#it deserve in the film

[life-in-toontown]

AMEN 🙌

[saucefunk]

CONTROL YOURSELF

[anyataylorjoys]

RODGERS AND HAMMERSTEIN'S CINDERELLA (1997) dir. Robert Iscove

[elinbean]

a win for tortured writers and haunted artists everywhere

[swannsways]

🤸 Dominic Sessa as Angus Tully 🤸 – The Holdovers (2023)

[go-see-a-starwar]

Absolutely ready for the Haydenaissance let’s do this

[chloesimaginationthings]

Your Jeremiah art has me giggling and kicking my feet in glee

YESS JEREMIAH ENJOYERS RISE UP !

[bloodraven55]

anyway yeah nimona is absolutely great so have this meme as my final review and recommendation

[sophsun1]

Stand By Me (1986) dir. Rob Reiner

[ianitegal56]

I saw Godzilla Minus One and he is quite literally one of god's silliest showa scientists

[xplore-the-unknwn]

"Am I not Merciful?" - Joaquin Phoenix as Commodus (Gladiator, 2000)

Pt. 1, Pt. 2

[finleycannotdraw]

I just want to acknowledge how well-crafted dead boy detectives is, in terms of how each shot is framed and colored. it's such a visually satisfying show, and as an artist i am feral about at least one frame in every single scene. i could go on for paragraphs about the execution of this but i'll just grab a few frames for examples, because. it's so good. (not super crisp images, sorry about that. best i can do with taking screenshots directly from netflix.)

this is obviously nowhere close to all of the frames i'm obsessed with, but it goes to show how much thought was clearly put into blocking and coloring!!! each scene has a color scheme or a theme, and the characters are very often dressed in a complementary way. (Maren's dark outfit, when we see her in episode 5, looks very good with her yellow and maroon front porch, for example.) there's a lot of orange/blue contrast, or brown/green, and altogether every scene has shadow and highlight, and isn't afraid of either one. (respect.)

it's just so refreshing to have such a gorgeous show to enjoy. everyone who worked on the framing and lighting in this show knew very well what they were doing, and I hope we get a second season so they can keep doing it!!!

(if anyone wants me to go in depth about why i love any of these frames, let me know. because i WILL.)

EDIT: In-Depth Post! :)

[aromanticduck]

Just to make the distinction between the first two clear:

Option 1 is for people who couldn't follow the plot of a show/film at all without subtitles. (And it should say 'difficulties' - it cut me off)

Option 2 is for people who would miss bits but still get some of it, or who could follow but would have to work really hard to do so.

[btxtyuri]

five nights at freddy's 2 movie being rated R but the only reason it's rated R it's because of the william and henry 15 minutes explicit sex scene

[dani-dabbles]

He’s tougher than he looks.

[silveryhill]

Alain Prost: Still, even as it turned out, it was a fantastic story, don’t you think? And I think, in a way, we’re missing a little of that today. (Motorsport, 1998.10)

There's a metaphor abt Senna's helmet in the vid. Inspired by an interview from Nuno Cobra(his coach)

it's possible to say that Senna had that kind of split personality. On the one side you had Ayrton, who is sensitive, loving, sweet, poetic, romantic, wise and careful. On the other side, there was Senna, who is explosive. Senna was very nervous, very agitated, stressed, bad tempered. He was often compromised and challenged. I think Ayrton suffered a lot in the hands of Senna.

So Ayrton was the human side of Senna. When he put the helmet on, he turned into a “stranger”, the ruthless Senna.

And before the imola accident, Senna took off his helmet in front of Alain.

On Saturday, after Roland Ratzemberger's fatal accident, that was not the Ayrton I used to know, he was really worried...

On Sunday, at lunch time, he went to see me and simply didn't say anything important. Everybody was watching that in slience. It looks like he just wanted to get close to me. And I really feel that he's so weak. That was the first time I saw him like that...

On that Sunday I thought, that's not Ayrton. He's fragile. He wasted five or ten minutes to come to me and say nothing. And then he went back to the garage.

So I finished my lunch and went to his garage...

Ayrton's ritual was to be completely focused on his thing in the car. He never took off the helmet, it was the first time he took off the helmet(before the races). He was doing some stretching in the garage...

I didn't want to bother him too much but he wanted me to stay, it seems that he just want to share a time with me.

he was happy that I came there to talk to him, and that was the last time.

In their last six months, Alain met the REAL Ayrton.

"There were three Ayrtons for me: the one before F1 when he was looking at my races, at everything I was doing, the way I was doing it; obviously the one when we were together, inside or outside the same team; and then the one when I retired." It was this last version that Prost says he grew to like adding he wouldn't have believed it existed "if I had not known this person myself."

But Ayrton was Senna, Senna was Ayrton. They're the same person after all. So still, he put the helmet on and went to his fate. As Ron Dennis said, "it's his obligation." Like an addiction, and he "can't drop it."

Jackie Stewart once said:

Ayrton Senna was the most dedicated racing driver I have ever met. He was totally immensed in his life of being a driver. It was what he lived for. I would say that in a high 90% range of Ayrton Senna's focus on Motor Racing. Stirling Moss, when he drove, was a man who had other likes in life. Niki Lauda had passions in life, Jackie Stewart had, Juan Manuel Fangio had. Ayrton Senna, I believe, was more focused than any of the names that I've just mentioned.

So I think for Ayrton Senna, life, or love, is seldom enough, and that's why we admire him so much as his pure spirit of racing. It's a beautiful paradox. He's different.

*thank you for reading my way too long thoughts <3

*please don't repost it to any other platforms(like ytb), on tbr is absolutely welcome!