#is very interesting and can be incorporated into here

[ghoulfuckersincorporated]

I really don't think there's enough fics involving butt stuff with The Ghoul. He defo strikes me as the type who fingers your asshole while fucking you from behind just to watch you squirm. It's like a dominance thing for him when you've been disobedient, but you'll never admit how much you love being his submissive little slut. Are readers and writers just not into it? Or have I just been looking in the wrong places?

To comment: from what I've seen in the years I've been consuming and writing erotic fan content, stuff that involves anal does, in fact, seem to be weirdly polarizing (depending entirely on the writer and the audience you're publishing to, of course). I'm not entirely sure whether that's due to writers' own personal taste, audience preference, stigma...a combination of factors? It's definitely a phenomenon I've noticed. I also wonder if there isn't just a contingent of folks who have no experience with anal and therefore no interest in it.

Personally, I try to incorporate lots of different tastes and "moves" into my work, and I think the people that subscribe to this blog have come to expect that. Butt stuff is nowhere near the most potentially scarring thing I've exposed y'all to, and will continue to not be. :)

However, at the same time, when I feature actual anal sex in any of my stuff, I try to be at least somewhat tactful and depict is as a realistic sex act, which can be kind of a task sometimes when you're trying to be both erotic and not completely impossible. Poorly written anal scenes both aren't hot and kinda ruin the vibe of the entire work, in my opinion. I think there's a difference between "suspension of reality for sexual fantasy" and "spreading bad sex ed information through fiction". There's certainly a place for pain play/painal type stuff, but there's also a place for the complete opposite. It's a bit intimidating for me when I write it sometimes; maybe some others feel the same, so they don't write it as often compared to other things? Complete conjecture.

To answer your actual ask:

You're absolutely right. That motherfucker absolutely loves making you squirm by giving you pleasure in ways that gross you out. He sees a sliver of his old self in you, himself when he was new to this ghastly world, when he clung desperately to anything that would give him a sense of normalcy. In this, there's a sick thrill for him; he gets to be the one to show you how things really work, his sheltered little vaultie. The world out here is even meaner and more disgusting than you could ever imagine.

He'll prove it.

You aren't inexperienced, but pretty much all of the experience you do have is vanilla, very straightforward sex. Exploration on this topic isn't exactly at the forefront of your mind, either, what with how much of an adjustment period you're having to go through after leaving home for the first time in your life. The stress of it all is what initially drives you into his arms, seeking any form of real comfort you can find from the only companion you have.

The sex is a good stress reliever when he isn't springing things on you. He is rather good for such a hot-and-cold old prick, and he clearly knows it by his demeanor; the way he preens over your crumpled form after he makes you cum so hard you forget how to speak is infuriating. You like fucking him, but you can't let him know just how much. He'd be genuinely insufferable if he found out.

Whether it's your reserved reactions to his obvious smugness, or something else internal, you're unsure, but he quickly begins to push your buttons for bigger and bigger returns. Most of the tricks he pulls you enjoy the feeling of, but the way he watches you to gauge your reaction makes it feel like he's winning, somehow, and it doesn't sit right with you. Doubling down your efforts, you try your hardest to be unshakable.

Unfortunately, the first time he slides his tongue down to tease at your asshole while he's eating you out makes you fold completely.

"That's disgusting!" you huff, wriggling beneath him. Telling him to stop doesn't follow like you want it to; the words get caught in your throat as he pushes the tip of the wriggling muscle into you, his other hand playing softly with your clit as your aching pussy throbs.

"Had my tongue much worse places, believe me." he replies, his eyes burning up at you from between your legs. It's so embarrassing.

However, the next time he's helping you out, before you even realize it, your hips are moving in a pronounced arc, trying your best to will him to slide his tongue further down without having to suffer the indignity of asking for it, of him knowing he's gotten this over on you. It feels amazing and you refuse to beg. Fortunately, he doesn't make you...this time.

When he's finished with you, he doesn't immediately pull away, both of you lying together in a spent puddle of limbs for a breathless moment.

"It's still gross, you know." you say, flat and halfhearted in exhaustion.

"Oh, shut the fuck up." he grunts back, eyes rolling as he pulls himself into an upright sitting position. "I didn't see you whining when you were tryin' to crush my head with your thighs, princess."

"I can't help it! It tickles when you do that!" you argue, indignant and searing hot in the face.

"Oh yeah, kid. I bet it tickles real good. That why you came so hard?" he smirks, leaning back so he can right his clothing, his eyes never leaving yours. You pull yourself up and storm off to the other side of the room to redress, annoyed.

And yes, probably his favorite overall move is to sneak one of his fingers or his thumb into your ass while he fucks you from behind; the shock in your posture, in your voice, along with the tight, hot feeling of your little hole (holes) around him...it's probably for the best that he can't see your face, no matter how badly he wishes he could. He knows he'd cum instantly.

As for you, the feeling is infuriatingly electrifying, right on the line between pleasure and discomfort. His long, nimble digit isn't even all the way inside you, only sunk to just above the second knuckle, but he's quickly working it further and further in, the rest of his hand curling to cup the roundness of your cheek as he supports your hips. The stretch isn't too intrusive, but his skin is so rough in texture that it makes you squirm as he presses on, spit and your other body fluids the only lubrication you're given.

"Fuck, be careful!" you hiss. His only response is a harsh swat to your bare ass with his unoccupied hand, which draws a yelp from your parched throat as he yanks you back even more firmly by the leverage he now has. Your hands scramble for purchase across the sandy desert floor, unable to hold yourself up properly as he hammers away at you with an almost possessed vigor. Quickly, your head falls further down with the force of his movements, sending you sliding forward a few inches.

He doesn't like that.

"Don't fuckin' run from me." he growls, the hand that isn't spearing you wrapping quickly around your shoulder to yank you back again. His hips snap into yours viciously, the pace increasing as he loses his grip on whatever remaining self-control he has. Your battered cunt clenches hard around him at the feeling, at his words, and soon you're both howling out your release as he digs his nails into your thighs, rutting you so hard you fully face-plant into the ground. When it's over, he at least has the courtesy to make sure you didn't bump your head too hard. He does not, however, apologize for the massive bruise on your ass from where he struck you more than once. Typical.

Eventually, you allow him enough control to restrain you, which you know is almost certainly a mistake. However, by now you're addicted to the feeling he gives you when he takes over, when he pushes your boundaries and uses you to sate whatever passion burns inside him. Besides, he's protected and saved you enough times by now to have earned your trust, even if you know that he'll sometimes use it against you for devious reasons.

The rope he always carries doesn't hurt against your skin like you'd feared it would, but he's also quite delicate in how he secures your arms and legs, each limb immobilized and leaving you on your back, completely at his mercy. He spends forever teasing you, worshiping every part of you with his mouth and hands until you're begging, begging for release, begging for him to stretch you.

"It's alright. I'll take care of you." he promises, the tone he uses with you now so much softer than when you met. You feel relief at his words, ready to feel your aching cunt wrap around him, but he doesn't move to expose himself. Instead, he produces a small bottle of what you quickly discover is some sort of neutral oil, which he applies liberally. The feeling of the cool, thin substance running down your folds makes you shiver in the best way, but you're tense when his teasing fingers move from your clit, prodding at your taut ass.

Slowly, he works his middle finger inside you, the sensation more pleasant now that you've become accustomed to it. After a minute or two, he's moving it back and forth freely, adding another dribble of oil before setting the bottle aside, placing his free fingers on your clit. The way he rubs at you as he fucks you with his other hand makes your toes curl, and you get lost in the sensation until you feel his index finger start to prod at you, as well.

"You trust me?" he asks. Your eyes dropping closed, you nod silently.

He's incredibly gentle as he works the second finger in alongside the first, stretching you further than ever before and making your mouth fall open in a silent groan. He watches your face, your body language, closely, trying his best to stay calm and steady as he begins to move his hand once more, the other never stilling on your clit.

The sensation is incredibly overwhelming, a fullness you've never felt before, especially when he eventually adds a third finger. Your body is lit up with sensation and twitching eagerly the entire time, both wanting to pull off of his hand and to plunge yourself down further. When he leans down and seals his lips around your clit, you scream out an orgasm that leaves you trembling against your restraints, which he actually lets you out of before fucking you so hard you literally cannot stand immediately afterwards.

"You're so mean to me, you know. I don't want to like this stuff." you sigh, mostly joking.

"Don't worry, I'll have you begging for my cock in your ass soon." he promises, that wicked glint back in his eye that makes you nervous.

You hide your burning face in his throat as he chuckles at you, the sound of him lighting a cigarette snapping through the air, his other arm wrapped around your waist as you lean against him. Biting your tongue, you hold back the urge to snarkily respond to him.

You know he's right. It's only a matter of time.

[variousqueerthings]

wishes you sex, life, healing, sunlight, nature, magic, serenity, and spirit

[castielmacleod]

My specific approach to rewriting a piece of media is always going to be to trim the fat and simplify things as much as possible, and then take those simplified concepts and develop the absolute hell out of them. If that makes sense. Like okay I’m going to cut all the monster baddies in spn and just keep the demons, but then I am going to spend hours upon hours worldbuilding an entire demon culture and society and develop the inner workings of the kingdom of hell and all the specific roles of the king’s court and figure out how demons WORK and why/how they are created and how they tend to behave and what it feels like to be one and the concrete powers they have access to. I can do this because I don’t have like a dozen other monsters drawing on my creativity and attention and the story/world is cleaner, deeper, and more concise for it. At least that’s my philosophy anyway

[iamthedukeofurl]

Scott Pilgrim is, I think, the best example I can think of for establishing a setting's Nonsense Limit. The setting's Nonsense Limit isn't quite "How high-fantasy is this". It's mostly a question of presentation, to what degree does the audience feel that they know the rules the world operates by, such that they are primed to accept a random new element being introduced. A setting with a Nonsense Limit of 0 is, like, an everyday story. Something larger than life, but theoretically taking place in our world, like your standard spy thriller action movie has a limit of 1. Some sort of hidden world urban fantasy with wizards and stuff operating in secret has a nonsense limit around 3 or 4. A Superhero setting, presenting an alternate version of our world, is a 5 or 6. High fantasy comes in around a 7 or so, "Oh yeah, Wizards exist and they can do crazy stuff" is pretty commonly accepted. Scott Pilgrim comes in at a 10. If you read the Scott Pilgrim book, it starts off looking like a purely mundane slice of life. The first hint at the fantastical is Ramona appearing repeatedly in Scott's Dreams, and then later showing up in real life. When we finally get an explanation, it's this:

Apparently Subspace Highways are a thing? And they go through people's heads? And Ramona treats this like it's obscure, but not secret knowledge. Ramona doesn't think she's doing anything weird here. At this point, it's not clear if Scott is accepting Ramona's explanation or not, things kind of move on as mundane as ever until their Date, when Ramona takes Scott through subspace, and he doesn't act like his world was just blown open or anything, although I guess that could have been a metaphor. there's a couple other moments, but everything with Ramona could be a metaphor, or Scott not recognizing what's going on. Maybe Ramona is uniquely fantastical in this otherwise normal world. And then, this happens

Suddenly, a fantastical element (A shitty local indie band finishing their set with a song that knocks out most of the audience) is introduced unrelated to Ramona, and undeniably literal. We see the crowd knocked out by Crash and The Boys. but the story doesn't linger on the implications of that, the whole point of that sequence is to raise the Nonsense Level, such that you accept it when This happens

Matthew Patel comes flying down onto the stage, Scott, who until this point is presented as a terrible person and a loser, but otherwise is extremely ordinary, proceeds to flawlessly block and counter him before doing a 64-hit air juggle combo. Scott's friends treat this like Scott is showing off a mildly interesting party trick, like being really good at darts. The establish that Scott is the "Best Fighter in the Province", not only are street-fighter battles a thing, Scott is Very Good at it, but they're so unimportant that being the best fighter in the province doesn't make Scott NOT a loser. So when Matthew Patel shows off his magic powers and then explodes into a pile of coins, we've established "Oh, this is how silly the setting gets". It's not about establishing the RULES of the setting so much as it is about establishing a lack of rules. Scott's skill at street-fighter battles doesn't translate to any sort of social prestige. Ramona can access Subspace Highways and she uses it to do a basic delivery job. It doesn't make sense and it's clear that it's not supposed to. So later on, when Todd Ingram starts throwing around telekinesis, and the explanation we're given is "He's a Vegan" , you're already so primed by the mixture of weirdness and mundanity that rather than trying to incorporate this new knowledge into any sort of coherent setting ruleset, you just go "Ah, yeah, Vegans".

[imsobadatnicknames2]

How can you consider yourself any sort of leftist when you defend AI art bullshit? You literally simp for AI techbros and have the gall to pretend you're against big corporations?? Get fucked

I don't "defend" AI art. I think a particular old post of mine that a lot of people tend to read in bad faith must be making the rounds again lmao.

Took me a good while to reply to this because you know what? I decided to make something positive out of this and use this as an opportunity to outline what I ACTUALLY believe about AI art. If anyone seeing this decides to read it in good or bad faith... Welp, your choice I guess.

I have several criticisms of the way the proliferation of AI art generators and LLMs is making a lot of things worse. Some of these are things I have voiced in the past, some of these are things I haven't until now:

Most image and text AI generators are fine-tuned to produce nothing but the most agreeable, generically pretty content slop, pretty much immediately squandering their potential to be used as genuinely interesting artistic tools with anything to offer in terms of a unique aesthetic experience (AI video still manages to look bizarre and interesting but it's getting there too)

In the entertainment industry and a lot of other fields, AI image generation is getting incorporated into production pipelines in ways that lead to the immiseration of working artists, being used to justify either lower wages or straight-up layoffs, and this is something that needs to be fought against. That's why I unconditionally supported the SAG-AFTRA strikes last year and will unconditionally support any collective action to address AI art as a concrete labor issue

In most fields where it's being integrated, AI art is vastly inferior to human artists in any use case where you need anything other than to make a superficially pretty picture really fast. If you need to do anything like ask for revisions or minor corrections, give very specific descriptions of how objects and people are interacting with each other, or just like. generate several pictures of the same thing and have them stay consistent with each other, you NEED human artists and it's preposterous to think they can be replaced by AI.

There is a lot of art on the internet that consists of the most generically pretty, cookie-cutter anime waifu-adjacent slop that has zero artistic or emotional value to either the people seeing it or the person churning it out, and while this certainly was A Thing before the advent of AI art generators, generative AI has made it extremely easy to become the kind of person who churns it out and floods online art spaces with it.

Similarly, LLMs make it extremely easy to generate massive volumes of texts, pages, articles, listicles and what have you that are generic vapid SEO-friendly pap at best and bizzarre nonsense misinformation at worst, drowning useful information in a sea of vapid noise and rendering internet searches increasingly useless.

The way LLMs are being incorporated into customer service and similar services not only, again, encourages further immiseration of customer service workers, but it's also completely useless for most customers.

A very annoyingly vocal part the population of AI art enthusiasts, fanatics and promoters do tend to talk about it in a way that directly or indirectly demeans the merit and skill of human artists and implies that they think of anyone who sees anything worthwile in the process of creation itself rather than the end product as stupid or deluded.

So you can probably tell by now that I don't hold AI art or writing in very high regard. However (and here's the part that'll get me called an AI techbro, or get people telling me that I'm just jealous of REAL artists because I lack the drive to create art of my own, or whatever else) I do have some criticisms of the way people have been responding to it, and have voiced such criticisms in the past.

I think a lot of the opposition to AI art has critstallized around unexamined gut reactions, whipping up a moral panic, and pressure to outwardly display an acceptable level of disdain for it. And in particular I think this climate has made a lot of people very prone to either uncritically entertain and adopt regressive ideas about Intellectual Propety, OR reveal previously held regressive ideas about Intellectual Property that are now suddenly more socially acceptable to express:

(I wanna preface this section by stating that I'm a staunch intellectual property abolitionist for the same reason I'm a private property abolitionist. If you think the existence of intellectual property is a good thing, a lot of my ideas about a lot of stuff are gonna be unpalatable to you. Not much I can do about it.)

A lot of people are suddenly throwing their support behind any proposal that promises stricter copyright regulations to combat AI art, when a lot of these also have the potential to severely udnermine fair use laws and fuck over a lot of independent artist for the benefit of big companies.

It was very worrying to see a lot of fanfic authors in particular clap for the George R R Martin OpenAI lawsuit because well... a lot of them don't realize that fanfic is a hobby that's in a position that's VERY legally precarious at best, that legally speaking using someone else's characters in your fanfic is as much of a violation of copyright law as straight up stealing entire passages, and that any regulation that can be used against the latter can be extended against the former.

Similarly, a lot of artists were cheering for the lawsuit against AI art models trained to mimic the style of specific artists. Which I agree is an extremely scummy thing to do (just like a human artist making a living from ripping off someone else's work is also extremely scummy), but I don't think every scummy act necessarily needs to be punishable by law, and some of them would in fact leave people worse off if they were. All this to say: If you are an artist, and ESPECIALLY a fan artist, trust me. You DON'T wanna live in a world where there's precedent for people's artstyles to be considered intellectual property in any legally enforceable way. I know you wanna hurt AI art people but this is one avenue that's not worth it.

Especially worrying to me as an indie musician has been to see people mention the strict copyright laws of the music industry as a positive thing that they wanna emulate. "this would never happen in the music industry because they value their artists copyright" idk maybe this is a the grass is greener type of situation but I'm telling you, you DON'T wanna live in a world where copyright law in the visual arts world works the way it does in the music industry. It's not worth it.

I've seen at least one person compare AI art model training to music sampling and say "there's a reason why they cracked down on sampling" as if the death of sampling due to stricter copyright laws was a good thing and not literally one of the worst things to happen in the history of music which nearly destroyed several primarily black music genres. Of course this is anecdotal because it's just One Guy I Saw Once, but you can see what I mean about how uncritical support for copyright law as a tool against AI can lead people to adopt increasingly regressive ideas about copyright.

Similarly, I've seen at least one person go "you know what? Collages should be considered art theft too, fuck you" over an argument where someone else compared AI art to collages. Again, same point as above.

Similarly, I take issue with the way a lot of people seem EXTREMELY personally invested in proving AI art is Not Real Art. I not only find this discussion unproductive, but also similarly dangerously prone to validating very reactionary ideas about The Nature Of Art that shouldn't really be entertained. Also it's a discussion rife with intellectual dishonesty and unevenly applied definition and standards.

When a lot of people present the argument of AI art not being art because the definition of art is this and that, they try to pretend that this is the definition of art the've always operated under and believed in, even when a lot of the time it's blatantly obvious that they're constructing their definition on the spot and deliberately trying to do so in such a way that it doesn't include AI art.

They never succeed at it, btw. I've seen several dozen different "AI art isn't art because art is [definition]". I've seen exactly zero of those where trying to seriously apply that definition in any context outside of trying to prove AI art isn't art doesn't end up in it accidentally excluding one or more non-AI artforms, usually reflecting the author's blindspots with regard to the different forms of artistic expression.

(However, this is moot because, again, these are rarely definitions that these people actually believe in or adhere to outside of trying to win "Is AI art real art?" discussions.)

Especially worrying when the definition they construct is built around stuff like Effort or Skill or Dedication or The Divine Human Spirit. You would not be happy about the kinds of art that have traditionally been excluded from Real Art using similar definitions.

Seriously when everyone was celebrating that the Catholic Church came out to say AI art isn't real art and sharing it as if it was validating and not Extremely Worrying that the arguments they'd been using against AI art sounded nearly identical to things TradCaths believe I was like. Well alright :T You can make all the "I never thought I'd die fighting side by side with a catholic" legolas and gimli memes you want, but it won't change the fact that the argument being made by the catholic church was a profoundly conservative one and nearly identical to arguments used to dismiss the artistic merit of certain forms of "degenerate" art and everyone was just uncritically sharing it, completely unconcerned with what kind of worldview they were lending validity to by sharing it.

Remember when the discourse about the Gay Sex cats pic was going on? One of the things I remember the most from that time was when someone went "Tell me a definition of art that excludes this picture without also excluding Fountain by Duchamp" and how just. Literally no one was able to do it. A LOT of people tried to argue some variation of "Well, Fountain is art and this image isn't because what turns fountain into art is Intent. Duchamp's choice to show a urinal at an art gallery as if it was art confers it an element of artistic intent that this image lacks" when like. Didn't by that same logic OP's choice to post the image on tumblr as if it was art also confer it artistic intent in the same way? Didn't that argument actually kinda end up accidentally validating the artistic status of every piece of AI art ever posted on social media? That moment it clicked for me that a lot of these definitions require applying certain concepts extremely selectively in order to make sense for the people using them.

A lot of people also try to argue it isn't Real Art based on the fact that most AI art is vapid but like. If being vapid definitionally excludes something from being art you're going to have to exclude a whooole lot of stuff along with it. AI art is vapid. A lot of art is too, I don't think this argument works either.

Like, look, I'm not really invested in trying to argue in favor of The Artistic Merits of AI art but I also find it extremely hard to ignore how trying to categorically define AI art as Not Real Art not only is unproductive but also requires either a) applying certain parts of your definition of art extremely selectively, b) constructing a definition of art so convoluted and full of weird caveats as to be functionally useless, or c) validating extremely reactionary conservative ideas about what Real Art is.

Some stray thoughts that don't fit any of the above sections.

I've occassionally seen people respond to AI art being used for shitposts like "A lot of people have affordable commissions, you could have paid someone like $30 to draw this for you instead of using the plagiarism algorithm and exploiting the work of real artists" and sorry but if you consider paying an artist a rate that amounts to like $5 for several hours of work a LESS exploitative alternative I think you've got something fucked up going on with your priorities.

Also it's kinda funny when people comment on the aforementioned shitposts with some variation of "see, the usage of AI art robs it of all humor because the thing that makes shitposts funny is when you consider the fact that someone would spend so much time and effort in something so stupid" because like. Yeah that is part of the humor SOMETIMES but also people share and laugh at low effort shitposts all the time. Again you're constructing a definition that you don't actually believe in anywhere outside of this type of conversations. Just say you don't like that it's AI art because you think it's morally wrong and stop being disingenuous.

So yeah, this is pretty much everything I believe about the topic.

I don't "defend" AI art, but my opposition to it is firmly rooted in my principles, and that means I refuse to uncritically accept any anti-AI art argument that goes against those same principles.

If you think not accepting and parroting every Anti-AI art argument I encounter because some of them are ideologically rooted in things I disagree with makes me indistinguishable from "AI techbros" you're working under a fucked up dichotomy.

[dunmeshistash]

Ryoko Kui Q&A (part of the Autograph event in Shanghai, China)

Here's the full Q&A copied from the post by Minute_Profession_34 on reddit

Original on weibo

About Ryoko Kui

Q: You have created a lot of interesting short manga in the past, do you have any favorite short manga by other artists?

A: A classic choice though, I think it's the collection of short stories by Fujiko F. Fujio. Other impressive works include "Hanshin: Half-God" by Moto Hagio, "Hanashippanashi " by Daisuke Igarashi, "茄子" by 黑田硫黄, "Skygrazer" by Ishiguro Masakazu, and "Tabi (The Journey of Life)" by Irie Aki. However, I haven't really read many short manga compilations.

Q: Do you prefer to create short manga or longer ones?

A: Long manga.

Q: Do you have a game that you highly recommend to fans?

A: Although not a game title, Steam Deck is the best thing I have bought in the last few years.

Q: What kind of music genre do you like?

A: I'm really not a music person and don't listen to music at all. Sometimes I listen to something like Tropical House.

About the creation & worldview of Dungeon Meshi

Q: Is the main storyline of the comics conceived at the beginning? Is the final ending adjusted during the serialization process?

A: I decided everything from the beginning. It may sound overly pretentious to say that, but I am the type of person who cannot move forward with each and every story unless I have decided on the main flow of the story. Of course, there are parts that I changed during the process because I thought, "I was going to do it this way, but it might not be natural," and there are parts that didn't work out the way I wanted them to. However, I think the story turned out to be roughly what I had in mind at the beginning.

Q: Will people outside of the dungeon incorporate the use of magic into their daily lives?

A: It would depend on the region. There are many sorcerers in elven and gnome cultures, but I don't think you will find many in dwarf and most short-lived cultures.

Q: What secrets of ancient magic are the elves hiding? Why would one be punished for doing anything related to ancient magic?

A: It is about the existence of Demon. They restricted that information because they didn't know what effect it would have on the world if the existence of Ddemon became known.

Q: How do adventurers know the time? Is there any dungeon having a different time flow from the normal world?

A: Some people bring things like clocks, but most only use their biological clock. There are also Dungeons where the flow of time is different from that on the ground.

Q: In the world of Dungeon Meshi, how do you deal with natural disasters, what would Laios or Marcille or Canaries do when there's a drought or a storm?

A: I don’t think it is so different from us.

About characters in Dungeon Meshi

Q: It’s about to give the new puppy a name again. Can Laos still beat Falin?

A: 7 out of 10, Laios will win. Or it may be decided by rock-paper-scissors or a raffle.

Q: Who will inherit the Golden Land after the passaway of Laios? The children and grandchildren of Yaad? Or the descendants of Laios? Or will there be a new Devourer?

A: Maybe the descendants of the Laios will inherit it, or maybe it will be passed on to someone with no blood ties at all. Or perhaps the monarchy will be abolished.

Q: Will Laios continue to eat monsters in the castle? And who will cook, maybe someone better than Senshi?

A: Many people in Merini are good cooks, but Senshi's cooking must be special to Laios. He may invite Senshi to cook from time to time.

Q: Where will Falin prefer to travel to?

A: She may prefer places where she can see landscapes and cultures she has never seen before.

Q: Would Marcille befriend a half-elf, such as Fionil? Since half-elves shouldn't think too much about longevity amongst themselves. Or would they not consider race as a factor to make friends but by fate?

A: Because mixed species in this world grow at very different rates and have very different abilities from person to person, there is often not much of a sense of sameness when you first meet them. They may or may not become friends as a result of interacting with each other as we would with any other human being.

Q: Is there any special meaning of Marcille and her mother's ribbons on the neck? And what about Cithis’s ribbon?

A: In elven culture, people with magic tattoos on their necks sometimes wear decorations covering their necks to hide the tattoos (mainly military personnel) This has spread to the general population, and many people wear decorations on their necks even if they do not have neck tattoos. Marcille and her mother's ribbons are just for fashion. While Cithis may have something special.

Q: Why wouldn’t Cithis wear a gorget? Or she’s not afraid of Dungeon Rabbits?

A: Maybe it’s suffocating or simply not liking it? The head-cutting Dungeon Rabbit is a fearsome monster, but it is not the first thing for the rear guard to be on the lookout for.

Q: How will Izutsumi and Falin get along with each other?

A: They may work together if necessary, but I doubt that Izutsumi will actively show interest in Falin (as she does with everyone).

Q: Itsuzumi has a beast soul mixed with a small amount of human soul, and does she shapeshift between a beast-man and a beast form like Lycion?

A: It can be done, but once transformed, she may no longer want to return to her human form.

*This Q&A seems to be strange

Q: What would Thistle do if he attended the former dungeon masters meetings?

A: Perhaps he would feel angry at the incompetence of other masters (their dependence on the devil).

Q: How did Milsiril accept Helki to stay by her side? After all, she hated elves and was bullied by her Canary teammates.

A: In the past, Helki was abandoned by his comrades for various reasons, and she could not leave him alone.

Q: Has Kabru ever had a real relationship with a girl? If so, what race or personality type of the girl was she?

A: I don’t think he cares about race, etc...

Q: What kind of soba will Mithrun make?

A: I hope he can make delicious soba.

Q: I would like to know the name of Mithrun’s brother or his brother’s crush!

A: His brother's name is Obrin (オブリン). I haven't thought of a particular name for his brother’s crush, so I'll name her appropriately now. Hmmm. Sultha (スルスハ).

Q: Since Mithrun used to assist Canary from behind, I wonder what kind of weapons he was good at using? Or was he good at using no weapons? (this is new info from the Korean Q&A)

A: He used a magic staff similar to that used by Pattadol. He was issued with the same one by the team. However, he no longer carried it because he lost it easily.

[felixandresims]

Hello Everyone :),

I've been creating custom content for almost six years now and this month felt a little bit like time travel. For the 6th part of the 'Chateau Set,' I decided to create historical items again like I used to (but in a more maxis match style) and wanted to use all the skills I learned over the past years.

I wanted a very French-looking set of seating items and had a look again at what I created for the Petit Trianon. Also for years I have been obsessed with rattan and cane and incorporated those details, my trip to the Provence helped for inspiration too :). I made a three seater, a loveseat and an armchair and something for our little friends, two pet beds, a large and a small one. The pet beds require the cats and dogs expansion pack! All seating items come in the same 40 Swatches which you can see in the Gif above, some have the pattern that I used for the Petit Trianon loveseat and chairs.

Another item I was looking forward to making was draped curtains. I hand-sculpted those in blender to give them a painterly look and make them extra soft :) The curtains come in 22 Swatches.

Still inspired by the Petit Trianon I roughly recreated the fireplace found in the Salon. I added a simpler version of the fireplace for variety too. On top of the mantelpiece, you can place my new mirror :)

Last but not least I made two sets of panelling, a simpler and more ornate version. Each paneling consists of 4 wallpapers, don't forget to check them out in the build mode :).

This Set is on Early Access and you'll find it here

Thank you so much again for all the love and support from the past six years, If you are already interested in what's coming next month, it will be a bedroom set :)

Happy Simming and lots of Love,

Felix xxx

[lunarforager]

Little Ways to Worship

In our current day and age, it can be hard to find time and/or energy to devote to the deities you worship or look upon for guidance. So here are some small ways to worship in your day-to-day that don't take too much effort!

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1.) Carry around crystals, stones, or other objects you think your deity would like --> An example from my pracitce is carrying around rose quartz (a crystal known for its love related properties, such as increasing one's self confidence, attracting love and compassion, and healing relationships) for Aphrodite, a goddess associated with love, both from other people and towards yourself

2.) Incorporate worship into day-to-day activties --> An example from my practice is one again tied to rose quartz and Aphrodite. I love placing rose quartz crystals in my shower while I bathe to infuse the shower and steam with self-love while showing myself care and compassion as I bathe. (NOTE: Be careful with putting crystals or stones into water! Some cannot touch water as they will either dissolve or leech harmful chemicals or elements into the water they touch. Make sure to do your research and make sure your crystals are water safe!)

3.) Research your deities! Read their stories! Research the religions and peoples that originally worshipped them! --> This might be easier for some (for example I read a lot of Greek myths and legends as I'm a classics major and that's like, more than half of my degree) but it can still be as simple as purchasing a book of myths or watching YouTube videos about them! (If you want a good channel for hellenic deities and their myths, check out OverlySarcasticProductions! They do a wonderful job speaking about and animating the stories and both creators are LGBTQ+ and have a very inclusive community!)

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Well, there's my list of simple ways to worship your deities in day-to-day life! I hope something from this post was helpful or interesting and if you want more informaiton, more ideas, or just want to chat, feel free to message me! I always love making new online friends!

Valete, friends! <3

[ineffable-romantics]

Some thoughts on why and how I believe Crowley and Aziraphale's relationship would incorporate sex/why I do not read them as wholly asexual:

This is something I've seen the most discourse about in this fandom, and I've had a few thoughts of my own that I really wanted to expand upon in a full meta/character analysis post. I do understand that this can be a contentious topic, so first, let me clarify a few things:

First of all, this is going to be long. Tbh it probably won't be that organized either. I ramble and I'm not very good at editing, so just... you know. Be warned. (*Hi, it's me from 2 days after writing this; I'm really not kidding, it's LONG)

These are all my own thoughts. They might not be hot takes, because recently I've seen more than a few people come to the same conclusions on a lot of these points as I have. But I've also had these notes in my drafts for about a week and a half now, and have been continuously adding to it as things have occurred to me. This post is essentially just somewhere for me to collect the separate but related meta I've been kicking around in my head.

I fully respect anyone who does see and prefer an asexual reading of this relationship. These are my own thoughts and interpretations as someone who is not asexual. I am in the LGBT+ community, so while I do know a few things about the asexuality spectrum, I am by no means an expert.

This is NOT something I expect, need, or even necessarily want the show (or, God forbid, Neil's tumblr ask box) to address. Tonally, it's just not that kind of show. Newt and Anathema's sex scene was very much played for laughs, and it worked for that reason. If the show found a way to address it in a way that was both appropriate for the tone of the show and ultimately satisfying, then great! But there is so much more to this relationship than sex, and I didn't need a kiss to confirm their love, so I certainly don't need a sex scene. As immortal beings (as I assume they'll stay) there is so much of the rest of their lives we'll never get to see. You can headcanon them as asexual and potentially be right. I can headcanon them as not and be equally potentially right. Again, these are just a collection of my own thoughts, because I think the question of sexuality (or lack thereof) is just as interesting a facet of these characters as any other.

Note: Tbh I've been second-guessing this whole post and debated deleting the whole thing several times for being silly or unnecessary, bc I don't want anyone to think that this is the only thing I care about when it comes to this story/characters. But if nothing else, it's inspired me to write in a way that nothing has in a very long time, so I've decided it's worth continuing, if for no other reason than that.

This is going to be a mixed bag of textual reading, subtextual reading, and a full-on reach or two. It's been a while since I've been in an English class, but if my teachers expected me to find a deeper meaning behind blue curtains, you can expect me to read too deeply into the symbolism of a loaded rifle or an ox rib. (This is probably not what my professors had in mind when grading my literary analysis papers but oh well) My point is, if it feels like a reach, I'm as aware of it as you are. I am in no way saying that all (or even any) of my points made were deliberate on the part of Neil or the actors or the writers or the directors. I am no longer the delulu Apple Tree Yard child of my youth, I promise.

If anything said here is in any way offensive or hurtful to anyone in the asexual community, please do not hesitate to message me or comment and let me know exactly what it was. I promise you it is not my intention to do so, and am happy to clarify or outright edit anything that reads that way.

With all that being said, let's talk about why I think Crowley and Aziraphale would absolutely fuck nasty incorporate sex into their relationship.

Note: I am out of practice with essay writing, so I think I'll just go down the bullet points of notes I have been making, and expand on each as best I can

Food

Where better to start than with Aziraphale's introduction to Pleasures Of The Flesh? (Just a heads up, this entire post may feel very Aziraphale-heavy, and with good reason).

This might be the least hot take here. We've all seen the Job minisode. We've all seen That Scene.

Whether this was intentional or not, the symbolism here is off the charts. Eve was tempted by an apple. So why not go a similar route and tempt Aziraphale with another fruit, or cheese, or bread, or literally anything else for his first experience with food? Instead, we go with a huge, glistening slab of fresh meat that he proceeds to absolutely go feral upon, moaning and gasping into his meal while Crowley watches with what definitely doesn't look to be disgust or even satisfaction with a good temptation. There's surprise at the ferocity of Aziraphale's appetite, certainly. But ultimately he looks to be intensely fascinated by it, while the thunder crashes, the music crescendos, and the earth literally shakes around them.

(It's also interesting to note how very little it takes for Crowley to tempt him with the ox rib. One murmured suggestion, a bit of unwavering eye contact, and vavoom Aziraphale immediately meets him in the middle.)

Cut to Aziraphale devouring the rest of the meat with Crowley splayed back on a makeshift bed, drinking wine and continuing to watch him indulge through half-lidded eyes. Outside a thunderstorm rages while they're learning secrets about each other in warm flickering firelight. It's cosy, it's intimate, and if they'd thrown in a bearskin throw blanket, it might as well be a post-coital scene straight out of Game of Thrones.

The next time (chronologically) we see them discuss food is when Aziraphale "tempts" Crowley with oysters in Rome. So Crowley first tempts Aziraphale with meat and then Aziraphale tempts Crowley with what is widely regarded to be an aphrodisiac. Interesting.

And then chronologically after that, the Arrangement begins to form, which has always reeked of a friends with benefits situation. Just to throw that in there.

It's What Humans Do

In the very first episode, we're shown Gabriel's obvious disgust and bewilderment towards Aziraphale eating sushi, calling it "gross matter" and being proud of the fact that he does not sully his body with it. Aziraphale initially tries to defend his own enjoyment in it, before passing it off as something that humans do, as something he simply has to do in order to blend in (which we know very well is not the case).

He does this again in season 2, passing off Nina and Maggie being in love as "something humans do". But it isn't, is it? Angels are beings of love, and can sense it, and understand very well what it is... up to a point. Even romantic love is obviously within their wheelhouse, given what we now know happened between Gabriel and Beelzebub (we'll come back to them).

What the "humans do" that angels wouldn't understand is messy, physical forms of love.

But here's the thing: Aziraphale and Crowley love doing what the humans do. They love drinking, they (or at least Aziraphale) love eating. They love music. Crowley loves driving and sleeping and watching rom-coms and sitcoms. Aziraphale loves reading and doing magic and earning little licenses and certificates for achievement in his various hobbies. They love to playact at being human so much that they've stopped playacting and started building a genuinely human lifestyle for themselves and with each other.

Once together in an unambiguously romantic sense, why do we think they wouldn't also want to explore one of the most prominent, intimate, powerful human expressions of love and desire with each other?

Angels, Demons, & Asexuality

Here's where I really want to clarify that in no way do I mean that sex is necessary for a healthy, fulfilling, and loving romantic relationship, or that the lack of desire for sex makes you any less human. Asexuality is a sexuality as valid and human as any. What I would say is that it is definitely in the human minority compared to allosexuality.

Angels and demons, on the other hand, are predominately asexual. Sexless/genderless unless Making An Effort. (Which, btw, is a concept introduced as early as the original book; why even bring it up as a possibility? Why not keep angels/demons being sexless/asexual as a hard and fast rule, if not to open up the potential for later use? Chekhov's Effort, if you will. And isn't that something that Aziraphale in particular is shown to do time and time again? He makes an effort in French and driving and magic, doesn't he?)

And this is why I don't believe Aziraphale and Crowley necessarily need to be asexual, narratively. There is already a huge amount of ace rep within the angels and demons (and no, not just the horrible ones. Muriel also doesn't "drink the tea" and has no reason or desire thus far to Make An Effort, and there are certainly other angels and demons who aren't horrible like the archangels seem to be who likely wouldn't Make An Effort either).

The central conflict for Aziraphale and Crowley is that they are on their own side, the ones who went native, the ones who are so different in so many ways from their respective hives. It would make sense for them to also break away from traditional angel/demon asexuality.

I say "traditional angel/demon asexuality", because I would also like to note that I would absolutely not rule out demisexuality for either of them. This post is being written to as a response to people who specifically believe that they (like the rest of the angels/demons seem to be) would be sex-averse in a relationship, and that it wouldn't be a factor in their relationship. I could easily read them as demisexual, but I do think there would be no real way of verifying this, because they've never been able to form as close an emotional relationship with anyone else but each other. Certainly not in heaven, and I can't imagine they would be able to form that kind of attachment with any of the humans, who they love and emulate but ultimately regard as the separate species they are. So yes, they could either be allosexual or demisexual, in my opinion.

Then again, now that I think about it, Making An Effort itself could be a great metaphor for demisexuality, since they would be entirely sexless/asexual until they have enough of an emotional connection with someone to consciously manifest otherwise. Since the other angels and demons don't generally form those types of emotional connections with anyone, there hasn't been a precedent for it.

Except...

Brielzebub

We do have a precedent for it now, don't we? Gabriel and Beelzebub fell in love. They are a direct foil for Crowley and Aziraphale's relationship, speedrunning right through their courtship and finding their happily ever after on the other side of things.

For being such a 1 to 1 comparison, it feels deliberate that they did not kiss. They held hands, they were gooey with each other, but they did not kiss. That feels like such a deliberate thing to omit when you know what's to come at the end of the episode between Crowley and Aziraphale.

And going back to the food = sex metaphor for a moment, let's notice how even as they fell in love over the years, even when pints and crisps were there on the table in front of them, they never felt the desire to reach out for them. They didn't need to. It's a date (love story) even if you aren't eating dinner (sleeping together).

Yes, I know Jim liked hot chocolate. No, I am not counting it because I don't consider Jim and Gabriel to be the same person with the same proclivities, and Jim was highly suggestible at the time anyway.

Gabriel and Brielzebub's big happily ever after moment (as of now) was one between two asexual supernatural beings. They did not need to kiss to drive the point home. They showed what Crowley and Aziraphale could have, if they would only acknowledge it.

Crowley & Aziraphale's Dissatisfaction

But they do have that already, don't they? If you really think about it, what do Gabriel and Beelzebub do with each other that Crowley and Aziraphale don't already? They hold hands, they spend time together, they create little rituals, they give gifts, they're visibly and verbally affectionate with each other, etc. They are more or less already in a romantic asexual marriage relationship with each other, aren't they?

And it doesn't seem to be enough for either of them.

At the beginning of the season, Crowley is immediately shown to be unsatisfied with the way things are. Obviously part of it comes from living in his car, but it seems to be more than that (especially since Aziraphale makes it clear that the bookshop is just as much Crowley's as his, implying that he could have been living there the whole time and is choosing not to, for some reason?). You could argue he's feeling unmoored without Hell telling him what to do, but isn't that what he wanted? Isn't that what he still wants, by the end of the season? All season long, he's never indicated the desire for a new job, or a new project. He stopped the apocalypse because he wanted the freedom to openly spend time with Aziraphale, to spend his time on Earth however he sees fit. Until Gabriel arrives, he has exactly that (minus a flat).

So where does the dissatisfaction come from? And if it represents anything to do with his relationship, what does he want out of it that he isn't getting already?

I think Crowley only really comes to the realisation of what he's missing when Nina names it for him, not only putting them in the category of romantic, but physical (outright asking if they are sleeping together). These two posts [1], [2] go into more detail about what I mean, but I think it really pushes him into acknowledging that their relationship is more human than either of them have stopped to consider, and what that might mean as far as everything a human relationship can entail.

After all, Nina and Maggie only advised that he should talk to Aziraphale, make clear his feelings. The decision to kiss him, to tip them over the edge from nonphysical to physical, that was all him. And no, kissing isn't sex, but I wonder how taboo even that might be in the kind of all-encompassing asexuality most angels seem to identify with. (If they're disgusted by food and drink, I can only imagine what they think of snogging, much less sex.)

Aziraphale doesn't have this moment of someone observing their relationship from the outside. He loves Crowley, and as of 1941 probably even knows he's in love with him in a way that Crowley doesn't understand yet. Which makes sense, since love is technically his job, he'd be more likely to recognise it for what it is.

However, Aziraphale's reference for romance and relationships is Jane Austen. It's chaste. It's dancing and dinner and doing sweet things for each other and roses and candles and handholding. He contextualises his love for Crowley in that soft fantasy sort of way, where it's there, it's obviously there, but it's neat and easy and unspoken. Not to quote Glee in this, the year of our lord 2023, but it's all very "the touch of the fingertips is as sexy as it gets".

Someone should tell that to Aziraphale's face, then.

I'm not going to pretend I know what Michael Sheen's script notes were, but there were definitely some Choices™ made. Because yes, there were plenty of moments in both seasons with Aziraphale looking at Crowley in a sweet, loving, smitten way. And then there were moments that were yearning.

But yearning for what, exactly? All of those sappy Jane Austen tropes already apply to the two of them. So why are there moments where Aziraphale is looking Crowley up and down like the last eclair in the window and licking his lips and visibly exhaling like he's trying to get in control of himself (see: Bastille scene + Crowley telling Muriel to ask him if they have any other questions about love)? Why is Aziraphale not only unconcerned when Crowley shoves him bodily up against a wall in s1, but staring at his lips and a beat too late in noticing Sister Mary's arrival? Why are some of his lines so suggestive? I'm sorry, but the car ride after the church explosion might as well have been the beginning of a Pizza Man porn with a really weird Blitz theme. If even my mother picked up on that vibe, I can't imagine it wasn't intentional on part of both the dialogue and the delivery.

(This section may feel like more of a reach/joke, but I'm really only 20% joking. These are writers and actors who are EXTREMELY good at their jobs; they know what they were doing here.)

More importantly, I don't think Aziraphale is even aware that there is more to what he wants. He lives in the Jane Austen fantasy and it never even occurs to him that he might be interested in anything further. It never even occurs to him that, as an angel, there is anything further to be interested in in the first place. Until Crowley forces it to occur to him. Just like I believe Nina forced Crowley to confront the idea that romantic love is what he's been feeling all along, I believe Crowley forced Aziraphale to confront the idea that physical intimacy is something he's been wanting, without even realising.

Aziraphale's Hedonism

Expanding on Aziraphale for a moment. We talked about his relationship with food, but we all know that Aziraphale is defined by his love of things that Feel Good.

It isn't just that he and Crowley love human things. Aziraphale loves the best of the best, or at least his version of it. He doesn't just love food, he loves going to fancy restaurants. He doesn't just love clothes, he loves soft, cosy, warm, plush clothes, or shiny, flashy, bougie fashion. He loves the warmth of tea and cocoa, loves getting drunk, and sitting in a comfy chair in the sunlight. He doesn't just experience, he indulges.

Given the emphasis put on things that Aziraphale loves just because they Feel Good, it feels narratively strange to assume that he wouldn't enjoy the feeling of being touched, or that he wouldn't be willing to try it, at least once, with someone he cared very deeply for. And just like the ox rib, I think that once he gets the first taste of things, he would absolutely tip over into complete and utter self-indulgence.

Dancing

I also think that dancing could be construed as a huge metaphor here. After all, we're told flat-out that angels don't Dance. Except one.

I would argue that Aziraphale, in fact, Made An Effort to learn how to Dance. He threw himself into the gavotte with delight (at a Victorian gay club; noted) and worked hard to be good at it. He's chomping at the bit to Dance with Crowley, working up the nerve to ask him with undeniably romantic intent and eagerness. So, angels don't Dance... unless they Make An Effort to do so.

We are told that demons, on the other hand, do Dance, but not well. Makes sense, since they're the ones who would want to encourage a deadly sin like lust, but have as little understanding of human love and physical intimacy as the angels. Crowley, however, is shown to be an excellent dancer at the ball, especially in his compatibility with Aziraphale.

(But Aziraphale WandaVisioned the ball so everyone knew how to dance! Yes, he did. However, the rest of the brainwashing doesn't seem to affect Crowley in any way, and they did actually live through the time period where this sort of dancing was a social norm; I'd be surprised if he never needed to learn. After all, the demons can't spell either, and Crowley is at least functionally literate, as far as we know.)

As of today, it's also been confirmed that when Aziraphale asked Crowley to dance, Crowley replied with "you don't dance." Not "WE don't dance". So going along with the metaphor, Crowley is just now discovering that Dancing is something Aziraphale is interested in at all, much less with him, and not denying that he himself is interested in Dancing. In his defense, I believe he was asleep for a few years while Aziraphale was learning the gavotte, so he wasn't exactly aware of Aziraphale's hot girl summer.

Love Languages

I want to expand on that; Crowley and Aziraphale's compatibility. Specifically in regards to their individual love languages.

We all know Crowley's love language is Acts of Service. I don't think there's any debate there. He loves it, Aziraphale loves it, they're both aware of it, we're all aware of it, God and Satan are aware of it, no surprise there.

You may disagree with me, but I believe Aziraphale's love language is Physical Touch, for a number of reasons. One of which being his aforementioned hedonism. Aziraphale likes things that Feel Good, remember? He likes soft clothes, and well-worn books. Neil himself has said that they like holding hands. And any time he is taken by surprise (Brielzebub getting together, the wave of love in Tadfield, etc.) what is the first thing he does? Reaches out for Crowley. He stops him with a hand to the chest in the pub. He leads him by the hand to the dance floor. He guides him by the waist in the graveyard. He reaches out during the entire Brielzebub scene, whether he can reach Crowley or not. Despite his own turmoil, he grasps at Crowley's back during the kiss.

The one time Crowley reaches out for him (not counting the kiss yet; we'll get there), he is aggressively pushed against a wall (by someone he loves and trusts) with a complete and utter lack of concern (and perhaps some interest, depending on how you read it).

And when he isn't reaching out for anyone, or there isn't anyone to reach out to? Well, he's wringing his own hands together, squeezing his own fingers, as if to find that physical comfort in himself.

So. With that theory in mind, we have Aziraphale (Physical Touch) + Crowley (Acts of Service). Throw in 6000+ years of deep love, cherished companionship, and forcibly repressed longing, and there is a very real potential of this combination resulting in fierce sexual compatibility. Where Aziraphale would want to touch and be touched, to indulge in physical pleasure with someone he adores, in the same the way he indulges in every other fine thing in his life. And where Crowley would want to indulge him in return, to give him everything he wants, and to take pleasure in Aziraphale's pleasure, in the same way he enjoys watching him take joy in food everything else.

So Aziraphale is an angel who is insecure about his own less-than-holy desires, who would want to treat Crowley like a luxury to be touched and cherished and adored. And Crowley is a demon who has, over the millennia, been unhappy about how they've been forced to deny even their friendship with each other, who would want Aziraphale to feel comfortable and safe and encouraged to indulge in earthly delights. That sounds like a stunning recipe for sexual compatibility to me.

"You said 'trust me'" / "And you did"

Just like the Job minisode, the Blitz is RIFE with symbolism (intentional or otherwise). This one will be quick, but I did want to touch on it because I thought it was interesting. Maybe I'm reaching at this point, but I'm assuming you read the tin.

First of all, Crowley not wanting to admit to never firing a gun before; comes off as someone who very much does not want to admit to their crush that they're a virgin ("You must have done this lots of times!" / "Umm.... yyyyyeah.")

(You could make the argument that Aziraphale having a firearms license and a Derringer in a hollowed-out book is symbolic of him not being a virgin while Crowley is. I disagree, for reasons I'll go into later, but it's a valid reading. However, I see it more like keeping a condom in your wallet; it's there in case you need it, but the opportunity has not yet risen no pun intended.)

More importantly, the theme of this entire minisode is trust. We already know they trust each other with their lives against the rest of Heaven, Hell, and the world. But specifically, this is about the importance of having complete trust in your partner in a charged, physically vulnerable, intimate moment, where the only danger is between the two of you.

Aziraphale needs to believe Crowley would never hurt him if he can help it. Crowley needs to trust Aziraphale's unwavering blind faith in him. Frankly, it all feels very symbolic of two people deeply in love losing their respective virginities with each other.

The trick is a success, and they share an intimate candlelit dinner in which they reaffirm their faith in each other. Aziraphale also begins to voice his agreement with Crowley, that maybe Heaven's rules shouldn't have to be as black and white as they are, and that there are benefits to... blurring the lines, shades of grey, wink wink (at which point even my mom was like, whoa guys, this is a family show).

Btw also: Can we all agree how much it looked like Crowley was getting ready to get a lapdance in that one scene? You know the one.

Also also: "Aim for my mouth"? Come on.

The Birds & The Bees

Now that I think of it, there's also something to be said for the fact that Crowley and Aziraphale are both obviously familiar with where babies come from (how they're made and how they're born) while the other angels aren't.

Something something Aziraphale and Crowley fundamentally understand sex and reproduction in a way the other angels (and probably demons) very much do not, nor have any desire to.

Probably not important. Just thought it was worth mentioning.

The Kiss™ & Religious Trauma

The Kiss. Where to even begin?

This has definitely been the hardest one to start, because there is so much going on here that I definitely won't be able to cover it all, and will certainly miss a few things here and there.

Aziraphale's reaction to the kiss afterwards is the most interesting to me. And I don't mean directly after, I don't mean the "I forgive you" part. I mean the way he touches his lips when Crowley is no longer in the room and he no longer needs to save face, when he is completely alone. Had it been directly after the kiss, it would have been rightfully read as horror, or disgust, a shield to discourage further action.

It's not. It isn't just a touch, it's a press. As desperate and angry and unexpected and imperfect as the kiss had been, Aziraphale is pressing it into himself, recreating the feeling as best he can. Beneath all the poor timing and shock and hurt from their fight and fallout, I think it's fair to say that it was something he enjoyed. Something he doesn't think he should enjoy, something that Feels Good that he only allows himself to indulge in when completely alone.

Remember, Aziraphale's idea of love is Jane Austen and gentleness and courtship and fantasy. If he'd ever even considered kissing an option, it might have been gentle pecks, cheek kisses, forehead kiss, hand kisses. Soft, safe, chaste affection.

Crowley's kiss turns all of that on its head. He introduces physical intimacy in a very real, very messy, very human way that I don't think Aziraphale ever even considered could apply to them. Considering what other angels are like and what they look down on, even Aziraphale's Jane Austen fantasies probably would have been considered taboo.

So for their first kiss to be rough and desperate and passionate in the way it was, of course he was confused and in shock. It was deeply physical, and as overwhelming and awful as it was in the moment, it Felt Good. Enough that he grasped at Crowley and kissed back, if only just for a moment, before stopping himself. Enough that he actively pressed it into his lips afterwards, in private, to remember.

I adore how Neil has decided to evolve these characters past the first book/season. More so in this season, Aziraphale and Crowley have both become such interesting allegories for queer people on either side of the spectrum of toxic religion. Aziraphale in particular obviously, because he is the side that so desperately wants to believe, to make a difference, and to unlearn all of the propaganda he's been fed over such a long time. Just like so much of organised religion, there is so much that he is told, time and time again, that he should not want, that he is silly or stupid or outright wrong for wanting. It reminds me so much of the severe Catholic guilt one might feel for wanting/engaging in sex for the first time, and the stigma of being queer layered on top of that.

What is so critical to Aziraphale's character is that he goes on wanting, and more than that, actively pursues. He was convinced to go up against Heaven and Hell and stop all of Armageddon because he wanted to go on listening to music and eating lunch and reading books and enjoying the simple company of the person he cares most deeply for, even if that person is supposed to be the enemy.

All this to say that if angels are as generally asexual/sex-averse as I believe them to be, narratively speaking, it would make sense for Aziraphale to be singular in that regard as well. Mirroring his first experience with food, it would make sense for Crowley to be the one to first introduce this new messy, physical, human dynamic between them, for Aziraphale to hesitate (obviously we are at the Hesitation phase at the moment), and then (eventually) for him to dive in wholeheartedly, to absolutely glut himself on this new thing that Feels Good. It would make sense for his character development to show him overcoming his metaphorical Catholic guilt and pursuing the sexual intimacy most (if not all) of the other angels would scorn.

(I can't help but remember that plot idea Neil described from the unwritten sequel, with Aziraphale in a hotel room trying to watch a full porno by way of the free 2-minute teaser clips so he wasn't technically sinning by paying for it. I so hope this is used in season 3, because gosh, I wonder why Aziraphale would suddenly be so interested in observing human physical intimacy after 6,000 years. Lonely and doing a little surreptitious research there, angel?)

Crowley, on the other hand, is the queer person who has broken free from his toxic religion. He prides himself on being his own person, on their his own side. He doesn't have the hang-ups Aziraphale does. He doesn't worry that he's going to be judged or cast aside for wanting things he's not supposed to. So it only makes sense for him to be the first one to suggest/initiate physical intimacy. It makes sense for him to be the one who "goes too fast" (another fantastic example of this dynamic beginning as early as s1; what is that conversation in the car meant to represent, if not Aziraphale being overwhelmed by the intensity of their relationship, and his fear of succumbing to it when he believes he shouldn't? It's also interesting that this is the first conversation to take place in Soho, just after watching Aziraphale realise he's caught feelings for a demon, with the red glow of lust serving as the backdrop).

Do I think the kiss in and of itself was sexual? No. I think it was a passionate and devastating last-ditch effort on Crowley's part to convey the way he feels for Aziraphale. Not just that he loves him, but that he loves him in the most human way possible. But I do think that the kiss represents how they can move forward from here, and what they might want to explore with each other once they feel free enough to do so.

In Conclusion

I am sure, deep in my bones (unless we are explicitly told otherwise), that this was both of their first kisses no, I'm not counting the gavotte, and that neither of them have ever thought to do anything else physical with the humans while they have been on Earth. Like I said before, they adore the human race and lifestyle in general, but ultimately view them as a separate species altogether, and they seem mostly happy to keep to themselves and each other, unless otherwise necessary. I just can't see either of them being drawn enough to a human to pursue anything close to sex. If Crowley in particular has had anything to do with sex in the context of temptations, I'm positive he would be inciting lust amongst the humans themselves, not involving himself directly. At least not that directly.

So, like every other human experience they've had on Earth, sex is something new that they could explore together, just the two of them, on their own side. A deeply intimate, tangible declaration of their love and everything they've gone through to earn it. A visceral finger to give both Heaven and Hell. A renewed appreciation for their corporations and for each other's. A enjoyable method for immortal beings to simply pass the time in each other's company. A new and exciting way to Feel Good, and all the variations that come with it.

You might agree with this post, or you might not. Whether this is something that is ever addressed or not, it doesn't matter to me. This is a brilliant love story either way, and I genuinely feel so privileged to witness it.

But I just can't find it in myself to imagine, given everything we know about these two characters, that sex isn't an experience they would both consume with wholehearted enthusiasm, curiosity, and profound, ineffable adoration.

___________________________________

Bonus feature: the very silly notes I made to myself that inspired this post

[ohmyitsfaith]

The sunshine and the grump / Part 2

Pairing: Sparrow!Ben Hargreeves x Fem!Reader

Summary: Sudden visitors show up on a calm day and chaos ensues. Who are they and where did they come from? But most importantly why are they here? You, your husband and his family are ready to find some answers.

Warnings: fighting, Sparrow!Ben being sparrow!Ben

Word count: 3.3k

A/n: Hi everyone, I know, it's been a while. But here is something that should have been done sooner. The second part to The sunshine and the grump. Please forgive me for this, but in this part Viktor is refered to as "Vanya" and using she/her pronouns. This is solely for the reason that this story is from the reader's point of view and she doesn't know that he's Viktor. If there's an interest in a new part, then obviously I will incorporate him coming out as Viktor. Anyway, long a/n to the side, I hope you guys will enjoy it!

“Shit” broke out of the six people standing in front of you collectively.

Ben guided you behind him gently, sheltering you from the strangers.

“Ben?”

A soft sigh is all that could be heard from the guy wearing a cowboy hat. His eyes shimmered with unshed tears and you couldn’t even guess who he was and where he came from. You never saw him before and your husband wasn’t the type to make friends so easily. So why did this man know his name? Why did he look at him as if he saw a ghost?

“Is that really you?” the biggest guy walked forward, also looking distraught and his face twisted in confusion and grief.

“And who are those weirdos,” the walmart-batman guy yelled and you followed his line of sight, “on the balcony?”

Your eyebrows furrowed in slight anger, but before you could answer at all, Reginald spoke up.

“They are the Sparrows, my children.”

You felt, more than saw Ben standing up straighter and could only imagine the rest of the Hargreeves doing the same, up on the balcony.

“I’m sorry,” the small boy spoke up after the initial shock passed through his group. “What do you mean your children? That’s not possible, old man.”

“Of course it is!” Reginald exclaimed as your sibling-in-laws joined you downstairs. “I think I’d know, wouldn’t I?”

While most of the group looked at Reginald with untrusting gazes (which you could understand, he was your father-in-law and yet you didn’t trust the man fully), the cowboy hat guy was still looking at your husband with misty eyes.

“Everybody else can see Ben, right?” he asked, which made you even more confused. Why wouldn’t they be able to see your husband?

“Cute hat, Sundance” Ben said sarcastically, still keeping you behind him. You grabbed onto his arm lightly, to keep him grounded. But that’s exactly when the man noticed you and his eyes went even wider.

“Jennifer?” he asked louder, seemingly in shock and it prompted the rest of the group to look toward you, Ben’s arm curling around you protectively.

“Do not talk to my wife, asshole” he growled.

“Oh my gosh, it’s you! You- you guys are married!” cowboy hat guy gushed.

“Okay, that is it!” Ben moved to lash out against the guy, but Marcus stopped him.

“Enough” he said in his calming voice. “Who are you and why are you in our home?”

“They call themselves the Umbrella Academy,” Reginald answered instead. “A group of scheming, perfidious malcontents, who accosted me in the fall of 1963, when I was away on business in Dallas” he explained. “Be warned,“ he added, “they claim to be my spawn.”

That caught the attention of the woman with the very stylish cloak as she stepped forward.

“Claim?!” she then turned to her brother(?) in confusion. “Five, what the hell is going on?”

“I don’t know, but it’s concerning,” the little guy, Five, sighed.

“Is he telling the truth?” Marcus spoke up, looking at the so-called Umbrella Academy.

“Well, not the part about us being perfidious-” the other woman started, just to be immediately interrupted by the cowboy-hat guy.

“No, we’re amateur-fidious, at best” he said, which just confused you and, seemingly, the rest of the Sparrows as well.

“But we are his children. This is our house” the woman confirmed.

“Yeah, yeah, we, uh… We grew up here” the big guy jumped in.

“Oh, yeah, yeah, we grew up here” Alphonso mocked the guy, which made Fei and Jayme chuckle.

“I-” Sloane started. “Kinda think we would’ve noticed you.”

You could see the moment that the big guy realized who talked and just what kind of person she was. You saw his eyes light up and a dumb smile graced his features.

“Hi. I’m Luther” he stepped forward and offered his hand.

“Monkey-brain” you whispered and Ben scoffed.

“Okay” the stylish woman walked towards you. “None of you belong here.”

“What?” you asked at the same time Fei said sarcastically: “Oh, well then! I guess we’ll just pack our bags and move out.”

“Yeah and while we’re at it, how about we also give you our jobs. Clearly, you are so good at it” Christopher garbled. “Seriously, these idiots can’t even understand the fact that we are the ones living here, imagine what kind of heroes they are.”

This caused the Sparrows to laugh and even you let out a chuckle. He had a point.

“You slay me, Chris,” Ben shook his head.

The next moment Grace arrived with a plate filled with cookies. At her legs was your chonky cat C/n. He meowed lowly and hissed at the new people before darting across the space, toward Ben and you.

“I wasn’t expecting company,” Grace sighed as you leaned down to pick up C/n. “This is the best I could do on short-” she glitched and repeated the word again, “short… short notice.”

You winced as you stood up with C/n in your arms.

“It’s okay, darling boy” you whispered and started stroking his back. “They won’t hurt you. Daddy won’t let them.”

“Mom…” you heard wallmart-batman’s wistful voice, which immediately weirded you out.

And not just you, because Jayme spoke up as well.

“Mom? She’s a robot you perv” she scoffed.

“She’s not a robot!” wallmart-batman turned toward her defensively.

“Hey, don’t you call him that!” the big guy, Luther, snapped at Jayme.

“Or what?” Ben asked in defense of Jayme.

“Come closer and find out!” Luther stepped toward Ben as he started approaching the big guy as well.

“Luther! Guys, chill!” the smaller woman tried to stop Luther, while you reached out to stop Ben.

“Think I’m afraid?” Ben asked and you could feel his hostility roll off of him.

“Ben! Please” you asked him timidly, but your voice didn’t even reach him.

“Ben, stand down!” Marcus commanded, but Luther was speaking over him already and chaos started to form.

“Look at that, she’s got a voice!” he pointed at you.

“How about I hide that big Rubik’s Cube up your ass?” wallmart-batman asked, annoyed with Marcus.

“Enough!” Marcus finally shouted. “I don’t know what circus you escaped from,” Marcus started and you could see wallmart-batman touch his cheek, where something black just disappeared, “or how you got past our security, but we’re done here. You got 30 seconds to get out of our house” he said in a no-nonsense voice.

“And if we don’t?” the stylish woman asked just as you realized what was happening with wallmart-batman. You looked back at Jayme, who just shrugged.

“Then we’ll have to settle this the old-fashioned way” Marcus stepped forward, ever the leader.

You zeroed in on wallmart-batman, who looked totally out of it, sweat on his forehead and tears in his eyes.

“What did he hallucinate?” you whispered to Jayme.

“I’ll tell you later” she smirked.

“Look, we just fought a literal army. Okay?” the short woman tried to diffuse the situation. “This doesn’t need to get ugly. Let’s all just calm down and let’s talk.”

And honestly, you were on her side. You didn’t want to risk the house or your sibling-in-laws or C/n for that matter. This could definitely be…

“Psst. Ben-er-ino” cowboy hat guy sing-songed as he looked at your husband. You could see his shoulders tense even more and an exasperated sigh left him. “You look so much better alive than you do dead.”

Oh no…

“Am I right?” cowboy hat guy asked from the Umbrellas and the only thing you could do is wince. From this point onward you wished that he shut up because even you wouldn’t be able to stop your husband if he was angered by the guy. “Except the haircut” he waved his hands.

“Oh no” you winced as Alphonso reached out and pushed you even further from the Umbrellas to keep you safe. He knew just as well as any of the Sparrows: this is where it gets ugly.

“What the hell did you just say?” Ben stepped forward.

“Come on, come on!” cowboy hat guy walked toward Ben. “Stop with all the hostility, Mr. Grumpy Pants” he stopped in front of your husband and leaned forward. “Oh, nice scar! Muy macho.”

“Oof” you commented and you could hear Jayme scoff as well.

“Shut. Your. Mouth!” Ben snarled and you knew, only a string held his anger.

“You shut your mouth and hug your brother!” cowboy hat guy exclaimed and opened his arms for a hug. And that’s exactly when Ben struck.

It was truly a beautiful hook that Ben delivered, you had to admit. But you wished that cowboy hat would’ve just stopped before it got ugly. You watched as he fell across the coffee table and it caused Luther to snap at Ben.

“Hey! What the hell?” he snapped. “You didn’t have to do that!”

“Oh, I’m pretty sure I did!” Ben snapped back.

“That’s right, he did!” Alphonso backed him up.

“Hey, get back! Back off!” Marcus shouted as Luther stepped closer.

“Luther!” you heard the short woman yell out as Jayme grabbed your arm and pulled you behind the counter, just as Marcus pushed Luther.

And all hell broke loose. Marcus and Luther started fighting and the Sparrows and Umbrellas paired up as well.

“Jayme, get Y/n out of here!” Ben yelled as the small Umbrella teleported toward him and started fighting with him.

You could hear yelling from both the Sparrows and the Umbrellas as they fought and you could only try to stay calm as Jayme pulled you toward the exit. But you didn’t get far as the stylish woman intercepted you and Jayme, along with the short woman. You ducked just in time as one of Fei’s ravens dived in to try and attack the stylish woman, who immediately took up the fight.

“Sloane!” Jayme yelled out and pushed you toward the woman. “Take care of her! I have a shorter problem.”

This, C/n didn’t like and he jumped out of your hands, scratching them in the process.

“Ouch!” you hissed, holding it.

“C’mon Y/n, let’s get you out of here!”

“Alright” you nodded, frantic now that the chaos started to get to you.

You could hear Jayme knock the short woman down as Sloane tried to lead you toward the stairs. But that’s exactly where Fei and the stylish lady were fighting.

“Uh… okay, plan B” Sloane stepped back and looked up at the balcony.

“Oh, please, no” you tried to plead with her. “You know I don’t…”

“Just get to your room, we’ll get you, when we’re done here” she promised and you felt her powers wrap you up and lift you toward the balcony.

You landed behind the railing and stood up. That’s when you heard the short woman say: “My turn.”

You could see her turning… white? And you knew you had to flee. Before much else could happen though, Sloane used her powers on her as well, though less gentler than she did on you.

“Shit!” you yelled out as the short woman slammed into the pictures behind you as you ducked, afraid.

But just as you stumbled through the short hallway to be able to turn right, a knife whizzed by you and you soon heard Chris’s garbled yelling.

“Y/n, be careful!”

You looked back and saw him getting chased by wallmart-batman. You quickly fell to the left, where you could turn down the corner. Just in time, because in the next moment, Chris also turned that way, knives shooting toward him. You held your head for a second, trying to gather all your courage to move. You’ve never been this close to a fight, Ben always made sure that you were in a safe distance.

“Okay, Y/n, you have to move” you told yourself, gripping your hair. You screwed your eyes shut and took a deep breath. Then you stood up and sneaked toward the walkway.

But just as you reached the main staircase that led down, you bumped into the boy. Quite literally.

“Oh, you…” he narrowed his eyes.

“Please don’t hurt me” you put your arms up, in front of your face.

“You’re harmless?” the boy arched an eyebrow, suspicious of your surrender.

“I swear! I’m just Ben’s wife, a normal human!” you pleaded.

The next moment he flashed away. You flinched, but the punch never came. Instead you heard the swooshing sound three more times and he was back at the portraits. You peered over the railing to see Jayme approach him and the stylish lady. Before you could be spotted by stylish lady, you ducked back down and continued sneaking away from the scene.

“Hey!” you were almost at the end of the hall, when you heard her yell. You tried moving forward, but she was faster. She grabbed the back of your shirt, lifting you up.

“Please, please, please, don’t hurt me” you whimpered. “I’m no one, I’m just a simple girl!”

“Yeah I don’t believe that, Jennifer!” she accused you.

“That’s the second time you called me that, but I don’t…” you breathed as you felt her grip tighten on you. “I swear I don’t know who she is! I’m just Y/n!”

“Well…”

But stylish lady couldn’t say much more as Fei appeared on the stairs.

“Y/n!” she yelled for you. “Leave her alone, you bitch!”

“That’s not a nice thing to say!” stylish lady let go of you. “I heard a rumor you couldn’t move” she whispered over you and instantly, you froze.

You couldn’t move, only watch as Fei approached her and her ravens started multiplying. Stylish lady saw this and her eyes widened.

“Actually, on second thought, screw this” she said, turning around and making a run for it.

You were left there by her, still unable to move.

“Y/n, I’ll deal with her and take care of you” Fei leaned down to you as she reached you. “I promise I’ll avenge this.”

You could only look forward as Fei left you once again. You could hear the commotion behind you as Fei’s ravens started destroying a door somewhere close to you. Not much later you actually heard the familiar swooshing sound of the boy teleporting and his frantic muttering.

Suddenly whatever spell was placed on you was broken and you fell forward.

“Oh God” you sighed out, grabbing at your elbow which you hit as you fell. You also saw the dried blood on the back of your hand where C/n scratched you. Poor kitten was probably scared out of his mind.

“Vanya, get out of there!” you suddenly heard the boy shout and you slowly stood up to peer over the railing, into the living room.

There lay the short woman on the broken table and the Sparrows slowly surrounded him. You saw her breathing hard and groaning, trying to get back up. Suddenly she started glowing white. You couldn’t make sense of it, but knew it couldn’t be any good.

“Ben, be careful!” you shouted just before she… exploded? Her energy exploded, which threw you back to the railing behind you.

It was over before you knew it and could hear the others groaning and getting up from the debris.

“Oh god…” you heard Chris garble. “What the hell was that?”

Marcus appeared in your vision and offered a hand.

“Are you okay?” he asked gently.

“Never better” you groaned, accepting his hand. He pulled you up and led you to the balcony, where he looked down at the destruction.

“It’s over” he started. “Go. Don’t come back.”

You could only focus on Ben, who stood in front of the fireplace, clutching his side. Marcus sighed next to you as him and the rest of the Sparrows watched the woman, Vanya, exit.

“Y/n” Marcus turned to you. “C’mon, I’ll take you to Grace, she’ll fix you up.”

You nodded silently, sparing another look at your husband and his family standing in the debris.

You sighed as you exited the bathroom. It’s been about an hour since you got stitched by Grace (when you hit the railing it split the skin on your head open) and then you went to take a shower to freshen up. Meanwhile though, your husband was nowhere to be found around you.

You could only guess that they got a dressing down from Marcus, blaming them for the destruction. So you headed to the only place where you knew they could be: the training room.

“Y/n!” you heard Grace’s voice call out as you headed toward the room. “Do you need a smoothie too?”

“No thanks, Grace” you smiled at the robot. “I’m fine. Is that for the guys?”

“Of course, they need their greens for their training” she said as she caught up with you.

You nodded silently and opened the door in front of you.

“The skinny one is their weak link” you heard Fei say as you entered.

“Unless hiding behind couches shouting, ‘Where’s my daddy?’ is his superpower” Ben replied sarcastically.

Grace put the tray down on the table and you leaned against the wall to watch your husband stop the treadmill and slow to a walk before getting off of it.

“Enough post-gaming. They hurt Y/n and disrespected us!” he said as he walked toward you. “We need to be out there finding these freaks and taking ‘em out!”

He reached you and put an arm around you, kissing your forehead gently, which contrasted so much from his harsh words.

“Oh, you mean like this?” Marcus asked and switched whatever video was playing to the surveillance footage of the last moment of the fight. The others sighed and stopped their treadmills as well. Marcus walked in front of them and shook his head. “Can someone explain to me how you got your asses handed to you in 30 seconds?”

You sighed, massaging Ben’s back as he stiffened at Marcus’s admonishments.

“Do you have any idea what would happen to our reputation if anyone had seen that?!” he yelled at the end, pointing to the TV screen. “I mean we hadn’t faced any decent enemies for years. This could be good for us. Good for business. But only if we’re smart with our next moves.”

“Is that all you care about?” you spoke up suddenly, annoyed to see that the version of him that only cared about missions and being famous came out.

“I’m sorry?” he turned toward you.

“Did you even try to think about what these people could be here for? That what they were saying is true?”

“Y/n…” Ben shushed you. “Don’t make things worse, darling.”

“I’m not trying to. But did you even notice their faces? When they were talking, when they looked at you?” you looked at him. “The way they fought? I mean tell me if their style doesn’t seem familiar…”

“Y/n, this discussion is not for you. Our next move is not for you to decide” Marcus spoke up sternly. “You are not a Sparrow. You are not part of the team.”

“Fine” you gritted your teeth, then pulled out of Ben’s arms and turned around, just as Reginald came in.

“Nice one dipshit” Ben snarled at Marcus.

“You summoned, Number One?” Reginald asked Marcus.

Marcus regarded Ben and you for a second, before looking at Reginald.

“Sit” he said and you walked out.

You leaned against the wall as the door closed behind you and took a deep breath. You thought about all that the Umbrellas said before the fight ensued. And one thing stuck out.

It looked like they recognised you. But not all of them. And they called you… someone. Some other name… what was it?

Oh yeah, Jennifer. But who was this Jennifer?

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Taglist: @divergentnewt23, @evie2407, @snixx2088, @inkedeye2345

[raven-at-the-writing-desk]

fellow + gidel ssr time fellas

(This bastard took an entire soft pity :(( but hey, I got a Dorm Uniform Jade dupe and finally FINALLY my first Dorm Uniform Floyd on the way, so I ain't too pressed about it.) RISE UP FELLOWIVES NOW’S YOUR TIME

***Character profile, voice lines, Groovy, and vignette spoilers below the cut!!***

First off! His official profile, coffin, and candy (Fox Candy):

(School) Grade/Class: None

Birthday: May 17 (Taurus)

Age: 26

Height: 181 cm

Dominant Hand: Right

Hometown: ???

Club: None

Best Subject: Mathematics (specifically Arithmetic)

Hobby: Watching theater

Dislikes: Saving money

Favorite Food: Apples

Least Favorite Food: Potatoes

Special Skill: Sewing

We finally get confirmation of Fellow’s age! (He had previously said in Playful Land that he was 20-something.)

I love that Fellow’s best subject is math Deuce is jealous/j; it makes so much sense given that his inspiration, Honest John (and Fellow himself) aren’t good at reading. It’s that whole “kids are either good at math or English” stereotype. In Japanese, the phrase 算数 is used. 算数 refers to arithmetic, or very basic math taught in elementary school (adding, subtracting, multiplying, and dividing). That specific phrase explains Fellow’s elementary level of understanding. His dislike being saving money is also related to numbers; he spends the money he has right away to get by in the moment. Fellow doesn’t really have the skill or the luxury of financial planning, he has to focus on the here and now, looking out for both himself and Gidel.

OMG, his favorite and least favorite foods???? 😭 Playful Land has apple (core) flavored candies and popcorn… and again, this is a reference to Honest John and Pinocchio’s first encounter! He takes the kid’s apple and eats it, lol cnsvwiwguwkw Potatoes being his disliked food… Maybe it’s because it’s the “poor” man’s vegetable? Because potatoes are so versatile, keep for a long time, and are filling because of the starch content, Fellow might resort to eating them a lot, so perhaps as a result he got sick of the taste.

What I find most interesting about Fellow’s profile are his listed hobby and special skill. He largely comes off as despicable and a slimy scammer (which he is, don’t get me wrong), but we can see different sides to him in these details—both the inner child that had his dreams trampled but remains hopeful about the future and the big brother figure/guardian to a child. Gidel is actually formally referred to in Fellow’s profile as his (non-blood related) brother, which made my heart melt 🥺 TWST must know I have a thing for beastmen who act shitty but are actually excellent mentors to the children/j

Fellow enjoys watching theater. It’s a way of transporting you away temporarily to new worlds with crazy stories and emotional performances. When words aren’t enough, you sing. And when singing isn’t enough, you dance. It’s an area that’s so full of life and joy, at least from the audience’s perspective. I’m thinking that watching theater must have been a form of escapism for Fellow, especially with how accessible it is (think of like street performances). Watching theater might also serve a dual purpose of teaching Fellow how to come across as amicable and friendly, which says a LOT about his character. He’s resourceful and able to learn from unconventional sources, then is able to apply those skills to real world situations.

Fellow’s special skill being sewing is surprisingly very cute! If you’ve taken one look at his and Gidel’s designs, we may have already spotted some of his handiwork. There’s mismatched fabric patches on their clothes!! The stitches look so clean too. The patterns not matching is probably because Fellow just used whatever scraps he was able to get his hands on, but I also like to imagine that he tried to make the best of the situation by incorporating the mismatched fabrics in a fun way (like the diamonds in his pants).

Next, can we talk about the composition of that GROOVY????

It’s another reference to the same Pinocchio scene! Fellow’s holding his book like Honest John did and it looks like he’s trying to teach Gidel the alphabet from words scratched on the sidewalk. Notice how the C is written backwards too 😂 He even wears glasses like when Honest John was trying hard to act like an intellectual.

And Gidel!!! Pencil and pad of paper in hand, he looks so interested to learn (something which was hinted at in Playful Land). Gideon in the film is also shown with a pen and pad of paper, scribbling down nonsense as Fellow pretends to diagnose Pinocchio.

Gidel glances up at Fellow with an expression of admiration. I love how wholesome their relationship is depicted as, it leaves a warm feeling in the heart.

The framing of this Groovy is very interesting. We have Fellow to our left—a direction has historically been associated with evil (in Italian, the word for left is even sinistra, as if to imply something sinister) and in the darkness. Gidel is the one to our right and in the light. It presents Fellow to us as someone who has given up on his dreams—but not completely, since we see some light touching his hat, gloves, and highest features + he is currently teaching Gidel and still has dreams of opening his own school. Gidel is shown in the light because he’s still a naive child that doesn’t understand how the world works. His dreams haven’t been destroyed yet, and there’s hope for him to have a better life since Fellow is looking after him and instructing him.

CHECK THIS OUT, GIDEL FOLLOWS FELLOW TO CLASS LIKE MARY'S LAMB OR SOMETHING????? Gidel pops out from under the desk or out of/behind Fellow's cape! Gidel also joins Fellow on the homescreen.

Some of Fellow's expressions are so priceless... For example, look at him in Flight! There's an unsure face and a little bead of sweat. (He makes a lot of pathetic accompanying sounds too, lol) Flying takes magic, so he's probably not confident or powerful enough to maintain flight for long stretches of time--though when he does nail it, he looks ultra smug.

ADGKVAVFOOEFIEQOfsl HIS SHOCKED FACE

How uncool, Fellow-san...

His attack sprites are very similar/identical to what we saw in Playful Land--Fellow's just playing for the opposite team now.

Gidel hops into battle to assist, so I guess they count as the first two-character card. It's been a while since I've seen these animations, but I think I can appreciate them a lot more now. I'm noticing new little things like how Fellow adds a bunch of showmanship into his attack, little flashy flourishes and even presenting Gidel with his arms splayed, as if welcoming a star to the spotlight. The attention to detail really is crazy for these.

If you want to read his voice lines in full, you can find an excellent fan translation of them here! I'll just be remarking on things I noticed while combing through the voice lines myself:

First off: bro calls himself Fellow Hones-SAMA???????? OKAY, KING 😭 Love that confidence you got goin' on there...

bifabsiyofbefe Love how he just reads a textbook and then flat-out admits he has no clue what the heck it's saying. Hey, honesty is a virtue.

Ace 💀 He has the balls to play a prank on an adult... I kind of want to know what the prank was, but at the same time I feel like I should be shaking my head and telling him off for doing it in the first place. I do appreciate that Ace being shitty brought out Fellow's true personality there for a second though, I live for it when Fellow gets real steamed and starts shouting that the NRC students are brats or that they should drop out if they have no motivation in school.

The way Fellow automatically clocked that Kalim is way too trusting and would surely be in danger even if he wasn't the one to come for him... Fellow, watch your back. Jamill WILL come for your sketchy ass for what you did back then.

I didn't find anything super interesting in Fellow's comments about Ortho, but I do think it reveals that there is value in him coming to school. It's only at NRC where Fellow can see such a curious thing like Ortho, and that speaks to the value of really going out there and being exposed to different things. That's part of Lilia's own growth arc too, and a large part of why he now spreads that same rhetoric.

Fellow remarks that Ramshackle is "pretty sweet", which means one of two things: either this is the refurbished post-book 6 dorm OR it's still the shabby pre-book 6 dorm, but since Fellow and Gidel have never really had their own stable housing, even run-down old Ramshackle seems like a massive upgrade.

Fellow and Gidel must have been so happy to see that lunch at NRC is free and served buffet style (so there's no limits to how much you can take). On top of that, they got dead chefs from 5 star restaurants staffing the kitchen! Those two really hit the jackpot, I hope they eat well.

AVUSDGVUADOVIAISDBIDAS THE DIALOGUE IMPLYING FELLOW CASUALLY BYPASSED THE SCHOOL'S BARRIER AND OTHER SECURITY MEASURES... So Chenya-core of him, really. Fellow may not have magical might, but he's seriously street smart to have found a way in like he has.

Small detail but I appreciate how Fellow has lines which call attention to Gidel. It doesn't just remind us that Gidel is there too, but it also demonstrates to us that Fellow actively tries to include him in the conversation despite Gidel's muteness (a condition which may lead others to outright ignoring him or talking down to him).

LAST THING (though it's not in MysteryShopTL's linked post): in his birthday greeting to the player, Fellow says that both you and him don't have talent for magic, so you should get along. I didn't think the game would acknowledge the player and Fellow's similarity in that sense, so it was very nice to be proven wrong.

And to finish off this post (which ended up being way more massive than I thought it would be), a quick summary of the vignettes!! If you want to read them in full, please check out MysteryShopTLs’ post!

In vignette 1, Fellow and Gidel are putting on a street performance in Silk City. Fellow collects fees from the onlookers and then tries to milk more out of them by spinning a story about how Gidel is a puppet that can walk without strings. Buuut Gidel moves like a normal living being and sneezes, which ruins the ruse and leads to the crowd getting mad at them. The duo run off, but Fellow reveals that while the locals were looking at Gidel, he used magic to steal some of their precious metals and jewelry. In the next vignette, Fellow and Gidel have moved on to Fairest City. It's said that they live a nomadic lifestyle and hop from place to place, never staying for too long in any one location because word of their scams may spread and cause a situation where they cannot reasonably make money through their lies. (Cute detail: Fellow listens to Gidel's suggestions on where they should go next and even praises Gidel's smarts.) This time Fellow's trying to auction off a magestone that he claims will allow anyone who holds it to use magic. The people of Fairest City don't believe him and give him the cold shoulder, which upsets Fellow (since he really hates it when others look down on him). He ends up using his UM to get his audience to be more pliant and manages to sell the magestone for a pretty penny. At the end of this vignette, Fellow drops a line about how he and Gidel are so free, how they can do whatever they want since they have nothing holding them back. I really love that thought~

AND IF YOU THOUGHT VIGNETTES 1 AND 2 WERE FUNNY HAHA TEEHEE CUTE, WAIT UNTIL YOU SEE VIGNETTE 3 💀 VIGNETTE 3 FELT LIKE IT WAS A TARGETTED SNIPE ON MY HEART

The setting is Sunrise City! Fellow and Gidel are being chased off by an angry person they tried to rob. It looks like they're unsuccessful today and will be going hungry. Gidel tries opening a random can of OIL in search of food, so Fellow scolds him and tells him to leave it be. Apparently Gidel does this a lot when he's hungry (just grabbing random shit and trying to eat it), even though Fellow has tried teaching him how to read. THIS IS WHAT THE CONTEXT OF THE GROOVY IS, FELLOW SQUATS DOWN (like we literally see his 2D model lowering) AND DRAWS IT ON THE GROUND FOR GIDEL TO SEE. O is for orange, I is for ice-cream, and L is for laugh. Fellow realizes that L is the only non-food word, but he couldn't come up with anything else. I wonder if like... this is some common game they do to distract from hunger. They have to imagine the food they could have but can't. And L being "laugh"? That can't be a coincidence. Fellow could have used any other L word as an example, even if he couldn't come up with a food that starts with L. It makes me think he picked "laugh" on purpose in an effort to lift Gidel's spirits and to try and distract from their circumstances.

Aaaah, as I was saying! Fellow gets upset that he doesn't know as much as your average 26-year old would since he never went to school. Gidel seems to sense his frustrations and reassures him with a pat, which reenergizes Fellow. He says he'll try to find some food, so Gidel should focus on making a fire. While gathering wood to burn, they come across a job posting by a shady rich man that Fellow and Gidel supposedly did another job for in the past. Fellow suggests that they check out the job and if they don't like it then they can leave. ADSKJBBSLDIADBLUBAB These are the events leading up to Playful Land... meaning that Fellow’s showmanship is wasn’t something he developed at the amusement park, but as a general coping and survival mechanism to get by day-to-day.

I uh. May or may not have cried a little at Fellow and Gidel's really wholesome interaction 😭 I MEAN YEAH OF COURSE I'M A SUCKER FOR BIG BROTHER CHARACTERS (and we certainly see that in how Fellow scolds Gidel and looks out for his wellbeing, both in the vignettes and in Playful Land) but also???????? ? ? ? ? ?? ?????? ? ? ? ?? I love Love LOVE how Gidel is shown to be supportive of Fellow as well. Fellow as the older person, the adult, and the able-bodied one of the duo is pulling most of the weight when it comes to getting resources and handling communication. However, Gidel plays an important role in their dynamic as well. He's the heart and the emotional support that Fellow needs when he's down in the dumps and being hard on himself. Gidel not only serves as a "reason" for Fellow to work hard (to support a child), but he also gives Fellow motivation and hope that tomorrow can be another day. YOU CAN REALLY TELL HOW MUCH THESE TWO CARE AND LOOK OUT FOR ONE ANOTHER OTL

OOOOOOOoooOOooOOGGHHHH MY HEART *clutches it* I CAN'T TAKE THIS ANYMORE, I CAN'T HANDLE THE ONII-SAMA OF IT ALL

[verysium]

bllk characters and what you think would be their type or what they find attractive in a girl?🙈💗💌

i mean... 🤔 do u want the truthful answer or do u want the ideal answer? cus i don't think any of the bllk boys (maybe with the exception of otoya and aiku) would have a type, much less let it be limited to a girl. but assuming they actually have a life outside of football, here are some traits they would find attractive in a person:

isagi would like someone he can see as a role model. throughout his life, he often finds figures that inspire him (eg. noel noa, ego, even rin if you squint hard enough). he doesn't idolize them, but he does find a way to incorporate their strengths into his playing style and actions. if you have a character trait he highly values, he will like you, and it's generally pretty easy to get him to like you. (unless of course, you're a massive dick like kaiser.)

i find that he gets along best with kurona and hiori. this is because (1) they can read his intentions well, and (2) they are quiet and level-headed. obviously, this would also apply to the romantic side of his life. isagi admires people who are similar to him but still have their own quirks and idiosyncrasies. for example, you subtly support him from behind the scenes and bring him snacks after practice and pack his bento every morning. he appreciates small gestures of kindness.

isagi is also someone very hot-headed as evidenced by his potty mouth. he likes someone who can match his energy and passion but is still calm enough to prevent him from doing anything rash. i picture him running up to you after a game, and the adrenaline causes him to pick you up from out of the stands and twirl you around in his arms.

canonically, isagi is unpopular with girls. he literally returned from valentine's day empty-handed. he tries to be nice most times, but truthfully, nothing except football really interests him. so if you can skip the small talk and start drafting football plays with him, i think he would be attracted to you. like very attracted.

unrelated but he likes someone with a pretty laugh.

bachira needs someone motherly. i feel like he never really got to be a child because everyone around him was constantly putting him down for being the "weird" kid. that's why his current personality is undeniably childish at times. it's the only way he can express the inner child he had before he grew up too fast. i think he'd like people who take care of him in a parental manner, whether that's scolding him for doing something stupid, wiping his chin cus he's a messy eater, or teaching him english every day.

i feel bachira is one of the most extroverted characters in blue lock. he genuinely thrives off his interactions with others. and for that reason, i think he'd be attracted to introverts because they differ so greatly from him. (he'd probably adopt them too.)

bachira has the most creative insults, and that's partially why he gets along so well with isagi. he's not afraid to get out of his comfort zone, nor is he afraid of pushing others to do the same. if this boy can hallucinate whole monsters, he can sure as hell rip his opponents into pieces. i feel like he'd have such a stark duality around you. he'd be beating the crap out of the other team, but the moment he sees you, he's all sunshine and rainbows and bounding over to ask you about your day and overshare about his.

ADHD. that's it. that's the quote. if you're hyperactive, then he's hyperactive, and you'll both be rocking the same boat. most people would assume he needs a grounding presence in his life, but i think post u-20 arc bachira is actually mature enough to process his own issues. now he just needs someone to let loose and have a little fun with.

rin needs a therapist. end of story. this boy is a whole case study. i don't think he's even mentally stable enough to have a romantic relationship. but if he were to date someone, i'd imagine that person is somewhat similar to isagi (and no, this is not a ship.)

isagi has something rin definitively lacks, and that is his strong, dynamic sense of self. when rin fails, he takes it heart. all solutions are linear and logical to him. if he missed a goal, it was because he didn't train hard enough. if he couldn't beat sae, it was because he just wasn't good enough.

but isagi completely changes his mindset every time he loses. (there's a reason why he's surrounded by puzzle pieces all the time.) analyzing is second nature to him. every failure is a catalyst for self-improvement, and he constantly breaks himself down in order to adapt and rebuild. rin needs someone like that in his life, someone who can teach him to be unafraid of change and embrace it instead.

rin also isn't immune to external influences. obviously, he is still learning to play football for himself. looking at the pxg version of him, he has had a significant change in mindset, but he still hasn't completely separated himself from this idea of "beating" someone in order to get to the top. according to his logic, if he surpasses both sae and isagi, he will finally be content. but the truth is, he won't be anywhere near content because his ego still isn't entirely his own. i think he would admire someone who refuses to let themselves be defined by others.

rin would also like someone who is patient because he clearly isn't. (boy was about to have a whole brain aneurysm when bachira threw that paper airplane at him.) honestly, you need to be both gentle and persistent with him. he hates it when people come on too strong, but he also finds his walls slowly crumbling when someone repeatedly goes out of their way to show that they care.

rin has a high level of emotional intelligence, as evidenced by sae's comments about his intuition. however, he can only work out a person's thought process about halfway before he starts to feel lost himself. for example, he can understand that sae dislikes losing, but he doesn't understand that it's innately tied to sae's self-worth and expectations as the eldest child/genius prodigy/role model. if he's going to romantically date anyone, then they need to be extremely skilled in the art of communication. otherwise, rin is going to easily misinterpret things.

finally, i think he'd like someone who knows how to comfort him. rin overthinks. like a lot. the cogs in his brain are constantly whirring. you need to lay him down on your lap and run your fingers through his hair and tell him that everything's going to be alright. (and it is going to be alright, because you're about to move both heaven and earth for him to make it stay that way.)

kaiser has no set type, but if he did, it would also be isagi (i'm sorry but yoichi is our harem princess for a reason.) kaiser oscillates between this superiority and inferiority complex. he even admits he was weak-hearted once.

any and all attraction is heightened for him because he gets obsessed easily. (like did you see his massive desktop displays of isagi? tell me that does not scream high-key yandere shit to you.)

however, more so than people, kaiser is fixated on ideals. he literally got a cheesy blue rose tattoo to remind himself that nothing is impossible, and he stands naked in front of his mirror every morning repeating the motto: "this is me." the self-esteem issues are glaringly obvious.

now, rather than completely shatter his entire worldview like isagi did, you need to be the one to gently (and i stress, gently) remind him that sometimes ideals aren't everything. kaiser is unpredictable, but the one thing that stays constant about him is the many masks he hides behind. everything is a role to him, and he takes center stage. but you need to convince him that none of this really matters. he doesn't need to bedazzle himself in tattoos and dye his hair and sport a mullet-rattail hybrid to be worthy of attention. sometimes his ugly bed head and dark circles are precisely the reason you love him.

second of all, you need to set firm boundaries (otherwise you'll end up like ness.) kaiser wants someone with a backbone, and he does not turn a blind eye to raw potential. victory is his end goal, and if you can bring him one step closer to that, he will stick to you. the only issue here is that you need to make sure he does not use you. and believe me, he will try. but if you draw a strong line between you two and stand your ground, he will start to see you in a new light. it can go both ways (love or hate), but either way you are someone important in his eyes.

lastly, i think he wants someone with a sense of humor. he's naturally cocky, and he needs someone to match his wit. ness already does that, but he doesn't give kaiser enough challenge. in my mind, i imagine kaiser trying to impress you with his german, but you give him a good run for his money when you already know how to speak it. things like that. he thinks it's hot when you can stand up to his level. but at the end of the day, your loyalty still lies with him, and you're not above/below him but rather the one standing beside him.

barou doesn't have a type. he is the type. you're lucky to have him.

otoya likes cute girls, even better when they have the standard fringe/bob cut look. he also lives for the height difference. teasing short girls by patting their heads is his signature move. he also likes it when girls wear lipgloss, like a sparkly candy pink shade, maybe even a spritz of perfume. he's also type to make fun of the little chubby pooch you get when you eat too much. he thinks it's adorable. personality-wise, it doesn't matter. he's going to cheat anyways. jk but on a more serious note, the person he's likely going to stay with forever is someone who can forgive his weaknesses and actually make the effort to understand him. instead of writing him off as an immature two-timer, he'd appreciate people who can actually hear him out. obviously, it doesn't excuse any of his actions, but it lets him know that you do indeed care.

aiku says he likes anyone who looks easy to break up with, but it's actually the opposite. he tends to go for older women who end up slapping him in the face. he's a womanizer, but he actually has a significant amount of character depth. generally, he's someone who goes with the flow, and nothing really upsets him. but to actually get to know him and his insecurities, you'd have to be someone really important to him. i think aiku is the type to be a serial dater before he finds someone he'll actually stick to. he's afraid of commitment, and it's for good reason. the authority figures in his life have failed him enough times to be considered unreliable. please be kind to him because the childhood trauma was not. i smell lots of emotional baggage here.

nagi likes the flame type because it has few weaknesses and helped him clear three levels in digimon. oh wait, you mean his ideal type? yeah, he does not know what that is, and he's too lazy to think of one. currently he's in the middle of fighting a custody battle for choki, and he's losing to a certain purple-haired freak. please come back later.

reo likes wine aunties lol. it's canon that he prefers older women, but i think it's just because they tend to know what they want. he likes people who have a set goal and are constantly working towards it. he himself diverts all his time and resources into football once he discovers that it is his calling.

i think he's the type to be extremely popular but not actually have any deep, long-lasting connections with any of his friends. he knows a lot of people, but he doesn't know them well. that's also why he gets so attached to nagi because nagi is the first person to really know him. in a way, i think that'd translate over to the people he loves as well. he likes people who don't beat around the bush. if they like him for who he is, they'll say it outright. he doesn't need to do any digging or engage in any form of the pretentious formalities he despises.

reo is rich, which is both a blessing and a curse. on one hand, he's all set for life, but on the other hand, it unfortunately makes many of his relationships conditional. he said it himself that people are often drawn to him because of his money. so i think he'd also like someone who isn't materialistic. he values honesty and genuine connection above all, so if you're ready to give him love regardless of his status, he'd sincerely love you too.

chigiri likes tomboys or any person with masculine characteristics. he's constantly getting mistaken for a girl at blue lock, so i think it'd just be funny to pair him up with someone who also shares the same androgynous plight. you two would bond over breaking gender norms.

he's a capricorn, and even if astrology is a pseudoscience, i still feel like the archetype fits him well. he refuses to let other people see him cry. he values his family a lot. he tends to be moody and intense at times. not to mention he is very goal-driven (excuse the pun.) based on that, i think he'd want someone calm and understanding. it's not that he needs someone else to work out his own problems for him. it's more so that he needs someone to remind him that he's still human sometimes. i feel like after his injury, he was sort of in this survival mode, constantly trying to prove himself and get back to the level he used to be at. but you need to remind him that he can relax once in a while. it's perfectly alright if he isn't as good as he used to be right now. progress comes at a different pace for everyone.

furthermore, chigiri tends to project a serious image most of the time, so i think it'd be nice if someone reminds him that he does have indeed an odd sense humor and his fair share of stupid moments, and that's totally okay too.

shidou likes anyone who doesn't like him, but this has to be done the right way. within blue lock, he's already sort of this outcast because no one understands his playing style (except maybe sae.) you need to show him that you value his eccentricities while also keeping him at an arm's length. he loves a challenge.

since he's someone unafraid to express himself, he likes to see that in another person. whether it's in your fashion sense, way of talking, body language, etc., he loves it when you act unapologetically yourself.

shidou is quite literally a dog kept on a leash, so you need to tug on that leash from time to time. he loves it when people attempt to tell him off and call him out for his bullshit. inhibition is a foreign concept to him, so he feels entertained when others try to teach it to him. he also thinks it's immensely sexy when you're angry at him. lord knows he is definitely going to slip that in mid-argument just so you can yell at him some more.

sae wouldn't even believe in the concept of a "type" in general because he thinks it's stupid to categorize people based on an ideal and fixed set of characteristics. (that's pretty rich coming from a guy who calls people who don't meet his standards lukewarm but we're just gonna ignore his hypocrisy.) either way, he has a non-traditional view of love and attraction.

i do think he likes people who are solid and reliable, and they can continuously yield quality results. he would also want someone who is as ambitious as him because i don't think he can realistically get along with someone who has no dreams or aspirations. it just doesn't fit well with his driven personality.

people who are empathetic and emotionally intuitive intrigue him since that's something he lacks. personally, i think he'd like someone who is mature (doesn't matter if they're older or younger.) if you can teach him something useful, he find you worthy of his time. and if you can read his feelings without him even telling you, he would consider you someone special.

sae needs someone who holds similar ideals to him but doesn't follow him blindly. (notice how he hated it when rin blindly relied on his assists when they were children.) he want someone who is independent because he is also highly independent. however, the difference is that they also actively make room in their life for other people, and that is something sae doesn't know how to do.

there's a point of growth somewhere in your relationship where you call out his mistakes and set him on the right path. sae struggles a lot with his definition of victory, and he finds it difficult to curb his greed. his ego is what sets him apart from everyone else, so failure is not an option in his books. unfortunately, this is also why he loses some of his original spark/motivation. you need to be someone who can tell him that failure is not a weakness, and sometimes the journey matters more than the ending.

also this poor boy needs someone to teach him social cues because i don’t really think he knows how to read the room. he’d probably unintentionally insult a chairman or investor, and you’ll be trailing after him with a sheepish smile as you bow and apologize for him. (i feel bad for his manager.)

[abby-howard]

I'm going to be asking a lot of artists I follow this question, but how did you develop your style? It SEEMS like most people find their style and stick with it forever, just making improvements and iterations. I tend to work in a lot of different styles because I enjoy doing that, though I know there are things I gravitate towards as well. But I wonder what your journey was and how you got feedback and improved while staying true to what you enjoyed?

Hi there!

I definitely wouldn't say that I've found my style and stuck with it forever-- I feel like each of my projects has asked for a certain kind of art, and has presented new challenges that push me in new directions.

Some of that comes from seeing someone else's work and having something click into place that might fix errors/faults in my own, and then I might try to incorporate that, such as bigger outlines on my characters to help distinguish them from the background, or maybe a way someone else simplifies eyes that can help make mine look less weird.

When I first started drawing, I can see where I encountered certain influences because my sketchbooks suddenly switch to incorporating some new stylistic element that I liked from whatever I was reading/watching at the time. But it was never QUITE right, it was never just copying, there was always something ~wrong~ with it. And that wrongness was my style! As much as I hated it, that was what distinguished my art from being just a copy of someone else's. I hate it less now, and understand that other people see something there that maybe I don't, because it's just what happens when I filter other people's work through my head. My soul, if you will.

There are definitely through-lines with my work, driven by what I like drawing and what comes easily to me-- hatching is almost always a major component, and I like making expressive characters. Here's some of my earliest available stuff, from my old webcomic:

Then not long after that, I started The Last Halloween, which pushed me to challenge myself in both layout and style:

And here's the same comic, years later:

And here's a series I did for kids, where I had to use full color and lay off on the hatching, as well as learn how to reconstruct animals that we have no photo references for, which is definitely a place where style comes majorly into play, whether I wanted it to or not:

Then there was the horror book I did, where I tried to push my work to be less cartoony overall, and to work very hard on improving my hatching:

Then I started work on Scarlet Hollow, where I incorporated a limited/muted palette and had to once again push myself to make less-cartoony art, as well as learn more consistency so I could draw sprite sets. This was a big challenge for me, and has helped me grow as an artist so much!

And most recently, I wrapped up work on Slay the Princess, which required that I go back in the cartoony direction, but in a very different way than I was used to. This took a lot of sketching to figure out, and there's still a decent amount of artistic stumbling in Chapter 1 while I settled into it.

She's drawing on anime/Disney influence, but each Princess required a bit of stylistic variability. Some are more anime, while some are more realistic than even the Scarlet Hollow characters.

So I wouldn't worry too much, honestly! A person's style is often something that reveals itself over the course of their career, rather than something they choose and then try to stick to forever.

Even if you don't think you have a style, you do. It might vary a lot piece by piece, especially if you're trying to closely imitate another person's art, but the more work you do, the more you'll figure out your own strengths and interests!

[cripplecharacters]

Hi, do you have any good resources explaining common types of facial differences (preferably with pictures)? I already have a character with a port wine birthmark, but I want to incorporate a variety of facial differences in my body of work.

Hi! I'm glad you're interested in learning more about facial differences :) (smile) ! Especially with having more than one character.

My main recommendation would be "Types Of Visible Difference" by ChangingFaces. You can read it here. There are other pages linked there (the "see our page on X") that break specific types of facial differences further with pictures and/or descriptions, either way giving you basic information on what to google search for further research. A big category that this page is missing are facial differences caused by chromosomal conditions, which are extremely common (for example Down Syndrome).

There is also "Defining Facial Differences" by AboutFace that has way more entries, but there are no photos and it has a lot of medical language. If you're just looking for ideas it can be great to just read the little blurb written about the condition and then search for actual pictures if that's something you're looking for. It also allows you to filter for congenital and acquired conditions which is pretty cool (and also see that a huge portion of facial differences is congenital!).

The third (worst) option is just going through Wikipedia pages in the "skin-related conditions" or "craniofacial syndromes" categories but a lot of these are very rare/obscure and a lot of them don't have images attached. The first two options are much better in my opinion but it's still something (?).

My personal recommendations for common but unrepresented facial differences to incorporate would be craniofacial conditions (e.g., Treacher Collins or Apert Syndromes), chromosomal disorders (e.g., Wolf–Hirschhorn or Down Syndromes), cranial nerve diseases (they're mostly just differentiated by numbers unfortunately, but there's a couple of them), and cancers of the head and/or neck. It would be nice to see them shown more, especially in a positive light :) (smile) !

I hope this helps!! Thank you for your ask

mod Sasza

[professorlaytonarchive]

THE ORIGINAL DEATHLY MIRROR HAS BEEN FOUND.

This is not a drill. All 6 chapters of MotDM's original version are found and playable through emulation right now, thanks to the brilliant folks over at KeitaiWiki!

Now, remember this is the original version, not the ReMix, and the whole thing is in Japanese (yes, we're working on a translation) - but this is an amazing find for several reasons.

One, of course, is preservation. Having this game accessible and available is a fantastic thing for a multitude of reasons I don't feel the need to explain here.

Two, it's amazing news for our remake, too. There were a few missing pieces that we were not sure what to do about. That worry has been solved entirely, and all of these things can now be incorporated into the remake. Like what, you may ask?

For starters, there's 15 new puzzles that we can now localise and incorporate. Some are a bit more difficult to work with (there's a few based on specific uses of Japanese grammar), but we feel confident we'll be able to deliver fun and interesting interpretations of these new puzzles. For those of you keeping count, yes, that ups the minimum total of new puzzles in our remake to 60.

Another thing we're very happy to have recovered is the minigames, and the diary entries they reward you. There's one minigame in Chapters 1-3, and another in Chapters 4-6, for which we did not have any gameplay, assets, or even rules. While the loss of the second mingame could have been overcome by simply giving the first minigame more levels, the diary entries they reward you would have needed a lot more work and imagination, with our writers having to try to create new entries that would follow the original vision. This is now no longer an issue, and we can bring the original vision for these diary entries into the remake as they are.

On top of that, there were a few characterisations and storylines that were different between the original and the remix, where we would have had to pick the remix version by default, because the back half of the original was missing - this recovery gives us far more wiggle room to combine and reconcile these versions and make this game the most interesting version of itself. (Also, at the back end, having access to the original assets makes our recreation department very, very happy.)

So, all in all, a fantastic morning for the Layton fandom!

And then, what? Well, it might be a bit quiet on the update side of things for the time being, given that our job right now is to translate and localise about a million different things - and that just isn't a super interesting process to be sharing. We may have more to tell you once we've unpacked and analysed the files (we've only just got our hands on them, that's how fast this whole thing has gone), and we definitely have some other fun stuff we're working on that we can't wait to share, but after this massive update (maybe the biggest we'll ever do, because, wow), we'll need some time to work.

So for now, keep on keeping on, keep an eye on this subreddit and our youtube channel, and go check out the incredible work KeitaiWiki is doing. This whole thing, from the beginning, would not have been possible without them. (Seriously - they've been with us since the start of it all.)

Thank you.

-Nordic

from Team Enigma and Team Professor Layton Archive

[ad-ciu]

Guth: Reading Irish Myths & Legends

Now that I am a Real Grown-Up Academic (tm), I have been trying to find a way to support my students and the general public by making medieval Irish literature more accessible to people who, be it a lack of time, disability, or any other factor, find sitting down and reading the original texts challenging.

What I settled on was creating a Podcast where I sit down and read out of copyright translations of Irish legends which I have called Guth: Reading Irish Myths and Legends.

If that's all you need to hear, you can go check it out right now! It is on Spotify (here), Podbean (here), and YouTube (here), and should be on Apple Music in the coming weeks. Alternatively, it is embedded here:

For those of you who need a harder sell, or want to know more about it, check out below!

So, why Guth? Well, I have encountered several different Podcasts and YouTube Channels out there which are doing something similar, recording audio of them reading medieval Irish legends. While several of these are quite cool, there are issues.

In terms of more benign issues, to get around the issues of copyright, people in these alternatives tend to retell stories, and while that is very cool as an example of something like an oral tradition, it means the stories are often being altered and changed by a non-expert audience. Elements that are not very important are being given great importance, areas that are very important are cut, and sometimes things are incorporated from other texts to make an unspoken composite (or, alternatively, sometimes people cut a section of a text out and retell it independent of its broader context).

These aren't bad, but, it means these other Podcasts and Videos aren't really suitable for my purposes of supporting my students and giving people access to the actual stories.

In terms of the big problems, there is at least one Podcast on a similar topic being presented by someone who I have reason to suspect is faking having a PhD. Further, there are at least two people putting out content like this that are actively forging content and passing it off as authentic who just so happen to also be Fascists. So, not ideal.

I hope Guth can serve my students and interested members of the public by providing a solid academic perspective on a text. Each episode I open with a discussion of our manuscript sources and the date of the text (a lot of other pieces out there will describe tales as 'ancient', when in actuality they're a 14th century scribe just vibin'). I then read the text exactly as it is translated, including using reconstructed Old Irish pronunciation for all the names that appear in the text. Lastly, I conclude with a brief discussion of secondary scholarship I think is particularly relevant for the interests of the public.

All of that to say, I hope people enjoy Guth, and that it can serve people who are interested in the actual medieval tales rather than the various retellings that are circulating out there.