#is one world government inevitable

[13thpythagoras]

free my boy, the atchafalaya river

[tonycries]

Government Hooker - T.F.

Synopsis. With the fame and glory of being an international popstar comes the inevitable threat of an overzealous stalker. You just didn’t think that it would also come with a very sexy, buff bodyguard behind your every move.

Pairing. Toji Fushiguro x Reader

Content. MDNI, fem! reader, popstar! reader, bodyguard! Toji, unprotected, brat-taming, spanking, choking, rough oral (male + female receiving), slight enemies-to-lovers, jealousy (Toji’s side), daddy kink, semi-public sex, manager! Nanami, creampie, power dynamics, dirty talk, stalking threats, TW. knife (brief), swearing.

Word count. 10.8k

A/N.  WHEWWWWWWWWW need some buff bodyguard Toji in my life. Slightly inspired by The Bodyguard. Set in the Brooklyn Babyverse.

It’s in New York that you meet Toji Fushiguro.

Pop Princess’ World Tour in Jeopardy After Stalking Threats

Dark Times for Pop Royalty: Will She Return for This Year’s Grammy Performance?

Is It Over For The International Sensation?

“Nanami, for the millionth time, do I look like I need a babysitter?” you squint at the headlines flashing across your phone screen, resisting the urge to fling it at the nearest wall. 

Sitting right in the middle of your whirlwind dressing room, you breathe in the heady air, thick with hairspray and anticipation for the upcoming shoot. Normally, you’d preen at the stylists swarming around you - but right now, their fussing only makes it all the more difficult to drive your manager dangerously close to an aneurysm.

As expected, Nanami drones out the same rehearsed response you’ve memorized word-for-word at this point. “My apologies, but with the severity of these threats, we can’t-”

“Afford to take any chances, I know I know.” Still, heart sinking, you scoff, “I understand, but 24/7 surveillance is insane. Can’t I have any-”

Bang!

To your chagrin - and perhaps Nanami’s mercy - the door flies open with a force that rattles its hinges. 

As the bustling activity in the dressing room freezes, your eyes immediately snap to the hulking figure at the door. Expression steely and vigilant, he strides in with a presence that demands attention. You can’t help but raise a brow at his audacity - and the unreal rippling of his muscles beneath that skin-tight t-shirt. 

“Sorry to interrupt, but that blue-haired freak Mojito at the front desk told me to come here.” a low rumble sweeps the room. 

Ah, this must be the one. Gesturing your stylists away, you square your shoulders - ready for a fight. “And who might you be”

“Name’s Fushiguro Toji, your new ‘babysitter’, princess.” he declares, voice gruff and unwavering over Nanami’s tired hum of “Bodyguard, he means bodyguard”. 

You narrow your eyes, studying the pure disinterest on his face. Great, just what you needed - you didn’t claw your way to the top to be scared and controlled by some loser stalker. Tilting your head defiantly, “Hmm, you don’t look like much of a bodyguard.”

Toji’s lips twitch into a sardonic smirk, gaze meeting yours with a hint of challenge, “Mhm, and you don’t act like much of a princess.”

You could almost hear the record screech to a halt. Everyone holding their breath, eyes locked on you as an agonizing beat of silence passes, half the room on the verge of fainting.

One. Two.

A startled laugh bursts from your lips. Shattering the tension in that dressing room as swiftly as the mirror in your stylist’s hand would’ve had you remained quiet a second longer. 

The audacity of this man. No one’s ever spoken to you like that before. 

Toji’s grin widens at your unexpected reaction, that sinful little scar on his lips stretching in amusement. Some small, strange part of him satisfied at passing your invisible test.

“Well, look at that, didn’t expect ya to have a sense of humor.” he comments, tone positively dripping with sarcasm, as if toying with you.

Plastering on that painfully saccharine sweet smile usually saved for nosy interviewers, you mockingly bat your lashes. “And I didn’t expect to have a babysitter breathing down my neck.” 

“Oh don’t expect me to babysit, princess. I don’t get paid nearly enough for that. According to that hardass manager of yours, my job is to keep you safe. Whether you like it or not.” 

With a dismissive wave of your hand, you turn back to your make-up artist, clearly done with this tedious conversation. “We’ll see how long that lasts. I have a knack for losing unwanted company.”

And if there’s one thing you’ve come to learn with Toji Fushiguro, it’s that you do not have a knack for losing unwanted company. Especially not him. 

Wherever you went, Toji was there first - it didn’t matter how fast you escaped, or how many hats and masks you put on. He was everywhere.

He was there when you slipped away to swap sunglasses with a passing stranger, convinced you’d outsmarted your looming bodyguard. But your triumphant laugh caught in your throat as you heard that familiar chuckle behind you - whirling around to find him sporting your ill-fitting shades with an amused glint in his eyes.

He was there during a chaotic fashion show, where you blended seamlessly amongst the flurry backstage, hoping to escape Toji’s watchful gaze. Heart pounding, making it all the way to the elevator. You’d barely let out a breath of relief before large hands intercept the closing doors. Towering figure stepping inside with a knowing grin, “Going somewhere, princess?”

Hell, he was even there when you hatched a plan to ditch him on the tarmac of the bustling airport. Making a dash for your private plane, and settling into your plush seat with smug satisfaction. Ah, at least you’ll have a few hours of peace until Tokyo without-

“Damn, first class is nice. Must be nice to be pretty and rich.” a low whistle causes you to groan inwardly (and outwardly).

“You’ve got to be kidding me.” you mutter under your breath, at the man seated right beside you. At this point, you half expected him to be keeping guard outside as you shower.

Toji was always there. Steadfast as ever, firm chest always blocking whatever escape plan you’ve concocted. In all your years in the spotlight, you’ve never felt so frustrated. The dawning realization that there was no escape matching your slowly slipping sanity as you kick off the first stop of your world tour - Tokyo.

It’s in New York that you meet Toji Fushiguro.

It’s in Tokyo that everything changes. 

Electricity crackling in the air, deafening roars of your name in your ears - you stand center stage. This was where you belonged - where you felt alive. 

Pouring your soul into your words, stage lights dance across your skin, as frantic as the adrenaline in your veins. The crowd before you was a living, breathing entity, swept away with energy and excitement.

The music swells to a crescendo as your voice carries across the arena, limelight following you spellbound.

In the intoxicating performance, you don’t notice a pair of widened green eyes doing the same, goosebumps rising along his skin. Gaze fixed on you with an intensity that rivaled the spotlight itself. A silent reverie. 

As the final notes of your song echoed through the arena you felt a rush of euphoria wash over you. Lights dimming, you draw a long breath, savoring the crackling energy onstage. A high that left you craving for more.

With a grateful smile, you bow deeply, screams and applause reverberating in your ears like thunder. 

The cheers continue to ring in your ears as you’re whisked away, backstage buzzing with excitement and anticipation over the special guests for the VIP event. Enveloped by your team, you navigate through the labyrinthine corridors of the arena.  

You catch Toji’s eye from where he flanked your right, your brow raising ever-so-slightly as if silently asking, “C’mon, didn’t I kill it out there?” 

But before you can decipher the fleeting expression on his face, the moment is shattered by a sudden commotion up front. 

“Hey, over here! Is it true there's a stalker after you? Is it to boost album sales?”

“Can you confirm the rumors that you're cozying up with Satoru from Tokyo Special Grades? The fans want answers!”

“Hey! How do you respond to critics who call you a has-been? Come on, speak up!”

You’re barely given a second to breathe before the paparazzi descend upon you like vultures. Bodies jostling urgently as rapidfire questions and incessant flashes make you see stars behind your eyes. 

Trying to block out the swarm of questions, you close your eyes amidst the dizzying chaos, trying to find some semblance of stability.

And stability finds its way in the strong arm that wraps protectively around you, pressing you close against a sculpted chest.

Toji.

“Don’ worry, princess, I’ll get you outta here.” hot breath brushing against your ear, sending shivers creeping down your spine. 

Pulled impossible close to his muscled frame, his steady heartbeat grounds you - while yours stutters as Toji’s voice cuts through the clamor like a knife. “Back off, vultures. Show some respect or I’ll make sure ya regret it.” 

Steely gaze almost provoking - as if anyone would dare challenge the imposing, almost frightening presence in the middle of the room. The paparazzi, momentarily stunned, falter in their pursuit, allowing Toji to carve a path through the chaos.

Hands still tight around you, as you’re hastily escorted away from the chaos, you steal a glance at Toji’s profile, illuminated by the harsh flashes of the cameras. Finding some intrusive little part of you that thrills at the raw intensity, cheeks flaring in response.

He’s so warm. 

You could almost cry as those gaudy VIP doors swing open, swiftly ushering you to safety. They slam shut, sealing off the cacophony outside. In the soft lounge music wafting through the air, you’re left with the nagging awareness of Toji’s body heated against yours.

Embarrassment floods through you like a tidal wave as you register the way you’re still clinging on to him. Abruptly pushing away, you take a larger step back than was probably appropriate. 

In the dimly lit room, you couldn’t make out exactly what was twinkling in Toji’s eyes as they flicker to you. But what you could see was that amused grin curling his lips as you uncharacteristically stumble over your words, “Thank you- Uh, for the way I-”

“Princess~!” Words choke in your throat as a flash of white and blue barrels into you, sending you reeling backward. Playful laughter ringing through the air. 

“S-Satoru?” you stammer, caught off guard. Before you’ve fully recovered, he’s pulling you into a bruising hug, nearly knocking you off your feet. 

“Hey there, gorgeous,” Satoru purrs, voice velvety as he leans in. “You absolutely killed it out there tonight.”

“Oh my gosh, Satoru! I haven’t seen you in forever.” A laugh escapes your lips, though the lingering warmth from Toji’s proximity still prickles at the edges of your consciousness. “What are you even doing here?”

Satoru chuckles, gaze lingering on you, “Couldn’t miss the biggest concert in Tokyo since ours, duh.” His energy was infectious, and you find yourself smiling along. “Thank you Satoru.” 

As Satoru continues to chatter animatedly about the concert, you distinctly realize that Toji has slipped into the background. Where was he? You find your eyes darting around the room in search of his familiar presence, slowly noticing the lack of Satoru’s bandmates in the process.

Your curiosity piqued, you couldn’t resist teasing him. “So, where are the rest of Tokyo Special Grades? I thought you guys were inseparable”

He shrugs it off casually, leaning down to whisper conspiratorially “Rehearsal. Don’t let ‘em know I’m here.”

As you titter at his antics, he gives you a playful nudge, eyes twinkling with mischief. “So…since the band’s away, how about you and me grab a drink together?.”

Something heavy pools in your stomach as those familiar words ring in your ears, hanging in the air - you knew all too well what he meant. 

Skin still tingling with the lingering heat of Toji’s touch, your eyes sweep the room for him one last time. Some strange part of your heart pangs when you find that those piercing green eyes, always studying you so intently, are nowhere to be found.

“Lead the way, Satoru.”

---

The world was rocking, as were Satoru’s fingers on you. Softly tracing along your collarbone, touch searing as he pushes you against the wall of your hotel room. 

Shivers run down your spine, all the way to your heated core. Breaths mingling, a desperate hunger ignites in the air as your fingers just barely graze against the buttons of his overpriced button-up. 

Tension reaching its peak, fingers hazily fumbling with those tedious buttons-

Bang!

You both startle as the door swings open, breaking the heady atmosphere inside. Dazed, you whirl your head towards the intruder standing at the door - Toji. Seems he had a penchant for dramatic entrances. 

Toji stands in the doorway, his gaze dark and unreadable. Without a word, he strides into the room, narrowed eyes flickering between you and Satoru.

“What the hell is going on here?” Toji’s voice is low and dangerous, cutting through the tense silence hanging in the air.

Satoru tries to play it cool, though you catch his easy smirk faltering slightly, “Oh? The bodyguard, right? What brings you here, my man?”

Ignoring the question - and Satoru altogether - Toji turns to you, eyes never leaving yours. “24/7 means 24/7. As your bodyguard, I can’t permit some stranger to get too close.” he asserts.

Mind still burning with lust, you feel red-hot irritation simmering beneath your skin. Fists clenching at the tone that leaves no room for argument. 

“I don’t recall signing up for a warden.” you snap, sharp and defiant. 

Toji’s expression remains impassive, but there’s a glint of determination in his eyes. “I’m not here to argue, princess. My job here is just to keep you safe, princess.” 

You scoff, shaking your head in disbelief - this was ridiculous. “Uh, newsflash, Toji. I can take care of myself just fine.”

“You little brat-”

Before the argument can escalate further, Satoru cuts in, his voice uncharacteristically calm and conciliatory. “Hey, it's okay, man. I’ll just leave,” he says, stepping away from you and raising his hands in surrender.

You shoot Satoru a look of frustration, torn between the desire for independence and for someone to fucking make you cum, and the unsettling feeling of vulnerability that Toji’s presence somehow seems to evoke. As the door slams shut - not before a playful hum of “Call me, princess~!” - a deafening silence envelopes the room. 

The room that now feels too small. Too hot. Thighs still quivering in anticipation.

Shit. 

Mind racing, you don’t catch the way Toji’s gaze softens slightly, a hint of regret flickering in his eyes. “I’m sorry, princess. But I can’t take any chances, I’m here to protect you.” 

“Enough with this ‘princess’ crap.” Running a hand through your hair, you let out an exasperated sigh, trying desperately to quell the storm of emotions swirling uncomfortably inside you. “And protect me from what? A harmless hookup?”

“From whoever is sending those threats,” Toji growls. “Until we catch them, you’re not allowed to be alone with anyone.”

Frustration reaching a boiling point, you storm up to him. “Fine, then you can stay here and watch me 25/8 for all I care. But, what are you going to do about that?” each word punctuated by a hard poke to his sculpted chest, laced with defiance - but also something raw and primal.

Green eyes darkening with intensity, you watch his jaw clench in restraint. He takes a step impossibly close, the air crackling with something you couldn’t name.

“You don’t get to play games with me, princess,” he warns, his voice low and husky, sending a shiver down your spine.

But - as always - you refuse to back down. Heart racing, mind hazy, you stand close enough that you’re toe to toe with him. A hand reaching out to grasp his large ones, manicured nails digging into the heated skin. In one, fluid motion, you place his hand in between your skirt, heated core soaking through your thin panties. 

“I’m not playing games, Toji.”

Before you can react, your back hits the wall. Surface cool on your heated skin. A brick-hard body is against yours, you could almost sink into him at how close he was pressed. 

Heat rushing to your cheeks, slick gushing to your cunt, your eyes lock with Toji’s darkened ones. He murmurs, words low and making your pussy jump in anticipation, “Didn’t expect you to be so filthy, princess.”

You lean in, lips mere inches away from his, whispering seductively. “Oh you have no idea.”

You didn’t expect those to be the words that make him snap - then again, you didn’t expect him to snap so easily either.

Toji’s eyes widen slightly, his jaw dropping open as he processes your words. He stares at you darkly for a moment, gaze traveling over your flushed cheeks, your devilish grin, and finally settling on your heaving chest.

Toji pins your wrists above your head with one hand, the other roughly tearing your skirt off your waist. Flimsy cloth hitting the carpeted floor. 

“Hey! Those are Dolce and-”

You don’t get to finish your sentence before his lips capture yours. Words catching in your throat as his tongue plunges unforgivingly into your mouth. 

Hands groping and teasing every inch of skin they could find. Kneading your breasts through your shirt, biting down hard on your bottom lip.

A desperate whine that you definitely would’ve been embarrassed about had you been in the right state of mind leaves your lips as something achingly hard grazes your core. Shit, you had an inkling but he was going to split you apart. Mindlessly wondering whether you’ll have to cancel the photoshoot tomorrow. Hips bucking for more more more-

“Patience, princess.” he murmurs, hotly against your lips. Thick fingers slipping beneath your panties - ripping them off. You gasp as the cold air hits your cunt, thighs quivering at the neat fingernail grazing your swollen folds. “You need to be taught a lesson first.”

You’re not in the mood for patience. But whatever retort gets stuck on the tip of your tongue as a long finger circles your throbbing clit. Tight, urgent little circles that inch you closer and closer to insanity. “F-faster-”

“You’ll take what I give, my lil’ slut.”

“I don’t have to listen to you.”

Ah, but alas - thank god for Toji Fushiguro being a merciful man. At least for the moment.

Pressing a trail of hot, open-mouthed kisses down your body, dropping to his knees with urgency of a madman. Gaze fiery fiery with an intensity that sent shivers down your spine - you were in for it. 

Licking his lips, tongue catching on that small scar by the corner, he dives nose-deep into your needy pussy. Bed mere meters away, Toji takes you right against the wall. 

His hungry gaze devours you just as greedily as the mouth on your cunt. “Ah! Hah- Oh, Toji!” you gasp, arching into his hurried yet expert tongue. Harsh, purposeful movements that send electric shocks straight to your core. 

“Not Toji, princess.” he murmurs, lips hot against your own. Urgently lapping at your juices, as if a man dying of thirst.

Something hot and sticky coils at your stomach - maybe at the way his tongue was crooking just right to tease your dripping entrance, bullying its way past your swollen folds. Or maybe at the way the realization has your slick beading out of your pulsing pussy.

“D-daddy?” you whimper, almost-experimentally. 

And apparently it was the right answer, as Toji lets out a guttural groan into your snug cunt. Nose catching against your abused clit, rubbing hurried little circles. Tongue stretching out your snug walls, pooling your juices, unforgivingly dipping in and out in and out in and-

Speeding up now, his tongue has you losing your mind in ways you didn’t even know were possible. “Hngh- faster. Fuck me like you want it, daddy.” you whine, hips grinding further into his mouth.. 

And he lets you. In your lust-addled mind you barely have time to think about this strange act of mercy - only thinking of how close you were. So close. So fucking close. Mere moments away from shattering completely. Mind filled with only Toji and his tongue and Toji-

“Didn’t think I’d be so nice to ya, did you, princess?”

Orgasm slipping through your fingers, your crash from euphoria matches that of your heart.

Ah, Toji could cream his pants at the way your face fell so adorably as he pulled away. Delicate strings of spit and slick still connecting him to your slutty pussy. 

“Toji?” you mewl, bruised lips falling into a pretty pout that made him want to throw caution to the find and stuff you full of his cock right now. But no, he had to teach his lil’ princess a thing or two about not getting everything she wants.

“Patience, princess.” With a grin, Toji warns, voice husky and sending shivers down your spine and making you grind your hips against his lips. Before you can whine in disappointment, a sharp smack! cuts through the heady air. The sound hits you before the realization that Toji hit you. 

A sharp slap against your ass, the impact shocking you briefly before arousal takes over. You yelp at the sting, eyes widening in surprise.

“Wha-”

“Count to ten, then I’ll let you cum. You need to learn a thing or two about listening, brat.”

You stare at him defiantly, your heart pounding in your chest. A silent staredown that only makes heat pool more and more desperately at your core. Deafening need, slick dripping down your legs pathetically.

“O-one.” you whisper, voice strained with frustration and barely audible.

He watches you like a predator stalking his prey, eyes never leaving your face. Smack!

His hand connects with your ass again, a low hum of appreciation at the mewl leaving your kiss-bitten lips at the pain and filthy pleasure. Your ass stinging as much as your dripping cunt.

“...two.”

Apparently approving of your obedience, he dives back in with a low growl. Burning his face between your thighs, because fuck oxygen - breathing couldn’t compare to how sweet you were on his tongue.

Lapping up your sensitive folds, scar rough against them, teasing. Edging your climax and your sanity like the merciless bastard he was. Smack! 

“Hah- ah! Two- Oh, jus’ like that-” Broken, raw moans escape your lips as he continues his torture. Ah, he loved this view. The people’s princess, so teary and falling apart because of him.

In the obscenity of it all, thick fingers stuff themselves in your cunt. The lack of preparation makes you squeeze around Toji’s tongue as they pump into your sloppy hole relentlessly. In and out in and out- 

Smack!

“Th-three- hngh-”

Purposefully missing that one spot Toji knew would have you seeing stars. You haven’t earned that yet.

Blood rushes straight to his cock as you throw your head back, letting out a strangled sob. “Daddy, let me cum. Wanna cum on your tongue. Ah-” Oh, you clever minx, knew exactly what made his leaking cock throb with need. For that you get two sharp smacks on each cheek. 

“F-four. Five.” you’re in tears at this point. Delicate little streaks down your cheeks to where Toji had his face buried in your cunt.

“Tha’s right, princess.” Toji praises, voice thick with desire and sending vibrations that make your walls clench. “Tell me how badly you need it.”

Body convulsing uncontrollably around his hot tongue, pushing you closer and closer to the edge - only to reel you back again. Denying you. Chipping away at your sanity bit by bit. A hand reaches to grab a fistful of his silky black locks, tugging needily - and you get punished accordingly. 

Smack! Smack! Smack!

“E-eight! Hngh- please.” 

“Please!” you moan, voice raw with need and desperation. Finally breaking for him - being pushed this far with anyone before. “Please, let me cum. Please please wanna cum-.” Close. You were so close that it hurt.

Ever the merciful man, he forgives this little transgression. Only continuing to cup your sore cheeks possessively, hands mapping the expanse of your heated skin.

“Please, Daddy.” you choke, a broken whisper. Now exhausted, knees weakening, it’s all you can do to not collapse on the floor, Toji’s strong hold on your hip to control you being the only thing holding you up.

Several things happen at once. You barely even feel the final two, sharp slaps - too far gone to register anything other than the rough thumb pressing on your sensitive clit. Hard. 

And then you’re cumming. 

Body convulsing and bowing into him, crying out raw moans of Toji’s name as you cream around his tongue. Your vision blurs at the edges, grip searing on Toji’s hair, tangling in the soft strands and pulling him impossibly closer to ride out your high on his pretty face. 

White-hot pleasure courses through your entire body, thighs quivering delicately around his face as you chase peak after peak. 

As the stars behind your eyes disappear into nothingness, you’re left limp and boneless, held up against the wall with a single, muscled hand.

Toji - ever the gentleman, supports you with a steady arm before you slip down the wall, valiant knees finally giving out. 

Blinking your vision back, you catch a glimpse of his achingly hard erection. Straining painfully against his trousers, a dark patch right where his thick head was. And despite your severely fucked out state, your mouth still waters.

Obviously catching your line of sight, he adjusts his uncomfortably tight pants. Steering your still-lustfully delirious self to the bed. “You were such a good girl f’me, princess. Let’s stay that way, hm?”

You blink up at him, confusion clouding your mind. Did he just compliment you? You must be mistaken. 

But as you look into his eyes, you see a genuine twinkle of fondness mixed in with the desire that makes your skin burn. A heady combination. One that makes your mind spin, even as you’re carefully placed on the soft bed. Even as he swiftly closes the door with a low whisper of “Rest now, you’ve got a busy day tomorrow.” leaving no room for argument.

Sinking into the soft mattress, a strange surge of euphoria rushes through you as you realize two things:

Nothing would ever be the same. 

It was going to be your personal challenge to make Toji Fushiguro crack. 

Heart racing, feet thumping tersely against the plush carpet, for perhaps the first time in years, Fushiguro Toji is taken aback. The heavenly sight of you falling apart underneath him searing into his brain. Something coiling uncomfortably in his stomach, rushing all the way to his throbbing dick. But, right now, the only thing he’s thinking of being to fucking find somewhere to fuck his fist to the memory.

---

Your third night in Tokyo was a whirlwind of lights and camera flashes. And yet, in the midst of it all you still escaped - this time with Toji - claiming “security talks”. Pulling him into an abandoned green room, your glossy lips capture his with searing passion. Pulling away teasingly, breathless, only once you were sure you’d kissed him silly and achingly hard. And promptly skipping away to bother your make-up artist.

Ah, yet the stubborn bastard still didn’t crack.

It’s in Melbourne where you learned that Toji was much more than just a bodyguard. Finally bothering him enough to join you out rather than shadow you for the first time. Dragging him to a tiny karaoke booth tucked away in a dimly lit corner of town, belting out your favorite tunes to him while he leaned against the wall with his arms crossed. And if you caught a small smile tugging at the corners of his lips, well, neither of you said anything. 

Your glittering heels were placed teasingly in his lap, chattering away as he drove you two back, your favorite pastime as of late. A silent dare, almost goading. His steely gaze trained on the bustling road and that one annoying blue car trying to swerve him. 

“So, Toji, in your military stint ever tried to sneak away incognito but wear a disguise so bad you end up on the front page?”

He chuckles, eyes flickering down at your feet resting comfortably on him. “Can’t say I have, but I once mistook a high-ranking officer for a recruit. Had him doing push-ups before I realized my mistake.”

You burst into laughter, sound echoing in the car. Feet brushing against him right there - just a little accident, right?

But it takes until Paris for you two to break.

In the chic confines of your favorite studio in Nanterre, the scent of freshly brewed coffee heavy in the air, you find yourself chattering away on call with Gojo Satoru. His voice crackling through the speaker amidst the glow of studio lights.

“That beat you sent is pure magic, Satoru. It’s perfect!” you hum, excitement bubbling in your voice as you bob your head to the soft music playing in the background. 

Satoru’s response is immediate, enthusiasm matching yours, “See, what did I tell ya. Can’t wait to see what you’ll come up with. You sure I get no sneak peaks for this secret lil’ project of yours?”

“Absolutely not.”

“Thought so, but anyway, how’s the City of Love been treating you, darling?” he teases.

You laugh, rolling your eyes playfully, “Please, Satoru. You know I’m too busy dodging Toji for any of that.”

Satoru chuckles knowingly on the other end of the line, “Ah yes. From what happened last time, I imagine he’s been a welcome distraction, huh? Hey, is his dick really as big as his BDE is?”

“Oh fuck off.” you scoff, heat rising to your cheeks. “And for that, I’m leaving.” 

Swiftly ending the call, you cut off Satoru’s protests. Slight embarrassment coursing through your veins at how apparently obvious you two had been. A strange pang of longing flickers in your chest as you realize you haven’t seen Toji all day - Nanami mentioned something about a security briefing for your closely upcoming Grammy performance.

You sigh at the irony of the situation - just when you thought you got that freedom you’d been yearning for so long, you find yourself wanting for that musclehead presence even more. 

Shaking your head, you turn back to your mixing console, ready to throw yourself into the music once more. Yet before you could, your phone buzzes with a new notification. A quick glance reveals that familiar contact name and a series of messages that have your cheeks flaring once more. 

Blind rat #4 🧿🧿:

You better not block me for this but is this secret project for that bodyguard? You whipped WHORE~~

LMAO JKJK IK you don’t write songs about other people.

Unless…

As that block button was tapped, it’s said that Satoru’s piercing shriek echoed across in all 23 wards of Tokyo - making the people fear an oncoming Godzilla attack.

“Damn Satoru.” you grumble, tossing your phone onto the leather sofa in the corner. “Always saying stupid thi-”

But as you turn around, your breath catches in your throat. There, standing in the doorway, is Toji. His presence filling the space, commanding attention with an intensity that sends a shiver down your spine.

“Toji?” you breathe, surprise mingling with a rush of conflicting emotions. “I didn’t expect the briefing to end so soon-”

“What’s this about that brat Satoru, princess?” he murmurs, voice low and gravelly. 

He raises his head to meet your gaze, and a jolt of electricity runs through your body. Oh, those eyes. Your skin feels heated in the crackling air. “Nothing.” you reply - almost suspiciously quickly - the words tumbling out in a rush, “Just Satoru being...well, Satoru.”

Toji’s lips twitch in a semblance of a smile, a hint of amusement glinting in his eyes among that carnal look. “I see,” he murmurs, taking a step closer to you. You have half the mind to step back - but why would you ever.

“Y’know, I didn’t think you still talk with that white-haired clown.” his minty breath fans your face, darkened eyes searching yours. And you can see the question forming in them before he even asks. “You still plan on fuckin’ him when you go back to Tokyo?”

And usually you’d bristle. Usually, that hardened part of you that never takes shit would rear her head and give Toji an earful. Usually. But right now, a dangerous idea was taking root in your head. 

Heat rushing to your core at the look in his eyes that said he wanted to devour you alive, you simply tilt your head coyly. 

“So what?” A smirk playing on your lips, “Gonna do something about it, daddy? Or are you just gonna leave me all hot and bothered like you have-”

Your back hits the leather sofa before you even realize what is happening. 

Bouncing at the sheer force of his throw, you let out a yelp of surprise. Skirt riding up, legs splaying out so sinfully for him. 

The cushion dips as he looms closer, approaching you unhurriedly like a predatory closing in on its prey. A dangerous little smirk playing on your lips, you spread your legs wider, inviting him in. A carnal part of you relishing in the way his eyes can’t seem to decide between your soaked panties and the way you bite your lips so coyly.

“If you’re that desperate, then you’re gonna get it, my lil’ slut” 

He’s on top of you now, tongue hot against your neck, leaving heated, open-mouthed kisses down to your collarbone. You yelp as sharp teeth dig into the soft skin. Hands exploring every inch of you, desperate for more - and you’re no better.

Sharp nails digging into that sinfully tight t-shirt, all but tearing it to shreds. Your mouth waters as it hits the floor, Toji’s chiseled body on full display. Your eyes greedily take in every curve and dip, hands reaching out to grope the toned skin. Pulling. Teasing. Not enough time in the world to savor the Adonis that was Toji Fushiguro.

His hands were pulling up your shirt haphazardly. Bunching your panties with two fingers, pulling down down down till your cunt was bare and spread open so shamefully for him. “Shit, so wet n’ ready. This for me or that brat, huh?” he grunts cruelly, lowering himself beside you to murmur in your ear.

“Now, on your knees, princess. Be a good lil’ slut for me and don’t make me wait.”  breath hot against your ears, making you shudder so sinfully. It made him want to eat you alive.

You consider disobeying him, just to face his delicious punishment. But that predatory look in his eyes has you immediately dropping to the ground in front of him.

Your hungry gaze takes in the heavenly sight before you. Legs spread, eyes half-lidded, pants pulled down just enough so that his heavy, leaking cock bobbing enticingly in the air. 

Eyes widening, your cunt clenches in both fear and anticipation. Shit, maybe this was why he was holding back. 

He was big. Ridiculously big, and rock-hard. Furiously red with thick veins running down the side, glistening with precum.

“C’mon now, if you’re gonna act like such a slut then learn to take it like one, princess.” Saliva pools on your tongue, warm as it hits Toji’s thick tip, achingly hard. A carnal part of you relishes in the low hiss that leaves him. 

Your tongue snakes out, unable to hold yourself back any longer. Swiping at the droplets of precum pooling on his tip. The sinfully salty taste explodes on your tongue, sending shocks of pleasure right to your cunt.

You feel his intense gaze on you as your mouth wraps around his thick head, inching down slowly. Stretching your lips obscenely, filling you up in ways you never thought were possible. 

Your breath gets caught in your throat as he pulses in your throat. It was overwhelming and everything you wanted to be doing right now.

Ah, but you should’ve known by now. Should’ve realized as your teary eyes look up to meet the dangerous glint in his. 

With a feral groan, his hips thrust forward. You were too slow. 

Hardening impossibly at the way you choke and gag around him, tears springing to your eyes. Using you in a way that was so debauched. “Hah- Fuck. love it when you sing, princess, but you look better choking on my cock.”

Your nose was buried in his pubic hair now, wet with saliva and precum. His heady, masculine scent filling your senses. Toji’s thrusts were jerky, desperate. 

Grip searing on your scalp, Toji uses it as leverage as he fucks your face till his tip hits your poor, abused throat. Moving you up and down on his cock with mindless need, hips rutting with reckless abandon.

Yet, you wanted more. Needed more. More more more. You wanted to feel him deep inside you, splitting you open, making you come harder than you ever thought possible.

And you’re guessing it showed on your dazed eyes. Because a broken, dangerous laugh leaves him. His grip on your hair intensifies, pulling your head back roughly until your eyes water. “More? You want fucking more? Then prove it.” 

Toji’s thrusts increase in speed, his raspy grunts becoming louder and louder as he rams his cock deeper into your mouth, your pussy throbbing in response.

You moan around his erection, unable to form coherent sentences due to his length stretching your throat. 

Without hesitation, you reach up and grab his balls, massaging them firmly as you suck him deeper. Pressing right in between that one spot you knew would make him see stars. Pressing tight little circles. Over and over-

An appreciative groan leaving him, Toji’s thrusts become erratic. Movements growing frantic. “Fuck, Fuck, princess, you're going to be the death of me,” he curses, his voice strained.

You rub your thighs together desperately, relaxing your throat more, refusing to let go. Desperate to taste him, to experience the blissful agony of his seed painting your mouth. But when has Toji ever let you have your way? Never, that’s when.

Instead, he yanks your head back, pulling you off his cock with a rough, almost cruel motion. Your lips pop free, leaving his sensitive head exposed to the cool air. Gasping for breath, your chest heaves as you try to regain your composure.

Before you can even register what's happening, Toji pulls you into him, forcing you on your hands and knees. Large hands grasp your waist, holding you firmly in place. “Face down, ass up. You’re going to take it like a good little slut.”

Delicious goosebumps erupt down your spine. Licking a long, languid stripe down your back along them as you position yourself before him, Toji couldn’t help but huff out a dangerous laugh at your sinful gasp.

Mouth watering at your glistening cunt, clenching so pathetically around nothing, Toji pools your juices on two of his fingers. Promptly pushing them into his mouth with a lewd pop! groaning at his favorite taste. “Next time, I’m gonna eat out your pretty lil’ cunt while you suck on my cock, princess.”

“Please, daddy. Anything.”

Fingers circling your wet entrance, your words were music to Toji’s ears. Music that mingles with your needy, disappointed whine as he abruptly pulls away. But that doesn’t last too long - with low hiss, he buries his throbbing cock into your dripping cunt with almost no preparation.  

You keen at the stretch as he presses in - deliciously painful, boderling insane, and exactly what you wanted right now. Splitting you apart on his throbbing cock. 

Toji was hot and throbbing agonizingly inside you, each little bump bump bump sending white-hot pleasure down your spine.

“Ah- are- are you all the way in, daddy?” he hears you whimper, voice tinged with helpless desperation. Huffing out a laugh, Toji’s greedy gaze catches on the obscene sight of you sucking him up so sinfully below. “Not even close, princess.”

Pushing in shallow, determined little thrusts that have your hot cunt enveloping him deeper and deeper. Cock hardening impossibly at the soft ah! ah! ah! leaving your mouth each time he rams into you. If you wanted it so bad, you were going to get all of it. A hoarse groan leaves him as his heavy balls meet your twitching folds, fat tip kissing your cervix - finally bottoming out. 

Now, Toji knows he’s big - takes pride in it, in fact. But he’s never been more proud of the fact than right now, hungry gaze taking up the way your eyes widen in shock, snug walls clenching down with the struggle to accommodate him. 

“You alright, princess?” he taunts, voice thick with satisfaction as he watches your face twist with a mix of pleasure and pain. “Can’t your slutty lil’ pussy handle my cock?” Tell me, he as big as me? 

And, of course, you snap back - because you’re mouthy even when you’re whining around his thick cock. Ah, next time he’s gotta make you choke on it for longer. 

“Fuck you, daddy.” your response is a feral growl, hips desperately trying to fuck back into his. “If you’re not all talk then fuck me like you want to already.”

Smack! 

A sharp slap stinging your cheek, you groan in response as absolutely raw, carnal fucking need courses through Toji’s veins. Intoxicating him. Oh, he was going to ruin you. Grinning cruelly, he utters “Then take it. And don’t fucking complain.”

With that, he begins to move. Not easing in, ramming into you with animalistic efficiency. Your ass stinging as each thrust has his hips meeting yours brutally. Toji’s pretty sure his hips were out of control at this point, high off your teary cries of pain and pleasure. That cluttered studio heady with sex and pure, animalistic desperation.”S’good- ah! S’too much-”

Smack!

There’s no going back now. Toji fucks you in a way that makes you feel so deliciously filthy. Plunging into your heated cunt with no restraint. Thrusts positively savage. Every inch of him fills you, stretching you beyond your limits, and you love every painful second of it.

Vision blurring at the edges, you reach out a hand to grab the armrest for stability. Body jerking with each movement, his bruising grip on your hips the only thing keeping you from being fucked off the sofa.

“Who’s fucking ruining you like this?”

“You! Jus’  like that. Fucking ruin me, daddy.” Legs shaking uncontrollably, arching impossibly deeper onto his throbbing cock, you whine each time his length slides in and out of your swollen folds. “Harder…please, harder.” you plead, fucked out.

For perhaps the first time, he obliges, increasing his speed mindlessly. God, you were sure both of you were about to explode any second now. 

Fucked out of your mind, you barely register the muscled front pressing into you, abs rippling against your back. Large hands snake from your hips, leaving deep, purple marks for you to remember him by. 

Smack! 

Another handprint on your ass, as you frantically move your hips to meet Toji’s unforgiving cadence. Sensing your urgency, one of his hands finds itself on your throbbing clit, drawing methodical, harsh circles on it. Pressing just enough to have you seeing stars being your eyes. And the other - digging into your neck.

Your frantic moans choke in your throat, feeling fucking delirious off both the change in angle and the hand around your throat. Eyes flashing at the lack of air and the blood roaring in your ears - and Toji. 

“Open your mouth, princess.” he grows, voice dangerously close to your ears, cock still driving into yours with brutal precision. The intensity of the moment - electric. 

Mindlessly, you comply, tongue lolling out so lewdly. That’s when he does it - without warning, he spits into your open mouth. Once. Twice. Three times.

Steady stream of saliva slightly missing your face - on purpose, you absentmindedly realize - as it dribbles over your kiss-bitten lips and down the side of your face. A marking. 

“No one else gets to fuck you like this, princess.”

Hot on your tongue, sliding down to your throat. He tasted of such sin, it made your cunt clamp down hard.

“Now, what do good girls say?” he grits out, through clenched teeth. The absolute insanity in his voice matching the frenzy coiling inside of you.

“Thank you, daddy.”

You reach around to capture his lips with yours, nails digging into his neck hard enough to draw blood - a marking of your own. White-hot ropes of pleasure making you gasp into his lips - tender where his cock was unforgiving.

In the lewd haze of the moment you’re dimly aware of Toji’s body shuddering above you, throbbing cock twitching deeply in your pussy.

“Oh, fuck! M-hah- M’cumming, better take every drop like my good lil’ slut. Fuck.” 

You flinch as he groans ragged profanities into your mouth. Tight balls squeezing painfully as he cums with a loud groan of your name. Thick, hot ropes that paint your walls white. Two large arms wrap bruisingly tight around your waist, veins popping out as he crushes you impossibly close to him. Toji’s hips not giving up their torture on your abused, awaiting cunt, pumping his seed deeper and deeper. 

Full. You feel so full. And so, so complete. 

You can feel such an obscene mix of your slick and his cum mapping down your legs every time his hips slam into yours. Dripping onto the cushion, pooling at the sofa in a way so sloppy, you knew you’d have to scour online later for a replacement.

Stomach now feeling uncomfortably inflated and hot, vision blurry, you collapse onto the cushion. The last of your strength leaving you with the orgasm that you’re sure fried your brain. You mewl at both the sensitivity and the sudden emptiness as Toji pulls out with a wet pop!

A rush of cum gushes out of you, drenching both you and the cushion below. Limp and boneless beneath him,  you let out a sigh at the heat of his release seeping into your skin.

A soft silence fills the room like a lullaby. Everything feels so heavy. So dizzying and so warm. You barely register the strong hands lifting you gently towards the direction of the bathroom. The only thing on your mind being Toji and what a privilege it was to fall asleep in someone’s arms. You wouldn’t really mind this every night…

And in the dim lighting of that heady studio, fucked to sleep and covered in sweat and his cum, Toji thinks you’ve never looked so beautiful.

His heart lurches as he realizes - in all of Paris, the one sight he wants to look at is you. His pretty popstar.

---

“For the last time. I don’t do celebrities, especially not spoiled pretty popstars.”

Undeterred, the blond man leans forward in his chair, his expression indiscernible behind those glasses. “We’re told you’re the best of the best, even from ex-military. And if money’s the issue then I’ll double- no, triple whatever you’re making right now.”

Jaw tightening, skepticism dripped from his words. “All this for some celebrity drama?” 

“Fushiguro, we’re talking big people, and even bigger money. And a girl’s life in genuine danger on top of it all,” a hint of desperation creeping into words that cut through the tense air. 

“Genuine danger, huh?”

Toji runs a hand through his hair, questioning what the fuck he got himself into by opening the door for this human definition of a stick up one’s ass. Mind racing, eyes darting around the room, they catch yours - twinkling on the glossy cover of some magazine thrown haphazardly on the table. 

Traitorously, something prickly and uncomfortable settles in his stomach as the words ring in his ears. 

Genuine danger. 

Heaving out a sigh, he narrows his eyes at the man currently studying his reaction. 

“A year. That’s it. No more, no less. I don’t care if that prima donna princess of yours begs on her knees otherwise.”

But right now, your twinkling gaze set on him, lips curved into a blinding smile as you waltz through Los Angeles International Airport - as much as you could with your entourage - some small, raw part of him thinks he wouldn’t mind staying like this for a long, long time. 

LAX was probably one of your favorite airports. Not because of its size or architecture, but because of the thrumming energy of the opportunity to come. Namely, your Grammy performance.

Eyes slightly heavy, yeah, you were cutting it close - to Nanami’s ever-graying hair at the stress.  But hey - at least no paparazzi tipped off for your unexpected arrival.

You just couldn’t resist the temptation to push your departure off for a day. Taking the extra time to wander along the Seine with Toji, talking about everything from your new dance number for next month’s Madrid show to why Nanami was a masochist for staying in this industry, all the way to Toji’s military stories that even Hollywood couldn’t dream up. 

The setting sun casting a soft glow on both of your uncanny disguises - your choice of course. A newfound understanding crackling between you two.

And right now, his presence steadfast behind yours as you weave through the bustling terminal, you feel a rush of excitement at finally performing that little project you’d been working on. 

More specifically what Toji’s reaction to it would be. Would he love it? Would he hate it? Would he realize just what that inconspicuous voice memo you bothered him into was actually for? 

But then came the real test: would he realize just who it was for?

The thought made you smirk inwardly. Imagine Toji’s face when he puts two and two together. 

Turning around, you catch Toji’s eye, a mirthful glint dancing in yours. “So, Toji, ready to witness greatness at the Grammys?” you quip, tone playful as you bump shoulders with him. Of course, the man barely budges. 

He raises an eyebrow, smirk tugging at the corner of his lips. “As long as I don't have to wear a tuxedo, princess.”

“Aww, and here I was thinking we could match.” you whine. Though a chuckle leaves your lips, “And that reminds me…” you trail off as your voice drops to a conspicuous whisper.

Delighting at the playful sigh that leaves his lips as Toji leans down, allowing you to whisper words meant for only him. “You better reward me after my performance, y’know. I remember someone saying something about ‘eating me out till I cry’” 

“You won’t be getting any reward if you continue acting like such a slut, princess.” warm breath tickling your ear as he murmurs. 

“If the shoe fits.” you bat your lashes, mockingly innocent. 

“If the shoe fits then please get into the car. The driver’s here and the team are on their way.” Nanami’s no-nonsense voice rings out. Already sounding dangerously close to an impending stroke. 

“Yes, mother.” you quip, stifling your laughter as you step outside. It’s a short walk to your destination, the cool morning breeze greeting you as you head for your waiting car, just stuck behind some slightly-oddly parked blue car. 

Ah, that’s LA for you, you chuckle inwardly, walking towards it - that strangely familiar blue car. The one you’ve seen a few too many times these past few weeks in the corner of your vision. 

Strange.

Steps slightly speeding up, a cold sweat trickles down your spine. Unease prickling at the back of your mind, something tells you you’re being watched. And not in the way of paparazzi snapping a stray picture.

Subconsciously, you take a half-glance inside the car - time freezes. Heart immediately lurching into your throat at the sight.

There. 

The door swings open. 

A flash of blue hair, one foot out of that dreaded blue car - is him. You don’t know how you knew it was him. You don’t know how you knew he was there. The only thing being your eyes locked on that glinting knife in his hand. Winking mockingly at you in the morning sun. 

Gray eyes locked on yours, whirling with chilling maniacal intensity. The cool morning breeze feels icy against your skin as a primal fear claws at your insides once you realize the imminent danger.

Toji’s trained instincts kick into high gear, eyes locked with his. Positioning himself between you and the assailant, his hand reaches for the weapon concealed beneath his suit jacket. Only for them to stutter in midair as he realizes they’re still safely stored in his checked luggage. Unreachable. 

Shit. Clever bastard.

Nanami moves with a swift grace, eyes scanning the surroundings for any nearby law enforcement. 

Mahito’s lips curl into a malevolent smirk as he realizes the vulnerability, grip tightening on his knife as he takes a menacing step forward. The air so tense you found it hard to breathe.

“You.” the words ring venomously, panic surging within you. “You think you’re so high and mighty, huh?”

“Step back before you do something you regret, you freak.” Toji’s voice is steady, body poised for action. Eyes locked on every minute tremor of the knife in his hands.

His eyes wide and bloodshot, staring right into Toji - almost as if trying to look at you through him. “Little princess~” he taunts in an eerie sing-song voice. “Why did you leave me here all alone, I was lonely, y’know~ And this gorilla never left you alone, ah what a pain to follow you around. But I did it- of course, I did it for my princess.” 

Another step forward.

No one engaged with Mahito’s delirious rambles. Nanami’s hand was firm on your shoulder, whispering in your ear to get away. Now. 

But your mind was stuck on the words that cut through you like a knife - the knife that he was now slicing through the air in jagged, deranged motions. “She can’t leave. She belongs here with me.”

Before anyone can react, Mahito throws himself forward with startling speed. Glinting blade deadly through the air. You stagger backward, the world spinning in a dizzying blur of fear and desperation.

Toji springs into action with lightning speed, body lunging expertly. Hands deflecting the blade with a swift motion. Knife flashing mere millimeters away from his skin.

Yet Mahito continues struggling relentlessly. Each movement calculated and cold. Hand slashing at Toji as he ducks and weaves away, attempting to divert the attack away from you. 

The grip on your shoulder tightens, “Let’s get away now. While he’s distracted.” 

You’re being pulled away before you know it. 

Movements sluggish in the air thick with tension and fear. Your body is frozen, ice running through your veins. Nanami’s urgent hold on your shoulder moving you away. 

But your eyes remain locked on Toji.

On the way he swiftly tries to find an opening amidst the blur of movement, knife slashing away as if it were a game. You were fighting to look back now, body twisting against the one moving you away. Struggling to follow Toji’s powerful kick to Mahito’s midsection. The impact knocking the wind out of him, knife faltering. Yet rage still surging.

Hand coming down down down. Merciless metal meeting skin. Red-hot crimson flashing behind your eyes and staining the ground below Toji as he’s slashed viciously. 

It’s in New York that you meet Toji Fushiguro.

It’s in Los Angeles that you think you might lose him.

The sickening sound of metal against flesh echoing amidst the blood-curdling scream you don’t realize you let out. 

The sound making Mahito falter for the briefest millisecond, a flicker of hesitation flitting across his twisted features.

And it’s all the opening Toji needs. 

Launching himself at the man, colliding with a bone-jarring impact that has both bodies crashing to the ground. 

A deadly struggle, and despite Mahito’s fierce grappling - fueled by pure madness - he’s no match for Toji’s punishing blows. Every strike clear and calculated, pinning his flailing hands to the ground.

The screech of metal against gravel and distant footsteps ring in your ears, as Toji wrestles the knife from his hands. Glinting metal skidding away.

 For a fleeting moment, the world seems to hold its breath.

“You’re supposed to be with me.” Mahito's voice pierces through the din, voice hoarse and desperate. “I’m the one who’s been there for you ever since you stepped foot in that godforsaken agency. Me. It’s me.” he snarls. Eyes cutting into yours.

Takedown tightening, Toji pins his body tighter against the ground. “You don’t have the right to talk to her, you blue-haired freak. Be grateful we’re in broad daylight and I can’t rip you limb from limb for her.”

You release a breath you didn’t know you were holding as Toji’s strained yet still steady voice rings in your ears - in tune with the voices you’re now realizing were surrounding you. As uniform-clad figures rush into your circle of vision, you distinctly realize with a jolt that it’s over. 

Knees weakening in relief, you feel them hit the gravel. It’s all over. You feel light-headed - absolutely delirious. Vision blurring with tears and all you can see is red red red. 

Blood roaring in your ears, you miss Mahito’s shrieks as he’s restrained and escorted away. The only thing registering in your mind being the warm hand under your arm, pulling you up gently as if you were something so utterly precious. 

Toji.

“Are you okay, princess? Need me to loosen another one of that bastard’s teeth?” he rumbles slowly, slightly breathless. As you cling onto the words like a lifeline, a fresh wave of tears prick your eyes at his uncharacteristically careful tone.

“Are you okay?” you repeat, words heavy with remorse as you blink at the sight of that stark red against his t-shirt. A deep gash running along his side that left Toji vulnerable in ways you knew he would never openly admit. 

Seeing your shaken state, he lets out a sigh. Pulling you flush against his chest, careful to avoid his injury. “I’ll be fine princess.” he murmurs, quiet words strained and meant for only you, amidst the chaos in the background. You lean into his touch, reveling in the feeling of him being solid and whole and here. With you.

You think you could stay like that forever. 

Ah, but one can’t get everything they want. 

Nanami’s voice cuts through the fragile peace with his usual calm authority, “I've spoken with the authorities,” you whirl around to meet his exhausted gaze. “They’ve assured me that Mahito will be taken into custody, and measures are being put in place to prevent any future incidents.”

Eyes flitting between you and Toji, he continues, voice taking on a much softer tone. “There’s no need for you to attend the Grammys after all that happened, I understand and will contact them if you wish to stay here.” And with that, Nanami walks away to a nearby police officer, presumably to give a statement - but you knew better, grateful for the moment of privacy he’d given you two.

Right. The Grammys.

Part of you is relieved at the prospect of not having to pretend that everything is fine in front of the flashing cameras and millions of scrutinizing eyes. And the other part, well, you glance up at Toji. 

Wide eyes meeting those green ones. Unspoken questions swirling between you two like a whirlwind. Is it really over? What does that mean for us? Will you stay?

Please stay.

“I don’t want to go,”  you confess quietly, voice barely above a whisper. “I want to stay here with you, make sure you’re okay.”

Toji’s gaze softens, a hint of warmth flickering in his usually steely eyes as he brushes a stray lock of hair from your face. “My princess worries about me, hm? I’ll be fine.” he reassures, yet words weak from the pain. “Go out there and kill it.”

And in the delicate tension of it all you find it in yourself to arch your eyebrow skeptically, “Fine? You’re bleeding out, Toji. That doesn’t exactly scream ‘fine’ to me.”

“I’ve had worse, I promise. Worst case scenario I track that freak down and break his arm.”

You let out a watery laugh as Toji leans down, hot breath fanning your face. His lips brush against yours in a tender kiss. A silent reassurance. But just as quickly as it began, he pulls back with a playful bite to your lower lip.

“Now go. Blow the overpriced silk pants off of all those overrated snobs. Trust me.”

You almost bristle at his words, but that twinkle of fondness in his eyes made all your inhibitions melt away - involuntarily, of course. Throat tight, you give an affirmative nod. 

Now, Toji always did delight in catching you off guard. But right now, ignoring the fussing EMTs, watching you be hastily ushered away by your team - the words tumble out before he can stop them. 

“Oi, princess.” he calls out, voice carrying over the chaos. “I love ya.”

And as he watched you trip over nothing but thin air, a lightheaded chuckle leaves him - maybe it was the bloodloss, probably it was that adorable look on your face. “Smooth, princess.” he laughs.

As you regain your composure and flip him off, promptly being whisked away by Nanami - who looks two steps into his grave already - Toji can’t help but feel a sense of pride swell within him. “Tha’s my girl,” he mutters to himself, a rare gentle smile tugging at the corners of his lips.

---

“Ladies and gentlemen, music aficionados around the world. It is my pleasure to announce our next performance, a star who needs no introduction. Get ready to witness the talent, the charisma, and the sheer audacity of the one, the only-.”

Cameras flashing. Cheers roaring, The anticipation electric as your name echoes through the auditorium, the audience’s excitement reaching a fever pitch as you take to the stage.

“Buckle up, darlings, because this is ‘Government Hooker’!”

---

“They don’t call you pop royalty for nothing, huh? You're going to take over the charts with that one!”

“Girl, who was that sexyass voice in that song? Drop me his number if you aren’t already with him.”

“Stunning as usual, huh?”

The whirlwind of congratulations and praise envelop you back at the Grammys afterparty. Your hand throbs from being clutched so tightly, and you can’t help but smile at the adrenaline and euphoria thrumming through your veins, washing away most of what happened earlier today. Yeah, you killed it.

But as you navigate through the crowd, exchanging pleasantries and posing for photos, a nagging part of your mind keeps returning to Toji. Red, red to match your gown. He should’ve been here with you tonight. 

Nodding and smiling along at the compliments, you find yourself drifting away from the bustling center of the party. Constantly checking your phone for any updates other than Nanami’s “He’s alive.” text from a few hours ago.

Ah, there it is.

Finally reaching the exit, goosebumps erupt along your skin as you step out into the chilly night air. You’re momentarily blinded by the barrage of camera flashes from the waiting paparazzi outside. Their shouts merging into an indistinguishable cacophony. 

Yet, you push forward, determined to reach your awaiting car.

Just as you approach the curb, a sleek black Rolls-Royce pulls up beside you, tinted windows shielding the figure inside. God, you gotta remember to give Nanami a raise.

Swiftly sliding in, “Nanami you wouldn’t believe-” 

“I’d hope I don’t look anything like that walking resignation letter.” 

Your eyes widen in disbelief as you turn towards the figure seated beside you, and there he is. Toji.

All signature smirk and twinkling eyes despite the bandages wrapped tightly around his torso.

A gasp leaves as your eyes catch on them, a million thoughts running through your head at once. “Wait, what are you even doing here- You’re hurt, are you even okay- Should we call the ambulance? Those look like-”

“Woah woah, slow down princess. I’m clearly alive, hm? Why, shouldn’t your muse be there to personally pick you up?” he chuckles. “Besides, you killed it out there. That shit was playing was all that every radio was playing for the last hour.”

You can’t help but laugh at his teasing tone, relief flooding through you at the sound of his voice. “Well, you are the exception.” Reaching over and gently cupping his cheek, that small scar was rough against your thumb.

Leaning in, bathed in the soft glow of the city lights, you take in the way his eyes crinkle at the corners when he smiles, the way his hand rests protectively on your thigh.

“Thank you.” you whisper, breath hot against his lips. And though you don’t specify for what - both of you know. Both of you understand. Your lips meet his in a lingering kiss, he tastes of mint and the anticipation of something new and freeing. 

Pulling away slightly, his gaze meets yours with a rare little vulnerability. “Always, princess.” A raw second of silence.

One. Two. Before a smug smirk curls his lips, hand squeezing your thigh. “Now, I remember someone wanting to be eaten out till she cried as a reward?”

You can’t help but roll your eyes, “Oh yeah? Right here, right now?”

“Think we’ll make the front page, princess?”

“I know so.” 

It’s in New York that you meet Toji Fushiguro.

It’s right now, giggling amidst the chaos of flashing cameras and forgotten afterparties, that you think you just might love him.

A/N. Actually frothing at the mouth I want him so bad y’all. Also, reader isn’t Lady Gaga, I just think the song fit.

Reblogs so, so appreciated.

Plagiarism not authorized.

[hussyknee]

People seem to think this is fake because it's written in English. Apart from the racism in believing that Arab doctors and nurses aren't fluent in English (a second or official language for half of Asia), Palestinians have deliberately been addressing their audience in English on every social media, from journalists to children, because they know speaking English to Westerners immediately makes people more human in their eyes. Because language is one of the ways the imperial cultural hegemony conditions us (yes, everyone in the world) to see who qualifies as "people" and who are simply a mass of bodies who were always made to suffer and die. Gazans know this deeply, which is why they have been using English to beg and plead through social media, "We're not numbers! We're not numbers! We're people like you, we speak your language, we deserve to live!" all the while they're systematically slaughtered.

Israeli forces also encircled Al Shifa Hospital yesterday and bombed it for several hours while shooting dead anyone trying to flee including medical staff moving between buildings. Not sure whether it's still continuing because WHO lost all communications with its staff there a few hours after. The last new report said that thirty-nine babies had been removed from the incubators before the power went out. It's extremely unlikely they will survive.

Please understand that these atrocities depend on the war of attrition between governments and public attention. The momentum of public outcry is difficult to sustain through repeated stonewalling and bureaucratic intractability. When we're flooded with these reports and a sense of futility and despair replaces the anger, it allows compassion fatigue to set in and the violence to become normalized. Massacring hospitals, killing sick children and openly targeting humanitarian aid workers (Netanyahu just declared the UNRWA is in league with Hamas) will become simply more news articles that fade into the background, and open genocides will soon become part of the "lesser evil".

Take care of yourselves how you can, take distance where needed, but please never tune out and give up on the two million people for whom we are the only witness and hope. Never stop boosting and sharing the news and posts you find, never stop getting out there and joining every protest you can, however small. Anger burns out, which is why activism must depend on an immovable sense of justice and uncompromising value for human life. It's not just about Gaza, it's about the kind of evil our generation will be coerced into accepting as unchangeable and inevitable hereafter.

[evilminji]

Okay but? We of the DPxDC? Are COMPLETELY Sleeping on DPXBNHA?

And not even for the Main Plot Shenanigans!

Just?? It has ALL of DC's super powers? But MORE OF THEM. And like 80% of the population has um! Danny can?? Finally achieve his DREAM of being???

JUST SOME DUDE™!

Yeah, he's in Japan. That's a bit of a learning curve. And YEAH, there was a cataclysmic war like a few centuries back that sorta... fucked everybody up. No one wants to talk about it. There may be mass graves and Never Forget memorials. But?

On the SURFACE!

This place seems utopian!

No ghost hunters! Advanced technology! Robust social services*!

Wait... what was that asterisk? What do you mean "corrupt shadowy government organizations"? What do you MEAN "Immortal Supervillians"? NO SPACE PROGRAM!?!? AaaaaAAAAAAAAAAH?!?!? I'M IN HELL!!! This is ACTUALLY THE BAD PLACE, THIS IS HELL, OH GOD NOOOOOOO-!!!!!!

Cause see?

There are SO MANY REASONS he'd end up there?

Think about it! Wish that he lived somewhere his weird biology wouldn't exclude him from becoming an astronaut? In Quirks having Bnha Japan EVERYBODY has weird biology! Y'ain't special! You could TOTALLY be an astronaut!..... if we HAD those! We do not. Shut down that program during the Quirk Wars and never really started it again. (And somewhere, Desiree LAUGHS)

Or MAYBE? Things are getting a little hot on the ground? Bit TOO spicy. The Family Fenton and Friends have fallen back, behind the barely holding shields. Not even the Mansons considerable political maneuvering could stop the inevitably of human fear and blind unthinking hatred. Money can't buy everything, in the end. There is only ONE(1) way out.

Through the Zone.

Plan: Strangers In A Strange World is a go.

They're all Limnal enough to fake it. Sam with her plants. Tucker with his technology and persuasion. Jazz with her limited empathy. Their parents with their... well, weirdness. And with a touch of ghostly assisted meddling? Well, they've always BEEN there! Haven't they?

And that's not to MENTION the random 4 year olds with no control! JUST coming into their powers! With all those big emotions in tiny bodies? Startling events and tantrums? Villian attacks? What could THEY possibly hope to do to control or guide that fresh new power? It does what it does and the rest of us are just along for the ride!

If Danny happens to be minding his business and gets accidentally kidnapped by a VERY distraught 4 year old? Well, that's hardly the KIDS fault, now is it? They're FOUR! That is basically a toddler! Tiny child! They are upset, confused, and didn't mean to do ANYTHING. He's a hero. And Heros don't blame little kids from accidents, no matter HOW stressed it makes them.

No, the curse like a sailor INSIDE their head. Like an ADULT.

Just? Imagine~☆

The slow transition from *starry eyed shoujo sparkles* "This is SO COOL~!" to "huh, that's... kinda weird. And Sus. Weird Sus. Maybe nothing... oh! A distraction!" To "okay, this KEEPS happening, that was shady. You all saw that right? You realize that's not NORMAL, right? That that's fucked up? Not cool?" To "oh god, oh God, OH GOD! I'm in HELL! This is actually HELL! I'm trapped in HELL!!! WHAT THE FUC-"

Like? This kid LOVES space. LOVES the stars. And this is one of the few Superhero Cannon that SPECIFICALLY MENTIONS that IN CANNON? Thanks to Quirks? As in Superpowers? That VERY THING got fuckin SCRAPPED. Gutted. Consigned to be a relic of the past so they could all focus on punching each other Real Good.

He would weep BLOOD. Chew the WALLS. The LEVEL of unhinged this child would unleash? Not as Danny Phantom... but as DANNY J. FENTON? Beautiful. Vaguely psychotic. Definitely doing the Fenton Name proud. God, the NOISE HE WOULD MAKE would be inhuman and yet somehow? Come entirely from his human half.

They👏 Would👏 Hear👏 BOSS👏 MUSIC👏

I don't even know if he'd CARE about the main characters. They'd be tangential at best. The man would be in a one man war with I-Island over their lack of space program and hoarding of scientific progress. Probably living out of an abandoned building or forgotten subway station. Just? The MOST bedraggled, feral genius to ever haunt Japan.

As opposed to the REFINED feral genius. Who is Nedzu.

I bet Danny stands outside his school at one AM waving his scientific papers at a camera and YELLS. Like a deranged lunatic. Mismatched slippers and a "haven't slept in a week" crazed glint in his eyes.

He's Nedzu's new best friend. They GET each other.

And, yes, Nedzu COULD let him in... but it's faster to just let him yell and read the papers through the camera. Who CARES if they both seem insane! Let's shout about advanced physics and engineering at 1 am! Over the speakers!!! Oh? You need to physically SHOW me the notes? Well I COULD unlock the gates... OR just wait for you to finish scrambling up the walls like a feral Racoon, to then throw yourself OVER them.

Either, Or.

I'm just SAYING! We are SLEEPING on this! There is so, SO much fun to be had! Danny breaks rules and minds! His outrage over injustice and the complete lack of SPACE! His protection instincts going BUCK FUCKIN WILD. The INDESCRIBABLE hate boner he would have for Mr. "Lemme just rip parts of your soul out so I can collect your powers like pokemon cards" AfO.

There? Is SO MUCH, guys. SO MUCH!

@hdgnj @the-witchhunter @babbling-babull @hypewinter @nerdpoe @lolottes @dcxdpdabbles @mutable-manifestation

[mostlysignssomeportents]

The true, tactical significance of Project 2025

TODAY (July 14), I'm giving the closing keynote for the fifteenth HACKERS ON PLANET EARTH, in QUEENS, NY. Happy Bastille Day! NEXT SATURDAY (July 20), I'm appearing in CHICAGO at Exile in Bookville.

Like you, I have heard a lot about Project 2025, the Heritage Foundation's roadmap for the actions that Trump should take if he wins the presidency. Given the Heritage Foundation's centrality to the American authoritarian project, it's about as awful and frightening as you might expect:

https://www.project2025.org/

But (nearly) all the reporting and commentary on Project 2025 badly misses the point. I've only read a single writer who immediately grasped the true significance of Project 2025: The American Prospect's Rick Perlstein, which is unsurprising, given Perlstein's stature as one of the left's most important historians of right wing movements:

https://prospect.org/politics/2024-07-10-project-2025-republican-presidencies-tradition/

As Perlstein points out, Project 2025 isn't new. The Heritage Foundation and its allies have prepared documents like this, with many identical policy prescriptions, in the run-up to many presidential elections. Perlstein argues that Warren G Harding's 1921 inaugural address captures much of its spirit, as did the Nixon campaign's 1973 vow to "move the country so far to the right 'you won’t even recognize it.'"

The threats to democracy and its institutions aren't new. The right has been bent on their destruction for more than a century. As Perlstein says, the point of taking note of this isn't to minimize the danger, rather, it's to contextualize it. The American right has, since the founding of the Republic, been bent on creating a system of hereditary aristocrats, who govern without "interference" from democratic institutions, so that their power to extract wealth from First Nations, working people, and the land itself is checked only by rivalries with other aristocrats. The project of the right is grounded in a belief in Providence: that God's favor shines on His best creations and elevates them to wealth and power. Elite status is proof of merit, and merit is "that which leads to elite status."

When a wealthy person founds an intergenerational dynasty of wealth and power, this is merely a hereditary meritocracy: a bloodline infused with God's favor. Sometimes, this belief is dressed up in caliper-wielding pseudoscience, with the "good bloodline" reflecting superior genetics and not the favor of the Almighty. Of course, a true American aristocrat gussies up his "race realism" with mystical nonsense: "God favored me with superior genes." The corollary, of course, is that you are poor because God doesn't favor you, or because your genes are bad, or because God punished you with bad genes.

So we should be alarmed by the right's agenda. We should be alarmed at how much ground it has gained, and how the right has stolen elections and Supreme Court seats to enshrine antimajoritarianism as a seemingly permanent fact of life, giving extremist minorities the power to impose their will on the rest of us, dooming us to a roasting planet, forced births, racist immiseration, and most expensive, worst-performing health industry in the world.

But for all that the right has bombed so many of the roads to a prosperous, humane future, it's a huge mistake to think of the right as a stable, unified force, marching to victory after inevitable victory. The American right is a brittle coalition led by a handful of plutocrats who have convinced a large number of turkeys to vote for Christmas.

The right wing coalition needs to pander to forced-birth extremists, racist extremist, Christian Dominionist extremists (of several types), frothing anti-Communist cranks, vicious homophobes and transphobes, etc, etc. Pandering to all these groups isn't easy: for one thing, they often want opposite things – the post-Roe forced birth policies that followed the Dobbs decision are wildly unpopular among conservatives, with the exception of a clutch of totally unhinged maniacs that the party relies on as part of a much larger coalition. Even more unpopular are policies banning birth control, like the ones laid out in Project 2025. Less popular still: the proposed ban on no-fault divorce. Each of these policies have different constituencies to whom they are very popular, but when you put them together, you get Dan Savage's "Husbands you can't leave, pregnancies you can't prevent or terminate, politicians you can't vote out of office":

https://twitter.com/fakedansavage/status/1805680183065854083

The constituency for "husbands you can't leave, pregnancies you can't prevent or terminate, politicians you can't vote out of office" is very small. Almost no one in the GOP coalition is voting for all of this, they're voting for one or two of these things and holding their noses when it comes to the rest.

Take the "libertarian" wing of the GOP: its members do favor personal liberty…it's just that they favor low taxes for them more than personal liberty for you. The kind of lunatic who'd vote for a dead gopher if it would knock a quarter off his tax bill will happily allow his coalition partners to rape pregnant women with unnecessary transvaginal ultrasounds and force them to carry unwanted fetuses to term if that's the price he has to pay to save a nickel in taxes:

https://pluralistic.net/2021/09/29/jubilance/#tolerable-racism

And, of course, the religious maniacs who profess a total commitment to Biblical virtue but worship Trump, Gaetz, Limbaugh, Gingrich, Reagan, and the whole panoply of cheating, lying, kid-fiddling, dope-addled refugees from a Jack Chick tract know that these men never gave a shit about Jesus, the Apostles or the Ten Commandments – but they'll vote for 'em because it will get them school prayer, total abortion bans, and unregulated "home schooling" so they can brainwash a generation of Biblical literalists who think the Earth is 5,000 years old and that Jesus was white and super into rich people.

Time and again, the leaders of the conservative movement prove themselves capable of acts of breathtaking cruelty, and undoubtedly many of them are depraved sadists who genuinely enjoy the suffering of their enemies (think of Trump lickspittle Steven Miller's undisguised glee at the thought of parents who would never be reunited with children after being separated at the border). But it's a mistake to think that "the cruelty is the point." The point of the cruelty is to assemble and maintain the coalition. Cruelty is the tactic. Power is the point:

https://pluralistic.net/2022/03/09/turkeys-voting-for-christmas/#culture-wars

The right has assembled a lot of power. They did so by maintaining unity among people who have irreconcilable ethics and goals. Think of the pro-genocide coalition that includes far-right Jewish ethno-nationalists, antisemitic apocalyptic Christians who believe they are hastening the end-times, and Islamophobes of every description, from War On Terror relics to Hindu nationalists.

This is quite an improbable coalition, and while I deplore its goals, I can't help but be impressed by its cohesion. Can you imagine the kind of behind-the-scenes work it takes to get antisemites who think Jews secretly control the world to lobby with Zionists? Or to get Zionists to work alongside of Holocaust-denying pencilneck Hitler wannabes whose biggest regret is not bringing their armbands to Charlottesville?

Which brings me back to Project 2025 and its true significance. As Perlstein writes, Project 2025 is a mess. Clocking in an 900 pages, large sections of Project 2025 flatly contradict each other, while other sections contain subtle contradictions that you wouldn't notice unless you were schooled in the specialized argot of the far right's jargon and history.

For example, Project 2025 calls for defunding government agencies and repurposing the same agencies to carry out various spectacular atrocities. Both actions are deplorable, but they're also mutually exclusive. Project 2025 demands four different, completely irreconcilable versions of US trade policy. But at least that's better than Project 2025's chapter on monetary policy, which simply lays out every right wing theory of money and then throws up its hands and recommends none of them.

Perlstein says that these conflicts, blank spots and contradictions are the most important parts of Project 2025. They are the fracture lines in the coalition: the conflicting ideas that have enough support that neither side can triumph over the other. These are the conflicts that are so central to the priorities of blocs that are so important to the coalition that they must be included, even though that inclusion constitutes a blinking "LOOK AT ME" sign telling us where the right is ready to split apart.

The right is really good at this. Perlstein points to Nixon's expansion of affirmative action, undertaken to sow division between Black and white workers. We need to get better at it.

So far, we've lavished attention on the clearest and most emphatic proposals in Project 2025 – for understandable reasons. These are the things they say they want to do. It would be reckless to ignore them. But they've been saying things like this for a century. These demands constitute a compelling argument for fighting them as a matter of urgency, with the intention of winning. And to win, we need to split apart their coalition.

Perlstein calls on us to dissect Project 2025, to cleave it at its joints. To do so, he says we need to understand its antecedents, like Nixon's "Malek Manual," a roadmap for destroying the lives of civil servants who failed to show sufficient loyalty to Nixon. For example, the Malek Manual lays out a "Traveling Salesman Technique" whereby a government employee would be given duties "criss-crossing him across the country to towns (hopefully with the worst accommodations possible) of a population of 20,000 or under. Until his wife threatens him with divorce unless he quits, you have him out of town and out of the way":

https://www.google.com/books/edition/Final_Report_on_Violations_and_Abuses_of/0dRLO9vzQF0C?hl=en&gbpv=1&dq=%22organization+of+a+political+personnel+office+and+program%22&pg=PA161&printsec=frontcover

It's no coincidence that leftist historians of the right are getting a lot of attention. Trumpism didn't come out of nowhere – Trump is way too stupid and undisciplined to be a cause – he's an effect. In his excellent, bestselling new history of the right in the early 1990s, When the Clock Broke, Josh Ganz shows us the swamp that bred Trump, with such main characters as the fascist eugenicist Sam Francis:

https://us.macmillan.com/books/9780374605445/whentheclockbroke

Ganz joins the likes of the Know Your Enemy podcast, an indispensable history of reactionary movements that does excellent work in tracing the fracture lines in the right coalition:

https://www.patreon.com/posts/when-clock-broke-106803105

Progressives are also an uneasy coalition that is easily splintered. As Naomi Klein argues in her essential Doppelganger, the liberal-left coalition is inherently unstable and contains the seeds of its own destruction:

https://pluralistic.net/2023/09/05/not-that-naomi/#if-the-naomi-be-klein-youre-doing-just-fine

Liberals have been the senior partner in that coalition, and their commitment to preserving institutions for their own sake (rather than because of what they can do to advance human thriving) has produced generations of weak and ineffectual responses to the crises of terminal-stage capitalism, like the idea that student-debt cancellation should be means-tested:

https://pluralistic.net/2022/05/03/utopia-of-rules/#in-triplicate

The last bid for an American aristocracy was repelled by rejecting institutions, not preserving them. When the Supreme Court thwarted the New Deal, FDR announced his intention to pack the court, and then began the process of doing so (which included no-holds-barred attacks on foot-draggers in his own party). Not for nothing, this is more-or-less what Lincoln did when SCOTUS blocked Reconstruction:

https://pluralistic.net/2020/09/20/judicial-equilibria/#pack-the-court

But the liberals who lead the progressive movement dismiss packing the court as unserious and impractical – notwithstanding the fact that they have no plan for rescuing America from the bribe-taking extremists, the credibly accused rapist, and the three who stole their robes. Ultimately, liberals defend SCOTUS because it is the Supreme Court. I defended SCOTUS, too – while it was still a vestigial organ of the rights revolution, which improved the lives of millions of Americans. Human rights are worth defending, SCOTUS isn't. If SCOTUS gets in the way of human rights, then screw SCOTUS. Sideline it. Pack it. Make it a joke.

Fuck it.

This isn't to argue for left seccession from the progressive coalition. As we just saw in France, splitting at this moment is an invitation to literal fascist takeover:

https://jacobin.com/2024/07/melenchon-macron-france-left-winner

But if there's one thing that the rise of Trumpism has proven, it's that parties are not immune to being wrestled away from their establishment leaderships by radical groups:

https://pluralistic.net/2023/06/16/that-boy-aint-right/#dinos-rinos-and-dunnos

What's more, there's a much stronger natural coalition that the left can mobilize: workers. Being a worker – that is, paying your bills from wages, instead of profits – isn't an ideology you can change, it's a fact. A Christian nationalist can change their beliefs and then they will no longer be a Christian nationalist. But no matter what a worker believes, they are still a worker – they still have a irreconcilable conflict with people whose money comes from profits, speculation, or rents. There is no objectively fair way to divide the profits a worker's labor generates – your boss will always pay you as little of that surplus as he can. The more wages you take home, the less profit there is for your boss, the fewer dividends there are for his shareholders, and the less there is to pay to rentiers:

https://pluralistic.net/2024/04/19/make-them-afraid/#fear-is-their-mind-killer

Reviving the role of workers in their unions, and of unions in the Democratic party, is the key to building the in-party power we need to drag the party to real solutions – strong antimonopoly action, urgent climate action, protections for gender, racial and sexual minorities, and decent housing, education and health care.

The alternative to a worker-led Democratic Party is a Democratic Party run by its elites, whose dictates and policies are inescapably illegitimate. As Hamilton Nolan writes, the completely reasonable (and extremely urgent) discussion about Biden's capacity to defeat Trump has been derailed by the Democrats' undemocratic structure. Ultimately, the decision to have an open convention or to double down on a candidate whose campaign has been marred by significant deficits is down to a clutch of party officials who operate without any formal limits or authority:

https://www.hamiltonnolan.com/p/the-hole-at-the-heart-of-the-democratic

Jettisoning Biden because George Clooney (or Nancy Pelosi) told us to is never going to feel legitimate to his supporters in the party. But if the movement for an open convention came from grassroots-dominated unions who themselves dominated the party – as was the case, until the Reagan revolution – then there'd be a sense that the party had constituents, and it was acting on its behalf.

Reviving the labor movement after 40 years of Reaganomic war on workers may sound like a tall order, but we are living through a labor renaissance, and the long-banked embers of labor radicalism are reigniting. What's more, repelling fascism is what workers' movements do. The business community will always sell you out to the Nazis in exchange for low taxes, cheap labor and loose regulation.

But workers, organized around their class interests, stand strong. Last week, we lost one of labor's brightest flames. Jane McAlevey, a virtuoso labor organizer and trainer of labor organizers, died of cancer at 57:

https://jacobin.com/2024/07/jane-mcalevey-strategy-organizing-obituary

McAlevey fought to win. She was skeptical of platitudes like "speaking truth to power," always demanding an explanation for how the speech would become action. In her classic book A Collective Bargain, she describes how she built worker power:

https://pluralistic.net/2023/04/23/a-collective-bargain/

McAlevey helped organize a string of successful strikes, including the 2019 LA teachers' strike. Her method was straightforward: all you have to do to win a strike or a union drive is figure out how to convince every single worker in the shop to back the union. That's all.

Of course, it's harder than it sounds. All the problems that plague every coalition – especially the progressive liberal/left coalition – are present on the shop floor. Some workers don't like each other. Some don't see their interests aligned with others. Some are ornery. Some are convinced that victory is impossible.

McAlevey laid out a program for organizing that involved figuring out how to reach every single worker, to converse with them, listen to them, understand them, and win them over. I've never read or heard anyone speak more clearly, practically and inspirationally about coalition building.

Biden was never my candidate. I supported three other candidates ahead of him in 2020. When he got into office and started doing a small number of things I really liked, it didn't make me like him. I knew who he was: the Senator from MBNA, whose long political career was full of bills, votes and speeches that proved that while we might have some common goals, we didn't want the same America or the same world.

My interest in Biden over the past four years has had two areas of focus: how can I get him to do more of the things that will make us all better off, and do less of the things that make the world worse. When I think about the next four years, I'm thinking about the same things. A Trump presidency will contain far more bad things and far fewer good ones.

Many people I like and trust have pointed out that they don't like Biden and think he will be a bad president, but they think Trump will be much worse. To limit Biden's harms, leftists have to take over the Democratic Party and the progressive movement, so that he's hemmed in by his power base. To limit Trump's harms, leftists have to identify the fracture lines in the right coalition and drive deep wedges into them, shattering his power base.

Support me this summer on the Clarion Write-A-Thon and help raise money for the Clarion Science Fiction and Fantasy Writers' Workshop!

If you'd like an essay-formatted version of this post to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:

https://pluralistic.net/2024/07/14/fracture-lines/#disassembly-manual

[qqueenofhades]

I just feel like even if we all vote and Biden wins, Trump won't accept the loss, and eventually they'll just put him in anyway. And then there won't be another real election. Even if Biden wins and somehow is actually confirmed (which again, I think is unlikely) we're going to have to do this for 30 more years because of the SC, and that isn't at all sustainable.

All this isn't to say I won't vote but I just think people are being way too optimistic about what happens if Biden wins. I don't think him winning will keep Trump out or the horrible fascist future at bay.

Look, I get the fear. I do, I do... but this is also one of the times when you have to ask if it's actually telling you something true, or if it's just preying on that generalized feeling of doom to make everything seem hopeless even if we win again. And that is... there is absolutely no actual mechanism for Trump to be installed as president if Biden wins the Electoral College (since as we have repeatedly seen, the popular vote is immaterial). SCOTUS is horrible and evil and are trying to interfere as much ahead of time for Trump as they can, but part of that is because they can't simply issue an order for Biden to be removed and Trump to become God King By Fiat. That is not how it works. If Biden wins in November, he will be president until his term ends, he steps down, Kamala takes over, or anything else.

Trump tried a coup with all the entire overwhelming might of the US government as the sitting president last time; fortunately, it failed. Reforms to the Electoral Count Act have been made to prevent another January 6. The Department of Defense and the military are still under (and would be on another January 6) Biden's command, not Trump's. That's not to say that Trump won't try some shit with his insane cult followers, but he is just a late 70s conman from Queens out on bail and under sentence for a criminal trial, who is already the biggest and most disgraced loser and asshole in American political history. He is so desperate to cheat his way back into power because in a real sense, this IS the last-chance saloon for him. He can't put off the legal proceedings, however long they take, for another four years. He's losing his marbles at a rapid rate. I'm just saying: we don't know what or when, but there will be (and already have been) real consequences for him. That is why he is scrabbling so hard.

"Even if we vote, nothing matters and Trump will win anyway" is another of those insidious lies that works to make you feel as if the battle is endless and pointless and none of its victories matter. Of course it will not all be magically fixed forever if Biden wins. We will still have to figure some godforsaken fucking way to expand SCOTUS or kick Alito and Thomas off it. But we will have bought ourselves, our democracy, our country, and the world time to do that, and put another nail in Trump's coffin. That matters. It matters a lot.

Fascism wants to present itself as overwhelming, irresistible, inevitable, and ready to happen no matter what you do, and that's what your brain wants you to buy in now. But that's not the case, Trump is not inevitable or some all-powerful monolith (in fact, another of the debate takeaways seemed to be that Biden looked bad but people still hate Trump too much for it to really shift anything). He is a loser, a fraud, a conman, a liar, and a crook, and he WANTS you to fear him like an almighty god. Don't give him or the MAGAGOP the satisfaction.

Frankly, having to endure another four months of this might kill us all, and I know that we are tired and scared (me too). But IT IS NOT INEVITABLE THAT WE ARE DOOMED. Not at all. Let's hang onto that and tell that anxiety doom voice to shove it.

Hugs.

[zvaigzdelasas]

[USA Today is US Private Media]

Lebanon has been attacked by something the world has never seen before ‒ a mass sabotage of electronic devices remotely detonated. Tiny bombs inside pagers and walkie-talkies went off as the devices' users were in homes, supermarkets, buses and on the streets. At least 37 people, including two children, were killed and thousands wounded in two waves of attacks this week. Lebanon's government and Hezbollah, an Iran-backed group that uses the nation as a base for its militants, both blamed Israel. Israel has not claimed responsibility for the attacks directly, but anyone who pays attention to the Middle East understands that this operation almost certainly originated in Tel Aviv.[...]

On Friday, Israel launched an airstrike that reportedly killed senior Hezbollah commander Ibrahim Aqil in Beirut. Israeli officials said Hezbollah later fired dozens of rockets into northern Israel.[...]

When you turn pagers into bombs, you have to know that there will be a high risk of collateral damage. The pagers belonged not just to military members of Hezbollah, but also medical staff and others.[...]

[Now,] an entire nation, Lebanon, has been terrorized. Its medical facilities are straining to handle all the bomb victims. Some in Lebanon are comparing the feeling of insecurity to the awful aftermath of the 2020 Beirut dock explosion.[...]

As an American, I financially support Israel with my tax dollars. If they are murdering Lebanese children, then to some extent, I did that.

Sure, Hezbollah’s ability to communicate internally has been gravely damaged, at least momentarily. But this tactic is spurring anger at Israel across all sectors of Lebanese society, and indeed, the Arab world. Iraq is sending medical supplies to Lebanon; Egypt is expressing solidarity.

Will it be harder or easier for Hezbollah to get recruits? The pager and walkie-talkie explosions killed and wounded a few fighters, but there will be three or four replacements for each one who fell.

[E]ven Hezbollah’s fiercest opponents are now rallying to their support.

It also will inevitably cause more and more Americans to wonder if we should be such strong supporters of a nation that uses tactics that terrorize an entire country and inevitably leave behind dead and wounded children.

20 Sep 24

[ninibeingdelulu]

Lazy kisses ✧

Plot: Cuddling with your boyfriend .

An idle Sunday lazed by in sun-dappled tranquility, the midday silence cloaking your shared bedroom in a syrupy warmth.

Not even the hazy tick of the bedside clock intruded upon this blissful pocket of domesticity - save for the occasional breathy sigh escaping your lips as you lost yourself within the pages splayed before you.

Nestled amidst the cozily rumpled sheets lay Leon - your normally unshakable, clear-eyed sentinel anchored steadfastly against the world's roiling tides of nightmarish evil.

Yet within these achingly finite moments behind closed doors, even that stalwart facade softened into pure boyish vulnerability.

Gradually stirring from a deep, much-needed slumber after over a week's deployment, Leon drowsily burrowed tighter against your bare thigh with a mumble muffled by plush bedding.

Still smeared in the dregs of jet lag and weariness plaguing those steely features despite being worlds away from his latest harrowing operation.

Simply sinking deeper within your comforting presence with a reflexive nuzzle sent your chest swelling with boundless affection.

Those habitually hyper-alert gunmetal irises remained obscured beneath a heavy fringe of tawny lashes, angular jawline lax.

Leon Kennedy - the living epitome of unrelenting willpower and heroism borne from steel - reduced to nothing more than an endearingly rumpled mass in slackened repose beside you.

Just one innocuous shift of the mattress was all it took for those gunmetal blues to finally drag open through a squint, fixating upon your doting half-smile with a tender yearning.

The sort which inevitably dissolved every carefully maintained stoicism within their molten depths.

Reaching across the sliver of space between you, Leon toyed idly with a lock of your tousled hair, drifting nearer until your faces hovered a hairsbreadth apart.

Until his baritone burr ghosted over your parted lips like velvet rasping across satin.

"Hey...missed you," that chiseled visage tilted into yours ever-so-slightly, thumb sweeping reverently along your jawline with undisguised longing.

"Kiss me?"

Catching your giggle before it could fully bubble up, you nodded and carefully tucked your novel away.

Because the toweringly heroic, hyper-competent government operative you'd fallen so maddeningly hard for morphed into the gentlest, neediest lover once breaching your oasis's bounds.

Skimming the calloused pad of your thumb across his whiskered jaw, you felt that delicious familiarity thrumming beneath in the tautening of sinewy muscle and tendons as Leon initiated the achingly slow, unhurried collision of your mouths.

Yet with none of the commanding intensity one would expect from such an epitome of masculine fortitude.

Instead, the instant your lips brushed in gossamer friction, Leon melted like warmed honey into your soothing embrace.

Solid contours molding seamlessly against you as that impassioned heat blossomed steadily across your mouths and into hungry, writhing depths.

Sloppy and luxuriantly decadent, your limbs languidly tangling as scorching pants mingled on feverish cusp of perpetual collapse.

Silken muscle glided in achingly deliberate, indulgent strokes of worship. Chasing the maddening bliss only he could lure forth with such practiced reverence.

Wholly cherished and consumed, swathed in the rich cedar and gunpowder musk cloaking your senses, you both spun deliriously in a centrifuge of celestial descent - until rasping breaths and tender caresses ultimately pulled back the hazy veil.

Lids fluttered open in tandem, mere inches between your swollen, reddened lips as molten slate gray bore unguarded into yours.

A barely-perceptible smile ghosted across Leon's finely-hewn features - rare and infinitely more beautiful than any treasures hoarded across the globe.

"Thanks, gorgeous..." he purred, hoarse and thoroughly spent as you traded trembling inhales and exhales.

"Was needing that. Bad."

And with zero preamble, he reclined back into that sweet respite afforded between your cradling arms and heartbeat's lullaby like a contented infant - soaking in the solace and reprieve you alone could grant.

Peering down at your beloved, honed warrior recharging his depleted batteries while you tenderly sifted adoring fingers through his burnished forelocks, you couldn't help but shake your head through another helpless giggle.

Leon Kennedy.

The very man entrusted with safeguarding humanity from incomprehensible evil incarnate.

A deadly, hyper-lethal force to be reckoned with by hell's legions.

Yet in this sanctuary of love and tenderness you shared, he teetered forever on the precipice of simply dissolving into a huge, needy baby within your sheltering arms.

And honestly? You wouldn't have traded this meltingly sweet authenticity for all the universe's wealth and laurels.

[theygotlost]

vetinari is such a fascinating character to me because you cannot simply call him evil. he has all the aesthetic trappings of the Evil Ruler: a self-proclaimed tyrant, serious black robes, a devilish goatee, the tendency to raise an eyebrow or steeple his fingers in a grim manner, the torture chambers and dungeons in his palace, his wretched little pet that he loves so much, everyone is deathly afraid to cross him for fear of the Consequences, so on and so forth...

but he's not "EVIL". he doesn't take delight in senseless violence or act cruel for cruelty's sake. he's not ambitious or hungry for power. he's never a true antagonist, and is often working on the same side as the protagonists (or it might be more accurate to describe his role as a secret third thing). he's really not an unreasonable man on the whole. if vetinari is one thing, he's a pragmatist.

he considers idealism a waste of time because he knows his subjects too well for that. he can easily understand a cruel and villainous attitude, which is not the same thing as agreeing with it: with every new development in technology or society he immediately asks, "how are people going to exploit this? how could it be used dangerously?" not because he plans on doing it himself, but because it pays to know how somebody else will. ankh-morporkians agree: love him or hate him, vetinari's system works because it meets people where they're at.

this started as a post just about vetinari but then it got me thinking.... vetinari's method is not the only successful form of leadership we see. carrot is a natural born (ahem) leader whose outlook is the polar opposite from vetinari's; he operates on the assumption that everyone has good intentions and are fundamentally good people. and because he believes it so strongly and earnestly, people can't help but believe that it must be true, hence a self-fullfilling prophecy. which is great! the world would benefit immensely from more carrots!

buuut..... you can't really run a government that way, can you? you can't just say "let's all pinky promise to be chill and act super niceys from now on ok? 🙂" as a legally binding contract for millions of people. you need something to fall back on when that contract is inevitably violated. carrot can't imagine that anyone would ever do that, but vetinari knows they will, and accounts for every possible contingency. I think what pratchett is telling us, in a nutshell, is to plan for the worst and hope for the best.

the relationship between vetinari and carrot is one I don't see discussed much (admittedly since it's not very substantial), but it's interesting to think about. in his interactions with carrot vetinari is usually bemused at best and impatient at worst, but we know he's plenty smart enough to recognize carrot's value and what he's capable of.

[psychotrenny]

It’s fucking insane to me how normal Yankee Liberals are about Hawaii. As in like the way they just treat it as an unremarkable fact that their nation controls the island. Like the annexation of Hawaii wasn’t just any old example of Settler-Colonialism, the subjugation of a decentralised non-urbanised people that could be just dismissed as mere “tribes” or what have you. Not to say that such forms of “typical” Settler Colonialism are any less abhorrent or disgusting, just easier to justify from a Liberal point of view. Easier to claim that they weren’t *really* using the land properly or that they were an hopelessly and eternally backwards who only really benefitted from their conquest or that they were doomed and dying anyway and their fate was a mere tragic inevitability not worth dwelling on or… Point is all these arguments are all wrong and stupid and cruel but they can serve well enough to downplay or justify such atrocities in the eyes of Imperial Core Liberals.

But like with Hawaii you don’t have that. The Kingdom of Hawai’i was a sovereign state that was internationally recognised as such by the Great Powers of Europe even at the very height of Western Imperialism. Literacy rates were high and compulsory education was introduced in 1841 (pre-dating the US by 77 years), healthcare was given to all Hawai’ian subjects free of charge, Christianity was dominant (so even the most ardent Imperialist couldn’t claim that the people were in the thrall of some “barbaric superstition” that necessitated the “civilising influence” of empire) and it had a well-developed Capitalist economy dominated by Sugar production.  Like even if we take the Western model of statehood as the be all end all of what separates the civilised from the savage (to be clear hear you really fucking shouldn’t, but many people do so for a second that’s the frame of reference we’ll employ) then Hawai’i was very much unambiguously the former.  But that didn’t stop the US from shamelessly interfering it’s politics Indeed those aformentioned markers of Western-Style “civilisation” and “development” came with the price of allow US missionaries and investors to settler in the islands and become very wealthy and influential. For decades the US used the threat of force to influence the policy decisions of the kingdom, going as far as to regularly send warships in a classic display of “gunboat diplomacy”. In 1887 a US settler militia called the First Honolulu Rifles staged a coup where they forced Kalākaua to accept a new Constitution that heavily favoured the interests of USamerican settlers who had grown very wealthy through their investment in sugar production on the island.  It stripped the Monarchy of much of its power and introducing requirements for voting that heavily favoured US settlers; re-introducing wealth/property requirements that were now higher than even, allowing resident aliens to vote and just outright banning any Asian immigrants from voting (which at that point had as much to do with plain racial hatred as it did to any acting threat they might have posed). This wasn’t enough for the Yanks and 6 years later a group of 13 US settlers known as the “Committee of Safety” outright overthrew the newly crowned Queen Liliʻuokalani when she refused to co-operate. It existed briefly as an “Independent” USamerican dominated republic before the US government decided to official annex it in 1898 (similar to what you saw with Texas or California).

While incredibly controversial at the time due to both strategic concerns with the annexation of ultramarine territories and some level of outrage at the shameless take-over of a sovereign nation (hence the time gap between the coup and the actual annexation), nowadays Yanks enjoy their control over the island without the slightest care in the world. They even turned it into a tourist destination, a heavily romanticised one that not only receives many millions of visitors every year but is constantly mentioned in the popular culture the US then proceeds to export all over the world, literally revelling in their land that is by literally any definition (even the most nakedly pro-imperialist) stolen. The land itself is severely exploited to the point of significant ecological damage, the indigenous peoples too are exploited as many of them live in poverty while US investors grow wealthy from their land and labour. Even their very culture is stolen and monetised, the most marketable parts bastardised into cheap kitsch and the rest of it left to rot, only kept alive through over a century of continued resistance from the indigenous peoples. It’s a very common story of course, but I think it stands out with how utterly ghoulish it is even under the most Liberal of consistently applied worldviews. It would be like if in say 2007 someone set up Disneyland in Bagdad. And yet by the vast majority of the US (and by extension the vassals states whose view of the situation is filtered through the lens of US media and propaganda) it isn’t seen that way. Hawaii is just the 50th state, the only state outside North America and in the tropics (hahaha ain’t that a neat little fact. Geography is so fun J), an island paradise perfect to visit with the whole family and yet still as American as Apple Pie. Even many self-described “progressives” talk about it in this way, at most mentioning the plight of the indigenous Hawaiians with minimal though as to how this situation came about. Like while the story of Hawaii is far from unique; even in terms of the US doing colonialism to Westernised peoples you examples such as the ethnic cleansing of the Five Civilised Tribes from the Eastern USA, it still stands out to me with the sheer level of international recognition and Western-style development that the Kingdom of Hawai’i possessed. Like it’s just such an obvious example of the naked greed at the heart of the USamerican empire, and how utterly bullshit talk of a “civilising mission” and “spreading democracy” is. No matter what they may claim, no matter what excuses they may trot out, Imperialist rapacity has no limits.

[dailyrothko]

No, the Popularity of Abstract Art is Not the Result of a CIA PsyOp

If you are unlucky enough to move around the internet these days and talk about art, you’ll find that many “First commenters” will hit you with what they see as some hard truth about your taste in art. Comments usually start with how modern art is “money laundering” always comically misunderstanding what that means. What they are saying is that, of course, rich people use investments as tax shelters and things like expensive antiques and art appraised at high prices to increase their net worth. Oh my god, I’ve been red-pilled. The rich getting richer? I have never heard of such a thing.

What is conveniently left out of this type of comment is that the same valuation and financial shenanigans occur with baseball cards, wine, vacation homes, guitars, and dozens of other things. It does indeed happen with art, but even the kind that the most conservative internet curator can appreciate. After all, Rembrandts are worth money too, you just don’t see many because he’s not making any more of them. The only appropriate response to these people who are, almost inevitably themselves, the worst artists you have ever seen, is silence. It would cruel to ask about their own art because there’s a danger they might actually enjoy such a truly novel experience.

When you are done shaking your head that you just subjected yourself to an argument about the venality of poor artists plotting to make their work valuable after they died, you can certainly then enjoy the accompanying felicity of the revelation they have saved to knock you off your feet: “Abstract art is a CIA PsyOp”

Here one must get ready either to type a lot or to simply say “Except factually” and go along your merry, abstract-art-loving way. But what are the facts? Unsurprisingly with things involving US government covert operations, the facts are not so clear.

Like everything on the internet, you are unlikely to find factual roots to the arguments about government conspiracies and modern art. The mere idea of it is enough to bring blossom for the “I’m not a sheep” crowd, some of whom believe that a gold toilet owning former president is a morally good, honest hard-working man of the people.

The roots of this contention come from a 1973 article in Artforum magazine, where art critic Max Kozloff wrote about post-war American painting in the context of the Cold War, centering around Irving Sandler’s book, The Triumph of American Painting (1970). Kozloff takes on more than just abstract expressionism in his article but condemns the “Self-congratulatory mood”of Sandler’s book and goes on to suggest the rise of abstract expressionism was a “Benevolent form of propaganda”. Kozoloff treads a difficult line here, asserting that abstraction was genuinely important to American art but that its luminaries, “have acquired their present blue-chip status partly through elements in their work that affirm our most recognizable norms and mores.”

While there were rumblings of agreements around Kozloff’s article of broad concerns, it did not give birth to an actual conspiracy theory at the time. The real public apprehension of this idea seems to mostly come from articles written by historian Frances Stonor Saunders in support of her book, “The Cultural Cold War: The CIA and the World of Arts and Letters” (New York, New Press, 2000). (I have not read this 525 page book, only excerpts).

The gist of Ms. Saunders argument is a tantalizing, but mostly unsupported, labyrinthine maze of back door funding and novelistic cloak and dagger deals. According to Saunders, the Congress for Cultural Freedom (CCF), an anti-communist cultural organization founded in 1950, was behind the promotion of Abstract art as part of their effort to be opinion makers in the war against communism. In 1966 it was revealed that the CCF was funded by the CIA. Saunders says that the CCF financed a litany of art exhibitions including “The New American Painting” which toured Europe in the late 1950s. Some of this is true, but it’s difficult, if not impossible, to know the specifics.

Noted expert in abstract-expressionism, David Anfam said CIA presence was real. It was “a well-documented fact” that the CIA co-opted Abstract Expressionism in their propaganda war against Russia. “Even The New American Painting [exhibition] had some CIA funding behind it,” he says. But the reasons for this are not quite what the abstract art detractors might be looking for. After all, the CCF also funded the travel expenses for the Boston Symphony Orchestra and promoted Fodor’s travel guides. More than trying to pull the wool over anyone’s eyes, it was meant to showcase the freedom artists in the US. enjoyed. Or as Anfam goes on to say, “It’s a very shrewd and cynical strategy, because it showed that you could do whatever you liked in America.”

For what it’s worth, Saunders’s book was eviscerated in the Summer 2000 issue of Art Forum at the time of its publication. Robert Simon wrote:

“Saunders draws extensively on primary and secondary sources, focusing on the convoluted money trail as it twists through dummy corporations, front men, anonymous donors, and phony fund-raising events aimed at filling the CCF’s coffers. She makes lengthy forays into such topics as McCarthyism, the formation and operation of the CIA, the propaganda work of the Hollywood film industry, and New York cultural politics—from Partisan Review to MoMA to Abstract Expressionism. Yet what seems strangely absent from Saunders’s panoramic history, as if it were a minor detail or something too obvious to require discussion, is the cultural object itself: The complex specifics of the texts, exhibitions, intellectual gatherings, paintings, and performances of the culture war are largely left out of the story.”

Another problem with the book seems to be that Saunders is an historian but not an art historian. For me, I sensed an overtone of superiority in the tale she’s spinning and most assuredly from those that repeat its conclusion. The thinly veiled message of some is that if it were “Real art” it would not have had be part of this government subterfuge. The reality is very different. For one thing, most of us know it is simply not true that you can make people devoted to a type of art for 100 years that they would sensibly hate otherwise. Another issue is that it’s quite obvious none of the artists actually knew about any government interference if there was any. Pollock, Rothko, Gottlieb and Newmann were all either communists or anarchists. Hardly the group one would recruit the help the US government free the world of communism. Additionally, this narrow cold war timeline ignores a huge amount of abstract art that Jackson Pollock haters also revile and consider part of the same hijacking of high (Frankly, Greek, Roman, or Renaissance) culture. If you look at the highly abstract signature work of Piet Mondrian and observe the dates they were painted, you’ll see 1908, 1914, 1916. This is some of the art denigrated as a CIA PsyOP, 35 years before the CIA even thought about it. Modern art didn’t come from nowhere as many would have you believe to discredit its rise. There was Surrealism, Dada, Bauhaus, Russian futurism and a host of other movements that fueled it.

Generally, people like to argue. On the internet, “I don’t like this” is a weak statement that always must be replaced by “This is garbage” or my favorite, “This is fake.”

It’s hardly surprising that the more conservative factions of our society look for any government involvement in our lives to explain why things are not exactly as they wish them to be, given the (highly ironic) conservative government-blaming that blew up after Reagan. In addition, modern fascists have always had a love affair with the classical fantasy of Greece and Rome. Both Mussolini and Hitler used Greece and Rome as “Distant models” to address their uncertain national identity. The Nazis confiscated more than 5,000 works in German museums, presenting 650 of them in the Entartete Kunst (Degenerate Art, 1937) show to demonstrate the perverted nature of modern art. It featured artists including Marc Chagall, Max Ernst, Wassily Kandinsky, and Paul Klee, among others. The fear of art was real. It was the fear of ideas.

To a lot of people on the internet just the mentioning a “CIA program” is enough to get the cogs turning, but as with many things, the reality of CIA programs and government plots is often less than evidence of well planned coup.

The CIA reportedly spent 20 millions dollars on Operation Acoustic Kitty which intended to use cats to spy on the Kremlin and Soviet embassies. Microphones were planted on cats and plans were set in motion to get the cats to surreptitiously record important conversations. However, the CIA soon discovered that they were cats and not agreeable to any kind of regulation of their behavior.

As part of Operation Mongoose the CIA planned to undermine Castro's public image by putting thallium salts in his shoes, which would cause his beard to fall out, while he was on a trip outside Cuba. He was expected to leave his shoes outside his hotel room to be polished, at which point the salts would be administered. The plan was abandoned because Castro canceled the trip.

Regardless of your feelings on this subject or how much you believe abstract art benefited from government dollars, Saunders herself quotes in her book a CIA officer apparently involved in these “Long leash” influence operations. He says, “We wanted to unite all the people who were writers, who were musicians, who were artists, to demonstrate that the West and the United States was devoted to freedom of expression and to intellectual achievement, without any rigid barriers as to what you must write, and what you must say, and what you must do.” Hardly the Illuminati plot we were promised.

In 2016, Irving Sandler, author of the book that started Kozloff tirading in 1973, told Alastair Sooke of The Daily Telegraph, “There was absolutely no involvement of any government agency. I haven’t seen a single fact that indicates there was this kind of collusion. Surely, by now, something – anything – would have emerged. And isn’t it interesting that the federal government at the time considered Abstract Expressionism a Communist plot to undermine American society?”

This blog post contains information and quotes sourced from The Piper Played to Us All: Orchestrating the Cultural Cold War in the USA, Europe, and Latin America, Russell H. Bartley International Journal of Politics, Culture, and Society, Vol. 14, No. 3 (Spring, 2001), pp. 571-619 (49 pages) https://www.bbc.com/culture/article/20161004-was-modern-art-a-weapon-of-the-cia https://brill.com/view/journals/fasc/8/2/article-p127_127.xml?language=en https://www.guggenheim-bilbao.eus/en/learn/schools/teachers-guides/the-dark-side-of-classicism https://www.artforum.com/features/american-painting-during-the-cold-war-212902/ https://www.independent.co.uk/news/world/modern-art-was-cia-weapon-1578808.html https://www.artforum.com/columns/frances-stonor-saunders-162391/ https://www.artforum.com/features/abstract-expressionism-weapon-of-the-cold-war-214234/ Mark Rothko and the Development of American Modernism 1938-1948 Jonathan Harris, Oxford Art Journal, Vol. 11, No. 1 (1988), pp. 40-50 (11 pages)

[booasaur]

Remember during the 2016 elections, we were so scared of what Trump might do? How afraid we were for Roe but were told by so many people, pro-choice people even, that it was such settled law and it would be such a flashpoint, they'd never touch it. Don't overreact, you sound hysterical, this fearmongering is ruining your credibility. Hell, maybe worry for gay marriage, but abortion? No chance.

We watched Kavanaugh and ACB confirmed with increasing trepidation and STILL there was so much shock when the Dobbs leak happened.

Remember that feeling of knowing what was going to happen, because of your experience and knowledge, and nobody believing you till it was too late? And the very people who smugly shut you up pivoting and continuing to act like the authority, that, ah, yes, now was the time to worry?

This guy above represents the mainstream Western narrative since Israel killed the World Central Kitchen aid workers.

Somehow, after everything we've already seen, Israel was still getting the benefit of the doubt. After killing hundreds of aid workers already, mostly Palestinian, after killing more than 15,000 children, after killing multiple people waving white flags. After literally a scenario where a Red Crescent ambulance arranged safe passage with the IDF--just as this WCKitchen convoy had--to rescue a 6 year old child and ending up bombed.

Why didn't the world listen before? Israel didn't suddenly change, only perceptions have. They're the same now as they were three days ago, as they have been for the last months, years, decades. This wasn't an escalation, it was an inevitability.

Chef José Andrés, who runs the WCKitchen, and recently a vocal critic of Israel, was actually strongly defending them earlier. I saw someone call that Western naivety, but... is it simply being too naive, too trusting, when your good faith is only extended to one side? Isn't that just bias? Now Pelosi is signing a letter to stop weapon transfers to Russia when she was accusing protesters of being paid by Russia? Now, Western governments are saying this is too much?

I'll take any help we can get in stopping this onslaught, but these recent shifts came too late to save so many, including the WCKitchen workers. What changed for so many people now? We can't ignore why THIS was so many people's red line when tens of thousands of Palestinians weren't. Not only would it be an injustice to them but until this bias is interrogated how are we going to stop this or from repeating if the same wrong ass people are making the same decisions with the same worldview?

[artbyblastweave]

🔥 government-sanctioned superheroes

So for a long time, in many spaces in which I was in, the reflexive intellectual contrarian position on superheroes as a broad concept- often framed in liberal terms, liberal in an American context, because this was frequently regarding the Superhuman Registration Act from Marvel specifically- was that superheroes are unaccountable, and if they were real the correct, or at least inevitable thing would be some form of nationalization or licensing system. After all, these people are untrained irregulars, appointed by no one and answerable to no one except whoever's powerful enough to bring them down in a fight- would we really want them running around with no oversight from our good friend The Government? Who watches the Watchmen?

And, you know, a lot of these premises are basically correct. But about four years ago, as a very ancillary point to, uh, everything else going on at the time, it was quietly cemented for me that there had always been a version of this argument being made from a position of ridiculously unwarranted faith in proceduralism, in the goodwill of the government and law enforcement in particular. Versions of this argument being made by people who've never had a bad encounter with the cops. Maybe it's not the worst thing in the world that Spider-Man usually isn't on speaking terms with the NYPD, actually! Maybe you very much don't want him to be!

That said, I think there are certainly risks of swinging too far in the other direction here, beetlejuicing into the conversation a particularly annoying kind of cape fan who treats superheroes as leftist, anarchist or at least antiauthoritarian by default- they aren't, you have to work to characterize them that way, and it's often extremely visible that you're doing that work. As you may have been able to tell from some of my recent bitter doomposting, my own stance has ultimately settled at a glum median "I hope they bite each other's dicks off" kind of position. I think it's possible to do a cape thing that's meaningfully anti-state or anti-police in the way people badly want them to be, but as always you're now left holding the bag of trying to explain how your grassroots outside-the-system vigilante culture isn't going to degenerate into cops 2, the sequel to cops. It requires actual thought! It's likely on some level what that story would be about.

[whetstonefires]

Man sometimes I still think about Alfred's Bandit Anecdote in The Dark Knight (2008).

So, the most straightforward reading of this sequence seems to have been the one Nolan intended, because he is not actually a subtle filmmaker, and the further we got into the series the more heavily he committed to making Alfred a mouthpiece. Old man provides words of wisdom that frame the correct understanding of the situation; you can tell it's meant to be correct because subsequent Joker appearances reinforce its thesis statement.

Intended takeaway: some men (like the Joker) don't have rational motivations, they just 'want to watch the world burn,' and you have to account for that when trying to counter them. Chaos agents, basically unstoppable by reasonable means.

But the thing is. This is not a story that stands up to even mild interrogation. The number of assumptions Nolan wants us to swallow without blinking is kind of stunning.

First of all the obvious timeline questions that arise: the Anglo-Burmese Wars and periods between and leading up to them where this kind of white man's burden 'delivering jewels to local elites In The Burmese Jungle to sway them toward British interests, but getting waylaid by bandits' scenario makes any sense all, happened in the 19th century.

The Burmese resistance in the 1930s was centered on university student protests and that sort of thing; it was reasonably successful in moving Myanmar toward independence by increments, though who knows what would have happened without WWII. But it did not provide anyone with reasons to be hand-carrying huge gemstones through forests.

Even if we assume this was somehow a 20th century event, it has to have been before WWII unless we want to postulate a complete alt-history setting, and since The Dark Knight leans heavily into being a modern 21st century story with like, cell phone networking as a major plot point, this still makes Alfred old as balls. Born no later than 1920, and probably earlier.

But that's whatever; comics time. Batman Begins did some fun stuff (possibly in imitation of Batman (1980)) with making it ambiguous what decade it was supposed to be set in, though the sequels dropped that conceit. And anyway, people can be 90 years old.

So that's basically fine, although good god Wayne hire some more servants, this man should be fully retired already.

More problematic is the unfettered colonialism of it all, the confident proclamation that since this guy's motive wasn't profit, since he didn't keep the jewels, he had no motive. Because 'inconveniencing the Raj and weakening their control over the locality' isn't a Real Person Motive that a real person could have had. During or soon after failed wars to resist colonial subjugation.

Like. Come on??

The place where this story utterly shoots itself in the foot, though, is the clever bit at the end, where Bruce asks how Alfred's military unit solved the 'bandit stealing jewels he didn't even want' problem and Alfred's like: 'we burned the forest to the ground.'

Because this is so punchy! In screenwriting technical terms, it's quite well done. It's useless advice that loops the story back to its themes; obviously Batman can't burn Gotham down to get the Joker. Even in a Batman movie that doesn't like Batman very much, this is still obvious.

But at the same time this totally takes the legs out from under Alfred's words of wisdom about human nature. Because if that bandit 'wanted' to 'watch the world burn' then what his unit did wasn't so bad, right; he was basically asking for it. Burning a forest down with all the inevitable collateral damage and economic and ecological cost, all for the sake of horribly killing a group of people in the name of government revenues was totally okay guys!

It transforms the whole thing into a pretty obvious post facto rationalization of colonial violence. Which makes the Insights Into Human Nature bit real questionable!

But the movie gives absolutely no sign of having noticed this.

[dduane]

Rehoming Holmes

So here's the current interesting problem: You discover that you're in the process of writing a cozy mystery. And then you discover that the lead sleuth in this work is going to be Sherlock Holmes. (And of course Dr. John Watson is there too.)

The big question, therefore, becomes: when?? And secondarily, where?

(Inserting a break here, because this goes on a bit. Caution: contains World War I, railway lines, chronic illness, unrealistic attempts to be a hermit, and [what did you expect?] bees.)

Wedging the cozy mystery concept into Sherlock Holmes's schedule is inevitably going to be a dicey business. Because Holmes, in Canon—right up until after the events of "His Last Bow," in the collection of the same name—is a really busy man... too busy by far to be doing the cozy thing, be he ever so retired.

We don't know a whole lot about the details of that retirement except for what Watson tells us in the preface to the collection.

The friends of Mr. Sherlock Holmes will be glad to learn that he is still alive and well, though somewhat crippled by occasional attacks of rheumatism. He has, for many years, lived in a small farm upon the Downs five miles from Eastbourne, where his time is divided between philosophy and agriculture. During this period of rest he has refused the most princely offers to take up various cases, having determined that his retirement was a permanent one. The approach of the German war caused him, however, to lay his remarkable combination of intellectual and practical activity at the disposal of the Government, with historical results which are recounted in His Last Bow.

Now, when you start looking into some other details surrounding this retirement, there are some points that immediately start to be troublesome. ...Well, for me, anyway.

First of all: that picture up at the top is of the house to which he's supposed to have retired. Various Holmesians who've looked into the situation over the years seem to have settled on this spot, in East Dean in Sussex. And it has acquired a blue plaque stating that that's where Holmes wound up... which is all very well.

But for the purposes of my own storytelling, I've got concerns.

We know from various comments dropped by Watson in Canon that he and Holmes haven't seen each other for some years, and that Holmes has been living "the life of a hermit" on his farm with his bees.

What I'm not sure about is how you live like a hermit in a house which is (and then was) sited directly on the East Dean village green, with the village pub right across the green from you. It seems like a spot poorly chosen, and maybe chosen in haste. (And how big can that "farm" be, with the village around it? Honestly.)

There's another problem, though, that it astounds me never occurred to Arthur Conan Doyle when he initially chose to retire Holmes to that neck of the woods. The whole area near Eastbourne, sited as it is really close to the south coast of England, is (relatively speaking) an exposed and frequently chilly, damp area routinely exposed to coastal gales. Having just retired Holmes there, that Doyle could then in the next sentence describe Holmes as suffering more or less chronically from rheumatoid arthritis gives me all kinds of trouble. Because I sure know what my arthritis does to me in cold damp weather! And the first thought I had on reading that line in the wake of wanting to tell a story realistically based further along in Holmes's retirement period was "Wow, I need to get him the hell out of there."

Yet here, as has happened at other happy writing moments, I find that a kindly Universe has put what I need right into my hands. Because I invite you to take a closer look at that blue plaque on the house in East Dean.

Some Holmesian who was a stickler for accuracy (or tight adherence to Canon) refused to date this retirement any further along than 1917, the date of "His Last Vow." The story itself implies that Holmes and Watson—now reunited in (covert) government service—have much more to do after '17. And then, after 1918, when WWI ends... then what?

Well, soon enough Holmes goes back into official retirement. But he does it somewhere else... because Watson's with him again.

First of all, the location changes because that little house above might have been all right for one "hermit". For two men, though? They'll need a bit more room... and maybe also a little more privacy.* ...It should be noted here in passing that as of LAST, Watson appears to have mislaid the wife mentioned in BLAN ("The Blanched Soldier"). Is it his first wife or his second...if there was a second? Who the hell even knows, at this point? (The jury's apparently still out on the subject, and some investigators suggest there might have been as many as six wives. ...But I digress.)

Anyway, the ensuing scene between Holmes and Watson, as Holmes's Doctor explains to him how things are going to be from now on since they're together again, is so easy to imagine that I'm not sure I need to do anything about it in the cozy mystery proper but allude to it in passing. The laying down of the law. The inevitable "I don't need to be coddled" bullshit. The suggestion that Holmes, for a comfortable retirement, needs a house that's sited in better-protected countryside.

Also, due to the inevitable fallout from Holmes's wartime exploits, they're going to need a house that's sited closer to a decent rail connection to London, with a telegraph office just a mile or two away if Holmes needs it... or if a client needs to come see him. (And there also needs to be a handy telephone exchange, annoying though it'll be that Lestrade's or Dimmock's successors can just ring him up and whinge at him.) Holmes will also need a place where he can at least get a decent wireless signal so he can listen to the concerts from the Continent, and closer. (Because if I wind up positioning the cozy in 1922, as seems likely, this newfangled thing called the BBC has just come online: and canonically speaking, Holmes has always been an early adopter.)

Most importantly, though—so Watson will claim—Holmes needs a rural home that will be better for the bees. The Eastbourne area isn't really great for them, being too exposed and right on the borderline of where bees can locally thrive. Fifteen or twenty miles north or so would be far better, putting less stress on the bees and therefore being less likely to skew Holmes's observational results. With this outcome particularly in mind, the two housemates-to-be can look around for a house sheltered by the Downs' low hills, with nearby fields of arable crops—very likely hops—where the bees can do their work untroubled by excessive salt air. And Holmes can tend to and study his charges in more clement conditions that won't periodically leave him immobile and in anguish due to a less forgiving climate's exacerbation of his arthritis.

Will Holmes buy into this hilariously misdirected argument without realizing (or admitting that he's realized) what Watson's trying to pull? Who can say. Holmes, as per usual, is going to put up every kind of resistance he can to avoid revealing that this outcome is absolutely what he wants more than anything. Watson, of course, will receive Holmes's fake-cranky temporizing with his usual patience... and start writing to estate agents in villages convenient to the main north-south rail line. And on the day Holmes cracks and formally agrees, Watson will telegraph the most likely agent and set up a viewing for a week or so later... of a house something like this.

The frontmost part with the peaked roof is an oast house—a structure originally built for drying hops. They're scattered all around the Surrey countryside, many having been converted over the decades into parts of homes. This one stands in the middle of a small farm where Holmes can rent out the farm's surrounding grazing to other local farmers, while attending to the only part of the farm that really interests him: the hives. And the upstairs windows, in good weather, give onto a view through the surrounding rolling countryside, downhill toward the distant haze-veiled blue of the Channel.

So now I've finally nailed down what was missing before I could really start work: a decent spot where a "a tall, gaunt man of sixty" (well, sixty-five, at this point) and his shorter, slightly stockier chronicler can settle in and get comfortable, and take on the occasional cozy case on which the fate of the free world doesn't depend. ...Insert here the sound of a writer sighing with relief.

And now back to plotting.

*But there could be all kinds of reasons for that. :)

[togglesbloggle]

Why do you think tumblr will die in only a few years?

Answer with jargon: a strong correlation between recent economic shifts and chaotic choices by major tech companies is most easily explained if the 'traditional' social media platforms of 2005-2020 are mostly a zero-interest rate phenomenon.

Longer answer, with less jargon: Even though Musk's takeover is making all the headlines recently, the last year has in fact seen major shakeups at many social media platforms, so Twitter is actually part of a trend. Almost inevitably, these are cases of social media companies trying to find a way to squeeze more money out of their userbase (Reddit), cut costs dramatically (Twitter), or both. This marks a sudden departure from a much more relaxed attitude towards revenue in the Pictures Of Cats industry, where the focus was historically more on expanding the userbase to a global scale and then counting on world domination to sort of <????> and then the company would become profitable eventually.

We joke, correctly, that Tumblr has never been profitable. But the entire structure of ad-supported content curation between human users is deeply suspect as a business model; IIRC Twitter was never profitable either, and Facebook has been juicing its numbers in very shenanigany ways. Discord was actually making money on net last I checked, at least a bit, so they're not all completely in the hole. But even if you take the accounting figures at face value, none of these companies has anything like the amount of money that their cultural prominence would suggest. Instead, they're heavily fueled by investment dollars, money given by super-rich people and institutions in the expectation that fueling the growth of the company now will pay off with interest later.

So what changed?

I'm not an expert here, but I'll do my best to muddle through. The American Federal Reserve has one mandate that dominates all others (sometimes called the 'dual mandate'), and one primary tool that it uses to enforce that mandate. The goal is to maintain low (but nonzero) rates of inflation and unemployment, which in their models are deeply interlinked phenomena. The tool is 'rate hikes', or more specifically, tweaking the mandatory rate of interest that banks charge one another when making loans.

As a particular consequence of this, hiking the rate also means that bonds start paying out much better. When the rate hike goes through, that affects people who let the government borrow their personal cash- that is, people who buy bonds- as well as institutions like banks that lend to one another. A rate hike means that you, personally, can make a little extra money by letting the government borrow it for a while. The federal government of the US is a rock-solid low-risk choice for this kind of moneymaking scheme, so the federal interest rate sort of defines the 'number to beat'; to attract investors, a company has to give those investors money at a better percentage than whatever the feds are offering. Particularly since a company is a lot more likely to go out of business than the state!

To wrap this back around to the Pictures Of Cats industry: the higher the rate hike, the better your company needs to be doing (or the less risky it needs to be as an option) to attract big investment dollars. Very high rates make it very hard to convince people to invest in business activity rather than the government itself, and very low rates put moonshots and big dreams on the table, investment-wise, in a way that wouldn't otherwise be possible. Social media companies were one of these big dreams.

In the great financial crisis of 2008, the Fed took the dramatic step of reducing their rate to zero, trying to juice the economy back to life. And ever since then, they've kept it there. This has produced an unprecedented amount of funding for very crazy stuff; it's part of what has allowed so many weird new tech companies (Uber, streaming services, etc.) to get so much money, so quickly, and use that to grow to massive size without a clear model of how they're ever going to make money. This state of affairs kept going for quite a while, with no clear stopping point; that zero-interest environment has been one of the shadowy forces in the background that shaped fundamental contours and limits in how our Very Online World has grown and developed. Until COVID.

Or rather, the bounce back from COVID: we suddenly saw a massive spike in inflation and an incredibly strong labor market, as employees quit in record numbers, negotiated higher salaries, and found better work, and at the same time supply chain issues and other economy stuff caused prices to climb dramatically. Recall the Fed's 'dual mandate', to control the employment rate and inflation. This was, basically, kicking them right in the jooblies. They responded in kind, finally finally raising their rates for the first time in 15 years. For some of the people reading this, it'll be the first significant shift in their entire adult lives.

The goal, as I understand it, is to fight inflation by reducing the amount of outside investment into private companies, forcing them to hire fewer people and pay smaller salaries, ultimately drawing money out of the working economy and driving prices back down by lowering demand for everything. You get paid less, so you eat out less, and buy at cheaper restaurants when you do, so restaurants have to compete harder by lowering their prices; seems pretty dodgy to me as a theory, but it's the theory. And the first part will almost certainly work- companies are going to see less investment.

For social media companies that are still paying most of their salaries with investor dollars instead of revenues, this is especially catastrophic. Without outside investment, they're just a massive pile of expenses waiting to happen, huge yearly costs in developer salaries and server fees. This is why, all of a sudden, every social media company is suddenly making bonkers decisions. They're noticing that nobody wants to give them any more money! So they're trying to figure out how to live a lot more cheaply, to actually somehow for reals turn their giant userbases in to some kind of actual revenue stream, or both.

Tumblr is kind of the ur-example of this kind of thing, supporting a very large userbase with no coherent plan whatsoever to start paying its staff with our dollars instead of investors' dollars. When interest rates were low and Scrooge McDuck had nowhere else to hide his pile of gold coins, a crazy kid with a dream was the best alternative available to him. But now, unless something changes, he's going to notice he can just buy bonds instead, and that crazy kid can go take a hike.

That's why I think Tumblr is living on borrowed time, though I don't know how much. Like all cartoons, the economy doesn't really fall off a cliff until somebody looks down and notices they've been standing on thin air this whole time. But they always fall eventually; that's the gag.