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The third day of IISMâs ISELP in Paris began with our students visiting the famous Stade de France stadium that hosted the 2022 UEFA Champions League Final and is the venue for upcoming 2024 Olympics.
The tour of this iconic venue was enthralling as the students glimpsed the dressing room of some renowned football stars.
It was followed by a study session for the students to give them better insights about the management and backend work of a football match and stadium.
Click to know more: https://youtube.com/shorts/D0yfzU50E4A?si=fvMjdMxH7pNAbT9x
#iism#iselp#paris#StadeDeFrance#UEFAChampionsLeague#2024Olympics#footballmanagement#sportsmanagement#studentlearning#studysession#sportseducation#footballexperience#studenttour#stadiumtour#learningexperience#footballstars#behindthescenes#sportsindustry#educationaltrip#managementinsights
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@dendrothecaryâ
After having the Spirale hospital deny his requests so many times, Grimm was forced to look elsewhere. His searching brought him to a newly opened pharmacy with the name Bubu. And despite its newness, it seemed to already have quite a reputation of being well received. Perhaps this was the stroke of luck he needed...?
âA good day to you, sir,â Grimm greets as he strides up to the counter. âTell me, are these reviews for your lovely establishment on Iselp legit? Others refuse to aid me with my special needs... I do hope I wonât hear the same here.â
#dendrothecary#Baizhu 01#; summoned flame {isola ic}#hospital mention tw#You're my drug dealer! Boogie woogie woogie!
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Affiche promotionnelle du film Le Reader, produit par Misssouri, impression jet d'encre, 2020
Un film de Master Sculpture, erg, Bruxelles ; DNSEP Art mention Cherbourg, eÌsam Caen-Cherbourg, Atelier Sirjacq, Ensba Paris â
Avec le soutien de La ComeÌdie de Caen CDN de Normandie, La FeÌdeÌration Wallonie-Bruxelles, ISELP, AJC â
Images et sons: Archive collective â
Musique : Nicolas Jorio, Alban Mercier, LeÌa Tumbarello â
Elaboration et montage: BeÌatrice Delcorde â
Avec Sarah Abdali, Fanny Aeschlimann, Aude Anquetil, ChloeÌ Arrouy, Yannick Bauwens, LeÌa Beaubois, Delphiane Bellante, Rico Benz, Elisa Bertin, CeÌcile Danhiez, BeÌatrice Delcorde, Paul Calloch, Manon Capisano, Jeanne CarreÌ, LeÌa ChaureÌ, Agathe Chevallier, Samuel Cordat, Adeline Cros, Yannick Denizart, Julia Droga, Rudy Dumas-Jandolo, Marianne Dupain, David Evrard, Igor Fouqueray, LeÌo Fourdrinier, Louis Garrido, LeÌo Gillet, Laurie Giraud, Elissare Grenier, Marilou Guyon, Victor Hamonic, CleÌment Hebert, Tilhenn Klapper, LeÌo Lacape, Jeanne LecarreÌ, Marine Lemaire, Paul Lepetit, Virginie Levavasseur, Arthur Ligeon, Alban Mercier, Robin Moreels, Marie Namur, Camille Raynier, Felix Touzalin, LeÌa Tumbarello, Nicolas Valckenaere, Tom Valckenaere, Guillaume Vannier, Kobas Verschurren, Yi Zhang
Avec le soutien de erg Bruxelles, DNSEP Art Cherbourg, Ensba Paris
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Le 30 septembre dernier, le CRP/ recevait la 1Ăšre navette de lâart mise en place dans le cadre de la Biennale Watch This Space portĂ©e par 50°nord - rĂ©seau dâart contemporain de lâeurorĂ©gion. Lâoccasion de dĂ©couvrir lâexposition Resilient Images avec Muriel Enjalran, commissaire de lâexposition mais aussi la trĂšs belle installation vidĂ©o rĂ©alisĂ©e par lâartiste Justine Pluvinage. La visite Ă©tait suivie dâune projection-rencontre au cinĂ©ma de LâImaginaire autour des films de Justine Pluvinage et Ariane Loze, vidĂ©aste belge, toutes deux laurĂ©ates de cette 9Ăšme Ă©dition de la Biennale.
#watchthisspace#50°nord#artcontemporain#justinepluvinage#arianeloze#iselp#artconnexion#cinemaimaginaire#resilientimages
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MAUD MARIQUE est artiste & poĂšte. Elle travaille principalement avec/sur le langage et sur/avec internet. Outre ses projets en ligne, elle prend part Ă des Ă©ditions et des expositions, écrit dans des revues, performe lors d'Ă©vĂ©nements littĂ©raires, collabore avec des artistes et est membre du collectif Sabir, qui publie la revue du mĂȘme nom.
EN LIGNE
they say | il paraßt que | The Wrong Biennale
HyperpoĂšmes
Mots Choisis
HORS LIGNE
Rumeurs sur lâamour | Centre Pompidou
Lâartiste en tĂ©lĂ©travail | Centre Wallonie-Bruxelles de Paris
Moi je parle avec les mots des autres |Â Festival Actoral
Rumeurs sur les Ăźles | Ateliers Mommen
Métalangue | Iselp
Retarder une expo de 48 minutes |Â Linz +Â Toronto
JusquâĂ Ă©puisement des stocks | While supplies last | Galerie B-312
Pavillon levé (Dix jours à vaincre les mortes eaux) | Circa art actuel
PUBLICATIONS
rosa rosa rosae rosae | SB34
Triche au loto bulgare ? | Sabir
Veuillez trouver ci-joint mon curriculum vitae | Sabir
King Kong n°0 | Kikk Festival
King Kong n°1 | Kikk Festival
Voyager
AVEC
Sabir
In Vivam Memoriam | Romain Tardy
Those who + All there in the sky | Worran
PRESSE
Letâs Motiv
Amour, Gloire & Chips
Entrez sans frapper | RTBF â La PremiĂšre
En cours de route | Radio Campus Bruxelles
CONTACT
maudmarique[at]gmail[dot]com
L Â | Â I Â | Â FÂ | Â T
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Expo in ISELP Brussel met werk van Master student Schilderkunst Dennis Ceylan.
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ISELP : Savoir Faire
ISELP : Savoir Faire
View On WordPress
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Vues de lâexposition âState Of Statelessnessâ, ISELP, Bruxelles (2018)
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IISM's ISELP program of 2024 was a huge success as we were in Paris to explore the city's sporting scenario.
Our first day in the city was exciting as we visited UNESCO Sport- UN headquarters to understand the organization's sporting administration.
A chat session at UNESCO enlightened our students about an initiative called 'Fit for Life', which focuses on bringing positive changes in the sports industry by enhancing the grassroots sporting scenario and empowering young people to live a healthy life.
The students had an interactive session with Mr Philipp MĂŒller-Wirth, Chief of the Sport Section, Sector for Social and Human Sciences and his diverse team.
The session was informative, where the students indulged in the galore of sporting topics.
@unesco
#iism#iselp#parissports#unesco#fitforlife#learningsession#liveexperience#youthempowerment#healthyliving#sporteducation#interactivesession#sportsindustry#sportsmanagement#sportsleadership#GlobalSports#sportsdevelopment#sportseducation#futureofsports#sports#sportsculture#paris#france#triptoparis#paristour#IISMStudent
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Gunshot Wounds, Boyfriends And An Overprotective Dad
read it on the AO3 at https://ift.tt/2QB2GbE
by PrinceLouistheVampire3113 (ThePrince0fDorkness)
Peter and Wade have been dating for a few weeks, so it's not really a surprise when the spidery superhero asks Wade to meet his adoptive parents, Tony and Loki, but as his boyfriend. However, things get a little out of hand on a mission gone wrong which iselped thanks to Loki's magic and Wade being overprotective of his shorter boyfriend. Oneshot.
Words: 2714, Chapters: 1/1, Language: English
Fandoms: Marvel Cinematic Universe, Spider-Man - All Media Types, Deadpool - All Media Types, The Avengers (Marvel) - All Media Types
Rating: Teen And Up Audiences
Warnings: Creator Chose Not To Use Archive Warnings, Graphic Depictions Of Violence, Major Character Death
Categories: M/M
Characters: Peter Parker, Wade Wilson, Tony Stark, Loki (Marvel)
Relationships: Peter Parker/Wade Wilson, Loki/Tony Stark
Additional Tags: Tony Stark Acting as Peter Parker's Parental Figure, Hurt Peter Parker, Precious Peter Parker, wade wilson is a good boyfriend, Tony Stark Has A Heart, Parent Tony Stark, Parent Loki (Marvel), Protective Loki (Marvel), Engagement, Engaged Lok/Tony
read it on the AO3 at https://ift.tt/2QB2GbE
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Stage dâimprimerie. Kebab-BaobabÂ
Enfants de 6 Ă 12 ans
MusĂ©e ISELP. Bruxelles. 2020Â
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ISELP / Piort Pavlenvski / comprendre lâArt Contemporain
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MONIQUE MBEKA PHOBA
Mercredi 27 novembre 2019
Le sĂ©minaire prĂ©vu le 29 mai dernier nâayant pu avoir lieu, nous nous rĂ©jouissons de sa venue.
De 19h à 21h à la MSH, 16-18 rue Suger 75006 Paris (Métro Odéon ou Saint-Michel)
Originaire du Congo, Monique Mbeka Phoba exerce le mĂ©tier de cinĂ©aste depuis Bruxelles, oĂč elle gĂšre une maison de production de films, RUMBACOM. Elle a une dizaine d'Ćuvres cinĂ©matographiques Ă son actif, surtout des documentaires autobiographiques ou politiques sur les 2 pays africains qui sont au cĆur de son inspiration : la RĂ©publique DĂ©mocratique du Congo, en Afrique Centrale et le BĂ©nin, en Afrique de l'Ouest, oĂč elle a vĂ©cu une dizaine d'annĂ©es et crĂ©Ă© le festival de films LAGUNIMAGES, toujours en activitĂ©. Les documentaires de Monique Mbeka Phoba ont Ă©tĂ© co-produits aussi bien par des tĂ©lĂ©visions europĂ©ennes (RTBF, France 5, ARTE, ZDF) que par l'ORTB, la tĂ©lĂ©vision publique bĂ©ninoise, oĂč ses films continuent d'ĂȘtre diffusĂ©s chaque annĂ©e.
AprĂšs deux dĂ©cennies en tant que documentariste, Monique Mbeka a dĂ©cidĂ© de refaire une formation de scĂ©nariste Ă l'Institut des Arts de Diffusion (IAD) au milieu de condisciples d'une vingtaine d'annĂ©es pour la plupart. Cette expĂ©rience l'a confrontĂ©e de plein fouet Ă la mĂ©connaissance perturbante par la jeune gĂ©nĂ©ration, d'origine afrodescendante ou non, du passĂ© colonial. Son premier court-mĂ©trage de fiction,' Soeur Oyo' (2015), est une rĂ©invention de la vie de sa mĂšre, adolescente, alors que celle-ci vivait au pensionnat de Mbanza-Mboma. Ce pensionnat, crĂ©Ă© en 1947, Ă©tait considĂ©rĂ© comme rĂ©volutionnaire, car il offrait aux jeunes filles congolaises lâaccĂšs aux Ă©tudes secondaires. 'Soeur Oyo', diffusĂ© par la RTBF, suscita un Ă©norme intĂ©rĂȘt et relança la question rĂ©currente de l'invisibilisation de l'histoire coloniale en Belgique, oĂč elle fut particuliĂšrement lourde. Monique Mbeka s'est lancĂ©e depuis 2015 dans une sĂ©rie de masterclasses, 25 Ă ce jour, qui explorent le cinĂ©ma belge sous le prisme de cette thĂ©matique coloniale. Ces masterclasses se sont tenues Ă l'UniversitĂ© Libre de Bruxelles (ULB), l'UniversitĂ© Catholique de Louvain-La-Neuve (UCL), Ă la Contour Biennale de Mechelen, Ă BOZAR, Ă la Maison EuropĂ©enne des Auteurs et des Autrices (MEDAA), au Festival International de CinĂ©ma de Kinshasa (FICKIN), Ă l'Institut SupĂ©rieur d'Etudes du Langage Plastique (ISELP), etc.
Monique Mbeka a été l'assistante éditoriale du recueil 'Nouvelles du Congo' (Editions Magellan, 2015). Elle a été membre des jurys du Festival Panafricain de Cinéma de Ouagadougou, du festival Cinéma du Réel à Paris, de l'Organisation Internationale de la Francophonie et de la Fédération Wallonie-Bruxelles. Elle est membre de l'Association des Scénaristes de la Fédération Wallonie-Bruxelles et poursuit l'écriture de son premier long-métrage de fiction. Elle est également l'autrice d'un recueil de poÚmes, Yemadja (2016).
[EN] Monique Mbeka Phoba (born 1962) is a filmmaker whose family comes from the Democratic Republic of the Congo (DRC) and who works and lives in Brussels, from where she runs the production company RUMBACOM. Mbeka Phoba has made around ten documentary films, autobiographical and/or political about the two African countries at the heart of her practice : the DRC and  Bénin, where she lived for ten years and where she created the LAGUNIMAGES film festival, which is still in activity. Her documentaries have been co-produced by European network and the African TV network ONTB based in Bénin, which broadcasts her films every year.
After twenty years of documentary film, Monique decided to rethink her practice and at 50, obtained a degree in scriptwriting in Belgium.' Sister Oyo' (2015), her first fictionnal short, is based on her motherâs life as a schoolgirl in the colonial Congo of the 50âs, when she was sent to a Catholic boarding school in Mbanza-Mboma, a French speaking school where young girls could get a secondary education. This film was amongst the works which relaunched the question of the invisibilisation of the colonial history in Belgium. Since the release of the film, Monique Mbeka Phoba  has given a series of masterclasses, which explores Belgian cinema under the prism of the colonial theme, which took place at UniversitĂ© Libre de Bruxelles (ULB), UniversitĂ© Catholique de Louvain-La-Neuve (UCL), Contour Biennale in Mechelen, BOZAR, Maison EuropĂ©enne des Auteurs et des Autrices (MEDAA), at the Festival International de CinĂ©ma de Kinshasa (FICKIN), and at the Institut SupĂ©rieur d'Etudes du Langage Plastique (ISELP), among other venues.
Monique Mbeka has been the assistant editor for the  volume 'Nouvelles du Congo' (Editions Magellan, 2015). She has been a jury member for the Festival Panafricain de Cinéma de Ouagadougou (Fespaco), for the Cinéma du Réel Festival in Paris, as well as for the Organisation Internationale de la Francophonie and the Wallonie-Bruxelles Federation. She is a member of the Wallonie-Bruxelles scriptwriting organisation and is currently writing her first fiction feature film. She is also the author of Yemadja, a book of poems (2016).
Programmation et prochains rendez-vous sur ce site ou par abonnement Ă la newsletter : [email protected]
Pour regarder les séminaires antérieurs : http://www.vimeo.com/sysk/
Séminaire conçu et organisé par Patricia FalguiÚres, Elisabeth Lebovici et Natasa Petresin-Bachelez et soutenu par la Fundación Almine y Bernard Ruiz-Picasso para el Arte.
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Primo Levi, if this is a man
Updike on Kafka
Play at CIVA & archive
V+
MAD
Truss BvB
The joker
Modern times
Man bites dog
Wiels, open skies expo; sorted, unsorted
Iselp, Babel (lost voices, mother daughter grandmother)
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What can museums in Europe do to behave to the colonial residuals in their collections?
During a two-day workshop, the Goethe-Institut BrĂŒssel, the AfricaMuseum EN and ISELP were intensively involved in this question. Supported by artist, scientists, museum staff and activists from Congo, Benin, Belgium, Germany and other European countries in order to reflect about new directions. Performance, talks, conference and a "Decolonial city Tourâ with collective "MĂ©moire Coloniale et Lutte Contre les Discriminations". Book it. Very enlightning.
Photos: Caroline Lessire / Goethe-Institut Brussels
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EXPO GAMES AND POLITICS / Brussels - ISELP
https://iselp.be/fr/expositions/games-and-politics
Next week come to the inauguration of the exhibition GAMES AND POLITICS / Weâll be there...
âThe exhibition GAMES AND POLITICS features eighteen videogames released in the past fifteen years that have expressly political content. They can all be played at ISELP. They belong to little-known genres: from documentary/journalistic games known as newsgames, to anti-war games.
Alongside GAMES AND POLITICS, ISELP has invited Julien Annart from FOrâJ, renowned Belgian specialist, to put together a programme of workshops, conferences and meetings. He and his guests will contextualise videogames in recent cultural history.
-Free entrance from Tuesday to Saturday, from 11AM to 6PMâ
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