#it did kill her

[desiderium-eden]

@arcxnumvitae

I-I’m fairly certain /all/ of my dragons would rather eggs than chestbursters 😨

But Kris...

Is this little cutie not worth it?

Does her little laugh not make up for the pain?

[notbrucewayne48]

"aphobia doesn't exist"

bitch literally not that long ago an aroace youtuber animator was insulted by almost half of its community for being it

[chloesimaginationthings]

NEVER ask FNAF Vanny about her past…

[artkaninchenbau]

People keep on asking for more Baby Robin and Papadile so here is more Baby Robin and Papadile. Now never ask anything from me ever again

[inkskinned]

at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"

like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.

"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."

... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.

and i'd still keep writing.

i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.

i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley

"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"

and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.

it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.

you create because you're greedy.

[hinamie]

cursed kids v2 ⚠️👹

i've been a jjk first years stan since day one and have been wanting to redraw the first art i did featuring the three of them

[united-under-skyfall]

leverage is so fucking funny. man manages to find the most mentally ill and neurodivergent group of thieves on the market + an even more mentally ill guy whose literal job description was trying to chase all of them, and forces them into a found family speed-run by trying to blow them all up. they lowkey stage a full fucking country wide coup and are like eh 🤷 just another wednesday. this might be a fun place to vacation tho i guess. sophie shows up to her own funeral twice. they're so good at convincing people of their shit that they make a guy's body start reacting to an illness he doesn't have because it isn't real. go completely out on a limb and basically hand this one guy a new password for his computer so they can get into it and he goes with it. parker and hardison have straight up just "fake it 'till you make it"d into the fbi without even attempting to cover their tracks beyond just These Two Guys. half their clients never asked to be their clients and don't know they're their clients, and the other half are random people who find them who fuckin knows how, meanwhile no government agency can track them down without selling their soul to sterling. they make a point to have a dramatic scene w a Big Bad Shadowy Government Guy who doesn't actually get caught or brought to justice or anything telling them he's going to hunt them all down, and in any other show this would probably earn at least a minor arc later on but he literally never shows up again. an entire season finale hinged on a cake and a bunch of clams. they accidentally made eliot a celebrity not once, not twice, but three times. parker blew up her foster parents' house when she was like. nine. and it's hardly a footnote. hardison is just casually an artistic prodigy but it's only ever brought up for the most background of background gags. eliot's biggest beef with parker and hardison for like two and a half seasons is that they won't stop making weird food with lasers and refuse to realize they can't make a decent beer to save their lives. sophie's immediate response to being shot is to call her shooter a wanker. there's a character who has literally killed a man with a mop and they had the audacity to only put her in one episode.

[cryptidjeepers]

okay im not british and i admit my understanding of british politics is not great but i found out that david tennant's speech when he accepted the lgbt celebrity ally award made british politicans BIG mad. the way conservative transphobic politicans will weaponize any part of their identity to silence criticism agaisnt them is so disingenious and shitty.

THIS is what he said. okay

and this was the reaction of badenoch and sunak

literally weaponizing her identity as a woman and a woman of colour to distract from how dangerously transphobic she is. like what the fuck. anyways i just wanted to bring this up because it's something that terfs do constantly. especially to shut up trans woman and cis male allies. not to mention david tennant is a father of a non-binary child and i believe one of other kids is queer. he's not just being a performative ally, trans rights are important to him and his family. anyways fuck sunak fuck badenoch.

[lesbiancientforesttroll]

Think about Harrow's AU Bubbles

Thinking about Harrow's AU bubbles, not as fanfic references, but as expressions of her subconscious fears and desires, is so fascinating.

The Harrow Nova one is pretty obvious. Harrow's parents were obsessed with her being a necromancer, were willing to kill for it. It's only natural she'd wonder, "What if I hadn't been?"

And the answer Harrow gives herself is: Your parents and everyone would reject you (except, wildly, for Crux). Also they'd be alive cuz you'd never opened the tomb, and you'd be an unpopular orphan they'd abuse (Just Like Gideon). And you'd still be just as devoted to serving the Ninth with a blade. There's a lot there. But the other really telling bit is her relationship with Gideon. Harrow Nova professes to hate the reverend daughter even as she seeks to (re) create the necro-cav bond with her. But that hatred doesn't seem to be mutual. And the bit about the daughter intervening when Harrow was whipped…

That's Harrow's subconscious saying if their roles had been reversed, "Gideon would have treated me better than I treated her. Gideon would have protected me."

The Ball AU also seems like a reasonable extension of Gideon's childhood query: "What if my other parent is the most important guy in the universe?" Answer: Emperor Dad would throw a big party.

But also… it's a bride-finding ball! That's so very telling. It could have been anything, but Harrow invents another scenario where she's fighting, competing to get to Gideon, to be awarded the role of her sworn partner (first cav, now bride), while outwardly claiming not to want it.

Now The BARI Star AU often gets described as a "coffee shop" one, but it's actually set in a cohort cafeteria. And normally I wouldn't split hairs over that, but I think the cohort setting is actually really significant. The Cohort was Gideon's dream, and also Harrow's rival for Gideon's attention. It's what she kept trying to leave Harrow for.

So now Harrow dreams that she's left Drearburh to join the cohort and will meet Gideon there. Not fight or compete for a role where they're bound to each other, but just meet her there. That feels like yielding. Like compromise. It makes me think Harrow's subconscious has matured past trying to keep Gideon with her always and is instead looking for ways that SHE can be with Gideon. Meet Gideon where she is.

(Also this may be a stretch, but I always find it low-key funny that Harrow imagines Gideon in the cafeteria… I like to think her brain is skimming lists of hypothetical military jobs like... what sees the least action... ah, coffee-adept, she'll be perfectly safe there...)

[denkisauce]

best genre of photo actually

[ruubesz-draws]

Godzilla but it's GTA

Poor Tiamat... they did her dirty :(

It's okay Tiamat! I'll make your gijinka look beautiful!

[chloesimaginationthings]

FNAF Gregory easily could of defeated Chica like this

(Based of @/CenoCrocodile post)

[somewhereincairparavel]

Jason: *dies in an excruciatingly painful but heroic way because his dad screwed up again, saving the lives of a literal God, his ex, a random girl and his dad's fucking ego*

Zeus: um chile anyways so-

[molinaesque]

You know why these boys brought you in? 'Cause I f*cked up a poor, defenseless gang-affiliated organ dealership? Yep. Mm.

[demigods-posts]

something about annabeth being twelve years old. telling percy she'd let her father rot in the underworld. while also wearing his ring on her neck. really breaks me. because she'll spend the next five years trying to fix what her father broke. and ultimately blame herself for the cracks in the window. but he's the one that gave her the hammer. and it'll take her years to admit that. so instead. she'll just wear the necklace like a noose. and let it slowly kill her. because she'd rather quietly carry his burden. than admit she never had the strength.

[sualne]

father.

(timeline)