#it doesn't make sense!!!! it doesn't make sense!!!!!!!!!!!!!!!!!!!!!!!!

[indecisiveavocado]

things I did not expect to see photographs of today:

two judgmental ghost ostriches from kansas

[starringvincentprice]

the beta James Fitzjames vs the Alpha Francis Crozier

[rikan-oo]

I had trouble finding the right words to describe what exactly I like in SY and SJ until now

So, my favorite Shen dynamics:

Alternatively:

[woso-dreamzzz]

If You Were My Little Girl II

Alexia Putellas x Teen!Reader

Summary: Things are looking up

Alexia watches from the stands.

They're mostly empty, like almost all Barcelona B matches.

Women's football has only really started picking up steam recently but only at the top flight. The lower level leagues are still having a bit of a popularity issue.

But Alexia, for once, finds that she doesn't mind.

Because it means she can sit practically alone in the stands as she watches the home match.

A notepad sits on her lap, a pen tapping against the pages thoughtfully as she watches.

Barcelona B are good and Alexia has never expected anything different. She's seen the system at work many times as La Masia churns out players like Aitana and Pina and Jana, and more recently Vicky and Martina.

There's a reason so many clubs wants La Masia products.

They're all good players but even now, Alexia can tell a great player when she sees one.

You rise up among the crowd in the box and slam the ball into the goal, the net rippling with the force of the shot.

The best part, Alexia thinks, is that you didn't even need a moment to control the ball, hitting it in on the volley and grinning as your teammates practically dogpile you.

A hattrick in ten minutes is impressive in any league and Alexia makes another note in her notebook, humming softly to herself.

She rises out of her seat at the end of the match, disappearing into the building and out the doors.

It takes another half an hour for you to appear again, hair damp and an old crew neck sweater that Alexia's pretty sure is Alba's being tugged over your head.

You slip into the passenger seat, throwing your bag into the backseat and Alexia pulls your head down to press a kiss against the side of it.

You smile shyly at her as she offers up the fries she'd bought for a job well done.

"You did good, kid," She says," Very impressive."

"Yeah?"

"Yes. But I think we're going to work on evading slide tackles next," Alexia says as she drives off," We're trying to keep those ankles of yours intact, alright? I'm going to need them this season."

You roll your eyes and Alexia clicks her tongue.

"Don't roll your eyes at me," She says," I've got a good feeling about that meeting later in the week. A great feeling, actually. You should have one too."

"I'm managing expectations."

Alexia looks at you fondly. "Well, we'll see which one of us is right in a few days."

She lets you choose the music in the car, like she always does when you've scored a goal and you pull up to the apartment a lot quicker than you want to seeing as you're in the middle of singing along to your favourite song but, still, you drag yourself out of the car and up the stairs.

"How was the match?" Olga asks as she greets Alexia with a kiss on the lips.

"She did very well," Alexia brags," A hattrick within the first ten minutes and another goal in injury time."

"Exciting," Olga says indulgently as Alexia grins, already giving her running commentary of everything that happened during the match.

You escape though, hurrying to raid the cupboards before Alexia finally comes to her senses and tries to stop you 'spoiling' your dinner.

You don't know if there's any way to thank Alexia for what she's done for you.

Just three months ago, you were convinced that you were going to quit. You had no passion for the game, no hope of what your future was going to be but now all of that had changed.

You had direction. You had a manager. You had new boots and a place to live that wasn't a group home and support and love and everything seemed to be coming together for you.

A toe pokes you in the leg.

"Move."

"Alexia says that if you're trying to nap on her sofa again then I don't have to move," You tell Alba, who huffs and pokes you with her toe again," She also says that you have your own apartment and should stop mooching of us."

"But Olga's a better cook than me," Alba complains and you roll your eyes.

"Aren't you an adult? Even I can cook."

"Yeah but it's not like you could mooch off your sist-"

Alba falls silent quickly and you pretend to not notice what she was going to say for both hers and your own sakes.

The topic of your sister is kind of off limits when you're in the room. It's not completely banned because Alexia's still Jenni's national teammate but she's not really spoken about if you're in the room.

Alba's face flashes with terror for a moment so you pretend you don't notice her slip up ever though it sends a bolt of lightning into your stomach, a deep pit forming there.

It works for the most part, everyone in the house pretending Jenni isn't who she is to you, pretending that she's just Alexia's teammate and not her friend and ex, pretending that Alexia fostering you isn't her walking on a tight rope because Jenni doesn't know.

All Jenni knows is that you didn't quit when she told you to.

Jenni doesn't know that you live with Alexia. Jenni doesn't know anything. You doubt she even thinks about you when she's got a life far away in Mexico.

She lives there, far away from you and your life here in Barcelona.

She lives there and her presence is hardly ever mentioned around you.

Life is good at Alexia and Olga's house. Life is even good at training, though you could do without the smug little smirk Alexia has on her face when she picks you up.

"You already knew!" You accuse her, waving a finger in her face.

"Knew?" She asks, lips curl up in what can only be described as pure smugness," Knew what?"

"Right, who told you? Go on. Who was it?"

Alexia grins. "You do realise I am the captain? Any time they're looking to bring someone in, they ask me my opinion."

You roll your eyes. "Yeah and I'm sure you gave it."

"You're a good player. A great player," Alexia says," All I did was tell them what they already know."

You look down at your lap, fidgeting with your fingers. You want to be mad at her, to yell at her for keeping this from you. Maybe even yell at her for promising to the staff something you're not but you know she hasn't done that.

If she thought you weren't ready, she would have told them that.

But Alexia didn't. She didn't tell them to let you have a bit more time with the B team. She didn't tell them that you don't quite have what it takes.

"Thanks."

Alexia smiles at you as she drives home, a comfortable silence enveloping you both until your hand is on the door handle.

You stop.

"When I open this door, there's going to be a party, isn't there?"

"I may have told Olga...who told Mami...who told Alba...who told the rest of the family..."

"Is that a yes?"

"Possibly..."

"And there's no getting out of this?"

Alexia ruffles your hair, a soft kiss being pressed to the side of your head. "They're here to celebrate you."

You suck in a breath, just ready to turn the handle when the sound of the lift doors opening chimes down the corridor.

Both you and Alexia turn your heads towards.

It's just a fleeting second.

Just a moment.

But your good mood plummets as the door opens.

Alexia's hand tightens on your shoulder, pushing you slightly behind her and putting herself between you and the elevator.

Between you and Jenni.

[porsiesdemadrugada]

😍💘🌅✔️☑️

💯🙏💛🟨👍

[felassanis]

VEILGUARD SPOILERS

So while I'm in the "Solavellan slept together during Inquisition," camp because I'm a degenerate for that elf. I do think the idea that they didn't. And when they're in the Fade prison together....

It's not immediate. He's too banged up from his fight to be of much use, his heart too heavy from everything he's just experienced. But Lavellan is there to pick him up when he crashes to his knees as the rift closes behind them.

She'll heal him first. Maybe they'll try and talk but...God, how do you begin a heart to heart that's been a decade in the making? But it's alright. For once, there's no world shattering event, no ancient evil banging on their door, no demands of duty. They've got all the time in the world.

But they need to talk. And once they do...

They'll slowly settle into an easy dynamic, one that's like what they had back during the inquisition. She'll kiss his cheek, he'll kiss her hand. They'll hug. Hold each other as they sleep *if they sleep cuz they're in the fade idk* and debate. She'll ask questions and he's finally, FINALLY, free to answer without dressing up the truth.

And then maybe one day, they're laughing. She presses a chaste kiss to his lips. And he chases after her. Kissing her back.

But lavellan doesn't pull away. She keeps kissing him.

His hands might tentatively reach for her waist. It's not the first time they've kissed passionately like this, but something *is* different this time.

Lavellan maybe came onto him back in the Inquisition days. Teasing and taunting but he always politely refused. "Was it her? Did he not want her?" Her insecurities would insist. But then everytime he kissed her HE'D INHALE her. Grabbed her ass. Caged her body with his. But always, always, reluctant to cross the threshold.

But now she knows the real reason. And so she keeps kissing him. Because it all makes sense, and she wants him to finally let himself have his desire. And when Solas sighs against her lips....

That's it. It's tongue, and teeth, and greedy hands and MAKER it's been a decade of nothing but searching. Hunting. No communication save a distant figure in the far edges of the Fade when she dreamed. But he's here now, not Fen'harel, but Solas. Here with her just as he always wanted but couldn't let himself have. Until now.

So yeah, celibate solavellan fans may have been onto something cause the DECADE LONG YEARNING FINALLY CULMINATING AT THE FADE PRISON!? Good lord Dread wolf Take her.

[ghouljams]

I feel like each of the 141 has a difference preference when dicking down their mate.

Kyle prefers to stay human, it lets him really get a good show while fucking into the pretty thing he managed to take home. Seeing how your skin contrasts to his softly colored sheets is more reassuring to him that you're his than any scenting could be. Also, he's a lighter sleeper as a human, letting him keep you in his bed if you try to slip out while he's asleep.

Price likes the little hint of other, as a sign of his age and experience. He's the only one of the 141 who can shift only a few senses instead of having to start properly shifting. Let's him memorize your scent while fucking you, all so he can let you have the illusion of choice by letting you go and "finding" you again later. Eventually, he'll make it seem like a bit of fate and offer you out on a date.

Ghost partially shifts, and that's the most he can hold himself back when it comes to you. Claws and teeth come out, drool dripping from his maw to your skin. He needs to taste you, to make sure you taste the same. Taste like his.

Soap is a dog and he will fuck you in full transformation because of it. This man needs you on the most primal level, so why not just fuck you at his most primal. It also gives him a better nose to smell your sweat soaked skin, a longer tongue to shove into you, better hearing to catch each and every whimper you make. He needs to consume you and the best way to do that is with his wolf.

At least, that's my thought.

As usual how does it feel to be so fucking right?

Gaz absolutely prefers fucking you as a human, it feels too much like taking advantage of you when he has his semi-transformed strength and the idea of fucking you fully wolf makes him itch a little. He's so worried about damaging you with his claws and fangs :( his poor human mate, he doesn't want to ruin you. We'll, not like that at least. That won't stop him from knotting you, that's a luxury he can't afford not to indulge in. He loves the way you squirm and complain about the stretch, shushing you with soft coos, promising it'll be over soon, even when he knows it'll be a good 20 minutes at least.

Price is old hat at transformations and after years of growing and shrinking it's worn on his joints, if he doesn't have to transform he won't. He'll indulge in the sensed his wolf-form lends him, pressing his nose to your pulse and getting himself drunk on your scent. His eyes are always dark, animalistic, when he drags his flat tongue against your sex, and you worry that the teeth he's hiding might bite too hard, but he hasn't hurt you yet. And the only scare he gives you is when he presses his hand against your come filled stomach talking about pups.

Ghost simply lacks self control around you. The man has the control of a saint, but once he gets drunk on the scent of your arousal it's over for him. He grips you with heavy clawed hands, his skin splitting with fur and his nose starting to lengthen, and it scares you a little. His breathing is uneven, but his hips don't stop moving even when his bones start to break and his joints begin to pop. His drool dripping onto you is the only indication you get before he's sinking his teeth into your shoulder. You'll have to take wolfsbane in the morning if you don't want to end up going through the same pain.

Soap though... Soap fucks you like a dog, literally. He'll hunt you down on a full moon and hold you down with big paws, murmuring canned tones from his open maw about how he can't stop himself. He's all instinct, all panting and howling as he mounts you and ruts his cock against your sex, uncaring what hole he fucks himself into as long as it's yours. He'll lay directly on top of you once he's knotted you too, licking your face in apology but you know he doesn't mean it because he keeps asking for another round.

[a1ecmcdowell]

LIVEWIRE — jj maybank x reader.

livewire (n) — an energetic or unpredictable person; a force of nature. ㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤthat boy is a livewire; he'll ruin you, or die trying.

. . . or, jj's crashout — featuring you.

includes, SEXUAL CONTENT! MDNI. kinda pwp. crashout!jj. best friend!fem!reader. forced proximity. high stakes. dirty talk. jj is vocal. p in v. unprotected sex ( do not do this they r just so ridiculous & horny ). ( semi ) public. he has absolutely no pullout game but he's forgiven for it </3

NOTES. if the door logic doesn't make any sense realistically ... that's not my business. i'm not writing for realism i'm writing for the JJ GIRLS who want 2 fuck CRASHOUT JJ. also my apology for the quote in the tagline ik its too soon still but i joke 2 cope.

Red and blue littered the autumnal afternoon sky, sirens overshadowing the lyrical chirps of the birds, the scattered winds blowing red and orange leaves down the Kildare streets. 

JJ Maybank is a fucking force to be reckoned with. In his wake, town hall’s alarms reared their deafening screeches, the aforementioned chilly winds blowing in handfuls of leaves to scatter the podiums and the foldout chairs. There’s a lone chair on its side in the middle of the well-kept grassy front courtyard. There’s glass burrowing itself in the dirt, reflecting the golden sun’s light at every which way when you turn your head. 

The other pogues are screaming at him to go, to run, and he’s shocked for a moment. Stood like a deer in headlights at the actions that he took. Who knew how much one boy was capable? All of the destruction that two hands could elicit? 

Oh, and what an empowering thought it is, too: realizing what you are capable of doing when you are pushed to the brink. 

There’s that look in his eyes, before he turns on his heels and takes off into the wood, disappearing like a speck in the small bit of forestry separating town hall from the rest of the downtown area. 

You know what that look means. This is merely the first in his rampage. Fire burns blue in the thin line of his irises, everything else overtaken by adrenaline and fucking rage. 

“Someone has to—” Kie starts, and you realize that you’ve been staring straight ahead at the trees he vanished into, eyes locked on the exact path he took. “Someone has to go, go make sure he’s okay—” 

Sarah’s eyes lock on yours. John B grimaces for a second, like he’s considering it, before he looks at you, too. Kie’s words, albeit vague, had never sounded so directed before. Pope—

Pope is getting tossed against the hood of a cop car, and suddenly, the pogues aren’t looking at you anymore. Their gazes break and shatter away from you like the shards of the window surrounding your feet. 

Your heart is racing. You. Chase him down. And what did they expect you to do? To tell him that this wasn’t him, and to stop while he’s ahead, and to hold his hand and guide him back to safety away from the cops’ sirens and cars that had already broken away from the crowd to hunt for him? 

No. This was JJ, and he wouldn’t stop while he was ahead, and he was going to take the cops on his tail like a challenge to keep going until he cracked — or they did. 

You were the only one that ever understood him, really. That was why their eyes immediately shifted to you when the topic came up that someone had to find him, because even while they wanted to help, they would only drive him further away. Not you. Never you. 

You’re turning on your heel and sprinting before anyone can realize what you’re doing. Not the screaming kooks, demanding lawyers and justice to the unlistening winds. Not the pogues, banging on the remaining cop cars to free him, free Pope, stop this fucking madness— 

It’s like a thin line is painted on the ground between you and JJ. An invisible rope, loose but growing more taut the closer you follow on his tail. 

You follow it. Follow that red string into the trees, letting it tug you along until you break out of the shadowy wood and onto main street. 

A car alarm blares. Glass shards on the trunk of it, surrounding the asphalt around it. You slow to a stop to avoid catching any of those sharp, loose pieces in your shoes. Even now that the imaginary red line has faded, you can see traces of where he went in the path of destruction he made. 

A shop’s window busted a few feet away from the car. A street pole sparking and buzzing lowly, electricity humming through the air like a siren’s song, tempting anyone it came across to touch it. Touch the livewire. 

Just a few feet away, there he is. JJ has an outdoor seating chair in his two hands, and he’s seconds from tossing it through the glass window of the cafe it was in front of. 

“JJ!” You shout, your voice faint beneath the sound of the car alarm, the sparking of the electrical fire, the hum of electricity buzzing all around you. 

His head swivels to look back at you, and he looks fucking vicious. He looks like no matter what you say, he’s not going to stop. Not here. The electricity coming from the dented-in box on the street pole is feeding directly into his veins. 

“Not supposed t’be here,” he calls back, and now that fury is directed at you. As if he ever could have stopped you from following the breadcrumbs he only ever left for you. “Can’t fuckin’ stop me.” 

You crunch glass beneath your feet as you run toward him. It’s too late to do anything about the cafe window; its pieces spill onto the glossy wood floor, some splayed onto the sidewalk. 

“Who said I’d try and stop you?” You ask him once you’re close enough. His hand runs through his mussed blonde hair, tugging the strands straight up. 

His eyes flit to you, eyebrows raised behind the loose strands falling back down over them. “M’not letting you get into this shit, too,” he says just as sternly. “It’s my fuckin’ life I’m ruining.” 

“Why?” you ask him, and it is a genuine question, even though you don’t think he’s going to answer. So you start to spit out your own theories. “Because of your dad? Because of what Luke did?” 

His eyes drop to the ground, squinting like he’s looking for something through the shards surrounding his feet. The bat. The end of it sticks out in front of your shoes. 

You bend down to grab it, holding the hitting end out toward him. His eyes are so dark when they glance at it, and then back up to you. His eyes were always oceanic, but now they seemed to be drowned out by the stormy black clouds that were his pupils. 

JJ’s eyes linger on yours. He’s never really made an effort to read you before, more of a take it on the chin sort of guy when it came to how people were, and what they meant to him. But he studied you now, and it was almost unnerving, trying to guess what exactly he saw reflected back to him. 

His fingers close around the hitting end of the bat in a tight grip, using it to pull you closer to him. He’s holding it out to the side, just so that it can’t go taut and rigid between the two of you, allowing you to be tugged closer than you would have been able to be. 

His breaths come in furious pants, audible once you were close to him. He was a livewire. He was sparking, burning everything he touched, trying to take it all to the ground. 

Destruction was always so pretty when it was at his hands. He did everything with purpose, whether it was for the good of who he cared about, or for his own grievances. 

And this sort of destruction, the kind you saw his eyes fall into once you were close enough to share breaths? It was golden and fiery, and full of promise that would break the thin line between your friendship and something else. 

You knew it in the same way that you knew how to follow that red, invisible line to him. Red because it was a bad idea, a waving red flag, telling you to stop, stop, stop. But it connected the both of you, regardless of its color; so how were you expected to?

“Feelin’ hungry?” JJ asks, voice low and almost sinful with the way that it rasped. 

You don’t mean to balk, but you do. It wasn’t a question you expected him to ask, but the double meaning in it, the innuendo laced words, had you stifling on your own words. “For what?” 

The bat slips from his grip, and it falls to hang loosely at your side. “We broke it, we buy it,” he says with a nod toward the shattered gap in the cafe’s window. “Or… not buy it.” His eyebrows bounce when he looks at you, and he leans in, his lips grazing the shell of your ear. “Did you think I was talkin’ about something else?” 

Your face flushes. Then, you drop the bat to shove at his chest with both hands. “Shut up.” 

“What, you feelin’ all hot and bothered, sweetheart?” he asks, a teasing lilt to his voice. “Tryna get some fugitive dick before it’s tossed in the slammer?” 

Your face is hot, the trail of heat from your reddened cheeks traveling like a river stream to your lower stomach. “Shut up, JJ,” you seethe, though it has none of the fire you wish it did. You didn’t know why; you had so much of it running through your blood then that it should have made you sound more fiery than you did. 

“Uh huh,” JJ cackles, his hand lifting to the back of your shoulder, pushing you toward the broken window. Once you’re a few steps ahead of him, his hand claps on your ass. “Andele, andele! Cops on the horizon.” 

It takes every bit of your willpower to not whirl around and smack him back. You don’t, because unfortunately for you, the sting only adds to your stomach becoming molten liquid, and for the other, more pressing matter, of the cops’ lights glowing red and blue at the very end of the street. 

You duck into the hole in the glass, feet crunching down on pieces of glass and debris. He follows immediately after, though when he slips into the building, it’s more stumbling than anything graceful. 

“Head t’the back,” he huffs, nodding toward the push-to-open door behind the front counter. “M’not gettin’ fucking caught before I fuck up that goddamn realtor’s house.” 

Arguing with him is a bit useless. JJ’s never been one to listen to anyone when his mind is set on something. You knew this from the moment that you took off in his direction to find him. Still, you almost open your mouth to make the effort to stop him, so at least you could say you did try. 

He cuts in front of you, stepping around the chair he tossed through the window, hopping over the countertop. He stops when he’s leaned against the door, holding it propped for you. 

“I’d say ladies first, but someone’s takin’ their sweet ass time,” he prods, nodding in gesture to the kitchen. 

You scoff, shaking your head, as you circle around the counter, shoving your shoulder into him when you duck underneath his arm. “Some of us aren’t so akin with vandalism.” 

“Some of us,” JJ mocks, his fingers digging into your ribcage as he falls into step behind you, “need t’lighten the hell up.” 

“I’m sorry, but are the cops not literally outside? End of the road?” It’s useless to humor him and his pestering, but it makes your heart beat a little bit faster, so who are you to make it easier for him and just go along with his ploys? 

He tsks. “Semantics.” His head spins around as he takes in the room surrounding them; typical bakery style kitchen, mixers and cutting boards and ovens, sinks lined up on the back wall. There’s tall fridges and deep freezes on one side of the wall, and parallel to it was— “Aha, there we go.” 

JJ cuts in front of you again, doing a little hop and a skip as he bumps his hip into this new door, tugging the handle down as he opens it. “Pantry, or whatever,” he scoffs, his face twisting up, “doesn’t matter to me what the hell it is. Gonna have to camp out in here, you and I.” 

Of course you were. You’d signed up for this, getting involved in this round of his criminalistic habits, but that didn’t mean you didn’t have the right to be annoyed. Weren’t you lot chased by the police enough as is? 

Still, you step into the pantry, the smell of chocolate chips and something else sugary hitting your nostrils the moment you’re inside. Boxes of ingredients line the shelves, including the ziploc bag of chocolate chips. 

JJ’s snatching it up before you can even process it, diving his hand into it and popping the handful between his plush lips. “Told you. Break it, we bought it.” 

Your eyes roll. Vandalism and theft. Probably a hefty sentence, nothing that either of you could afford with Poguelandia on the brink of destruction and your debts already piled high. 

He zips the bag back up and tosses it back on the shelf. “Walkin’ around like you got a stick up your ass, sweetheart,” JJ muses, his fingers closing around your elbow. “Told y’to relax, didn’t I?”

“No,” you say slowly in response. “You told me to lighten the hell up.” 

One side of his mouth quirks in a half smile, dimple gracing his cheek in the process. “Semantics,” he repeats, and he uses the grip he has on your arm to tug you back into his chest. “I could help you lighten the hell up.” 

“I sincerely doubt it, JJ,” you huff, your expression as unimpressed as one’s could be. “You’re the entire reason—” 

His mouth crashes against yours before you can finish that sentence. His mouth is as soft as it looks, the inner shell of his lips chapped. He tastes like weed, like the taste of it is so familiar in his mouth that it embedded itself into his taste. 

You almost don’t kiss back. It’s one of those things that feels like a bad idea because it is. That pointless rule about no kissing on other pogues went out the window the moment Kie and Pope got their hands on each other, but it still felt wrong, to break one of the rules that cemented the glue that held this group together. 

You kiss him back anyways. The moment that you start to respond to his advances, his tongue sweeps across the seam of your lips, pushing his way in. He starts walking the both of you backwards, deeper into the pantry, until your back hits the wall. 

JJ’s hands drop to your thighs, lifting you up effortlessly to wrap your legs around his waist. Your fingers curl into his shirt, tugging him further in until his chest presses against yours. 

His hands let go of you, the press of his body against yours on the wall and your legs tight around his waist keep you held up. His fingers close around the hem of your dress’s skirt, tugging it up. 

Your eyes pop open, falling down to your exposed panties pressed against his denim jeans. When you glance back up at him, lips still lightly pressed to his, they’re blue again, and glimmery. 

“Tell me to stop if you want me to stop,” he murmurs against your lips, stealing another kiss in the process. “Just… tryna get your mind off of—” 

“The manhunt?” You finish for him, and he laughs breathlessly against your mouth. 

“Mm, m’not doing a great job at distracting you, then,” he teases, one of his hands letting go of your dress, the other fisting the fabric as he holds it up. The free hand’s fingers slide down, down, down, until their tips are pressed on the edge of your panties. So close he could probably feel the slickness leaking through the fabric. 

“This all for me, baby?” he asks with that infuriating amusement curled around his words. “Or is it the danger of all this, too? Like bein’ an outlaw with little ol’ me?”

You aren’t even going to dignify him with an answer. Your bottom lip wedges itself between your teeth, your hands curling into fists against the fabric of his shirt. 

His middle finger starts to rub slow, lazy circles over your swollen clit through the damp fabric of your panties, his lips parted like he’s going to say something stupid about the whine that falls from your mouth—

When the sirens get so loud that it echoes around the small pantry. They don’t dissipate, either, which means…

“The door,” you choke out, nodding behind JJ to the pantry door. He’d shut it behind the both of you, but there’s a lock by the top of it, one of those chain link ones. “The lock—” You try to clarify, your brain a bit muddled. 

JJ’s head turns to glance behind him, and you watch his eyes dance up to the chain, too. He lets out a heavy sigh. “Such a damn worrier.” 

“I’m not—” 

Always useless arguing with him. He cuts you off by gripping at your thighs again with his lithe fingers, lifting you off of the wall and tugging you into his chest. 

You grab fistfuls of his shirt so you don’t fall backwards at the sudden movement, your lips curled into a scowl. 

He doesn’t seem to notice. He holds you in his arms as he walks to the door, pressing your back against this one so he can remove one hand from your leg, and lifts it to chain the lock. 

“Better?” he teases, and you’re about to scowl at him again when you watch the smile drop from his lips. 

Just as suddenly as he’d yanked you from the wall, he’s dropping to the ground, your body falling right along with him, knees crashing into the hardwood floors as you land into straddling him. Your mouth opens to gasp, or swear, or gasp and swear, when his fingers close over your lips. 

The cops. You hear them, then, the muffled voices and muddled words. Through the crack beneath the door behind JJ’s planted ass, you see their flashlights, too. 

His eyes meet yours, and he nods once, his expression grim. You blink, and his eyes are again filled with that glimmering mischief that never, in his life, has meant something good. 

And it was truly delinquent of him this time, as his hands drop to the button and fly of his jeans. Your mouth opens and closes in protest, because there’s no way he’s thinking that you two are going to fuck on some cafe’s pantry’s floor with cops right there—

“Oh, get that look offa your face,” he whispers, nosing your chin up and stealing a kiss when you’ve met his eyes again. “As long as you be quiet, what’s the big deal?” 

“You have nothing but awful ideas in that head of yours,” you snap in a low whisper, through your gritted teeth. “I’m not having sex with you right now—” 

JJ’s eyebrows raise. His eyes fall down to your slickened thighs, to the panties beneath the dress pooling his waist that he knows are wet with your arousal. 

“Fuck you.” It’s so pathetic to say, such a weak argument, but it’s the only thing that you can even think right now. Your heart is pounding in your chest with adrenaline and need and the fact that you can feel his hard dick straining in his jeans against your pussy.

JJ tips his head in a nod, his lips still quirked. “Aye aye, captain.” 

He undoes the restraints on his jeans, and his fingers disappear into the flyguard. Your eyes bounce between his face and his hands, his expression contorted in pure concentration that would be adorable if it wasn’t so seriously not. His tongue’s poking between his teeth, panting like an excited puppy, and you just want to—

“Hop on, baby,” he says triumphantly, and those stupid lips curl into an even more stupid grin. His hands pat his thighs to draw your attention downward. 

Fuck.

Your eyes must darken at the sight of him, hard and leaking precum, because he starts cackling like there aren’t police on the other side of the door, trying to cuff him and throw him in the backseat of a police car. “C’mon. Don’t be stingy now, baby, I see how bad you want it.” 

There are rare moments that JJ is right. Broken clocks right twice a day, or something like that. When he’s right, he’s always dead on, and it’s infuriating. 

You glance up at the little window in the door, and for then, at least, it’s clear. No shining flashlights beaming into the pantry you’re both camping in… 

You make bad decisions far less than JJ does. Still, like broken clocks, you both align sometimes. 

Lifting your hips off of his lap, his hands grasp at the backs of your thighs, guiding you onto his waiting cock, slapping it lightly against your pussy a couple of times before he lines himself up and drags the swollen head of it down your folds beneath your panties. He doesn’t give any warning before he pushes himself into you, a hard thrust that brings him all the way to the hilt at once.

Your lips fall open in a sharp gasp, and just barely does his hand make it over your mouth before the moan falls out of your mouth. One hand over your mouth, the other on your ass, guiding you into moving.

“As much as I love that mouth of yours,” JJ groans into your ear, low and rough like the words are being pried out of his lungs and torn through his ribs, “gonna have to keep it down this time.” 

He’s such a fucking hypocrite, though — the moment you adjust to the size of him filling you completely, stretching your inner walls to accommodate to him, and you start to move on your own? His head tips back against the door, guttural moans underneath his breath. 

“Fuck, baby, just like that,” he manages, and you slam down on him again, his hand dragging your hips forward to grind your aching pussy against his pelvis in slow circles. “Oh, fuck, baby—” 

“Shut up,” you muffle through his hand, even though it’s getting to you too, his palm stifling every gasp and breathy whimper before it leaves your parted lips. 

His hand clasps tighter around your mouth, his heavy, half-lidded eyes boring into yours. “You’re not the one in control here, baby.” 

It’s easy to forget, with him stretching you out and being relatively gentle right now, that he’s higher than he’s ever been. Adrenaline turns people into carcasses of themselves; wearing them down to the bone, using every scrap of energy available. 

His blown pupils are glimmering with it. He’s daring you with nothing but a look to see what happens when you keep running your mouth. His hand relents its hold on your mouth, and the other stills your hips as you stay suspended halfway down his cock.

The whine you let out is something you’ll deny later. The gravelly laugh he lets out is something that indicates he won’t let you. 

JJ smears his hand across your mouth, taking the saliva from the corner of your lips and spreading it across them, your cheek, before his two fingers slide into your mouth. “Not so bossy now, are you, baby?” he asks under his breath, as he thrusts his fingers in and out, as he slams his hips up in that same relentless pace as them. “Not so bossy when I’m fucking that mouth and that pretty little pussy.” 

His words burn from your lower stomach to up your spine, electric everywhere they reach. You can do nothing but take it, your hands on his shoulders for some sense of stability. 

Each thrust has the tip of his cock against your cervix, has his fingers clawing along your tongue as he presses them down on it just enough to pry your jaw open. 

“Lemme see that smile, sweetheart,” he murmurs, those two fingers spreading out into a V, forcing the corners of your lips up and into a wide grin. You sneer, and all that does is make him pound into you harder. “Don’t act so fuckin’ fussy, you’re gettin’ what you wanted, aren’t ya?” 

His fingers press on your tongue again, and your lips close around them again. It’s a good distraction from the way you want to scream. Not like you’d ever put that thought in his head with his ego. 

JJ slows his pace, but each thrust is just as hard, so deep in you that you can feel each of them, each minute detail; the thick head of his cock against your cervix, every inch that stretches you further with each of those thrusts, the obscene sound in the silent room of skin slapping against skin. 

“Baby, m’not gonna last much longer,” JJ pants into your ear, his voice still as rough but with an air of desperation. “Not like this, not with how fuckin’ good you’re bein’ for me, nice and quiet while I fuck your juicy pussy— fuck, baby.” 

He drags his fingers over your lips again, this time down, down the valley between your breasts, your stomach, your navel, until they’re planted right in the hot wetness of your folds. They find your clit and begin to rub the swollen nub, slow and gentle and completely at odds with the brutal fucking. 

You’re good, though, even without his hand covering your mouth. Even with—

A flashlight beams through the glass window above the both of you. Your eyes glance up to see it, and JJ’s staring at the spotlight of gold in the center of the room, just inches from his extended legs.

It flicks left, right, and you see the glimmer in the eyes of the officer right there, face pressed to the glass, hear the doorknob jangle against the chained lock—

JJ doesn’t stop. His pace becomes quicker, more erratic, more desperate. Your jaw trembles with the effort to keep your parted lips from making any sound at all, the precipice so close that you’re terrified of whatever noise is going to come out of your mouth when you cum. 

The beam from the light swings away, disappearing as the officer walks away, muffled words through the walls separating you and JJ from them. 

It’s just in time, too, because you cum with a soft and breathless gasp, your walls pulsing around his cock, your head falling forward to bury into his collar. His moans begin to shudder in your ear, and you know that he, too, is cumming. Feel it seconds later, when your head starts to clear from the haze of ecstasy, as the warmth of his cum fills you, his cock twitching inside of you. 

JJ lifts his fingers from between your legs and pops them into his mouth, the sound of him sucking the essence of you off of them making your legs tremble around him. “Like fuckin’ sin,” he whispers reverently. 

He’s so pretty like this. All spent and molten, softening cock inside of you like an extension of you now. His hand lifts to cup your cheek, thumb brushing stray hairs off of your face in the process. 

“You’re so beautiful,” he says, just as reverently as before, voicing the same thoughts you’d been having about him. 

“You’re so stupid,” you say in response, not capable of telling him how much you love him, feeling it to be the wrong time, too cheesy, another thing he’ll tease you about later. 

It’s there, though, on the tip of your tongue. I love you. And you do, so much that it aches. This man that’d been your best friend since you could remember anything. This man who sacrificed everything constantly for everyone. 

He wouldn’t have to sacrifice anything anymore, you wanna say. He could rest now, you wanted to say, too. 

But it feels wrong. And there’s always another time to tell him when it doesn’t just seem like bliss-driven thoughts. There’s always another day.

notes, thoguht my grief was over but the ending made me cry for some reason that's how u know this death hit deep bc why am i crying over like four lines in a Smut pls

[crow-caller]

man... I forgot to mention.

you know how lightlark has gods, but has never once named how many gods there are, what they are gods of, how religion works... it just uses the word 'gods' and there's inexplicably an abbey in the first book?

well, in skyshade we finally learn about gods. Not the gods of lightlark, the gods of the otherworld (if they are the same or related concept, it is not stated)

anyway the gods of the otherworld are um.

Sky, dirt, and below.

(The sky is a place. Dirt is an object. Below is a direction. These three fit together as well as Helios, Urn, and Enya as a trio)

Getting a suspicion this book isn't very good

Lightlark3 is somehow. How do I put this. Worse. The prose is really, really bad, and Aster operates on a baseline of having 'pretty bad prose'

Gee, I wonder if writing and releasing skyshade, plus writing her new adult book, plus a new bonus lightlark book and the 4th due next year... might be resulting in even less editing?

[hansoeii]

Hullo! I’ve been watching a bunch of your Timelapses and I was wondering how do you always come up with the colours for your pieces? They’re always so cohesive and pleasing to look at (I almost exclusively work in greyscale so if I’m using colour it’s always a lucky guess and it never looks quite right)

Hey there!

I have to be honest that most of the time I don't actually know what I'm doing and that I have no idea how most of my pieces are gonna turn out. My work process is usually based on "Fuck around and find out", haha. I'm happy to know that it apparently doesn't come across that way, though.

A lot of it comes very naturally to me simply because I've been drawing non-stop for so long, but I can give you some small tips that really help me:

1. Have as many references as possible!

Here's what my reference sheet looked like for the Jayvik piece:

It helped me a lot to understand the overall color scheme I wanted to convey. Lots of very cold tones, pinks and very light blues and greens. These colours sorround Jayce and Viktor throughout all of season 2 and I wanted to keep them, especially since in my piece they are lying in the glowing hexcore.

Don't shy away from using references, get as many as you possibly can! Look at other poeple's art too and try to understand how they work with colours.

2. Work with complementary colours!

Since I paint a lot of romantic illustrations I want them to look pleasing and comforting, which I can accomplish by using complementary colours! You see this a lot with couples that are blue and red coded, for example. And I wanted to do the same thing in the Jayvik piece! For that I used the highlights in their hair!

Viktor's highlights are a soft pink hue.

While Jayce's are a soft blue hue.

The colour wheel works perfect for figuring out if two colors compliment each other because they are literally right across from one another!

3. It doesn't have to be true to life.

Pretty self-explanatory, but I thought I'd add it in here anyways. It's important to understand how colour and light works, but you don't always have to follow the rules. Does the rim light look cool but it makes zero sense? Who cares! Keep the cool rim light! Just have fun and fuck around.

4. A little trick to make your life easier!

I'm not excatly the best at colour theory, I still struggle with it quite a bit, but here's a little trick I like to use from time to time:

If you want all your colours to look coherent, take one specific color as your flat colour. Choose a hue that you would like your piece to have. Like this:

Now you choose whatever colours your characters have and paint them in. For example, here are the skin colours I chose for Jayce and Viktor:

Looks off, right? These colours don't fit the overall piece at all. So what do we do?

Turn down the opacity! It's that easy, wahoo!

I went from 100 Opacity to 72 for this specific illustration. And look at that!

It's so much nicer already! Now you know what colours to use as your actual flats! Just repeat this with every other part of your illustration and you'll have a great starting point. :)

I really hope this was helpful! I'm not an actual teacher and I don't have a proper illustration degree, so some things might not be completely accurate, but I thought I'd try my hand at this anyways!

[raven-at-the-writing-desk]

I wanna see what’s Ace’s family’s reaction when they found out Ace is dating reader Heheheh

I decided to have only Ace's brother present, since Mr. and Mrs. Trappola have yet to receive strong characterization.

Family means Nobody is Left Behind or Forgotten.

The Trappola brothers sat across from one another upon red velvet chairs, and you, between them. They were both intently focused on building a house of playing cards—a task that Ace had warned took “serious patience, coordination, and a gentle touch.” (You had rolled your eyes and responded, “Great. You let me know when you’ve found someone that has all that.”)

Ace carefully laid a Two of Spades down, formed a triangle with a Three of Clubs and a Four of Diamonds. His hand slowly retreated, and the triangle stayed. He expelled a sigh, directed away from the cards so as to not disturb them.

You would have clapped for him, but Ace had discouraged you before the game had even started. So instead, you tapped your index and middle fingers together. Still giving applause, but not nearly enough to rattle the house of cards.

“Your move.”

“Huh, you’ve gotten better at this,” his brother mused. He toyed with an Ace of Hearts, expertly twirling it between dexterous fingers. “Too bad. I was really looking forward to smoking you in front of your new friend.”

“In your dreams,” Ace sneered, passing you a glance. “The last thing I’d want is to look uncool in front of my partner.”

His brother drew himself up in his seat. The card in his hand, stilling. “Your partner? Since when were you two a thing?”

“Oh, you know… since a while ago,” Ace casually replied. “And honestly, I can’t really blame’m. Who wouldn’t fall for my dashing good looks and roguish charm? I’m a catch!”

His brother regarded you with an almost pitying look. “It’s not too late to change your mind,” he advised.

You burst into laughter. "I think I'm good. Ace is an idiot, but he's at least my idiot."

He raised an eyebrow. "So you've got a sense of humor. You'll need that if you're going to put up with Ace all of the time. Congrats, you passed the first test."

"Whaddya mean 'put up with' me?!" Ace protested, puffing up his cheeks. A pout--adorable, you think.

"I mean it exactly how I said it. It's practically a full-time job dealing with you," his brother replied cheekily. "You gotta prepare people for it, or else they won't know what they've signed up for."

"Oh, come on! You're making me sound way worse than I actually am."

"This, coming from the guy who ghosted his ex?" He smirked, and you could see the family resemblance in it. The slight narrowing of the eyes, the way his mouth angled. "I dunno, I was half expecting you to stay single forever after that royal screw-up, lil' bro. You're lucky you found someone willing to take you~"

Pink exploded onto Ace's cheeks. "H-Hey...!" he hissed, leaning toward his brother. "Did you seriously have to bring that up?! Have a little more tact, will ya?!"

The older Trappola grinned. "Gotcha."

You realized why.

Ace's sudden movement had sent a slight breeze against the card house. It wobbled from top to bottom--then the structure collapsed in on itself, the cards all folding into one another. Within seconds, the house was a pile on the coffee table.

Ace fell to his knees with a pathetic wail, scrambling to salvage his hard work. His brother looked on, chuckling. A card, still in his hand.

"I didn't place mine yet," he declared triumphantly, "and since you made the house fall, it's technically my win!"

"Y-You sneaky...! You taunted me on purpose!!"

"Yeah, and it worked like a charm." He flicked Ace on the forehead. "You were too busy trying to flex in front of your S/O. It was easy to take advantage of that. You always were a cocky, predictable brat."

"Grrrrr..!!"

"Ace, it's fine," you soothed him, a hand on his arm. "You did your best. It doesn't change how I feel about you."

"Tch, there you go being all sappy again... You're so lame sometimes," Ace grumbled--but he covered your hand with his. A small gesture, but a reassuring one.

"Hahah, look at you two lovebirds," his brother teased, wagging a finger at you. Then he reached out and roughly ruffled Ace's hair, despite his complaints and attempts to swat him away. "Happy for you though, lil' bro! You gotta tell me how this love story started--"

[headspace-hotel]

vintage story update:

i am amazed that you have to quarry stone to build a quern in order to grind or mill anything. people have been grinding stuff as long as they've been able to smash two rocks together. let me have a mortar and pestle

Also amazed that drying doesn't seem to be a method of preserving food, given that it's more ubiquitous and simpler than a lot of the mechanics used in the game.

This is to say, pemmican is the logical result of the food resources I have available to me and I cannot make it.

I don't know if the greater sense of realism is going to make me more or less annoyed with this game than with Minecraft. It is a game that is close enough to reality that knowing things about how nature works actually helps you in game, but far away enough that you often encounter things that should work but don't.

It's actually interesting to me how many technologies in-game are effectively inaccessible without metalsmithing, when they absolutely aren't in real life. Bronze and iron working aren't inevitable progressions of a society and many, many societies developed advanced technology and complex civilizations without them.

Tanning hides is the most egregious probably. I've been really frustrated about having to leave my animal hides out to rot, but the ability to saw planks is necessary to make barrels which are necessary for tanning. Also, a lot of stoneworking? You don't need metal to shape stone, just harder stone.

It is absolutely WILD how there is nothing given to the mechanics of textile creation when these are one of the most fundamental human technologies. You don't even need a loom to weave cloth, let alone a spindle to spin thread, or a needle to sew with. I'm guessing they will probably expand on this part of the game in future updates, since cotton and hemp are noticeable oversights in the realm of textile materials (so far the only fiber plant is flax). I would LOVE to see more than just the basic ones though, like maybe nettle, jute, ramie and so on

[secondhandhandyhaversack]

For YEARS I thought she said "... the feeling..." and not "... severely..." and while the reality does make more sense, I do think that my imagined version does in fact pop the feeling in a way the reality doesn't.

this vine saved me

[sciderman]

Yk..i feel like i would enjoy Deadpool and Wolverine more if i liked these versions of the chsracters as much as everyone else seems to. And it's not that i hate them or anything, but they're just not MY guys, Hughs Wolverine is a tall ruggedly handsome leading man who's a typical berserker, the Wolverine i am into is a short, kinda ugly feral asshole that's both the biggest badass in the room but also a weeb bookworm and an unintentional adoptive father/older brother with his dumb fucking hair and side-burns and dresses like a bisexual lumberjack/cowboy, he hates poachers and loves petting deer, and he can talk to animals making him a Disney princess too. The movies just don't give me that, it's too serious, too embarassed of itself, Logan isn't enough of an unlikeable messy asshole in the movies, he's not explosive enough, he's a very Clint Eastkwood type. And same for Wade, i like Ryans Wade well enough, but he's too clean, too marketable, too empty and dumb. I am just not into them, they're too pretty, too nice, too clean, too marketable, they're made into more typical leading types and i am not a fan.....God, sorry for that rant.

hey. i love these versions of the characters and i hated the movie. i honestly really do like movie-pool - i just hated him here. i love hugh jackman's wolverine. but this – 

i get that logan is quite a different character in the movies vs other interpretations of him, and it is downheartening that we might not ever get a more faithful to comics adaptation of logan onto the big screen but - i don't know, i'm not too sad about it because everyone always has their own version of a character in their head. my version of peter parker will never be the same as the guy on screen.

i like hugh jackman's wolverine plenty. i think hugh is great. i love his wolverine. but - this isn't even his wolverine. this wolverine is a stranger. and actually - that kind of means something. it means it's not the wolverine we've been invested in all these years, and it's not the wolverine we cried over during logan. it's not him. it's just some guy. and that's - that's not great. we don't really know this guy. i think that's the thing. the film thinks it's enough to squeeze hugh into yellow spandex and all the fans will do the heavy lifting because WOOOAAAH it's the costume we all recognise but. underneath that costume is a guy we've never seen before. never introduced to before. isn't even the guy we invested decades of films with. they're asking us to project our expectations on him, overtly. wade does it. laura does it, yadda yadda. but that's not him. it's pointedly not him. it's a blank slate in wolverine's clothing that we're meant to project our expectations on. so. you need to actually put the work in to make us care about this guy. we care about him SOLELY because of our expectations of him, based on all the familiar iconography. the suit, hugh jackman, the claws... this movie is dependant ENTIRELY on you being able to recognise things and attach meaning to them. otherwise, there's no actual substance there.

if you didn't know the yellow suit from the comics you'd probably look at it and say "that's a stupid suit" - that's it. they're just banking on you overlooking the objective stupidity of it, because you recognise it and therefore it must be important and not stupid.

i think it was a bad move to make this a different wolverine. i think it was a bad move to have this movie follow-up on the events of logan - i think it was all bad moves. it should've been our logan, of wade's era. it doesn't even make sense for this to happen after logan. logan is set after the x-men are gone. so how is colossus and negasonic and yukio there and how did wade have all those x-men shenanigans in previous movies? that's fine. who cares. no rules.

it's just maddening to me. 10000 decisions that crumble immediately under any sort of scrutiny whatsoever. can't do it. can't do it.

[inkskinned]

please i love you i'm begging you bring back suspension of disbelief bring back trusting the audience like. i cannot handle any more dialogue that sounds like a legal document. "hello, i am here to talk to you about the incident from a few minutes ago, because i feel you might be unwell, and i am invested in your personal wellbeing." "thank you, i am unwell because the incident was hurtful to me due to my childhood, which was bad." I CANT!!!!

do you know how many people are mad that authors use "growled" as a word for "said"? it's just poetics! they do not literally mean "growled," it's just a common replacement for "said with force but in a low tone." it's normal! do you hear me!! help me i love you please let me out of here!!!

[celeste-tyrrell]

is it really true that the average person's pain level is a 0?