#is there a better way of tagging her?

[bigfatbreak]

Birds of a Feather previous / next

[umblrspectrum]

tessa, being the edgy little freak she is, obviously took the original darkxwolf username

[sforzesco]

something. about. the horror of being sent on an impossible (death) quest and obligations and hospitality politics. the trauma of not having a home, and then the trauma of being in a house that becomes actively hostile to you, one that would swallow you whole and spit out your bones if you step out of line. all of this is conditional, your existence continues to be something men want gone.

it's about going back as far as I can with the perseus narrative because there's always a version of a myth that exists behind the one that survives. the missing pieces are clearly defined, but the oldest recorded version of it isn't there! and there's probably something older before that!! but it's doomed to forever be an unfilled space, clearly defined by an outline of something that was there and continues to be there in it's absence.

and love. it's also about love. even when you had nothing, you had love.

on the opposite side of the spectrum, this is Not About Ovid Or Roman-Renaissance Reception, Depictions And Discourses On The Perseus Narrative.

edit: to add to the above, while it's not about Ovid, because I'm specifically trying to peel things back to the oldest version of this story, Ovid is fine. alterations on the Perseus myth that give more attention Medusa predate Ovid by several centuries. this comic is also not about those, either! there are many versions of this story from the ancient world. there is not one singular True or Better version, they're all saying something.

Perseus, Daniel Ogden

Anthology of Classical Myth: Primary Sources in Translation, edited & translated by Stephen M Trzaskoma, R. Scott Smith, Stephen Brunet

[buttercupshands]

I started drawing this next day after I finished Act 6

13 or so days and it's finished!

Main things are traditional and Loop's body was edited digitally after

Unedited it looks like this

I've been torn on how to do Loop's body for the entirety of lining, also

A bit sad the main lines are visible only as a wip, most of this thing is literally just a ton of sharp lines

I think it's also my first day of drawing, Loop is just a sketch here (feat. my leg)

I even finished the beans before it so they were a moral support, because if you let me things like this take a year

[neymiiie]

I just want to see him again.

[proxycrit]

What if I redesigned some horses to fit MY favorite narrative trope: fallen gods and forgotten myths of old? Anyways.

Twilight’s mentor is a strange one. In a world of twilit planes forever shrouded in mystery, the older unicorn Lest and her adopted student Twilight are one in many common travelers, migrating the pitted wastelands and eeking survival within settlements that spring up around the glowing meteor shards. Despite living with Lest for the last four years, Twilight can’t help but seek answers to where her brother has gone— and in the process, perhaps dig a bit too deeply into the complexities of gods far older and dangerous then she can truly fathom.

On the otherhand, Celestia “Lest” Sol is having a terrible millenium. Her sister is no longer her sister, her student teleported herself halfway across the continent, and she got herself kidnapped by an old rival trying to attune with the elements of harmony to overthrow the current ruler of Equestria.

At least she gets a toxic yuri moment.

Meanwhile, Chrysalis is having a great time. She’s got kingdoms to conquer and people to feed and a waning god to taunt.

(The Selene Grace hates the sun monarch they deposed five centuries ago as they stay chained to their post, keeping the lunar and solar bodies from crashing into each other. Luna misses her sister, and the easier world where they haven’t hurt each other beyond reparation. Nightmare Moon misses their monstrosity, trapped in a host who’s grief has poisoned them with empathy.

Things are bound to tip. The celestial bodies are not bodies, but prisons, and the amalgamations we call alicorns the key. And something desperately wants to be freed…)

Anyways:

My mane 6 redesign here!

And my luna and celestia redesigns here!

[sundial-bee-scribbles]

[krazieka2]

I've played the Fire Emblem Husbando Dating Simulator Games

[owlheartt]

Something I really like about timebomb is that Ekko actually knows what he's getting into.

I'm not really seeing it get talked about but in season 1 they mention that Ekko and the firelights help people addicted to shimmer get off it and lead more fulfilling lives within the community. I should probably rewatch the scene for the exact wording (might be misremembering tbh) but that comment implies A LOT.

First: Ekko's mission is helping people where he can, he would probably try and help Jinx even if he wasn't in love with her

Second: He has experience dealing with severe mental illness as that often goes hand in hand with drug abuse, namely depression/suicidal ideation like what Jinx was exhibiting

Third: He's probably mapped out best course of action FOR dealing with this and has already figured out his own limits/boundaries. Meaning he knew what he was getting into trying to talk Jinx out of suicide, and was thus more equipped to deal with the aftermath

Fourth: He's probably helped ex members of Silco's gang. The firelights seem to have a theme of healing and repairing and recovering, so they've probably also learned to forgive. If they're mission is to rebuild the lanes into a safe space, they can't exclude people they don't like, they have to make room for them. I think they fought Silco out of necessity, and I doubt Jinx would be the first person they help who's killed one of them.

These all might be a bit of a stretch but I think it really fits. Beyond that, it shows that Ekko can ACTUALLY help Jinx. As much as unconditional love can do, Ekko has the tools for Jinx's recovery and a path ready for her. He also probably knows that her "healthy" will look different from AU Powder's "healthy." On top of that, I expect he knows how to respect her even in the middle of psychotic breaks and won't agitate her already frail mental state

[transk0vsky]

Got possessed by the demons again

[oceanwithouthermoon]

"i dont hate this female character, i just have a nuanced take on her" and the nuanced take is comically stereotypical misogyny

[dunmeshistash]

Fav detail about elves I didn't fully register until I saw that one summer colour page - elves look rosy when they're light-skinned, but get slightly greyer as their skin darkens.

It looks like a creative decision that was made a little later, though, around the time of introducing the black-skinned elves, which makes sense - in order for them to be pure black, something other than melanin had to be happening there.

Idk if that's really an active choice or just bad coloring on Kui's part ngl.... unfortunately making darker skin ashy is a common mistake by artists, especially if they tend to draw light skinned characters more often, they might pick a light skin tone and just make it darker which turns them ashy. Dark skin is often neglected when people study painting skin color (you know how it is with racism and colorism being ingrained in society and the reflections of it showing up where you wouldn't expect)

Kui also wildly changes the colors she uses so it's hard to take any of it meaningfully in small details, If you look at art of Thistle or Kabru you can see their skin colors change both hue and darkness between art. Even his hair keeps changing how intense the yellow is and sometimes is fully white.

In this case there's also the scan differences but you can see how much Cithis skin changes art to art too

It really doesn't have much consistency in undertones, I imagine some of it might be traditional art (copic markers or watercolor?) but even between her digital art the undertones keep changing, sometimes she's greyish sometimes yellowish sometimes more redish and in the swimsuit one she even looks kinda purple to me

Kui is a great artist but based on how she has also painted Kabru and the twins greyish (the worst one under this paragraph) I can't say the greyish tone of the darker elves is any sort of intentional choice but rather mistakes.

She does it to some extent to her lighter skinned characters too, but I think it's especially obvious in the darker skinned ones (here's Senshi getting slightly paler/grayer between different art)

At least now we have the anime with more set on stone colors/darkness, and I'm overall happy that the dark skinned characters got officially darker overall (although some of the skin tones still look a little off to me)

Anyway, other than the obsidian skin elves I don't think there's any indication the greyish tone was intentional.

Sorry for the long winded response, it's just something I wanted to acknowledge since sometimes I see people discussing skin colors in my notes

[kit-screams-into-the-future]

was having trans marty thoughts again and i came to a realization about this scene

[cruelplatonic]

my personal headcanon is the vees were unremarkable nobodies when they were alive. i just love it as a thematic throughline for them. they love to let the public of hell speculate on them being famed and acclaimed since before death, but the the truth is they were a d-list failed influencer that got by on cheap controversey and scamming, a broke junkie who burned every shaky bridge he ever had, and a worn-out broadcast production assistant with more rejected auditions and tossed out script pitches than he could count. nobody missed them when they were gone, nobody cared who they were until they were dead.

[nehezt]

things have been looking better for me lately so i came back to traces of spring. only 5 more chapters apply lighting to! yay!

[peachyutdr]

i finished it, was kicked out of the game, and then spent the next 10 minutes drawing this. i will now go take a shower, most likely cry, and then go through the emotional turmoil of convincing myself to reset so i can do a geno run. i hate it here :D