#is something i did!

[poorly-drawn-mdzs]

License to Kitty.

[dayvan]

crashing the tulpar into the asteroid that turns you into a dog ft. lil curlydog fanart by @rdhndrd

some design notes under the cut

Curly: Husky mix, maybe GShep? (mush, captain, mush!!!) Anya: Silken Windsprite (or long-medium haired sighthound mix) Daisuke: seen at least 2 different instances of people drawing him as a Papillon and i agree wholeheartedly Swansea: XL Bully/Cane corso Jimmy: badly socialized German Pointer mix

also ciarans fanart is based on this

[hanjoj]

their ship name might as well be theseus the way there's not a single original characteristic left there

[prouvaireafterdark]

listen I know it's heartbreaking that Claudia dies and it's understandable to wish she didn't, but let's please not accuse the writers of fridging her. to do so is a fundamental misunderstanding of the story and is frankly insulting to the intelligence and skill of the writers of the show.

Claudia's death, and the overwhelming grief and regret her parents experience because of it, is quite literally the point of the entire story. she dies because Anne's daughter Michele died of leukemia when she was five years old and there was nothing she or her husband could do to prevent it.

writing IWTV was how Anne coped with the unimaginable loss of a parent losing her child. she created a story about a little girl that could not die and then killed her anyway. Claudia's death is a senseless, unavoidable tragedy, just like Michele's was. the grief that haunts Louis and Lestat for the rest of their lives is the same grief that haunted Anne and her husband.

so when you're accusing people of killing Claudia off to benefit a story about two men, please remember that in real life sometimes parents lose their children. please remember Michele Rice.

she's the reason Claudia exists.

she's also the reason Claudia cannot be saved.

[hamletthedane]

I was meeting a client at a famous museum’s lounge for lunch (fancy, I know) and had an hour to kill afterwards so I joined the first random docent tour I could find. The woman who took us around was a great-grandmother from the Bronx “back when that was nothing to brag about” and she was doing a talk on alternative mediums within art.

What I thought that meant: telling us about unique sculpture materials and paint mixtures.

What that actually meant: an 84yo woman gingerly holding a beautifully beaded and embroidered dress (apparently from Ukraine and at least 200 years old) and, with tears in her eyes, showing how each individual thread was spun by hand and weaved into place on a cottage floor loom, with bright blue silk embroidery thread and hand-blown beads intricately piercing the work of other labor for days upon days, as the labor of a dozen talented people came together to make something so beautiful for a village girl’s wedding day.

What it also meant: in 1948, a young girl lived in a cramped tenement-like third floor apartment in Manhattan, with a father who had just joined them after not having been allowed to escape through Poland with his pregnant wife nine years earlier. She sits in her father’s lap and watches with wide, quiet eyes as her mother’s deft hands fly across fabric with bright blue silk thread (echoing hands from over a century years earlier). Thread that her mother had salvaged from white embroidery scraps at the tailor’s shop where she worked and spent the last few days carefully dying in the kitchen sink and drying on the roof.

The dress is in the traditional Hungarian fashion and is folded across her mother’s lap: her mother doesn’t had a pattern, but she doesn’t need one to make her daughter’s dress for the fifth grade dance. The dress would end up differing significantly from the pure white, petticoated first communion dresses worn by her daughter’s majority-Catholic classmates, but the young girl would love it all the more for its uniqueness and bright blue thread.

And now, that same young girl (and maybe also the villager from 19th century Ukraine) stands in front of us, trying not to clutch the old fabric too hard as her voice shakes with the emotion of all the love and humanity that is poured into the labor of art. The village girl and the girl in the Bronx were very different people: different centuries, different religions, different ages, and different continents. But the love in the stitches and beads on their dresses was the same. And she tells us that when we look at the labor of art, we don’t just see the work to create that piece - we see the labor of our own creations and the creations of others for us, and the value in something so seemingly frivolous.

But, maybe more importantly, she says that we only admire this piece in a museum because it happened to survive the love of the wearer and those who owned it afterwards, but there have been quite literally billions of small, quiet works of art in billions of small, quiet homes all over the world, for millennia. That your grandmother’s quilt is used as a picnic blanket just as Van Gogh’s works hung in his poor friends’ hallways. That your father’s hand-painted model plane sets are displayed in your parents’ livingroom as Grecian vases are displayed in museums. That your older sister’s engineering drawings in a steady, fine-lined hand are akin to Da Vinci’s scribbles of flying machines.

I don’t think there’s any dramatic conclusions to be drawn from these thoughts - they’ve been echoed by thousands of other people across the centuries. However, if you ever feel bad for spending all of your time sewing, knitting, drawing, building lego sets, or whatever else - especially if you feel like you have to somehow monetize or show off your work online to justify your labor - please know that there’s an 84yo museum docent in the Bronx who would cry simply at the thought of you spending so much effort to quietly create something that’s beautiful to you.

[cyancees]

i have neither a good imagination nor aphantasia, but a secret third thing

[secretdazedragon]

[katsinspats]

Thematically appropriate comic for Make a Terrible Comic Day!!

I saw the original post this morning and it made me get out of bed to make something, so thank u Pseudonym Jones mission accomplished

[protoctist]

i know ryoko kui is a real one because she wrote 97+ chapters of a manga about fantasy ecosystems and food chains and not once did she write the phrase "survival of the fittest" (it's a bad phrase) (it's a social darwinist phrase even) (hated amongst biologists) (doesn't make sense) (darwin didn't use it) (coined by an business major) (one of the worst phrases in pop science) (no good)

[littlelightfish]

This... this is a whole different kind of psychic damage here. When nightmares got Marcille, we get to knew that her's biggest fear is outliving her friends. This isn't even canon probably, but look at this. This isn't a "I don't want my friends to die" kind of dream. This is a "I'm terrified of loosing my daughters, of something killing them, and being incapable of stopping it" kind of dream. It's so simple yet it explains perfectly the whole of chilchucks character. He loves, he cares, deeply. But he, or doesn't acknowledges, or doesn't know what to do with that knowledge.

Besides that. Someone had to wake him up after this. Imagine the devastation in this man after he wakes up. He just saw his three little babys murdered corpses (or maybe he saw them die, wich isn't better). He would possibly not talk about it, and that would worry the hell out of the party, because we'll, they see him all down and only one of them knows what he saw. Imagine being the one to pull him from that nightmare. Seeing this man, usually so composed, fuking staring with tears and terror in his eyes to the composes of what you can only assume are his daughters. It would be heartwrenching.

Idk, I love this man so much...

[poorly-drawn-mdzs]

Dog Meshi.

[thepioden]

if you ever go to an art gallery and you see a painting and you think "that sucks. I could do that." maybe you can! I think a lot of people could do like. Matisse. Mondrian. Rothko. From a technical standpoint at least. Not everyone but a good number of people. But please consider: Artists™ aren't special people. They're just people. Just regular folks with something to say and a trained skill who showed that skill to the right people.

So instead of being like "that sucks! that's dumb! I could do that. It shouldn't be in a gallery." instead try, "I could do that. I should be in a gallery." and then do it and go and show your art to people.

[inkskinned]

having good & true friends will literally save and protect you in a million unfathomable ways. like okay we have written so many times about lovers. but the way a platonic friend laughs and cries with you. the way they hold your hand at 14 years old and at 34. the way they keep a little silver tie to you, touching base over and over and over. how you can go years without talking, only to re-meet and discover: oh shit! you're still cool!

there are people who have been in my life for more than half of it, and i have loved every version of them. do you know how fucking beautiful that is. yeah love will save the world. but the way friends love you is gonna save the you.

[cozylittleartblog]

not that we didn't already Know belos was full of shit, but it's even funnier knowing the titan was still alive the whole time and probably judging him

[utilitycaster]

"why should I get invested in shows if they'll just get canceled" I was deeply invested in Heroes (2006) and it was not canceled, it just got really terrible. I also got really invested in the sandwich I had a few weeks ago despite it only lasting like 15 minutes. You must embrace the ephemeral. You must be willing to love things that may not love you back, that might betray you, or that may die an untimely death. As the great philosopher Mr. Mitchell Lee Hedberg said "I'm not gonna stop doing something because of what happens at the end."

[no-face-no-shame]

Locking in seconds before doing the most insane thing possible