realize from that moment that they would become your Blorbo? Oh I was torn between him and Kylo initially, but I knew I'd like Poe more for longer… didn't really expect this long though HAHAHA

18. Do you gatekeep your Blorbo? / would you want more people to know about your Blorbo? I TRY TO BUT HE'S TOO POPULAR :( People are like “oh I'm his biggest fan/spouse” and I'm like GET OUT YOU JUST JOINED THIS FANDOM IVE BEEN HERE SINCE DAY ONEEEEE /hj

19. Has a fanfic about your Blorbo ever made you cry? Thinking about him can make me cry. I'm trying to write a fic rn that the PREMISE made me cry (I’m sensitive)

20. Do you think this character will still be your Blorbo three years from now? I'VE BEEN HERE ALMOST TEN YEARS BABY IT AIN'T EVER STOPPING

uhh idk who to tag but @latenightbrawler pookie look at the thoughts about my husband

20 Questions

BLORBO ASKS GAME

reblog if you’d like people to send you asks about your Blorbo

was there any specific point / any specific moment that suddenly made them your Blorbo, or did you slowly grow to love them more and more until they became a Blorbo to you?

It was immediate. Watching Steven flounder then discovering the tragedy that is Marc. I started on the show, then began collecting the comics.

what’s the thing you love the most about your Blorbo?

I loved the representation of DID, autism and childhood trauma.

what’s the thing you dislike the most about your Blorbo?

We barely got any Jake in the show, and he’s such a fantastic character in the comics. Comic Jake is the only way I can imagine him. Moustache and all.

if you could talk to your Blorbo, what would you say to them?

Not a thing. He’d get a damn hug.

what’s the one thing the fandom gets wrong about your Blorbo?

I think every adaptation is unique to that person and they’re wonderful for sharing. I’m a hoe for every crumb I’m not even sorry.

is your Blorbo an introvert or extrovert?

Depends who’s fronting. Steven’s an ambivert: extroverted to avoid the feeling of loneliness, introverted in his hobbies and day-to-day. Marc’s a huge introvert and doesn’t like many people, how Frenchie puts up with him I don’t know. Jake is a natural extrovert, it comes easy to him to find a friend in anyone.

describe your Blorbo in 3 words

Damaged hot mess

if your Blorbo were real, would you trust them with your life?

Most likely… kinda. Squinting real hard at you, Khonshu.

do you talk to your family or in-real-life friends about your Blorbo?

My partner can’t get away from my obsession. My brother brought me the same MK action figure Marc's holding in the asylum. It was really unexpected and touching. They let me drag them all over the city stopping in as many comic stores as I could visit.

is there any crime, any wrongdoing your Blorbo could commit that would make you stop loving them and remove them from your hyperfixation entirely?

Mean to animals would make me very sad.

do you like seeing your Blorbo suffer?

Every damn day of the week.

do you ship your Blorbo with any character?

I ship him with anyone and everyone, it’s such a problem. I love all ships in all shapes and sizes. All the new ships coming out of Marvel Rivals has sustained me well lately.

if your Blorbo is from a live-action media, are you also a fan of the actor who plays them?

Oscar Isaac is one of the best humans alive. I love his face, his personality—everything. He made it easy to love the characters he plays.

would you still love your Blorbo if they were real?

Probably. I’d always be rooting for him that’s for sure.

is your Blorbo a victim of badly written script / bad plot / character assassination in the hands of canon?

Kind of. How they handled Jake suucked.

if you could change one canonical thing about your Blorbo, what would it be?

Make comics Jake canon!

when you first discovered your Blorbo, did you realize from that moment that they would become your Blorbo?

I didn’t expect to go down as bad as I did. It wasn’t until I started writing him in 1x1 & group roleplays was where I truly fell down the hole.

do you gatekeep your Blorbo? / would you want more people to know about your Blorbo?

No gatekeeping allowed in this house! I am thrilled anytime more people discover MK by any means. It’s so much fun seeing new people arrive and interact with the fandom.

has a fanfic about your Blorbo ever made you cry?

Not a fanfic, but episode 5 made me ball. Hit close to home. I’m not one to cry easily so have yet to find a fanfic that will.

do you think this character will still be your Blorbo three years from now on?

Probably, I still have a lot more to write and explore.

Questions posted below empty for easy copy paste:

was there any specific point / any specific moment that suddenly made them your Blorbo, or did you slowly grow to love them more and more until they became a Blorbo to you?

what’s the thing you love the most about your Blorbo?

what’s the thing you dislike the most about your Blorbo?

if you could talk to your Blorbo, what would you say to them?

what’s the one thing the fandom gets wrong about your Blorbo?

is your Blorbo an introvert or extrovert?

describe your Blorbo in 3 words

if your Blorbo were real, would you trust them with your life?

do you talk to your family or in-real-life friends about your Blorbo?

is there any crime, any wrongdoing your Blorbo could commit that would make you stop loving them and remove them from your hyperfixation entirely?

do you like seeing your Blorbo suffer?

do you ship your Blorbo with any character?

if your Blorbo is from a live-action media, are you also a fan of the actor who plays them?

would you still love your Blorbo if they were real?

is your Blorbo a victim of badly written script / bad plot / character assassination in the hands of canon?

if you could change one canonical thing about your Blorbo, what would it be?

when you first discovered your Blorbo, did you realize from that moment that they would become your Blorbo?

do you gatekeep your Blorbo? / would you want more people to know about your Blorbo?

has a fanfic about your Blorbo ever made you cry?

do you think this character will still be your Blorbo three years from now on?

Inspired by the wonderful @psycheetamore Hitting a few others I'd love to see do this! @mystra-midnight @my-secret-shame-but-fanfiction @faretheeoscar @moonbeammist @therapardalis @weheartchrisevans @silvermoon343

[quibbs126]

I’m thinking about it, and I think Optimus banishing Megatron from Iacon with the High Guard was probably one of the worst decisions he could have made to deal with this situation

Because Optimus pretty much left him alone, outside of his home and I’m fairly certain the only remaining city on Cybertron, so to live out in the wilds of the surface, with a bunch of complete strangers whom they literally call nut-jobs and have a strong belief of “strength of one bot over another”, and are also much older and more experienced than him

And in leaving him with the High Guard, he’s likely isolated Megatron even more than if he was banished alone. Because while Optimus and the others have friends they can be vulnerable with and be comfortable talk about their feelings, Megatron does not know these people, and they don’t know him. But he’s now their leader in a group that values strength above all else, and emotions are usually considered a weakness in these sorts of settings. So not only does he have no one to talk to, he has to bottle up his very strong and raw emotions to appear stronger and worthy of his position, thus making them far worse and probably leading to unhealthy coping mechanisms

This could end up not being the case, and the High Guard are very considerate of his emotions. But it’s also very possible the case that they aren’t, or Megatron believes he can’t be vulnerable around them. They (the quartet I mean) don’t know these people, and they’ve really only seen them be violent and aggressive, and Megatron knows he’s an outsider to them. It’s a more likely scenario that they’ll be harmful to Megatron’s mental state rather than helpful

And again, they’re a lot older than him too, and they probably all know this, at least on some level. And thus, he’s far more likely to be influenced by the High Guard’s mentality and beliefs, which we already know aren’t great (even if it’s somewhat justified why they’re the way they are by this point). And assuming they’re pissed at Optimus as well, they could very well try to have Megatron distance himself from his old friends, and it be more successful than if he was alone

But moving away from the High Guard, there’s the fact that Optimus banished him from his home and left him to fend for himself, which Megatron would absolutely take personally just on its own. He was clearly not in a mentally stable place at that point and I think he thinks what he’s doing is right, he’s the one not being like Sentinel while Optimus is. It definitely isn’t right, but he thinks he is. And the banishment to him could not only be Optimus/Orion standing against him, but essentially him saying he’s given up on Megatron, making him leave his home. And I mean, Sentinel did kind of do this to the High Guard 50 cycles ago, so yet another parallel to be made between Optimus and Sentinel

But note that when I say all this, I don’t mean it as a criticism of the movie, that this is a flaw of the plot. I’m fairly certain this was 100% intentional by the writers. It wasn’t just Megatron that created Megatron and led to the war, it was Optimus too, even if he didn’t intend to

Optimus probably thought at the time that this was the best solution in dealing with him. He doesn’t agree with Megatron’s actions but he understands where it all comes from, and he was someone very important to him. So he probably doesn’t want to arrest him, punishing him for what he thought was right and making himself more like Sentinel, oppressing those who were supposed to be on his side. But he still has to be punished for his actions. So by banishment, he is punished while still being allowed to essentially be free, just not in Iacon, and maybe in turn he’ll see his wrongdoings and come back better. And even if the High Guard aren’t ideal, they did help Optimus and Elita rescue their friends, and maybe he thought at least with them he wouldn’t be alone in his thoughts. Also they agreed with Megatron’s ideals and probably shouldn’t be allowed to just roam free in Iacon, especially in this politically fragile state it is right now

But in doing so, Optimus essentially threw Megatron to the wolves and created the perfect environment for his anger and pain to fester and cause him to become more like the Megatron we know in the future

I’m not sure what the actual best solution would have been to this issue though. Maybe it would have been just jailing Megatron? Granted in the short term, it’d probably sting even worse for Megatron, that his own friend would lock him up, and it’d probably make him even more resentful. But at least there, he’d still be in Iacon, with his friends and people who want to help him, and with Optimus and Elita at the helm, they can probably see that he gets treated well and has access to people that can really help him work through it all and see what he did was wrong

But that’s not what happened

[wonder-worker]

Wild how we know that Elizabeth Woodville was officially appointed to royal councils in her own right during her husband’s reign and fortified the Tower of London in preparation of a siege while 8-months pregnant and had forces gathering at Westminster “in the queen’s name” in 1483 – only for NONE of these things to be even included, let alone explored, in the vast majority of scholarship and historical novels involving her.

[they-didnt-last]

anyone interested in talking about the iconic 2000's middle-grade-bordering-on-ya book series gallagher girls??

[astrodances]

As the cabin came into view again, Goldie couldn’t stop thinking about how this had to be the coldest night they’d had in weeks and her feathers were turning into little icicles. With the small amount of sunlight left, she could see her breath on every exhale. It was so cold she was getting exhausted much faster than she should’ve and Goldie knew she’d be sick in the morning...if she made it there at all.

May I present...the Ice Queen of Dawson. ❄️

This has been a long time coming, but I finally finished this set of three drawings last week that I've been wanting to draw for the longest time for @lettheladylead's running in circles (the above drawing specifically comes from chapter 4 - it's the exact moment that Goldie sees the cabin again on the way back from trying to get back to Dawson). (Will also say that these are a very happy belated birthday gift to you! :D)

There were a few moments from the Klondike chapters that weren't necessarily major story moments, but the descriptions of them (and especially of the environments/lighting) caught my eye and my heart, and made me want to highlight the beauty of the Klondike, and so here we are.

For this scene in particular, her walk back to the cabin, I got a very vivid image of it while reading it, a sort of tragic twist on a "winter wonderland" and on Goldie looking all icy-pretty, and the angst of the Ice Queen naturally came in to play.

Will post the other two drawings over the next two days - up next: a king in the morning light.

[war-finding-reason]

I sit on these and then forget tumblr is a safe space for them

[moonlume]

tumblr said draw something bad so I did but I'm mad I still didn't feel anything

[serpentinegraphite]

So, first off, this is not an attempt to kink shame (dubcon and noncon are great!) but I do keep seeing a thing in fics (I do NOT see this irl in kink spaces nearly as often) where like. A character will interrupt the flow of the scene to check consent

And I don't mean in an "are we still green?" Or "what's your color?" kind of way, but I mean. The author has tagged the fic and indicated via prose and/or author notes that they are doing their Due Diligence to make sure this fic is Righteously Consensual from top to bottom, No Question About It

And a character will ask for full sexual consent either directly or indirectly or renegotiate the boundaries of the kinks being practiced AFTER the sex acts have already begun.

Here's the thing: horny brain isn't great at making decisions! irl in kink spaces, there's often a lot of emphasis on negotiating BEFORE the scene begins, perhaps even with a space between negotiation and the scene if it's with a new/unfamiliar partner (maybe it's a few minutes while things are set up, maybe the partners negotiate a day or more in advance! It depends!), and not changing the parameters of the scene after someone is already horny or god forbid already in subspace.

Again, these are perfectly fine rules to break in fiction, when the author is aware of it (most characters are not going to be fully familiar with safe, sane, consensual practices and the traffic light system, nor would we want them to be!) but I'm increasingly finding fics where the author DOESN'T seem aware, which takes a normal fic (in-character, with reasonable but perhaps even somewhat dubious practices, which the author isn't emphasizing or preaching about) into Red Flag Territory (a character, OOC, yanking me out of the scene to behave like a PSA about consent instead of conforming to the horny tone of the scene, and perpetuating unsafe practices anyway)

If you are writing a master manipulator or someone who wants to have a gotcha, you totally said it was okay on a character they are trying to bone (which is well in the realm of non/dubcon) that's fine! This PSA is not aimed at you. But if you are trying to write someone who Cares Strongly About Consent, then perhaps be more aware of when is an appropriate time to escalate the situation (sexually speaking) or ask for consent!

[apollosgiftofprophecy]

RRVerse Fandom, Please Hear Me Out...

Message to the wider Riordanverse fandom:

Please correctly tag your fanfics with the correct fandom tags.

I am getting tired of seeing non-Apollo fics cluttering up the Trials of Apollo tag (such as Percy/Annabeth. like. what. they're barely in ToA. why are they there.). If your fanfic does not deal with Apollo, Meg McCaffrey, or the story of ToA or the consequences of it, please do not tag it as such.

I have seen fics tagged as ToA and not even have the MC, Apollo, tagged as part of the cast. So please. I am begging you. Please stop. You have the Percy Jackson & the Olympians - All Media Types, Percy Jackson and the Olympians, AND The Heroes of Olympus tags.

Solangelo writers, you now have the Sun and the Star tag, as well as the All Media Types one. Unless it happens during or alongside something to do with Apollo & his story, please refrain from tagging it as ToA.

And no. I do not think just being Solangelo should qualify all Solangelo fics to be tagged as ToA. If anything, they should be The Sun and The Star tag or even The Heroes of Olympus tag because that's when it all began! However, if, say, it's during The Hidden Oracle or takes place in the ToA timeframe then sure! ToA tag it!

But if it's just like an AU or something that only focuses on Solangelo? Then please don't. It's not ToA then.

This is what the ToA tag looks like btw:

I know, Nico, Will, and Percy are all popular characters, but COME ON. This is Apollo's tag, please give him this! It's so hard to find fics I want to read because it's so cluttered! Apollo's not even in the top three most-tagged characters in his own fandom tag.😒

And look at the gap between the number of fics Apollo's in compared to Percy! A 354 gap! And there's 1,616 gap between Apollo and Nico! And I can say with certainty that not all of those fics Percy - and even Nico and Will - are in are related to ToA.

Meg McCaffrey, the second MC of the series, is not even on the board. And she's a very close second MC.

And trust me. I know a bunch of these fics have nothing to do with ToA. I have scoured the tag many times and have figured that out.

So please, please, please leave The Trials of Apollo tag be unless you are writing for The Trials of Apollo. We are our own fandom and frankly, it's getting annoying having to shuffle through a bunch of fics that have nothing to do with ToA just to find ones we want to read.

Fic authors, it would be such a big help if you could remove the ToA tag from your fic if it doesn't have anything to do with ToA. I know you want your fic to be seen, and use a bunch of tags to do so, but this really inconveniences the ToA fans who just want to read about our favorite loser god and his gremlin adopted sister. ☹️

Sincerely,

A ToA fan who just wants to read fics about her favorite character but can hardly wade through the fics even with the filtering system.

Thank you. It needed to be said.

[theirloveisgross]

hello, and welcome to another episode of jules projecting her aromanticism on zayn's music.

this time we're gonna look at some of the lyrics on dreamin.

i been dreamin' feeling this way, i been needing something else, i know what it is when i see it, can't hold on anymore to these feelings

you know? oh, but it gets better.

with no senses, ain't no sentence making sense of us

idk how to explain this, but it makes sense to me. it's like- mmm, i'll let zaynie continue.

did i mention life's intention never steered me the right way

*screaming* you know?! because life really just tells us a romantic relationship is the end goal, and you might end up believing it. and him especially in an industry where nearly EVERYTHING revolves about romantic love? yeah.

now my favorite part...

say i've been falling in love, and in the morning then i feel nothing again

aaaaaaaaaaaaaaa! this was the line that made me stop in my tracks and really listen to the whole song in that context, and oh boi. then i feel nothing again!!!

please don't let me forget falling in love, it's all good, and in the morning then you call me again. don't call me again. don't call me again. when you're faded, no need to call me again.

this is so... like, listen, maybe you had a good and fun night and it was great, but then in the morning it's like "nope, i really do not vibe with this", because it's that whole fucking confusion of "well, i should be feeling all this big romantic feelings but they're gone already, lol", because you don't know, and nobody in your life knows that platonic relationships can also have sex and be fun without the romantic part. i feel like this song it's like... the before you find out about aromanticism or coming to terms with no desire for a romantic relationship.

this is all rambling, it's my interpretation, and my projection, obviously. i just needed to have my screaming somewhat coherent somewhere.

[fictionadventurer]

I went into Ruth expecting a dreary read. How could a Victorian "fallen woman" story be anything other than dark and depressing? So I was shocked right from the beginning to find a sweet, gentle, romantic story. The dressmaker's apprentice who sits in the coldest, darkest part of the workroom because that's where there's a panel painted with flowers that remind her of her country home? How could I not adopt her as a favorite character? Ruth's innocent, romantic outlook on life gave us some beautiful descriptions of the scenery of both city and countryside, and my imagination went on overdrive to create very vivid images of the story. Even the love story, which we know is going to go very wrong, starts out sweet, with a kind, charming love interest who only shows flashes of just how wrong his character is going to go.

Even after Ruth's fall, the story is so gentle, putting Ruth among kind people who are willing to risk and sacrifice a lot to help her. And then the story gets almost too gentle--after some initial struggles with depression, Ruth resolves to bear her troubles patiently and work toward virtue, and her sweet, too-innocent character gets flattened out into someone who's just Good. Life just goes on, with things generally going well, and every potential turn toward drama results in someone deciding to be reasonable, which can make the story drag.

But, in a story like this, the lack of drama becomes the plot twist! It is refreshing to see characters who don't always jump to the worst conclusion or take the worst action, who pause and consider the whole story and act like decent human beings.

And in the places when the drama does kick in, it's good drama. Painful drama. It's also (especially in the last section of the story) melodrama. There were sections of the book where I was rolling my eyes at the cookie-cutter Victorian path the story was taking--but then there'd be one line or one moment that would just stab me in the chest because of how beautifully specific it was to this story. Just enough to elevate it from something bland to something unique and fascinating.

I often had the thought that this book could be about a third of its length without losing anything--yet it should also be just as long as it was. If the story cut all its repetitive musings about Ruth's regret, and used that space to develop the side characters and and show the plot instead of telling us about it, it would be a much deeper story. I found myself wishing Gaskell had reworked this one later in her career--the way that North and South was a more skillful reworking of the issues explored in Mary Barton. In a way, she sort of did in Wives and Daughters, with the story of Molly the quiet innocent getting tangled up in the intrigues surrounding her headstrong, flirtatious stepsister Cynthia serving as a more layered, personality-flipped version of the story where headstrong, sheltered Jemima gets tangled in the story of quiet, sweet Ruth and her past romantic intrigues. (The doctor at the end of the story also feels like a proto-Mr. Gibson).

Yet I'm still fascinated by the themes specific to this story. Contrary to expectation, this "fallen woman" story isn't about sex, or gender, or how unfairly women are treated (though it does touch on that in the end). It's about sin. It's not questioning why Ruth's behavior is considered a sin or looking to dismantle the society saying that it's a sin. It comes from the Christian perspective of saying that sin is real and harms people--so how are we going to deal with that?

The story shows lots of people struggling with temptation, failing, and dealing with the consequences (or harming others with the consequences). Sin is always a case of either not caring enough to do the more difficult, good thing, or a case of "the ends justify the means", where people rationalize their bad behavior as something necessary in this specific case. It always leads to harm, but some people--and some sins--suffer greater consequences in the eyes of the world, whether or not they deserve it. I wish the story had developed and resolved this theme better in places, but the raw material there is fascinating food for thought.

This book is Gaskell at her preachiest, but also Gaskell at her kindest. It explores deep, difficult issues in a very loving way. As a story, there are ways it could be better, but I'm very glad I read it. Perhaps I'm making a point to be kinder to it because I know it's the type of story that today's readers tend to judge harshly. But amid my issues with the story, there are some lovely images, some great messages, and some wonderful characters that going to be living in my heart for a long time.